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The New York Journal-American was a daily newspaper published in New York City from 1937 to 1966. The Journal-American was the product of a merger between two New York newspapers owned by William Randolph Hearst : the New York American (originally the New York Journal , renamed American in 1901), a morning paper, and the New York Evening Journal , an afternoon paper. Both were published by Hearst from 1895 to 1937. The American and Evening Journal merged in 1937.

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125-449: Popeye the Sailor is a fictional cartoon character created by Elzie Crisler Segar . The character first appeared on January 17, 1929, in the daily King Features comic strip Thimble Theatre . The strip was in its tenth year when Popeye made his debut, but the one-eyed sailor quickly became the lead character, and Thimble Theatre became one of King Features' most popular properties during

250-487: A cigar , his last name being a homophone of "cigar" (pronounced SEE-gar). Comics historian Brian Walker stated: "Segar offered up a masterful blend of comedy, fantasy, satire and suspense in Thimble Theater Starring Popeye ". Owing to Popeye's increasingly high profile, Thimble Theatre became one of King Features' most popular strips during the 1930s. A poll of adult comic strip readers in

375-569: A brief career as a journalist during the final months of World War II. Leonard Liebling served as the paper's music critic from 1923 to 1936. Beginning in 1938, Max Kase (1898–1974) was the sports editor until the newspaper expired in 1966. The fashion editor was Robin Chandler Duke. Jack O'Brian (1914–2000) was television critic for the Journal-American and exposed the 1958 quiz-show scandal that involved cheating on

500-745: A dire situation. It did not stop there, as spinach could also give Popeye the skills and powers he needed, as in The Man on the Flying Trapeze , where it gave him acrobatic skills. This cartoon, incidentally was the only appearance of Olive Oyl's mother, Nana. In May 1942, Paramount Pictures assumed ownership of Fleischer Studios, fired the Fleischers and began reorganizing the studio, which they renamed Famous Studios . The early Famous-era shorts were often World War II-themed, featuring Popeye fighting Nazi Germans and Japanese soldiers, most notably

625-478: A fickle attitude towards the sailor. Initially, Castor Oyl continued to come up with get-rich-quick schemes and enlisted Popeye in his misadventures. By the end of 1931, however, he settled down as a detective and later on bought a ranch out west. Castor's appearances have resultantly become sparser over time. As Castor faded from the strip, J. Wellington Wimpy , a soft-spoken and eloquent yet cowardly hamburger -loving moocher who would "gladly pay you Tuesday for

750-791: A fictional, magical animal called Eugene the Jeep was added to Popeye, and trademarked. King Features remained a "powerhouse" syndicate throughout the 1950s and the 1960s. In 1965 it launched a children's comic and coloring page. In 1986, King Features acquired the Register and Tribune Syndicate for $ 4.3 million. Later that year, Hearst bought News America Syndicate (formerly Publishers-Hall). By this point, with both King Features and News America (renamed North America Syndicate ), Hearst led all syndication services with 316 features. In 2007, King Features donated its collection of comic-strip proof sheets (two sets of over 60 years' accumulation) to

875-405: A foundling baby in the mail whom he adopted and named Swee'Pea . Other regular characters introduced into the strip following its retool in 1930 were George W. Geezil , an irascible cobbler who spoke in a heavily affected accent and habitually attempted to murder or wish death upon Wimpy; Rough-House, the temperamental owner of a budget diner who served as a long-suffering foil to Wimpy; Eugene

1000-583: A gossip columnist and as an acquaintance of F. Scott Fitzgerald . William V. Finn, a staff photographer, died on the morning of June 25, 1958, while photographing the aftermath of a fiery collision between the tanker Empress Bay and cargo ship Nebraska in the East River . Finn was a past-president of the New York Press Photographers Association and was the second of only two of the association's members to die in

1125-532: A hamburger today" was introduced into the Sunday strip, in which he became a fixture by late 1932. After first appearing in the daily strip in March 1933, Wimpy became a full-time major character alongside Popeye and Olive. Thimble Theatre was renamed Thimble Theatre Starring Popeye in 1931. It was eventually renamed simply Popeye , the name under which the strip continues to run. In July 1933, Popeye received

1250-435: A handful of those cartoons had fallen into public domain and were found on numerous low budget VHS tapes and later DVDs. When Turner Entertainment acquired the cartoons in 1986, a long and laborious legal struggle with King Features kept the majority of the original Popeye shorts from official video releases for more than 20 years. King Features instead opted to release a DVD boxed set of the 1960s made-for-television Popeye

1375-551: A heart attack in December 1992 at his home in Norwalk . In 1978, cartoonist Bill Yates (1921–2001) took over as King Features' comics editor. He had previously edited Dell Publishing 's cartoon magazines ( 1000 Jokes , Ballyhoo , For Laughing Out Loud ) and Dell's paperback cartoon collections. Yates resigned from King Features at the end of 1988 to spend full-time on his cartooning, and he died March 26, 2001. In 1988, Yates

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1500-450: A jutting chin." Popeye's story and characterization vary depending on the medium. In his debut storyline, Popeye's superhumanly proportioned strength and endurance stemmed from the "luck" he acquired by rubbing the feathers of the head of Bernice, a "whiffle hen", thus enabling him to survive fifteen gunshot wounds. By the end of 1929, however, Popeye's strength had become a regularized fixture of his character, with spinach, by 1932, becoming

1625-426: A lighthearted adventure story as opposed to using typical comic strip style humor. The story also featured a more realistic art style and was edited by Bill Pearson, who also lettered and inked the story as well as the front cover. A second issue, by the same creative team, followed in 1988. The second issue introduced the idea that Bluto and Brutus were actually twin brothers and not the same person, an idea also used in

1750-493: A married couple with a son named Popeye Jr., who hates the taste of spinach, but eats it to boost his strength. Maurice LaMarche performed Popeye's voice as Mercer had died in 1984. The show lasted for one season. USA Network later picked up reruns of the series after CBS's cancellation. Additionally, the series aired on The Family Channel from 1994 until 1995. In 2004, Lionsgate produced an animated television special, Popeye's Voyage: The Quest for Pappy to coincide with

1875-544: A minor character yet arguably the protagonist of the strip by 1925. Castor and Olive's parents Cole and Nana Oyl also made frequent appearances beginning in the mid-1920s. By the late 1920s, the strip had likewise acquired a number of notable characters beyond the sphere of Ham Gravy and the Oyl family, including Castor Oyl's wife Cylinda (to whom he was married from 1926 to 1928), her wealthy, misanthropic father Mr. Lotts and Castor's fighting cockerel Blizzard, all of whom had exited

2000-418: A number of Popeye comic books, with his main series running continuously from 1948 to 1984 published in turn by Dell Comics , Gold Key Comics , King Comics , Charlton Comics , and back to Gold Key. The series was originally written and illustrated by Bud Sagendorf . In the series, Popeye became something of a crimefighter, thwarting evil organizations and Bluto's criminal activities. The new villains included

2125-740: A point of telling audiences that King Features received more than 1,000 strip proposals annually, but chose only one each year. However, in Syd Hoff 's The Art of Cartooning (Stravon, 1973), Byck offered some tips regarding strip submissions, including the creation of central characters with warmth and charm and the avoidance of "themes that are too confining," as he explained: King Features Syndicate's content distribution division distributes more than 150 different comics, games, puzzles, and columns, in digital and print formats, to nearly 5,000 daily, Sunday, weekly and online newspapers and other publishers. Comic properties include Beetle Bailey, Blondie, Dennis

2250-493: A series of Popeye the Sailor theatrical cartoon shorts for Paramount Pictures . These cartoons proved to be among the most popular of the 1930s, and Fleischer Studios , which later became Paramount's own Famous Studios , continued production through 1957. Cartoons produced during World War II included Allied propaganda, as was common among cartoons of the time. These cartoon shorts are now owned by Turner Entertainment and distributed by its sister company Warner Bros. Over

2375-416: A series of Sunday-format comics, a wide assortment of artists depicted the characters in their own styles in one comic each, including Alex Hallatt , Erica Henderson , Tom Neely, Roger Langridge , Larry deSouza, Robert Sikoryak , Jeffrey Brown , Jim Engel, Liniers , Jay Fosgitt, Carol Lay , and Randy Milholland. At the end of the year, Milholland's Cartoon Club comic was declared the number one comic of

2500-508: A series of animated cartoons released by Paramount Pictures . The first cartoon in the series was released in 1933, and Popeye cartoons remained a staple of Paramount's release schedule for nearly 25 years. William Costello was the original voice of Popeye, a voice that was replicated by later performers, such as Jack Mercer and even Mae Questel . Many of the Thimble Theatre characters, including Wimpy, Poopdeck Pappy, and Eugene

2625-493: A series of episodic comic anecdotes depicting the daily life and dysfunctional romantic exploits of Ham Gravy and Olive Oyl. It could be classified as a gag-a-day comic during this period. In mid-1922, Segar began to increasingly engage in lengthier (often months-long) storylines; by the end of the following year, the strip had effectively changed fully into a comedy- adventure style focusing on Ham, Olive, and Olive's ambitious-but-myopic diminutive brother Castor Oyl , initially

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2750-434: A seven-year span, he was promoted to associate editor and then, after Kennedy's death, to the position of comics editor on April 23, 2007. In November 2018, Tea Fougner was promoted to editorial director for comics after working as an editor at King Features for nine years. She is the first female-assigned and first genderqueer person to oversee comics editorial at King Features. When asked to speak in public, Byck made

2875-548: A situation compounded by the fact that television news was affecting evening newspapers more than their morning counterparts. The domination of television news became evident starting with the four-day period of JFK's assassination , Jack Ruby 's shooting of Lee Harvey Oswald and both men's funerals. New York newspapers in general were in dire straits by then, following a devastating newspaper strike in late 1962 and early 1963 . Journal-American editors, apparently sensing that psychotherapy and rock music were starting to enter

3000-417: A strip based on Edgar Wallace 's Inspector Wade of Scotland Yard ): The last strips Hearst personally selected for syndication were Elliot Caplin & John Cullen Murphy 's Big Ben Bolt and Mort Walker 's Beetle Bailey ; Hearst died in 1951. In the 1940s, Ward Greene (1893–1956) was King Features' editor, having worked his way up through the ranks. He was a reporter and war correspondent for

3125-414: A trademark. In almost every Popeye cartoon, the sailor is invariably put into what seems like a hopeless situation, upon which (usually after a beating), a can of spinach becomes available, and Popeye quickly opens the can and consumes its contents. Upon swallowing the spinach, Popeye's physical strength immediately becomes superhuman, and he is easily able to save the day, and very often rescue Olive Oyl from

3250-703: A tribute to essential workers during the COVID-19 Pandemic . In September 2020, King Features relaunched comic strip Mark Trail , originally launched in 1946, with cartoonist Jules Rivera, author of comic strip Love, Joolz, at the helm. Many King characters were adapted to animation, both theatrical and television cartoons. Strips from King Features were often reprinted by comic book publishers. In 1967, King Features made an effort to publish comic books of its own by establishing King Comics . This short-lived comic-book line showcased King's best-known characters in seven titles: The comics imprint existed for

3375-470: A turban-wearing employee of the nemesis, Dr. Morbid Grimsby. On September 9, 1978, The All New Popeye Hour debuted on the CBS Saturday morning lineup. It was an hour-long animated series produced by Hanna-Barbera Productions , which tried its best to retain the style of the original comic strip (Popeye returned to his original costume and Brutus to his original name of Bluto), while complying with

3500-910: A virtual interactive comic with digital drawing company Mental Canvas on Comics Kingdom. As of January 2022, Comics Kingdom features comic strips and editorial cartoons which can be accessed and read online . This website also features some interactive puzzles . Comics are updated every day, plus a one-year archive is available. Older comics can be accessed by being a Comics Kingdom Royal (a paid member, subscribed to their premium subscription service). Comics Kingdom also features over 30 of comic strips in Spanish . King's A la Carte Online Comics offers syndication of specific strips aimed at "precisely defined audiences" of specialized websites. These are available in such categories as Animals, Environmental, Military, and Technology. New York Journal-American Joseph Pulitzer's younger brother Albert founded

3625-408: A year-and-a-half, with titles cover-dated from August 1966 to December 1967. When it ended, the books were picked up and continued by Gold Key Comics , Harvey Comics , and Charlton Comics . In 1967, Al Brodax, then the president of King Features, pitched The Beatles manager Brian Epstein on turning their hit song " Yellow Submarine " into an animated movie. The film was widely considered to be

3750-426: Is The Cuphead Show! for Netflix , an animated series based on the video game Cuphead by Studio MDHR, known for its use of fully hand-drawn characters and animations in the style of Fleischer Studios . The series had started development since July 2019, and was released on February 18, 2022. In June 2019, 20th Century Studios and The Walt Disney Company announced the production of an animated film based on

3875-499: Is a unit of Hearst Holdings, Inc., which combines the Hearst Corporation's cable-network partnerships, television programming and distribution activities, and syndication companies. King Features' affiliate syndicates are North America Syndicate and Cowles Syndicate. William Randolph Hearst 's newspapers began syndicating material in 1895 after receiving requests from other newspapers. The first official Hearst syndicate

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4000-543: Is an American content distribution and animation studio , consumer product licensing and print syndication company owned by Hearst Communications that distributes about 150 comic strips , newspaper columns , editorial cartoons , puzzles , and games to nearly 5,000 newspapers worldwide. King Features Syndicate also produces intellectual properties, develops new content and franchises (like The Cuphead Show! , which it produced with Netflix ), and licenses its classic characters and properties. King Features Syndicate

4125-653: Is housed at the Harry Ransom Center at the University of Texas at Austin. The photographic morgue consists of approximately two million prints and one million negatives created for publication, with the bulk of the collection covering the years from 1937 to the paper's demise in 1966. The Dolph Briscoe Center for American History , also at the University of Texas at Austin, has the Journal-American morgue of clippings, numbering approximately nine million. Because they are not digitized and because employees of

4250-527: Is instantly discernible. Sagendorf continued to use many obscure characters from the Segar years, especially O. G. Wotasnozzle and King Blozo. Sagendorf's new characters, such as the Thung, also had a very Segar-like quality. What set Sagendorf apart from Segar more than anything else was his sense of pacing. Where plotlines moved very quickly with Segar, it sometimes took an entire week of Sagendorf's daily strips for

4375-432: Is shorter. As of 2024, Thimble Theatre comic strips from 1919 through 1928 have entered the public domain, concluding seventeen days before Popeye's first appearance. Even after the strips enter the public domain, trademarks regarding Popeye remain with King Features, as trademarks do not expire unless they cease to be used, and King Features has used the trademark continuously since the character's debut. There have been

4500-646: The Atlanta Journal for four years (1913–17), moving to the New-York Tribune in 1917 and then returning to the Atlanta Journal as correspondent in France and Germany (1918–19). He joined King Features in 1920, became a writer and editor of the magazine section in 1925, advancing to executive editor and general manager. Vice president Bradley Kelly (1894–1969) was a comics editor during

4625-484: The New York Journal on December 19, 1919. The paper's owner, William Randolph Hearst , also owned King Features Syndicate , which syndicated the strip. Thimble Theatre was intended as a replacement for Midget Movies by Ed Wheelan (Wheelan having recently resigned from King Features). While initially failing to attract a large audience, the strip nonetheless increasingly accumulated a modest following as

4750-632: The New York Morning Journal in 1882. After three years of its existence, John R. McLean briefly acquired the paper in 1895. It was renamed The Journal . But a year later in 1896, he sold it to Hearst. In 1901, the morning newspaper was renamed New York American . Hearst founded the New York Evening Journal about a year later in 1896. He entered into a circulation war with the New York World ,

4875-593: The American before becoming president of baseball's National League (1934–1951), then commissioner of Major League Baseball (1951–1965). Frick was hired by Wilton S. Farnsworth , who was sports editor of the American from 1914 to 1937 until becoming a boxing promoter. Bill Corum was a sportswriter for the Journal-American who also served nine years as president of the Churchill Downs race track. Frank Graham covered sports there from 1945 to 1965 and

5000-760: The Billy Ireland Cartoon Library & Museum and the Michigan State University Comic Art Collection while retaining the collection in electronic form for reference purposes. In November 2015, King Features released a book, entitled "King of the Comics: One Hundred Years of King Features Syndicate" to commemorate its 100th anniversary . The book features a compilation of strips and the histories behind King Features strips. As of 2016, with 62 strips being syndicated, Hearst

5125-608: The Journal 's staff in 1905. In 1922, the Evening Journal introduced a Saturday color comics tabloid with strips not seen on Sunday, and this 12-page tabloid continued for decades, offering Popeye , Grandma , Don Tobin's The Little Woman , Mandrake the Magician , Don Flowers ' Glamor Girls , Grin and Bear It , Buck Rogers , and other strips. Rube Goldberg and Einar Nerman also became cartoonists with

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5250-537: The Journal-American ' s demise was a power struggle between Hearst CEO Richard E. Berlin and two of Hearst's sons, who had trouble carrying on the father's legacy after his 1951 death. William Randolph Hearst Jr. claimed in 1991 that Berlin, who died in 1986, had suffered from Alzheimer's disease starting in the mid-1960s and that caused him to shut down several Hearst newspapers without just cause. The Journal-American ceased publishing in April 1966, officially

5375-631: The Journal-American . The Evening Journal was home to famed investigative reporter Nellie Bly , who began writing for the paper in 1914 as a war correspondent from the battlefields of World War I. Bly eventually returned to the United States and was given her own column that she wrote right up until her death in 1922. Popular columnists included Ambrose Bierce , Benjamin De Casseres , Dorothy Kilgallen , O. O. McIntyre , and Westbrook Pegler . Kilgallen also wrote articles that appeared on

5500-547: The 1920s continued. At the end of its first decade, the strip resultantly appeared in over a dozen newspapers and had acquired a corresponding Sunday strip (which had debuted on January 25, 1925, within the Hearst-owned New York American paper). Thimble Theatre's first main characters were the lanky, long-nosed slacker Harold Hamgravy (rapidly shortened to simply "Ham Gravy") and his scrappy, headstrong girlfriend Olive Oyl. In its earliest weeks,

5625-420: The 1930s. Following Segar's death in 1938, Thimble Theatre (later renamed Popeye ) was continued by several writers and artists, most notably Segar's assistant Bud Sagendorf . The strip continues to appear in first-run installments on Sundays, written and drawn by R. K. Milholland . The daily strips are reprints of old Sagendorf stories. In 1933, Max Fleischer adapted the Thimble Theatre characters into

5750-497: The 1940s. Sylvan Byck (1904–1982) was head editor of the syndicate's comics features for several decades, from the 1950s until his retirement in 1978. A King Features employee for more than 40 years and comics editor for 33 years, Byck was 78 when he died July 8, 1982. Comic-strip artist John Celardo (1918–2012) began as a King comics editor in 1973. In 1973, Tom Pritchard (1928–1992) joined King Features, and became executive editor in 1990, overseeing daily editorial operations and

5875-617: The 1942 short You're a Sap, Mr. Jap . In late 1943, the Popeye series began to be produced in Technicolor , beginning with Her Honor the Mare. Famous/Paramount continued producing the Popeye series until 1957, with Spooky Swabs being the last of the 125 Famous shorts in the series. Paramount then sold the Popeye film catalog to Associated Artists Productions , which was bought out by United Artists in 1958. Through various mergers,

6000-458: The 1970s and the cancellation of the daily strip in 1992 (in favor of reprints), the comic, now solely a Sunday strip, remains one of the longest-running strips in syndication today. Thimble Theatre had a number of topper strips on the Sunday page during its run; the main topper, Sappo , ran for 21 years, from February 28, 1926, to May 18, 1947. ( Sappo was a revival of an earlier Segar daily strip called The Five-Fifteen , aka Sappo

6125-484: The 75th anniversary of Popeye. Billy West performed the voice of Popeye, describing the production as "the hardest job I ever did, ever" and the voice of Popeye as "like a buzzsaw on your throat". The uncut version was released on DVD on November 9, 2004; and was aired in a re-edited version on Fox on December 17, 2004, and again on December 30, 2005. Its style was influenced by the 1930s Fleischer cartoons, and featured Swee'Pea, Wimpy, Bluto, Olive Oyl, Poopdeck Pappy, and

6250-711: The ABC comedy Fresh Off the Boat . Confronted by newspaper cutbacks, King Features has explored new venues, such as placing comic strips on mobile phones. In 2006, it launched DailyINK . On a web page and via email, the DailyINK service made available more than 90 vintage and current comic strips, puzzles, and editorial cartoons. The vintage strips included Bringing Up Father , Buz Sawyer , Flash Gordon , Krazy Kat , The Little King , The Phantom , and Rip Kirby . King Features editor-in-chief Jay Kennedy introduced

6375-469: The April 1937 issue of Fortune magazine voted Popeye their second-favorite comic strip (after Little Orphan Annie ). By 1938, Thimble Theatre was running in 500 newspapers, and over 600 licensed "Popeye" products were on sale. The success of the strip meant Segar was earning $ 100,000 a year at the time of his death. The strip continued after Segar's death in 1938 under a succession of artists and writers. Following an eventual name change to Popeye in

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6500-738: The Archivist" posts exploring comic-strip history. The "Last 7" feature enables the reader to see a week's worth of comics on one page. On January 13, 2012, the DailyINK app was voted as the People's Champ in the Funny category in the 2011 Pixel Awards. Established in 2006, the Pixel Awards honor sites and apps displaying excellence in web design and development. Other nominees in the Funny category: JibJab Media Inc, Threaded, Snowball of Duty: White Opps and SoBe Staring Contest. In 2012, Jackys Diary

6625-532: The Beatles made to New York in 1964 and 1965, including their appearances at Shea Stadium , various Journal-American columnists and reporters devoted a lot of space to them. Throughout 1964 and 1965, Dorothy Kilgallen's Voice of Broadway column, which ran Sunday through Friday, often reported short news items about trendy young rock groups and performers such as The Rolling Stones , The Animals , The Dave Clark Five , Mary Wells and Sam Cooke . The newspaper

6750-506: The CBS lineup in September 1983, the year before Jack Mercer's death. These cartoons have also been released on VHS and DVD. During the time these cartoons were in production, CBS aired The Popeye Valentine's Day Special – Sweethearts at Sea on February 14, 1979. Popeye briefly returned to CBS in 1987 for Popeye and Son , another Hanna-Barbera series, which featured Popeye and Olive as

6875-954: The Commuter , which ran from December 24, 1920, to February 17, 1925.) For seven weeks in 1936, Segar replaced Sappo with Pete and Pansy – For Kids Only (Sept 27 - Nov 8, 1936). There were also a series of topper panel strips that ran next to Sappo . Segar drew one of them, Popeye's Cartoon Club (April 8, 1934 – May 5, 1935). The rest were produced by Joe Musial and Bud Sagendorf : Wiggle Line Movie (September 11 – November 13, 1938), Wimpy's Zoo's Who (November 20, 1938 – December 1, 1940), Play-Store (December 8, 1940 – July 18, 1943), Popeye's Army and Navy (July 25 – September 12, 1943), Pinup Jeep (September 19, 1943 - April 2, 1944), and Me Life by Popeye (April 9, 1944-?). Following Segar's illness and eventual death in 1938 (with his final Thimble Theatre strip appearing October 2 of that year), numerous people were hired to draw and write

7000-628: The Jeep , a yellow, vaguely doglike animal from Africa with magical powers; the Sea Hag , a terrible pirate and the last witch on Earth; Alice the Goon , a monstrous creature who entered the strip as the Sea Hag's henchwoman and continued as Swee'Pea's babysitter ; the hapless, perpetually anxious King Blozo; Blozo's unintelligent lackey Oscar; Popeye's lecherous, scheming father Poopdeck Pappy ; and Toar, an ageless, dim-witted caveman. Segar's strip

7125-496: The Jeep, eventually made appearances in the Paramount cartoons, though Olive Oyl's extended family and Ham Gravy were absent. Thanks to the animated-short series, Popeye became even more of a sensation than he had been in comic strips, and by 1938, polls showed that the sailor was Hollywood's most popular cartoon character. Although Segar may have used spinach as a prop a few times, it was Max Fleischer who realized its potential as

7250-421: The Magician , Office Hours , Quincy and Radio Patrol . On November 15, 2010, a subscription rate increase to $ 19.99 was announced, effective December 15, 2010, with applications available on iPhone, iPad, and iPod Touch, plus a "new and improved" DailyINK in 2011. The redesign was by Blenderbox. Added features included original publication dates, a forum, and a blog, mostly promotional, but also with "Ask

7375-545: The Menace , The Family Circus , Curtis , Rhymes with Orange , Arctic Circle , Macanudo , and Zits . The division additionally offers services for smaller publishers and community papers, including pagination and colorization services through its sister company, RBMA. In March 2018, to mark International Women's Day , many King Features cartoonists included messages about female empowerment and other topics that resonated with them. In April 2020, Bianca Xunise became

7500-602: The Painted Ponies." King Features also represents David and Goliath, an apparel and accessories line popular with teenagers. King Features additionally licenses outdoor apparel brand PURENorway, Moomins , Icelandic lifestyle brand Tulipop , ringtone character Crazy Frog and South Korean animated character PUCCA . As a sales tool, the King Features design team created colorful strip sample folders resembling movie press kits. With rising paper costs and

7625-456: The Popeye character became so popular that he was given a larger role by the following year, and the strip was taken up by many more newspapers as a result. Initial strips presented Olive as being less than impressed with Popeye, but she eventually left Ham to become Popeye's girlfriend in March 1930, precipitating Ham's exit as a regular weeks later. Over the years, however, she has often displayed

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7750-446: The Popeye characters to fit the times. For instance, Popeye grows his own spinach and has replaced his corncob pipe with a bosun's whistle . Bluto no longer sports a beard and focuses his time on stealing Popeye's spinach rather than his girlfriend. Olive Oyl is shown as an inventor and engineer. The characters are drawn to appear younger than typically done, save Swea'pea, and no words are spoken, with all actions mimed. I'm Popeye

7875-579: The Sailor cartoons, to which it retained the rights, in 2004. In the meantime, home video rights to the Associated Artists Productions library were transferred from CBS/Fox Video to MGM/UA Home Video in 1986, and eventually to Warner Home Video in 1999. In 2006, Warner Home Video announced it would release all of the Popeye cartoons produced for theatrical release between 1933 and 1957 on DVD, restored and uncut. Three volumes were released between 2007 and 2008, covering all of

8000-604: The Sailor Man I'm Popeye the Sailor Man I'm strong to the "finich" 'cause I eats me spinach I'm Popeye the Sailor Man Popeye's theme song, titled " I'm Popeye the Sailor Man ", composed by Sammy Lerner in 1933 for Fleischer's first Popeye the Sailor cartoon , has become forever associated with the sailor. " The Sailor's Hornpipe " has often been used as an introduction to Popeye's theme song. King Features Syndicate King Features Syndicate, Inc.

8125-483: The Sea Hag as its characters. On November 6, 2007, Lionsgate re-released Popeye's Voyage on DVD with redesigned cover art. On December 2, 2018, a Popeye web series named Popeye's Island Adventures produced by WildBrain subsidiary WildBrain Spark Studios premiered on the official Popeye YouTube channel. With intent on drawing in a younger, contemporary, international audience, the new series has updated

8250-544: The Sea Hag. Since King Features has exclusive rights to these Popeye cartoons, they have been released on home video, with 85 of them included in a 75th anniversary Popeye DVD boxed set in 2004. Popeye, Olive Oyl, Swee'Pea and Wimpy were featured prominently in the cartoon movie " Popeye Meets the Man Who Hated Laughter ", which debuted on October 7, 1972, as one of the episodes of The ABC Saturday Superstar Movie . In this cartoon, Brutus also appears as

8375-554: The Thursday strips, which focus on Popeye and his extended family, while Tuesday strips focus on Olive and her own adventures. These were initially drawn by Shadia Amin, who was later replaced by Emi Burdge in October 2023. The two storylines run in parallel and occasionally intersect. In November 1932, King Features signed an agreement with Fleischer Studios to have Popeye and the other Thimble Theatre characters begin appearing in

8500-452: The Toiler , Little Annie Rooney , Little Iodine , Bob Green's The Lone Ranger , Believe It or Not! , Uncle Remus , Dinglehoofer und His Dog  [ fr ] , Donald Duck , Tippie , Right Around Home , Barney Google and Snuffy Smith , and The Katzenjammer Kids . Tad Dorgan , known for his boxing and dog cartoons, as well as the comic character Judge Rummy , joined

8625-548: The bank at the casino using the unbeatable good luck conferred by stroking the head feathers of Bernice the Whiffle Hen. Weeks later, on the trip back, Popeye was shot many times by Jack Snork, an undercover stooge of Fadewell's, but survived by rubbing Bernice's head. After the adventure's conclusion in June, Popeye left the strip, but, owing to reader reaction, he was brought back after an absence of only five weeks. Ultimately,

8750-504: The beginnings and ends of each cartoon, or in some cases, in their complete, uncut original theatrical versions direct from such prints that originally contained the front-and-end Paramount credits. The series aired 135 Popeye shorts over 45 episodes, until March 2004. The Popeye Show continued to air on Cartoon Network's spin-off network Boomerang . While many of the Paramount Popeye cartoons remained unavailable on video,

8875-509: The black-and-white cartoons produced from 1933 to 1943. In December 2018, a fourth volume featuring the first 14 color shorts from 1943 to 1945 was released on DVD and Blu-ray from Warner Home Video through the Warner Archive Collection . In 1960, King Features Syndicate commissioned a new series of cartoons titled Popeye the Sailor , but this time for television syndication. Al Brodax served as executive producer of

9000-521: The can along with the contents. Since the 1970s, Popeye is seldom depicted using his pipe to smoke tobacco. Popeye's exploits are also enhanced by a few recurring plot elements. One is the love triangle among Popeye, Olive Oyl , and Bluto (sometimes called Brutus), and Bluto's endless machinations to claim Olive at Popeye's expense. Another is his near-saintly perseverance in overcoming any obstacle to please Olive, who often (if temporarily) renounces Popeye for Bluto. Segar's Thimble Theatre debuted in

9125-443: The cartoons for King Features. Jack Mercer , Mae Questel , and Jackson Beck returned for this series, which was produced by a number of companies, including Jack Kinney Productions , Rembrandt Films , Larry Harmon Productions , Halas and Batchelor , and Paramount Cartoon Studios (formerly Famous Studios). The artwork was streamlined and simplified for the television budgets, and 220 cartoons were produced in only two years, with

9250-435: The cast of Netflix 's Queer Eye giving Popeye a makeover. In November 2019, Comics Kingdom launched a YouTube channel featuring classic cartoons from King Features archives. Before launching the channel, in December 2018, King Features launched a series of animated Popeye shorts to its primary YouTube channel, in celebration of the character's 90th "birthday." In July 2020, comic strip Rhymes with Orange launched

9375-405: The combined New York World Journal Tribune was delayed for several months after the April 1966 expiration of its three components because of difficulty reaching an agreement with manual laborers who were needed to operate the press. The World Journal Tribune commenced publication on September 12, 1966, but folded eight months later. Other afternoon and evening newspapers that expired following

9500-456: The comic strip Flash Gordon . Taiki Waititi was attached to direct and John Davis was announced as the producer. On May 11, 2020, it was announced that a Popeye movie is in development at King Features Syndicate with Genndy Tartakovsky coming back to the project. In November 2020, a Hagar the Horrible animated series was announced, written by Eric Zibroski, who wrote and produced

9625-480: The comic strip on December 28, 2008, and April 5, 2009. In 1999, to celebrate Popeye's 70th anniversary, Ocean Comics revisited the franchise with a one-shot comic book, The Wedding of Popeye and Olive Oyl , written by Peter David . The comic book brought together a large portion of the casts of both the comic strip and the animated shorts, and Popeye and Olive Oyl were finally wed after decades of courtship. However, this marriage has not been reflected in all media since

9750-445: The comic was published. In 2012, writer Roger Langridge teamed with cartoonists Bruce Ozella , Ken Wheaton, and Tom Neely (among others) to revive the spirit of Segar in a 12-issue comic book miniseries published by IDW Publishing . Critic PS Hayes in reviewing the series stated: Langridge writes a story with a lot of dialogue (compared to your average comic book) and it's all necessary, funny, and entertaining. Bruce Ozella draws

9875-585: The company entitled King News . William Randolph Hearst paid close attention to the comic strips, even in the last years of his life, as is evident in these 1945–46 correspondence excerpts, originally in Editor & Publisher (December 1946), about the creation of Dick's Adventures in Dreamland — a strip that made its debut on Sunday, January 12, 1947; written by former Daily News reporter Max Trell and illustrated by Neil O'Keefe (who also drew for King Features

10000-677: The consciousness of both blue-collar and white-collar New Yorkers, enlisted Dr. Joyce Brothers to write front-page articles in February 1964 analyzing the Beatles . While the Beatles were filming Help! in the Bahamas , columnist Phyllis Battelle interviewed them for articles that ran on the Journal-American front page and in other Hearst papers, including the Los Angeles Herald Examiner , for four consecutive days, from April 25 to 28, 1965. During every visit that

10125-467: The daily strip to Ralph Stein, who would continue to collaborate with Zaboly until both the daily and Sunday strips were taken over by Bud Sagendorf in 1959. Sagendorf wrote and drew the daily strip until 1986, and continued to write and draw the Sunday strip until his death in 1994. Sagendorf, who had been Segar's assistant, made a definite effort to retain much of Segar's classic style, although his art

10250-486: The death of his creator, Segar's comic strips (though not the various films, TV shows, theme music , and other media based on them) became public domain in most countries, but remain under copyright in the United States. Because Segar was an employee of King Features Syndicate when he created the Thimble Theatre strip, it is treated as a work for hire under U.S. copyright law. Works for hire are protected for 95 years from publication or 120 years from creation, whichever

10375-586: The development of political cartoons, syndicated columns, and editorial services for King Features and North America Syndicate. Born in Bronxville, New York , Pritchard arrived at King Features after work as a reporter at The Record-Journal ( Meriden, Connecticut ), as feature writer with The Hartford Times , as editor-publisher of Connecticut's weekly Wethersfield Post , and as executive editor of The Manchester Journal Inquirer in Connecticut. He died of

10500-456: The downsizing of newspapers, the comic-strip arena became increasingly competitive, and by 2002, King salespeople were making in-person pitches to 1,550 daily newspapers across America. King was then receiving more than 6,000 strip submissions each year, yet it accepted only two or three annually. Interviewed in 2002 by Catherine Donaldson-Evans of Fox News , Kennedy commented: One of the first original animation projects of King Features Animation

10625-413: The feature; those papers make local sales, while King handles national sales. During the 30-day period in which strips are made available on the newspaper sites, readers can post comments on local community forums. In January 2019, to commemorate Popeye 's 90th birthday, multiple King Features cartoonists drew their own versions of the comic and published those strips on Comics Kingdom. One comic included

10750-526: The first animated film for adult audiences, despite its G-rating in United States. In addition to extensive merchandising and licensing of such iconic characters as Betty Boop , Felix the Cat , and Popeye , King Features has diversified to handle popular animation and TV characters (from " Kukla, Fran and Ollie " and " Howdy Doody " to " Mr. Bill " and " Mr. Magoo "), plus publicly displayed, life-sized art sculptures — " CowParade ", "Guitarmania" and "The Trail of

10875-591: The first black woman to join the team of female creators behind King Features strip Six Chix . Six Chix was first syndicated by King Features in May 2019, after King Features saw strip creator Maritsa Patrinos' work online. In June 2020, King Features started syndicating webcomic Rae the Doe . In the same month, cartoonists from King Features, along with artists from Kirkman's, Andrews McMeel Syndication and National Cartoonists Society , hid symbols in their Sunday strips as

11000-429: The first set of them premiering in the autumn of 1960, and the last of them debuting during the 1961–1962 television season. For these cartoons, Bluto's name was changed to "Brutus", as King Features believed at the time that Paramount owned the rights to the name "Bluto". Many of the cartoons made by Paramount used plots and storylines taken directly from the comic strip sequences – as well as characters like King Blozo and

11125-591: The late 1970s. The Gold Key series was illustrated by Wildman and scripted by Bill Pearson , with some issues written by Nick Cuti . Popeye also had his own manga series published by Shōnen Gahōsha , written and drawn by Robotan and Marude Dameo creator Kenji Morita, which ran from 1961 to 1965. In 1988, Ocean Comics released the Popeye Special written by Ron Fortier with art by Ben Dunn . The story presented Popeye's origin story, including his given name of "Ugly Kidd" and attempted to tell more of

11250-532: The line of duty. The newspaper was famous for publishing many photographs with the "Journal-American Photo" credit line as well as news photographs from the Associated Press and other wire services . With one of the highest circulations in New York in the 1950s and 1960s, the Journal-American nevertheless had difficulties attracting advertising as its blue-collar reading base turned to television,

11375-406: The morning New York American (since 1901) and the evening paper New York Evening Journal merged into New York Journal-American . The Journal-American was a publication with several editions in the afternoon and evening. In the early 1900s, Hearst weekday morning and afternoon papers around the country featured scattered black-and-white comic strips, and on January 31, 1912, Hearst introduced

11500-607: The nation's first full daily comics page in the Evening Journal . On January 12, 1913, McManus launched his Bringing Up Father comic strip. The comics expanded into two full pages daily and a 12-page Sunday color section with leading King Features Syndicate strips. By the mid-1940s, the newspaper's Sunday comics included Bringing Up Father , Blondie , a full-page Prince Valiant , Flash Gordon , The Little King , Buz Sawyer , Feg Murray's Seein' Stars , Tim Tyler's Luck , Gene Ahern 's Room and Board and The Squirrel Cage , The Phantom , Jungle Jim , Tillie

11625-958: The newspaper expired. Unlike two other New York City daily newspapers, the tabloid New York Daily News and The New York Times , the Journal-American has not been digitized and can not be accessed in a database or online archive. The newspaper is preserved on microfilm in New York City, Washington, DC, and Austin, Texas. Interlibrary loans make the microfilm accessible to people who cannot travel to those cities. The COVID-19 pandemic curtailed interlibrary loans, especially for researchers who need reels of microfilm that exist in very few places. On rare occasions, researchers have digitally scanned Journal-American pages, articles or columns, such as Dorothy Kilgallen's, from microfilm and shared them on social media and other websites. These are rare opportunities for historians to become familiar with this newspaper. The Journal-American photo morgue

11750-506: The newspaper run by his former mentor Joseph Pulitzer and from whom he stole the cartoonists George McManus and Richard F. Outcault . In October 1896, Outcault defected to Hearst's New York Journal . Because Outcault had failed in his effort to copyright The Yellow Kid both newspapers published versions of the comic feature with George Luks providing the New York World with their version after Outcault left. The Yellow Kid

11875-504: The numerous Misermite dwarfs, who were all identical. Popeye appeared in the British TV Comic becoming the cover story in 1960 with stories written and drawn by "Chick" Henderson. Bluto was referred to as Brutus and was Popeye's only nemesis throughout the entire run. A variety of artists have created Popeye comic book stories since then; for example, George Wildman drew Popeye stories for Charlton Comics from 1969 until

12000-416: The original 1940s–1950s Sagendorf Popeye comic books under the title of Classic Popeye . In November 2022, the publication of a new manga -inspired series called Eye Lie Popeye by Marcus Williams was announced, the series will be published in 2024 by Massive Publishing. In January 2019, in celebration of its 90 years of character, King Feature Syndicate launched the webcomic Popeye's Cartoon Club . In

12125-451: The perfect Popeye. Not only Popeye, but Popeye's whole world. Everything looks like it should, cartoony and goofy. Plus, he brings an unusual amount of detail to something that doesn't really need it. You'll swear that you're looking at an old Whitman Comics issue of Popeye, only it's better. Ozella is a great storyteller and even though the issue is jam packed with dialog, the panels never look cramped at all. In late 2012, IDW began reprinting

12250-399: The plot to be advanced even a small amount. From 1986 to 1992, the daily strip was written and drawn by Bobby London , who, after some controversy, was fired from the strip for a story that could be taken to satirize abortion . London's strips put Popeye and his friends in updated situations, but kept the spirit of Segar's original. One classic storyline, titled "The Return of Bluto", showed

12375-456: The police or the scientific community. He has displayed Sherlock Holmes -like investigative prowess, scientific ingenuity, and successful diplomatic arguments. In the animated cartoons his pipe also proves to be highly versatile. Among other things, it has served as a cutting torch, jet engine, propeller, periscope, musical instrument, and a whistle with which he produces his trademark toot. He also eats spinach through his pipe, sometimes sucking in

12500-467: The popular television program Twenty-One . O'Brian was a supporter of Senator Joseph McCarthy and his series of published attacks on CBS News and WCBS-TV reporter Don Hollenbeck , may have been a major factor in Hollenbeck's eventual suicide, referenced in the 1986 HBO film Murrow and the 2005 motion picture Good Night, and Good Luck . Ford Frick (1894–1978) was a sportswriter for

12625-401: The prevailing content restrictions on violence. In addition to providing many of the cartoon scripts, Mercer continued to voice Popeye, while Marilyn Schreffler and Allan Melvin became the new voices of Olive Oyl and Bluto, respectively. The All New Popeye Hour ran on CBS until September 1981, when it was cut to a half-hour and retitled The Popeye and Olive Comedy Show . It was removed from

12750-524: The previous day's announcement by U.S. Surgeon General Luther Terry that "a blue ribbon committee of scientists and doctors," in the words of reporter Jack Pickering, had concluded that cigarette smoking was dangerous. The Journal-American ' s feel of the pulse of the changing times of the mid-1960s hid the trouble that was going on behind the scenes at the paper, which was unknown to many New Yorkers until after it had ceased publication. Besides trouble with advertisers, another major factor that led to

12875-449: The primary repository of his prowess. Swee'Pea is Popeye's ward in the comic strips, but his custody is inconsistent in cartoons. There is no absolute sense of continuity in the stories, although certain plot and presentation elements remain mostly constant, including purposeful contradictions in Popeye's capabilities. Popeye seems bereft of manners and uneducated, yet he often comes up with solutions to problems that seem insurmountable to

13000-494: The rights are currently controlled by Warner Bros. Discovery . In 2001, Cartoon Network , under the supervision of animation historian Jerry Beck , created a new incarnation of The Popeye Show . The show aired the Fleischer and Famous Studios Popeye shorts in versions approximating their original theatrical releases by editing copies of the original opening and closing credits (taken or recreated from various sources) onto

13125-543: The rise of network news in the 1960s donated their clipping files and many darkroom prints of published photographs to libraries. The Hearst Corporation decided to donate the "basic back-copy morgue" of the Journal-American , according to a book about Dorothy Kilgallen, plus darkroom prints and negatives , according to other sources, to the University of Texas at Austin . Office memorandums and letters from politicians and other notables were shredded in 1966, shortly after

13250-510: The sailor battling every version of the bearded bully from the comic strip, comic books, and animated films. The Sunday edition of the comic strip was drawn by Hy Eisman from 1994 to 2022. Following Eisman's retirement, the Sunday strip was taken over by R. K. Milholland , who had previously contributed Popeye cartoons to the web-only feature Popeye's Cartoon Club in 2019 and 2020. The daily strip has featured reruns of Sagendorf's strips since London's firing. On January 1, 2009, 70 years since

13375-399: The same days as her column on different pages, sometimes the front page. Regular Journal-American contributor Jimmy Cannon was one of the highest paid sports columnists in the United States. Society columnist Maury Henry Biddle Paul , who wrote under the pseudonym "Cholly Knickerbocker", became famous and coined the term "Café Society". John F. Kennedy contributed to the newspaper during

13500-514: The service early in 2006, commenting: Comics are consistently ranked among the most popular sections by newspaper readers. However, because of space, newspapers are not able to offer as vast a selection as many readers would like, and therefore millions of comic lovers are often not exposed to some of the most creative strips. In creating DailyINK, we wanted to ensure that fans had a destination where they could experience our complete lineup of award-winning comic artists and writers. DailyINK really sets

13625-557: The standard for comics online. By offering all of our current favorites updated daily, along with access to our archives of beloved characters as well as political humor and games, we have designed DailyINK.com as a destination fans will want to visit every day for something new. With 11,000 subscribers by June 2010, more vintage strips were added to DailyINK, including Barney Google , Beetle Bailey , Big Ben Bolt , Brick Bradford , The Heart of Juliet Jones , Jackys Diary , The Katzenjammer Kids , Little Iodine , Mandrake

13750-422: The strip by the close of 1928 (although Cylinda would eventually maritally reunite with Castor under R. K. Milholland 's authorship almost a century later). Popeye first appeared in the strip on January 17, 1929, as a minor character. He was initially hired by Castor Oyl and Ham Gravy to crew a ship for a voyage to Dice Island, the location of a casino owned by the crooked gambler Fadewell. Castor intended to break

13875-407: The strip featured the duo, alongside a rotating cast of primarily one-shot characters, acting out various stories and scenarios in a parodic theatrical style (hence the strip's name). As its first year progressed, however, numerous elements of this premise would be relinquished (including the recurring character "Willie Wormwood", introduced as a parody of melodrama villainy), soon rendering the strip

14000-512: The strip. Tom Sims, the son of a Coosa River channel-boat captain, acted as the writer for Thimble Theatre beginning in August 1938 and established the Popeye the Sailorman spin-off. Doc Winner , who had previously filled in for Segar between January and May 1938, initially acted as Sims' artist, with Bela Zaboly succeeding him by December 1939. In 1954, Sims relinquished writing duties on

14125-491: The victim of a general decline in the revenue of afternoon newspapers. While participating in a lock-out in 1965 after The New York Times and New York Daily News had been struck by a union, the Journal-American agreed it would merge (the following year) with its evening rival, the New York World-Telegram and Sun , and the morning New York Herald-Tribune . According to its publisher, publication of

14250-459: The year on King Features' website, Comics Kingdom. From February through April 2020, Cartoon Club ran an additional five comics by Milholland, which was followed by an extended run from May 28 through July 6, 2020, making Milholland the first person to write a daily-update Popeye comic for King Features since 1994. In August 2022, a new twice-weekly (Tuesdays and Thursdays) webcomic titled Olive & Popeye debuted. Milholland writes and draws

14375-591: The years, Popeye has also appeared in comic books, television cartoons, video games, hundreds of advertisements, peripheral products ranging from spinach to candy cigarettes , and the 1980 live-action film directed by Robert Altman and starring Robin Williams as Popeye. Charles M. Schulz said, "I think Popeye was a perfect comic strip, consistent in drawing and humor". In 2002, TV Guide ranked Popeye number 20 on its "50 Greatest Cartoon Characters of All Time" list. The person believed to have inspired Popeye

14500-413: Was Polish born Frank "Rocky" Fiegel, a tough laborer from Chester, Illinois who was always getting in fights. It was believed he could have been a professional boxer. However, he also gave out candy and treats to children, including E.C. Segar, who remembered Fiegel when he created Popeye. Fiegel was described as "[j]ust like the fictional spinach-loving mariner ... a one-eyed, pipe-smoking curmudgeon with

14625-615: Was called Newspaper Feature Service, Inc. , established in 1913. In 1914, Hearst and his manager Moses Koenigsberg consolidated all of Hearst's syndication enterprises under one banner (although Newspaper Feature Service was still in operation into at least the 1930s). Koenigsberg gave it his own name (the German word König means king ) when he launched King Features Syndicate on November 16, 1915. Production escalated in 1916 with King Features buying and selling its own staff-created feature material. A trade publication — Circulation —

14750-469: Was considered the second-largest comics service, second only to Uclick (now known as Andrews McMeel Syndication ). In December 2017, King Features appointed CJ Kettler as president of the company. Kettler previously was CEO of Sunbow Entertainment and the executive producer of the Netflix series Carmen Sandiego . In 1941, King Features manager Moses Koenigsberg wrote an autobiographical history of

14875-404: Was dropped from DailyINK, and the Archivist explained: "Unfortunately, we no longer have the rights to publish the strip." In December 2013, Daily INK was relaunched as part of King Feature's Comics Kingdom . In November 2008, King Features introduced Comics Kingdom, a digital platform that newspapers can embed on their sites. Comics Kingdom splits advertising revenue with newspapers carrying

15000-488: Was inducted in the Baseball Hall of Fame , as were colleagues Charley Feeney and Sid Mercer . Before becoming a news columnist elsewhere, Jimmy Breslin was a Journal-American sportswriter in the early 1960s. He authored the book Can't Anybody Here Play This Game? chronicling the season of the 1962 New York Mets . Sheilah Graham (1904–1988) was a reporter for the Journal-American before gaining fame as

15125-576: Was one of the first comic strips to be printed in color and gave rise to the phrase yellow journalism , used to describe the sensationalist and often exaggerated articles, which helped, along with a one-cent price tag, to greatly increase circulation of the newspaper. Many believed that as part of this, aside from any nationalistic sentiment, Hearst may have helped to initiate the Spanish–American War of 1898 with lurid exposes of Spanish atrocities against insurgents and foreign journalists. In 1937,

15250-473: Was published by King Features between 1916 and 1933. In January 1929, the world-famous Popeye character was introduced in King Features' Thimble Theater comic strip. King Features had a series of hits during the 1930s with the launch of Blondie (1930–present), Flash Gordon (1934–2003 Note: Relaunched again in October 2023 by Dan Schkade as a daily and Sunday strip), Mandrake the Magician (1934–2013), and The Phantom (1936–present). In March 1936,

15375-506: Was quite different from the theatrical cartoons that followed. The stories were more complex (often spanning months or even years), with a heavier emphasis on verbal comedy and many characters that never appeared in the cartoons (among them King Blozo, Toar, and Rough-House). Spinach usage, a trait introduced in July 1931, was comparatively infrequent, and Bluto appeared in only one story arc. Segar signed some of his early Popeye comic strips with

15500-649: Was replaced by Jay Kennedy — author of The Official Underground & Newave Comix Price Guide (Norton Boatner, 1982). Kennedy was King Features' lead editor until March 15, 2007, when he drowned in a riptide while vacationing in Costa Rica. Brendan Burford, who attended the School of Visual Arts , was employed for a year as an editorial assistant at DC Comics before joining King Features as an editorial assistant in January 2000. Working closely with Jay Kennedy over

15625-499: Was trying to keep up with the many mid-1960s changes in popular music and its interracial fan bases. It published enlarged photographs of civil rights demonstrations, Dorothy Kilgallen's skepticism about the Warren Commission report as well as many reporters' stories on the increasing crime rate in New York's five boroughs. Most of the front page of the Sunday edition of January 12, 1964 ran stories that were relevant to

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