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74-415: In Hinduism and Jainism, Samvartaka is a force primarily wielded by the god Indra . However, some texts portray the force as being wielded by deities other than Indra. Regardless of caller or wielder, the force is portrayed as being incredibly destructive. In the epic Vana Parva , Indra calls forth Samvartaka to settle a dispute between himself and Krishna . In the epic, a jealous and prideful Indra sends

148-699: A Pontic origin and that both the phonology and the context of Indra in Indian religions is best explained from Indo-Aryan roots and a Circassian etymology (i.e. *inra ). Modern scholarship suggests the name originated at the Bactria–Margiana Archaeological Complex where the Aryans lived before settling in India. In other languages, he is also known as Indra has many epithets in the Indian religions, notably Śakra (शक्र, powerful one), Indra

222-432: A bridge for others to follow them from saṃsāra to moksha (liberation). In Jain cosmology , the wheel of time is divided into two halves, Utsarpiṇī , the ascending time cycle, and avasarpiṇī , the descending time cycle (said to be current now). In each half of the cycle, exactly 24 tirthankaras grace this part of the universe. There have been infinitely many tirthankaras in the past. The first tirthankara in

296-467: A bullish chariot, well-lipped one, as bull with bullish will, you of the mace, set us up in loot. Indra's weapon, which he used to kill the evil Vritra, is the Vajra or thunderbolt. Other alternate iconographic symbolism for him includes a bow (sometimes as a colorful rainbow), a sword, a net , a noose, a hook, or a conch. The thunderbolt of Indra is called Bhaudhara. In the post-Vedic period, he rides

370-858: A deity had a presence in northeastern Asia minor , as evidenced by the inscriptions on the Boghaz-köi clay tablets dated to about 1400 BCE. This tablet mentions a treaty, but its significance is in four names it includes reverentially as Mi-it-ra , U-ru-w-na , In-da-ra and Na-sa-at-ti-ia . These are respectively, Mitra, Varuna , Indra and Nasatya-Asvin of the Vedic pantheon as revered deities, and these are also found in Avestan pantheon but with Indra and Naonhaitya as demons. This at least suggests that Indra and his fellow deities were in vogue in South Asia and Asia minor by about mid 2nd-millennium BCE. Indra

444-415: A devastating, energetic force that will arrive as one of two comets. In the sage's words, "Like the stellar wheel rotating (repeating) in the sky, the comet-wheel also repeats in the sky. At the end of 1000 years, at the end of the comet strand, two comets—Dhūma and Samvartaka—appear together." Garga writes that these twin comets will cause earthquakes and meteorite showers that will sunder the mountains and

518-406: A god of order, and as the one who killed the great evil, an asura named Vritra , who obstructed human prosperity and happiness. Indra destroys Vritra and his "deceiving forces", and thereby brings rain and sunshine as the saviour of mankind. Indra's significance diminishes in the post-Vedic Indian literature, but he still plays an important role in various mythological events. He is depicted as

592-433: A hammer or an equivalent, for both the weapon returns to their hand after they hurl it, both are associated with bulls in the earliest layer of respective texts, both use thunder as a battle-cry, both are protectors of mankind, both are described with legends about "milking the cloud-cows", both are benevolent giants, gods of strength, of life, of marriage and the healing gods. Michael Janda suggests that Indra has origins in

666-456: A large overlap between Hinduism and Buddhism, and the adoption of many Vedic terminology and concepts into Buddhist thought. Even the term Śakra , which means "mighty", appears in the Vedic texts such as in hymn 5.34 of the Rigveda . Tirthankara In Jainism , a Tirthankara ( IAST : tīrthaṅkara ; lit.   ' ford -maker ' ) is a saviour and supreme preacher of

740-601: A large, four-tusked white elephant called Airavata . In sculpture and relief artworks in temples, he typically sits on an elephant or is near one. When he is shown to have two, he holds the Vajra and a bow. In the Shatapatha Brahmana and in Shaktism traditions, Indra is stated to be the same as the goddess Shodashi (Tripura Sundari), and her iconography is described similarly to that of Indra. The rainbow

814-449: A legend found in it , before Indra is born, his mother attempts to persuade him to not take an unnatural exit from her womb. Immediately after birth, Indra steals soma from his father, and Indra's mother offers the drink to him. After Indra's birth, Indra's mother reassures Indra that he will prevail in his rivalry with his father, Tvaṣṭar. Both the unnatural exit from the womb and rivalry with the father are universal attributes of heroes. In

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888-525: A mountain and has trapped all the waters, namely the Seven Rivers . All the gods abandon Indra out of fear of Vṛtra. Indra uses his vajra, a mace, to kill Vritra and smash open the mountains to release the waters. In some versions, he is aided by the Maruts or other deities, and sometimes cattle and the sun is also released from the mountain. In one interpretation by Oldenberg, the hymns are referring to

962-660: A powerful hero. According to the Vishnu Purana , Indra is the title borne by the king of the gods , which changes every Manvantara – a cyclic period of time in Hindu cosmology . Each Manvantara has its own Indra and the Indra of the current Manvantara is called Purandhara . Indra is also depicted in Buddhist ( Pali : Indā ) and Jain mythologies. Indra rules over the much-sought Devas realm of rebirth within

1036-400: A result of this, unlimited siddhis , or spiritual powers, are readily available to them, which they use exclusively for living beings' spiritual elevation. Through darśana , divine vision, and deshna , divine speech, they help others attain kevalajñana and moksha (final liberation). The word tirthankara signifies the founder of a tirtha , a fordable passage across saṃsāra ,

1110-652: A river-helping god in the Vedas. Further, the Vritra demon that Indra slew is best understood as any obstruction, whether it be clouds that refuse to release rain or mountains or snow that hold back the water. Jamison and Brereton also state that Vritra is best understood as any obstacle. The Vritra myth is associated with the Midday Pressing of soma, which is dedicated to Indra or Indra and the Maruts. Even though Indra

1184-609: A sustainable non-sentient universe, according to the Upanishad. The eternal Atman then enters each living being making the universe full of sentient beings, but these living beings fail to perceive their Atman. The first one to see the Atman as Brahman, asserts the Upanishad, said, " idam adarsha or "I have seen It". Others then called this first seer as Idam-dra or "It-seeing", which over time came to be cryptically known as "Indra", because, claims Aitareya Upanishad , everyone including

1258-489: Is a heroic god. In the Avestan (ancient, pre-Islamic Iranian) texts such as Vd. 10.9, Dk. 9.3 and Gbd 27.6-34.27, Indra – or accurately Andra – is a gigantic demon who opposes truth. In the Vedic texts, Indra kills the archenemy and demon Vritra who threatens mankind. In the Avestan texts, Vritra is not found. According to David Anthony, the Old Indic religion probably emerged among Indo-European immigrants in

1332-716: Is also the one who appears with his consort Indrani to celebrate the auspicious moments in the life of a Jain Tirthankara , an iconography that suggests the king and queen of superhumans residing in Svarga reverentially marking the spiritual journey of a Jain. He is a rough equivalent to Zeus in Greek mythology , or Jupiter in Roman mythology . Indra's powers are similar to other Indo-European deities such as Norse Odin , Perun , Perkūnas , Zalmoxis , Taranis , and Thor , part of

1406-524: Is called Indra's Bow (Sanskrit: इन्द्रधनुस् , indradhanus ). Indra was a prominent deity in the Historical Vedic religion . In Vedic times Indra was described in Rig Veda 6.30.4 as superior to any other god. Sayana in his commentary on Rig Veda 6.47.18 described Indra as assuming many forms, making Agni , Vishnu , and Rudra his illusory forms. Over a quarter of the 1,028 hymns of

1480-486: Is connected to a myth where Indra and his sidekick Kutsa ride the same chariot drawn by the horses of the wind to the house of Uśanā Kāvya to receive aid before killing Śuṣṇa , the enemy of Kutsa. In one myth Indra (in some versions helped by Viṣṇu ) shoots a boar named Emuṣa in order to obtain special rice porridge hidden inside or behind a mountain. Another myth has Indra kill Namuci by beheading him. In later versions of that myth Indra does this through trickery involving

1554-416: Is declared as the king of gods in some verses, there is no consistent subordination of other gods to Indra. In Vedic thought, all gods and goddesses are equivalent and aspects of the same eternal abstract Brahman , none consistently superior, none consistently inferior. All gods obey Indra, but all gods also obey Varuna, Vishnu, Rudra and others when the situation arises. Further, Indra also accepts and follows

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1628-537: Is depicted as an intoxicated hedonistic god. His importance declines, and he evolves into a minor deity in comparison to others in the Hindu pantheon, such as Vishnu , Shiva , or Devi . In Hindu texts, Indra is some times known as an aspect ( avatar ) of Shiva . In the Puranas , Ramayana and Mahabharata , the divine sage Kashyapa is described as the father of Indra, and Aditi as his mother. In this tradition, he

1702-459: Is identifiable by the locks of hair falling on his shoulders. Sometimes Suparshvanath is shown with a small snake-hood. The symbols are marked in the centre or the corner of the statue's pedestal. The Jain sects Digambara and Śvetāmbara have different depictions of idols. Digambara images are naked without any ornamentation, whereas Śvetāmbara ones are clothed and decorated with temporary ornaments. The images are often marked with Srivatsa on

1776-421: Is not a visible object of nature in the Vedic texts, nor is he a personification of any object, but that agent which causes the lightning, the rains and the rivers to flow. His myths and adventures in the Vedic literature are numerous, ranging from harnessing the rains, cutting through mountains to help rivers flow, helping land becoming fertile, unleashing sun by defeating the clouds, warming the land by overcoming

1850-494: Is of ancient but unclear origin. Aspects of Indra as a deity are cognate to other Indo-European gods; there are thunder gods such as Thor , Perun , and Zeus who share parts of his heroic mythologies, act as king of gods, and all are linked to "rain and thunder". The similarities between Indra of Vedic mythology and of Thor of Nordic and Germanic mythologies are significant, states Max Müller . Both Indra and Thor are storm gods, with powers over lightning and thunder, both carry

1924-478: Is praised as the highest god in 250 hymns of the Rigveda – a Hindu scripture dated to have been composed sometime between 1700 and 1100 BCE. He is co-praised as the supreme in another 50 hymns, thus making him one of the most celebrated Vedic deities. He is also mentioned in ancient Indo-Iranian literature, but with a major inconsistency when contrasted with the Vedas. In the Vedic literature, Indra

1998-441: Is presented as one of their thirty-three sons. Indra married Shachi , the daughter of the danava Puloman . Most texts state that Indra had only one wife, though sometimes other names are mentioned. The text Bhagavata Purana mention that Indra and Shachi had three sons named Jayanta , Rishabha, Midhusha. Some listings add Nilambara and Rbhus. Indra and Shachi also had two daughters, Jayanti and Devasena . Jayanti becomes

2072-464: Is represented either in the lotus position ( Padmasana ) or in the meditation Khadgasana ( Kayotsarga ) posture. The latter, which is similar to the military standing at attention , is a difficult posture to hold for long and is preferred by Jains because it minimizes the amount of the body in contact with the earth, and thus the risk to sentient creatures living in or on it. If seated, they are usually depicted seated with their legs crossed in front,

2146-453: Is said to be available to all living beings regardless of religion. Tīrthaṅkaras are arihants who, after attaining kevala jñāna (pure infinite knowledge), preach the dharma . An Arihant is also called Jina (victor), one who has conquered inner enemies such as anger, attachment, pride, and greed. They dwell exclusively within the realm of their soul and are entirely free of kashayas , inner passions, and personal desires. As

2220-456: Is usual in Indian sculpture, the depiction takes relatively little interest in accurate depiction of musculature and bones but is interested in modeling outer surfaces as broad swelling forms. The ears are extremely elongated, alluding to the heavy earrings the figures wore in their early lives before they took the path to enlightenment, when most were wealthy, if not royal. Sculptures with four heads are not uncommon in early sculpture, but unlike

2294-729: The Rigveda mention Indra, making him the most referred to deity. These hymns present a complex picture of Indra, but some aspects of Indra are often repeated. Of these, the most common theme is where he as the god with thunderbolt kills the evil serpent Vritra that held back rains, and thus released rains and land nourishing rivers. For example, the Rigvedic hymn 1.32 dedicated to Indra reads: इन्द्रस्य नु वीर्याणि प्र वोचं यानि चकार प्रथमानि वज्री । अहन्नहिमन्वपस्ततर्द प्र वक्षणा अभिनत्पर्वतानाम् ॥१।। अहन्नहिं पर्वते शिश्रियाणं त्वष्टास्मै वज्रं स्वर्यं ततक्ष । वाश्रा इव धेनवः स्यन्दमाना अञ्जः समुद्रमव जग्मुरापः ॥२।। 1. Now I shall proclaim

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2368-522: The dharma (righteous path). The word tirthankara signifies the founder of a tirtha , a fordable passage across saṃsāra , the sea of interminable birth and death. According to Jains, tirthankaras are the supreme preachers of dharma , who have conquered saṃsāra on their own and made a path for others to follow. After understanding the true nature of the self or soul, the Tīrthaṅkara attains kevala jnana (omniscience). A Tirthankara provides

2442-574: The Samsara doctrine of Buddhist traditions. However, like the post-Vedic Hindu texts, Indra is also a subject of ridicule and reduced to a figurehead status in Buddhist texts, shown as a god that suffers rebirth. In Jain traditions, unlike Buddhism and Hinduism, Indra is not the king of gods, but the king of superhumans residing in Svarga-Loka, and very much a part of Jain rebirth cosmology. He

2516-585: The Tamil language contains more stories about Indra by various authors. In the Cilappatikaram , Indra is described as Malai venkudai mannavan, literally meaning, "Indra with the pearl-garland and white umbrella". Sangam literature also describes Indra Vila (festival for Indra), the festival for want of rain, celebrated for one full month starting from the full moon in Uttrai ( Chaitra ) and completed on

2590-406: The tirthankara preaches the path to liberation in the samavasarana . According to Jain texts, devas (heavenly beings) erect the heavenly pavilion where devas , humans, and animals assemble to hear the tirthankara . A samavasarana is a three-level structure. The lowest level, made of rajat (silver), is the parking space for vehicles. The second is the svarna (gold) level. All animals reside in

2664-472: The "king that moves and moves not", the friend of mankind who holds the different tribes on earth together. Indra is often presented as the twin brother of Agni (fire) – another major Vedic deity. Yet, he is also presented to be the same, states Max Muller, as in Rigvedic hymn 2.1.3, which states, "Thou Agni, art Indra, a bull among all beings; thou art the wide-ruling Vishnu, worthy of adoration. Thou art

2738-483: The Brahman, (...)." He is also part of one of many Vedic trinities as "Agni, Indra and Surya", representing the "creator-maintainer-destroyer" aspects of existence in Hindu thought. Rigveda 2.1.3 Jamison 2014 Parentage of Indra is inconsistent in Vedic texts, and in fact Rigveda 4.17.12 states that Indra himself may not even know that much about his mother and father. Some verses of Vedas suggest that his mother

2812-466: The Devas". Buddhist texts also refer to Indra by numerous names and epithets, as is the case with Hindu and Jain texts. For example, Asvaghosha's Buddhacarita in different sections refers to Indra with terms such as "the thousand eyed", Puramdara , Lekharshabha , Mahendra , Marutvat , Valabhid and Maghavat . Elsewhere, he is known as Devarajan (literally, "the king of gods"). These names reflect

2886-523: The Indo-European *trigw-welumos [or rather *trigw-t-welumos ] "smasher of the enclosure" (of Vritra , Vala ) and diye-snūtyos "impeller of streams" (the liberated rivers, corresponding to Vedic apam ajas "agitator of the waters"). Brave and heroic Innara or Inra, which sounds like Indra, is mentioned among the gods of the Mitanni , a Hurrian-speaking people of Hittite region. Indra as

2960-479: The Rigveda, Indra's wife is Indrani, alias Shachi, and she is described to be extremely proud about her status. Rigveda 4.18.8 says after his birth Indra got swallowed by a demon Kushava. Indra is also found in many other myths that are poorly understood. In one, Indra crushes the cart of Ushas (Dawn), and she runs away. In another Indra beats Surya in a chariot race by tearing off the wheel of his chariot. This

3034-523: The basis for the Jain canons . The inner knowledge of tirthankara is believed to be perfect and identical in every respect, and their teachings contain no contradictions. The degree of elaboration varies according to society's spiritual advancement and purity during their period of leadership. The higher the level of society's spiritual advancement and purity of mind, the lower the elaboration required. While Jains document and revere tirthankaras , their grace

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3108-446: The beginning, Atman, verily one only, was here - no other blinking thing whatever; he bethought himself: let me now create worlds". This soul, which the text refers to as Brahman as well, then proceeds to create the worlds and beings in those worlds wherein all Vedic gods and goddesses such as sun-god, moon-god, Agni, and other divinities become active cooperative organs of the body. The Atman thereafter creates food, and thus emerges

3182-588: The cave by the Angirases (and sometimes Navagvas or the Daśagvas). Here Indra exemplifies his role as a priest-king, called bṛhaspati . Eventually later in the Rigveda, Bṛhaspati and Indra become separate deities as both Indra and the Vedic king lose their priestly functions. The Vala myth was associated with the Morning Pressing of soma, in which cattle was donated to priests, called dakṣiṇā . Indra

3256-409: The chest and Tilaka on the forehead. Srivatsa is one of the ashtamangala (auspicious symbols), which sometimes resembles fleur-de-lis , an endless knot , a flower, or a diamond-shaped symbol. The bodies of tirthankara statues are exceptionally consistent throughout over 2,000 years of the historical record. The bodies are rather slight, with very wide shoulders and a narrow waist. Even more than

3330-526: The cloud to flood the lands of Vrindavan ; this is stopped by the intervention of Krishna, who lifts the Govardhan Hill to shield the land from the devastating rain the cloud brings. In Book 3 of the Vana Parva, the hero Yudhishthira prays to the sun, asking the celestial body to "let the fire Samvartaka born of thy wrath consumeth the three worlds and existence alone" upon the dissolution of

3404-491: The comparable Hindu images, these represent four different tirthanakaras , not four aspects of the same deity. Multiple extra arms are avoided in tirthanakara images, though their attendants or guardians may have them. The first Tirthankara , Rishabhanatha is mentioned in Hindu texts like the Rigveda , Vishnupurana , and Bhagwata Purana . The Yajurveda mentions the name of three Tīrthaṅkaras: Ṛiṣhabha, Ajitnātha and Ariṣṭanemi. The Bhāgavata Purāṇa includes legends about

3478-567: The contact zone between the Zeravshan River (present-day Uzbekistan ) and (present-day) Iran. It was "a syncretic mixture of old Central Asian and new Indo-European elements", which borrowed "distinctive religious beliefs and practices" from the Bactria–Margiana Culture . At least 383 non-Indo-European words were found in this culture, including the god Indra and the ritual drink Soma . According to Anthony, Many of

3552-412: The earliest, not the later, hymns of Rigveda . The Vritra is an ice-demon of colder central Asia and northern latitudes, who holds back the water. Indra is the one who releases the water from the winter demon, an idea that later metamorphosed into his role as storm god. According to Griswold, this is not a completely convincing interpretation, because Indra is simultaneously a lightning god, a rain god and

3626-679: The first tirthankara , founded the Ikshvaku dynasty , from which 21 other tirthankaras rose over time. Two tirthankaras – Munisuvrata , the 20th, and Neminatha , the 22nd – belonged to the Harivamsa dynasty. In Jain tradition, the 20 tirthankaras attained moksha on Mount Shikharji , in the present Indian state of Jharkhand . Rishabhanatha attained nirvana on Mount Ashtāpada (Mount Kailash), Vasupujya in Champapuri , Bihar , Neminatha on Mount Girnar , Gujarat , and Mahavira,

3700-566: The foam of water. Other beings slain by Indra include Śambara, Pipru, Varcin, Dhuni and Cumuri, and others. Indra's chariot is pulled by fallow bay horses described as hárī . They bring Indra to and from the sacrifice, and are even offered their own roasted grains. The ancient Aitareya Upanishad equates Indra, along with other deities, with Atman (soul, self) in the Vedanta's spirit of internalization of rituals and gods. It begins with its cosmological theory in verse 1.1.1 by stating that, "in

3774-645: The full moon in Puyali ( Vaisakha ). This is described in the epic Cilappatikaram in detail. In his work Tirukkural (before c. 5th century CE), Valluvar cites Indra to exemplify the virtue of conquest over one's senses. Indra is an important deity worshipped by the Kalash people , indicating his prominence in ancient Hinduism . The Buddhist cosmology places Indra above Mount Sumeru , in Trayastrimsha heaven. He resides and rules over one of

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3848-596: The gods like short nicknames. The passing mention of Indra in this Upanishad, states Alain Daniélou, is a symbolic folk etymology. The section 3.9 of the Brihadaranyaka Upanishad connects Indra to thunder, thunderbolt and release of waters. In section 5.1 of the Avyakta Upanishad , Indra is praised as he who embodies the qualities of all gods. In post-Vedic texts, Indra

3922-933: The greater Proto-Indo-European mythology . Indra's iconography shows him wielding his Vajra and riding his vahana , Airavata . Indra's abode is in the capital city of Svarga, Amaravati , though he is also associated with Mount Meru (also called Sumeru). Traditional The etymological roots of Indra are unclear, and it has been a contested topic among scholars since the 19th-century, one with many proposals. The significant proposals have been: Colonial era scholarship proposed that Indra shares etymological roots with Avestan Andra , Old High German *antra ("giant"), or Old Church Slavonic jedru ("strong"), but Max Muller critiqued these proposals as untenable. Later scholarship has linked Vedic Indra to Aynar (the Great One) of Circassian, Abaza and Ubykh mythology, and Innara of Hittite mythology. Colarusso suggests

3996-410: The heroic deeds of Indra, those foremost deeds that the mace-wielder performed: He smashed the serpent. He bored out the waters. He split the bellies of the mountains. 2. He smashed the serpent resting on the mountain—for him Tvaṣṭar had fashioned the resounding [sunlike] mace. Like bellowing milk-cows, streaming out, the waters went straight down to the sea. In the myth, Vṛtra has coiled around

4070-511: The instructions of Savitr (solar deity). Indra, like all Vedic deities, is a part of henotheistic theology of ancient India. The second-most important myth about Indra is about the Vala cave. In this story, the Panis have stolen cattle and hidden them in the Vala cave. Here Indra utilizes the power of the songs he chants to split the cave open to release the cattle and dawn. He is accompanied in

4144-537: The last tirthankara , at Pawapuri , near modern Patna . Twenty-one of the tirthankaras are said to have attained moksha in the kayotsarga (standing meditation posture), while Rishabhanatha, Neminatha, and Mahavira are said to have done so in the Padmasana ( lotus position ). In chronological order, the names, emblems and colours of the 24 tirthankaras of this age are: The next 24 tirthankaras , who will be born in utsarpinī age, are: A tīrthaṅkara

4218-407: The oceans. He notes that samvartaka will be the more devastating of the two, as it will be responsible for " reducing " the world. Another Vedic text also refers to samvartaka as a comet. In this text, the comet appears and grows so large as to take up one third of the sky. It is described as having "a thin dreadful copper colored spear-like head, ejecting a jet of smoke." While the comet hangs above

4292-539: The present cycle (Hunda Avsarpini) was Rishabhanatha , who is credited with formulating and organising humans to live in a society harmoniously. The 24th and last tirthankara of the present half-cycle was Mahavira (599 BC–527 BC). History records the existence of Mahavira and his predecessor, Parshvanatha , the 23rd tirthankara . A tirthankara organises the sangha , a fourfold order of male and female monastics , srāvakas (male followers) and śrāvikā s (female followers). The tirthankara's teachings form

4366-516: The qualities of Indo-Iranian god of might/victory, Verethraghna , were transferred to the god Indra, who became the central deity of the developing Old Indic culture. Indra was the subject of 250 hymns, a quarter of the Rig Veda . He was associated more than any other deity with Soma , a stimulant drug (perhaps derived from Ephedra ) probably borrowed from the BMAC religion. His rise to prominence

4440-473: The rescue by lifting Mount Govardhana on his fingertip, and letting mankind shelter under the mountain till Indra exhausts his anger and relents. According to the Mahabharata , Indra disguises himself as a Brahmin and approaches Karna and asks for his kavacha (body armor) and kundala (earrings) as charity. Although being aware of his true identity, Karna peeled off his kavacha and kundala and fulfilled

4514-615: The sea of interminable births and deaths. Tirthankaras are variously called "Teaching Gods", "Ford-Makers", "Crossing Makers", and "Makers of the River-Crossing. Jain texts propound that a special type of karma , the tīrthaṅkara nama-karma , raises a soul to the supreme status of a Tīrthaṅkara . The Tattvartha Sutra , a major Jain text, lists 16 observances that lead to the bandha (bondage) of this karma : Five auspicious events called Pañca kalyāṇaka mark every tirthankara 's life: After attaining kevalajñāna ,

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4588-522: The six realms of rebirth, the Devas realm of Saṃsāra , that is widely sought in the Buddhist tradition. Rebirth in the realm of Indra is a consequence of very good Karma (Pali: kamma ) and accumulated merit during a human life. In Buddhism , Indra is commonly called by his other name, Śakra or Sakka, ruler of the Trāyastriṃśa heaven. Śakra is sometimes referred to as Devānām Indra or "Lord of

4662-409: The snaking thunderstorm clouds that gather with bellowing winds (Vritra), Indra is then seen as the storm god who intervenes in these clouds with his thunderbolts, which then release the rains nourishing the parched land, crops and thus humanity. In another interpretation by Hillebrandt, Indra is a symbolic sun god ( Surya ) and Vritra is a symbolic winter-giant (historic mini cycles of ice age, cold) in

4736-515: The spouse of Shukra , while Devasena marries the war god Kartikeya . Indra is depicted as the spiritual father of Vali in the Ramayana and Arjuna in the Mahabharata . Since he is known for mastering all weapons in warfare, his spiritual sons Vali and Arjuna also share his martial attributes. He has a charioteer named Matali . Indra had multiple affairs with other women. One such

4810-400: The svarna level, while the highest level, made of precious gems, is reserved for various important figures, such as kings and their families, the devas and the ascetics. Humans and animals hear a tirthankara 's speech in their language. It is believed that during this speech, there is no unhappiness for miles around the site. Jainism postulates that time has no beginning or end. It moves like

4884-406: The toes of one foot resting upon the knee of the other leg, and the right hand lying over the left in the lap. Tirthankara images have no distinctive facial features, clothing, or (mostly) hairstyles, and are differentiated based on the symbol or emblem ( Lanchhana ) belonging to each tirthanakara except Parshvanatha . Statues of Parshvanatha have a snake crown. The first Tirthankara, Rishabha ,

4958-475: The universe . Similarly, the sage Markandeya describes to Yudhishthira how samvartaka, spread by an inauspicious wind, will consume the earth. In the Skanda Purana , a Rudra (storm god) is able to release and command samvartaka to subdue a great bull that has threatened to drink dry the oceans. In this story, samvartaka is depicted as a raging fire. In the works of Garga , samvartaka is described as

5032-434: The wheel of a cart. The wheel of time is divided into two halves, Utsarpiṇī (ascending half cycle) and Avasarpiṇī (descending half cycle). 24 tirthankaras are born in each half of this cycle. In Jain tradition, the tirthankaras were royal in their final lives, and Jain texts record details of those lives. Their clan and families are also among those recorded in legendary stories. According to Jain canons, Rishabhanatha ,

5106-432: The winter forces, winning the light and dawn for mankind, putting milk in the cows, rejuvenating the immobile into something mobile and prosperous, and in general, he is depicted as removing any and all sorts of obstacles to human progress. The Vedic prayers to Indra, states Jan Gonda , generally ask "produce success of this rite, throw down those who hate the materialized Brahman ". The hymns of Rigveda declare him to be

5180-471: The wish of Indra. Pleased by this act, Indra gifts Karna a celestial dart called the Vasavi Shakti. According to the Vishnu Purana , Indra is the position of being the king of the gods which changes in every Manvantara —a cyclic period of time in Hindu cosmology . Each Manvantara has its own Indra and the Indra of the current Manvantara is called Purandhara . The Sangam literature of

5254-458: The world, kings are projected to fight among themselves. Indra Indra ( / ˈ ɪ n d r ə / ; Sanskrit : इन्द्र ) is the king of the devas and Svarga in Hinduism . He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war. Indra is the most referred deity in the Rigveda . He is celebrated for his powers based on his status as

5328-577: Was Ahalya , the wife of sage Gautama. Indra was cursed by the sage. Although the Brahmanas (9th to 6th centuries BCE) are the earliest scriptures to hint at their relationship, the 7th- to 4th-century BCE Hindu epic Ramayana – whose hero is Rama – is the first to explicitly mention the affair in detail. Indra becomes a source of nuisance rains in the Puranas, caused out of anger with an intent to hurt mankind. Krishna , an avatar of Vishnu , comes to

5402-413: Was a grishti (a cow), while other verses name her Nishtigri. The medieval commentator Sayana identified her with Aditi , the goddess who is his mother in later Hinduism. The Atharvaveda states Indra's mother is Ekashtaka, daughter of Prajapati . Some verses of Vedic texts state that Indra's father is Tvaṣṭar or sometimes the couple Dyaus and Prithvi are mentioned as his parents. According to

5476-519: Was a peculiar trait of the Old Indic speakers. However, according to Paul Thieme , "there is no valid justification for supposing that the Proto-Aryan adjective *vrtraghan was specifically connected with *Indra or any other particular god." In Rigveda , Indra is described as strong willed, armed with a thunderbolt, riding a chariot: 5. Let bullish heaven strengthen you, the bull; as bull you travel with your two bullish fallow bays. As bull with

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