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198-567: Penn South , officially known as Mutual Redevelopment Houses and formerly Penn Station South , is a limited-equity housing cooperative development located between Eighth and Ninth Avenues and West 23rd and 29th Streets , in the Chelsea neighborhood of Manhattan in New York City . The complex has 2,820 units in ten 22-story buildings. Penn South is so named because of its location southwest of New York Penn Station . Penn South

396-416: A cooperative or a corporation and constitutes a form of housing tenure . Typically housing cooperatives are owned by shareholders but in some cases they can be owned by a non-profit organization. They are a distinctive form of home ownership that have many characteristics that differ from other residential arrangements such as single family home ownership, condominiums and renting . The cooperative

594-506: A "security office" to oversee an ideological vetting system. "We are going to screen everyone in a creative or executive capacity", he declared. "The work of Communist sympathizers will not be used." As more credits were expunged, some in the industry began to question whether Hughes's hunt for subversives served primarily as a convenient rationale for further curtailing production and trimming expenses. In September, Hughes and his corporate president, Ned Depinet, sold their RKO studio stock to

792-473: A Chicago-based syndicate with no experience in the movie business; the syndicate's chaotic reign lasted until February 1953, when the stock and control were reacquired by Hughes. The studio's net loss in 1952 was over $ 10 million, and shooting had taken place for just a single in-house production over the last five months of the year. During the turmoil, Samuel Goldwyn ended his eleven-year-long distribution deal with RKO. Wald and Krasna escaped their contracts and

990-510: A Reasonable Doubt , a remake of a 1956 RKO film directed by Fritz Lang, fared even worse critically, receiving a 7% rating on Rotten Tomatoes . A stage version of Top Hat toured Great Britain in the second half of 2011. The most recent RKO film coproductions are the well-received A Late Quartet (2012) and the 2015 flop Barely Lethal . Two months after Dina Merrill's May 2017 death, independent producer Keith Patterson sued RKO, Hartley, and his second-in-command, Mary Beth O'Connor, over

1188-443: A comparable unit in the co-op is typically much lower, however. With limited equity, the co-op has rules regarding pricing of shares when sold. The idea behind limited equity is to maintain affordable housing . A sub-set of the limited equity model is the no-equity model, which looks very much like renting, with a very low purchase price (comparable to a rental security deposit) and a monthly fee in lieu of rent. When selling, all that

1386-604: A consequence, they were fired by RKO per the terms of the Waldorf Statement , the major studios' pledge to "eliminate any subversives". Scott, Dmytryk, and eight others who also defied HUAC—dubbed the Hollywood Ten —were blacklisted across the industry. Ironically, the studio's major success of the year was Crossfire , a Scott–Dmytryk film. Odlum concluded it was time to exit the film business, and he put Atlas's remaining RKO shares—approximately 25 percent of

1584-401: A coproduction between RKO and Lupino's company, The Filmakers. Of more historic note, Lupino was Hollywood's only female director during the period; of the five pictures The Filmakers made with RKO, Lupino directed three, including her now celebrated The Hitch-Hiker (1953). Exposing many moviegoers to Asian cinema for the first time, RKO distributed Akira Kurosawa 's epochal Rashomon in

1782-413: A cost price only, with direct support ranging from 5 to 25 thousand pounds. The beneficiary of this unit can pay its price over a period of 20 years, as 538,000 units have been implemented in all governorates and new cities until 2022, implemented by Ministry of Housing, Utilities & Urban Communities . In India, most 'flats' are owned outright. i.e. the title to each individual flat is separate. There

1980-564: A customer for Photophone, then general manager of RCA David Sarnoff approached financier Joseph P. Kennedy in late 1927 about using the system for his Film Booking Offices of America (FBO). A Kennedy-led investment group had acquired the modest-sized, low-budget-focused studio the previous year, and he had turned it into a steady profit maker. Negotiations resulted in RCA acquiring a substantial interest in FBO; Sarnoff had apparently already conceived of

2178-438: A designer's studio. It never had a stable of important actors, writers, or directors, but   ... it was rich in artists and special-effects technicians. As a result, its most distinctive pictures contained a strong element of fantasy—not so much the fantasy of horror, which during the thirties was the province of Universal , but the fantasy of the marvelous and adventurous." As a group, the studio's craft divisions were among

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2376-478: A dozen movies for the studio over two decades. From soon after its debut in early 1935 until July 1942, Louis de Rochemont 's innovative documentary series The March of Time was distributed by RKO; at its peak in the late 1930s and early 1940s, over twenty million filmgoers saw its two-reelers each month in eleven thousand US and foreign theaters. Lacking the financial resources of industry leaders MGM , Paramount , and Fox , RKO turned out many pictures during

2574-707: A fire the next month. RKO Pictures later constructed a new theater called Chelsea West Cinemas in Penn South near the site of the old opera house, now used by the School of Visual Arts as the SVA Theater . Construction was delayed in July 1961 by a month-long strike by concrete-mixing workers. By that time, the ILGWU had hoped to complete and sell half of the apartments in Penn South, but were only able to find tenants for

2772-454: A formal corporation, then shareholders), who are invariably its members. There is no point in creating a deliberate surplus—except for operational requirements such as setting aside funds for replacement of assets—since that simply means that the rents paid by members are set higher than the expenses. (It is possible for a housing co-op to own other revenue-generating assets, such as a subsidiary business which could produce surplus income to offset

2970-601: A group that was "rich in spirit". During the 1975 New York City fiscal crisis , residents prepaid their rents six months in advance so the nearly bankrupt New York City government would be able to use the funds. Additionally, Penn South was among the first cooperative developments in New York City to draw power from gas, at a time when most other developments paid four times as much money to consume power from oil-powered generators. The possibility of Penn South generating its own power had been proposed as early as 1960, before

3168-562: A half-decade, with a planned slate of seventeen features. RKO released Fritz Lang's final two American films, While the City Sleeps and Beyond a Reasonable Doubt (both 1956), but years of mismanagement had driven away many directors, producers, and stars. The studio was also saddled with the last of the inflated B movies such as Pearl of the South Pacific (1955) and The Conqueror (1956) that enchanted Hughes. While

3366-539: A hit, and The Set-Up (1949), directed by Robert Wise and starring Robert Ryan , which won the Critic's Prize at the Cannes Film Festival . The Thing from Another World (1951), a science-fiction drama coproduced with Howard Hawks's Winchester Pictures, is seen as a classic of the genre. In 1952, RKO put out two films directed by Fritz Lang , Rancho Notorious and Clash by Night . The latter

3564-466: A housing cooperative in that the property is owned by a non-profit corporation and the right to use each unit is tied to ownership of a certain set of shares. Housing co-operatives are uncommon in the UK, making up about 0.1% of housing stock. Most are based in urban areas and consist of affordable shared accommodation where the members look after the property themselves. Waiting lists can be very long due to

3762-622: A large payout in April and later in the year signed a three-picture deal with MGM. Sarnoff and Kennedy began talks about setting up a holding company funded by RCA cash and KAO securities, but plans stalled as Sarnoff grew frustrated with Kennedy's reluctance to pay for the Photophone work proceeding, if slowly, at FBO and Pathé. An attempt by Kennedy to reorganize yet another studio that had turned to him for help, now ERPI-aligned First National, further strained his relationship with Sarnoff and raised

3960-440: A legal battle with Wall Street Financial Associates (WSFA). Hartley and Merrill claimed that the owners of WSFA fraudulently induced them into signing an acquisition agreement by concealing their "cynical and rapacious" plans to purchase RKO, with the intention only of dismantling it. WSFA sought a preliminary injunction prohibiting RKO's majority owners from selling their interests in the company to any third parties. The WSFA motion

4158-486: A less tense merger, engineered by Murdock, was finalized, establishing the Keith-Albee-Orpheum (KAO) theater chain. With Pathé's finances in a ditch, Murdock, at Walker's prodding, turned to Kennedy for help in reorganizing the studio and consolidating it with PDC. The two men found that they had mutual interests, in particular, removing Edward Albee , the "Czar of Vaudeville" and Murdock's nominal boss, from

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4356-542: A limited-equity cooperative until 2022. Under the terms of agreements reached with the City of New York in 2002, and separately with the United States Department of Housing and Urban Development , Penn South's eligibility for tax abatements offered by Mitchell-Lama was extended to 2052. Penn South shareholders voted in 2011 to extend its contract with the city until 2030; in return, the city government awarded

4554-458: A manager or a caretaker, to deal with specific upkeep tasks at which volunteers may hesitate or may not be skilled, such as electrical maintenance. In non-equity cooperatives and in limited equity cooperatives, a shareholder in a co-op does not own real estate, but a share of the legal entity that does own real estate. Co-operative ownership is quite distinct from condominiums where people own individual units and have little say in who moves into

4752-518: A massive reorganization following an attempted hostile takeover. With RKO General dismantling its broadcast business, RKO Pictures Inc., along with the original RKO studio's trademarks , remake rights, and other remaining assets, was put up for sale. After a bid by RKO Pictures' own management team failed, the managers made a deal with Wesray Capital Corporation —under the control of former US treasury secretary William E. Simon and investor Ray Chambers —to buy RKO through Entertainment Acquisition Co.,

4950-525: A memo, Selznick wrote, "I feel, in spite of his enormous ears and bad chin line, that his charm is   ... tremendous". Selznick's tenure was widely considered masterful: In 1931, before he arrived, the studio had produced forty-two features for $ 16 million in total budgets. In 1932, under Selznick, forty-one features were made for $ 10.2 million, with clear improvement in quality and popularity. He backed several major successes, including A Bill of Divorcement (1932), with Cukor directing Hepburn's debut, and

5148-479: A new subsidiary, General Teleradio. Thomas F. O'Neil , son of General Tire's founder William O'Neil and chairman of the broadcasting group, saw that the company's new television stations, indeed all TV outlets, were in need of programming. In September 1954, WOR-TV had launched the Million Dollar Movie program, running a single film for a week, twice every night plus Saturday and Sunday matinees;

5346-409: A newly created purchasing entity. The sale was completed in late 1987, and Wesray linked RKO with its Six Flags amusement parks to form RKO/Six Flags Entertainment Inc. In 1989, RKO Pictures, which had produced no films while under Wesray control, was sold off yet again. Actress and Post Cereals heiress Dina Merrill and her husband, producer Ted Hartley , acquired a majority interest and merged

5544-547: A nominal profit of a bit more than $ 500,000 in 1941. Many of RKO's other artistically ambitious pictures were also dying at the box office and it was losing its last exclusive deal with a major star as well. Rogers, after winning an Oscar in 1941 for her performance in the previous year's Kitty Foyle , held out for a freelance contract like Lombard's or Grant's. No star appeared in more RKO films than Rogers: thirty between 1931 and 1943, then one-offs in 1946 and 1956. On June 17, 1942, Schaefer tendered his resignation. He departed

5742-415: A now fabled performance as Quasimodo in the latter, returned periodically to the studio, headlining six more RKO features. For Maureen O'Hara , who made her American screen debut in the film, it was the first of ten pictures she made for RKO through 1952. Carole Lombard signed freelance deals for headlining roles in four films between 1939 and 1941—the last of her pictures to come out before her death in

5940-433: A number of unpleasant harbingers for all of Hollywood. The British government imposed a 75 percent tax on films produced abroad; along with similarly confiscatory taxes and quota laws enacted by other countries, this led to a sharp decline in foreign revenues. The postwar attendance boom peaked sooner than expected and television emerged as a competitor for audience interest. Across the board, profits fell—a 27 percent drop for

6138-471: A number of well-received films he made for RKO. RKO, and the movie industry as a whole, had its most profitable year ever in 1946. A Goldwyn production released by RKO, The Best Years of Our Lives , was the most successful Hollywood film of the decade and won the Academy Award for Best Picture. But the legal status of the industry's reigning business model was increasingly being called into doubt:

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6336-538: A pair of four-film series, the comedic Great Gildersleeve (1943–44) and noirish Dick Tracy (1945–47). Film noir , to which lower budgets lent themselves, became something of a house style at the studio; indeed, the RKO B Stranger on the Third Floor (1940) is widely seen as initiating noir's classic period. Its cinematographer , Nicholas Musuraca , who began at FBO in the 1920s and stayed with RKO through 1954,

6534-574: A part of the Australian social housing / community housing sector and have been funded by various iterations of government funding programs. One of the largest co-operative housing organisations in Australia is Common Equity Housing Ltd (CEHL) in the state of Victoria . CEHL is a registered housing association with its shares held by its 103-member co-operatives. As of 2023 CEHL co-operatives house 4,291 people in 2,101 homes. Common Equity, in

6732-423: A plan for the studio to attain a central position in the film industry, maximizing Photophone revenue. Next was securing a string of exhibition venues like those the leading Hollywood production companies owned. Kennedy began investigating the possibility of such a purchase. At that same time, the allied Keith-Albee and Orpheum theater circuits, built around the then fading medium of live vaudeville , were pursuing

6930-623: A plane crash. After costarring with Ginger Rogers for the eighth time in The Story of Vernon and Irene Castle (1939), Fred Astaire departed the studio. The studio's B Western star of the period was George O'Brien , who made eighteen RKO pictures, sixteen between 1938 and 1940. The Saint in New York (1938) successfully launched a B detective series featuring the character Simon Templar that ran through 1943. The Wheeler and Woolsey comedy series ended in 1937 when Woolsey became ill (he died

7128-594: A public school, is located just south of the park. During Penn South's planning, the United Housing Foundation faced opposing demands. The mostly low-income families who already lived on the site wanted Penn South to have lower rent rates so that they could continue living in the area. Simultaneously, another proposed UHF development in Coney Island , Brooklyn, was being challenged by developer Fred Trump , who promised to pay higher tax rates on

7326-533: A quarter of the apartments. A dedication ceremony was held on May 19, 1962. President John F. Kennedy addressed the workers on the project, with former First Lady Eleanor Roosevelt and New York Governor Nelson Rockefeller in attendance. Kennedy praised organized laborers for their work on the Penn South project, and cited the development as an example of what could be accomplished when laborers collaborated with public and private developers. That October, some tenants were prevented from moving into their units due to

7524-486: A remake of a 1949 RKO movie that was itself a King Kong knockoff; the Disney coproduction was distributed by Buena Vista. In the early 2000s, the company was involved as a coproducer of TV movies and modestly budgeted features, about one a year. In 2003, it coproduced a Broadway stage version of the 1936 Astaire–Rogers vehicle Swing Time , under the title Never Gonna Dance . That same year, RKO Pictures entered into

7722-404: A rental setting. However, another hallmark of cooperative living is that it is nonprofit , so that the work is done at cost, with no profit motive involved. In some cases, the co-op follows Rochdale Principles where each shareholder has only one vote. Most cooperatives are incorporated as limited stock companies where the number of votes an owner has is tied to the number of shares owned by

7920-665: A seniors' program opened in Penn South in 1986, and an exercise room and playground was opened in 2000. The co-op renovated its brick facades in 1997. It subsequently replaced its underground electrical infrastructure in 2003 and its HVAC system in 2011. Building 7 of the complex was listed on the National Register of Historic Places in 2016. Apartment 9J in the B portion of the building had been home to civil and gay rights activist Bayard Rustin from 1962 until his death in 1987. Penn South contains 2,820 units in ten 22-story red-brick buildings numbered from 1 to 10. The site

8118-428: A seven-year contract and cast her in the big-budget musical Flying Down to Rio (1933). Rogers was paired with Fred Astaire , making his second film. Billed fourth and fifth respectively, the picture turned them into stars. Hermes Pan , assistant to the film's dance director, became one of Hollywood's leading choreographers through his subsequent work with Astaire. Along with Columbia Pictures , RKO became one of

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8316-678: A spending spree, buying up theater after theater to add to its exhibition chain. In October 1930, the company purchased a 50 percent stake in the New York Van Beuren studio, which specialized in cartoons and live shorts. Looking to get out of the film business, Kennedy arranged for RKO to purchase Pathé, in a deal that protected his associates' bond investments while it crushed many small stockholders who had bought in at artificially high prices. (Indeed, Kennedy, who had previously sold all of his Pathé holdings, started buying back bonds, which he turned around for substantial gains.) The deal

8514-707: A subsidiary created three years earlier, RKO Pictures Inc. In collaboration with Universal Studios, RKO put out five films over the next three years. Although the studio frequently worked with major names—including Burt Reynolds and Dolly Parton in The Best Little Whorehouse in Texas , Jack Nicholson in The Border , and Nastassja Kinski in Cat People (all 1982)—it met with little success. Corporate restructuring brought RKO General under

8712-508: A transition into the movie business. In 1926 the exhibitors had acquired a 50 percent stake in the holding company of Producers Distributing Corporation (PDC), a smaller studio than FBO but more prestigious. Famed director Cecil B. De Mille —PDC studio chief and owner of its Culver City production facility—had been draining the company's resources for his well-appointed productions, and it had been finding little success in getting its films into first-run theaters , which were largely tied up by

8910-401: A type of housing association that provides affordable housing to its members. They are formed and run by a group of people who come together to pool their resources in order to purchase or build housing for their own use. In Germany, housing cooperatives are typically organized as non-profit organizations, which means that any profits made from the sale or rental of the housing are reinvested in

9108-426: A union dispute regarding sink installations. The Carver Federal Savings and Loan Association , an African-American-run bank, opened a branch in Penn South in 1963, marking the first time that an African-American-run bank had been allowed to operate in a non-African-American neighborhood in New York City. The opening of Penn Station South spurred new development and gentrification in the surrounding community. Despite

9306-414: A waiting list of prospective residents looking to purchase one of the units in the development. In 2014, Penn South's management opened up a lottery system in which it randomly distributed some vacant apartments to applicants who met specified criteria. Nearly 50,000 people applied for 1,200 vacant apartments. Although the residents of Penn South were generally lower- to middle-class, they were also known as

9504-462: A weakened and troubled studio, but RKO was about to turn the corner. Propelled by the box-office boom of World War II and guided by new management, RKO made a strong comeback over the next half-decade. By the end of June 1942, Floyd Odlum had taken over a controlling interest in the company via his Atlas Corporation , edging aside the Rockefellers and Sarnoff. Charles Koerner , former head of

9702-506: A young actress who would quickly become one of the studio's big stars, Katharine Hepburn . John Barrymore was also enlisted for a few memorable performances. In November 1931, just as Selznick was assuming his new post, the separate Pathé distribution network was folded into RKO's. After less than a year of largely independent operation out of Culver City, the Pathé feature film division soon followed (due to exhibition contracts, features from

9900-467: Is a legal term used in the Scandinavian countries ( Sweden , Denmark , and Norway ) for a type of joint ownership of property in which the whole property is owned by a co-operative association, which in its turn is owned by its members. Each member holds a share in the association that is proportional to the area of his apartment. Members are required to have a tenant-ownership, which represents

10098-628: Is a central figure in creating the look of classic noir. Design chief Albert D'Agostino —another long-termer, who succeeded Van Nest Polglase in 1941—and art director Walter Keller, along with others in the department, such as art directors Carroll Clark and Jack Okey and set decorator Darrell Silvera , are similarly credited. The studio's 1940s list of contract players was filled with noir regulars: Robert Mitchum (who graduated to major star status) and Robert Ryan each made no fewer than ten film noirs for RKO. Gloria Grahame , Jane Greer , and Lawrence Tierney were also notable studio players in

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10296-491: Is bounded counterclockwise from the west by Ninth Avenue, 23rd Street, Eighth Avenue, and 29th Street, and occupies an area of 36.44 acres (14.75 ha). The buildings were designed by Herman Jessor . Each housing unit has between 2 and 6 rooms. Penn South's desirability among prospective tenants has increased over the years: adjusted for inflation, the average cost of purchase was $ 650 per room in 1962, and it rose to $ 2,295 per room in 1983. As of 2012, there were 6,000 names on

10494-540: Is by Dutch law established wherever there are separately owned apartments in one building. The members are legally owners of their own apartment but have to cooperate in the association for the maintenance of the building as a whole. A living cooperation ( wooncoöperatie ) is a construct in which residents jointly own an apartment building using a democratically controlled cooperative, and pay rent to their own organisation. They were prohibited after World War II and legalised in 2015. "Company-share" apartments operate in

10692-410: Is essentially a lease. In ownership cooperatives, occupancy rights are transferred to the purchaser by way of the title transfer. Since the housing cooperative holds title to all the property and housing structures, it bears the cost of maintaining, repairing and replacing them. This relieves the member from the cost and burden of such work. In that sense, the housing cooperative is like the landlord in

10890-467: Is membership based, with membership granted by way of a share purchase in the cooperative. Each shareholder in the legal entity is granted the right to occupy one housing unit. A primary advantage of the housing cooperative is the pooling of the members' resources so that their buying power is leveraged; thus lowering the cost per member in all the services and products associated with home ownership. Another key element in some forms of housing cooperatives

11088-1232: Is re-couped is that very low purchase price. Research in Canada found that housing cooperatives had residents rate themselves as having the highest quality of life and housing satisfaction of any housing organization in the city. Other research among older residents from the rural United States found that those living in housing cooperatives felt much safer, independent, satisfied with life, had more friends, had more privacy, were healthier and had things repaired faster. Australian researchers found that cooperative housing built stronger social networks and support, as well as better relationships with neighbours compared to other forms of housing. They cost 14% less for residents and had lower rates of debt and vacancy. Other US research has found that housing cooperatives tended to have higher rates of building quality, building safety, feelings of security among residents, lower crime rates, stable access to housing and significantly lower costs compared to conventional housing. Housing co-operatives in Australia are primarily non-equity rental co-operatives, but there are some equity co-operatives as well. The rental co-operatives are generally

11286-408: Is similar to a lease . In equity cooperatives, occupancy rights are sometimes granted by way of the purchase agreements and legal instruments registered on the title. The corporation's articles of incorporation and bylaws as well as occupancy agreement specifies the cooperative's rules. The word cooperative is also used to describe a non-share capital co-op model in which fee-paying members obtain

11484-430: Is that the members, through their elected representatives , screen and select who may live in the cooperative, unlike any other form of home ownership. Housing cooperatives fall into two general tenure categories: non-ownership (referred to as non-equity or continuing) and ownership (referred to as equity or strata). In non-equity cooperatives, occupancy rights are sometimes granted subject to an occupancy agreement, which

11682-605: Is usually a governing body/society/association to administer maintenance and other building needs. These are comparable to the Condominium Buildings in the USA. The laws governing the building, its governing body and how flats within the building are transferred differ from state to state. Certain buildings are organized as "Cooperative Housing Societies" where one actually owns a share in the Cooperative rather than

11880-536: The Academy Award for Best Picture ; it cost a profligate $ 1.4 million, however, and lost nearly half that on its first release. Cimmaron' s female principal, Irene Dunne , was the studio's one major homegrown star of this early pre-Code era; having made her screen debut as the lead in the 1930 musical Leathernecking , she would headline at the studio for the entire decade, under contracts that gave her an unusual amount of power. Other significant actors of

12078-565: The GdW Bundesverband deutscher Wohnungs- und Immobilienunternehmen (Federal association of German housing and real estate enterprise registered associations). The Housing cooperative project in Egypt aims to serve the low-income class, as it provides them with housing units consisting of two rooms, a hall or three rooms and a fully finished hall, with an area ranging from 75 to 90 square meters. In addition, these units are offered at

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12276-662: The New Zealand housing system . In the Philippines , a tenant-owner's association often forms as a means to buy new flats. When the cooperative is set up, it takes the major part of the loan needed to buy a property. These loans will then be paid off during a fixed period of years (typically 20 to 30), and once this is done, the cooperative is dispersed and the flats are transformed into condominiums. A tenant-owner's association ( Swedish : bostadsrättsförening , Norwegian : borettslag , Danish : andelsboligforening )

12474-653: The San Fernando Valley as a movie ranch for exteriors and large-scale standing sets. With RKO Productions' films handled by sibling subsidiary RKO Distributing Corp., the studio released a limited slate of twelve features in its first year; in 1930, the figure more than doubled to twenty-nine. That July, RKO Productions Inc. was renamed RKO Radio Pictures Inc. RKO Pictures Ltd. was set up to handle British distribution. Encouraged by Rio Rita ' s success, RKO produced several costly musicals incorporating Technicolor sequences, among them Dixiana and Hit

12672-659: The U.S. Supreme Court ruled in Bigelow v. RKO that the company was liable for damages under antitrust statutes for having denied an independent movie house access to first-run films —a common practice among all of the Big Five. With profits at a high point, Floyd Odlum cashed in by selling off about 40 percent of his shares in the company to a group of investment firms. After Koerner's death, Radio-Keith-Orpheum president N. Peter Rathvon and RKO Radio Pictures president Ned E. Depinet had exchanged positions, with Depinet moving to

12870-639: The United States , housing co-ops are usually categorized as corporations or LLCs and are found in abundance in the area from Madison, Wisconsin , to the New York metropolitan area . There are also a number of cooperative and mutual housing projects still in operation across the US that were the result of the purchase of federal defense housing developments by their tenants or groups of returning war veterans and their families. These developments include seven of

13068-803: The Yankee Network , a New England regional radio network, in 1943. In 1950, it purchased the West Coast regional Don Lee Broadcasting System , and two years later, the Bamberger Broadcasting Service , owner of the WOR radio and television stations in New York City. The latter acquisition gave General Tire majority control of the Mutual Broadcasting System , one of America's leading radio networks. General Tire then merged its broadcasting interests into

13266-422: The apartment , and in most cases live permanently at the address. There are some legal differences between the countries, mainly concerning the conditions of ownership. In Sweden, 16% of the population lives in apartments in housing cooperatives, while 25% live in rented apartments (more common among young adults and immigrants) and 50% live in private one-family houses (more common among families with children),

13464-556: The optical printer and lifelike matte work, an art that reached its apex with 1941's Citizen Kane . Pan Berman had received his first screen credit in 1925 as a nineteen-year-old assistant director on FBO's Midnight Molly . He departed RKO in December 1939 after policy clashes with studio president George J. Schaefer , handpicked the previous year by the Rockefellers and backed by Sarnoff. With Berman gone, Schaefer became in effect production chief, though other men—including

13662-458: The Beach (1947). RKO and Orson Welles had an arm's-length reunion via The Stranger (1946), an independent production he starred in as well as directed. Welles later called it his worst film, but it was the only one he ever made that turned a profit in its first run. In December 1946, the studio released Frank Capra 's It's a Wonderful Life ; while it would eventually be recognized as one of

13860-518: The Big Five saw their profits dwindle in 1948—from Fox, down 11 percent, to Loew's/MGM, down 62 percent—but at RKO they virtually vanished: from $ 5.1 million in 1947 to $ 0.5 million, a drop of 90 percent. The production-distribution end of the RKO business, now deep in the red, would never make a profit again. Offscreen, Robert Mitchum's arrest and conviction for marijuana possession—he served two months in jail—was widely assumed to mean career death for RKO's most promising young star, but Hughes surprised

14058-535: The Coney Island site than the UHF would. To help keep Penn South affordable to those with limited incomes, New York City gave the development a 25-year tax abatement between 1961 and 1986. Taxes on properties in Penn South were levied at the same rates as on the older buildings they replaced. After the tax abatement expired in 1986, the cooperative's shareholders voted for a 25-year phase-in of real-estate taxes, which

14256-565: The Deck , both scripted and directed, like Rio Rita , by Luther Reed . Following the example of the other major studios, RKO had planned to create its own musical revue , Radio Revels . Promoted as the studio's most extravagant production to date, it was to be photographed entirely in Technicolor. The project was abandoned, as the public's taste for musicals temporarily subsided. From more than sixty Hollywood musicals in 1929 and over eighty

14454-576: The Disney association was beneficial, RKO's own product was widely seen as declining in quality and Briskin was gone by the end of the year. Pandro Berman—who had filled in on three previous occasions—accepted the position of production chief on a noninterim basis. He left the job before the decade's turn, but his brief tenure resulted in some of the most notable films in studio history, including Gunga Din , with Grant and McLaglen; Love Affair , starring Dunne and Charles Boyer ; and The Hunchback of Notre Dame (all 1939). Charles Laughton , who gave

14652-477: The Fight and Flying Padre . In early 1952, Hughes fought off a lawsuit by screenwriter Paul Jarrico , who had been caught up in the latest round of HUAC hearings; Hughes had fired him and removed his name from the credits of a recent release, The Las Vegas Story , a money-losing melodrama starring Jane Russell. The studio owner subsequently ordered 100 RKO employees on "leave of absence" while he established

14850-591: The Hollywood studios except for RKO seemingly bowed to the theater owners and prohibited radio appearances by their contract actors. The ban soon crumbled. Selznick spent a mere fifteen months as RKO production chief, resigning over a dispute with new corporate president Merlin Aylesworth concerning creative control. One of his last acts at RKO was to approve a screen test for a thirty-three-year-old, balding Broadway song-and-dance man named Fred Astaire . In

15048-567: The Hollywood studios from 1946 to 1947. In July, RKO Pathé's signature newsreel was sold to Warner Bros. for a reported $ 4 million. The phenomenon later called McCarthyism was building strength, and in October, the House Un-American Activities Committee (HUAC) began hearings into Communism in the motion picture industry. Two of RKO's top talents, Dmytryk and producer Adrian Scott , refused to cooperate. As

15246-572: The RKO Pathé line of newsreels and shorts, was likewise changed from "Radio Pictures" to "RKO Radio Pictures". In February 1937, Selznick, now a leading independent producer, took over RKO's Culver City studio and Forty Acres , as the backlot was known, under a long-term lease. Gone with the Wind , his coproduction with MGM , was largely shot there. In addition to its central Hollywood studio, RKO production now revolved around its Encino ranch . While

15444-589: The RKO theater chain and allied with Odlum, had assumed the title of production chief some time prior to Schaefer's departure. With Schaefer gone, Koerner could actually do the job. Announcing a new corporate motto, "Showmanship in Place of Genius: A New Deal at RKO", a snipe at Schaefer's artistic ambitions in general and his sponsorship of Welles in particular, Koerner brought the studio much-needed stability until his death in February 1946. The change in RKO's fortunes

15642-459: The Rising Sun , released a few months later, was similarly profitable. Much more than the other Big Five studios, RKO relied on B pictures to fill up its schedule. Of the thirty-one features released by RKO in 1944, for instance, ten were budgeted below $ 200,000, twelve were in the $ 200,000 to $ 500,000 range, and only nine cost more. In contrast, a clear majority of the features put out by

15840-634: The Saint and the Falcon were so similar that Saint creator Leslie Charteris sued RKO. The Falcon was first played by George Sanders , who had appeared five times as the Saint. He bowed out after four Falcon films and was replaced by his brother, Tom Conway . Conway had a nine-film run in the part before the series ended in 1946. Johnny Weissmuller starred in six RKO Tarzan pictures for producer Sol Lesser between 1943 and 1948 before being replaced by Lex Barker for five more. Producer Herman Schlom oversaw

16038-502: The Seven Dwarfs (1937) was the highest-grossing movie in the period between The Birth of a Nation (1915) and Gone with the Wind (1939). The theater operation excepted, on December 31, 1936, most of the domestic RKO subsidiaries, including RKO Distributing Corp. and its exchanges, were folded into RKO Radio Pictures Inc. Following the shift in print advertising a few years earlier, the screen brand on RKO's output, aside from

16236-660: The UK and explains the legal structure of a housing coop. Radical Routes offers a guide on how to set up a housing co-operative. Factors of raising cost of living for students and quality of accommodation have led to a drive for Student Housing Co-operatives within the UK inspired by the existing North American Student Housing Cooperatives and their work through North American Students of Cooperation . Edinburgh Student Housing Co-operative and Birmingham Student Housing Co-operative opened in 2014 and Sheffield Student Housing Co-operative in 2015. All existing Student Housing Co-operatives are members of Students for Cooperation . In

16434-557: The United States, sixteen months after its original 1950 Japanese release. The only smash hits released by RKO in the 1950s came out during this period, but neither was an in-house production: Goldwyn's Hans Christian Andersen (1952) was followed by Disney's Peter Pan (1953). The first two shorts directed by a twenty-two-year-old photographer from the Bronx were both released in 1951 by RKO Pathé— Stanley Kubrick 's Day of

16632-566: The University of Knowledge of the Elderly (UNISAVIE: Université du savoir des vieux), and the initiation of a movement to promote other living places that are organized into similar networks. The community charter sets out expectations for privacy. Each apartment is self-contained. Monthly meetings assure the optimal routines of the building and ensure that each person may participate fully and with complete liberty of expression. Plans set out

16830-543: The aegis of the new holding company GenCorp , and starting with the Meryl Streep vehicle Plenty (1985), RKO Pictures took on more projects as sole studio backer. In January 1986, Paramount signed a two-year distribution agreement with the company. Films such as the erotic thriller Half Moon Street (1986) and the Vietnam War drama Hamburger Hill (1987) followed, but production ended as GenCorp underwent

17028-578: The anticipated boom in sound movies had a major hurdle: Warner Bros. and Fox , Hollywood's other vanguard sound studio, were already financially and technologically aligned with ERPI, a subsidiary of AT&T 's Western Electric division. The industry's two largest companies, Paramount and Loew's / MGM , along with First National Pictures —third of the silent era "Big Three" major studios , but by then in marked decline—and Universal Pictures , were poised to contract with ERPI and its Vitaphone and Movietone systems for sound conversion as well. Seeking

17226-479: The business and renamed it List Industries. Hughes soon found himself the target of no fewer than five separate lawsuits filed by minority shareholders in RKO, accusing him of malfeasance in his dealings with the Chicago group and a wide array of acts of mismanagement. "RKO's contract list is down to three actors and 127 lawyers", quipped Dick Powell . Leery of the studio's mounting problems and sparring with it over

17424-420: The city. Some former residents alleged that they had been relocated into tenements. Jack created a Citizens Watchdog Committee to oversee the treatment of residents who were being relocated. However, the committee itself disagreed on whether tenants were being treated unfairly during the relocation process. The committee was disbanded in December 1959 due to an inability to resolve these disagreements. Ultimately,

17622-481: The co-op more than $ 25 million to rehabilitate the complex's HVAC system. In February 2017, the New York City Council extended Penn South's tax abatement to 2052, ninety years after the development's opening. Housing cooperative A housing cooperative , or housing co-op , is a legal entity which owns real estate consisting of one or more residential buildings. The entity is usually

17820-423: The collapse of plans to create multiple TV series based on RKO properties, starting with Citizen Kane . According to Patterson's suit, O'Connor controls access to Hartley and holds both his healthcare proxy and an option to acquire RKO and its intellectual property at a deep markdown after his death. As of November 2022, Hartley, then 98 years old, was still making public appearances connected with his avocation as

18018-526: The community /city and through mutual interaction, engaging in its political, cultural and social life in a spirit of participatory democracy; (4) ecological in all aspects of life, in conformity with the values and actions expressed in the Charter of Living of the House of Babayagas. Generally, the association's activities are tied to the purpose above, in particular, the development of a popular entity called

18216-473: The company with their Pavilion Communications. After a brief period as RKO/Pavilion, the business was reorganized as RKO Pictures LLC. With the inaugural RKO production under Hartley and Merrill's ownership, False Identity (1990), the company also stepped into the distribution business. In 1992, it handled the well-regarded independent production Laws of Gravity , directed by Nick Gomez . RKO's next significant film came in 1998 with Mighty Joe Young ,

18414-459: The company's losses against his earnings elsewhere. Hughes had reneged on his promise to give Odlum first option on buying the RKO theater chain when he divested it, and was now paying the price. With negotiations between the two at a stalemate, in July 1955, Hughes turned around and sold RKO Radio Pictures Inc. to the General Tire and Rubber Company for $ 25 million, leaving himself and Odlum

18612-602: The complex. The closest New York City Subway station is the 23rd Street station on the C and ​ E trains at Eighth Avenue. Penn South is also situated one block east of the High Line elevated park and within less than 1 mile (1.6 km) of Penn Station , Chelsea Market , Chelsea Piers , and the Hudson River Park . The northern section of Penn South is located across from Chelsea Park on Ninth Avenue between 27th and 28th Streets. PS 33,

18810-436: The cooperative rather than being distributed to shareholders. This allows housing cooperatives to offer lower prices for housing than would be possible for for-profit organizations. Members of a housing cooperative typically have the right to occupy a specific unit within the cooperative's housing complex, and they also have a say in the management and decision-making of the cooperative. This can include voting on issues related to

19008-400: The corporate offices in New York and Rathvon relocating to Hollywood and doubling as production chief while a permanent replacement was sought for Koerner. On the first day of 1947, producer and Oscar-winning screenwriter Dore Schary , who had been working at the studio on loan from Selznick, took over the role. RKO appeared in good shape to build on its recent successes, but the year brought

19206-445: The cost of the housing, but in those cases the housing rents are usually reduced to compensate for the additional revenue.) In the lifecycle of buildings, the replacement of assets (capital repairs) requires significant funds which can be obtained through a variety of ways: assessments on current owners; sales of Treasury Stock (former rental units) to new shareholders; draw downs of reserves; unsecured loans; operating surpluses; fees on

19404-470: The decade. Cooper sought to more tightly align costs and prospective grosses, impacting the budgets for " programmers " such as the Wheeler and Woolsey comedies: under Selznick, Hold 'Em Jail and Girl Crazy (both 1932) had cost an average of $ 470,000; under Cooper, Diplomaniacs (1933) was shot for just $ 242,000. Ginger Rogers had already made several minor films for RKO when Cooper signed her to

19602-627: The development because its proposed site would displace an estimated 7,500 residents. In response, in mid-1958, the Committee modified the plan so that two churches within the future development's site would be preserved. Ultimately, four churches were saved, including the Church of the Holy Apostles , which later became a New York City Landmark and a National Register of Historic Places landmark. The UHF's president, Abraham Kazan , later called

19800-585: The development had opened, due to disagreements with utility provider Consolidated Edison over electricity rates. The co-op was providing much of its own power, heating, and air-cooling by 1986. Penn South is served by the M20 bus operating on Seventh Avenue (southbound) and Eighth Avenue (northbound), and by the M11 bus operating on Ninth Avenue (southbound) and Tenth Avenue (northbound). The M23 Select Bus Service route operates crosstown along 23rd Street just south of

19998-399: The directors under long-term contract to RKO in the 1940s, the best known was Edward Dmytryk , who first came to notice with the remarkably profitable Hitler's Children (1943). Shot on a $ 205,000 budget, placing it in the bottom quartile of Big Five studio productions, it was one of the ten biggest Hollywood hits of the year. Another low-cost war-themed film directed by Dmytryk, Behind

20196-491: The division continued to come out under the combined brand until the following November). RKO Pathé was now effectively the studio's newsreel-and-shorts subsidiary. In January 1932, Variety named Constance Bennett as one of the industry's top six female "money stars". From September, the start of the industry's exhibition season, print advertising for the company's features displayed the revised name "RKO Radio Pictures". The New York City–based corporate headquarters moved into

20394-429: The early 1930s, as his capricious management style took a heavy toll. Production chief Schary quit almost immediately due to his new boss's interference and Rathvon soon followed. Within weeks of taking over, Hughes had dismissed three-fourths of the work force; production was virtually shut down for six months as the conservative Hughes shelved or canceled several of the " message pictures " that Schary had backed. All of

20592-908: The eight middle-class housing projects built by the US government between 1940 and 1942 under the auspices of the Mutual Ownership Defense Housing Division of the Federal Works Agency . There are many regional housing cooperative associations, such as the Midwest Association of Housing Cooperatives, which is based in Michigan and serves the Midwest region, covering Ohio , Michigan , Indiana , Illinois , Wisconsin , Minnesota , and more. RKO Pictures RKO Radio Pictures Inc. , commonly known as RKO Pictures or simply RKO ,

20790-482: The end of the month, he closed the deal, arranging to sell off his FBO and KAO shares, options, and convertibles at enormous profit. On October 23, 1928, RCA announced the creation of the Radio-Keith-Orpheum Corp. holding company, with Sarnoff as board chairman. The new administration made clear that Kennedy's services were no longer needed and he stepped down from his board and executive positions in

20988-446: The era that belied their economies with high style in an Art Deco mode, exemplified by such Astaire–Rogers musicals as The Gay Divorcee (1934), their first pairing as leads, and Top Hat (1935). One of the figures most responsible for that style was another Selznick recruit: Van Nest Polglase , supervisor of RKO's highly regarded design department for almost a decade. Film historian James Naremore has described RKO as "chiefly

21186-548: The exhibition circuit from Glen Alden in 1971. Now little more than a name and beneficiary of General Tire's doubtful largesse, RKO announced in early 1958 that it would continue as a financial backer, coproducing independently made pictures. Fewer than half a dozen resulted. The final RKO film, Verboten! , a coproduction with director Samuel Fuller 's Globe Enterprises, was released, fitfully, beginning in March 1959, first by Rank and then Columbia . That same year, "Pictures"

21384-551: The fact, by film critics and historians. The studio produced two of the most famous films in motion picture history: King Kong and producer/director/star Orson Welles 's Citizen Kane . RKO was also responsible for notable coproductions such as It's a Wonderful Life and Notorious , and it distributed many celebrated films by animation pioneer Walt Disney and leading independent producer Samuel Goldwyn . Though it often could not compete financially for top star and director contracts, RKO's below-the-line personnel were among

21582-434: The federal government allocated $ 12 million toward the project. The ILGWU acquired title to the land that June 28 and immediately began relocating residents. Residents who already lived on the land filed a lawsuit in an attempt to block the land sale. Groups of residents also organized picket lines and filed affidavits that attested to the hardships caused due to their relocations. In another act of protest, tenants living in

21780-518: The field. Freelancer George Raft starred in two noir hits: Johnny Angel (1945) and Nocturne (1946). Tourneur, Musuraca, Mitchum, and Greer, along with D'Agostino's design group, joined to make the A-budgeted Out of the Past (1947), now considered one of the greatest of all film noirs. Nicholas Ray began his directing career with the noir They Live by Night (1948), the first of

21978-435: The final release of Carole Lombard's lifetime, was a modest success and Suspicion a substantial one, with an Oscar-winning turn by Joan Fontaine . That May, having granted twenty-five-year-old star and director Orson Welles virtually complete creative control over the film, RKO released Citizen Kane . While it opened to strong reviews and went on to be hailed as one of the greatest movies ever made, it lost money at

22176-475: The finest, including composer Max Steiner , cinematographer Nicholas Musuraca , and designer Van Nest Polglase . Maverick industrialist Howard Hughes took over RKO in 1948. After years of disarray and decline under his control, the studio was acquired by the General Tire and Rubber Company in 1955. It soon broke new business ground as the first major studio to sell the bulk of its film library's TV rights. The original RKO Pictures ceased production in 1957 and

22374-401: The first time. The $ 15.2 million RKO made on the deal convinced the other major studios that their libraries held profit potential—a turning point in the way Hollywood did business. The new owners of RKO made an initial effort to revive the studio, hiring veteran producer William Dozier to head production. In the first half of 1956, the production facilities were as busy as they had been in

22572-593: The flat itself. This structure was very popular in the past but has become less common in recent times. Most states have separate laws governing Cooperative Housing Societies. for additional information. In the Netherlands there are three very different types of organization that could be considered a housing cooperative: A housing corporation ( woningcorporatie ) is a nonprofit organization dedicated to building and maintaining housing for rent for people with lower income. The first housing corporations started in

22770-785: The following year). RKO filled the void by releasing independently produced features such as the Dr. Christian series and the Laurel and Hardy comedy The Flying Deuces (1939). The studio soon had its own new B comedy stars in Lupe Vélez and Leon Errol : The Girl from Mexico (1939) was followed by seven frantic installments of the Mexican Spitfire series between 1940 and 1943. The studio's technical departments maintained their reputation as industry leaders; Vernon Walker's special effects unit became famous for its sophisticated use of

22968-505: The following year, the number dropped to eleven in 1931. Rio Rita star Bebe Daniels , who had joined the new studio as its top female name after the final months of her contract at Paramount were bought out, fell victim to the shifting market. Her big musical follow-up, Dixiana , had been a big money loser, and in January 1931 her contract was sold to Warner Bros. RKO, meanwhile, was in a contractual bind that it could not get out of: it

23166-409: The format proved hugely successful and non- network -affiliated stations around the country were eager to emulate it. With the purchase of RKO, the studio's library was under O'Neil's control and he quickly put the rights to the 742 films to which RKO retained clear title up for sale. C&C Television Corp., a subsidiary of beverage maker Cantrell & Cochrane , won the bidding in December 1955 and

23364-585: The former RKO Hollywood studio, FBO's old home, is now part of the Paramount lot. The renovated Culver City studio, where DeMille once reigned, is now owned and operated as an independent production facility. Forty Acres, the Culver City backlot, was razed in the mid-1970s. List Industries, the former RKO Theatres Corp., was bought by Glen Alden Corp. in 1959. Glen Alden acquired another chain in 1967, creating RKO–Stanley Warner Theatres. Cinerama purchased

23562-459: The former head of the industry censorship board , Joseph I. Breen—nominally filled the role. Schaefer, announcing his philosophy with a new studio slogan, "Quality Pictures at a Premium Price", was keen on signing up independent producers whose films RKO would distribute. In 1941, the studio landed one of the most prestigious independents in Hollywood when it arranged to handle Samuel Goldwyn 's productions. The first two Goldwyn pictures released by

23760-468: The future Penn South site withheld rent payments to the ILGWU, their new landlord. The relocation proceedings were tense: one attorney who represented the protesters received death threats in response to his involvements in the protests. After Manhattan Borough President Hulan Jack received a report about "harrowing" relocations that were done in preparation for Penn Station South, Mayor Robert F. Wagner Jr. instituted new rules for Title I relocations around

23958-434: The greatest films of Hollywood's Golden Age, at the time it lost more than half a million dollars for RKO. John Ford's The Fugitive (1947) and Fort Apache (1948), which appeared right before studio ownership changed hands again, were followed by She Wore a Yellow Ribbon (1949) and Wagon Master (1950); all four were coproductions between RKO and Argosy, the company run by Ford and RKO alumnus Merian C. Cooper. Of

24156-469: The industry by announcing that his contract was not endangered. Of much broader significance, Hughes decided to get the jump on his Big Five competitors by being the first to settle the federal government's antitrust suit against the major studios, which had won a crucial Supreme Court ruling in United States v. Paramount Pictures, Inc. Under the consent decree he signed, Hughes agreed to dissolve

24354-458: The industry's leading artists and craftsmen whose work was never seen. From the studio's earliest days through late 1935, Max Steiner , regarded by many historians as the most influential composer of the early years of sound cinema, made music for over 100 RKO films. His score for The Informer brought Steiner his third Oscar nomination and first win. Murray Spivack , head of the studio's audio special effects department, made important advances in

24552-460: The initial resistance to moving out, many of the site's former residents were given preference for the new housing. As of Penn South's 20th anniversary in 1983, about 600 of the site's original families had moved back into the complex. A New York Times article published that year said that Penn South was "widely regarded as one of the best-run cooperatives in the state". Penn South was composed mostly of elderly residents by 1990. A community garden and

24750-406: The latter would emerge in mid-1935; RKO would not until 1940. Cooper took over as production head after Selznick's departure and oversaw two hits starring Hepburn: Morning Glory (1933), for which she won her first Oscar , and Little Women (1933), director Cukor's second collaboration with the actress. Among the studio's in-house productions, the latter was the biggest box-office success of

24948-482: The latter, starring John Wayne, was the biggest hit produced at the studio during the decade, that bar was low—it placed only eleventh among the year's top earners. A major money loser in standard terms, its $ 4.5 million in North American rentals not coming close to covering its $ 6 million production cost, Hughes had paid RKO Teleradio millions to buy back the rights. In March 1956 came the news that RKO Pathé

25146-481: The lavish Rio Rita , including a number of Technicolor sequences. Opening in September to rave reviews, it was named one of the ten best pictures of the year by Film Daily . Cinema historian Richard Barrios credits it with initiating the "first age of the filmed Broadway musical". By the end of the year, RKO was making use of an additional production facility—five hundred acres had been acquired near Encino in

25344-727: The maintenance and operation of the housing complex, as well as electing a board of directors to oversee the cooperative's operations. Housing cooperatives are a popular form of housing in Germany, particularly in urban areas, and they are often seen as a way to provide affordable, community-oriented housing options. In the Industrialisation in the 19th century there were many housing cooperatives founded in Germany. Presently, there are over 2,000 housing cooperatives with over two million apartments and over three million members in Germany. The public housing cooperatives are organised in

25542-403: The majors. In early 1927, despite months of DeMille's strenuous objections, an agreement was reached to merge PDC into Pathé , a lower-level studio known for its newsreel and churn out of cheap shorts . Investment banker Elisha Walker , whose Blair & Co. firm owned the controlling interest in Pathé, brought on Keith-Albee general manager John J. Murdock as studio president. In January 1928,

25740-406: The membership, providing a voice and representation in the governance of the property. Rules are determined by the board, providing a flexible means of addressing the issues that arise in a community to assure the members' peaceful possession of their homes. A housing cooperative is normally de facto non-profit , since usually most of its income comes from the rents paid by its residents (if in

25938-472: The merged businesses, leaving him with co-ownership and management of Pathé and the PDC assets that it had absorbed. RCA owned the governing stock interest in RKO, 22 percent (in the early 1930s, its stake rose as high as 60 percent). On January 25, 1929, the new company's production arm, presided over by former FBO vice-president Joseph I. Schnitzer, was unveiled as RKO Productions Inc. A week later, it filed for

26136-498: The merger to create a market for the company's sound-on-film technology, RCA Photophone , and in early 1929 production began under the RKO name (an initialism of Radio-Keith-Orpheum ). Two years later, another Kennedy concern, the Pathé studio, was folded into the operation. By the mid-1940s, RKO was controlled by investor Floyd Odlum . RKO has long been renowned for its cycle of musicals starring Fred Astaire and Ginger Rogers in

26334-421: The mid- to late 1930s. Actors Katharine Hepburn and, later, Robert Mitchum had their first major successes at the studio. Cary Grant was a mainstay for years, with credits including touchstones of the screwball comedy genre with which RKO was identified. The work of producer Val Lewton 's low-budget horror unit and RKO's many ventures into the field now known as film noir have been acclaimed, largely after

26532-490: The monumental King Kong (1933)—largely Merian Cooper's brainchild, brought to life by the astonishing special effects work of Willis O'Brien . Still, the shaky finances and excesses that marked the company's pre-Selznick days had not left RKO in shape to withstand the Depression . Most of the other major studios were in similar straits. In January 1933, both RKO and Paramount were forced into receivership , from which

26730-475: The more experienced director Jacques Tourneur . The Lewton unit's moody, atmospheric work—represented by films such as Cat People (1942), I Walked with a Zombie (1943), and The Body Snatcher (1945)—is now highly regarded. Richard Dix concluded his lengthy RKO career with the 1943 Lewton production The Ghost Ship . Tim Holt , who succeeded George O'Brien as RKO's cowboy star, appeared in forty-six B Westerns and more than fifty movies altogether for

26928-708: The municipal government, specifically for female senior citizens. Located in the Paris suburb of Montreuil after many years of planning, it looks like any other apartment building. The senior citizens stay out of nursing homes, by staying active, alert, and assisting one another. The purpose of the Baba Yaga Association is to create and develop an innovative lay residence for aging women that is: (1) self-managed, without hierarchy and without supervision; (2) united collective, with regard to finances as well as daily life; (3) citizen civic-minded, through openness to

27126-467: The name, in order to better integrate it with the surrounding community. The New York state government awarded $ 2.42 million toward the Penn South project in April 1960. The construction of the development was funded by a 20-year, $ 23 million mortgage, to be repaid between 1962 and 1982 at a rate of 5.125%. In May 1960, it was announced that the historic Grand Opera House on 23rd Street would be demolished to make way for Penn South. The theater burned down in

27324-449: The new RKO Building , an Art Deco skyscraper that was one of the first Rockefeller Center structures to open. Hollywood on the Air , an RKO-produced program for NBC radio that promoted films from multiple studios, sparked independent exhibitors' ire at the free access to cinema stars it gave listeners—especially in the middle of prime moviegoing Friday night. Toward the end of 1932, all of

27522-442: The old parent company, Radio-Keith-Orpheum Corp., and split RKO's production-distribution business and its exhibition chain into two entirely separate corporations—RKO Pictures Corp. and RKO Theatres Corp.—with the obligation to promptly sell off one or the other. While Hughes delayed the divorcement procedure until December 1950 and did not actually sell his stock in the theater company for another three years, his decision to acquiesce

27720-410: The other studios to loan out their biggest names or signed one of the growing number of freelance performers to short-term, " pay or play " deals. Thus RKO pictures of the mid- and late forties offered Bing Crosby , Henry Fonda , and others who were out of the studio's price range for extended contracts. John Wayne appeared in 1943's A Lady Takes a Chance while on loan from Republic Pictures ; he

27918-630: The other top four studios were budgeted at over half a million dollars. A focus on B pictures limited the studio's financial risk; while it also limited the potential for reward (Dmytryk's extraordinary coups aside), RKO had a history of making better profits with its run-of-the-mill and low-cost product than with its A movies. The studio's low-budget films offered training opportunities for new directors, as well, among them Mark Robson , Robert Wise , and Anthony Mann . Film editors Robson and Wise received their first directing assignments with producer Val Lewton , whose specialized B horror unit also included

28116-488: The other units. Because of this, most jurisdictions have developed separate legislation, similar to laws that regulate companies, to regulate how co-ops are operated and the rights and obligations of shareholders. Each resident or resident household has membership in the co-operative association . In non-equity cooperatives, members have occupancy rights to a specific suite within the housing co-operative as outlined in their "occupancy agreement", or "proprietary lease", which

28314-656: The outstanding stock—on the market. For her performance in The Farmer's Daughter (1947), a coproduction with Selznick's Vanguard Films, Loretta Young won the Best Actress Oscar the following March. It was the last major Academy Award for an RKO picture. In May 1948, eccentric aviation tycoon and occasional movie producer Howard Hughes spent $ 8.8 million to gain control of the company, beating out British film magnate J. Arthur Rank for Odlum's stake. During Hughes's tenure, RKO suffered its worst years since

28512-474: The period included Joel McCrea , Ricardo Cortez , Dolores del Río , and Mary Astor . Richard Dix , Oscar-nominated for his performance in Cimarron , would serve as RKO's standby B-movie leading man until the early 1940s, while Tom Keene was top-billed in twelve low-budget Westerns between 1931 and 1933. The comedy team of Bert Wheeler and Robert Woolsey , often wrangling over ingenue Dorothy Lee ,

28710-445: The person. Whichever form of voting is employed it is necessary to conduct an election among shareholders to determine who will represent them on the board of directors (if one exists), the governing body of the co-operative. The board of directors is generally responsible for the business decisions including the financial requirements and sustainability of the co-operative. Although politics vary from co-op to co-op and depend largely on

28908-600: The picture. Sarnoff's vision of a new big-league studio was coming into focus—and both Kennedy and Walker had similar notions. Assisted by Murdock and with Blair & Co.'s backing, Kennedy quickly maneuvered to interlock KAO and FBO, selling the exhibitor a substantial stake in his studio while buying up copious amounts of KAO stock. Within months, he had installed himself as chairman of the theater chain's new board of directors. When Albee, still KAO president, visited his office, Kennedy reportedly asked, "Didn't you know, Ed? You're washed up. You're through." DeMille departed with

29106-610: The preservation a "mistake" because it had prevented Penn South from being developed earlier. The site of Penn Station South was eligible for federal funding under the Title I of the Housing Act of 1949 . The site was slated for demolition in July 1959. Despite this announcement, one developer started renovating three tenement buildings three months before their scheduled demolition date, in the hopes that these buildings would also be granted exemptions from demolition. In early June 1959,

29304-610: The prevailing central producer system. "Under the factory system of production you rob the director of his individualism", said Selznick, "and this being a creative industry that is harmful to the quality of the product made." Instituting unit production, he predicted, would also result in cost savings of 30–40 percent. To make films under the new system, Selznick recruited prize behind-the-camera personnel, such as director George Cukor and producer/director Merian C. Cooper , and gave producer Pandro S. Berman , aged twenty-six, increasingly important projects. Selznick discovered and signed

29502-553: The previous October to take the place of The March of Time after Time Inc. switched its distribution to Twentieth Century-Fox. In June 1944, a subsidiary, RKO Television Corporation, was established to produce content for the fledgling medium. Talk Fast, Mister , an hour-long drama shot at the RKO Pathé studio in Manhattan and broadcast by the DuMont Laboratories –owned New York station WABD on December 18, 1944,

29700-477: The primary homes of the screwball comedy . As film historian James Harvey describes, compared to their richer competition, the two studios were "more receptive to experiment, more tolerant of chaos on the set. It was at these two lesser 'majors'   ... that nearly all the preeminent screwball directors did their important films— [Howard] Hawks and [Gregory] La Cava and [Leo] McCarey and [George] Stevens ." The relatively unheralded William A. Seiter directed

29898-594: The rarity of housing co-operatives. In some areas the application procedure is integrated into the council housing application system. The laws differ between England and Scotland. The Confederation of Co-operative Housing provides information on housing cooperatives in the United Kingdom and has published a guide on setting them up. The Shelter website provides information on housing and has information specific to England and Scotland . The Catalyst Collective provides information about starting co-operatives in

30096-412: The release of the forthcoming nature documentary The Living Desert , the Disney company exited its long-standing arrangement with RKO and set up its own distribution firm, Buena Vista . Contractual obligations meant that one last Disney feature would be released by RKO in 1954, and it continued to handle Disney shorts into 1956. Looking to forestall the impending legal imbroglio, by early 1954 Hughes

30294-467: The remainder living in other forms such as student dormitories or elderly homes. In Finland , by contrast to the Scandinavian countries, housing cooperatives in the strict sense are extremely rare; instead, Finnish tenant-owned housing properties are generally organized as limited companies (Finnish asunto-osakeyhtiö ) in a system peculiar to Finnish law. The Finnish arrangement is similar to

30492-428: The right to occupy a bedroom and share the communal resources of a house owned by a cooperative organization. Such is the case with student cooperatives in some college and university communities across the United States. As a legal entity, a co-op can contract with other companies or hire individuals to provide it with services, such as a maintenance contractor or a building manager. It can also hire employees, such as

30690-530: The routine intervention of a mediator who could help get to the bottom of the causes of eventual conflicts in order to allow for their resolution. The success of the Paris co-op inspired several Canadian grassroots groups to adopt similar values in senior housing initiatives; these values include autonomy and self-management, solidarity and mutual aid, civic engagement, and ecological responsibility. Housing cooperatives, or "Wohnungsgenossenschaften" in German, are

30888-535: The sales of units between shareholders and new and increases to existing mortgages. There are housing co-ops of the rich and famous: John Lennon , for instance, lived in The Dakota , a housing co-operative, and most apartments in New York City that are owned rather than rented are held through a co-operative rather than via a condominium arrangement. There are two main types of housing co-operative share pricing: market rate and limited equity. With market rate,

31086-496: The second half of the 19th century as small cooperative associations. The first such association in the world, VAK ("association for the working class") was founded in 1852 in Amsterdam . Between 2.4 and 2.5 million apartments in the Netherlands are rented by the housing corporations, i.e. more than 30% of the total of household dwellings (apartments and houses). A (house) owners' association ( Vereniging van Eigenaren , VvE)

31284-407: The share price is allowed to rise on the open market and shareholders may sell at whatever price the market will bear when they want to move out. In many ways market rate is thus similar financially to owning a condominium, with the difference being that often the co-op may carry a mortgage, resulting in a much higher monthly fee paid to the co-op than would be so in a condominium. The purchase price of

31482-438: The shell of RKO Pictures Corp. and what were now, according to Fortune , its "sole assets   ... $ 18 million in cash." For Hughes, this was the effective end of a quarter-century's involvement in the movie business. Historian Betty Lasky describes Hughes's relationship with RKO as a "systematic seven-year rape." In taking control of the studio, General Tire restored RKO's close ties to broadcasting. General Tire had bought

31680-532: The small independent company RKO Pictures LLC . The original studio's film library is now largely controlled by Warner Bros. Discovery . In October 1927, Warner Bros. released The Jazz Singer , the first feature-length talking picture. Its success prompted Hollywood to convert from silent to sound film production en masse. The Radio Corporation of America (RCA) controlled an advanced optical sound-on-film system, Photophone , recently developed by General Electric , RCA's parent company. Its path to joining

31878-435: The state of NSW , is also a registered housing provider and manages 500 properties in 31 member housing co-operatives Co-ops in Canada offer an affordable alternative to renting, but waiting lists for the units can be years-long. In 2013, the opening of La Maison des Babayagas , an innovative housing co-op in Paris, gained worldwide attention. It was formed as a self-help community and built with financial assistance from

32076-478: The strongest in the industry. Costumer Walter Plunkett , who worked with the company from the close of the FBO era through the end of 1939, was known as the top period wardrobist in the business. Sidney Saunders, innovative head of the studio's paint department, was responsible for significant progress in rear projection quality. On June 13, 1935, RKO premiered the first feature film shot entirely in advanced three-strip Technicolor , Becky Sharp . The movie

32274-424: The studio as well. The deal that brought the team to RKO had called for them to produce sixty features over five years; in just shy of half that time, they succeeded in making four. The Encino ranch shut down permanently in 1953 and the property was sold off. In November, Hughes finally fulfilled his obligations under the 1948 consent decree, divesting RKO Theatres; Albert A. List purchased the controlling interest in

32472-610: The studio did excellent box office: The Little Foxes , directed by William Wyler and starring Bette Davis, and the Howard Hawks–directed Ball of Fire also garnered four Oscar nominations apiece; the latter was Barbara Stanwyck's biggest hit under the RKO banner. However, Schaefer agreed to terms so favorable to Goldwyn that it was next to impossible for the studio to make money with his films. David O. Selznick loaned out his leading contracted director for two RKO pictures in 1941: Alfred Hitchcock's Mr. and Mrs. Smith ,

32670-634: The studio's first significant contribution to the genre, The Richest Girl in the World (1934). The drama Of Human Bondage (1934), directed by John Cromwell , was Bette Davis 's first great success. Stevens's Alice Adams and director John Ford 's The Informer were each nominated for the 1935 Best Picture Oscar—the Best Director statuette won by Ford was the only one ever given for an RKO production. The Informer' s star, Victor McLaglen , also took home an Academy Award; he would appear in

32868-522: The studio, beginning in 1940. That same year, Chester Lauck and Norris Goff brought their famous comic characters Lum and Abner from radio to the screen for the first of six independently produced RKO releases. Between 1943 and 1946, the studio teamed contract actors Wally Brown and Alan Carney for comedies that openly mimicked the work of the wildly popular Abbott and Costello ; Brown and Carney 's eight pairings did not approach their prototypes' success. The Falcon detective series began in 1941;

33066-563: The studio. Ann Sothern played the lead in seven RKO films between 1935 and 1937, paired five times with Gene Raymond . Stars Barbara Stanwyck and Cary Grant each signed on for several pictures. Both were sound-era trendsetters, working as freelancers under nonexclusive studio deals. Stanwyck had appeared in major studio films since 1929 without a binding long-term contract, as subsequently would several other top-billed women, including Dunne, Bennett, and Harding. When Grant went freelance after wrapping up his Paramount contract in late 1936, it

33264-545: The threat that Photophone would be locked out of the industry entirely. Though Kennedy's deal with First National collapsed within weeks, the RCA executive saw that it was time to make his move. In September, while Kennedy was traveling in Europe, Sarnoff began negotiations with Walker, whose firm was now heavily invested in KAO, to merge the exhibition circuit with Film Booking Offices under RCA control. Soon after Kennedy's return at

33462-509: The time and brought down the wrath of the Hearst newspaper chain on RKO. The next year saw the commercial failure of Welles's The Magnificent Ambersons —like Kane , critically lauded and overbudget—and the expensive embarrassment of his aborted documentary It's All True . The three Welles productions combined to drain $ 2 million from the RKO coffers, major money for a corporation that had reported an overall deficit of $ 1 million in 1940 and

33660-548: The trademark "Radio Pictures". While the main FBO studio in Hollywood was refitted for sound, production of shorts began in New York at the RKO Gramercy studio Sarnoff had just opened. RCA's radio network, NBC , began broadcasting a weekly variety show , The RKO Hour , that became a prime promotional vehicle for the studio's films. The first two features released by the new company were musicals: The melodramatic Syncopation , which actually completed shooting before FBO

33858-532: The use of rerecording technology first heard in King Kong . In October 1935 the ownership team expanded, with financier Floyd Odlum leading a syndicate that bought 50 percent of RCA's stake in the company; the Rockefeller brothers , also major stockholders, increasingly became involved in the business. While RKO kept missing the mark in building Hepburn's career, other actors became regular headliners for

34056-480: The vast majority of residents moved peacefully. By October 1960, all 2,646 families who had lived on the site had been relocated; they had received bonuses of up to $ 500, as well as a guarantee of new housing. In addition, as part of an agreement between the ILGWU and the site's residents, 600 of the families who had formerly occupied the site would be given housing in Penn South. Early on in the construction process, supporters of Penn South wanted to include "Chelsea" in

34254-399: The wishes of its members, it is a general rule that a majority vote of the board is necessary to make business decisions. In larger co-ops, members of a co-op typically elect a board of directors from amongst the shareholders at a general meeting, usually the annual general meeting . In smaller co-ops, all members sit on the board. A housing cooperative's board of directors is elected by

34452-580: The year, it turned a $ 3.7 million profit for RKO, the most in the company's history. Bergman returned in the coproductions Notorious (1946) and Stromboli (1950), and in the independently produced Joan of Arc (1948). Freelancing Randolph Scott appeared in one major RKO release annually from 1943 through 1948. In similar fashion, many leading directors made one or more films for RKO during this era, including Alfred Hitchcock once more, with Notorious , and Jean Renoir , with This Land Is Mine (1943), reuniting Laughton and O'Hara, and The Woman on

34650-461: Was a bankable constant for almost a decade. Exceptions like Cimarron and Rio Rita aside, RKO's product was largely regarded as mediocre, so in October 1931 Sarnoff hired twenty-nine-year-old David O. Selznick to replace LeBaron as production chief. In addition to implementing rigorous cost-control measures, Selznick championed the unit production system, which gave the producers of individual movies much greater independence than they had under

34848-456: Was a project of the renowned Jerry Wald – Norman Krasna production team, lured by Hughes from Warner Bros. with great fanfare in August 1950. The company also began a close working relationship with Ida Lupino . She starred in two suspense films with Robert Ryan—Nicholas Ray's On Dangerous Ground (1952, though shooting had been completed two years earlier) and Beware, My Lovely (1952),

35046-473: Was an American film production and distribution company, one of the "Big Five" film studios of Hollywood 's Golden Age . The business was formed after the Keith-Albee-Orpheum theater chain and Joseph P. Kennedy's Film Booking Offices of America studio were brought together under the control of the Radio Corporation of America (RCA) in October 1928. RCA executive David Sarnoff engineered

35244-474: Was an undeniable plus side to the merger: when Pathé's Constance Bennett , Ann Harding , and Helen Twelvetrees joined the Radio family in early 1931, they were bigger box office draws than anyone on the RKO roster. The studio's production schedule surpassed forty features a year, released under the names "Radio Pictures" and, until late 1932, "RKO Pathé". Cimarron (1931) became the only RKO production to win

35442-471: Was approved by the city's Board of Estimate . A further adjustment was made when the development asked the city in 1999 for tax relief when the building boom in Chelsea caused the project's assessed value to skyrocket. The city responded in 2001 by allowing the development's taxes to be calculated based on the cooperative's income, as is done with Mitchell-Lama housing. In return, the development must remain

35640-409: Was being dissolved. On January 22, 1957, after a year and a half without a notable success, RKO announced that it was closing its domestic distribution offices— Universal would take over most future releases—and that a reduced production wing would move to the Culver City lot. In fact, General Tire shut down RKO production for good. Overseas distribution exchanges were dispensed with: RKO Japan Ltd.

35838-422: Was committed to producing two more features with Technicolor's system, even as audiences had come to associate color with the momentarily out-of-favor musical genre. Fulfilling its obligations, RKO produced two all-Technicolor pictures, The Runaround and Fanny Foley Herself (both 1931), containing no musical sequences. Neither was a success. Despite these issues—and the foundering US economy—RKO had gone on

36036-603: Was coproduced with Pioneer Pictures, founded by Cooper—who departed RKO after two years helming production—and John Hay "Jock" Whitney , who brought in his cousin Cornelius Vanderbilt Whitney ; Cooper had successfully encouraged the Whitneys to purchase a major share of the Technicolor business as well. Although judged by critics a failure as drama, Becky Sharp was widely lauded for its visual brilliance and technical expertise. RKO also employed some of

36234-427: Was denied in July 2003, freeing RKO to deal with another potential purchaser, InternetStudios.com. In 2004, that planned sale fell through when InternetStudios.com apparently folded. The company's minimal involvement in new film production continued to focus on its remake rights: Are We Done Yet? , based on Mr. Blandings Builds His Dream House (1948), was released in April 2007 to dismal reviews. In 2009, Beyond

36432-407: Was effectively dissolved two years later. In 1978, broadcaster RKO General , the corporate heir, launched a production subsidiary, RKO Pictures Inc. , which revived the theatrical brand with its first releases three years later. In 1989, this business, with its remaining assets, including the studio trademarks and the remake rights to many classic RKO films, was sold to new owners, who established

36630-412: Was marked by both diminished production and a slew of expensive flops, the studio continued to turn out some well-received films under production chiefs Sid Rogell and Sam Bischoff , though both became fed up with Hughes's interloping and each in turn quit after less than two years. Bischoff was the last man to hold the job under Hughes. There were B noirs such as The Window (1949), which turned into

36828-401: Was offering to buy out all of RKO's other stockholders. Before the end of the year, at a cost of $ 23.5 million, Hughes had gained near-total control of RKO Pictures Corp., becoming the first virtual sole owner of a studio since Hollywood's pioneer days—virtual, but not quite actual. Floyd Odlum reemerged to block Hughes's acquisition of the 95 percent ownership of RKO stock he needed to write off

37026-530: Was one of the crucial steps in the collapse of classical Hollywood's studio system . Shooting at RKO picked up again in early 1949, but from an average of around thirty films annually before Hughes's takeover, production fell to just twelve that year. Sporting the new title of managing director of production, Hughes quickly became notorious for meddling in minute filmmaking matters and promoting actresses he favored—including two under personal contract to him, Jane Russell and Faith Domergue . While his time at RKO

37224-426: Was reincorporated as RKO, premiered on March 29, 1929. The comedic Street Girl debuted July 30. This was billed as RKO's first "official" production and its first to be shot in Hollywood. As with many early RKO films, the producer was studio chief William LeBaron , who had held the same position at FBO. A few nonsinging pictures followed, but RKO's first major hit was again a musical. The studio spent heavily on

37422-506: Was secured on January 29, 1931, and the studio, with its contract players, well-regarded newsreel operation, and DeMille's old Culver City studio and backlot , became the semiautonomous RKO Pathé Pictures Inc. The acquisition, though a defensible investment in the long term for Pathé's physical facilities, was yet another major expense borne by the fledgling RKO, particularly as the reliably avaricious Kennedy had masked Pathé's considerable financial woes, just as he had with FBO and KAO. There

37620-588: Was sold to Disney and the British Commonwealth Film Corporation in July 1957, and RKO Radio Pictures Ltd. in the UK was dissolved a year later. The Hollywood and Culver City facilities were sold in late 1957 for $ 6.15 million to Desilu Productions , owned by Desi Arnaz and Lucille Ball , who had been an RKO contract player from 1935 to 1942. Desilu was acquired by Gulf and Western Industries in 1967 and merged into G+W's other production company, neighboring Paramount Pictures ;

37818-473: Was soon offering the films to independent stations in a package called "MovieTime USA". RKO Teleradio Pictures—the newly renamed General Teleradio, under which RKO Radio Pictures now operated as a business division—retained the broadcast rights for the cities where it owned TV stations. By 1956, RKO's classic movies were playing widely on television, often in the Million Dollar Movie format, allowing many to see such films as Citizen Kane and King Kong for

38016-493: Was soon working regularly with RKO, making nine more movies for the studio. Gary Cooper appeared in RKO releases produced by Goldwyn and, later, the startup International Pictures, and Claudette Colbert starred in a number of RKO coproductions. Ingrid Bergman , on loan out from Selznick, starred opposite Bing Crosby in The Bells of St. Mary's (1945), a coproduction with director Leo McCarey . The top box-office film of

38214-675: Was sponsored by the International Ladies' Garment Workers Union based on a cooperative model promoted by the United Housing Foundation . The ILGWU first proposed a slum clearance project in Chelsea in early June 1956. Later that month, the New York City government endorsed the Penn Station South project. The New York City Committee on Slum Clearance recommended Penn Station South for federal funding in August 1956. However, local residents opposed

38412-464: Was still rare for a leading man to do so while his star was on the rise. He ultimately appeared in fourteen RKO releases between 1937 and 1948. Soon after the appointment of a new production chief, Samuel Briskin, in late 1936, RKO entered into an important distribution deal with animator Walt Disney (Van Beuren consequently folded its cartoon operations). For nearly two decades, the studio released his company's features and shorts; Snow White and

38610-403: Was stripped from the corporate identity; the holding company for General Tire's broadcasting operation and the few remaining motion picture assets was renamed RKO General . In the words of scholar Richard B. Jewell, "The supreme irony of RKO's existence is that the studio earned a position of lasting importance in cinema history largely because of its extraordinarily unstable history. Since it

38808-611: Was the first made-for-TV movie . In collaboration with Mexican businessman Emilio Azcárraga Vidaurreta , RKO established Estudios Churubusco in Mexico City in 1945. With RKO on increasingly secure ground, Koerner sought to increase its output of handsomely budgeted, star-driven features. However, the studio's only remaining major stars with anything like extended deals were Grant, whose services were shared with Columbia Pictures, and O'Hara, shared with Fox. Lacking in-house stars, Koerner and his successors under Odlum arranged with

39006-417: Was the weakling of Hollywood's 'majors,' RKO welcomed a diverse group of individualistic creators and provided them   ... with an extraordinary degree of freedom to express their artistic idiosyncrasies.... [I]t never became predictable and it never became a factory." Beginning with 1981's Carbon Copy , RKO General became involved in the coproduction of a number of feature films and TV projects through

39204-465: Was virtually immediate: corporate profits rose from $ 736,241 in 1942 (the theatrical division compensating for the studio's $ 2.34 million deficit) to $ 6.96 million the following year. The Rockefellers sold off their stock and, early in 1943, RCA dispensed with the last of its holdings in the company as well, cutting David Sarnoff's ties to the studio that was largely his conception. A new RKO Pathé "news magazine" series, This Is America , had been launched

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