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126-410: Point Break is a 1991 American action film directed by Kathryn Bigelow and written by W. Peter Iliff. It stars Patrick Swayze , Keanu Reeves , Lori Petty and Gary Busey . The film's title refers to the surfing term " point break ", where a wave breaks as it hits a point of land jutting out from the coastline. The film features Reeves as an undercover FBI agent who is tasked with investigating

252-493: A "War Child" IPA. Between 2016 and 2020, indie musician JAWNY went by the stage name "Johnny Utah" in reference to the Point Break character. In The Avengers , Tony Stark dismissively calls Thor "Point Break," presumably a comparison of Thor's hair to Swayze's in that film. In Thor: Ragnarok , after several attempts Thor correctly guesses that "Point Break" is the activation code that Stark had set up for him in

378-510: A Global release status of Chinese-language martial arts films, most notably Zhang Yimou 's Hero (2002) and House of Flying Daggers (2004), Stephen Chow 's Kung Fu Hustle (2004) and Chen Kaige 's The Promise (2005). Most Hong Kong action films in the first quarter of the 21st century, such as those in Cold War (2012), Cold War 2 (2016) and The White Storm film series have their violence toned down, especially compared to

504-455: A Keanu Reeves performance even from those who generally think themselves incapable of acting." Point Break was referenced in Hot Fuzz , where the scene of Utah emptying his magazine into the sky in frustration is watched by the lead characters and later re-enacted by Nick Frost 's character. Seattle-based Georgetown Brewing Company brews a "Bodhizafa" IPA, a "Johnny Utah" pale ale, and

630-403: A director. At the time, executive producer James Cameron was married to director Kathryn Bigelow , who had just completed Blue Steel and was looking for her next project. Only W. Peter Iliff is credited for the screenplay, but Cameron has said that he did a considerable amount of writing with Bigelow for the final film, helping to establish a better plot flow. Cameron was also instrumental in

756-436: A fight sequence. In the 1980s, American martial arts films reflected the national move towards conservatism, reflected in films of Chuck Norris and other actors such as Sho Kosugi . The genre would shift from theatrical releases towards the end of the decade with the rise of home video, the lower box-office of American martial arts productions, and a significant portion of direct-to-video action films that first were made in

882-500: A global audience of these films in the United States and Europe, but was cut short on Lee's death in 1973 leading the phases popularity to decline. Following a period of stagnation, Chang Cheh and Lau Kar-leung revitalized the genre with shaolin kung fu films and Chor Yuen 's series of darker swordplay films based on the novels of Gu Long . Kung Fu comedies appeared featuring Jackie Chan as martial arts films flourished into

1008-566: A hero overcoming enemies or obstacles and physical conflicts or challenge, usually battling other humans or alien opponents. By late 2010s studies of genre analysis, the term "genre" itself is often replaced or supplemented with the words "mode" and "narrative form" with all three terms often being used interchangeably. Johan Höglund and Agnieszka Soltysik Monnet said that the difference between these concepts are elusive, but stated that genre could be defined as belonging to specific historical and cultural moments while "mode" and "form" can refer to

1134-454: A larger pattern that operates across a wider historical and cultural field. In their book Action Cinema Since 2000 (2024), Tasker, Lisa Purse, and Chris Holmlund stated that thinking of action as a mode is more helpful than thinking of it as a genre. The three authors suggested that action frames a certain manner of filmmaking and viewing exceed genre without eclipsing it stating that websites such as IMDb and Misplaced Pages rarely label films by

1260-554: A propensity for violent action, identified with the films of Chang Cheh . Violent female characters have been part of cinema since its early inception, with characters such as Kate Kelly brandishing a shotgun in The Story of the Kelly Gang (1906). Women traditionally appear in action films as romantic interests, tomboys , or sidekicks to male protagonists. Violent white women would appear in other genres as well such as

1386-477: A renowned surf beach , located 100 km south-west of Melbourne , on the Great Ocean Road near the towns of Torquay and Jan Juc . It is named after William Bell, a Geelong businessman and grazier, who owned much of the property there from the 1840s. Many records wrongly accredit the location's name to John Calvert Bell of the family that took up a pastoral run there much later in 1905 and built

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1512-528: A score release for Point Break was released by La-La Land Records, featuring composer Mark Isham 's score. This edition was limited to 2,000 units and features 65 minutes of score with liner notes by Dan Goldwasser that incorporate comments from both Bigelow and Isham. It is now out of print. Point Break was released on July 12, 1991, in 1,615 theaters, grossing $ 8.5 million on its opening weekend, behind Terminator 2: Judgment Day ' s (directed by Bigelow's then husband, James Cameron ) second weekend and

1638-726: A sense of immersion among the audience. Parts of the film were shot at Lake Powell in Utah , Wheeler and Ecola State Park in Oregon , and Malibu , Manhattan Beach , Santa Monica , Venice , and Fox Hills Mall in California. Although the final scene of the film is set at Bells Beach , Victoria, Australia, the scene was filmed at Indian Beach in Ecola State Park, located in Cannon Beach, Oregon . On February 7, 2008,

1764-511: A series of action sequences, stating that that the difference between Raiders of the Lost Ark (1981) and Die Hard (1988), that while both were mainstream Hollywood blockbusters with hero asserting masculinity and overcoming obstacles to a personal and social solution, John McClane in Die Hard repeatedly firing his automatic pistol while swinging from a high rise was not congruent with

1890-745: A significant portion. These films include Taxi 2 (2000), Kiss of the Dragon (2001), District 13 (2004) and Unleashed (2005). Whan asked about the Americanization of these French films, Christophe Gans , director of Brotherhood of the Wolf (2001) stated that "Hollywood ownership of certain elements [...] must be challenged, in order to show that these elements have also long been present in European culture." The most significant producers of French action films with international ambitions

2016-658: A similar level of popularity to that of the Western in the United States. The most internationally known films of this era were the films Kurosawa with Seven Samurai (1954), The Hidden Fortress (1958), and Yojimbo (1961). By at least the 1950s, Japanese films were looked upon as a model to be emulated by Hong Kong film production, and Hong Kong film companies began actively enlisting professionals from Japan, such as cinematographer Tadashi Nishimoto to contribute to color and widescreen cinematography. New literary sources also developed in martial arts films of this period, with

2142-406: A single genre and that streaming services such as Amazon Prime and Netflix similarly dilutes what is marketed and received as action. In transnational cinema, there are two major trends in action films: Hollywood action films and their style being imitated around the globe and the other being Chinese-language martial arts films. The roots of action films extend into the beginning of film but it

2268-590: A stunningly made film whose plot buys so blithely into macho mysticism that it threatens to turn into an endless bummer? Looks 10, Brains 3." Critics have commented on the central 'buddy' relationship of Bodhi and Johnny, and on the unusually equal dynamic in the romantic relationship of Tyler and Johnny (which Bigelow changed Peter Iliff's original script to create); Tyler is a "muscled, brash waitress with an androgynous name (Tyler) and physical features", and Johnny's "feminine edges nudge in nicely to her masculine ones. In nearly every scene they share, they are portrayed by

2394-451: A three-act structure centered on survival, resistance and revenge with narratives where the physical body of the hero is tested, traumatized and ultimately triumphant. The third shift in action cinema, the postclassical, was defined by the predominance of Eastern cinema and its aesthetics, primarily the wire-work of Hong Kong action cinema from the classical era, through the convention of the increasingly computer generated effects. This saw

2520-594: A tough police officer protects society by upholding the law against systematic corruption. This extended into films which O'Brien described as "knee-jerk responses" to perceived threats with rogue cop and vigilante films such as Dirty Harry (1971) and Death Wish (1974) where the restoration of order is only possible by force and antisocial characters prepared to act when society does not. The vigilantism reappears in other films that were exploitative of southern society such as Billy Jack (1971) and White Lightning (1973) and "good ol' boy" comedies like Smokey and

2646-463: Is Luc Besson 's France-based EuropaCorp , who released films like Taxi (1998) and From Paris with Love (2010). EuropaCorp produced Transporter franchise starred British actor Jason Statham and made him an action film star, which led him to feature in The Expendables series by the end of the 2010s. The action film genre has been a staple of Bollywood cinema . In the 1970s,

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2772-574: Is a generic term to refer to several types of films containing martial arts. The wuxia film is the oldest genre in Chinese cinema. Stephen Teo wrote in his book on Wuxia that there is no satisfactory English translation of the term, with it often being identified as "the swordplay film" in critical studies. It is derived from the Chinese words wu denoting militarist or martial qualities and xia denoting chivalry, gallantry, and qualities of knighthood. The term wuxia entered into popular culture in

2898-568: Is a straight stretch and the beach in the film is a cove with spruce trees atop a hill. The actual location of the film was Indian Beach in Ecola State Park located in Cannon Beach, Oregon in the United States . Geoffrey Wright filmed the final scene of 1992, Australian picture, Romper Stomper at Bell’s Beach. In a scene where skinhead main protagonist, Hando (played by Russell Crowe) confronts Davey and Gabrielle. Bells Beach

3024-729: Is based on Twin Dragons (1992). Other films such as the martial arts film Bhadrachlam (2001), borrows from American cinema with the Jean-Claude Van Damme film Kickboxer (1989). SS Rajamouli 's RRR (2022) was among the highest budgeted films made in India, and became a rare hit film outside of Indian diaspora, where it broke box office records in Japan and performed exceptionally well in American box office. Japan

3150-505: Is here to show you that the human spirit is still alive." Metacritic reports a weighted average score of 58 out of 100, based on 20 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. Roger Ebert of the Chicago Sun-Times gave the film three-and-a-half stars out of four and wrote "Bigelow is an interesting director for this material. She

3276-403: Is interested in the ways her characters live dangerously for philosophical reasons. They aren't men of action, but men of thought who choose action as a way of expressing their beliefs." In her review for The New York Times , Janet Maslin praised Reeves's performance: "A lot of the snap comes, surprisingly, from Mr. Reeves, who displays considerable discipline and range. He moves easily between

3402-442: Is itself empowering and, if not, whether a hypersexualized female character can still represent strength and autonomy. Hypersexualized female action leads had tight fitting or revealing costumes that Tasker identified as "exaggerated statements of sexuality" and in the tradition of "fetishistic figure of fantasy" derives from comic books and soft pornography . This originated in television with characters like Buffy Summers ( Buffy

3528-441: Is killed when an off-duty cop attempts to foil the robbery. Outraged by Grommet's death, Bodhi murders the cop, knocks out Utah and leaves the scene. Defying their superior Ben Harp when he orders Utah's arrest, Pappas and Utah head to the airport where Bodhi, Roach, and Nathaniel are about to leave for Mexico. During a shootout, Pappas and Nathaniel are killed, and Roach is seriously wounded. With Roach aboard, Bodhi forces Utah onto

3654-527: Is known internationally as one of the best breaks in Victoria, "Winki Pop" often works better under more diverse conditions than the other nearby breaks. The first "Surfboard Rally" at Bells Beach was organised by surfing pioneers Peter Troy and Vic Tantau to help promote sales of T Boards, their own brand. Planned to run in December 1961 the event was postponed until 26 January 1962. From the following year

3780-578: The femme fatales in film noir and horror films of the 1970s. Violent women were common in action films since the 1960s. These films featured working-class women exacting revenge. Films of the 1970s featured black women such as Pam Grier in films like Foxy Brown (1974). In the 1980s, a new symbolically transgressive character emerged in the form of Ellen Ripley in Aliens (1986) and Sarah Connor in Terminator 2: Judgment Day (1991) and

3906-550: The Bollywood action film consolidated with two films starring Amitabh Bachchan : Prakash Mehra 's Zanjeer (1973) and Yash Chopra 's Deewaar (1975). The box office success of these films made Bachchan a star and spawned the "angry young man" film in Bollywood cinema. Throughout the 1980s and 1990s, the action genre film declined considerably with new films predominantly featuring former bodybuilders failing to reach

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4032-517: The Hong Kong action cinema , such melodramatic male bonding and marginalized women characters, while the Korean films also have greater elements of tragedy and romance emphasized. Most martial arts films made before the mid-1960s were Cantonese-language productions. In comparison, Mandarin-language films were an integral part of Hong Kong cinema due to the influx of Shanghai film talent in

4158-459: The Quinjet . Alcon Entertainment and Warner Bros. released a remake of the film in 2015 titled Point Break , which received mostly negative reviews. James LeGros and BoJesse Christopher, two of the actors who played Ex-Presidents in the 1991 film, were cast as FBI directors. Action film While the term "action film" or "action adventure film" has been used as early as the 1910s,

4284-564: The September 11 attacks in 2001, which suggested an end to fantastical elements that defined the action hero and genre. Following the release of Quentin Tarantino 's Kill Bill: Volume 1 (2003) and Kill Bill: Volume 2 (2004) revisited the tropes of 1970s action films leading a renaissance of vengeance narratives in films like The Brave One (2007) and Taken (2008). O'Brien found that Tarantino's films were post-modern takes on

4410-510: The xinpai wuxia xiaoshuo (or "new school martial arts fiction") coming into prominence with the success of Liang Yusheng 's Longhu Dou Jinghua (1954) and Jin Yong 's Shujian enchou lu (1956) which showed influence of the Shanghai martial arts films but also circulated from Hong Kong to Taiwan and Chinese communities overseas. This led to a growing demand in both local and regional markets in

4536-606: The 'Addiscot' homestead. John Calvert Bell was, before that time, a resident at Calder Park, Mount Duneed, and not related to William Bell of Bells Beach. The beach and coastal reserve are listed on the Victorian Heritage Register . In the 2016 Census, there were 130 people in Bells Beach, 88.7% of whom were born in Australia and 94.5% of whom spoke only English at home. Bells Beach is the home of

4662-428: The 1960s with films like The Born Losers (1967) which was predominantly a drama, interspersed with martial arts scenes. American martial arts films predominantly came into production following the release of Enter the Dragon (1973), with the only higher-budgeted American film to follow in its wake being The Yakuza (1974). Lott noted the two films would lead to the two subsequent styles of martial arts films in

4788-609: The 1970s. James Monaco wrote in 1979 in American Film Now: The People, The Power, The Money, the Movies that "the lines that separate on genre from another have continued to disintegrate." Tasker said that most post-classical action films are hybrids, drawing from genres as varied as war films, science fiction , horror , crime, martial arts , and comedy films . In Chinese-language films, both wuxia and kung fu are genre-specific terms, while martial arts

4914-784: The 1980s. Other films again modernized the form with gangster films of John Woo ( A Better Tomorrow (1986), The Killer (1989)) and the Wong Fei Hung saga returning in Tsui Hark 's Once Upon a Time in China featuring Jet Li which again revitalized the swordplay styled films. By the turn of the century Hollywood action films would look towards Hong Kong cinema and bringing some of their major actors and directors over to apply their style to their films, such as Chan, Woo, Li, Michelle Yeoh and Yuen Woo-Ping . The release of Ang Lee 's Crouching Tiger, Hidden Dragon (2000) led to

5040-706: The 21st century have been comic book adaptations, which commenced with the X-Men and is seen in other series such as Spider-Man , and Iron Man series. Tasker wrote that despite the central characters in superhero cinema being extraordinary, occasionally even God-like, they often followed the traces of the central character becoming powerful of which is fundamental to action films, often dealt with origin stories in superhero films. Action films often interface with other genres. Tasker wrote that films are often labelled action thrillers, action-fantasy and action-adventure films with different nuances. Tasker later discussed that

5166-495: The Australian Surfriders Association - ASA (Victorian Branch) - now called Surfing Victoria -hosted and staged the annual surfing competition at Bells Beach held at Easter each year. The ASA also ran the conservation contest at Bells Beach which included tree planting in an effort to help preserve natural values every year since the mid-1970s. In 1988 a group of local surfers who were concerned about

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5292-522: The Bandit (1977). This era also emphasizes the car chase scenes as moments of spectacle in films like Bullitt and The French Connection (1971). O'Brien described these films as emphasizing "the fusion of man and machine" with the drivers and vehicles acting as one, concluding with what he described as "the ultimate in apocalyptic modernity and social erasure" in Mad Max 2 (1981). O'Brien described

5418-754: The Bollywood press who reported on him in the headlines of Bollywood magazines for his public brawls and affairs with leading actresses. In Dabangg (2010), Khan continued with this public persona, which was repeated in several of his later films such as Ready (2011), Bodyguard (2011), Ek Tha Tiger (2012) and Dabangg 2 (2012). From the 1980s, generations of actors in Telugu cinema have invoked Hong Kong action films, such as Srihari who stated he wanted to become an actor after watching his first Bruce Lee film. Several films in Telugu cinema were remakes of Hong Kong films, such as Hello Brother (1994) which

5544-598: The Dragon briefly allowed an influx of Hong Kong films to Japan, but the trend did not last, with 28 Hong Kong films, mostly kung fu films, being released in 1974, and the number decreasing to five in 1975, four in 1977 and only two in 1978. Ryuhei Kitamura , director of Versus (2000), said in 2004 that he grew frustrated with the Japanese film industry as producers felt they couldn't make action films in competition with Hong Kong or American productions. Versus grew to become popular outside of Japan, and Kitamura said he

5670-474: The Ex-Presidents. Tyler discovers Utah's FBI badge and angrily terminates their relationship. Shortly afterward, Bodhi coerces Utah into skydiving with the group. After the jump, Bodhi reveals that he knows Utah is an FBI agent and has arranged for his friend Rosie, a non-surfing thug, to hold Tyler hostage to blackmail him into assisting the Ex-Presidents with their last bank robbery of the summer. Grommet

5796-602: The Hong Kong film industry after the handover in 1997. Anglophone action film scholarship has tended to emphasize bigger budget American action films, with academics tending to find films that fall out of Hollywood productions as not quite fitting definitions of the genre. By 2024, many national and regional industries were known for action films. These include international films such as Hindi, Tamil, Telugu, Malayalam , South Korean, Japanese, Thai , Brazilian , Chinese , South African , French and Italian action titles. At

5922-807: The Red Lotus (1965) and King Hu 's Come Drink with Me (1966). In the 1970s, the Hong Kong martial arts films began to grow under the format of yanggang ("staunch masculinity") mostly through the films of Chang Cheh which were popular. This transition led to the kung fu film sub-genre at beginning of the decade and moved beyond the swordplay films with contemporary settings of late Qing or early Republican periods and had more hand-to-hand combat over supernatural swordplay and special effects. A new studio, Golden Harvest quickly became one of independent filmmakers to grant creative freedom and pay and attracted new directors and actors, including Bruce Lee . The popularity of kung fu films and Bruce Lee led to attract

6048-484: The United States, Europe and Japan had during this period. Yip described Japanese cinema as the most advanced in Asia at the time. This was showcased by the international breakthrough of Akira Kurosawa 's films like Rashomon (1950). The film genre known as the chanbara was at its height in Japan. The style was a sub-genre to the jidai-geki , or period drama with an emphasis on sword fighting and action. It had

6174-406: The United States, with films like Enter the Dragon about people who reveled in combat, often in a tournament setting, and The Yakuza which had several genres attached to it, but featured several martial arts sequences. By the end of the 1970s, the style was an established genre in American cinema, often featuring tough heroic characters who would fight and not think about their actions until after

6300-591: The Vampire Slayer (1997–2003)) and Xena ( Xena: Warrior Princess (1995–2001)). These series popularity demonstrated a growing market for female action film heroes, in films of the 2000s like Lara Croft: Tomb Raider (2001), Charlie's Angels (2000), Ultraviolet (2006), Salt (2010) and series like Underworld and Resident Evil . These series like their television series earlier, had their leads eroticized as active and physically capable while also being scantily-clad, hyper-feminized similar to

6426-553: The action heroine's dual status of an active subject and sexual object was overturning the traditional gender binary because the films "assume that women are powerful" without resorting to justify her physical aggression through narratives involving maternal drive, mental instability or trauma. Purse found that female leads in films like Elektra (2005), Kill Bill , Underworld , Charlie's Angels and Mr. & Mrs. Smith (2005) did showcase women having expensive cars, clothing, travel, homes and often high-paying jobs, but that this

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6552-503: The authorities watch Bodhi surf to his death, Utah walks away, throwing his FBI badge into the ocean. The film came close to production in 1986, with Matthew Broderick , Johnny Depp , Val Kilmer , and Charlie Sheen all being considered to play the Johnny Utah character, with Ridley Scott directing. However production fell through. Four years later, after acquiring the screenplay, the producers of Point Break began looking for

6678-435: The book Australian Genre Film , Amanda Howell suggested that this label was used to help distance Australian cinema from Hollywood films as it would be suggesting commerce over culture and that it would be "quite unacceptable to make Australian movies using conventions established in the U.S.A." Howell stated this to be the case with action films of the 1970s and 1980s with Brian Trenchard-Smith 's Turkey Shoot (1982) being

6804-495: The buttoned-down demeanor that suits a police procedural story and the loose-jointed manner of his comic roles." Entertainment Weekly gave the film a "C+" rating and Owen Gleiberman wrote " Point Break makes those of us who don't spend our lives searching for the ultimate physical rush feel like second-class citizens. The film turns reckless athletic valor into a new form of aristocracy." In his review for The Washington Post , Hal Hinson wrote "A lot of what Bigelow puts up on

6930-628: The camera as equals." In 2006, a special edition was released on DVD (In DVD was released on May 22, 2001). Entertainment Weekly gave it a "B" rating and wrote, "The making-of docs (at their best discussing Swayze's extracurricular skydiving—that really is him doing the Adios, amigo fall) will leave you hanging." In 2021 Keith Duggan, reflecting on Point Break 30 years later, wrote in the Irish Times  : For more than any other film of that time, Point Break seemed to announce what lay ahead in

7056-542: The chemistry between Reeves and Swayze. During its theatrical run, the film grossed over $ 83.5 million, and has since gained a cult following . Following the film's success, it spawned a remake that was released in 2015. Former Ohio State quarterback and rookie FBI agent Johnny Utah assists senior Agent Angelo Pappas in investigating a string of bank robberies by the "Ex-Presidents": robbers who wear rubber masks of former presidents Ronald Reagan , Jimmy Carter , Richard Nixon , and Lyndon B. Johnson . Rather than robbing

7182-550: The classical form of action cinema to be the 1980s. The decade continued the trends of formative period with heroes as avengers ( Lethal Weapon (1987)), rogue police officers ( Die Hard (1988)) and mercenary warriors ( Commando (1985)). Following the continuity of the car and man hybrid of the previous decade, the 1980s featured weaponized men with who were either also carrying weapons such as Sudden Impact (1983), trained to be weapons ( American Ninja (1985)) or imbued with technology ( RoboCop (1987)). O'Brien noted that

7308-451: The contemporary definition usually refers to a film that came with the arrival of New Hollywood and the rise of anti-heroes appearing in American films of the late 1960s and 1970s drawing from war films , crime films and Westerns . These genres were followed by what is referred to as the "classical period" in the 1980s. This was followed by the post-classical era where American action films were influenced by Hong Kong action cinema and

7434-470: The creation of the iconic Ex-Presidents. Point Break was originally called Johnny Utah when Keanu Reeves was cast in the title role. The studio felt that this title said very little about surfing and by the time Patrick Swayze was cast, the film had been renamed Riders on the Storm after the famous song by The Doors . However, Jim Morrison 's lyrics had nothing to do with the film and so that title

7560-408: The deaths of two of them. The raid inadvertently ruins a DEA undercover operation, as those surfers were wanted for separate charges regarding drug dealing, and they are determined not to be the Ex-Presidents. Watching Bodhi's group surfing, Utah begins to suspect that they are the Ex-Presidents, noting how close a group they are and the way one of them moons other surfers in the same manner one of

7686-464: The decline of overt masculinity in the action film which corresponded with the end of the Cold War in 1991, while the rise of self-referential and parodies of this era grew in films like Last Action Hero (1993). O'Brien described this era as being soft where the hard bodies of the classical era were replaced with computer generated imagery such as that of Terminator 2: Judgment Day (1991). This

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7812-487: The difference between right and wrong." Swayze felt that Bodhi was a lot like him and that they both shared "that wild-man edge." Two months before filming, Lori Petty , Reeves and Swayze trained with former world-class professional surfer Dennis Jarvis on the Hawaiian island of Kauai . Jarvis remembers, "Patrick said he'd been on a board a couple of times, Keanu definitely had not surfed before, and Lori had never been in

7938-502: The direct-to-video field, or in similarly low-budget theatrical releases such as Bulletproof Monk (2003). While the American styled-films were predominantly made in the United States, productions were also made in Australia, Canada, Hong Kong and South Africa, and were predominantly shot in the English-language. Heroic Bloodshed is a that originates with English-language Hong Kong action and crime film fan communities in

8064-487: The earlier work of directors like Woo and Johnnie To . Antong Chen, in his study on the Hong Kong action film, wrote that the influence of China and the amount of Chinese co-productions made with Hong Kong created a shift in these films, particularly following the release of Infernal Affairs (2002). Harvey O'Brien wrote in 2012 that the contemporary action film emerged through other genres, primarily Westerns , crime and war films and can be separated into four forms:

8190-432: The early 1960s and saw a surge in production of Hong Kong martial arts films that went beyond the stories about Wong Fei-hung which were declining in popularity. These new martial arts films featured magical swordplay and higher production values and more sophisticated special effects than the previous films with Shaw Brothers a campaign of "new school" ( xinpai ) martial arts swordplay films such as Xu Zenghong's Temple of

8316-491: The end of the 1990s. Films such as Chunhang (2000) and Memento Mori (2000) and action films Shiri (1999) and Nowhere to Hide (1999) received commercial releases in North America, Asia, and Europe. The success of the latter two films was unprecedented, and was followed by other South Korean action films in the early 2000s reaching the top of the local box office. These South Korean films mimic some traits of

8442-411: The episode. Entertainment Weekly ranked Point Break as having one of the "10 Best Surfing Scenes" in cinema. The film inspired a piece of cult theater, Point Break Live! , in which the role of Johnny Utah is played by an audience member chosen by popular acclamation after a brief audition. The new "Keanu" reads all of his lines from cue-cards for the duration of the show, "to capture the rawness of

8568-532: The female leads in implausible elements, such as in Charlie's Angels , Fantastic Four (2005) and My Super Ex-Girlfriend (2006). The fighting styles of women also tend towards more traditionally feminine fluid movements of martial arts, over using guns or directly punching. Purse wrote that the contemporary female action film lead's sexualized brand had her in close proximity of post-feminism discourse about choice, power and sexuality. Marc O'Day interprets

8694-489: The film "certainly qualified as a cult favourite." Furthermore, Rolling Stone called Point Break "the greatest female-gaze action movie ever," citing the bodily condition of Reeves and Swayze, calling it a "wet Western." The 2001 film The Fast and the Furious was developed by Rob Cohen and Neal H. Moritz as a re-imagined version of Point Break following Paul Walker as an undercover cop tasked with infiltrating

8820-438: The film two out of four stars and Mike Clark wrote "Its purely visceral material (surf sounds, skydiving stunt work, a tough indoor shootout midway through) are first-rate. As for the tangibles that matter even more (script, acting, directorial control, credible relationships between characters), Break defies belief. Dramatically, it rivals the lowest surf yet this year." Time magazine's Richard Corliss wrote, "So how do you rate

8946-515: The film. Swayze admitted that he almost died six or ten times while shooting the film. Swayze actually based aspects of his character after one of his stunt doubles, Darrick Doerner , a top big wave surfer. After learning to surf for the film, Reeves took a liking to it and took it up as a hobby. A few of the action scenes were shot from the POV of the characters and Bigelow along with the cinematographer devised an innovative light weight pogo cam to create

9072-414: The following films were voted the top ten best action films of all time. In Hong Kong, the "new school" of martial arts films that Shaw Brothers brought in 1965 featured what featured what Yip described as "strong, active female characters as protagonists." These female-centered films were challenged with the rise of a new male heroic prototype marked by a strong sense of youthful energy and defiance and by

9198-448: The formative trends at this point had become "identifiably generic" as film industries began to reproduced these films during the decade producers like Joel Silver and production companies like The Cannon Group, Inc. began to formulate production of these films with both high and low budgets. The action films of this era have roots in classical story telling, specifically rooted from martial arts films and Westerns, and are built around

9324-610: The formative, the classical, the post-classical and neoclassical phases. Yvonne Tasker reiterated this in her book on action and adventure films , saying that action films became a distinct genre during the New Hollywood period of the 1970s. The formative films would be from the 1960s to the early 1980s where the Anti-hero appears in cinema, featuring characters who act and transcend the law and social conventions. This appears initially in films like Bullitt (1968) where

9450-551: The former was one of the highest-grossing movies of the year in Japan. Following LoveDeath , Kitamura's next directing work was in the United States. The action cinema of South Korea mostly existed on the margins of the film industry in South Korea. The genre was initially called the Hwalkuk ("living theatre") was a term that indicated plays and films driven by action scenes, while this term has not been used regularly since

9576-505: The genre include chase sequences, fights, shootouts, explosions, and stunt work while other scholars asserted there were more underlying traits that define the genre. David Bordwell in The Way Hollywood Tells It wrote that audiences are "told that spectacle overrides narrative" in action cinema while Wheeler Winston Dixon echoed that these films were typified by "excessive spectacle" as a "desperate attempt to mask

9702-484: The genre is regularly lambasted for favoring spectacle over finely tuned narrative." Bordwell echoed this in his book, The Way Hollywood Tells It , writing that the reception to the genre as being "the emblem of what Hollywood does worst." In the Journal of Film and Video , Lennart Soberson stated that the action film genre has been a subject of scholarly debate since the 1980s. Soberson wrote that repeated traits of

9828-430: The ground. While heroes in kung fu films often display chivalry, they generally hail from different fighting schools, namely wudang and shaolin . American martial arts films feature what author M. Ray Lott described as a more realistic style of violence over the Hong Kong wuxia films with more realism and are often low-budget productions. Martial arts began routinely appearing in fight scenes in American films in

9954-463: The growing using of computer generated imagery in film. Following the September 11 attacks , a return to the early forms of the genre appeared in the wake of Kill Bill and The Expendables films. Scott Higgins wrote in 2008 in Cinema Journal that action films are both one of the most popular and popularly derided of contemporary cinema genres, stating that "in mainstream discourse,

10080-424: The grungy, baggy, anything goes 1990s, with greed and anti-capitalist forces clashing, America emitting its last lion’s roar of unfettered optimism and the quest for one’s precious spirit moving from the remnants of the hippy era into a multi-billion health and spirituality industry...Yup, standing on a stormy beach in 1991, old Bodhi had a pretty clear view of the next three decades. The Daily Telegraph wrote that

10206-583: The human impact that tourism was having on the Bells Beach Surfing Reserve started a group called Surfers Appreciating the Natural Environment. Since 1988 they have met monthly to revegetate the reserve in an effort to bring it back to its original state. They have planted over 100,000 plants there to date. Although the final scene of the film Point Break is set at Bells Beach, the scene was not filmed there. Bells Beach

10332-549: The identities of a group of bank robbers while he develops a complex relationship with the group's leader (Swayze). Development of Point Break began in 1986, when Iliff wrote an initial treatment for the film. Bigelow soon developed the script with husband James Cameron , and filming took place four years later. It was shot across the western coast of the continental United States and was officially budgeted at $ 24 million, before being released on July 12, 1991. Point Break opened to generally positive reviews, with critics praising

10458-489: The image of Indiana Jones in Raiders swinging his whip to fend off villains in the backstreets of Cairo. British author and academic Yvonne Tasker expanded on this topic, stating that action films have no clear and constant iconography or settings. In her book The Hollywood Action and Adventure Film (2015), she found that the most broadly consistent themes tend to be a characters quest from freedom from oppression such as

10584-557: The lack of content." Geoff King argued that the spectacle can also be a vehicle for narrative, opposed to interfering with it. Soberson stated that Harvey O'Brien had "perhaps the most convincing understanding of the genre", stating that the action film was "best understood as a fusion of form and content. It represents the idea and ethic of action through a form in which action, agitation and movement are paramount." O'Brien wrote further in his book Action Movies: The Cinema of Striking Back to suggest action films being unique and not just

10710-520: The late 1920s. These films were popular during the period, which comprised almost 60% of the total Chinese films. Man-Fung Yip stated that these film were "rather tame" by contemporary standards. He wrote that they lacked the kind of dazzling action choreography as expected today and had crude and rudimentary special effects. These films came under increasing attack by both government officials and cultural elites for their allegedly superstitious and anarchistic tendencies, leading them to be banned in 1932. It

10836-570: The late 1970s, with "action movie" becoming the more familiar term. The Korean action films came from Japanese cinema, James Bond series , and Hong Kong action cinema. As North Korea borders China, it block access to the continent from a South Korean perspective, the Cold War allowed South Koreans to substitute deferred travel beyond the border through films with locations shot in Hong Kong. While melodrama and comedy were staples in South Korean cinema, most action films were sporadic and tied to

10962-508: The late 1980s and early 1990s. In the Chinese language, the term used for these films is jinghungpin , literally meaning "hero films". Academic Laikwan Pang asserts that these gangster films appeared at a time when Hong Kong citizens felt particularly powerless with the handover of Hong Kong from the United Kingdom to China set for 1997. The key directors of the genre were John Woo and Ringo Lam , and producer Tsui Hark , with

11088-513: The late 1980s and early 1990s. Author Bey Logan stated that the term was coined by Rick Baker, in the British fanzine Eastern Heroes . The term is used broadly. Baker described the style as Hong Kong action films which feature gangsters and gunplay and martial arts that were more violent than kung fu films and academic Kristof Van Den Troost described it a term used to distinguish Hong Kong gun-heavy action films from period martial arts films from

11214-431: The late 1980s in the United States were martial arts films. Towards the end of the 1990s, production of low-budget martial arts films declined as no new stars in the genre developed and older actors such as Cynthia Rothrock and Steven Seagal started showing up in less and less films. Even internationally popular films like Crouching Tiger, Hidden Dragon (2000) had negligible effects in American productions in either

11340-490: The leader of a gang of surfers consisting of Roach, Grommet, and Nathaniel. The group is wary of Utah, but they accept him when Bodhi recalls how a knee injury derailed Utah's football prospects. As he masters surfing, Utah finds himself drawn to the surfers' adrenaline-charged lifestyle, Bodhi's philosophies, and Tyler. Following a clue retrieved by analyzing toxins found in the hair of one of the bank robbers, Utah and Pappas lead an FBI raid on another gang of surfers, resulting in

11466-624: The most notorious. Smith had previously released films like Deathcheaters (1976) and Stunt Rock (1979) when financial incentives were available for overtly commercial projects. She commented that action films did tell identifiably Australian stories such as the Sandy Harbutt 's biker film Stone (1974) and Miller's post-apocalyptic film Mad Max (1979) derived from Australia's social and cultural realities, as well as how George Miller 's later Mad Max: Fury Road (2015) derived from Australia's long-standing cinematic fascination with

11592-604: The notion that traditional marks of masculinity are not exclusive to men and that musculature was not natural, but something to be achieved. Accusations of these muscular women of the era were levelled at that them by 1993 were that they were "men in drag" and that the films generally have to "explain" why their female leads displayed physical aggression and why they were "driven to do it." As the 1990s went on, Hollywood films began having more conventional looking women in their action films such as The Long Kiss Goodnight (1996). A vibrant debate exists about whether hypersexualization

11718-441: The ocean in her life ." Shooting the surfing sequences proved to be challenging for all three actors, with Swayze cracking four of his ribs. For many of the surfing scenes, he refused to use a stunt double as he never had one for fight scenes or car chases. He also did the skydiving scenes himself and the film's aerial jump instructor Jim Wallace found that he was a natural and took to it right away. Swayze ended up making 55 jumps for

11844-512: The openings of the re-issue of 101 Dalmatians and Boyz n the Hood . With a budget of $ 24 million, the film went on to make $ 43.2 million in North America and $ 40.3 million internationally for a worldwide total of $ 83.5 million. On Rotten Tomatoes , the film holds an approval rating of 70% based on 79 reviews, with an average rating of 6.3/10. The website's critics consensus reads: "Absurd, over-the-top, and often wildly entertaining, Point Break

11970-435: The physical effort required to completing a task and the abilities and skills acquired over time. Films from the period reflected on the cultural and social climate from the period, as seen in invoking Japanese or Western imperialist forces as foils. The kung fu film came out of the wuxia films. In comparison to the wuxia , film, the focus on the kung fu film is on the martial arts over chivalry, The martial arts films

12096-439: The plane at gunpoint. Once airborne and over their intended drop zone, Bodhi and Roach put on their parachutes and jump from the plane, leaving Utah to take the blame. With no other parachutes available, Utah jumps from the plane with Bodhi's gun and intercepts him mid-air. Despite landing safely, Utah's knee gives out again, allowing Bodhi to escape. Bodhi meets with Rosie and allows Tyler to go free; with Roach dead from his wounds,

12222-574: The popularity Bachan had. These films predominantly earned their revenue through longer runs at B-grade theatres. A cycle of action films came from these films in the 1980s and 1990s called the Avenging Woman film, where female protagonists seek justice for a rape victim, where the protagonist seeks revenge through violence. In 2009, the action genre was re-popularized with the box office success of Wanted (2009) starring Salman Khan . Khan reinvented his screen persona with that of his image in

12348-543: The postwar period. These films were targeted at the more educated and more refined middle-class audiences who saw themselves as above the contemporary martial arts films. Scott Higgins wrote in 2008 in Cinema Journal that Hollywood action films are both one of the most popular and popularly derided of contemporary cinema genres, stating that "in mainstream discourse, the genre is regularly lambasted for favoring spectacle over finely tuned narrative." Bordwell echoed this in his book, The Way Hollywood Tells It , writing that

12474-402: The reception to the genre as being "the emblem of what Hollywood does worst." Tasker wrote that when action and adventure films secured awards, it is often in categories such as visual effects and sound editing. Time Out magazine conducted a poll with fifty experts in the field of action cinema, including actors, critics, filmmakers and stuntmen. Out of the 101 films ranked in the poll,

12600-441: The road and cars and a history of cultural anxiety towards a bleak and forbidding outback landscape opposed to the optimism of American action films. France is a major European country for film production and has made co-production commitments with 44 countries around the world. Around beginning of the 21st century, France began producing a series of films explicitly intended for international markets, with action films representing

12726-399: The robbers does. Utah and Pappas stake out a bank, and the Ex-Presidents appear. While wearing a Reagan mask, Bodhi leads Utah on a foot chase through the neighborhood, which ends when Utah's old injury flares up after jumping into a flood control channel. Despite having a clear shot, the injured Utah allows Bodhi to escape. At a campfire that night, it is confirmed that Bodhi and his gang are

12852-536: The screen bypasses the brain altogether, plugging directly into our viscera, our gut. The surfing scenes in particular are majestically powerful, even awe-inspiring. Bigelow's picture is a feast for the eyes, but we watch movies with more than our eyes. She seduces us, then asks us to be bimbos." Rolling Stone magazine's Peter Travers wrote, "Bigelow can't keep the film from drowning in a sea of surf-speak. But without her, Point Break would be no more than an excuse to ogle pretty boys in wet suits." USA Today gave

12978-529: The serialization of Jinaghu qixia zhuan (1922) ( transl.  Legend of the Strange Swordsmen ). In wuxia , the emphasis is on chivalry and righteousness and allows for phantasmagoric actions over the kung fu film 's more ground-based combat. The Kung fu film emerged in the 1970s from the swordplay films. Its name is derived from the Cantonese term gong fu which has two meanings:

13104-485: The starting point of the genre being traced to Woo's A Better Tomorrow (1986) make a record-breaking HK$ 34.7 million at the Hong Kong box office. The style of these films would influence American productions, such as Michael Bay 's Bad Boys II (2003) and the Wachowskis ' The Matrix (1999). Korean media recognized the more fatalistic and pessimistic tone of these films, leading to Korean journalists to label

13230-433: The style as "Hong Kong noir ". The influence of these films was evident in early Korean films such as Im Kwon-taek 's General's Son (1990) and later films such Song Hae-sung 's A Better Tomorrow (2010), Cold Eyes (2013) and New World (2013). Postcolonial Hong Kong cinema has struggled to maintain its international identity as a provider of these types action films because the talents involved had abandoned

13356-450: The term action film genre and adventure are often used in hybrid, and are even used interchangeably. Along with Holmund and Purse, Tasker wrote that the action films expansiveness complicates easy categorization and though the genre is often spoken of as singular genre, it is rarely discussed as singular style. Screenwriter and academic Jule Selbo expanded on this, describing a film as " crime /action" or an "action/crime" or other hybrids

13482-445: The themes that rescinded irony to restore " cinephile re-actualization of the genre's conventions." The genre went into full circle resurrecting films from the classical period with Live Free or Die Hard (2007) and Rambo (2008) finding the characters navigating a contemporary world while also acknowledging their age, culminating into The Expendables (2010) film. The most commercially successful action films and franchise of

13608-529: The title character in China O'Brien (1990) who were physically muscular and or enacted more extreme violence that was usually reserve for male action leads. In her book Contemporary Action Cinema (2011), Lisa Purse described the media response to female leads in action films reveal a discomfort about their presence and are often described with hesitant terms of women moving into territories that are perceived as masculine. Revealing woman in this form deconstructs

13734-539: The turn of the millennium, Australian genre films have gained increasing acceptance in the Australian feature film industry, while the action genre represented a small percentage of its output in the 21st century. Scholars of Australian genre film generally used the term "action-adventure" which allows them to apply it to various forms of narratives such as tongue in cheek heroic posturing stories like Crocodile Dundee (1986), road movies or bush/outback films. In

13860-500: The two men flee the country and go their separate ways. Nine months later, Utah tracks Bodhi to Bells Beach in Victoria, Australia, where a record-breaking storm is producing lethal waves. This is an event Bodhi had talked about experiencing, calling it the "50-year storm." During a brawl in the surf, Utah handcuffs himself to Bodhi, who begs Utah to release him so he can ride the once-in-a-lifetime wave. Knowing Bodhi will not come back alive, Utah releases him and bids him farewell. While

13986-422: The use of locations such as Hong Kong. These films often featured one-legged or otherwise handicapped action characters similar to those of Japanese films ( Zatoichi ) and Hong Kong films ( The One-Armed Swordsmen ). These included Im Kwon-taek's Returned Left-Handed Man (1968), Aekkunun Bak's One-Eyd Park (1970) and Lee Doo-yong's Returned One-Legged Man (1974). In the 1990s, the country's national cinema

14112-407: The vault, they only demand the cash the tellers have in their drawers and are gone within ninety seconds. Pursuing Pappas's theory that the criminals are surfers , Utah infiltrates the surfing community. He fabricates a family tragedy to persuade orphaned surfer and restaurant waitress Tyler to teach him to surf, after she saves him from drowning during his first attempt. Through her, he meets Bodhi,

14238-475: The woman of exploitation films of the 1970s such as Caged Heat (1974) and Big Bad Mama (1974). While characters like Frank in The Transporter series are permitted to visibly sweat, strain and be bloodied, Purse found a reluctance for filmmakers to have their female leads have any appearance warping injuries to ensure a perfectly made-up face. Comedy is often used in films of this period to place

14364-453: The world of underground street racers instead of surfers, officially inspired by the 1998 Vibe magazine article "Racer X" by Ken Li. Point Break was listed in the VH1 series I Love the 90s on the episode "1991". Many celebrities, including Dominic Monaghan , Mo Rocca , Michael Ian Black , Hal Sparks , and Chris Pontius , commented about the film and why it deserved to be included in

14490-715: The world's longest continuously running pro surfing competition – now known as the Rip Curl Pro Bells Beach. The event was formerly known as the Bells Easter Classic (among a variety of other titles). The competition was first held in January 1962 and then at Easter every year since, although occasionally, when conditions at Bells aren't suitable, the competition has been transferred to other breaks such as Johanna and Woolamai. As early as 1939, surfers from Torquay made their way to Bells but access

14616-448: Was "only a semantic exercise" as both genres are important in the construction phase of the narrative. Mark Bould in A Companion to Film Noir (2013) said that categorization of multiple generic genre labels was common in film reviews who are rarely concerned with succinct descriptions that evoke elements of the film's form, content and make no claims beyond on how these elements combine. Film Studies began to engage generic hybridity in

14742-643: Was a considerable problem until 1960, when Torquay surfers and Olympic wrestler Joe Sweeney hired a bulldozer and cleared a road along the Bells cliff from the Cobb & Co Road, where the concrete wave now stands, down to the beach. He charged one pound per surfer to recover his expenses. This is now part of the Surf Coast walking track. Nearby surf breaks include "Southside", "Centreside", "Rincon", "Winki Pop", (Uppers and Lowers), "Boobs" and "Steps". Although Bells

14868-408: Was a difficult market for Hong Kong action cinema to break into. Prompted by the success of Enter the Dragon and the popularity of Bruce Lee, Toei made their own Bruce Lee-style martial arts films, with The Street Fighter and its two sequels starring Sonny Chiba as well as a spin-off with a female lead similar to Hong Kong's Angela Mao called Sister Street Fighter . The success of Enter

14994-466: Was aiming for the foreign audience, as he was disappointed with the current state of Japanese films. Kitamura's characters have been described as "a careful combination of the maverick independence of 1980s Hollywood action heroes and the calmness and acceptance of Japanese samurai, a consistent criticism of Japanese people today." Kitamura followed up Versus with two manga-inspired big-budget action films, Azumi and Sky High . Both released in 2003,

15120-447: Was also rejected. It was not until halfway through filming that Point Break became the film's title because of its relevance to surfing . Reeves liked the name of his character, as it reminded him of star athletes like Johnny Unitas and Joe Montana . He described his character as "a total control freak and the ocean beats him up and challenges him. After a while everything becomes a game. He becomes as amoral as any criminal. He loses

15246-417: Was displayed in corresponding with corresponded with millennial angst and apocalypticism showcased in films like Independence Day (1996) and Armageddon (1998). Action films of mass destruction began requiring more overtly super heroic characters with further comic book adaptations being made with increased non-realistic settings with films like The Matrix (1999). The fourth phase arrived following

15372-469: Was in decline by the mid-1970s in Hong Kong in relation to the stock market crash which went from over 150 films in 1972 to just over 80 in 1975, which led to a downfall in martial arts films produced. When the economy became to rebound, a new trend of martial arts films, the Shaolin kung fu films emerged and sparked a revival of the genre. Unlike the wuxia , the kung fu film primarily focuses on fighting on

15498-509: Was in decline leading to Hong Kong gangster films filled in this void leading to large commercial success at the national box office. Early Korean heirs to Hong Kong action films include Rules of The Game (1994), Beat (1997), and Green Fish (1997) involving men who gain confidence and achieve personal growth as they embark on journeys to protect national state and meet devastating ends. South Korean cinema only received international attention in both art film and blockbuster formats towards

15624-599: Was not until the base of Chinese commercial filmmaking was relocated from Shanghai to Hong Kong in the late 1940s that martial arts cinema was revived. These films contained much of the characteristics of the previous era. During this period, over 100 films were based on the adventures of real life Cantonese folk hero Wong Fei-hung who first appeared in film in 1949. These films primarily on circuited within Hong Kong and Cantonese-speaking areas with Chinese diaspora . Yip continued that these Hong Kong films were still lagging behind in aesthetic and technical standards that films from

15750-504: Was only in the mid-20th century when action films developed into their own recognizable genre instead of being a collection of other types of films such as Westerns, swashbucklers or adventure films. Films have been described "action films" or "action-adventure film" as early as the 1910s. Only by the 1980s was the term action as its own unique genre used routinely in terms of promotion and reviewing practices. The first Chinese-language martial arts films can be traced to Shanghai cinema of

15876-592: Was only shown as being applicable to white middle-class women. Purse found that these women were empowered at the price of women of other ethnicities. This is seen in Aeon Flux (2005) where Sithandra dies protecting Aeon and Rain's death to make way for Alice in Resident Evil (2002). Bells Beach Bells Beach is a coastal locality of Victoria , Australia in Surf Coast Shire and

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