A shairi ( Georgian : შაირი , pronounced [ˈʃa.i.ɾi] ), also known as Rustavelian quatrain , is the name of a particular poetic form, or a monorhymed quatrain . It was used by the Georgian poet Shota Rustaveli in The Knight in the Panther's Skin .
84-900: It consists of four 16-syllable lines, with a caesura between syllables eight and nine. While there are stanzas with as many as five syllables rhyming, generally shairi uses either feminine or dactylic rhyme. It is worth noticing that despite the feminine and dactylic forms of rhyme, Georgian shairi ’s stress is very weak due to the nature of the Georgian language , which is characterized by dynamic and very weak stress placed on antepenultimate syllable in words longer than two syllables and on penultimate in two-syllable words. The Georgian word shairi derives from Arabo-Persian shi‘r . Two distinct forms of shairi exist: maghali (high) shairi and dabali (low) shairi . Rustaveli used both types in his poem. In maghali shairi ("high shairi "), lines are broken into four sections of four syllables, with
168-666: A clay cup found in Ischia , Italy, are the words "Nestor's cup, good to drink from." Some scholars, such as Calvert Watkins , have tied this cup to a description of King Nestor's golden cup in the Iliad. If the cup is an allusion to the Iliad , that poem's composition can be dated to at least 700–750 BC. Dating is similarly complicated by the fact that the Homeric poems, or sections of them, were performed regularly by rhapsodes for several hundred years. The Odyssey as it exists today
252-543: A caesura after the second section: xxxx xxxx//xxxx xxxx. In dabali shairi ("low shairi "), each line is broken into four segments of five and three syllables: xxxxx xxx//xxxxx xxx. This poetry -related article is a stub . You can help Misplaced Pages by expanding it . This Georgia -related article is a stub . You can help Misplaced Pages by expanding it . Caesura A caesura ( / s ɪ ˈ zj ʊər ə / , pl . caesuras or caesurae ; Latin for " cutting "), also written cæsura and cesura ,
336-505: A feminine caesura is the opening line of the Odyssey : Occasionally (about 1 line in 100) the caesura comes in the 4th foot only. Caesurae were widely used in Latin poetry , for example, in the opening line of Virgil 's Aeneid : This line uses caesura in the medial position. In dactylic hexameter, a caesura occurs any time the ending of a word does not coincide with the beginning or
420-614: A fermata). A fermata may be placed over a caesura to indicate a longer pause. In musical notation , a caesura is marked by double oblique lines, similar to a pair of slashes ⟨//⟩ . The symbol is popularly called "tram-lines" in the UK and "railroad tracks" or "train tracks" in the US. The length of a caesura where notated is at the discretion of the musician. Odyssey The Odyssey ( / ˈ ɒ d ɪ s i / ; Ancient Greek : Ὀδύσσεια , romanized : Odýsseia )
504-485: A fig tree. Washed ashore on Ogygia , he remained there as Calypso's lover. Having listened to his story, the Phaeacians agree to provide Odysseus with more treasure than he would have received from the spoils of Troy. They deliver him at night, while he is fast asleep, to a hidden harbour on Ithaca. Odysseus awakens and believes that he has been dropped on a distant land before Athena appears to him and reveals that he
588-513: A leading role. Unable to hide his emotion as he relives this episode, Odysseus at last reveals his identity. He then tells the story of his return from Troy. Odysseus recounts his story to the Phaeacians. After a failed raid against the Cicones , Odysseus and his twelve ships were driven off course by storms. Odysseus visited the lotus-eaters who gave his men their fruit which caused them to forget their homecoming. Odysseus had to drag them back to
672-419: A line is terminal. Initial and terminal caesurae are rare in formal, Romance , and Neoclassical verse , which prefer medial caesurae. In verse scansion , the modern caesura mark is a double vertical bar ⟨||⟩ or ⟨ ‖ {\displaystyle \|} ⟩, a variant of the single-bar virgula ("twig") used as a caesura mark in medieval manuscripts. The same mark separately developed as
756-631: A particular version of the text had become canonised. The Iliad and the Odyssey were widely copied and used as school texts in lands where the Greek language was spoken throughout antiquity. Scholars may have begun to write commentaries on the poems as early as the time of Aristotle in the 4th century BC. In the 3rd and 2nd centuries BC, scholars affiliated with the Library of Alexandria —particularly Zenodotus and Aristarchus of Samothrace —edited
840-478: A plan to ambush his ship and kill him as he sails back home. Penelope overhears their plot and worries for her son's safety. In the course of Odysseus's seven years as a captive of Calypso on the island Ogygia , she has fallen deeply in love with him, even though he spurns her offers of immortality as her husband and still mourns for home. She is ordered to release him by the messenger god Hermes , who has been sent by Zeus in response to Athena's plea. Odysseus builds
924-540: A pronounced pause in order to emphasize lines in Old English poetry that would otherwise be considered to be a droning, monotonous line. This makes the caesura arguably more important to the Old English verse than it was to Latin or Greek poetry. In Latin or Greek poetry, the caesura could be suppressed for effect in any line. In the alliterative verse that is shared by most of the oldest Germanic languages ,
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#17327943936051008-603: A punctuation mark called the danda is used to mark subdivisions in text, with single and double variants variously marking phrases, sentences, semi-verses, verses, or larger sections. An example of the use of danda as caesurae in Indian poetry is in the "dohas" or couplet poems of Sant Kabir Das , a 15th-century poet who was central to the Bhakti movement in Hinduism . Kabir employs the danda to mark semi-verse and verse, as in
1092-405: A raft and is given clothing, food, and drink by Calypso. When Poseidon learns that Odysseus has escaped, he wrecks the raft, but helped by a veil given by the sea nymph Ino , Odysseus swims ashore on Scherie , the island of the Phaeacians. Naked and exhausted, he hides in a pile of leaves and falls asleep. The next morning, awakened by girls' laughter, he sees the young Nausicaä , who has gone to
1176-455: A re-telling of the Odyssey set in Dublin , is divided into eighteen sections ("episodes") which can be mapped roughly onto the twenty-four books of the Odyssey . Joyce claimed familiarity with the original Homeric Greek, but this has been disputed by some scholars, who cite his poor grasp of the language as evidence to the contrary. The book, and especially its stream of consciousness prose,
1260-466: A type scene in the Odyssey. Two important parts of an omen type scene are the recognition of the omen, followed by its interpretation . In the Odyssey , all of the bird omens—with the exception of the first—show large birds attacking smaller birds. Accompanying each omen is a wish which can be either explicitly stated or only implied. For example, Telemachus wishes for vengeance and for Odysseus to be home, Penelope wishes for Odysseus' return, and
1344-409: A very specific type scene that accompanies it. Throughout the epic, the testing of others follows a typical pattern. This pattern is: Omens occur frequently throughout the Odyssey . Within the epic poem, they frequently involve birds. According to Thornton, most crucial is who receives each omen and in what way it manifests. For instance, bird omens are shown to Telemachus, Penelope, Odysseus, and
1428-422: A wooden stake. When Polyphemus cried out, his neighbors left after Polyphemus claimed that "Nobody" had attacked him. Odysseus and his men finally escaped the cave by hiding on the underbellies of the sheep as they were let out of the cave. As they escaped, however, Odysseus taunted Polyphemus and revealed himself. The Cyclops prayed to his father Poseidon, asking him to curse Odysseus to wander for ten years. After
1512-491: A world beyond man and that influences the fact he cannot return home. These beings that are close to the gods include the Phaeacians who lived near the Cyclopes, whose king, Alcinous, is the great-grandson of the king of the giants, Eurymedon , and the grandson of Poseidon. Some of the other characters that Odysseus encounters are the cyclops Polyphemus , the son of Poseidon; Circe, a sorceress who turns men into animals; and
1596-405: Is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma ( , ), a tick ( ✓ ), or two lines, either slashed ( // ) or upright ( || ). In time value, this break may vary between the slightest perception of silence all the way up to a full pause . In classical Greek and Latin poetry a caesura is the juncture where one word ends and
1680-408: Is defined as a natural phrase end, especially when occurring in the middle of a line. A masculine caesura follows a stressed syllable while a feminine caesura follows an unstressed syllable. A caesura is also described by its position in a line of poetry: a caesura close to the beginning of a line is called an initial caesura, one in the middle of a line is medial , and one near the end of
1764-433: Is discovered by the housekeeper Eurycleia when she recognizes an old scar as she is washing his feet. Eurycleia tries to tell Penelope about the beggar's true identity, but Athena makes sure that Penelope cannot hear her. Odysseus swears Eurycleia to secrecy. The next day, at Athena's prompting, Penelope maneuvers the suitors into competing for her hand with an archery competition using Odysseus's bow. The man who can string
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#17327943936051848-436: Is indeed on Ithaca. She hides his treasure in a nearby cave and disguises him as an elderly beggar so he can see how things stand in his household. He finds his way to the hut of one of his own slaves, swineherd Eumaeus , who treats him hospitably and speaks favorably of Odysseus. After dinner, the disguised Odysseus tells the farm laborers a fictitious tale of himself. Telemachus sails home from Sparta, evading an ambush set by
1932-471: Is likely not significantly different. Aside from minor differences, the Homeric poems gained a canonical place in the institutions of ancient Athens by the 6th century. In 566 BC, Peisistratos instituted a civic and religious festival called the Panathenaia , which featured performances of Homeric poems. These are significant because a "correct" version of the poems had to be performed, indicating that
2016-722: Is one of two major ancient Greek epic poems attributed to Homer . It is one of the oldest works of literature still widely read by modern audiences. Like the Iliad , the Odyssey is divided into 24 books . It follows the Greek hero Odysseus , king of Ithaca , and his journey home after the Trojan War . After the war, which lasted ten years, his journey from Troy to Ithaca, via Africa and southern Europe, lasted for ten additional years during which time he encountered many perils and all of his crewmates were killed. In his absence, Odysseus
2100-402: Is that he will eat him last. Calypso also exemplifies poor guest-friendship because she does not allow Odysseus to leave her island. Another important factor to guest-friendship is that kingship implies generosity. It is assumed that a king has the means to be a generous host and is more generous with his own property. This is best seen when Odysseus, disguised as a beggar, begs Antinous, one of
2184-457: The Epic of Gilgamesh and the Odyssey . Both Odysseus and Gilgamesh are known for traveling to the ends of the earth and on their journeys go to the land of the dead. On his voyage to the underworld, Odysseus follows instructions given to him by Circe, who is located at the edges of the world and is associated through imagery with the sun. Like Odysseus, Gilgamesh gets directions on how to reach
2268-424: The Iliad and the Odyssey were composed independently and that the stories formed as part of a long oral tradition . Given widespread illiteracy, the poem was performed by an aoidos or rhapsode and was more likely to be heard than read. Crucial themes in the poem include the ideas of nostos (νόστος; "return"), wandering, xenia (ξενία; "guest-friendship"), testing, and omens. Scholars still reflect on
2352-580: The Iliad , Alexander Pope began to translate the Odyssey because of his financial situation. His second translation was not received as favourably as the first. Emily Wilson , a professor of classical studies at the University of Pennsylvania , notes that as late as the first decade of the 21st century, almost all of the most prominent translators of Greek and Roman literature had been men. She calls her experience of translating Homer one of "intimate alienation." Wilson writes that this has affected
2436-616: The Odyssey alone spans nearly 2,000 oversized pages in a twentieth-century edition. The first printed edition of the Odyssey , known as the editio princeps , was produced in 1488 by the Greek scholar Demetrios Chalkokondyles , who had been born in Athens and had studied in Constantinople. His edition was printed in Milan by a Greek printer named Antonios Damilas. Since the late 19th century, many papyri containing fragments of
2520-576: The Odyssey and the Iliad , published together in 1616 but serialised earlier, were the first to enjoy widespread success. The texts had been published in translation before, with some translated not from the original Greek. Chapman worked on these for a large part of his life. In 1581, Arthur Hall translated the first 10 books of the Iliad from a French version. Chapman's translations persisted in popularity, and are often remembered today through John Keats ' sonnet " On First Looking into Chapman's Homer " (1816). Years after completing his translation of
2604-590: The Odyssey have been found in Egypt, some with content different from later medieval versions. In 2018, the Greek Cultural Ministry revealed the discovery of a clay tablet near the Temple of Zeus at Olympia, containing 13 verses from the Odyssey 's 14th book. While it was initially reported to date from the 3rd century AD, the date is unconfirmed. George Chapman 's English translations of
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2688-399: The Odyssey was in the 16th century. Adaptations and re-imaginings continue to be produced across a wide variety of media . In 2018, when BBC Culture polled experts around the world to find literature's most enduring narrative, the Odyssey topped the list. The Odyssey begins after the end of the ten-year Trojan War (the subject of the Iliad ), from which Odysseus (also known by
2772-483: The ballad , Tom o' Bedlam ): In later and freer verse forms, the caesura is optional. It can, however, be used for rhetorical effect, as in Alexander Pope 's line: In music, a caesura denotes a brief, silent pause , during which metrical time is not counted . Similar to a silent fermata , caesurae are located between notes or measures (before or over bar lines ), rather than on notes or rests (as with
2856-399: The bard , performs a narrative poem for them. That night, Athena, disguised as Telemachus, finds a ship and crew for the true prince. The next morning, Telemachus calls an assembly of citizens of Ithaca to discuss what should be done with the insolent suitors, who then scoff at Telemachus. Accompanied by Athena (now disguised as Mentor ), the son of Odysseus departs for the Greek mainland to
2940-415: The common meter of the hymnodists (see also hymn ), is usually thought of as a line of iambic tetrameter followed by a line of trimeter , but it can also be considered a line of heptameter with a fixed caesura at the fourth foot. Considering the break as a caesura in these verse forms, rather than a beginning of a new line, explains how sometimes multiple caesurae can be found in this verse form (from
3024-503: The eighth circle of hell , where Odysseus appends a new ending to the Odyssey in which he never returns to Ithaca and instead continues his restless adventuring. Edith Hall suggests that Dante's depiction of Odysseus became understood as a manifestation of Renaissance colonialism and othering , with the cyclops standing in for "accounts of monstrous races on the edge of the world", and his defeat as symbolising "the Roman domination of
3108-493: The virgule , the single slash used to mark line breaks in poetry. Caesurae were widely used in Greek poetry . For example, in the opening line of the Iliad : This line includes a masculine caesura after θεὰ, a natural break that separates the line into two logical parts. Homeric lines more commonly employ feminine caesurae; this preference is observed to an even higher degree among the Alexandrian poets. An example of
3192-606: The Homeric poems, wrote commentaries on them, and helped establish the canonical texts. The Iliad and the Odyssey remained widely studied and used as school texts in the Byzantine Empire during the Middle Ages . The Byzantine Greek scholar and archbishop Eustathios of Thessalonike ( c. 1115 – c. 1195/6 AD ) wrote exhaustive commentaries on both of the Homeric epics that became seen by later generations as authoritative; his commentary on
3276-468: The Latin variant Ulysses), king of Ithaca , has still not returned because he angered Poseidon , the god of the sea. Odysseus's son, Telemachus , is about 20 years old and is sharing his absent father's house on the island of Ithaca with his mother Penelope and the suitors of Penelope , a crowd of 108 boisterous young men who each aim to persuade Penelope for her hand in marriage, all the while reveling in
3360-406: The bow and shoot an arrow through a dozen axe heads would win. Odysseus takes part in the competition, and he alone is strong enough to string the bow and shoot the arrow through the dozen axe heads, making him the winner. He then throws off his rags and kills Antinous with his next arrow. Odysseus kills the other suitors, first using the rest of the arrows and then, along with Telemachus, Eumaeus, and
3444-462: The caesura is an ever-present and necessary part of the verse form itself. The opening line of Beowulf reads: The basic form is accentual verse , with four stresses per line separated by a caesura. Old English poetry added alliteration and other devices to this basic pattern. William Langland 's Piers Ploughman : In the Brahmic scripts of South and Southeast Asia (e.g. Devanagari ),
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3528-415: The cannibalistic Laestrygonians destroyed all of his ships except his own, Odysseus sailed on and reached the island of Aeaea , home of witch-goddess Circe . She turned half of his men into swine with drugged cheese and wine. Hermes warned Odysseus about Circe and gave Odysseus an herb called moly , making him resistant to Circe's magic. Odysseus forced Circe to change his men back to their human forms and
3612-557: The cannibalistic giants, the Laestrygonians. Throughout the course of the epic, Odysseus encounters several examples of xenia ("guest-friendship"), which provide models of how hosts should and should not act. The Phaeacians demonstrate exemplary guest-friendship by feeding Odysseus, giving him a place to sleep, and granting him many gifts and a safe voyage home, which are all things a good host should do. Polyphemus demonstrates poor guest-friendship. His only "gift" to Odysseus
3696-511: The cowherd Philoetius, with swords and spears. Once the battle is won, Telemachus also hangs twelve of their household maids whom Eurycleia identifies as guilty of betraying Penelope or having sex with the suitors. Odysseus identifies himself to Penelope. She is hesitant but recognizes him when he mentions that he made their bed from an olive tree still rooted to the ground. She embraces him and they sleep. The next day, Odysseus goes to his father Laertes 's farm and reveals himself. Following them to
3780-428: The crew overriding Odysseus's wishes to remain away from the island. Zeus caused a storm that prevented them from leaving, causing them to deplete the food given to them by Circe. While Odysseus was away praying, his men ignored the warnings of Tiresias and Circe and hunted the sacred cattle. Helios insisted that Zeus punish the men for this sacrilege. They suffered a shipwreck, and all but Odysseus drowned as he clung to
3864-477: The end of a metrical foot; in modern prosody , however, it is only called one when the ending also coincides with an audible pause in the line. The ancient elegiac couplet form of the Greeks and Romans contained a line of dactylic hexameter followed by a line of pentameter . The pentameter often displayed a clearer caesura, as in this example from Propertius : In Old English , the caesura has come to represent
3948-515: The end of the Odyssey . For instance, one example is that of Agamemnon's homecoming versus Odysseus'. Upon Agamemnon's return, his wife Clytemnestra and her lover, Aegisthus, kill Agamemnon. Agamemnon's son, Orestes , out of vengeance for his father's death, kills Aegisthus. This parallel compares the death of the suitors to the death of Aegisthus and sets Orestes up as an example for Telemachus. Also, because Odysseus knows about Clytemnestra's betrayal, Odysseus returns home in disguise in order to test
4032-439: The escape, Aeolus gave Odysseus a leather bag containing all the winds except the west wind, a gift that should have ensured a safe return home. Just as Ithaca came into sight, the sailors opened the bag while Odysseus slept, thinking it contained gold. The winds flew out, and the storm drove the ships back the way they had come. Aeolus, recognizing that Odysseus had drawn the ire of the gods, refused to further assist him. After
4116-452: The farm is a group of Ithacans, led by Eupeithes , father of Antinous, who are out for revenge for the murder of the suitors. A battle breaks out, but it is quickly stopped by Athena and Zeus. The Odyssey is 12,109 lines composed in dactylic hexameter , also called Homeric hexameter. It opens in medias res , in the middle of the overall story, with prior events described through flashbacks and storytelling. The 24 books correspond to
4200-561: The following couplet: Caesura is very important in Polish syllabic verse (as in French alexandrine ). Every line longer than eight syllables is divided into two half-lines. Lines composed of the same number of syllables with division in different place are considered to be completely different metrical patterns. For example, Polish alexandrine (13) is almost always divided 7+6. It has been very common in Polish poetry for last five centuries. But
4284-405: The following word begins within a foot. In contrast, a word juncture at the end of a foot is called a diaeresis . Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge where word juncture is not permitted. In modern European poetry, a caesura
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#17327943936054368-569: The homeland of Odysseus, which may or may not be the same island that is now called Ithakē (modern Greek: Ιθάκη ). The wanderings of Odysseus as told to the Phaeacians, and the location of the Phaeacians' own island of Scheria, pose more fundamental problems, if geography is to be applied: scholars, both ancient and modern, are divided as to whether any of the places visited by Odysseus (after Ismaros and before his return to Ithaca) are real. Both antiquated and contemporary scholars have attempted to map Odysseus's journey but now largely agree that
4452-433: The host's home. Another theme throughout the Odyssey is testing. This occurs in two distinct ways. Odysseus tests the loyalty of others and others test Odysseus' identity. An example of Odysseus testing the loyalties of others is when he returns home. Instead of immediately revealing his identity, he arrives disguised as a beggar and then proceeds to determine who in his house has remained loyal to him and who has helped
4536-454: The household of Nestor , most venerable of the Greek warriors at Troy , who resided in Pylos after the war. From there, Telemachus rides to Sparta , accompanied by Nestor's son . There he finds Menelaus and Helen , who are now reconciled. Both Helen and Menelaus also say that they returned to Sparta after a long voyage by way of Egypt. There, on the island of Pharos , Menelaus encounters
4620-456: The island of Thrinacia and that failure to do so would result in the loss of his ship and his entire crew. He then meets his dead mother Anticleia and first learns of the suitors and what happened in Ithaca in his absence. Odysseus also converses with his dead comrades from Troy. Returning to Aeaea, they buried Elpenor and were advised by Circe on the remaining stages of the journey. They skirted
4704-411: The king's palace and eating up his wealth. Odysseus's protectress, the goddess Athena , asks Zeus , king of the gods , to finally allow Odysseus to return home when Poseidon is absent from Mount Olympus . Disguised as a chieftain named Mentes , Athena visits Telemachus to urge him to search for news of his father. He offers her hospitality, and they observe the suitors dining rowdily while Phemius ,
4788-463: The land of the Sirens . All of the sailors had their ears plugged up with beeswax, except for Odysseus, who was tied to the mast as he wanted to hear the song. He told his sailors not to untie him as it would only make him drown himself. They then passed between the six-headed monster Scylla and the whirlpool Charybdis . Scylla claimed six of his men. Next, they landed on the island of Thrinacia, with
4872-412: The land of the dead from a divine helper: the goddess Siduri , who, like Circe, dwells by the sea at the ends of the earth, whose home is also associated with the sun. Gilgamesh reaches Siduri's house by passing through a tunnel underneath Mt. Mashu , the high mountain from which the sun comes into the sky. West argues that the similarity of Odysseus' and Gilgamesh's journeys to the edges of the earth are
4956-551: The landscapes, especially of the Apologia (Books 9 to 11), include too many mythic aspects as features to be unequivocally mappable. Classicist Peter T. Struck created an interactive map which plots Odysseus's travels, including his near homecoming which was thwarted by the bag of wind. Scholars have seen strong influences from Near Eastern mythology and literature in the Odyssey . Martin West notes substantial parallels between
5040-547: The last 548 lines of the Odyssey , corresponding to Book 24, are believed by many scholars to have been added by a slightly later poet. The events in the main sequence of the Odyssey (excluding Odysseus's embedded narrative of his wanderings) have been said to take place in the Peloponnese and in what are now called the Ionian Islands . There are difficulties in the apparently simple identification of Ithaca,
5124-597: The letters of the Greek alphabet ; the division was likely made after the poem's composition, by someone other than Homer, but is generally accepted. In the Classical period , some of the books (individually and in groups) were commonly given their own titles: Book 22 concludes the Greek Epic Cycle , though fragments remain of the "alternative ending" of sorts known as the Telegony . The Telegony aside,
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#17327943936055208-490: The loyalty of his own wife, Penelope. Later, Agamemnon praises Penelope for not killing Odysseus. It is because of Penelope that Odysseus has fame and a successful homecoming. This successful homecoming is unlike Achilles , who has fame but is dead, and Agamemnon, who had an unsuccessful homecoming resulting in his death. Only two of Odysseus's adventures are described by the narrator. The rest of Odysseus' adventures are recounted by Odysseus himself. The two scenes described by
5292-560: The metre 13(8+5) occurs only rarely and 13(6+7) can be hardly found. In Polish accentual-syllabic verse caesura is not so important but iambic tetrametre (very popular today) is usually 9(5+4). Caesura in Polish syllabic verse is almost always feminine, while in accentual-syllabic (especially iambic) verse it is often masculine: sSsSsSsS//sSsSsSsSs. There are also metrical patterns with two or three caesuras, for example 18[9(5+4)+9(5+4)]. Caesurae can occur in later forms of verse, where they are usually optional. The so-called ballad meter, or
5376-553: The narrative significance of certain groups in the poem, such as women and slaves, who have a more prominent role in the epic than in many other works of ancient literature. This focus is especially remarkable when contrasted with the Iliad , which centres the exploits of soldiers and kings during the Trojan War. The Odyssey is regarded as one of the most significant works of the Western canon . The first English translation of
5460-482: The narrator are Odysseus on Calypso's island and Odysseus' encounter with the Phaeacians. These scenes are told by the poet to represent an important transition in Odysseus' journey: being concealed to returning home. Calypso's name comes from the Greek word kalúptō ( καλύπτω ), meaning 'to cover' or 'conceal', which is apt, as this is exactly what she does with Odysseus. Calypso keeps Odysseus concealed from
5544-412: The old sea-god Proteus , who tells him that Odysseus was a captive of the nymph Calypso . Telemachus learns the fate of Menelaus's brother, Agamemnon , king of Mycenae and leader of the Greeks at Troy: he was murdered on his return home by his wife Clytemnestra and her lover Aegisthus . The story briefly shifts to the suitors, who have only just realized that Telemachus is gone. Angry, they formulate
5628-454: The oldest works of extant literature commonly read by Western audiences. As an imaginary voyage , it is considered a distant forerunner of the science fiction genre, and, says science fiction scholar Brian Stableford , "there are more science-fictional transfigurations of the Odyssey than of any other literary text". In Canto XXVI of the Inferno , Dante Alighieri meets Odysseus in
5712-423: The original Greek, the word used is hai , the feminine article, equivalent to "those female people". The influence of the Homeric texts can be difficult to summarise because of how greatly they have affected the popular imagination and cultural values. The Odyssey and the Iliad formed the basis of education for members of ancient Mediterranean society. That curriculum was adopted by Western humanists, meaning
5796-414: The popular conception of characters and events of the Odyssey, inflecting the story with connotations not present in the original text: "For instance, in the scene where Telemachus oversees the hanging of the slaves who have been sleeping with the suitors, most translations introduce derogatory language ("sluts" or "whores") [...] The original Greek does not label these slaves with derogatory language." In
5880-539: The result of the influence of the Gilgamesh epic upon the Odyssey . In 1914, paleontologist Othenio Abel surmised the origins of the Cyclops to be the result of ancient Greeks finding an elephant skull. The enormous nasal passage in the middle of the forehead could have looked like the eye socket of a giant, to those who had never seen a living elephant. Classical scholars, on the other hand, have long known that
5964-489: The seashore with her maids after Athena told her in a dream to do so. He appeals for help. She encourages him to seek the hospitality of her parents, Arete and Alcinous . Alcinous promises to provide him a ship to return him home without knowing the identity of Odysseus. He remains for several days. Odysseus asks the blind singer Demodocus to tell the story of the Trojan Horse , a stratagem in which Odysseus had played
6048-520: The ship by force. Afterward, Odysseus and his men landed on a lush, uninhabited island near the land of the Cyclopes . The men entered the cave of Polyphemus , where they found all the cheeses and meat they desired. Upon returning to his cave, Polyphemus sealed the entrance with a massive boulder and proceeded to eat Odysseus's men. Odysseus devised an escape plan in which he, identifying himself as "Nobody," plied Polyphemus with wine and blinded him with
6132-531: The story of the Cyclops was originally a folk tale , which existed independently of the Odyssey and which became part of it at a later date. Similar stories are found in cultures across Europe and the Middle East. According to this explanation, the Cyclops was originally simply a giant or ogre, much like Humbaba in the Epic of Gilgamesh . Graham Anderson suggests that the addition about it having only one eye
6216-493: The suitors wish for the death of Telemachus. There is no scholarly consensus on the date of the composition of the Odyssey . The Greeks began adopting a modified version of the Phoenician alphabet to write down their own language during the mid-8th century BC. The Homeric poems may have been one of the earliest products of that literacy, and if so, would have been composed some time in the late 8th century BC. Inscribed on
6300-411: The suitors, for food and Antinous denies his request. Odysseus essentially says that while Antinous may look like a king, he is far from a king since he is not generous. According to J. B. Hainsworth, guest-friendship follows a very specific pattern: Another important factor of guest-friendship is not keeping the guest longer than they wish and also promising their safety while they are a guest within
6384-418: The suitors. Telemachus and Penelope receive their omens as well in the form of words, sneezes, and dreams. However, Odysseus is the only character who receives thunder or lightning as an omen. She highlights this as crucial because lightning, as a symbol of Zeus, represents the kingship of Odysseus. Odysseus is associated with Zeus throughout both the Iliad and the Odyssey. Omens are another example of
6468-442: The suitors. After Odysseus reveals his true identity, the characters test Odysseus' identity to see if he really is who he says he is. For instance, Penelope tests Odysseus' identity by saying that she will move the bed into the other room for him. This is a difficult task since it is made out of a living tree that would require being cut down, a fact that only the real Odysseus would know, thus proving his identity. Testing also has
6552-730: The suitors. He disembarks on the coast of Ithaca and meets Odysseus. Odysseus identifies himself to Telemachus (but not to Eumaeus), and they decide that the suitors must be killed. Telemachus goes home first. Accompanied by Eumaeus, Odysseus returns to his own house, still pretending to be a beggar. He is ridiculed by the suitors in his own home, especially Antinous . Odysseus meets Penelope and tests her intentions by saying he once met Odysseus in Crete. Closely questioned, he adds that he had recently been in Thesprotia and had learned something there of Odysseus's recent wanderings. Odysseus's identity
6636-399: The text was so much a part of the cultural fabric that it became irrelevant whether an individual had read it. As such, the influence of the Odyssey has reverberated through over a millennium of writing. The poem topped a poll of experts by BBC Culture to find literature's most enduring narrative. It is widely regarded by western literary critics as a timeless classic and remains one of
6720-660: The western Mediterranean". Some of Ulysses's adventures reappear in the Arabic tales of Sinbad the Sailor . The Irish writer James Joyce 's modernist novel Ulysses (1922) was significantly influenced by the Odyssey . Joyce had encountered the figure of Odysseus in Charles Lamb 's Adventures of Ulysses , an adaptation of the epic poem for children, which seems to have established the Latin name in Joyce's mind. Ulysses,
6804-460: The world and unable to return home. After leaving Calypso's island, the poet describes Odysseus' encounters with the Phaeacians—those who "convoy without hurt to all men" —which represents his transition from not returning home to returning home. Also, during Odysseus' journey, he encounters many beings that are close to the gods. These encounters are useful in understanding that Odysseus is in
6888-521: Was assumed dead, and his wife Penelope and son Telemachus had to contend with a group of unruly suitors who were competing for Penelope's hand in marriage. The Odyssey was originally composed in Homeric Greek in around the 8th or 7th century BC and, by the mid-6th century BC, had become part of the Greek literary canon. In antiquity , Homer's authorship of the poem was not questioned, but contemporary scholarship predominantly assumes that
6972-464: Was invented to explain how the creature was so easily blinded. Homecoming (Ancient Greek: νόστος, nostos ) is a central theme of the Odyssey . Anna Bonafazi of the University of Cologne writes that, in Homer, nostos is "return home from Troy, by sea". Agatha Thornton examines nostos in the context of characters other than Odysseus, in order to provide an alternative for what might happen after
7056-416: Was seduced by her. They remained with her for one year. Finally, guided by Circe's instructions, Odysseus and his crew crossed the ocean and reached a harbor at the western edge of the world, where Odysseus sacrificed to the dead . Odysseus summoned the spirit of the prophet Tiresias and was told that he may return home if he is able to stay himself and his crew from eating the sacred livestock of Helios on
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