62-693: (Redirected from Wattanavekin ) Sino-Thai business family The Wattanavekin family ( Thai : วัธนเวคิน ) is a Sino-Thai business family of Hakka origin. The family is descended from its late patriarch Kiat Wattanavekin [ th ] (丘細見), who migrated to Siam as a child in the 1910s with his mother. Kiat built up businesses in the liquor, construction, sugar, and banking industries, establishing Kiatnakin Finance and Securities Company (now Kiatnakin Phatra Bank ) in 1971. Eastern Sugar & Cane Company forms
124-411: A dialect continuum . Thai language is spoken by over 69 million people (2020). Moreover, most Thais in the northern (Lanna) and the northeastern (Isan) parts of the country today are bilingual speakers of Central Thai and their respective regional dialects because Central Thai is the language of television, education, news reporting, and all forms of media. A recent research found that the speakers of
186-565: A second language among the country's minority ethnic groups from the mid-late Ayutthaya period onward. Ethnic minorities today are predominantly bilingual, speaking Thai alongside their native language or dialect. Standard Thai is classified as one of the Chiang Saen languages—others being Northern Thai , Southern Thai and numerous smaller languages, which together with the Northwestern Tai and Lao-Phutai languages, form
248-550: A different existing tone. This is called tone sandhi. In Mandarin Chinese, for example, a dipping tone between two other tones is reduced to a simple low tone, which otherwise does not occur in Mandarin Chinese, whereas if two dipping tones occur in a row, the first becomes a rising tone, indistinguishable from other rising tones in the language. For example, the words 很 [xɤn˨˩˦] ('very') and 好 [xaʊ˨˩˦] ('good') produce
310-533: A four-way distinction among stops and affricates . The maximal four-way occurred in labials ( /p pʰ b ʔb/ ) and denti-alveolars ( /t tʰ d ʔd/ ); the three-way distinction among velars ( /k kʰ ɡ/ ) and palatals ( /tɕ tɕʰ dʑ/ ), with the glottalized member of each set apparently missing. The major change between old and modern Thai was due to voicing distinction losses and the concomitant tone split . This may have happened between about 1300 and 1600 CE, possibly occurring at different times in different parts of
372-550: A huge number of tones as well. The most complex tonal systems are actually found in Africa and the Americas, not east Asia. Tones are realized as pitch only in a relative sense. "High tone" and "low tone" are only meaningful relative to the speaker's vocal range and in comparing one syllable to the next, rather than as a contrast of absolute pitch such as one finds in music. As a result, when one combines tone with sentence prosody ,
434-659: A language with five registers. However, the most that are actually used in a language is a tenth of that number. Several Kam–Sui languages of southern China have nine contrastive tones, including contour tones. For example, the Kam language has 9 tones: 3 more-or-less fixed tones (high, mid and low); 4 unidirectional tones (high and low rising, high and low falling); and 2 bidirectional tones (dipping and peaking). This assumes that checked syllables are not counted as having additional tones, as they traditionally are in China. For example, in
496-433: A mid-register tone – the default tone in most register-tone languages. However, after a falling tone it takes on a low pitch; the contour tone remains on the first syllable, but the pitch of the second syllable matches where the contour leaves off. And after a low-dipping tone, the contour spreads to the second syllable: the contour remains the same ( ˨˩˦ ) whether the word has one syllable or two. In other words,
558-437: A monosyllabic word (3), but there is no such difference in a word-tone language. For example, Shanghainese has two contrastive (phonemic) tones no matter how many syllables are in a word. Many languages described as having pitch accent are word-tone languages. Tone sandhi is an intermediate situation, as tones are carried by individual syllables, but affect each other so that they are not independent of each other. For example,
620-797: A multisyllabic word, each syllable often carries its own tone. Unlike in Bantu systems, tone plays little role in the grammar of modern standard Chinese, though the tones descend from features in Old Chinese that had morphological significance (such as changing a verb to a noun or vice versa). Most tonal languages have a combination of register and contour tones. Tone is typical of languages including Kra–Dai , Vietic , Sino-Tibetan , Afroasiatic , Khoisan , Niger-Congo and Nilo-Saharan languages. Most tonal languages combine both register and contour tones, such as Cantonese , which produces three varieties of contour tone at three different pitch levels, and
682-493: A number of Mandarin Chinese suffixes and grammatical particles have what is called (when describing Mandarin Chinese) a "neutral" tone, which has no independent existence. If a syllable with a neutral tone is added to a syllable with a full tone, the pitch contour of the resulting word is entirely determined by that other syllable: After high level and high rising tones, the neutral syllable has an independent pitch that looks like
SECTION 10
#1732780026603744-527: A single tone may be carried by the entire word rather than a different tone on each syllable. Often, grammatical information, such as past versus present, "I" versus "you", or positive versus negative, is conveyed solely by tone. In the most widely spoken tonal language, Mandarin Chinese , tones are distinguished by their distinctive shape, known as contour , with each tone having a different internal pattern of rising and falling pitch. Many words, especially monosyllabic ones, are differentiated solely by tone. In
806-530: A syllable that formerly began with a voiceless consonant (including glottalized stops). An additional complication is that formerly voiceless unaspirated stops/affricates (original /p t k tɕ ʔb ʔd/ ) also caused original tone 1 to lower, but had no such effect on original tones 2 or 3. The above consonant mergers and tone splits account for the complex relationship between spelling and sound in modern Thai. Modern "low"-class consonants were voiced in Old Thai, and
868-670: A tone is used to mark aspect . The first work that mentioned this was published in 1986. Example paradigms: Tones are used to differentiate cases as well, as in Maasai language (a Nilo-Saharan language spoken in Kenya and Tanzania ): Certain varieties of Chinese are known to express meaning by means of tone change although further investigations are required. Examples from two Yue dialects spoken in Guangdong Province are shown below. In Taishan , tone change indicates
930-576: Is a Tai language of the Kra–Dai language family spoken by the Central Thai , Mon , Lao Wiang , Phuan people in Central Thailand and the vast majority of Thai Chinese enclaves throughout the country. It is the sole official language of Thailand . Thai is the most spoken of over 60 languages of Thailand by both number of native and overall speakers. Over half of its vocabulary
992-684: Is a default tone, usually low in a two-tone system or mid in a three-tone system, that is more common and less salient than other tones. There are also languages that combine relative-pitch and contour tones, such as many Kru languages and other Niger-Congo languages of West Africa. Falling tones tend to fall further than rising tones rise; high–low tones are common, whereas low–high tones are quite rare. A language with contour tones will also generally have as many or more falling tones than rising tones. However, exceptions are not unheard of; Mpi , for example, has three level and three rising tones, but no falling tones. Another difference between tonal languages
1054-714: Is a morphologically conditioned alternation and is used as an inflectional or a derivational strategy. Lien indicated that causative verbs in modern Southern Min are expressed with tonal alternation, and that tonal alternation may come from earlier affixes. Examples: 長 tng 'long' vs. tng 'grow'; 斷 tng 'break' vs. tng 'cause to break'. Also, 毒 in Taiwanese Southern Min has two pronunciations: to̍k (entering tone) means 'poison' or 'poisonous', while thāu (departing tone) means 'to kill with poison'. The same usage can be found in Min, Yue, and Hakka. In East Asia, tone
1116-592: Is a table of the six Vietnamese tones and their corresponding tone accent or diacritics: Mandarin Chinese , which has five tones , transcribed by letters with diacritics over vowels: These tones combine with a syllable such as ma to produce different words. A minimal set based on ma are, in pinyin transcription: These may be combined into a tongue-twister : See also one-syllable article . A well-known tongue-twister in Standard Thai is: A Vietnamese tongue twister: A Cantonese tongue twister: Tone
1178-737: Is debate over the definition of pitch accent and whether a coherent definition is even possible. Both lexical or grammatical tone and prosodic intonation are cued by changes in pitch, as well as sometimes by changes in phonation. Lexical tone coexists with intonation, with the lexical changes of pitch like waves superimposed on larger swells. For example, Luksaneeyanawin (1993) describes three intonational patterns in Thai: falling (with semantics of "finality, closedness, and definiteness"), rising ("non-finality, openness and non-definiteness") and "convoluted" (contrariness, conflict and emphasis). The phonetic realization of these intonational patterns superimposed on
1240-523: Is derived from or borrowed from Pali , Sanskrit , Mon and Old Khmer . It is a tonal and analytic language . Thai has a complex orthography and system of relational markers . Spoken Thai, depending on standard sociolinguistic factors such as age, gender, class, spatial proximity, and the urban/rural divide, is partly mutually intelligible with Lao , Isan , and some fellow Thai topolects . These languages are written with slightly different scripts, but are linguistically similar and effectively form
1302-866: Is highly conserved among members. However, when considered in addition to "simple" tone systems that include only two tones, tone, as a whole, appears to be more labile, appearing several times within Indo-European languages, several times in American languages, and several times in Papuan families. That may indicate that rather than a trait unique to some language families, tone is a latent feature of most language families that may more easily arise and disappear as languages change over time. A 2015 study by Caleb Everett argued that tonal languages are more common in hot and humid climates, which make them easier to pronounce, even when considering familial relationships. If
SECTION 20
#17327800266031364-476: Is marked and which is the default. In Navajo , for example, syllables have a low tone by default, whereas marked syllables have high tone. In the related language Sekani , however, the default is high tone, and marked syllables have low tone. There are parallels with stress: English stressed syllables have a higher pitch than unstressed syllables. In many Bantu languages , tones are distinguished by their pitch level relative to each other. In multisyllable words,
1426-495: Is more prominent than the others. Most languages use pitch as intonation to convey prosody and pragmatics , but this does not make them tonal languages. In tonal languages, each syllable has an inherent pitch contour, and thus minimal pairs (or larger minimal sets) exist between syllables with the same segmental features (consonants and vowels) but different tones. Vietnamese and Chinese have heavily studied tone systems, as well as amongst their various dialects. Below
1488-496: Is most frequently manifested on vowels, but in most tonal languages where voiced syllabic consonants occur they will bear tone as well. This is especially common with syllabic nasals, for example in many Bantu and Kru languages , but also occurs in Serbo-Croatian . It is also possible for lexically contrastive pitch (or tone) to span entire words or morphemes instead of manifesting on the syllable nucleus (vowels), which
1550-499: Is the case in Punjabi . Tones can interact in complex ways through a process known as tone sandhi . In a number of East Asian languages, tonal differences are closely intertwined with phonation differences. In Vietnamese , for example, the ngã and sắc tones are both high-rising but the former is distinguished by having glottalization in the middle. Similarly, the nặng and huyền tones are both low-falling, but
1612-480: Is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation , but not all languages use tones to distinguish words or their inflections, analogously to consonants and vowels. Languages that have this feature are called tonal languages;
1674-724: Is typically lexical. That is, tone is used to distinguish words which would otherwise be homonyms . This is characteristic of heavily tonal languages such as Chinese, Vietnamese, Thai, and Hmong . However, in many African languages, especially in the Niger–Congo family, tone can be both lexical and grammatical. In the Kru languages , a combination of these patterns is found: nouns tend to have complex tone systems but are not much affected by grammatical inflections, whereas verbs tend to have simple tone systems, which are inflected to indicate tense and mood , person , and polarity , so that tone may be
1736-475: Is whether the tones apply independently to each syllable or to the word as a whole. In Cantonese , Thai , and Kru languages , each syllable may have a tone, whereas in Shanghainese , Swedish , Norwegian and many Bantu languages , the contour of each tone operates at the word level. That is, a trisyllabic word in a three-tone syllable-tone language has many more tonal possibilities (3 × 3 × 3 = 27) than
1798-479: The nặng tone is shorter and pronounced with creaky voice at the end, while the huyền tone is longer and often has breathy voice . In some languages, such as Burmese , pitch and phonation are so closely intertwined that the two are combined in a single phonological system, where neither can be considered without the other. The distinctions of such systems are termed registers . The tone register here should not be confused with register tone described in
1860-466: The Northern Thai language (also known as Phasa Mueang or Kham Mueang) have become so few, as most people in northern Thailand now invariably speak Standard Thai, so that they are now using mostly Central Thai words and only seasoning their speech with the "Kham Mueang" accent. Standard Thai is based on the register of the educated classes by Central Thai and ethnic minorities in the area along
1922-521: The Southwestern branch of Tai languages . The Tai languages are a branch of the Kra–Dai language family , which encompasses a large number of indigenous languages spoken in an arc from Hainan and Guangxi south through Laos and Northern Vietnam to the Cambodian border. Standard Thai is the principal language of education and government and spoken throughout Thailand. The standard is based on
Wattanavekin family - Misplaced Pages Continue
1984-555: The Khmer system first before the Thai borrowed. Old Thai had a three-way tone distinction on "live syllables" (those not ending in a stop), with no possible distinction on "dead syllables" (those ending in a stop, i.e. either /p/, /t/, /k/ or the glottal stop that automatically closes syllables otherwise ending in a short vowel). There was a two-way voiced vs. voiceless distinction among all fricative and sonorant consonants, and up to
2046-565: The Omotic (Afroasiatic) language Bench , which employs five level tones and one or two rising tones across levels. Most varieties of Chinese use contour tones, where the distinguishing feature of the tones are their shifts in pitch (that is, the pitch is a contour ), such as rising, falling, dipping, or level. Most Bantu languages (except northwestern Bantu) on the other hand, have simpler tone systems usually with high, low and one or two contour tone (usually in long vowels). In such systems there
2108-491: The Thai-speaking area. All voiced–voiceless pairs of consonants lost the voicing distinction: However, in the process of these mergers, the former distinction of voice was transferred into a new set of tonal distinctions. In essence, every tone in Old Thai split into two new tones, with a lower-pitched tone corresponding to a syllable that formerly began with a voiced consonant, and a higher-pitched tone corresponding to
2170-433: The absolute pitch of a high tone at the end of a prosodic unit may be lower than that of a low tone at the beginning of the unit, because of the universal tendency (in both tonal and non-tonal languages) for pitch to decrease with time in a process called downdrift . Tones may affect each other just as consonants and vowels do. In many register-tone languages, low tones may cause a downstep in following high or mid tones;
2232-402: The conclusions of Everett's work are sound, this is perhaps the first known case of influence of the environment on the structure of the languages spoken in it. The proposed relationship between climate and tone is controversial, and logical and statistical issues have been raised by various scholars. Tone has long been viewed as a phonological system. It was not until recent years that tone
2294-545: The dialect of the central Thai people, and it is written in the Thai script . Hlai languages Kam-Sui languages Kra languages Be language Northern Tai languages Central Tai languages Khamti language Tai Lue language Shan language others Northern Thai language Thai language Southern Thai language Tai Yo language Phuthai language Lao language (PDR Lao, Isan language ) Thai has undergone various historical sound changes. Some of
2356-517: The differentiation of tones. Investigations from the 2010s using perceptual experiments seem to suggest phonation counts as a perceptual cue. Many languages use tone in a more limited way. In Japanese , fewer than half of the words have a drop in pitch ; words contrast according to which syllable this drop follows. Such minimal systems are sometimes called pitch accent since they are reminiscent of stress accent languages, which typically allow one principal stressed syllable per word. However, there
2418-523: The distinctive tone patterns of such a language are sometimes called tonemes, by analogy with phoneme . Tonal languages are common in East and Southeast Asia, Africa, the Americas and the Pacific. Tonal languages are different from pitch-accent languages in that tonal languages can have each syllable with an independent tone whilst pitch-accent languages may have one syllable in a word or morpheme that
2480-477: The distribution; for groups like Khoi-San in Southern Africa and Papuan languages, whole families of languages possess tonality but simply have relatively few members, and for some North American tone languages, multiple independent origins are suspected. If generally considering only complex-tone vs. no-tone, it might be concluded that tone is almost always an ancient feature within a language family that
2542-422: The effect is such that even while the low tones remain at the lower end of the speaker's vocal range (which is itself descending due to downdrift), the high tones drop incrementally like steps in a stairway or terraced rice fields, until finally the tones merge and the system has to be reset. This effect is called tone terracing . Sometimes a tone may remain as the sole realization of a grammatical particle after
Wattanavekin family - Misplaced Pages Continue
2604-1508: The family's other major holding; it also holds a stake in The Erawan Group , together with the Vongkusolkit family . Forbes lists the family, with Kiat's widow Chansamorn Wattanavekin as its head, as the 48th richest in Thailand, as of 2023. References [ edit ] ^ "Kiat Wattanavekin passes away at 105" . The Nation . 14 June 2013 . Retrieved 28 October 2023 . ^ "Chansamorn Wattanavekin & family" . Forbes . 2023 . Retrieved 28 October 2023 . Further reading [ edit ] Suwanban, Vichai; Framson, Martin (2008). "The Wattanavekin Family". Big Business in Thailand: Profiles of Prominent Thai Business Groups . AMIC. p. 175 ff. ISBN 9789749197356 . Retrieved from " https://en.wikipedia.org/w/index.php?title=Wattanavekin_family&oldid=1254398463 " Categories : Thai families of Chinese ancestry Business families of Thailand Hidden categories: Articles with short description Short description matches Wikidata Articles containing Thai-language text Thai language Thai , or Central Thai (historically Siamese ; Thai: ภาษาไทย ),
2666-440: The five lexical tones of Thai (in citation form) are as follows: With convoluted intonation, it appears that high and falling tone conflate, while the low tone with convoluted intonation has the same contour as rising tone with rising intonation. Languages with simple tone systems or pitch accent may have one or two syllables specified for tone, with the rest of the word taking a default tone. Such languages differ in which tone
2728-528: The local patois as pronounced in Guangdong Ayutthaya , the old capital of Thailand from 1351 - 1767 A.D., was from the beginning a bilingual society, speaking Thai and Khmer . Bilingualism must have been strengthened and maintained for some time by the great number of Khmer-speaking captives the Thais took from Angkor Thom after their victories in 1369, 1388 and 1431. Gradually toward the end of
2790-551: The most significant changes occurred during the evolution from Old Thai to modern Thai. The Thai writing system has an eight-century history and many of these changes, especially in consonants and tones, are evidenced in the modern orthography . According to a Chinese source, during the Ming dynasty , Yingya Shenglan (1405–1433), Ma Huan reported on the language of the Xiānluó (暹羅) or Ayutthaya Kingdom, saying that it somewhat resembled
2852-412: The next section. Gordon and Ladefoged established a continuum of phonation, where several types can be identified. Kuang identified two types of phonation: pitch-dependent and pitch-independent . Contrast of tones has long been thought of as differences in pitch height. However, several studies pointed out that tone is actually multidimensional. Contour, duration, and phonation may all contribute to
2914-418: The only distinguishing feature between "you went" and "I won't go". In Yoruba , much of the lexical and grammatical information is carried by tone. In languages of West Africa such as Yoruba, people may even communicate with so-called " talking drums ", which are modulated to imitate the tones of the language, or by whistling the tones of speech. Note that tonal languages are not distributed evenly across
2976-407: The original consonant and vowel disappear, so it can only be heard by its effect on other tones. It may cause downstep, or it may combine with other tones to form contours. These are called floating tones . In many contour-tone languages, one tone may affect the shape of an adjacent tone. The affected tone may become something new, a tone that only occurs in such situations, or it may be changed into
3038-415: The period, a language shift took place. Khmer fell out of use. Both Thai and Khmer descendants whose great-grand parents or earlier ancestors were bilingual came to use only Thai. In the process of language shift, an abundance of Khmer elements were transferred into Thai and permeated all aspects of the language. Consequently, the Thai of the late Ayutthaya Period which later became Ratanakosin or Bangkok Thai,
3100-462: The phrase 很好 [xɤn˧˥ xaʊ˨˩˦] ('very good'). The two transcriptions may be conflated with reversed tone letters as [xɤn˨˩˦꜔꜒xaʊ˨˩˦] . Tone sandhi in Sinitic languages can be classified with a left-dominant or right-dominant system. In a language of the right-dominant system, the right-most syllable of a word retains its citation tone (i.e., the tone in its isolation form). All the other syllables of
3162-519: The ring surrounding the Metropolis . In addition to Central Thai, Thailand is home to other related Tai languages . Although most linguists classify these dialects as related but distinct languages, native speakers often identify them as regional variants or dialects of the "same" Thai language, or as "different kinds of Thai". As a dominant language in all aspects of society in Thailand, Thai initially saw gradual and later widespread adoption as
SECTION 50
#17327800266033224-492: The royal vocabulary according to their immediate environment. Thai and Pali, the latter from Theravada Buddhism, were added to the vocabulary. An investigation of the Ayutthaya Rajasap reveals that three languages, Thai, Khmer and Khmero-Indic were at work closely both in formulaic expressions and in normal discourse. In fact, Khmero-Indic may be classified in the same category as Khmer because Indic had been adapted to
3286-617: The same range as non-tonal languages. Instead, the majority of tone languages belong to the Niger-Congo, Sino-Tibetan and Vietic groups, which are then composed by a large majority of tone languages and dominate a single region. Only in limited locations (South Africa, New Guinea, Mexico, Brazil and a few others) do tone languages occur as individual members or small clusters within a non-tone dominated area. In some locations, like Central America, it may represent no more than an incidental effect of which languages were included when one examines
3348-520: The term includes both inflectional and derivational morphology. Tian described a grammatical tone, the induced creaky tone , in Burmese . Languages may distinguish up to five levels of pitch, though the Chori language of Nigeria is described as distinguishing six surface tone registers. Since tone contours may involve up to two shifts in pitch, there are theoretically 5 × 5 × 5 = 125 distinct tones for
3410-535: The terminology "low" reflects the lower tone variants that resulted. Modern "mid"-class consonants were voiceless unaspirated stops or affricates in Old Thai—precisely the class that triggered lowering in original tone 1 but not tones 2 or 3. Modern "high"-class consonants were the remaining voiceless consonants in Old Thai (voiceless fricatives, voiceless sonorants, voiceless aspirated stops). The three most common tone "marks" (the lack of any tone mark, as well as
3472-398: The three tones of Old Thai were split have since merged into five in standard Thai, with the lower variant of former tone 2 merging with the higher variant of former tone 3, becoming the modern "falling" tone. หม ม หน น, ณ หญ ญ หง ง ป ผ พ, ภ บ ฏ, ต ฐ, ถ ท, ธ ฎ, ด จ ฉ ช Tonal language Tone
3534-406: The tone is now the property of the word, not the syllable. Shanghainese has taken this pattern to its extreme, as the pitches of all syllables are determined by the tone before them, so that only the tone of the initial syllable of a word is distinctive. Lexical tones are used to distinguish lexical meanings. Grammatical tones, on the other hand, change the grammatical categories . To some authors,
3596-914: The traditional reckoning, the Kam language has 15 tones, but 6 occur only in syllables closed with the voiceless stop consonants /p/ , /t/ or /k/ and the other 9 occur only in syllables not ending in one of these sounds. Preliminary work on the Wobe language (part of the Wee continuum) of Liberia and Côte d'Ivoire, the Ticuna language of the Amazon and the Chatino languages of southern Mexico suggests that some dialects may distinguish as many as fourteen tones or more. The Guere language , Dan language and Mano language of Liberia and Ivory Coast have around 10 tones, give or take. The Oto-Manguean languages of Mexico have
3658-423: The two marks termed mai ek and mai tho ) represent the three tones of Old Thai, and the complex relationship between tone mark and actual tone is due to the various tonal changes since then. Since the tone split, the tones have changed in actual representation to the point that the former relationship between lower and higher tonal variants has been completely obscured. Furthermore, the six tones that resulted after
3720-475: The word must take their sandhi form. Taiwanese Southern Min is known for its complex sandhi system. Example: 鹹kiam 'salty'; 酸sng 'sour'; 甜tinn 'sweet'; 鹹酸甜kiam 7 sng 7 tinn 'candied fruit'. In this example, only the last syllable remains unchanged. Subscripted numbers represent the changed tone. Tone change must be distinguished from tone sandhi . Tone sandhi is a compulsory change that occurs when certain tones are juxtaposed. Tone change, however,
3782-453: Was a thorough mixture of Thai and Khmer. There were more Khmer words in use than Tai cognates. Khmer grammatical rules were used actively to coin new disyllabic and polysyllabic words and phrases. Khmer expressions, sayings, and proverbs were expressed in Thai through transference. Thais borrowed both the Royal vocabulary and rules to enlarge the vocabulary from Khmer. The Thais later developed
SECTION 60
#17327800266033844-537: Was found to play a role in inflectional morphology . Palancar and Léonard (2016) provided an example with Tlatepuzco Chinantec (an Oto-Manguean language spoken in Southern Mexico ), where tones are able to distinguish mood , person , and number : In Iau language (the most tonally complex Lakes Plain language , predominantly monosyllabic), nouns have an inherent tone (e.g. be˧ 'fire' but be˦˧ 'flower'), but verbs don't have any inherent tone. For verbs,
#602397