Misplaced Pages

#785214

80-750: Sartorio may refer to: Three brothers from Venice: Antonio Sartorio (1630–1680), Venetian composer Gasparo Sartorio (1625–1680), Venetian composer Girolamo Sartorio (died 1707), Venetian architect Antoine Sartorio (1885–1988), French sculptor Arnoldo Sartorio (1853–1936), German composer, choral conductor, and piano teacher Carolina Sartorio , philosopher Giulio Aristide Sartorio (1860–1932), Italian painter Giuseppe Sartorio (1854–1922), Italian sculptor See also [ edit ] Casa Sartorio , historic building situated in Milan, Italy Museo Sartorio , Trieste Topics referred to by

160-575: A World Heritage Site by UNESCO in 1979 for its importance as the centre of power, art, and science in France during the 17th and 18th centuries. The French Ministry of Culture has placed the palace, its gardens, and some of its subsidiary structures on its list of culturally significant monuments . In 1623, Louis XIII , king of France , built a hunting lodge on a hill in a favourite hunting ground, 19 kilometres (12 mi) west of Paris , and 16 kilometres (10 mi) from his primary residence,

240-668: A ballroom in the north wing, and the expansion of the king's private apartment , which required the demolition of the Ambassadors' Staircase. In 1748, Louis XV began construction of a palace theatre, the Royal Opera of Versailles at the northernmost end of the palace, but completion was delayed until 1770; construction was interrupted in the 1740s by the War of the Austrian Succession and then again in 1756 with

320-478: A feature dubbed the enveloppe . This gave the château a new, Italianate façade overlooking the gardens, but preserved the courtyard façade, resulting in a mix of styles and materials that dismayed Louis XIV and that Colbert described as a "patchwork". Attempts to homogenize the two façades failed, and in 1670 Le Vau died, leaving the post of First Architect to the King vacant for the next seven years. Le Vau

400-420: A forecourt to the château. But in 1668–69, as a response to the growth of the gardens, and victory over Spain in the War of Devolution , Louis XIV decided to turn Versailles into a full-scale royal residence. He vacillated between replacing or incorporating his father's château, but settled on the latter by the end of the decade, and from 1668 to 1671, Louis XIII's château was encased on three sides in

480-693: A golden chain. The two men remained on good terms and corresponded often with each other about negotiations with singers or visits on his behalf to cloistered ladies. Sartorio settled in Venice in 1675, taking up residence in the San Giovanni Grisostomo quarter of the city. He won the position of vice maestro di cappella of the St Mark's Basilica , narrowly defeating Carlo Grossi for the post and assuming his position there on 7 May 1676. A set of eight-part psalms for two choirs that he wrote for

560-586: A great influence on architecture and horticulture from the mid-17th century to the end of the 18th century. Examples of works influenced by Versailles include Christopher Wren 's work at Hampton Court Palace , Berlin Palace , the Palace of La Granja , Stockholm Palace , Ludwigsburg Palace , Karlsruhe Palace , Rastatt Palace , Nymphenburg Palace , Schleissheim Palace , and Esterházy Palace . The construction in 1668–1671 of Louis Le Vau 's enveloppe around

640-473: A halt when Louis Philippe was overthrown in 1848, though the paintings of French heroes and great battles still remain in the south wing. Emperor Napoleon III used the palace on occasion as a stage for grand ceremonies. One of the most lavish was the banquet that he hosted for Queen Victoria in the Royal Opera of Versailles on 25 August 1855. During the Franco-Prussian War of 1870–1871,

720-509: A new restoration initiative – the "Grand Versailles" project – was started, which began with the replanting of the gardens, which had lost over 10,000 trees during Cyclone Lothar on 26 December 1999. One part of the initiative, the restoration of the Hall of Mirrors , was completed in 2006. Another major project was the further restoration of the backstage areas of the Royal Opera of Versailles in 2007 to 2009. The Palace of Versailles

800-402: A protégé of Mazarin and enemy of Fouquet, and charged him with managing the corps of artisans in royal employment. Colbert acted as the intermediary between them and Louis XIV, who personally directed and inspected the planning and construction of Versailles. Work at Versailles was at first concentrated on gardens , and through the 1660s, Le Vau only added two detached service wings and

880-537: A restored budget and large workforce of former soldiers. Mansart began his tenure with the addition from 1678 to 1681 of the Hall of Mirrors , a renovation of the courtyard façade of Louis XIII's château, and the expansion of d'Orbay's pavilions to create the Ministers' Wings in 1678–79. Adjacent to the palace, Hardouin-Mansart built a pair of stables called the Grande and Petite Écuries from 1679 to 1682 and

SECTION 10

#1732765383786

960-641: A week, from six to ten in the evening, with various entertainments. This was originally a chapel. It was rebuilt beginning in 1712 under the supervision of the First Architect to the King , Robert de Cotte , to showcase two paintings by Paolo Veronese , Eleazar and Rebecca and Meal at the House of Simon the Pharisee , which was a gift to Louis XIV from the Republic of Venice in 1664. The painting on

1040-596: Is a former royal residence commissioned by King Louis XIV located in Versailles , about 18 kilometres (11 mi) west of Paris , France . The palace is owned by the government of France and since 1995 has been managed, under the direction of the French Ministry of Culture , by the Public Establishment of the Palace, Museum and National Estate of Versailles . About 15,000,000 people visit

1120-399: Is a visual history of French architecture from the 1630s to the 1780s. Its earliest portion, the corps de logis , was built for Louis XIII in the style of his reign with brick, marble, and slate , which Le Vau surrounded in the 1660s with Enveloppe , an edifice that was inspired by Renaissance-era Italian villas. When Jules Hardouin-Mansart made further expansions to the palace in

1200-475: Is currently owned by the French state. Its formal title is the Public Establishment of the Palace, Museum and National Estate of Versailles . Since 1995, it has been run as a Public Establishment, with an independent administration and management supervised by the French Ministry of Culture . The grounds of the palace hosted the equestrian competition during the 2024 Summer Olympics . The Palace of Versailles

1280-418: Is different from Wikidata All article disambiguation pages All disambiguation pages Antonio Sartorio Sartorio was the brother of composer and organist Gasparo Sartorio and architect Girolamo Sartorio who also had connections with the theatre. Beyond birth records, the first known information about Sartorio relates to the mounting of his first opera, Gl'amori infruttuosi di Pirro , at

1360-684: The Château de Saint-Germain-en-Laye . The site, near a village named Versailles, was a wooded wetland that Louis XIII's court scorned as being generally unworthy of a king; one of his courtiers, François de Bassompierre , wrote that the lodge "would not inspire vanity in even the simplest gentleman". From 1631 to 1634, architect Philibert Le Roy replaced the lodge with a château for Louis XIII, who forbade his queen, Anne of Austria , from staying there overnight, even when an outbreak of smallpox at Saint-Germain-en-Laye in 1641 forced Louis XIII to relocate to Versailles with his three-year-old heir,

1440-515: The Grand Commun  [ fr ] , which housed the palace's servants and general kitchens, from 1682 to 1684. Hardouin-Mansart also added two entirely new wings in Le Vau's Italianate style to house the court, first at the south end of the palace from 1679 to 1681 and then at its north end from 1685 to 1689. War and the resulting diminished funding slowed construction at Versailles for

1520-461: The Grand Trianon restored and refurnished as a springtime residence for himself and his family, in the style of furnishing that it is seen today. In 1815, with the final downfall of Napoleon, Louis XVIII , the younger brother of Louis XVI, became king, and considered returning the royal residence to Versailles, where he had been born. He ordered the restoration of the royal apartments, but

1600-655: The Principality of Lüneburg . Friedrich ruled over the Calenberg subdivision of the duchy from 1665 until his death in 1679, fourteen years later. Friedrich was a highly intelligent and educated sovereign who had converted to Roman Catholicism in 1651. Upon becoming duke, he instituted the Catholic rite to his court, which accordingly led to his choice of Sartorio, a Catholic, as Kapellmeister. The duke had met Sartorio upon one of his four visits to Italy, one of which

1680-577: The Teatro di San Giovanni Grisostomo in Venice on 4 January 1661. His second opera, Seleuco , did not come until five years later when it was produced at the Teatro San Luca on 16 January 1666. The year before, he had been appointed to the position of Kapellmeister to Duke Johann Friedrich of Brunswick-Lüneburg; just months after the duke had assumed authority over the Principality of Calenberg upon his elder brother Georg Wilhelm 's inheriting of

SECTION 20

#1732765383786

1760-844: The Treaty of Paris at the Hôtel d'York (now 56 Rue Jacob) in Paris, granting the United States independence. On 4 September, Spain and France signed separate treaties with Britain at the Palace of Versailles, formally ending the war. The King and Queen learned of the Storming of the Bastille in Paris on 14 July 1789, while they were at the palace, and remained isolated there as the Revolution in Paris spread. The growing anger in Paris led to

1840-546: The Women's March on Versailles on 5 October 1789. A crowd of several thousand men and women, protesting the high price and scarcity of bread, marched from the markets of Paris to Versailles. They took weapons from the city armoury, besieged the palace, and compelled the King and royal family and the members of the National Constituent Assembly to return with them to Paris the following day. As soon as

1920-446: The château neuf , with three rooms in each apartment facing the garden to the west and four facing the garden parterres to the north and south, respectively. The private apartments of the king (the appartement du roi and the petit appartement du roi ) and those of the queen (the petit appartement de la reine ) remained in the château vieux (old château). Le Vau's design for the state apartments closely followed Italian models of

2000-735: The grand appartement du roi . After the addition of the Hall of Mirrors (1678–1684) the king's apartment was reduced to five rooms (until the reign of Louis XV , when two more rooms were added) and the queen's to four. The queen's apartments served as the residence of three queens of France – Maria Theresa of Spain , wife of Louis XIV , Maria Leszczyńska , wife of Louis XV, and Marie Antoinette , wife of Louis XVI . Additionally, Louis XIV's granddaughter-in-law, Princess Marie-Adélaïde of Savoy , duchess of Burgundy, wife of Louis, Duke of Burgundy , occupied these rooms from 1697 (the year of her marriage) to her death in 1712. The Ambassadors' Staircase  [ fr ] ( Escalier des Ambassadeurs )

2080-503: The princes of the blood , Louis XIV's extended family, for influence over him. In the aftermath of the Fronde, Louis XIV became determined to rule alone. Following Mazarin's death in 1661, Louis XIV reformed his government to exclude his mother and the princes of the blood, moved the court back to Saint-Germain-en-Laye, and ordered the expansion of his father's château at Versailles into a palace. Louis XIV had hunted at Versailles in

2160-540: The 1650s, but did not take any special interest in Versailles until 1661. On 17 August 1661, Louis XIV was a guest at a sumptuous festival hosted by Nicolas Fouquet , the Superintendent of Finances , at his palatial residence, the Château de Vaux-le-Vicomte . Louis XIV was impressed by the château and its gardens, which were the work of Louis Le Vau , the court architect since 1654, André Le Nôtre ,

2240-565: The 1680s, he used the Enveloppe as the model for his work. Neoclassical additions were made to the palace with the remodelling of the Ministers' Wings in the 1770s, by Ange-Jacques Gabriel , and after the Bourbon Restoration . The palace was largely completed by the death of Louis XIV in 1715. The eastern facing palace has a U-shaped layout, with the corps de logis and symmetrical advancing secondary wings terminating with

2320-584: The Commune at the end of May was directed from Versailles, and the prisoners of the Commune were marched there and put on trial in military courts. In 1875 a second parliamentary body, the French Senate , was created and held its meetings for the election of a President of the Republic in a new hall created in 1876 in the south wing of the palace. The French Senate and National Assembly continue to meet in

2400-643: The Dufour Pavilion on the south and the Gabriel Pavilion to the north, creating an expansive cour d'honneur known as the Royal Court (Cour Royale). Flanking the Royal Court are two enormous asymmetrical wings that result in a façade of 402 metres (1,319 ft) in length. Covered by around 10 hectares (1.1 million square feet) of roof, the palace has 2,143 windows, 1,252 chimneys, and 67 staircases. The palace and its grounds have had

2480-650: The King. The 7-year-old Wolfgang Amadeus Mozart played several works during his stay and later dedicated his first two harpsichord sonatas, published in 1764 in Paris, to Madame Victoria , daughter of Louis XV. In 1783, the palace was the site of the signing of the last two of the three treaties of the Peace of Paris (1783) , which ended the American Revolutionary War . On 3 September, British and American delegates, led by Benjamin Franklin , signed

Sartorio - Misplaced Pages Continue

2560-845: The St Mark's Basilica. There is one recording of Giulio Cesare in Egitto , conducted by Attilio Cremonesi (ORF CD409 (3CDs)), and also several recordings of L'Orfeo , including a live recording from the Muziekcentrum Vredenburg , Utrecht , directed by Stephen Stubbs : Vanguard 99194 (2CDs) another, also directed by Stephen Stubbs, on Channel Classics Records 722020, plus one by René Clemencic on Warner Classics 867384103 (3CDs). Palace of Versailles The Palace of Versailles ( / v ɛər ˈ s aɪ , v ɜːr ˈ s aɪ / vair- SY , vur- SY ; French : château de Versailles [ʃɑto d(ə) vɛʁsɑj] )

2640-603: The Teatro di San Luca during the next Carnival season. The Duke assented to Sartorio's extended stay, largely because of a lengthy and persuasive correspondence by Dolfin, who expressed concerns over Sartorio's physical health and emphasized the honour of being asked to compose the opera. Sartorio thereupon offered L'Orfeo , a variation on the myth of Orpheus and Eurydice with comic interludes and elaborate sub-plots featuring such incongruous characters as Hercules , Achilles , and Thetis. This work premiered on 14 December 1672. For

2720-614: The armistice in March 1871. In that month, the government of the new Third French Republic , which had departed Paris during the war for Tours and then Bordeaux , moved into the palace. The National Assembly held its meetings in the Opera House. The uprising of the Paris Commune in March 1871, prevented the French government, under Adolphe Thiers , from returning immediately to Paris. The military operation which suppressed

2800-474: The basilica were published in 1680; notably being his only printed volume of music. On 17 December 1676, his opera Giulio Cesare in Egitto premiered in Venice to a resounding success. He composed four more operas between 1677 and 1679. Sartorio was supposed to have been visited by Duke Friedrich in early 1680, but the duke died on 18 December 1679 in Augsburg at the start of his fifth journey to Italy. Towards

2880-496: The ceiling illustrate mythological themes. The Salon of Mercury was the original State Bedchamber when Louis XIV officially moved the court and government to the palace in 1682. The bed is a replica of the original commissioned by King Louis-Philippe in the 19th century when he turned the palace into a museum. The ceiling paintings by the Flemish artist Jean Baptiste de Champaigne depict the god Mercury in his chariot, drawn by

2960-460: The ceiling over the door opposite the windows. This salon was used for serving light meals during evening receptions. The principal feature in this room is Jean Warin 's life-size statue of Louis XIV in the costume of a Roman emperor. On the ceiling in a gilded oval frame is another painting by Houasse, Venus subjugating the Gods and Powers (1672–1681). Trompe-l'œil paintings and sculpture around

3040-605: The ceiling, The Apotheosis of Hercules , by François Lemoyne , was completed in 1736, and gave the room its name. The Salon of Abundance was the antechamber to the Cabinet of Curios (now the Games Room), which displayed Louis XIV's collection of precious jewels and rare objects. Some of the objects in the collection are depicted in René-Antoine Houasse 's painting Abundance and Liberality (1683), located on

3120-432: The centralization of royal power. Louis XIV first used Versailles to promote himself with a series of nighttime festivals in its gardens in 1664, 1668, and 1674, the events of which were disseminated throughout Europe by print and engravings. As early as 1669, but especially from 1678, Louis XIV sought to make Versailles his seat of government, and he expanded the palace so as to fit the court within it. The moving of

3200-819: The construction of townhouses that resembled the palace began in 1671. The next year, the Franco-Dutch War began and funding for Versailles was cut until 1674, when Louis XIV had work begun on the Ambassadors' Staircase  [ fr ] , a grand staircase for the reception of guests, and demolished the last of the village of Versailles. Following the end of the Franco-Dutch War with French victory in 1678, Louis XIV appointed as First Architect Jules Hardouin-Mansart , an experienced architect in Louis XIV's confidence, who would benefit from

3280-449: The court to Versailles did not come until 1682, however, and not officially, as opinion on Versailles was mixed among the nobility of France . By 1687, however, it was evident to all that Versailles was the de facto capital of France, and Louis XIV succeeded in attracting the nobility to Versailles to pursue prestige and royal patronage within a strict court etiquette, thus eroding their traditional provincial power bases. It

Sartorio - Misplaced Pages Continue

3360-561: The creation of the Museum of the History of France , dedicated to "all the glories of France", which had been used to house some members of the royal family. The museum was begun in 1833 and inaugurated on 30 June 1837. Its most famous room is the Galerie des Batailles (Hall of Battles), which lies on most of the length of the second floor of the south wing. The museum project largely came to

3440-421: The day, including the placement of the apartments on the main floor (the piano nobile , the next floor up from the ground level), a convention the architect borrowed from Italian palace design. The king's State Apartment consisted of an enfilade of seven rooms, each dedicated to one of the known planets and their associated titular Roman deity . The queen's apartment formed a parallel enfilade with that of

3520-450: The duke's theatre loges and corresponded regularly with him between 1669 and 1678. Sartorio’s next stay in Venice lasted an entire year, from January or February 1672 to Carnival 1672–1673. On 19 February 1672 his well known opera L'Adelaide was given for the first time. The libretto was again by Dolfin, who later reworked some of Gissilla's arias into a cantata by adding recitatives. Sartorio seems to have responded to Dolfin's wish to have

3600-452: The end of 1680, Sartorio began composing another opera, La Flora , but he died before he could finish the work. He had been ill for seven months prior to his death. The Teatro San Angelo had commissioned La Flora , and not wanting to give it up, hired Marc'Antonio Ziani to finish it. The opera was eventually performed at that house as the first opera of the new Carnival season. Giovanni Legrenzi succeeded him as vice maestro di cappella of

3680-606: The first landing of the staircase. The construction of the Hall of Mirrors between 1678 and 1686 coincided with a major alteration to the State Apartments. They were originally intended as his residence, but the King transformed them into galleries for his finest paintings, and venues for his many receptions for courtiers. During the season from All-Saints Day in November until Easter , these were usually held three times

3760-429: The future Louis XIV . When Louis XIII died in 1643, Anne became Louis XIV's regent , and Louis XIII's château was abandoned for the next decade. She moved the court back to Paris, where Anne and her chief minister , Cardinal Mazarin , continued Louis XIII's unpopular monetary practices. This led to the Fronde , a series of revolts against royal authority from 1648 to 1653 that masked a struggle between Mazarin and

3840-499: The librettist, Nicolò Minato , had intended for the two works to be performed on successive evenings, but it appears that either Sartorio or the theatre management overturned this decision. Sartorio's second visit to Venice was for the Carnival of 1669–1670, during which his next opera, L'Ermengarda regina de' longobardi , was performed. The librettist, Pietro Dolfin , a friend of both Sartorio and Duke Johann Friedrich, administered

3920-458: The majority of which were Italian. For the group, Sartorio composed music for the Kapelle, a missa brevis, and several vesper psalms and cantatas in both the stile antico and the stile moderno . In addition, the group's repertory included masses, motets and psalms by Henri Dumont , Bonifatio Gratiani and Orazio Tarditi. Some of the group's music was discovered in 1958 in an organ bellows in

4000-514: The more costly endeavours for the museum and the French Fifth Republic has been to repurchase as much of the original furnishings as possible. Consequently, because furniture with a royal provenance – and especially furniture that was made for Versailles – is a highly sought-after commodity on the international market, the museum has spent considerable funds on retrieving much of the palace's original furnishings. In 2003,

4080-481: The objective was to restore the palace to its state – or as close to it as possible – in 1789 when the royal family left the palace. Among the early projects was the repair of the roof over the Hall of Mirrors; the publicity campaign brought international attention to the plight of post-war Versailles and garnered much foreign money including a grant from the Rockefeller Foundation . One of

SECTION 50

#1732765383786

4160-571: The opera premiered on 25 January 1673. Sartorio wrote 78 arias and duets to fulfil his assignment. After spending two more years in Hanover, Sartorio left the service of Duke Johann Friedrich permanently in April 1675, although he still called himself Friedrich's court composer in the manuscripts of his remaining operas and in other documents. Upon his departure, the Duke gave him a gift of 50 thalers and

4240-404: The outside of Louis XIII 's red brick and white stone château added state apartments for the king and the queen. The addition was known at the time as the château neuf (new château). The grands appartements (Grand Apartments, also referred to as the State Apartments ) include the grand appartement du roi and the grand appartement de la reine . They occupied the main or principal floor of

4320-470: The palace in joint session on special occasions, such as the amendment of the Constitution of France . The end of the 19th and the early 20th century saw the beginning of restoration efforts at the palace, first led by Pierre de Nolhac , poet and scholar and the first conservator, who began his work in 1892. The conservation and restoration were interrupted by two world wars but have continued until

4400-535: The palace the de facto capital of France. This state of affairs was continued by Kings Louis XV and Louis XVI , who primarily made interior alterations to the palace, but in 1789 the royal family and French court returned to Paris. For the rest of the French Revolution , the Palace of Versailles was largely abandoned and emptied of its contents, and the population of the surrounding city plummeted. Napoleon , following his coronation as Emperor , used

4480-465: The palace was occupied by the general staff of the victorious German Army. Parts of the château, including the Hall of Mirrors, were turned into a military hospital. The creation of the German Empire , combining Prussia and the surrounding German states under William I , was formally proclaimed in the Hall of Mirrors on 18 January 1871. The Germans remained in the palace until the signing of

4560-437: The palace, including the furniture, mirrors, baths, and kitchen equipment, were sold in seventeen thousand lots. All fleurs-de-lys and royal emblems on the buildings were chambered or chiselled off. The empty buildings were turned into a storehouse for furnishings, art and libraries confiscated from the nobility. The empty grand apartments were opened for tours beginning in 1793, and a small museum of French paintings and art school

4640-444: The palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world. Louis XIII built a hunting lodge at Versailles in 1623. His successor, Louis XIV expanded the château into a palace that went through several expansions in phases from 1661 to 1715. It was a favourite residence for both kings, and in 1682, Louis XIV moved the seat of his court and government to Versailles, making

4720-480: The palace. More work took place after World War II, with the restoration of the Royal Opera of Versailles . The theatre was reopened in 1957, in the presence of Queen Elizabeth II of the United Kingdom. In 1978, parts of the palace were heavily damaged in a bombing committed by Breton terrorists . Starting in the 1950s, when the museum of Versailles was under the directorship of Gérald van der Kemp,

4800-582: The present day. The palace returned to the world stage in June 1919, when, after six months of negotiations, the Treaty of Versailles , formally ending the First World War, was signed in the Hall of Mirrors . Between 1925 and 1928, the American philanthropist and multi-millionaire John D. Rockefeller, Jr. gave $ 2,166,000, the equivalent of about thirty million dollars today, to restore and refurbish

4880-434: The recitatives set, for a Cantata di Gissilla is extant; it was apparently conceived for a pupil of Dolfin's named Lucretia, who had sung a role in the opera, probably that of Gissilla. Sartorio was supposed to return to Hanover at the end of the season in which L'Adelaide premiered, but poor health prevented him from travelling. He was further motivated to stay by an invitation to write one of two operas to be performed at

SECTION 60

#1732765383786

4960-530: The remodelling of the courtyard façade in the Italianate style. Louis XIV and Hardouin-Mansart focused on a permanent palace chapel , the construction of which lasted from 1699 to 1710. Louis XIV's successors, Louis XV and Louis XVI , largely left Versailles as they inherited it and focused on the palace's interiors. Louis XV's modifications began in the 1730s, with the completion of the Salon d'Hercule ,

5040-473: The rest of the 17th century. The Nine Years' War , which began in 1688, stopped work altogether until 1698. Three years later, however, the even more expensive War of the Spanish Succession began and, combined with poor harvests in 1693–94 and 1709–10, plunged France into crisis. Louis XIV thus slashed funding and cancelled some of the work Hardouin-Mansart had planned in the 1680s, such as

5120-622: The royal family departed, the palace was closed. In 1792, the National Convention , the new revolutionary government, ordered the transfer of all the paintings and sculptures from the palace to the Louvre . In 1793, the Convention declared the abolition of the monarchy and ordered all of the royal property in the palace to be sold at auction. The auction took place between 25 August 1793 and 11 August 1794. The furnishings and art of

5200-427: The royal family to the Château de Saint-Cloud ahead of more renovations to the Palace of Versailles, but construction could not begin because of financial difficulty and political crisis . In 1789, the French Revolution swept the royal family and government out of Versailles forever. The Palace of Versailles was key to Louis XIV's politics, as an expression and concentration of French art and culture , and for

5280-400: The royal gardener since 1657, and Charles Le Brun , a painter in royal service since 1647. Vaux-le-Vicomte's scale and opulence led him to imprison Fouquet that September, as he had also built an island fortress and a private army. But Louis XIV was also inspired by Vaux-le-Vicomte, and he recruited its authors for his own projects. Louis XIV replaced Fouquet with Jean-Baptiste Colbert ,

5360-446: The same term [REDACTED] This disambiguation page lists articles associated with the title Sartorio . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Sartorio&oldid=1197885024 " Categories : Disambiguation pages Italian-language surnames Hidden categories: Short description

5440-573: The staircase were trompe-l'œil paintings of people from the Four Parts of the World looking into the staircase over a balustrade, a motif repeated on the ceiling fresco. There they were joined by allegorical figures for the twelve months of the year and various Classical Greek figures such as the Muses . A marble bust of Louis XIV, sculpted by Jean Warin in 1665–66, was placed in a niche above

5520-410: The staircase – famously lit naturally with a skylight – so as to overawe visitors. The staircase and walls of the room that contained it were clad in polychrome marble and gilded bronze, with decor in the Ionic order. Charles Le Brun painted the walls and ceiling of the room according to a festive theme to celebrate Louis XIV's victory in the Franco-Dutch War . On the wall immediately above

5600-487: The start of the Seven Years' War . These wars emptied the royal treasury and thereafter construction was mostly funded by Madame du Barry , Louis XV's favourite mistress. In 1771, Louis XV had the northern Ministers' Wing rebuilt in Neoclassical style by Ange-Jacques Gabriel , his court architect, as it was in the process of falling down. That work was also stopped by financial constraints, and it remained incomplete when Louis XV died in 1774. In 1784, Louis XVI briefly moved

5680-441: The subsidiary palace, Grand Trianon , as a summer residence from 1810 to 1814, but did not use the main palace. Following the Bourbon Restoration , when the king was returned to the throne, he resided in Paris and it was not until the 1830s that meaningful repairs were made to the palace. A museum of French history was installed within it, replacing the courtiers apartments of the southern wing. The palace and park were designated

5760-584: The task and cost was too great. Louis XVIII had the far end of the south wing of the Cour Royale demolished and rebuilt (1814–1824) to match the Gabriel wing of 1780 opposite, which gave greater uniformity of appearance to the front entrance. Neither he nor his successor Charles X lived at Versailles. The French Revolution of 1830 brought a new monarch, Louis-Philippe to power, and a new ambition for Versailles. He did not reside at Versailles but began

5840-420: The theatre's second opera of the season, Francesco Cavalli was commissioned. Cavalli was then near the end of a long and successful career as an operatic composer. However, when his newest work, Massenzio , went into rehearsal, it was found unsuitable by the theatre managers "for lack of spirited ariettas." They therefore assigned Sartorio the task of writing his own music to the same libretto just 13 days before

5920-436: The village of Hüpede. Sartorio worked in Hanover up until 1675, during which time he returned frequently to Venice in the winter, both to compose operas for Carnival and to hire musicians for service at court. His first trip back to his native city was in 1666–1667. During this time his remarkable duo operas, La prosperità d'Elio Seiano and La caduta d'Elio Seiano , were produced on 15 January and 3 February 1667. Originally

6000-399: Was an imperial staircase built from 1674 to 1680 by François d'Orbay . Until Louis XV had it demolished in 1752 to create a courtyard for his private apartments, the staircase was the primary entrance into the Palace of Versailles and the royal apartments especially. It was entered from the courtyard via a vestibule that, cramped and dark, contrasted greatly with the tall, open space of

6080-613: Was at the Palace of Versailles that Louis XIV received the Doge of Genoa , Francesco Maria Imperiale Lercari in 1685, an embassy from the Ayutthaya Kingdom in 1686, and an embassy from Safavid Iran in 1715. Louis XIV died at Versailles on 1 September 1715 and was succeeded by his five-year-old great-grandson, Louis XV , then the duke of Anjou , who was moved to the Château de Vincennes and then to Paris by Louis XV's regent, Philippe II, Duke of Orléans . Versailles

6160-662: Was for the purpose of lending the Republic of Venice substantial military aid against the Turks. Sartorio began his duties as Kapellmeister on Trinity Sunday 1666 not too long after the Duke's new palace in Herrenhausen near Hanover was finished. The palace's design was inspired by the Palace of Versailles and is famous for its gardens, the Herrenhausen Gardens . As Kapellmeister, Sartorio had at his disposal six instrumentalists and seven or eight singers,

6240-401: Was neglected until 1722, when Philippe II removed the court to Versailles to escape the unpopularity of his regency, and when Louis XV began his majority. The 1715 move, however, broke the cultural power of Versailles, and during the reign of Louis XVI , courtiers spent their leisure in Paris, not Versailles. During Christmas 1763, Mozart and his family visited Versailles and dined with

6320-679: Was opened in some of the empty rooms. By virtue of an order issued by the Versailles district directorate in August 1794, the Royal Gate was destroyed, the Cour Royale was cleared and the Cour de Marbre lost its precious floor. When Napoleon became Emperor of the French in 1804, he considered making Versailles his residence but abandoned the idea because of the cost of the renovation. Prior to his marriage with Marie-Louise in 1810, he had

6400-535: Was succeeded at Versailles by his assistant, architect François d'Orbay . Work at the palace during the 1670s focused on its interiors, as the palace was then nearing completion, though d'Orbay expanded Le Vau's service wings and connected them to the château, and built a pair of pavilions for government employees in the forecourt. In 1670, d'Orbay was tasked by Louis XIV with designing a city, also called Versailles , to house and service Louis XIV's growing government and court. The granting of land to courtiers for

#785214