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92-510: In 1976, Renée Richards is on the tennis court as a professional tennis player. The film flashes back to 1964, when Renée Richards is an eye surgeon named Richard Radley (both roles played by Redgrave). Radley has a successful career and a fiancée, but secretly cross-dresses at night. Unable to speak with his mother Sadie (Louise Fletcher), who is a psychiatrist, Radley consults his own psychiatrist, Dr. Beck (Martin Balsam), who advises him to grow

184-707: A Utopian India. Satyajit Ray experimented with flashbacks in The Adversary (Pratidwandi, 1972), pioneering the technique of photo-negative flashbacks. He also uses flashbacks in other films such as Nayak (1966), Kapurush- O – Mahapurush ( 1965), Aranyer Din Ratri (1970), Jalsaghar(1959). In fact, in Nayak, the entire film proceeds in a non linear narrative which explores the Hero (Arindam's) past through seven flashbacks and two dreams. He also uses extensive flashbacks in

276-697: A Torave Ramayana in Kannada by 16th-century poet Narahari; Adhyathmaramayanam , a Malayalam version by Thunchaththu Ramanujan Ezhuthachan in the 16th century; in Marathi by Sridhara in the 18th century; in Maithili by Chanda Jha in the 19th century; and in the 20th century, Rashtrakavi Kuvempu 's Sri Ramayana Darshanam in Kannada and Srimadramayana Kalpavrukshamu in Telugu by Viswanatha Satyanarayana who received Jnanapeeth award for this work. There

368-507: A beard. This strategy works temporarily until Radley is drafted into the Navy , which does not allow beards. Following his discharge and a failed marriage, Radley undergoes gender reassignment surgery and becomes Renée. Renée relocates to California, resumes her career as a surgeon and begins dating. After playing in a local tennis tournament in La Jolla , Renée is outed as transgender by

460-549: A character, or add structure to the narrative. In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". Flashbacks are important in film noir and melodrama films. In films and television, several camera techniques, editing approaches and special effects have evolved to alert

552-554: A demon, Lankini , who protects all of Lankā. Hanumān fights with her and subjugates her in order to get into Lankā. In the process, Lankini, who had an earlier vision/warning from the gods, therefore, knows that the end of Lankā nears if someone defeats Lankini. Here, Hanumān explores the demons' kingdom and spies on Rāvaṇa. He locates Sītā in Ashoka grove, where she is being wooed and threatened by Rāvaṇa and his rakshasis to marry Rāvaṇa. Hanumān reassures Sītā, giving Rāma's signet ring as

644-544: A flashback from the main character is used to provide a confession to his fraudulent and criminal activities. Fish & Cat is the first single-shot movie with several flashbacks. In John Brahm 's film noir " The Locket " (1946) a unique hat trick is used (a flashback within a flashback within a flashback) to give psychological depth to the story of a woman who was allegedly a kleptomaniac, inveterate liar, and murderess but had never been punished for any of her crimes. A good example of both flashback and flashforward

736-585: A gift. Rama's rule itself was Rāma rājya described to be a just and fair rule. It is believed by many that when Rama returned people celebrated their happiness with diyas , and the festival of Deepavali is connected with Rāma's return. Scholars note "linguistic and rhetorical differences" between the Uttara Kanda and books 2 through 6 of the Ramayana, especially in stories such as Sita's exile and death of Shambuka , and together with Bala Kanda it

828-409: A gigantic form and makes a colossal leap across the sea to Lanka. On the way, he meets with many challenges like facing a Gandharva Kanyā who comes in the form of a demon to test his abilities. He encounters a mountain named Maināka who offers Hanuman assistance and offers him rest. Hanumān refuses because there is little time remaining to complete the search for Sītā. After entering Lankā, he finds

920-481: A narrator (who is often, but not always, the character who is experiencing the memory). An early example of analepsis is in the Ramayana and Mahabharata , where the main story is narrated through a frame story set at a later time. Another early use of this device in a murder mystery was in " The Three Apples ", an Arabian Nights tale. The story begins with the discovery of a young woman's dead body. After

1012-460: A predominant feature of the television shows Lost , Arrow , Phineas and Ferb , Orange Is the New Black , 13 Reasons Why , Elite and Quicksand . Many detective shows routinely use flashback in the last act to illustrate the detective's reconstruction of the culprit's plot, e.g. Murder, She Wrote , Banacek , Columbo . The television show Leverage uses a flashback at

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1104-437: A sign that Rāma is still alive. He offers to carry Sītā back to Rāma; however, she refuses and says that it is not the dharma, stating that Ramāyaṇa will not have significance if Hanumān carries her to Rāma – "When Rāma was not there Rāvaṇa carried Sītā forcibly and when Rāvaṇa was not there, Hanumān carried Sītā back to Ræma." She says that Rāma himself must come and avenge the insult of her abduction. She gives Hanumān her comb as

1196-437: A son and in the desire to have a legal heir performs a fire sacrifice known as Putrīyā Iṣṭi. Meanwhile, the gods are petitioning to Brahmā and Viṣhṇu about Rāvaṇa, king of the rākṣasas who is terrorizing the universe. Thus Viṣṇu had opted to be born into mortality to combat the demon Rāvaṇa . As a consequence, Rāma was first born to Kausalyā, Bharata was born to Kaikeyī, and Lakṣmaṇa and Śatrughna were born to Sumitrā. When Rāma

1288-563: A television reporter. In the ensuing controversy, Renée takes the United States Tennis Association to court, where she secures her right to play professional tournament tennis as a woman without being subjected to chromosome testing . Critic John J. O'Connor of The New York Times praised Redgrave's performance. Although noting that from a physical standpoint Redgrave is not very believable, O'Connor calls her performance "astonishingly convincing". While finding

1380-517: A token to prove that she is still alive. Hanumān takes leave of Sītā. Before going back to Rāma and tell him of Sītā's location & desire to be rescued only by him, he decides to wreak havoc in Lankā by destroying trees in the Naulakha Bagh and buildings and killing Rāvaṇa's warriors. He allows himself to be captured and delivered to Rāvaṇa. He gives a bold lecture to Rāvaṇa to release Sīta. He

1472-652: A version of the Ramayana in the 17th century. Akbar , the third Mughal Emperor, commissioned a simplified text of the Ramayana which he dedicated to his mother, Hamida Banu Begum . Created around 1594, the manuscript is illustrated with scenes from the narrative. Other versions include Krittivasi Ramayan , a Bengali version by Krittibas Ojha in the 15th century; Vilanka Ramayana by 15th century poet Sarala Dasa and Jagamohana Ramayana (also known as Dandi Ramayana ) by 16th century poet Balarama Dasa, both in Odia ;

1564-424: A way to explain his past. A gag in the episode "Doof Dynasty" notes that, when a character explains his or her past, their body ripples (referencing the "ripple effect" which starts a flashback in other media). The whole episode "Act Your Age" is a flash-forward of the characters as teenagers. Several other episodes also feature flashbacks of the main characters' ancestors who, as a running gag, always seem to look like

1656-406: A wicked maidservant, to claim two boons that Daśaratha had long ago granted her. Kaikeyī demands Rāma to be exiled into the wilderness for fourteen years , while the succession passes to her son Bharata. The grief-stricken king, bound by his word, accedes to Kaikeyī's demands. Rāma accepts his father's reluctant decree with absolute submission and calm self-control which characterizes him throughout

1748-484: Is that the Rama, Lakshmana and Hanuman were tied to a tree and were brought to trial in the tribal court, where the deities of the clan Sidhappan, Nanjappan, Mathappan etc. interrogate them with intense inquiries regarding the ethical justification for abandoning his pregnant wife in the barren jungle, neglecting his duties as a husband. Rama admits his mistakes and reaccepts Sita, Lava and Kusha. Even before Kambar wrote

1840-600: Is a smriti text (also described as a Sanskrit epic ) from ancient India , one of the two important epics of Hinduism known as the Itihasas , the other being the Mahabharata . The epic narrates the life of Rama , the seventh avatar of the Hindu deity Vishnu , who is a prince of Ayodhya in the kingdom of Kosala . The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha , on

1932-472: Is a sub-plot to the Ramayana , prevalent in some parts of India, relating the adventures of Ahiravan and Mahi Ravana, evil brother of Ravana, which enhances the role of Hanuman in the story. Hanuman rescues Rama and Lakshmana after they are kidnapped by the Ahi-Mahi Ravana at the behest of Ravana and held prisoner in a cave, to be sacrificed to the goddess Kali . Adbhuta Ramayana is a version that

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2024-450: Is an epic poem containing over 24,000 couplet verses, divided into seven kāṇḍa s ( Bālakāṇḍa , Ayodhyakāṇḍa, Araṇyakāṇḍa, Kiṣkindakāṇḍa, Sundarākāṇḍa , Yuddhakāṇḍa, Uttarakāṇḍa), and about 500 sargas (chapters). It is regarded as one of the longest epic poems ever written. The Ramayana text has several regional renderings, recensions, and sub-recensions. Textual scholar Robert P. Goldman differentiates two major regional revisions:

2116-446: Is an image of Rama and Sita inside his chest. Rama rules Ayodhya and the reign is called Rama-Rajya (a place where the common folk is happy, fulfilled, and satisfied). Then Valmiki trained Lava and Kusha in archery and succeeded the throne after Rama. As in many oral epics, multiple versions of the Ramayana survive. In particular, the Ramayana related in north India differs in important respects from that preserved in south India and

2208-414: Is an interjected scene that takes the narrative back in time from the current point in the story . Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory . In the opposite direction, a flashforward (or prolepsis) reveals events that will occur in the future. Both flashback and flashforward are used to cohere a story, develop

2300-464: Is best if he continues to follow Rāma's orders to protect her. On the verge of hysterics, Sītā insists that it is not she but Rāma who needs Lakṣmaṇa's help. He obeys her wish but stipulates that she is not to leave the cottage or entertain any stranger. He then draws a line that no demon could cross and leaves to help Rāma. With the coast finally clear, Rāvaṇa appears in the guise of an ascetic requesting Sītā's hospitality. Unaware of her guest's plan, Sītā

2392-588: Is composed of two words, Rāma and ayaṇa . Rāma , the name of the main figure of the epic, has two contextual meanings. In the Atharvaveda , it means 'dark, dark-coloured or black' and is related to the word rātri which means 'darkness or stillness of night'. The other meaning, which can be found in the Mahabharata , is 'pleasing, pleasant, charming, lovely, beautiful'. The word ayana means travel or journey. Thus, Rāmāyaṇa means "Rama's journey" with ayana altered to yaṇa (due to

2484-435: Is condemned and his tail is set on fire, but he escapes his bonds and leaps from roof to roof, sets fire to Rāvaṇa's citadel, and makes the giant leap back from the island. The joyous search party returns to Kiṣkindhā with the news. Also known as Lankā Kāṇḍa , this book describes the war between the army of Rāma and the army of Rāvaṇa. Having received Hanuman's report on Sītā, Rāma and Lakṣmaṇa proceed with their allies towards

2576-605: Is considered by some scholars to be an interpolation, and that "the 'original' poem ended with the Yuddhakanda. This kanda narrates Rama's reign of Ayodhya , the birth of Lava and Kusha , the Ashvamedha yajna , and last days of Rama. At the expiration of his term of exile, Rama returns to Ayodhya with Sita, Lakshmana, and Hanuman, where the coronation is performed. On being asked to prove his devotion to Rama, Hanuman tears his chest open and to everyone's surprise, there

2668-460: Is obscure but also attributed to Valmiki – intended as a supplementary to the original Valmiki Ramayana . In this variant of the narrative, Sita is accorded far more prominence, such as elaboration of the events surrounding her birth – in this case to Ravana 's wife, Mandodari as well as her conquest of Ravana's older brother in the Mahakali form. The Gondi people have their own version of

2760-476: Is the first scene of La Jetée (1962). As we learn a few minutes later, what we are seeing in that scene is a flashback to the past, since the present of the film's diegesis is a time directly following World War III . However, as we learn at the very end of the film, that scene also doubles as a prolepsis, since the dying man the boy is seeing is, in fact, himself. In other words, he is proleptically seeing his own death. We thus have an analepsis and prolepsis in

2852-542: Is the progenitor of the modern disaster epic in literature and film-making, where a single disaster intertwines the victims, whose lives are then explored by means of flashbacks of events leading up to the disaster. Analepsis is also used in Night by Elie Wiesel . If flashbacks are extensive and in chronological order, one can say that these form the present of the story, while the rest of the story consists of flash forwards. If flashbacks are presented in non-chronological order,

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2944-413: Is tricked and is then forcibly carried away by Rāvaṇa. Jatāyu , a vulture , tries to rescue Sītā but is mortally wounded. In Lankā, Sītā is kept under the guard of rakṣasīs . Ravaṇa asks Sītā to marry him, but she refuses, being totally devoted to Rāma. Meanwhile, Rāma and Lakṣmaṇa learn about Sītā's abduction from Jatāyu and immediately set out to save her. During their search, they meet Kabandha and

3036-410: Is when they were leaving Portugal . The Harry Potter series employs a magical device called a Pensieve , which changes the nature of flashbacks from a mere narrative device to an event directly experienced by the characters, who are thus able to provide commentary. The creator of the flashback technique in cinema was Histoire d'un crime directed by Ferdinand Zecca in 1901. An early use of

3128-675: The Alvar literature of Kulasekhara Alvar , Thirumangai Alvar , Andal and Nammalvar (dated between 5th and 10th centuries CE). Even the songs of the Nayanmars have references to Ravana and his devotion to Lord Siva. The entire Ramayana was written as a Tamil Opera again in the 18th century CE by Arunachala Kavirayar in Srirangam . The Ramayana was named as Rama Natakam and was composed in Tamil Language . Arunachala Kavi

3220-469: The Himalayas . Upon reaching, Hanumān is unable to identify the sanjeevani herb that will cure Lakṣmaṇa and so he decides to bring the entire mountain back to Lankā. Eventually, the war ends when Rāma kills Rāvaṇa. Rāma then installs Vibhishaṇa on the throne of Lanka. On meeting Sītā, Rāma says; "The dishonour meted out to him and the wrong done to her by Rāvaṇa have been wiped off, by his victory over

3312-500: The Hindu life and culture, and its main figures were fundamental to the cultural consciousness of a number of nations, both Hindu and Buddhist . Its most important moral influence was the importance of virtue, in the life of a citizen and in the ideals of the formation of a state (from Sanskrit : रामराज्य , romanized :  Rāmarājya , a utopian state where Rama is king) or of a functioning society/ realm. The name Rāmāyaṇa

3404-662: The Ramavataram in Tamil in the 12th century AD, there are many ancient references to the story of Ramayana, implying that the story was familiar in the Tamil lands even before the Common Era. References to the story can be found in the Sangam literature of Akanaṉūṟu (dated 1st century BCE) and Purananuru (dated 300 BC), the twin epics of Silappatikaram (dated 2nd century CE) and Manimekalai (cantos 5, 17 and 18), and

3496-578: The 15th century. The earliest translation to a regional Indo-Aryan language is the early 14th century Saptakanda Ramayana in Assamese by Madhava Kandali . Valmiki's Ramayana inspired Sri Ramacharit Manas by Tulsidas in 1576, an epic in Awadhi Hindi with a slant more grounded in a different realm of Hindu literature, that of bhakti ; it is an acknowledged masterpiece, popularly known as Tulsi-krita Ramayana . Gujarati poet Premanand wrote

3588-502: The 6th or 5th century BCE, due to the narrative not mentioning Buddhism (founded in the 5th century BCE) nor the prominence of Magadha (which rose to prominence in the 7th century BCE). The text also mentions Ayodhya as the capital of Kosala , rather than its later name of Saketa or the successor capital of Shravasti . In terms of narrative time, the action of the Ramayana predates the Mahabharata . Goldman & Sutherland Goldman (2022) consider Ramayana's oldest surviving version

3680-487: The 7th to 5th centuries BCE, and later stages extend up to the 3rd century CE, although the original date of composition is unknown. It is one of the largest ancient epics in world literature and consists of nearly 24,000 verses (mostly set in the Shloka / Anuṣṭubh metre), divided into seven kāṇḍa (chapters). It belongs to the genre of Itihasa , narratives of past events ( purāvṛtta ), interspersed with teachings on

3772-636: The Black Pearl at the border of the Afterlife for fourteen long years. Some months later, flashbacks that are memories belonging to Jaken ("The Silver-Scale Curse") and Hachimon ("Battle of the Moon, Part 1") eventually come. In the Disney Channel series Phineas and Ferb , flashbacks and flash forwards often appear. In several episodes, the main antagonist Dr. Doofenshmirtz uses flashbacks as

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3864-530: The Kanchenjunga (1962). Quentin Tarantino makes extensive use of the flashback and flashforward in many of his films. In Reservoir Dogs (1992), for example, scenes of the story present are intercut with various flashbacks to give each character's backstory and motivation additional context. In Pulp Fiction (1994), which uses a highly nonlinear narrative, traditional flashback is also used in

3956-584: The Phantom from a freak show. An extremely convoluted story may contain flashbacks within flashbacks within flashbacks, as in Six Degrees of Separation , Passage to Marseille , and The Locket . This technique is a hallmark of Kannada movie director Upendra . He has employed this technique in his movies – Om (1995), A (1998) and the futuristic flick Super (2010) – set in 2030 containing multiple flashbacks ranging from 2010 to 2015 depicting

4048-569: The Ramayana known as the Gond Ramayani , derived from oral folk legends. It consists of seven stories with Lakshmana as the protagonist, set after the main events of the Ramayana, where he finds a bride. In Adiya Ramayana, an oral version of Ramayana prevailing among the Adiya tribe of Wayanad , Sita is an Adiya woman hailing from Pulpally in Wayanad. A notable difference in the version

4140-538: The aid of the rakṣasa Mārīca . Mārīca, assuming the form of a golden deer, captivates Sītā's attention. Entranced by the beauty of the deer, Sītā pleads with Rāma to capture it. Rāma, aware that this is the ploy of the demons, cannot dissuade Sītā from her desire and chases the deer into the forest, leaving Sītā under Lakṣmaṇa's guard. After some time, Sītā hears Rāma calling out to her; afraid for his life, she insists that Lakṣmaṇa rush to his aid. Lakṣmaṇa tries to assure her that Rāma cannot be hurt that easily and that it

4232-498: The amalgamation of "a" in Rama and the "a" in ayana, as per the Sanskrit grammar rule of internal sandhi ). Scholarly estimates for the earliest stage of the available text range from the 7th to 5th centuries BCE, with later stages extending up to the 3rd century CE. According to Robert P. Goldman (1984), the oldest parts of the Ramayana date to the early 7th century BCE . The later parts cannot have been composed later than

4324-414: The ascetic Śabarī , who directs them towards Sugriva and Hanuman. Kishkindha Kanda is set in the place of Vānaras (Vana-nara) – Forest dwelling humans. Rāma and Lakṣmaṇa meet Hanumān, the biggest devotee of Rāma, greatest of ape heroes, and an adherent of Sugriva , the banished pretender to the throne of Kiṣkindhā. Rāma befriends Sugriva and helps him by killing his elder brother Vāli thus regaining

4416-535: The bow, but breaks it in the process. Rāma marries Sītā; the wedding is celebrated with great festivity in Mithilā and the marriage party returns to Ayodhyā. After Rāma and Sītā have been married, an elderly Daśaratha expresses his desire to crown Rāma, to which the Kosala assembly and his subjects express their support. On the eve of the great event, Kaikeyī was happy about this, but was later on provoked by Mantharā ,

4508-431: The burning pyre, carrying Sītā in his arms and restores her to Rāma, testifying to her purity. Rama later joyfully accepts her. The episode of Agni Pariksha varies in the versions of Ramāyaṇa by Valmiki and Tulsidas . In Tulsidas 's Ramcharitmanas , Sītā was under the protection of Agni (see Māyā Sītā ) so it was necessary to bring her out before reuniting with Rāma. The gods led by Brahma arrive and glorify Rama as

4600-402: The earth, only to return without success from north, east, and west. The southern search party under the leadership of Aṅgada and Hanumān learns from a vulture named Sampātī the elder brother of Jatāyu, that Sītā was taken to Lankā. Sundara Kanda forms the heart of Valmiki's Ramayana and consists of a detailed, vivid account of Hanumān 's heroics. After learning about Sītā, Hanumān assumes

4692-410: The end of each episode to show how the protagonists successfully carried out their confidence trick on the episode's antagonist. The anime Inuyasha uses flashbacks that take one back half a century ago in the two-part episode "The Tragic Love Song of Destiny" in the sixth season narrated by the elderly younger sister of Lady Kikyo, Lady Kaede ; Episodes 147 and 148. In Princess Half-Demon ,

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4784-465: The enemy with the assistance of Hanumān, Sugrīva and Vibhishaṇa". However, upon criticism from people in his kingdom about the chastity of Sītā, Rāma gets extremely disheartened. So Sītā, in order to prove the citizens wrong and wipe the false blame on her, requests Rāma and Lakṣmaṇa to prepare a pyre for her to enter. When Lakṣmaṇa prepares the pyre, Sītā prays to Agni and enters into it, in order to prove her conjugal fidelity. Agni appears in person from

4876-481: The epic without two of its kandas. During the 12th century, Kamban wrote Ramavataram , known popularly as Kambaramayanam in Tamil , but references to Ramayana story appear in Tamil literature as early as 3rd century CE. The Telugu rendition, Ranganatha Ramayanam , was written by Gona Budda Reddy in the 13th century and another of a purer Telugu rendition, called Molla Ramayanam written by Atukuri Molla in

4968-570: The epics Mahabharata and Ramayana , and the Puranas . The genre also includes teachings on the goals of human life . It depicts the duties of relationships, portraying ideal characters like the ideal son, servant, brother, husband, wife, and king. Like the Mahabharata , Ramayana presents the teachings of ancient Hindu sages in the narrative allegory , interspersing philosophical and ethical elements. In its extant form, Valmiki's Ramayana

5060-484: The film is told in flashback, with the scene of Liberty Valance's murder occurring as a flashback within that flashback. Other examples that contains flashbacks within flashbacks are the 1968 Japanese film Lone Wolf Isazo and 2004's The Phantom of the Opera , where almost the entire film (set in 1870) is told as a flashback from 1919 (in black-and-white ) and contains other flashbacks; for example, Madame Giry rescuing

5152-557: The fine bones of that face and the twitching of her various limbs, every internal contradiction of the polymorphously perverse." Second Serve was not universally praised by critics, receiving negative reviews from such outlets as the Chicago Sun-Times . Redgrave was nominated for an Emmy Award and a Golden Globe for her performance and Second Serve won Emmys for hairstyling and makeup. Flashback (narrative) A flashback , more formally known as analepsis ,

5244-706: The flashback technique in cinema occurs throughout D.W. Griffith 's film, Hearts of the World (1918): for example, during the wall scene with the Boy at 1:33. Flashbacks were first employed during the sound era in Rouben Mamoulian 's 1931 film City Streets , but were rare until about 1939 when, in William Wyler 's Wuthering Heights as in Emily Brontë 's original novel, the housekeeper Ellen narrates

5336-405: The flashbacks take place years before the events of each series, there are also cases in which new scenes set during previous episodes are shown, such as Breaking Bad' s " Más " and " Ozymandias ," whose openings are set during the show's pilot . The final three episodes of Better Call Saul , set in the post- Breaking Bad timeline, also include flashbacks taking place both between and during

5428-430: The forest and implores him to return to Ayodhyā and claim the throne that is rightfully his. But Rāma, determined to carry out his father's orders to the letter, refuses to return before the period of exile. Bharata reluctantly returns to Ayodhyā and rules the kingdom on behalf of his brother. In exile, Rāma, Sītā, and Lakṣmaṇa journey southward along the banks of the river Godāvari , where they build cottages and live off

5520-468: The goals of human life . There are many versions of the Ramayana in Indian languages, including Buddhist and Jain adaptations. There are also Cambodian ( Reamker ), Indonesian , Filipino , Thai ( Ramakien ), Lao , Burmese , Nepali , Maldivian , Vietnamese , Tibeto-Chinese , and Malay versions of the Ramayana. The Ramayana was an important influence on later Sanskrit poetry and

5612-415: The incarnation of Supreme God Narayana. Indra restores the dead Vanaras back to life. After the exile, Rāma returns to Ayodhya and the people are so happy they celebrate it like a festival. Deepavali is the day considered that Rāma, Sītā, Lakṣmaṇa and Hanumān reached Ayodhyā after a period of 14 years in exile after Rāma's army of good defeated demon king Rāvaṇa's army of evil. The return of Rāma to Ayodhyā

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5704-531: The killing of the ascetic Sambuka. The U-K attributes both actions to Rama, whom people acknowledged to be righteous and as a model to follow. By masquerading as an additional kanda of the Ramayana composed by Valmiki himself, the U-K succeeded, to a considerable extent, in sabotaging the values presented in Valmiki's Ramayana. The epic begins with the sage Vālmīki asking Nārada if there is a righteous man still left in

5796-417: The kingdom of Kiṣkindhā, in exchange for helping Rāma to recover Sītā. However, Sugriva soon forgets his promise and spends his time enjoying his newly gained power. The clever former ape queen Tārā , (wife of Vāli) calmly intervenes to prevent an enraged Lakṣmaṇa from destroying the ape citadel. She then eloquently convinces Sugriva to honor his pledge. Sugriva then sends search parties to the four corners of

5888-541: The land. One day, in the Pañcavati forest they are visited by a rākṣasī named Śurpaṇakhā , sister of Ravaṇa. She tries to seduce the brothers and, after failing, attempts to kill Sītā out of jealousy. Lakṣmaṇa stops her by cutting off her nose and ears. Hearing of this, her brothers Khara and Dushan organize an attack against the princes. Rama defeats Khara and his rakshasas. When the news of these events reaches Rāvaṇa, he resolves to destroy Rāma by capturing Sītā with

5980-439: The landscape, his own ancestors, and the ancestors of the princes. The party then decide to go to attend king Janaka's sacrifice in the kingdom of Mithilā , who has a bow that no one has been able to string. Janaka recounts the history of the famed bow, and informs them that whoever strings the bow will win the hand of his daughter Sītā , whom he had found in the earth when plowing a field. Rāma then proceeds to not only string

6072-404: The main characters with slight variations in clothing, but the exact same mannerisms and voices. ( Northern Exposure episode "Cicely" used a similar device, with the main cast playing unrelated characters of 84 years before, at the founding of the village.) Breaking Bad and its spinoff Better Call Saul frequently employ flashbacks, most often in the form of the cold open . While many of

6164-430: The main epic, according to many Uttara Kanda is certainly a later interpolation, not attributable to Valmiki. Both of these two kāndas are absent in the oldest manuscript. Some think that the Uttara Kanda contradicts how Rama and Dharma are portrayed in the rest of the epic. M. R. Parameswaran says that the way the positions of women and Shudras are depicted shows that the Uttara Kanda is a later insertion. Since Rama

6256-419: The main story to overnight visitor Mr. Lockwood, who has witnessed Heathcliff's frantic pursuit of what is apparently a ghost. More famously, also in 1939, Marcel Carné 's film Le Jour Se Lève is told almost entirely through flashback: the story starts with the murder of a man in a hotel. While the murderer, played by Jean Gabin , is surrounded by the police, several flashbacks tell the story of why he killed

6348-570: The man at the beginning of the film. One of the most famous examples of a flashback is in the Orson Welles ' film Citizen Kane (1941). The protagonist, Charles Foster Kane , dies at the beginning, uttering the word Rosebud . The remainder of the film is framed by a reporter's interviewing Kane's friends and associates, in a futile effort to discover what the word meant to Kane. As the interviews proceed, pieces of Kane's life unfold in flashback, but Welles' use of such unconventional flashbacks

6440-402: The most celebrated fictional use of contested multiple testimonies. Sometimes a flashback is inserted into a film even though there was none in the original source from which the film was adapted. The 1956 film version of Rodgers and Hammerstein 's stage musical Carousel used a flashback device which somewhat takes the impact away from a very dramatic plot development later in the film. This

6532-547: The murderer later reveals himself, he narrates his reasons for the murder in a series of flashbacks leading up to the discovery of her dead body at the beginning of the story. Flashbacks are also employed in several other Arabian Nights tales such as " Sinbad the Sailor " and " The City of Brass ". Analepsis was used extensively by author Ford Madox Ford , and by poet, author, historian and mythologist Robert Graves . The 1927 book The Bridge of San Luis Rey by Thornton Wilder

6624-424: The northern (n) and the southern (s). Scholar Romesh Chunder Dutt writes that "the Ramayana , like the Mahabharata , is a growth of centuries, but the main story is more distinctly the creation of one mind." There has been discussion as to whether the first and the last volumes of Valmiki's Ramayana (Bala Kanda and Uttara Kanda) were composed by the original author. Though Bala Kanda is sometimes considered in

6716-557: The ongoing spinoff to the anime stated above, the premiere takes us back eighteen years ago, five months since the conclusion of the original series' seventh season . Episode Fifteen "Farewell Under the Lunar Eclipse" is narrated by Riku that explains what had happened before and right after the Half-Demon Princesses were born; namely where Inuyasha and nineteen-year-old Kagome Higurashi had ended up, trapped within

6808-456: The request of Rama's stepmother Kaikeyi ; his travels across forests in the Indian subcontinent with his wife Sita and brother Lakshmana ; the kidnapping of Sita by Ravana , the king of Lanka , that resulted in war; and Rama's eventual return to Ayodhya along with Sita to be crowned king amidst jubilation and celebration. Scholarly estimates for the earliest stage of the text range from

6900-508: The rest of southeast Asia. There is an extensive tradition of oral storytelling based on Ramayana in Indonesia , Cambodia , Philippines , Thailand , Malaysia , Laos , Vietnam and Maldives . There are diverse regional versions of the Ramayana written by various authors in India. Some of them differ significantly from each other. A West Bengal manuscript from the 6th century presents

6992-636: The script wanting for its tendency to reduce complexities to cliches, O'Connor also found that Second Serve "does manage, despite oversimplifications and evasions, to stick to the point. But it is the extraordinary Redgrave performance that slams the message home." New York magazine concurred in this assessment, with reviewer John Leonard calling the film "calm and matter-of-fact, and perhaps too tidy". Leonard lavished Redgrave with praise for her performance, writing: Redgrave, tall and vulnerable, athletic and bewildered, fearful and loving competitive and lonely, manages to transsex both ways. She embodies, with

7084-401: The sequence titled "The Gold Watch". Other films, such as his two-part Kill Bill (Part I 2003, Part II 2004), also feature a narrative that bounces between present time and flashbacks. The television series Quantico , Kung Fu , Psych , How I Met Your Mother , Grounded for Life , Once Upon a Time , and I Didn't Do It use flashbacks in every episode. Flashbacks were also

7176-455: The shore of the southern sea. There they are joined by Rāvaṇa's renegade brother Vibhiṣaṇa . The vānaras named Nala and Nīla construct the Rama Setu . The princes and their army cross over to Lanka. A lengthy war ensues. During a battle, Ravana's son Meghanāda hurls a powerful weapon at Lakṣmaṇa and he gets mortally wounded. So Hanumān assumes his gigantic form and flies from Lankā to

7268-481: The story. He asks Sītā to remain in Ayodhyā, but she convinces him to take her with him in exile. Lakṣmaṇa also resolves to follow his brother into the forest. After Rāma's departure, King Daśaratha, unable to bear the grief, passes away. Meanwhile, Bharata, who was on a visit to his maternal uncle, learns about the events in Ayodhyā. He is shocked and refuses to profit from his mother's wicked scheming. He visits Rāma in

7360-535: The time at which the story takes place can be ambiguous: An example of such an occurrence is in Slaughterhouse-Five where the narrative jumps back and forth in time, so there is no actual present time line. Os Lusíadas is a story about a voyage of Vasco da Gama to India and back. The narration starts when they were arriving in Africa but it quickly flashes back to the beginning of the story which

7452-835: The two series' time frames. The 2D hand-drawn animated show Rapunzel's Tangled Adventure (known as Tangled: The Series during its first season) began showing flashbacks set a quarter of a century ago in the Dark Kingdom, where the heavenly Moonstone resides within for hundreds of years in the second season's premiere "Beyond the Walls of Corona", "Rapunzel and the Great Tree" and the finale "Destinies Collide." Ramayana Traditional The Ramayana ( / r ɑː ˈ m ɑː j ə n ə / ; Sanskrit : रामायणम् , romanized :  Rāmāyaṇam ), also known as Valmiki Ramayana , as traditionally attributed to Valmiki ,

7544-462: The very same scene. Occasionally, a story may contain a flashback within a flashback, with the earliest known example appearing in Jacques Feyder 's L'Atlantide . Little Annie Rooney (1925) contains a flashback scene in a Chinese laundry, with a flashback within that flashback in the corner of the screen. In John Ford 's The Man Who Shot Liberty Valance (1962), the main action of

7636-406: The viewer that the action shown is a flashback or flashforward; for example, the edges of the picture may be deliberately blurred, photography may be jarring or choppy, or unusual coloration or sepia tone, or monochrome when most of the story is in full color, may be used. The scene may fade or dissolve, often with the camera focused on the face of the character and there is typically a voice-over by

7728-529: The world, to which Nārada replies that such a man is Rāma. After seeing two birds being shot, Vālmīki creates a new form of metre called śloka , in which he is granted the ability to compose an epic poem about Rāma. He teaches his poem to the boys Lava and Kuśa, who recite it throughout the land and eventually at the court of king Rāma. Then the main narrative begins. Daśaratha was the King of Ayodhyā. He had three wives: Kausalyā, Kaikeyī, and Sumitrā. He did not have

7820-414: Was 16 years old, the r̥ṣi (sage) Viśvāmitra comes to the court of Daśaratha in search of help against demons who were disturbing sacrificial rites. He chooses Rāma, who is followed by Lakṣmaṇa, his constant companion throughout the story. Rāma and Lakṣmaṇa receive instructions and supernatural weapons from Viśvāmitra and proceed to destroy Tāṭakā and many other demons. Viśvāmitra also recounts much lore of

7912-473: Was celebrated with his coronation. It is called Rāma pattabhisheka . There are mentions in Rāmayaṇa that Rama gave several donations to Sugriva, Jambavan, other Vanaras, and gave a pearl necklace to Sita telling her to give it to a great person. She gives it to Hanumān. Rāma was so thankful to Vibhisaṇa and wanted to give him a great gift. Rāma gave his Aradhana Devata (Sri Ranganathaswamy) to Vibhishana as

8004-468: Was composed around 500 BCE. Books two to six are the oldest portion of the epic, while the first and last books ( Balakanda and Uttara Kanda , respectively) seem to be later additions. Style differences and narrative contradictions between these two volumes and the rest of the epic have led scholars since Hermann Jacobi toward this consensus. The Ramayana belongs to the genre of Itihasa , narratives of past events ( purāvṛtta ), which includes

8096-417: Was done because the plot of Carousel was then considered unusually strong for a film musical. In the film version of Camelot (1967), according to Alan Jay Lerner , a flashback was added not to soften the blow of a later plot development but because the stage show had been criticized for shifting too abruptly in tone from near-comedy to tragedy. In Billy Wilder 's film noir Double Indemnity (1944),

8188-465: Was fascinated by the epic Ramayana so much that he wanted to impart the story and the good lessons preached by it to a large number of persons who could not obviously read the entire epic in original. He composed the entire Ramayana in the form of songs together as an opera so even normal people could understand his Ramayana. In the Buddhist variant of the Ramayana ( Dasaratha Jataka ), Dasharatha

8280-457: Was king of Benares and not Ayodhya. Rama (called Rāmapaṇḍita in this version) was the son of Kaushalya, first wife of Dasharatha. Lakṣmaṇa (Lakkhaṇa) was a sibling of Rama and son of Sumitra, the second wife of Dasharatha. Sita was the wife of Rama. To protect his children from his wife Kaikeyi, who wished to promote her son Bharata, Dasharatha sent the three to a hermitage in the Himalayas for

8372-426: Was revered as a dharmatma, his ideas seen in the Ramayana proper cannot be replaced by new ideas as to what dharma is, except by claiming that he himself adopted those new ideas. That is what the U-K [Uttara Kanda] does. It embodies the new ideas in two stories that are usually referred to as Sita-parityaga, the abandonment of Sita (after Rama and Sita return to Ayodhya and Rama was consecrated as king) and Sambuka-vadha,

8464-755: Was thought to have been influenced by William K. Howard 's The Power and the Glory . Lubitsch used a flashback in Heaven Can Wait (1943) which tells the story of Henry Van Cleve. Though usually used to clarify plot or backstory, flashbacks can also act as an unreliable narrator . The multiple and contradictory staged reconstructions of a crime in Errol Morris 's 1988 documentary The Thin Blue Line are presented as flashbacks based on divergent testimony. Akira Kurosawa 's 1950 Rashomon does this in

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