The Rue Monsieur-le-Prince ( French pronunciation: [ʁy məsjø lə pʁɛ̃s] ) is a street of Paris , located in the 6th arrondissement . It is named after the Prince of Condé, whose palace it bordered. From 1793 to 1805, the street was called the Rue de la Liberté .
107-489: The street features in the title of the weird tale No. 252 Rue M. le Prince by the US architect Ralph Adams Cram . 48°51′01″N 2°20′23″E / 48.850395°N 2.339694°E / 48.850395; 2.339694 This Parisian road or road transport-related article is a stub . You can help Misplaced Pages by expanding it . Ralph Adams Cram Ralph Adams Cram (December 16, 1863 – September 22, 1942)
214-635: A 161-meter tower from 1890) and St. Vitus Cathedral in Prague (1844–1929). In Belgium, a 15th-century church in Ostend burned down in 1896. King Leopold II funded its replacement, the Saint Peter's and Saint Paul's Church , a cathedral-scale design which drew inspiration from the neo-Gothic Votive Church in Vienna and Cologne Cathedral. In Mechelen , the largely unfinished building drawn in 1526 as
321-578: A baronial palace and its adoption as a royal retreat from 1855 to 1858 confirmed the popularity of the style. In the United States, the first "Gothic stile" church (as opposed to churches with Gothic elements) was Trinity Church on the Green , New Haven, Connecticut. It was designed by Ithiel Town between 1812 and 1814, while he was building his Federalist-style Center Church, New Haven next to this radical new "Gothic-style" church. Its cornerstone
428-401: A building which are not necessary for convenience, construction or propriety; 2nd, that all ornament should consist of enrichment of the essential construction of the building". Urging modern craftsmen to seek to emulate the style of medieval workmanship as well as reproduce its methods, Pugin sought to reinstate Gothic as the true Christian architectural style. Pugin's most notable project was
535-1024: A captain in the Confederate Army during the American Civil War . Elizabeth and Ralph had three children, Mary Carrington Cram, Ralph Wentworth Cram and Elizabeth Strudwick Cram. The family burial site is at the St. Elizabeth's Memorial Churchyard. The churchyard is adjacent to St Elizabeth's Chapel, which Cram designed. Cram and business partner Charles Wentworth started business in Boston in April 1889 as Cram and Wentworth. They had landed only four or five church commissions before they were joined by Bertram Goodhue in 1892 to form Cram, Wentworth and Goodhue. Goodhue brought an award-winning commission in Dallas (never built) and brilliant drafting skills to
642-459: A classic body". John Ruskin supplemented Pugin's ideas in his two influential theoretical works, The Seven Lamps of Architecture (1849) and The Stones of Venice (1853). Finding his architectural ideal in Venice , Ruskin proposed that Gothic buildings excelled above all other architecture because of the "sacrifice" of the stone-carvers in intricately decorating every stone. In this, he drew
749-640: A competition was held to design a new façade suitable to Arnolfo di Cambio 's original structure and the fine campanile next to it. This competition was won by Emilio De Fabris , and so work on his polychrome design and panels of mosaic was begun in 1876 and completed by 1887, creating the Neo-Gothic western façade. Eastern Europe also saw much Revival construction; in addition to the Hungarian Parliament Building in Budapest,
856-497: A contrast between the physical and spiritual satisfaction which a medieval craftsman derived from his work, and the lack of these satisfactions afforded to modern, industrialised labour. By declaring the Doge's Palace to be "the central building of the world", Ruskin argued the case for Gothic government buildings as Pugin had done for churches, though mostly only in theory. When his ideas were put into practice, Ruskin often disliked
963-562: A dramatic conversion experience. For the rest of his life, he practiced as a fervent Anglo-Catholic who identified as high-church Anglican . In the 1890s, Cram was a key figure in "social-controversial-inspirational" groups including the Pewter Mugs and the Visionists . In 1900, Cram married Elizabeth Carrington Read at New Bedford, Massachusetts . She was the daughter of Clement Carrington Read and his wife. Read had served as
1070-487: A famous attack; "We are told we should adopt [Gothic] because it is the Christian style, and this most impudent assertion has been accepted as sound doctrine even by earnest and intelligent Protestants; whereas it ought only to have force with those who believe that Christian truth attained its purest and most spiritual development at the period when this style of architecture constituted its corporeal form". Those rejecting
1177-633: A medieval north Italian Romanesque style, more in keeping with Houston's hot, humid climate. A modernist in many ways, he designed Art Deco landmarks of great distinction, including the Federal Building skyscraper in Boston and numerous churches. For example, his design of the tower of the East Liberty Presbyterian Church, Pittsburgh , was inspired by the Empire State Building . His work at Rice
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#17327733810801284-573: A more appreciative approach to selected medieval arts, beginning with church architecture, the tomb monuments of royal and noble personages, stained glass, and late Gothic illuminated manuscripts. Other Gothic arts, such as tapestries and metalwork, continued to be disregarded as barbaric and crude, however sentimental and nationalist associations with historical figures were as strong in this early revival as purely aesthetic concerns. German Romanticists (including philosopher and writer Goethe and architect Karl Friedrich Schinkel ), began to appreciate
1391-675: A post which was filled in 1833 by Prosper Mérimée , who became the secretary of a new Commission des Monuments Historiques in 1837. This was the Commission that instructed Eugène Viollet-le-Duc to report on the condition of the Abbey of Vézelay in 1840. Following this, Viollet le Duc set out to restore most of the symbolic buildings in France including Notre Dame de Paris, Vézelay, Carcassonne , Roquetaillade castle , Mont-Saint-Michel Abbey on its peaked coastal island, Pierrefonds , and
1498-480: A reaction against machine production and the appearance of factories also grew. Proponents of the picturesque such as Thomas Carlyle and Augustus Pugin took a critical view of industrial society and portrayed pre-industrial medieval society as a golden age. To Pugin, Gothic architecture was infused with the Christian values that had been supplanted by classicism and were being destroyed by industrialisation . Gothic Revival also took on political connotations; with
1605-533: A result of the Church Building Act of 1818. It is often said to be the first Gothic Revival church in London, and, as Charles Locke Eastlake put it: "probably the only church of its time in which the main roof was groined throughout in stone". Nonetheless, the parish was firmly low church , and the original arrangement, modified in the 1860s, was as a "preaching church" dominated by the pulpit, with
1712-506: A small altar and wooden galleries over the nave aisle. The development of the private major metropolitan cemeteries was occurring at the same time as the movement; Sir William Tite pioneered the first cemetery in the Gothic style at West Norwood in 1837, with chapels, gates, and decorative features in the Gothic manner, attracting the interest of contemporary architects such as George Edmund Street , Barry, and William Burges . The style
1819-457: A widespread movement in the first half of the 19th century , mostly in England. Increasingly serious and learned admirers sought to revive medieval Gothic architecture , intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials , lancet windows , and hood moulds . By
1926-473: Is most clearly seen at Culzean Castle , Ayrshire, remodelled by Adam from 1777. The eccentric landscape designer Batty Langley even attempted to "improve" Gothic forms by giving them classical proportions. A younger generation, taking Gothic architecture more seriously, provided the readership for John Britton's series Architectural Antiquities of Great Britain , which began appearing in 1807. In 1817, Thomas Rickman wrote an Attempt... to name and define
2033-580: Is most closely associated with Princeton University , where he served as supervising architect from 1907 to 1929, during a period of major construction. The university awarded him a Doctor of Letters for his achievements. In 1907, he served as chairman of the American Institute of Architects' Committee on Education. For seven years he headed the Architectural Department at Massachusetts Institute of Technology . Through
2140-529: Is the Basilica of Our Lady Immaculate in Guelph, Ontario . Gothic Revival architecture remained one of the most popular and long-lived of the many revival styles of architecture . Although it began to lose force and popularity after the third quarter of the 19th century in commercial, residential and industrial fields, some buildings such as churches, schools, colleges and universities were still constructed in
2247-559: The Basilica of Our Lady of Hungary in Márianosztra , Hungary, whose choir (adjacent to a Baroque nave) was long considered authentically Gothic, because the 18th-century architect used medieval shapes to emphasize the continuity of the monastic community with its 14th-century founders. During the mid-18th century rise of Romanticism , an increased interest and awareness of the Middle Ages among influential connoisseurs created
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#17327733810802354-660: The Bulgarian National Revival saw the introduction of Gothic Revival elements into its vernacular ecclesiastical and residential architecture. The largest project of the Slavine School is the Lopushna Monastery cathedral (1850–1853), though later churches such as Saint George's Church, Gavril Genovo display more prominent vernacular Gothic Revival features. In Scotland, while a similar Gothic style to that used further south in England
2461-612: The Connaught Building , (1913–1916), all by David Ewart . In the late 1820s, A. W. N. Pugin , still a teenager, was working for two highly visible employers, providing Gothic detailing for luxury goods. For the Royal furniture makers Morel and Seddon he provided designs for redecorations for the elderly George IV at Windsor Castle in a Gothic taste suited to the setting. For the royal silversmiths Rundell Bridge and Co. , Pugin provided designs for silver from 1828, using
2568-484: The Houses of Parliament in London, after its predecessor was largely destroyed in a fire in 1834. His part in the design consisted of two campaigns, 1836–1837 and again in 1844 and 1852, with the classicist Charles Barry as his nominal superior. Pugin provided the external decoration and the interiors, while Barry designed the symmetrical layout of the building, causing Pugin to remark, "All Grecian, Sir; Tudor details on
2675-508: The Palais des Papes in Avignon . When France's first prominent neo-Gothic church was built, the Basilica of Saint-Clotilde , Paris, begun in 1846 and consecrated in 1857, the architect chosen was of German extraction, Franz Christian Gau , (1790–1853); the design was significantly modified by Gau's assistant, Théodore Ballu , in the later stages, to produce the pair of flèches that crown
2782-551: The Scottish Borders , rebuilt from 1816 by Sir Walter Scott and paid for by the profits from his hugely successful, historical novels, exemplifies the "Regency Gothic" style. Gothic Revival also includes the reintroduction of medieval clothes and dances in historical re-enactments staged especially in the second part of the 19th century, although one of the first, the Eglinton Tournament of 1839, remains
2889-602: The picturesque character of ruins—"picturesque" becoming a new aesthetic quality—and those mellowing effects of time that the Japanese call wabi-sabi and that Horace Walpole independently admired, mildly tongue-in-cheek, as "the true rust of the Barons' wars". The "Gothick" details of Walpole's Twickenham villa, Strawberry Hill House begun in 1749, appealed to the rococo tastes of the time, and were fairly quickly followed by James Talbot at Lacock Abbey , Wiltshire. By
2996-659: The scroll saw and mass-produced wood moldings allowed a few of these structures to mimic the florid fenestration of the High Gothic. But, in most cases, Carpenter Gothic buildings were relatively unadorned, retaining only the basic elements of pointed-arch windows and steep gables. A well-known example of Carpenter Gothic is a house in Eldon, Iowa , that Grant Wood used for the background of his painting American Gothic . Australia, in particular in Melbourne and Sydney, saw
3103-574: The "rational" and "radical" Neoclassical style being seen as associated with republicanism and liberalism (as evidenced by its use in the United States and to a lesser extent in Republican France), the more spiritual and traditional Gothic Revival became associated with monarchism and conservatism , which was reflected by the choice of styles for the rebuilt government centres of the British parliament's Palace of Westminster in London,
3210-476: The 'Gothic florin ' was minted for circulation from 1851 to 1887. French neo-Gothic had its roots in the French medieval Gothic architecture , where it was created in the 12th century. Gothic architecture was sometimes known during the medieval period as the "Opus Francigenum", (the "French Art"). French scholar Alexandre de Laborde wrote in 1816 that "Gothic architecture has beauties of its own", which marked
3317-453: The 14th-century Anglo-French Gothic vocabulary that he would continue to favour later in designs for the new Palace of Westminster. Between 1821 and 1838 Pugin and his father published a series of volumes of architectural drawings , the first two entitled, Specimens of Gothic Architecture , and the following three, Examples of Gothic Architecture , that were to remain both in print and the standard references for Gothic Revivalists for at least
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3424-663: The 16th century but instead lingered in on-going cathedral-building projects; at Oxford and Cambridge Universities, and in the construction of churches in increasingly isolated rural districts of England, France, Germany, the Polish–Lithuanian Commonwealth and in Spain. St Columb's Cathedral , in Derry , may be considered 'Gothic Survival', as it was completed in 1633 in a Perpendicular Gothic style. Similarly, Gothic architecture survived in some urban settings during
3531-630: The 1770s, thoroughly neoclassical architects such as Robert Adam and James Wyatt were prepared to provide Gothic details in drawing-rooms, libraries and chapels and, for William Beckford at Fonthill in Wiltshire, a complete romantic vision of a Gothic abbey. Some of the earliest architectural examples of the revived are found in Scotland. Inveraray Castle , constructed from 1746 for the Duke of Argyll , with design input from William Adam , displays
3638-674: The 1870s. New architectural movements, sometimes related, as in the Arts and Crafts movement , and sometimes in outright opposition, such as Modernism , gained ground, and by the 1930s the architecture of the Victorian era was generally condemned or ignored. The later 20th century saw a revival of interest, manifested in the United Kingdom by the establishment of the Victorian Society in 1958. The rise of evangelicalism in
3745-423: The 1920s, Cram was a public figure and frequently mentioned in the press. The New York Times called him "one of the most prominent Episcopalian laymen in the country". His work was part of the architecture event in the art competition at the 1928 Summer Olympics . He made news with his defense of Al Smith during his electoral campaign, when anti-Catholic rhetoric was used, saying "I... express my disgust at
3852-415: The 1930s. Particularly important work includes the original campus of Rice University, Houston, as well as the library and first city hall of that city. Also notable is Cram's first church in the Boston area, All Saints, Dorchester . The successor firm is HDB/Cram and Ferguson of Boston. A leading proponent of disciplined Gothic Revival architecture in general and Collegiate Gothic in particular, Cram
3959-592: The 20th century. Back in Oxford, the redecoration of the dining hall at University College between 1766 and 1768 has been described as "the first major example of the Gothic Revival style in Oxford". Throughout France in the 16th and 17th centuries, churches such as St-Eustache (1532–1640, façade 1754) in Paris and Orléans Cathedral (1601–1829) continued to be built following Gothic principles (structure of
4066-527: The Boston office. Wentworth died in 1897 and the firm's name changed to Cram, Goodhue & Ferguson to include draftsman Frank W. Ferguson (1861–1926). Cram and Goodhue complemented each other's strengths at first but began to compete, sometimes submitting two differing proposals for the same commission. The firm won design of the United States Military Academy at West Point in 1902, a major milestone in their career. They set up
4173-621: The Canadian Parliament Buildings in Ottawa and the Hungarian Parliament Building in Budapest. In English literature, the architectural Gothic Revival and classical Romanticism gave rise to the Gothic novel genre, beginning with The Castle of Otranto (1764) by Horace Walpole , and inspired a 19th-century genre of medieval poetry that stems from the pseudo- bardic poetry of " Ossian ". Poems such as " Idylls of
4280-838: The English crown. At the same time, the Great Hall of Lambeth Palace , that had been despoiled by the Puritans , was rebuilt in a mixture of Baroque and older Gothic forms, demonstrating the restitution of the Anglican Church. These two buildings can be said to herald the onset of Gothic Revival architecture, several decades before it became mainstream. Sir Christopher Wren 's Tom Tower for Christ Church , University of Oxford , consciously set out to imitate Cardinal Wolsey's architectural style. Writing to Dean Fell in 1681, he noted; "I resolved it ought to be Gothic to agree with
4387-592: The Founder's work", adding that to do otherwise would lead to "an unhandsome medley". Pevsner suggests that he succeeded "to the extent that innocent visitors never notice the difference". It was followed in 1697–1704 by the rebuilding of Collegiate Church of St Mary in Warwick as a stone-vaulted hall church , whereas the burnt church had been a basilica with timbered roofs. Also in Warwickshire , in 1729/30,
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4494-638: The Gothic context of the structure overrode considerations of the current architectural mode. Similarly, in St. Salvator's Cathedral of Bruges , the timbered medieval vaults of nave and choir were replaced by "Gothic" stone vaults in 1635 resp. 1738/39. Guarino Guarini , a 17th-century Theatine monk active primarily in Turin , recognized the "Gothic order" as one of the primary systems of architecture and made use of it in his practice. Even in Central Europe of
4601-468: The Gothic style, often known as "Collegiate Gothic", which remained popular in England, Canada and in the United States until well into the early to mid-20th century. Only when new materials, like steel and glass along with concern for function in everyday working life and saving space in the cities, meaning the need to build up instead of out, began to take hold did the Gothic Revival start to disappear from popular building requests. The revived Gothic style
4708-601: The King " by Alfred, Lord Tennyson recast specifically modern themes in medieval settings of Arthurian romance. In German literature , the Gothic Revival also had a grounding in literary fashions. Gothic architecture began at the Basilica of Saint Denis near Paris, and the Cathedral of Sens in 1140 and ended with a last flourish in the early 16th century with buildings like Henry VII's Chapel at Westminster. However, Gothic architecture did not die out completely in
4815-690: The Martyr and the Order of the White Rose. Traveling through Europe, Cram also befriended Catholic writers Hilaire Belloc and G. K. Chesterton , who have been accredited with influencing his views. He later became involved with a number of American Roman Catholic enterprises and co-founded the Catholic magazine Commonweal . Cram accepted papal primacy and frequently defended Catholicism against American anti-Catholic prejudice , though he never converted to
4922-959: The St. Chapelle in Paris. Desloge Chapel, which is associated with the Firmin Desloge Hospital and St. Louis University , in 1983, was declared a landmark by the Missouri Historical Society . In 1938, he was elected into the National Academy of Design as an Associate Academician. As an author, lecturer, and architect, Cram propounded the view that the Renaissance had been, at least in part, an unfortunate detour for western culture . Cram argued that authentic development could come only by returning to Gothic sources for inspiration, as his " Collegiate Gothic " architecture did, with considerable success. For his Rice University buildings, he favored
5029-588: The United States, Collegiate Gothic was a late and literal resurgence of the English Gothic Revival, adapted for American college and university campuses. The term "Collegiate Gothic" originated from American architect Alexander Jackson Davis 's handwritten description of his own "English Collegiate Gothic Mansion" of 1853 for the Harrals of Bridgeport. By the 1890s, the movement was known as "Collegiate Gothic". The firm of Cope & Stewardson
5136-464: The beginning of the Gothic Revival in France. Starting in 1828, Alexandre Brogniart, the director of the Sèvres porcelain manufactory , produced fired enamel paintings on large panes of plate glass, for King Louis-Philippe 's Chapelle royale de Dreux , an important early French commission in Gothic taste, preceded mainly by some Gothic features in a few jardins paysagers . The French Gothic Revival
5243-529: The best example anywhere of Victorian Gothic collegiate architecture". The movement continued into the 20th century, with Cope & Stewardson's campus for Washington University in St. Louis (1900–1909), Charles Donagh Maginnis 's buildings at Boston College (1910s) (including Gasson Hall ), Ralph Adams Cram 's design for the Princeton University Graduate College (1913), and James Gamble Rogers ' reconstruction of
5350-529: The buildings, application of tracery) with some little changes like the use of round arches instead of pointed arches and the application of some Classical details, until the arrival of Baroque architecture. In Bologna , in 1646, the Baroque architect Carlo Rainaldi constructed Gothic vaults (completed 1658) for the Basilica of San Petronio in Bologna, which had been under construction since 1390; there,
5457-680: The campus of Yale University (1920s). Charles Klauder 's Gothic Revival skyscraper on the University of Pittsburgh 's campus, the Cathedral of Learning (1926) exhibited Gothic stylings both inside and out, while using modern technologies to make the building taller. Carpenter Gothic houses and small churches became common in North America and other places in the late 19th century. These structures adapted Gothic elements such as pointed arches, steep gables, and towers to traditional American light-frame construction . The invention of
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#17327733810805564-481: The construction of a new Foreign Office in Whitehall saw the decision to award first place to a Gothic design by George Gilbert Scott overturned by the Prime Minister, Lord Palmerston , who successfully demanded a building in the Italianate style. In England, the Church of England was undergoing a revival of Anglo-Catholic and ritualist ideology in the form of the Oxford Movement , and it became desirable to build large numbers of new churches to cater for
5671-421: The construction of large numbers of Gothic Revival buildings. William Wardell (1823–1899) was among the country's most prolific architects; born and trained in England, after emigrating his most notable Australian designs include St Patrick's Cathedral, Melbourne and St John's College and St Mary's Cathedral in Sydney. In common with many other 19th century architects, Wardell could deploy different styles at
5778-406: The critical neglect of Cram's work that it was "a phenomenon which has significantly distorted the study of America's modern architectural history... (Cram) deserves the same kind of international--and domestic--recognition accorded (all too often uncritically) to his contemporary Frank Lloyd Wright". Cram argued that the United States would be better off under a Semi-constitutional monarchy , with
5885-406: The domestic Gothic style architecture which preceded it seem primitive and old-fashioned". There are many examples of Gothic Revival architecture in Canada . The first major structure was Notre-Dame Basilica in Montreal, Quebec , which was designed in 1824. The capital, Ottawa, Ontario , was predominantly a 19th-century creation in the Gothic Revival style. The Parliament Hill buildings were
5992-475: The earliest days of the revival. In some cases, cast iron enabled something like a perfection of medieval design. It was only with Ruskin and the archaeological Gothic's demand for historical truth that iron, whether it was visible or not, was deemed improper for a Gothic building. Ultimately, the utility of iron won out: "substituting a cast iron shaft for a granite, marble or stone column is not bad, but one must agree that it cannot be considered as an innovation, as
6099-515: The eighteenth and early nineteenth centuries saw in England a reaction in the high church movement which sought to emphasise the continuity between the established church and the pre- Reformation Catholic church. Architecture, in the form of the Gothic Revival, became one of the main weapons in the high church's armoury. The Gothic Revival was also paralleled and supported by " medievalism ", which had its roots in antiquarian concerns with survivals and curiosities. As " industrialisation " progressed,
6206-402: The eminent architect and mediævalist Ralph Adams Cram achieves a memorably potent degree of vague regional horror through subtleties of atmosphere and description." Cram was a Gothic Revival Gothic Revival (also referred to as Victorian Gothic or neo-Gothic ) is an architectural movement that after a gradual build-up beginning in the second half of the 17th century became
6313-423: The estimated cost, at just under one million dollars, together with the sheer scale of the plans, thoroughly alarmed the College Trustees and only one-sixth of the plan was executed, the present Long Walk , with Francis H. Kimball acting as local, supervising, architect, and Frederick Law Olmsted laying out the grounds. Hitchcock considers the result, "perhaps the most satisfactory of all of [Burges's] works and
6420-433: The fabric of the church. St. Paul's Episcopal Church in Troy, New York, was constructed in 1827–1828 as an exact copy of Town's design for Trinity Church, New Haven, but using local stone; due to changes in the original, St. Paul's is closer to Town's original design than Trinity itself. In the 1830s, architects began to copy specific English Gothic and Gothic Revival Churches, and these "'mature Gothic Revival' buildings made
6527-452: The firm's New York office, where Goodhue would preside, leaving Cram to operate in Boston. He designed the sanctuary for the First Unitarian Society in Newton which represents elements of his signature ecclesiastical style and was built in 1905. From 1907 to 1909, Cram was the editor of Christian Art . Cram's acceptance of the Cathedral of St. John the Divine commission in New York City in 1911 (on Goodhue's perceived territory) heightened
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#17327733810806634-402: The growing population, and cemeteries for their hygienic burials. This found ready exponents in the universities, where the ecclesiological movement was forming. Its proponents believed that Gothic was the only style appropriate for a parish church, and favoured a particular era of Gothic architecture – the " decorated ". The Cambridge Camden Society , through its journal The Ecclesiologist ,
6741-402: The ignorance and superstition now rampant and in order that I may go on record as another of those who, though not Roman Catholics, are nevertheless Americans and are outraged by this recrudescence of blatant bigotry, operating through the most cowardly and contemptible methods." In around 1932, he designed the Desloge Chapel in St. Louis, MO, the Gothic chapel designed to echo the contours of
6848-526: The incorporation of turrets. The architectural historian John Gifford writes that the castellations were the "symbolic assertion of the still quasi-feudal power [the duke] exercised over the inhabitants within his heritable jurisdictions". Most buildings were still largely in the established Palladian style, but some houses incorporated external features of the Scots baronial style. Robert Adam's houses in this style include Mellerstain and Wedderburn in Berwickshire and Seton Castle in East Lothian, but it
6955-447: The introduction of a new principle. Replacing a stone or wooden lintel by an iron breastsummer is very good". He strongly opposed illusion, however: reacting against the casing of a cast iron pillar in stone, he wrote; "il faut que la pierre paraisse bien être de la pierre; le fer, du fer; le bois, du bois" (stone must appear to be stone; iron, iron; wood, wood). The arguments against modern construction materials began to collapse in
7062-399: The late 17th and 18th centuries, where Baroque dominated, some architects used elements of the Gothic style. The most important example is Jan Santini Aichel , whose Pilgrimage Church of Saint John of Nepomuk in Žďár nad Sázavou , Czech Republic, represents a peculiar and creative synthesis of Baroque and Gothic. An example of another and less striking use of the Gothic style in the time is
7169-431: The later 17th century, as shown in Oxford and Cambridge , where some additions and repairs to Gothic buildings were considered to be more in keeping with the style of the original structures than contemporary Baroque . In contrast, Dromore Cathedral , built in 1660/1661, immediately after the end of the Protectorate , revived Early English forms, demonstrating the restitution of the monarchy and claiming Ireland for
7276-447: The later 20th century rehabilitation of Victorian architecture and the objects with which they decorated their buildings. In 1847, eight thousand British crown coins were minted in proof condition with the design using an ornate reverse in keeping with the revived style. Considered by collectors to be particularly beautiful, they are known as 'Gothic crowns'. The design was repeated in 1853, again in proof. A similar two shilling coin,
7383-402: The link between Gothic and Catholicism looked to adopt it solely for its aesthetic romantic qualities, to combine it with other styles, or look to northern European Brick Gothic for a more plain appearance; or in some instances all three of these, as at the non-denominational Abney Park Cemetery in east London, designed by William Hosking FSA in 1840. France had lagged slightly in entering
7490-413: The mid-19th and early 20th centuries. The importance of the Cologne completion project in German-speaking lands has been explored by Michael J. Lewis, "The Politics of the German Gothic Revival: August Reichensperger" . Reichensperger was himself in no doubt as to the cathedral's central position in Germanic culture; "Cologne Cathedral is German to the core, it is a national monument in the fullest sense of
7597-640: The mid-19th century as great prefabricated structures such as the glass and iron Crystal Palace and the glazed courtyard of the Oxford University Museum of Natural History were erected, which appeared to embody Gothic principles. Between 1863 and 1872 Viollet-le-Duc published his Entretiens sur l'architecture , a set of daring designs for buildings that combined iron and masonry. Though these projects were never realised, they influenced several generations of designers and architects, notably Antoni Gaudí in Spain and, in England, Benjamin Bucknall , Viollet's foremost English follower and translator, whose masterpiece
7704-568: The middle of the 19th century, Gothic Revival had become the pre-eminent architectural style in the Western world , only to begin to fall out of fashion in the 1880s and early 1890s. The Gothic Revival movement's roots are intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. The "Anglo-Catholic" tradition of religious belief and style became known for its intrinsic appeal in
7811-568: The most famous. During the Bourbon Restoration in France (1814–1830) and the Louis-Philippe period (1830–1848), Gothic Revival motifs start to appear, together with revivals of the Renaissance and of Rococo . During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets , lancet arches, trefoils , Gothic tracery and rose windows . This style
7918-450: The nation, if it is possible, love for the national architecture", implying that "Gothic" is France's national heritage. In Germany, with the completion of Cologne Cathedral in the 1880s, at the time its summit was the world's tallest building, the cathedral was seen as the height of Gothic architecture. Other major completions of Gothic cathedrals were of Regensburger Dom (with twin spires completed from 1869 to 1872), Ulm Münster (with
8025-457: The nave and aisles of the church of St Nicholas at Alcester were rebuilt by Edward and Thomas Woodward, the exterior in Gothic forms but with a Neoclassical interior. At the same time, 1722–1746, Nicholas Hawksmoor added the west towers to Westminster Abbey , which made him a pioneer of Gothic Revival completions of medieval buildings, which from the late 19th century were increasingly disapproved of, although work in this style continued into
8132-626: The neo-Gothic scene, but produced a major figure in the revival in Eugène Viollet-le-Duc . As well as a powerful and influential theorist, Viollet-le-Duc was a leading architect whose genius lay in restoration. He believed in restoring buildings to a state of completion that they would not have known even when they were first built, theories he applied to his restorations of the walled city of Carcassonne , and to Notre-Dame and Sainte Chapelle in Paris. In this respect he differed from his English counterpart Ruskin, as he often replaced
8239-651: The next century. In Contrasts: or, a Parallel between the Noble Edifices of the Middle Ages, and similar Buildings of the Present Day (1836), Pugin expressed his admiration not only for medieval art but for the whole medieval ethos, suggesting that Gothic architecture was the product of a purer society. In The True Principles of Pointed or Christian Architecture (1841), he set out his "two great rules of design: 1st, that there should be no features about
8346-606: The preeminent example, of which the original library survives today (after the rest was destroyed by fire in 1916). Their example was followed elsewhere in the city and outlying areas, showing how popular the Gothic Revival movement had become. Other examples of Canadian Gothic Revival architecture in Ottawa are the Victoria Memorial Museum , (1905–1908), the Royal Canadian Mint , (1905–1908), and
8453-557: The principles of sound construction can be so well carried out". The illustrated catalogue for the Great Exhibition of 1851 is replete with Gothic detail, from lacemaking and carpet designs to heavy machinery. Nikolaus Pevsner's volume on the exhibits at the Great Exhibition, High Victorian Design published in 1951, was an important contribution to the academic study of Victorian taste and an early indicator of
8560-436: The religion itself. Cram wrote numerous publications and books on issues in architecture and religious devotion. Titles include: Cram also wrote fiction. A number of his stories, notably "The Dead Valley", were published in a collection entitled Black Spirits and White (Stone & Kimball, 1895). The collection has been called "one of the undeniable classics of weird fiction". H. P. Lovecraft wrote, "In 'The Dead Valley'
8667-485: The result, although he supported many architects, such as Thomas Newenham Deane and Benjamin Woodward , and was reputed to have designed some of the corbel decorations for that pair's Oxford University Museum of Natural History . A major clash between the Gothic and Classical styles in relation to governmental offices occurred less than a decade after the publication of The Stones of Venice . A public competition for
8774-507: The right to vote restricted to white men who owned a sufficient level of property. He lays out some of his monarchist beliefs in his work Invitation to Monarchy , which appeared in The American Mercury in 1936. Raised Unitarian , Cram converted to Anglo-Catholicism after a youthful visit to Rome . He later joined The Episcopal Church in the United States upon returning to his home country. Throughout his life, Cram
8881-664: The seat of the Great Council of The Netherlands , was not actually built until the early 20th century, although it closely followed Rombout II Keldermans 's Brabantine Gothic design, and became the 'new' north wing of the City Hall. In Florence , the Duomo 's temporary façade erected for the Medici-House of Lorraine nuptials in 1588–1589, was dismantled, and the west end of the cathedral stood bare again until 1864, when
8988-656: The sequence of Gothic styles in English ecclesiastical architecture, "a text-book for the architectural student". Its long antique title is descriptive: Attempt to discriminate the styles of English architecture from the Conquest to the Reformation; preceded by a sketch of the Grecian and Roman orders, with notices of nearly five hundred English buildings . The categories he used were Norman , Early English , Decorated , and Perpendicular . It went through numerous editions,
9095-541: The tension between the two. Architectural historians have attributed most of their projects to one partner or the other, based on the visual and compositional style, and the location. The Gothic Revival Saint Thomas Church was designed by them both in 1914 on Manhattan 's Fifth Avenue . It is the last example of their collaboration, and the most integrated and strongest example of their work together. Goodhue began his solo career on August 14, 1913. Cram and Ferguson continued with major church and college commissions through
9202-430: The third quarter of the 19th century. Gothic Revival architecture varied considerably in its faithfulness to both the ornamental styles and construction principles of its medieval ideal, sometimes amounting to little more than pointed window frames and touches of neo-Gothic decoration on buildings otherwise created on wholly 19th-century plans, using contemporary materials and construction methods; most notably, this involved
9309-470: The use of iron and, after the 1880s, steel in ways never seen in medieval exemplars. In parallel with the ascendancy of neo-Gothic styles in 19th century England, interest spread to the rest of Europe, Australia, Africa and the Americas; the 19th and early 20th centuries saw the construction of very large numbers of Gothic Revival structures worldwide. The influence of Revivalism had nevertheless peaked by
9416-463: The west end. In Germany, there was a renewal of interest in the completion of Cologne Cathedral . Begun in 1248, it was still unfinished at the time of the revival. The 1820s "Romantic" movement brought a new appreciation of the building, and construction work began once more in 1842, marking a German return for Gothic architecture. St. Vitus Cathedral in Prague , begun in 1344, was also completed in
9523-472: The whimsical Gothic detailing in English furniture is traceable as far back as Lady Pomfret 's house in Arlington Street, London (1740s), and Gothic fretwork in chairbacks and glazing patterns of bookcases is a familiar feature of Chippendale 's Director (1754, 1762), where, for example, the three-part bookcase employs Gothic details with Rococo profusion, on a symmetrical form. Abbotsford in
9630-565: The word, and probably the most splendid monument to be handed down to us from the past". Because of Romantic nationalism in the early 19th century, the Germans, French and English all claimed the original Gothic architecture of the 12th century era as originating in their own country. The English boldly coined the term "Early English" for "Gothic", a term that implied Gothic architecture was an English creation. In his 1832 edition of Notre Dame de Paris , author Victor Hugo said "Let us inspire in
9737-436: The work of mediaeval stonemasons. His rational approach to Gothic stood in stark contrast to the revival's romanticist origins. Throughout his career he remained in a quandary as to whether iron and masonry should be combined in a building. Iron, in the form of iron anchors, had been used in the most ambitious buildings of medieval Gothic, especially but not only for tracery. It had in fact been used in "Gothic" buildings since
9844-563: Was Woodchester Mansion . The flexibility and strength of cast-iron freed neo-Gothic designers to create new structural Gothic forms impossible in stone, as in Calvert Vaux 's cast-iron Gothic bridge in Central Park , New York dating from the 1860. Vaux enlisted openwork forms derived from Gothic blind-arcading and window tracery to express the spring and support of the arching bridge, in flexing forms that presage Art Nouveau . In
9951-486: Was a prolific and influential American architect of collegiate and ecclesiastical buildings, often in the Gothic Revival style . Cram & Ferguson and Cram, Goodhue & Ferguson are partnerships in which he worked. Cram was a fellow of the American Institute of Architects . Cram was born on December 16, 1863, at Hampton Falls, New Hampshire , to William Augustine Cram and Sarah Elizabeth (Blake) Cram. He
10058-532: Was adopted by figures including Frederick Thomas Pilkington (1832–1898) in secular architecture it was marked by the re-adoption of the Scots baronial style. Important for the adoption of the style in the early 19th century was Abbotsford, which became a model for the modern revival of the baronial style. Common features borrowed from 16th- and 17th-century houses included battlemented gateways, crow-stepped gables , pointed turrets and machicolations . The style
10165-499: Was also known as "Cathedral style" ("À la catédrale"). By the mid-19th century, Gothic traceries and niches could be inexpensively re-created in wallpaper , and Gothic blind arcading could decorate a ceramic pitcher. Writing in 1857, J. G. Crace , an influential decorator from a family of influential interior designers, expressed his preference for the Gothic style: "In my opinion there is no quality of lightness, elegance, richness or beauty possessed by any other style... [or] in which
10272-548: Was an early and important exponent, transforming the campuses of Bryn Mawr College , Princeton University and the University of Pennsylvania in the 1890s. In 1872, Abner Jackson , the President of Trinity College, Connecticut , visited Britain, seeking models and an architect for a planned new campus for the college. William Burges was chosen and he drew up a four-quadrangled masterplan, in his Early French style. Lavish illustrations were produced by Axel Haig . However,
10379-490: Was as modernist as medieval in inspiration. His administration building, his secular masterwork, has been compared by Shand-Tucci to Frank Lloyd Wright 's work, particularly in the way its dramatic horizontality reflects the surrounding prairies. The architectural historian Sandy Isenstadt wrote in a review of Cram's biography that "... (modernist) disdain (of Cram) turned out to be modernism's loss". Peter Cormack, director of London's William Morris Gallery , said regarding
10486-567: Was at once a setting and a protagonist in a hugely popular work of fiction. Hugo intended his book to awaken a concern for the surviving Gothic architecture left in Europe, however, rather than to initiate a craze for neo-Gothic in contemporary life. In the same year that Notre-Dame de Paris appeared, the new restored Bourbon monarchy established an office in the Royal French Government of Inspector-General of Ancient Monuments,
10593-589: Was devoted to liturgical and devotional practices revived by Anglo-Catholicism, including the cultus of King Charles the Martyr . He, along with other Anglo-Catholics, viewed Anglicanism as a "branch" of the one true Church, alongside the Roman Catholicism and Eastern Orthodoxy , and hoped for eventual unification with Rome. Cram also co-founded the American branches of the Society of King Charles
10700-530: Was educated at Westford Academy and Phillips Exeter Academy . He was a cousin of Ralph Warren Cram . At age 18, Cram moved to Boston in 1881 and worked for five years in the architectural office of Rotch & Tilden , after which he left for Rome to study classical architecture. From 1885 to 1887, he was art critic for the Boston Transcript . During an 1887 Christmas Eve Mass in Rome, he had
10807-491: Was immediately hailed a success and universally replaced the previous preference for classical design. Not every architect or client was swept away by this tide. Although Gothic Revival succeeded in becoming an increasingly familiar style of architecture, the attempt to associate it with the notion of high church superiority, as advocated by Pugin and the ecclesiological movement, was anathema to those with ecumenical or nonconformist principles. Alexander "Greek" Thomson launched
10914-847: Was laid in 1814, and it was consecrated in 1816. It predates St Luke's Church, Chelsea , often said to be the first Gothic-revival church in London. Though built of trap rock stone with arched windows and doors, parts of its tower and its battlements were wood. Gothic buildings were subsequently erected by Episcopal congregations in Connecticut at St John's in Salisbury (1823), St John's in Kent (1823–1826) and St Andrew's in Marble Dale (1821–1823). These were followed by Town's design for Christ Church Cathedral (Hartford, Connecticut) (1827), which incorporated Gothic elements such as buttresses into
11021-478: Was not limited to architecture. Classical Gothic buildings of the 12th to 16th Centuries were a source of inspiration to 19th-century designers in numerous fields of work. Architectural elements such as pointed arches, steep-sloping roofs and fancy carvings like lace and lattice work were applied to a wide range of Gothic Revival objects. Some examples of Gothic Revival influence can be found in heraldic motifs in coats of arms, furniture with elaborate painted scenes like
11128-615: Was popular across Scotland and was applied to many relatively modest dwellings by architects such as William Burn (1789–1870), David Bryce (1803–1876), Edward Blore (1787–1879), Edward Calvert ( c. 1847–1914 ) and Robert Stodart Lorimer (1864–1929) and in urban contexts, including the building of Cockburn Street in Edinburgh (from the 1850s) as well as the National Wallace Monument at Stirling (1859–1869). The reconstruction of Balmoral Castle as
11235-546: Was set on more sound intellectual footings by a pioneer, Arcisse de Caumont , who founded the Societé des Antiquaires de Normandie at a time when antiquaire still meant a connoisseur of antiquities, and who published his great work on architecture in French Normandy in 1830. The following year Victor Hugo 's historical romance novel The Hunchback of Notre-Dame appeared, in which the great Gothic cathedral of Paris
11342-531: Was so savagely critical of new church buildings that were below its exacting standards and its pronouncements were followed so avidly that it became the epicentre of the flood of Victorian restoration that affected most of the Anglican cathedrals and parish churches in England and Wales. St Luke's Church, Chelsea , was a new-built Commissioner's Church of 1820–1824, partly built using a grant of £8,333 towards its construction with money voted by Parliament as
11449-704: Was still being republished by 1881, and has been reissued in the 21st century. The most common use for Gothic Revival architecture was in the building of churches. Major examples of Gothic cathedrals in the U.S. include the cathedrals of St. John the Divine and St. Patrick in New York City and the Washington National Cathedral on Mount St. Alban in northwest Washington, D.C. One of the biggest churches in Gothic Revival style in Canada
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