The Stamps-Baxter Music Company was an influential publishing company in the shape note Southern gospel music field. The company issued several paperback publications each year with cheap binding and printed on cheap paper. Thus, the older books are now in delicate condition. These songbooks were used in church singing events, called "conventions," as well as at other church events, although they did not take the place of regular hymnals . Among the country music and bluegrass " standards " that were first published by Stamps-Baxter are "Rank Strangers to Me", " Just a Little Talk with Jesus ", " Precious Memories ", " Farther Along ", "If We Never Meet Again", "Victory in Jesus", and "I Won't Have to Cross Jordan Alone".
91-586: Stamps and Baxter operated a music school which was the primary source of the thousands of gospel songs they published. Another major part of the corporation was its sponsorship of gospel quartets who sang the company's music in churches throughout the southern United States. At the end of World War II they were sponsoring 35 such quartets. The company also had a quartet who sang on radio station KRLD in Dallas, beginning in 1936. This station would boost its transmitting power at midnight, so that it could be heard across
182-516: A call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand–clapping and foot–stomping as rhythmic accompaniment. Most of the singing was done a cappella . The first published use of the term "gospel song" appeared in 1874. The original gospel songs were written and composed by authors such as George F. Root , Philip Bliss , Charles H. Gabriel , William Howard Doane , and Fanny Crosby . Gospel music publishing houses emerged. The advent of radio in
273-538: A deity or deities, or to a prominent figure or personification . The word hymn derives from Greek ὕμνος ( hymnos ), which means "a song of praise". A writer of hymns is known as a hymnist . The singing or composition of hymns is called hymnody . Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Polyhymnia is the Greco/Roman goddess of hymns. Although most familiar to speakers of English in
364-407: A cappella congregations, hymns are typically sung in unison. In some cases complementary full settings for organ are also published, in others organists and other accompanists are expected to adapt the available setting, or extemporise one, on their instrument of choice. In traditional Anglican practice, hymns are sung (often accompanied by an organ) during the processional to the altar, during
455-548: A congregation while singing it." Christian hymns are often written with special or seasonal themes and these are used on holy days such as Christmas , Easter and the Feast of All Saints , or during particular seasons such as Advent and Lent . Others are used to encourage reverence for the Bible or to celebrate Christian practices such as the eucharist or baptism . Some hymns praise or address individual saints , particularly
546-683: A fact that was commemorated in Albert E. Brumley 's 1937 song, "Turn Your Radio On" (which is still being published in gospel song books). (In 1972, a recording of " Turn Your Radio On " by the Lewis Family was nominated for Gospel Song of the Year .) The Soul Stirrers introduced R.H. Harris, Sam Cooke, and Johnnie Taylor. Sensational Nightingales , Swan Silvertones, the Soul Stirrers, The Blind Boys of Alabama, Five Blind Boys of Mississippi and
637-517: A familiar example is the 4th century Of the Father's Heart Begotten sung to the 11th century plainsong Divinum Mysterium . Later hymnody in the Western church introduced four-part vocal harmony as the norm, adopting major and minor keys, and came to be led by organ and choir. It shares many elements with classical music . Today, except for choirs, more musically inclined congregations and
728-443: A few, began recording music that had this positive Christian country flair. These mainstream artists have now become award winners in this genre. Some proponents of "standard" hymns generally dislike gospel music of the late 19th and early 20th centuries, believing that it emphasizes emotion over doctrine. For example, Patrick and Sydnor complain that commercial success led to a proliferation of such music, and "deterioration, even in
819-472: A hymn any way they felt led to; this idea was opposed by a writer of the time, Rev. Thomas Walter, who felt it was "like Five Hundred different Tunes roared out at the same time". William Billings , a singing school teacher, created the first tune book with only American born compositions. Within his books, Billings did not put as much emphasis on " common measure " - a quatrain that rhymes ABAB and alternates four-stress and three-stress iambic lines - which
910-611: A new focus: expressing one's personal feelings in the relationship with God as well as the simple worship seen in older hymns. Wesley's contribution, along with the Second Great Awakening in America led to a new style called gospel , and a new explosion of sacred music writing with Fanny Crosby , Lina Sandell , Philip Bliss , Ira D. Sankey , and others who produced testimonial music for revivals, camp meetings, and evangelistic crusades. The tune style or form
1001-551: A novel and Catholic introduction to worship, which was to be rejected. All hymns that were not direct quotations from the Bible fell into this category. Such hymns were banned, along with any form of instrumental musical accompaniment, and organs were removed from churches. Instead of hymns, biblical psalms were chanted, most often without accompaniment, to very basic melodies. This was known as exclusive psalmody . Examples of this may still be found in various places, including in some of
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#17327977138601092-416: A number of quotations similar to the complaints of Patrick and Sydnor. However, he also provided this quotation: "Gospel hymnody has the distinction of being America's most typical contribution to Christian song. As such, it is valid in its inspiration and in its employment." Today, with historical distance, there is a greater acceptance of such gospel songs into official denominational hymnals. For example,
1183-475: A range of styles often influenced by popular music . This often leads to some conflict between older and younger congregants (see contemporary worship ). This is not new; the Christian pop music style began in the late 1960s and became very popular during the 1970s, as young hymnists sought ways in which to make the music of their religion relevant for their generation. This long tradition has resulted in
1274-513: A rich hymnody from spirituals during times of slavery to the modern, lively black gospel style. The first influences of African-American culture into hymns came from slave songs of the United States a collection of slave hymns, compiled by William Francis Allen, who had difficulty pinning them down from the oral tradition, and though he succeeded, he points out the awe-inspiring effect of the hymns when sung in by their originators. Some of
1365-657: A single congregation, often between revivalist and traditionalist movements. Swedish composer and musicologist Elisabet Wentz-Janacek mapped 20,000 melody variants for Swedish hymns and helped create the Swedish Choral Registrar, which displays the wide variety of hymns today. In modern times, hymn use has not been limited to strictly religious settings, including secular occasions such as Remembrance Day , and this "secularization" also includes use as sources of musical entertainment or even vehicles for mass emotion. Hymn writing, composition, performance and
1456-405: A standard which to begin with was not high, resulted." They went on to say, "there is no doubt that a deterioration in taste follows the use of this type of hymn and tune; it fosters an attachment to the trivial and sensational which dulls and often destroys sense of the dignity and beauty which best befit the song that is used in the service of God." Gold reviewed the issue in 1958, and collected
1547-399: A wide variety of hymns. Some modern churches include within hymnody the traditional hymn (usually describing God), contemporary worship music (often directed to God) and gospel music (expressions of one's personal experience of God). This distinction is not perfectly clear; and purists remove the second two types from the classification as hymns. It is a matter of debate, even sometimes within
1638-564: Is a subgenre of gospel music with a country flair, is also known as inspirational country. Webb Pierce, the Oak Ridge Boys and Granpa Jones recorded Christian country music records. Christian country over the years has progressed into a mainstream country sound with inspirational or positive country lyrics. In the mid–1990s, Christian country hit its highest popularity. This popularity was such that mainstream artists like Larry Gatlin , Charlie Daniels and Barbara Mandrell , just to name
1729-765: Is based on Revelation 5:6, 8, 9, 10, 12. Relying heavily on Scripture, Watts wrote metered texts based on New Testament passages that brought the Christian faith into the songs of the church. Isaac Watts has been called "the father of English hymnody", but Erik Routley sees him more as "the liberator of English hymnody", because his hymns, and hymns like them, moved worshippers beyond singing only Old Testament psalms, inspiring congregations and revitalizing worship. Later writers took even more freedom, some even including allegory and metaphor in their texts. Charles Wesley 's hymns spread Methodist theology , not only within Methodism, but in most Protestant churches. He developed
1820-575: Is technically designated "gospel songs" as distinct from hymns. Gospel songs generally include a refrain (or chorus) and usually (though not always) a faster tempo than the hymns. As examples of the distinction, " Amazing Grace " is a hymn (no refrain), but " How Great Thou Art " is a gospel song. During the 19th century, the gospel-song genre spread rapidly in Protestantism and to a lesser but still definite extent, in Roman Catholicism;
1911-823: Is the most well–known form, often seen in Black churches, non–Black Pentecostal and evangelical churches, and in entertainment spaces across the country and world. It originates from the Southeastern United States ("the South"), where most Black Americans lived prior to the Great Migration . This music was highly influenced by the hymnody of the spirituals and of Watts and, later, the musical style and vision of Dorsey. Whereas northern Black churches did not at first welcome Dorsey's music (having become accustomed to their own more Eurocentric flavorings), after
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#17327977138602002-405: Is the praise of God with song; a song is the exultation of the mind dwelling on eternal things, bursting forth in the voice.") The Protestant Reformation resulted in two conflicting attitudes towards hymns. One approach, the regulative principle of worship , favoured by many Zwinglians, Calvinists and some radical reformers, considered anything that was not directly authorised by the Bible to be
2093-537: The Blessed Virgin Mary ; such hymns are particularly prevalent in Catholicism , Eastern Orthodoxy and to some extent High Church Anglicanism . A writer of hymns is known as a hymnodist, and the practice of singing hymns is called hymnody ; the same word is used for the collectivity of hymns belonging to a particular denomination or period (e.g. "nineteenth century Methodist hymnody" would mean
2184-655: The Gospel Music Workshop of America , a Black gospel outlet. Late 20th–century musicians such as Elvis Presley , Jerry Lee Lewis , and the Blackwood Brothers were also known for their gospel influences and recordings. Urban contemporary gospel emerged in the late 1960s and early 70s with Edwin Hawkis Singers highly popular "Oh Happy Day" which is still performed worldwide in the 2000s. Artists such as James Cleveland, Aretha Franklin,
2275-453: The James D. Vaughan Publishing Company from which he got many of his business ideas. In 1945, Frank Stamps , younger brother of V. O. Stamps, left the organization to form the rival Stamps Quartet Music Company. At the same time a number of quartets left Stamps-Baxter resulting in the end of the company’s quartet sponsorship coinciding with the end of the war. Frank’s defection did not hurt
2366-532: The Jesus movement and Jesus music . In recent years, Christian traditional hymns have seen a revival in some churches, usually more Reformed or Calvinistic in nature, as modern hymn writers such as Keith & Kristyn Getty and Sovereign Grace Music have reset old lyrics to new melodies, revised old hymns and republished them, or simply written a song in a hymn-like fashion such as " In Christ Alone ". In ancient and medieval times, string instruments such as
2457-674: The Missouri Harmony , Kentucky Harmony , Hesperian Harp , D.H. Mansfield's The American Vocalist , The Social Harp , the Southern Harmony , William Walker 's Christian Harmony , Jeremiah Ingalls ' Christian Harmony , and literally many dozens of others. Shape notes were important in the spread of (then) more modern singing styles, with tenor-led 4-part harmony (based on older English West Gallery music ), fuging sections, anthems and other more complex features. During this period, hymns were incredibly popular in
2548-623: The Presbyterian churches of western Scotland . The other Reformation approach, the normative principle of worship , produced a burst of hymn writing and congregational singing. Martin Luther is notable not only as a reformer, but as the author of hymns including "Ein feste Burg ist unser Gott" (" A Mighty Fortress Is Our God "), " Gelobet seist du, Jesu Christ " ("Praise be to You, Jesus Christ"), and many others . Luther and his followers often used their hymns, or chorales, to teach tenets of
2639-605: The United Methodist Church made this acceptance explicit in The Faith We Sing , a 2000 supplement to the official denominational hymnal. In the preface, the editors say, "Experience has shown that some older treasures were missed when the current hymnals were compiled." Hymn A hymn is a type of song , and partially synonymous with devotional song , specifically written for the purpose of adoration or prayer , and typically addressed to
2730-400: The abolition movement provided cross–fertilization. The first published use of the term "Gospel song" probably appeared in 1874 when Philip Bliss released a songbook entitled Gospel Songs. A Choice Collection of Hymns and Tunes . It was used to describe a new style of church music, songs that were easy to grasp and more easily singable than the traditional church hymns , which came out of
2821-482: The cymbals and the triangle only. The Indian Orthodox (Malankara Orthodox Syrian Church) use the organ . The Tewahedo Churches use drums , cymbals and other instruments on certain occasions. Thomas Aquinas , in the introduction to his commentary on the Psalms, defined the Christian hymn thus: " Hymnus est laus Dei cum cantico; canticum autem exultatio mentis de aeternis habita, prorumpens in vocem ." ("A hymn
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2912-572: The harp , lyre and lute were used with psalms and hymns. Since there is a lack of musical notation in early writings, the actual musical forms in the early church can only be surmised. During the Middle Ages a rich hymnody developed in the form of Gregorian chant or plainsong. This type was sung in unison, in one of eight church modes , and most often by monastic choirs. While they were written originally in Latin , many have been translated;
3003-558: The 1860s musical reformers like Lowell Mason (the so-called "better music boys") were actively campaigning for the introduction of more "refined" and modern singing styles, and eventually these American tune books were replaced in many churches, starting in the Northeast and urban areas, and spreading out into the countryside as people adopted the gentler, more soothing tones of Victorian hymnody, and even adopted dedicated, trained choirs to do their church's singing, rather than having
3094-406: The 1920s greatly increased the audience for gospel music, and James D. Vaughan used radio as an integral part of his business model, which also included traveling quartets to publicize the gospel music books he published several times a year. Virgil O. Stamps and Jesse R. Baxter studied Vaughan's business model and by the late 1920s were running heavy competition for Vaughan. The 1920s also saw
3185-567: The 1920s greatly increased the audience for gospel music. Following World War II , gospel music moved into major auditoriums, and gospel music concerts became quite elaborate. Black and Southern gospel music are largely responsible for gospel's continued presence in contemporary Christian music , with soul music by far the best–known popular music variant. The styles emerged from the African-American music and American folk music traditions and have evolved in various ways over
3276-407: The 1960s. It has evolved over the years into a popular form of music across the United States and overseas, especially among baby boomers and those living in the South. Like other forms of music the creation, performance, significance, and even the definition of southern gospel varies according to culture and social context. Christian country music , sometimes referred to as country gospel music,
3367-611: The 19th century witnessed an explosion of hymn tune composition and congregational four-part singing in Wales . Along with the more classical sacred music of composers ranging from Charpentier (19 Hymns, H.53 - H.71) to Mozart to Monteverdi , the Catholic Church continued to produce many popular hymns such as Lead, Kindly Light , Silent Night , O Sacrament Most Holy, and Faith of Our Fathers . In some radical Protestant movements, their own sacred hymns completely replaced
3458-445: The 70s and 80s, Urban Contemporary gospel is the most common form of recorded gospel music today. It relies heavily on rhythms and instrumentation common in the secular music of the contemporary era (often including the use of electronic beats), while still incorporating the themes and heritage of the traditional Black gospel genre. Kirk Franklin is the foremost (and by far the bestselling) individual in this genre, while Andrae Crouch,
3549-648: The Clark Sisters , Mary Mary , and Yolanda Adams are also very popular and noteworthy. British black gospel refers to gospel music of the African diaspora in the UK. It is also often referred to as "UK gospel". The distinctive sound is heavily influenced by UK street culture with many artists from the African and Caribbean majority black churches in the UK. The genre has gained recognition in various awards such as
3640-479: The Clark Sisters, and Andraé Crouch followed them. And this pattern would repeat itself in subsequent decades, with new artists like Yolanda Adams and Kirk Franklin making increasingly more bold forays into the secular world with their musical stylings. The current sphere of Black gospel recording artists is almost exclusively of the urban contemporary bent. Also of note is the rise of Christian (or gospel) rap/hip–hop , which has gained increasing popularity since
3731-716: The Dixie Hummingbirds were popular in afroamerican gospel fans. In 1964, the Gospel Music Association was established, which in turn began the Dove Awards (in 1969) and the Gospel Music Hall of Fame (in 1972). Both of the latter two groups began primarily for Southern gospel performers, but in the late 1970s, began including artists of other subgenres, which brought in many Black artists. Also in 1969, James Cleveland established
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3822-553: The Early Church still sung today include ' Phos Hilaron ', ' Sub tuum praesidium ', and ' Te Deum '. One definition of a hymn is "...a lyric poem, reverently and devotionally conceived, which is designed to be sung and which expresses the worshipper's attitude toward God or God's purposes in human life. It should be simple and metrical in form, genuinely emotional, poetic and literary in style, spiritual in quality, and in its ideas so direct and so immediately apparent as to unify
3913-583: The GEM (Gospel Entertainment Music) Awards, MOBO Awards , Urban Music Awards and has its own Official Christian & Gospel Albums Chart . Southern gospel music comes from the Southeastern United States and is similar in sound to Christian country music, but it sometimes known as "quartet music" for its traditional "four men and a piano" set up. The genre, while remaining predominantly White, began to integrate Black gospel stylings in
4004-763: The Hurrian Hymn to Nikkal ; the Rigveda , an Indian collection of Vedic hymns; hymns from the Classic of Poetry ( Shijing ), a collection of Chinese poems from 11th to 7th centuries BC; the Gathas —Avestan hymns believed to have been composed by Zoroaster ; and the Biblical Book of Psalms . The Western tradition of hymnody begins with the Homeric Hymns , a collection of ancient Greek hymns,
4095-411: The Soul Stirrers, Swan Silvertones and the Dixie Hummingbirds were famous gospel groups. Christian country music , sometimes referred to as country gospel music, is a subgenre of gospel music with a country flair. Celtic gospel music infuses gospel music with a Celtic flair, and is popular in countries such as Ireland. British black gospel refers to Gospel music of the African diaspora produced in
4186-610: The Southern migrants' new churches became more popular, so did gospel music, gospel choirs, and the general trend toward exclusive use of this music in Black churches. Dorsey, Whitney Houston, Mahalia Jackson, the Mississippi Mass Choir , and the Georgia Mass Choir are but a few notable examples. Developing out of the fusion of traditional Black gospel with the styles of secular Black music popular in
4277-472: The Stamps-Baxter company in the long run, although it did lead to some confusion among the public. The Stamps-Baxter School of Music declined after World War II, but its successor continues to this day as an annual two-week singing school under the leadership of Ben Speer . Stamps died in 1940, leaving the company to J. R. Baxter. After Baxter died in 1960, his widow, Clarice Howard "Ma" Baxter, ran
4368-421: The Stamps-Baxter convention songs. Universal Music Publishing International MGB Limited now owns Stamps-Baxter Music and Bridge Building Music. Therefore, the copyright is maintained by Universal Music Publishing International MGB Limited. Gospel music Gospel music is a traditional genre of Christian music and a cornerstone of Christian media . The creation, performance, significance, and even
4459-663: The United Kingdom. According to Yale University music professor Willie Ruff, the singing of psalms in Scottish Gaelic by Presbyterians of the Scottish Hebrides evolved from " lining out "—where one person sang a solo and others followed—into the call and response of gospel music of the American South. Another theory notes foundations in the works of Isaac Watts and others. Moreover,
4550-433: The United States, and one or more of the above-mentioned tunebooks could be found in almost every household. It is not uncommon to hear accounts of young people and teenagers gathering together to spend an afternoon singing hymns and anthems from tune books, which was considered great fun, and there are surviving accounts of Abraham Lincoln and his sweetheart singing together from the Missouri Harmony during his youth. By
4641-645: The absence of instruments in worship by the church in the first several centuries of its existence, and adhere to an unaccompanied a cappella congregational singing of hymns. These groups include the 'Brethren' (often both 'Open' and 'Exclusive'), the Churches of Christ , Mennonites , several Anabaptist-based denominations—such as the Apostolic Christian Church of America — Primitive Baptists , and certain Reformed churches, although during
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#17327977138604732-417: The body of hymns written and/or used by Methodists in the 19th century). A collection of hymns is called a hymnal , hymn book or hymnary . These may or may not include music; among the hymnals without printed music, some include names of hymn tunes suggested for use with each text, in case readers already know the tunes or would like to find them elsewhere. A student of hymnody is called a hymnologist , and
4823-465: The chanting ( bhajan and kirtan ) of the devotional songs of the poet- sants ( Basava , Chandidas , Dadu Dayal , Haridas , Hith Harivansh , Kabir , Meera Bai , Namdev , Nanak , Ramprasad Sen , Ravidas , Sankardev , Surdas , Vidyapati ) in local languages in a number of groups, namely Dadu panth, Kabir panth , Lingayatism , Radha-vallabha , Sikhism , completely or significantly replaced all previous Sanskrit literature . The same and with
4914-584: The company until her death in 1972. In 1974, the company was sold to Zondervan, which became part of the Benson Company in 1986, and is now part of Universal Music Group . The choral publishing arm was subsequently sold to the Cooperative Baptist Fellowship -associated Celebrating Grace, Inc. in 2023. The "convention" song books typically included 140 songs. The first song would be on the inside front cover, numbered 00 with
5005-584: The context of Christianity , hymns are also a fixture of other world religions , especially on the Indian subcontinent ( stotras ). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Ancient Eastern hymns include the Egyptian Great Hymn to the Aten , composed by Pharaoh Akhenaten ;
5096-406: The copyright was renewed. Thus, a Stamps-Baxter song last copyrighted in 1929 will enter public domain in 2024. There is also a claim to copyright on these songs. On October 16, 1998, three corporations, Brentwood-Benson Music Publishing, Inc., Stamps-Baxter Music, and Bridge Building Music, Inc., filed for copyright on "Glory Special" & 19,618 other titles. This large collection includes all of
5187-624: The days of the Gospel Gangstaz and The Cross Movement . Often considered a subgenre of urban contemporary gospel, Christian rap has become dominated in present times by artists from Reach Records , who have seen perhaps the most commercial success of any artists in the gospel genre; Lecrae (the label's founder and preeminent artist) has charted in the top 10 of on the Billboard 200 three times, with his 2014 album "Anomaly" debuting at No. 1. See also: Traditional Black gospel music
5278-457: The definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often performed in
5369-464: The entire congregation participate. But in many rural areas the old traditions lived on, not in churches, but in weekly, monthly or annual conventions were people would meet to sing from their favorite tunebooks. The most popular one, and the only one that survived continuously in print, was the Sacred Harp , which could be found in the typical rural Southern home right up until the living tradition
5460-658: The faith to worshipers. The first Protestant hymnal was published in Bohemia in 1532 by the Unitas Fratrum . Count Zinzendorf , the Lutheran leader of the Moravian Church in the 18th century wrote some 2,000 hymns. The earlier English writers tended to paraphrase biblical texts, particularly Psalms ; Isaac Watts followed this tradition, but is also credited as having written the first English hymn which
5551-494: The first great gospel recording artist. The first person to introduce ragtime to gospel (and the first to play piano on a gospel recording) was Arizona Dranes . The 1930s saw the rise of Black gospel quartets such as the Five Blind Boys of Mississippi and the Five Blind Boys of Alabama . In addition to these high–profile quartets, there were many Black gospel musicians performing in the 1920s and 30s, usually playing
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#17327977138605642-558: The first hymns in the black church were renderings of Isaac Watts hymns written in the African-American vernacular English of the time. The meter indicates the number of syllables for the lines in each stanza of a hymn. This provides a means of marrying the hymn's text with an appropriate hymn tune for singing. In practice many hymns conform to one of a relatively small number of meters (syllable count and stress patterns). Care must be taken, however, to ensure that not only
5733-642: The first song inside the book being numbered 1-A, and the rest of the songs were numbered 1 through 138. Each book included four or five older public domain songs such as John Newton 's " Amazing Grace ", Mackay's "Revive Us Again", Stennett’s "I Am Bound for the Promised Land", and Smith’s "America". In addition, one or two songs from earlier Stamps-Baxter publications might be included. The other 134 songs would consist of new material that had never been published before. The authors and composers of these songs were paid as much as $ 7.00 for each song, which would be
5824-734: The genre arose during a time when literacy was not a guarantee, utilizing a great deal of repetition (which, unlike more traditional hymns, allowed those who could not read the opportunity to participate). Perhaps the most famous gospel–based hymns were composed in the 1760s and 1770s by English writers John Newton (" Amazing Grace ") and Augustus Toplady ("Rock of Ages"), members of the Anglican Church . Starting out as lyrics only, it took decades for standardized tunes to be added to them. Although not directly connected with African–American gospel music, they were adopted by African–Americans as well as white Americans, and Newton's connection with
5915-476: The gospel-song genre is unknown in the worship per se by Eastern Orthodox churches, which rely exclusively on traditional chants (a type of hymn). The Methodist Revival of the 18th century created an explosion of hymn-writing in Welsh , which continued into the first half of the 19th century. The most prominent names among Welsh hymn-writers are William Williams Pantycelyn and Ann Griffiths . The second half of
6006-725: The guitar and singing in the streets of Southern cities. In the 1930s, in Chicago, Thomas A. Dorsey turned to gospel music, establishing a publishing house. It has been said that 1930 was the year traditional black gospel music began, as the National Baptist Convention first publicly endorsed the music at its 1930 meeting. Dorsey was responsible for developing the musical careers of many African–American artists, such as Mahalia Jackson (best known for her rendition of his " Precious Lord, Take My Hand "). Meanwhile, radio continued to develop an audience for gospel music,
6097-766: The holy scripture of the Sikhs, regarded as the teachings of the Ten Gurus. The role of Guru Granth Sahib, as a source or guide of prayer, is pivotal in Sikh worship. Sutra chanting is a religious action recommended for Shin Buddhist followers to carry out in their daily lives. Temple service chanting may include: dedications to the Three Treasures ( Buddha , Dharma , Sangha ) common to all Buddhist traditions; selections from The Three Pure Land Sutras , which record
6188-835: The last century or so, several of these, such as the Free Church of Scotland have abandoned this stance. Eastern Christianity (the Eastern Orthodox , Oriental Orthodox and Eastern Catholic churches) has a variety of ancient hymnographical traditions. In the Byzantine Rite , chant is used for all forms of liturgical worship: if it is not sung a cappella , the only accompaniment is usually an ison , or drone . Organs and other instruments were excluded from church use, although they were employed in imperial ceremonies. However, instruments are common in some other Oriental traditions. The Coptic tradition makes use of
6279-585: The late 19th century Ira D. Sankey and Dwight L. Moody developed the relatively new subcategory of gospel hymns . Earlier in the 19th century, the use of musical notation, especially shape notes , exploded in America, and professional singing masters went from town to town teaching the population how to sing from sight , instead of the more common lining out that had been used before that. During this period hundreds of tune books were published, including B.F. White's Sacred Harp , and earlier works like
6370-443: The marketing of gospel records by groups such as the Carter Family . The Pentecostal movement quickly made inroads with churches not attuned to the Europeanized Black church music that had become popular over the years since Emancipation. These congregations readily adopted and contributed to the gospel music publications of the early 20th century. Sister Rosetta Tharpe , pioneer of rock and roll , soon emerged from this tradition as
6461-458: The mass revival movement starting with Dwight L. Moody , whose musician was Ira D. Sankey , as well as the Holiness – Pentecostal movement. Prior to the meeting of Moody and Sankey in 1870, there was an American rural/frontier history of revival and camp meeting songs, but the gospel hymn was of a different character, and it served the needs of mass revivals in the great cities. The revival movement employed popular singers and song leaders,
6552-413: The metre of words and tune match, but also the stresses on the words in each line. Technically speaking an iambic tune, for instance, cannot be used with words of, say, trochaic metre. The meter is often denoted by a row of figures besides the name of the tune, such as "87.87.87", which would inform the reader that each verse has six lines, and that the first line has eight syllables, the second has seven,
6643-483: The most famous of them being Ira D. Sankey. The original "gospel" songs were written and composed by authors such as George F. Root , Philip Bliss , Charles H. Gabriel , William Howard Doane , and Fanny Crosby . As an extension to his initial publication Gospel Songs , Philip Bliss, in collaboration with Ira D. Sankey issued no's. 1 to 6 of Gospel Hymns in 1875. Sankey and Bliss's collection can be found in many libraries today. The popularity of revival singers and
6734-605: The nation. An additional part of the Stamps-Baxter music empire was a magazine, Gospel Music News . Each part of the corporation supported every other part, giving strength to the entire organization. Virgil Oliver Stamps founded the company in 1924 and J. R. Baxter Jr. joined him to form the Stamps-Baxter Music Company, which was based in Dallas, Texas, with offices in Chattanooga, Tennessee and Pangburn, Arkansas . Stamps got his start working for
6825-551: The oldest of which were written in the 7th century BC, praising deities of the ancient Greek religions . Surviving from the 3rd century BC is a collection of six literary hymns ( Ὕμνοι ) by the Alexandrian poet Callimachus . The Orphic Hymns are a collection of 87 short poems in Greek religion. Patristic writers began applying the term ὕμνος , or hymnus in Latin , to Christian songs of praise, and frequently used
6916-474: The only monetary compensation that they would get. The Stamps-Baxter company was careful to renew its copyrights under United States copyright law . The collections, not the individual songs, were copyrighted, so that anyone looking up records for the songs must know in which collection it was first published. Under current U. S. copyright law, works published between 1922 and 1963 will not enter public domain until 95 years after their initial year of copyright if
7007-460: The openness of rural churches to this type of music (in spite of its initial use in city revivals) led to the late 19th and early 20th century establishment of gospel music publishing houses such as those of Homer Rodeheaver , E. O. Excell , Charlie Tillman , and Charles Tindley . These publishers were in the market for large quantities of new music, providing an outlet for the creative work of many songwriters and composers. The advent of radio in
7098-485: The publishing of Christian hymnals were prolific in the 19th-century and were often linked to the abolitionist movement by many hymn writers. Stephen Foster wrote a number of hymns that were used during church services during this era of publishing. Thomas Symmes, a clergyman of the third generation of Puritans in New England, spread throughout churches a new idea of how to sing hymns, in which anyone could sing
7189-550: The qualities of God and why one should meditate on God's name. The Guru Granth Sahib is divided by their musical setting in different ragas into fourteen hundred and thirty pages known as Angs (limbs) in Sikh tradition. Guru Gobind Singh (1666–1708), the tenth guru, after adding Guru Tegh Bahadur 's bani to the Adi Granth affirmed the sacred text as his successor, elevating it to Guru Granth Sahib . The text remains
7280-583: The receiving of communion, during the recessional , and sometimes at other points during the service. The Doxology is also sung after the tithes and offerings are brought up to the altar. Contemporary Christian worship , as often found in Evangelicalism and Pentecostalism , may include the use of contemporary worship music played with electric guitars and the drum kit , sharing many elements with rock music . Other groups of Christians have historically excluded instrumental accompaniment, citing
7371-537: The same hymn (e.g., the hymn "I Sing a Song of the Saints of God"), the meter is called Irregular. The Rigveda is the earliest and foundational Indian collection of over a thousand liturgical hymns in Vedic Sanskrit . Between other notable Hindu hymns ( stotras and others) or their collections there are: A hymnody acquired tremendous importance during the medieval era of the bhakti movements . When
7462-407: The scholarly study of hymns, hymnists and hymnody is hymnology . The music to which a hymn may be sung is a hymn tune . In many Evangelical churches, traditional songs are classified as hymns while more contemporary worship songs are not considered hymns. The reason for this distinction is unclear, but according to some it is due to the radical shift of style and devotional thinking that began with
7553-517: The songs of Baul movement. That is, the new hymns themselves received the status of holy scripture. An example of a hymnist, both lyricist and composer is the 15th–16th centuries Assamese reformer guru Sankardev with his borgeet -songs. The Sikh holy book, the Guru Granth Sahib ( Punjabi : ਗੁਰੂ ਗ੍ਰੰਥ ਸਾਹਿਬ Punjabi pronunciation: [ɡʊɾu ɡɾəntʰ sɑhɪb] ), is a collection of hymns ( Shabad ) or Gurbani describing
7644-459: The third line eight, etc. The meter can also be described by initials; L.M. indicates long meter, which is 88.88 (four lines, each eight syllables long); S.M. is short meter (66.86); C.M. is common metre (86.86), while D.L.M., D.S.M. and D.C.M. (the "D" stands for double) are similar to their respective single meters except that they have eight lines in a verse instead of four. Also, if the number of syllables in one verse differ from another verse in
7735-766: The word as a synonym for " psalm ". Originally modelled on the Book of Psalms and other poetic passages (commonly referred to as " canticles ") in the Scriptures, Christian hymns are generally directed as praise to the Christian God . Many refer to Jesus Christ either directly or indirectly. In the New Testament, Saint Paul wrote to the Ephesian and Colossian churches, enjoining the singing of psalms and hymns for "mutual encouragement and edification." This
7826-586: The written Bible. An example of this, the Book of Life (Russian: "Zhivotnaya kniga") is the name of all oral hymns of the Doukhobors , the Russian denomination, similar to western Quakers . The Book of Life of the Doukhobors (1909) is firstly printed hymnal containing songs, which to have been composed as an oral piece to be sung aloud. Many churches today use contemporary worship music which includes
7917-495: The years, continuing to form the basis of Black church worship even today. It has also come to be used in churches of various other cultural traditions (especially within Pentecostalism ) and, via the gospel choir phenomenon spearheaded by Thomas Dorsey , has become a form of musical devotion worldwide. Southern afroamerican gospel groups used all–male, tenor – lead – baritone – bass quartets. Sensational Nightingales ,
8008-532: Was "re-discovered" by Alan Lomax in the 1960s (although it had been well-documented by musicologist George Pullen Jackson prior to this). Since then there has been a renaissance in "Sacred Harp singing", with annual conventions popping up in all 50 states and in a number of European countries recently, including the UK , Germany , Ireland and Poland , as well as in Australia . African-Americans developed
8099-505: Was demonstrated when he joined Silas in singing hymns in the Phillipian jail, even during unfortunate circumstances. Psalms 30:4 and Revelation 14:3 , among other Scriptural verses, encourage Christians to sing hymns to praise God. As such, since the earliest times, Christians have sung "psalms and hymns and spiritual songs", both in private devotions and in corporate worship. Non-scriptural hymns (i.e. not psalms or canticles) from
8190-494: Was not a direct paraphrase of Scripture. Watts (1674–1748), whose father was an Elder of a dissenter congregation, complained at age 16, that when allowed only psalms to sing, the faithful could not even sing about their Lord, Christ Jesus. His father invited him to see what he could do about it; the result was Watts' first hymn, "Behold the glories of the Lamb". Found in few hymnals today, the hymn has eight stanzas in common metre and
8281-492: Was the typical way hymns were sung. Noting in his preface the fondness of other compilers for tunes in common measure, Billings promised his subscribers a well-balanced collection, with "a Sufficiency in each measure ". And indeed The Singing Master's Assistant has many tunes whose declamation is based on the dactyl in duple time . Boston's Handel and Haydn Society aimed at raising the level of church music in America, publishing their "Collection of Church Music" in 1822. In
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