75-566: Anthony Christopher Hicks (born 16 December 1945) is an English guitarist and singer who has been a member of the British rock/pop band the Hollies since 1963, and as such was inducted into the Rock and Roll Hall of Fame in 2010. His main roles within the band are lead guitarist and backing singer. Hicks first had a taste of fame at age 12 as a member of Les Skifflettes when they were featured on
150-828: A Nelson band called the Dolphins, which also featured Bobby Elliott on drums and Bernie Calvert on bass. Not only were the Hollies signed by Richards, who continued to produce the band until 1976 and once more in 1979, but a song from the audition, a cover of the Coasters ' 1961 single "(Ain't That) Just Like Me", was released as their debut single in May 1963 and hit No. 25 on the UK Singles Chart . Their second single, another Coasters cover, this time 1957's " Searchin' ", hit No. 12. At this point, after recording only eight songs for Parlophone, Rathbone also decided to leave
225-1098: A Carousel ", " Carrie Anne " and " King Midas in Reverse ". Hicks rarely sang lead vocals on Hollies songs, but was featured on " Look Through Any Window " (1965), and sang verse leads on " Too Much Monkey Business " (1964), "Carrie Anne" (a song he began for the band in Stavanger, Norway in 1967) and "Open Up Your Eyes" (1968). Hicks took solo lead vocals on his song "Pegasus" (1967), the Clarke-Sylvester-penned "Look at Life" (1969), his "Born A Man" (1973), "Hillsborough" (1989) and Bobby Elliott's "Then, Now, Always (Dolphin Days)" (2009). In 1966, with contributions from fellow Hollies Clarke and Nash, Hicks contributed guitar work alongside Yardbirds guitarist and session musician Jimmy Page to The Everly Brothers ' album Two Yanks in England (which included cover versions of
300-546: A December 1962 gig at the Oasis Club in Manchester. It has been suggested that Eric Haydock named the group in relation to a Christmas holly garland, though in a 2009 interview Graham Nash said that the group decided just prior to a performance to call themselves the Hollies because of their admiration for Buddy Holly . In 2009, Nash wrote, "We called ourselves The Hollies, after Buddy and Christmas." In January 1963,
375-522: A band. A compilation album, The Air That I Breathe: The Very Best of the Hollies , charted at No. 15 in the UK. This album included a new single, "The Woman I Love", which charted at No. 42 in the UK. Graham Nash again reunited with the Hollies to record a new version of "Peggy Sue Got Married" that featured prerecorded lead vocals by Buddy Holly, taken from an 'alternate' version of the song given to Nash by Holly's widow, María Elena Holly . This "Buddy Holly &
450-434: A follow-up to the psychedelic concept album, Butterfly , broke down. Nash became frustrated when the other band members showed opposition to lyrics in his latest compositions. By that time, Nash was the only member of the band using LSD and marijuana and a rift was forming between him and his beer drinking bandmates: I'd written what I thought were some interesting songs at that time — 'Marrakesh Express', 'Right Between
525-555: A number of Hollies songs co-written by Hicks). In the 1960s, with Nash performing few guitar duties except for the occasional rhythm part and acoustic work, Hicks became an integral part of the Hollies sound. Apart from contributing distinctive lead-guitar parts, he could be relied on to add unusual instrumentation to their sessions—such as the banjo which was a key component of their hit "Stop! Stop! Stop!", Greek-type ("Tell Me to My Face"), electric sitar ("The Baby"), and fuzz guitar ("Have You Ever Loved Somebody"). When no original material
600-984: A remake of the Supremes ' " Stop in the Name of Love ", which reached No. 29 in 1983. "Stop in the Name of Love" was taken from What Goes Around... , which was released in July 1983 and charted in the US on the Billboard top 200 albums at No. 90. A live album featuring the Clarke-Hicks-Elliott-Nash re-grouping, Reunion , was recorded at Kings Island Amusement Park in Ohio, during a US tour that followed that same year, finally being issued first in 1997 as Archive Alive , then retitled Reunion (with two extra tracks) in 2004. The Hollies continued to tour and perform through
675-649: A smash hit outside of Europe, peaking at No. 2 in the US (the Hollies' highest-charting single in the US) and Australia. "Long Dark Road" is another track from Distant Light , with lead vocals by Clarke. It was released as a US single in fall 1972, reaching No. 26. Meanwhile, the Rickfors-led Hollies released their first album Romany (which reached No. 84 in the US) in October 1972. A second Rickfors-sung single, "Magic Woman Touch" (1972), failed to chart in
750-497: A songwriter, after a performance in a charity concert at the London Palladium on 8 December 1968. Nash told Disc magazine, "I can't take touring any more. I just want to sit at home and write songs. I don't really care what the rest of the group think." After relocating to Los Angeles, he joined with former Buffalo Springfield guitarist Stephen Stills and ex- Byrds singer and guitarist David Crosby to form one of
825-740: A steady stream of international hit singles: " Stop Stop Stop " (Oct. 1966, UK No. 2, US No. 7) from For Certain Because , known for its distinctive banjo arrangement; " On a Carousel " (Feb. 1967; UK No. 4, 1967, US No. 11, Australia No. 14); " Carrie Anne " (May 1967, UK No. 3, US No. 9, Australia No. 7 ). In mid-February 1967, Bobby Elliott collapsed on stage due to an inflamed appendix. The Hollies were forced to continue their touring commitments without him, using Tony Mansfield, Dougie Wright and Tony Newman as stand-ins for further live dates, and Wright, Mitch Mitchell and Clem Cattini when they began recording for their next album, Evolution , which
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#1732775502756900-583: The Burt Bacharach - Hal David song "After the Fox" (Sep. 1966), which featured Peter Sellers on vocals, Jack Bruce on electric bass and Burt Bacharach himself on keyboards, and was the theme song from the Sellers film of the same name (which failed to chart), and " Bus Stop " (UK No. 5, US No. 5, June 1966), another Gouldman song, which featured Bernie Calvert , a former bandmate of Hicks and Elliott in
975-600: The Carroll Levis talent show in 1957. By the early 1960s, he was a respected member of the Manchester music scene and had become the lead guitarist with Ricky Shaw and the Dolphins, while working as an apprentice electrician. When then local rivals the Hollies needed a replacement for their guitarist Vic Steele in February 1963, Hicks was immediately approached to join the band and although initially reluctant, he
1050-536: The Creedence Clearwater Revival -inspired " Long Cool Woman in a Black Dress ". Parlophone released this as a rival single to "The Baby" in February 1972, although it was only moderately successful in the UK (No. 32). In the US, Epic, which owned the rights to Distant Light but had not released it, finally released the album in April 1972 and the single in May 1972. Surprisingly, the song became
1125-527: The Vocal Group Hall of Fame in 2006) were inducted into the Rock and Roll Hall of Fame. Hicks and Elliott were absent from the induction ceremony because of UK touring commitments with the current Hollies band. Hicks has been married to Jane Dalton since 1974. The Hollies The Hollies are an English rock and pop band formed in 1962. One of the leading British groups of the 1960s and into
1200-715: The skiffle craze of the late 1950s. Eventually Clarke and Nash became a vocal-and-guitar duo modelled on American duo the Everly Brothers , working as "Ricky and Dane Young"; under this name they teamed up with a local band, the Fourtones, consisting of Pete Bocking on guitar, John 'Butch' Mepham on bass, Keith Bates on drums, and Derek Quinn on guitar. When Quinn quit to join Freddie and the Dreamers in 1962, Clarke and Nash also quit and joined another Manchester band,
1275-569: The 1970s, including a UK chart hit with the medley "Holliedaze" in 1981, a US Top 30 hit cover of " Stop! In the Name of Love " in 1983, a UK No. 1 single in 1988 (a re-issue of "He Ain't Heavy, He's My Brother"), and in 1993 "The Woman I Love". The group still performs and records today; however, with the retirement of Allan Clarke in 1999, only Hicks and drummer Bobby Elliott remain from the band's 1960s heyday. In 2010, The Hollies (who had already won an Ivor Novello Award in 1995 for outstanding contribution to British popular music and were inducted into
1350-489: The 1980s. After its use in a TV beer commercial (for Miller Lite lager) in 1988, "He Ain't Heavy" was reissued in the UK and reached No. 1. By this time, bassist Ray Stiles, formerly a member of 1970s glam rock group Mud , had joined the permanent line-up. A compilation album, All the Hits & More: The Definitive Collection , was released in 1988 and charted in the UK. In 1993, the Hollies had their 30th anniversary as
1425-854: The American Billboard chart), Clarke departed from the Hollies in December. The Hollies signed with Polydor for the UK/Europe in 1972, although their US contract with Epic still had three more albums to run. Swedish singer Mikael Rickfors , formerly of the group Bamboo (who had supported the Hollies in Sweden in 1967), was quickly recruited by the rest of the band and sang lead on the group's first Polydor single "The Baby" (UK No. 26, March 1972). When Mikael first auditioned for them, he tried to sing in Allan Clarke's higher vocal range, and
1500-591: The Beatles' 1 collection from the top spot. While re-establishing the band as a touring attraction over 2000 to mid-2004, Carl Wayne only recorded one song with them, " How Do I Survive? " the last (and only new) track on the 2003 Greatest Hits (which reached No. 21 on the UK Albums Chart). After Wayne's death from cancer in August 2004, he was replaced by Peter Howarth . Shortly afterward, Alan Coates left
1575-796: The Bottom from the Top ", again featured the young Elton John on piano and reached UK No. 7 in May 1970, charting in twelve countries. The UK hits continued with "Gasoline Alley Bred" (written by Cook/Greenaway/Macaulay) (Oct. 1970, UK No. 14, Australia No. 20), while the Tony Hicks song "Too Young to Be Married" – merely an album track in the UK and the US – became a No. 1 single in Australia, New Zealand and Malaysia, also reaching No. 9 in Singapore. Allan Clarke's hard-edged rocker "Hey Willy" made No. 22 in
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#17327755027561650-526: The Deltas, consisting of Vic Steele on lead guitar, Eric Haydock on bass guitar, and Don Rathbone on drums, which had just lost two members including Eric Stewart , who left to join a "professional" band, the Mindbenders . During these periods the group were managed and promoted by Michael Cohen, a music enthusiast and clothing retailer from Oldham. The Deltas first called themselves the Hollies for
1725-457: The Dolphins, on bass. Calvert also played a tour of Yugoslavia with the band in May 1966. "Bus Stop" gave the Hollies their first US top ten single. As a result, a US/Canadian Bus Stop album, made of the single mixed with unreleased songs from earlier in the band's career, climbed to No. 75—the group's first album to enter the US Top 100. Although Haydock ultimately proved to be correct about
1800-506: The Everly Brothers album, the Hollies stopped publishing original songs under a pseudonym, and from this point until Nash's last single with the Hollies in 1968, all of their single A-sides were original compositions, except the final Nash era single 'Listen To Me' (1968) which was written by Tony Hazzard . In October 1966, the group's fifth album, For Certain Because (UK No. 23, 1966), became their first album consisting entirely of original compositions by Clarke, Nash and Hicks. Released in
1875-507: The Eyes', 'Lady of the Island' — and the Hollies weren't interested in them. And when I said in the first 'Sleep Song' for instance, 'I'll take off my clothes and I'll lay by your side', they said, 'Hey, you can't bloody sing that. We're not going to sing that filthy stuff.' Saying those things to a stoned musician is ridiculous. Nash quickly became disillusioned with the direction that the band
1950-818: The Hollies Style (1964), did not feature in the Record Retailer top ten album chart, although it did reach the top ten of the New Musical Express chart. None of the tracks from the album were released in the US, although a version of it was released in Canada, with the addition of the British singles. Finally, the Hollies broke through in North America with an original song that they requested from Manchester's Graham Gouldman . " Look Through Any Window " (September 1965, UK No. 4) broke
2025-547: The Hollies in the US, combining their two 1976 albums into their last US release of the decade, Clarke, Hicks, Sylvester, Calvert, Elliott . The Hollies continued to have singles chart hits during the rest of the seventies, although mostly in Europe as well as in New Zealand where they performed and recorded in 1975/76. In 1976, for example, the group released three singles in three different styles, none of which charted in
2100-528: The Hollies into the US Top 40 (No. 32, Jan. 1966) and into the Canadian top 10 (No. 3, Jan. 1966), both for the first time. Their follow-up single, an original recording of George Harrison's new song " If I Needed Someone " (December 1965), was undercut when the Beatles decided to release their own version on the UK album Rubber Soul ; it only reached No. 20 in the UK and was not released in North America. Their third album, simply called Hollies , hit No. 8 in
2175-454: The Hollies participated in the Festival di San Remo with the song Non prego per me , written by Italian songwriter Lucio Battisti and Italian lyricist Mogol . Nash's attempt to expand the band's range with a more ambitious composition, " King Midas in Reverse ", only reached No. 18 in the UK charts. The Hollies then released the ambitious, psychedelic album Butterfly , retitled for
2250-604: The Hollies performed at the Cavern Club in Liverpool, where they were seen by Parlophone assistant producer Ron Richards , who had been involved in producing the first Beatles session. Richards offered them an audition with Parlophone, but Steele did not want to be a "professional" musician and left the band in April 1963. For the audition, they brought in Tony Hicks to replace the departing Steele. Hicks played in
2325-472: The Hollies while they promoted the single on TV) in November 1981, but this failed to chart. Graham Nash joined them for the recording of an Alan Tarney song, "Somethin' Ain't Right", on 10 September 1982, which led to a proper reunion album, What Goes Around... , issued on WEA Records. Nash continued appearing with the Hollies through early 1984, culminating in the Hollies' last hit in the US Top 40 with
Tony Hicks - Misplaced Pages Continue
2400-576: The Hollies" recording opened the Not Fade Away tribute album to Holly by various artists. The Hollies also continued to tour and make TV appearances. The Hollies were awarded an Ivor Novello Award in 1995 for Outstanding Contribution to British Music. Allan Clarke retired in February 2000. He was replaced by Carl Wayne , former lead singer of the Move . A New Zealand Hollies Greatest Hits compilation made No. 1 in that country in 2001, dislodging
2475-489: The Hollies. People knocked it, saying, 'How could they ever relate to Dylan?' We thought we'd do it for Hollies fans, but I was really just reading Dylan's words, not singing them. I could have been a lot better. This is the first album with new member Terry Sylvester , who replaced Nash. All songs written and composed by Bob Dylan , except "This Wheel's on Fire" composed by Dylan and Rick Danko . As listed in liner notes. String arrangements and composing on "Blowin' in
2550-610: The Mind , including "Too Young To Be Married" (a No. 1 single in Australia and New Zealand). Hicks also co-wrote songs with UK singer Kenny Lynch for The Hollies, such as "What A Life I've Led", "Look What We've Got", "Promised Land", the US hit single "Long Dark Road" (all 1971) and "Blue in the Morning" (1972) and "Faded Images", recorded by Cilla Black on her 1971 album Images . He co-wrote Hollies songs between 1974 and 1978 with Allan Clarke and Terry Sylvester. In 1974, Hicks produced
2625-524: The UK Top 30 with a song penned by Clarke: "The Day That Curly Billy Shot Down Crazy Sam McGee" (UK No. 24, 1973). In 1974 they scored what was to be their last major new US and UK hit single with the Albert Hammond / Mike Hazlewood -composed love song " The Air That I Breathe " (previously recorded by Hammond and by Phil Everly on his 1973 solo album, Star Spangled Springer ), which reached No. 2 in
2700-484: The UK album chart. The Hollies became known for making cover versions, and they followed up with " Just One Look " (February 1964, UK No. 2), a song that had already had top 10 success in the US for Soul star Doris Troy . The hits continued with " Here I Go Again " (May 1964, UK No. 4). At this point, there was some North American interest in the group, and versions of Stay with the Hollies , with these two singles added, were issued in both Canada (by Capitol Records ) and
2775-427: The UK and Australia and made the Top 10 in the US. The single "Another Night", produced by Alan Parsons , which was released after the aforementioned single, appeared on Billboard 's Rock Singles Best Sellers chart at no. 32 on 28 July 1975 and peaked at no. 71 on the publication's Hot 100. After the US failure of the Hollies' single " 4th of July, Asbury Park ", written by Bruce Springsteen , Epic gave up on
2850-486: The UK and Europe during the mid-1960s with a string of hits that included " Just One Look ", " Here I Go Again " (both 1964), " I'm Alive " (1965; their first of two UK number ones), " Look Through Any Window " (1965) and " I Can't Let Go " (1966), although they did not achieve US chart success until " Bus Stop " was released in 1966. The group went on to have periodic success on both sides of the Atlantic Ocean over
2925-401: The UK in 1965 but, under the name Hear! Here! , failed to chart in the US despite its inclusion of "Look Through Any Window" and "I'm Alive". The Hollies then returned to the UK Top 10 with " I Can't Let Go " (Feb. 1966, UK No. 2, US No. 42). Their fourth album, Would You Believe? which included the hit, made it to No. 16 in 1966. Released in the US as Beat Group! , it also failed to crack
3000-428: The UK in 1971 and charted in eight other countries. Like Graham Nash before him, frontman Allan Clarke by 1971 was growing frustrated, and he too began clashing with producer Ron Richards over material; after seeing Nash's success since departing, he was eager to leave the group and cut a solo album. After the 1971 album Distant Light , which concluded the band's EMI/Parlophone contract in the UK (and reached No. 21 on
3075-566: The UK or the US. "Star" charted only in New Zealand and Australia, "Daddy Don't Mind" charted only in the Netherlands and Germany, and "Wiggle That Wotsit" charted only in the Netherlands, Sweden, and New Zealand. In 1980, the Hollies returned to the UK charts with the single "Soldier's Song", written and produced by Mike Batt , which was a minor hit in 1980 reaching No. 58 in the UK. They also released an album of Buddy Holly covers named Buddy Holly . In May 1981, Calvert and Sylvester left
Tony Hicks - Misplaced Pages Continue
3150-575: The UK, becoming the band's first official single to miss the UK charts since 1963, although it did chart in seven other countries, reaching the Top Ten in the Netherlands, New Zealand and Hong Kong. A second Rickfors/Hollies album, Out on the Road (1973), was recorded and issued in Germany. Clarke rejoined the band in the summer of 1973, and Rickfors left. After Clarke's return, the Hollies returned to
3225-407: The UK, their third highest showing for any LP and second-highest charting for one with newly recorded material. Nevertheless, the group's next album was titled Hollies Sing Hollies in an apparent move to placate critics. In an interview for Billboard magazine in 1974, Clarke reflected on the album: At the time I was pleased with the album but on reflection, I don't think it was a good move for
3300-637: The US Billboard Hot 100 , and 21 on the chart of RPM magazine in Canada. The Hollies are one of the few UK groups of the early 1960s, along with the Rolling Stones , who have never disbanded and continue to record and perform. In recognition of their achievements, the Hollies were inducted into the Rock and Roll Hall of Fame in 2010. The Hollies originated as a duo formed by Allan Clarke and Graham Nash , who were best friends from primary school and began performing together during
3375-427: The US (by Imperial Records ), with the title changed to Here I Go Again . Like their Parlophone labelmates the Beatles, the Hollies' albums released in North America remained very different from their UK counterparts. By this time, the Hollies were writing and performing a substantial amount of original material, written by the group's songwriting team of Clarke, Nash, and Hicks, and producer Richards finally permitted
3450-470: The US as Stop! Stop! Stop! , it reached No. 91 there and spawned a US release-only single, "Pay You Back with Interest", which was a modest hit, peaking at No. 28. Another track, "Tell Me to My Face", was a moderate hit by Mercury artist Keith , and was also covered a decade later by Dan Fogelberg and Tim Weisberg on their Twin Sons of Different Mothers album. Meanwhile, the Hollies continued to release
3525-662: The US market as King Midas in Reverse/Dear Eloise , but it failed to chart. In response, Clarke and Nash wrote a more conventional pop song, " Jennifer Eccles " (named after their wives) (Mar. 1968, UK No. 7, US No. 40, Australia No. 13 ), which was a hit. The Hollies donated a Clarke-Nash song, "Wings", to No One's Gonna Change Our World , a charity album in aid of the World Wildlife Fund , in 1969. In addition to his Hollies work, Graham Nash co-wrote John Walker's first solo hit "Annabella" in 1967, and
3600-429: The US top 100. At this point, a dispute between the Hollies and their management broke out over what bass guitarist Eric Haydock contended were excessive fees being charged to the group by management. As a result, Haydock decided to take a leave of absence from the group. While he was gone, the group brought in the Beatles ' good friend Klaus Voormann to play on a few gigs and recorded two singles with fill-ins on bass:
3675-619: The US). The Hollies replaced Nash with Terry Sylvester and Hollies Sing Dylan (1969) was No. 3 in the UK Albums Chart , although it failed to chart in the US. This was one of the first "tribute albums" devoted to a single artist by a vocal group. After Nash's December 1968 departure from the group Hicks began to write more solo songs, which were used as either B-sides or album tracks (such as "Cos You Like To Love Me" and "Don't Give Up Easily" in 1969 and "Dandelion Wine" in 1970). He wrote much of The Hollies' 1970 album Confessions of
3750-474: The Wind ", but made no secret of his disdain for the idea and repeatedly clashed with producer Ron Richards. In August 1968, the Hollies recorded "Listen to Me" (written by Tony Hazzard) (Sept. 1968, UK No. 11), which featured Nicky Hopkins on piano. That proved to be Nash's last recording session with the Hollies; he officially left the group to move to Los Angeles, where he tentatively planned to become primarily
3825-447: The band and was replaced by Steve Lauri. The Hollies charted at No. 21 in the UK in 2003 with the compilation album Greatest Hits from EMI in CD format. (EMI has released most of the Hollies' EMI music on CD over the past 25 years.) The Hollies were inducted into the 'Vocal Group Hall of Fame' in the US in 2006. Also in 2006, the Hollies' first new studio album since 1983, Staying Power ,
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#17327755027563900-479: The band, and Hicks was able to arrange for his Dolphins bandmate Bobby Elliott to replace him as the Hollies' new drummer in August 1963. They then scored their first British Top 10 hit in early 1964 with a cover of Maurice Williams and the Zodiacs ' "Stay", which reached No. 8 in the UK. It was lifted from the band's Parlophone debut album, Stay with the Hollies , released on 1 January 1964, which went to No. 2 on
3975-440: The eponymous group album Taggett on EMI Records in the UK. In 1990, Hicks co-wrote "Naomi" for The Hollies with his son Paul. In 1993 he added new guitar parts and harmony vocals (with Clarke and Nash) to an "alternate" version of "Peggy Sue Got Married" by Buddy Holly (credited to "Buddy Holly and The Hollies"), which led off the Not Fade Away tribute album to Holly by various artists. The Hollies continued to have hits beyond
4050-434: The fee dispute, he was sacked in early July 1966 in favour of Calvert after "Bus Stop" became a huge hit. At the time of Haydock's departure, Clarke, Nash and Hicks participated (along with session guitarist Jimmy Page , bass guitarist John Paul Jones and pianist Elton John ) in the recording of the Everly Brothers ' 1966 album Two Yanks in England , which consisted largely of covers of "L. Ransford" compositions. After
4125-518: The first supergroups , Crosby, Stills & Nash , which released "Marrakesh Express" as its debut single. The B-side of "Listen to Me" was "Do the Best You Can", the last original recording of a Clarke-Hicks-Nash song to appear on a Hollies record (although "Survival of the Fittest", written by Clarke-Hicks-Nash, was re-cut with Terry Sylvester and issued as a US single in 1970). Graham Nash
4200-579: The following year sang on the Scaffold 's UK chart-topper, " Lily the Pink " (which referenced "Jennifer Eccles"). The failure of "King Midas in Reverse" had increased tension within the band, with Clarke and Hicks wanting to record more "pop" material than Nash did. Matters reached a head when the band rejected Nash's " Marrakesh Express " and then decided to record an album made up entirely of Bob Dylan covers. Nash did take part in one Dylan cover, " Blowin' in
4275-556: The group ("When I'm Not There") to an EP release in 1964 and co-wrote a B-side ("Keep Off That Friend of Mine") with drummer Bobby Elliott that year. Hicks then joined Clarke and Nash as the group's in-house songwriting team, who from 1964 to mid-1966 wrote as "Chester Mann" and "L. Ransford" before adopting the Clarke-Hicks-Nash banner. By the mid-1960s the threesome had become responsible for writing most of their songs, including singles hits such as " Stop! Stop! Stop! ", " On
4350-496: The group to release its first self-penned hit, "We're Through" (Sep. 1964, UK No. 7) (credited to a pseudonym, "L. Ransford", the name of Graham Nash's grandfather, as were all their early compositions). This was followed by two more cover versions, "Yes I Will" (Jan. 1965, UK No. 9) and finally the Clint Ballard, Jr. -penned " I'm Alive " (May 1965, the band's first UK No. 1, US No. 103, Canada No. 11). Their second album, In
4425-467: The group. Alan Coates joined the band on rhythm guitar and high harmony vocals shortly afterwards. The Hollies went back into the studio on 6 June 1981 with singer/writer/guitarist John Miles and session bassist Alan Jones to record "Carrie" and "Driver". But neither one of these songs was released at this time ("Carrie" appeared as the B-side of the re-released "He Ain't Heavy" in 1988). In August 1981,
4500-493: The late 1980s, it was not released in that format in the rest of Europe until 1993. For this issue, two bonus tracks, the single version of "Blowin' in the Wind" and a live version of "The Times They Are a-Changin'". A later remastered issue in 1999 added a third bonus track, a live version of "Blowin' in the Wind". The album was recorded and released following Graham Nash 's departure from the band to join David Crosby and Stephen Stills in December 1968 after early sessions for
4575-703: The mid-1970s, they are known for their distinctive three-part vocal harmony style. Singer Allan Clarke and rhythm guitarist/singer Graham Nash founded the band as a Merseybeat -type group in Manchester , although some of the band members came from towns further north, in east Lancashire . Nash left the group in 1968 to co-form Crosby, Stills & Nash , though he has reunited with the Hollies on occasion. As well as Clarke and Nash other members have included lead guitarist Tony Hicks , rhythm guitarist Terry Sylvester (who replaced Nash), bassists Eric Haydock and Bernie Calvert , and drummers Don Rathbone and Bobby Elliott . The Hollies enjoyed considerable popularity in
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#17327755027564650-410: The next decade with hits such as " Stop Stop Stop " (1966), " On a Carousel ", " Carrie Anne " (both 1967), " He Ain't Heavy, He's My Brother " (1969), " Long Cool Woman in a Black Dress " (1972) and " The Air That I Breathe " (1974). "He Ain't Heavy" reached number one on the UK Singles Chart following a 1988 re-release. Overall, the Hollies had over 30 charting singles reach the UK Singles Chart, 22 on
4725-413: The remaining Hollies released "Holliedaze" on EMI, a medley edited together by Tony Hicks from their hit records, which returned them to the UK Top 30. At the request of the BBC, Nash and Haydock briefly rejoined in September 1981 to promote the record on Top of the Pops . The Hollies issued their last Polydor single "Take My Love and Run" (written by keyboard player Brian Chatton , who also appeared with
4800-450: The results were terrible. The rest of the group decided it might be better to record songs with him starting from scratch. Terry Sylvester and Tony Hicks blended with Rickfors' baritone voice instead of him trying to imitate Clarke's tenor voice. Meanwhile, in a counter-programming move, Parlophone lifted a Clarke-composed track from the previously unsuccessful album Distant Light that also featured Clarke on lead vocals and lead guitar,
4875-474: The same year, a compilation album, Midas Touch: The Very Best of the Hollies , charted in the UK at No. 23. Hollies Sing Dylan Hollies Sing Dylan is a 1969 cover album featuring songs written by Bob Dylan and performed by the Hollies . It is their eighth UK album. It was also released in the US as Words and Music by Bob Dylan with a different cover but using the same band image and track order. First released on compact disc in West Germany in
4950-416: The session as their new guitarist in April 1963 and the audition resulted in a recording contract with Parlophone. The Hollies soon became one of the most successful bands in Britain; they had a distinctive, breezy pop style built around the three-part harmony of Hicks (lower harmony) and bandmates Allan Clarke (lead vocals) and Graham Nash (high harmony). Hicks contributed his first solo composition for
5025-434: Was available, Hicks discovered demos of Hollies hits "Just One Look" (UK No. 2 in 1964), "I Can't Let Go" (UK No. 2 in 1966) and " He Ain't Heavy, He's My Brother " (UK No. 3 in 1969) (which became one of their biggest hits). Hicks suggested the band do an album of Bob Dylan songs in late 1968; Nash disagreed, one of the reasons for his exit from the band (although he had already sung with David Crosby and Stephen Stills in
5100-430: Was driving me nuts. I couldn't handle it. Nash has claimed in interviews that he sang on the version of "Blowing in the Wind", and indeed, a TV appearance of the band playing the song with Nash from late 1968 exists (one of the last TV shows he did with the band). However, his name does not appear on the album credits. There have been claims that the album was hated by fans and critics alike. However it peaked at No. 3 in
5175-453: Was finally persuaded to join after listening to The Hollies through the air vent of the Twisted Wheel club in Manchester. Hicks shrewdly negotiated an £18 per week wage to join, despite the other members being paid just £9 per week. They had by this time secured a test recording session with EMI 's Parlophone label with staff producer Ron Richards , whom the band later credited with creating and choosing their greatest hits. Hicks duly attended
5250-409: Was ignored. Nash's departure saw the Hollies again turn to outside writers for their single A-sides, but the group's British chart fortunes rallied during 1969 and 1970, and they scored four consecutive UK Top 20 hits (including two consecutive Top 5 placings) in this period, beginning with the Geoff Stephens/Tony Macaulay song, " Sorry Suzanne " (Feb. 1969), which reached No. 3 in the UK. The follow-up
5325-405: Was moving artistically and especially derided their decision to record an entire album of covers: This happened at the same time they wanted to make an album with Dylan tunes. I thought even that was a sacrilege, because we were doing them like [Graham starts singing "Blowing in the Wind" in swing fashion, snapping his fingers]: 'How many roads, yeah, would a . . .' — a Las Vegas type thing, and it
5400-423: Was released by EMI featuring Peter Howarth on lead vocals. The group released a studio album, Then, Now, Always , in late March 2009, again featuring Peter Howarth on lead vocals. The album was later given an official release by EMI in 2010 with the addition of an extra original song, "She'd Kill for Me". In recognition of their achievements, the Hollies were inducted to the Rock and Roll Hall of Fame in 2010. In
5475-550: Was released on 1 June 1967, the same day as the Beatles' Sgt. Pepper's Lonely Hearts Club Band . It was also their first album for their new US label Epic , and reached No. 13 in the UK and No. 43 in the US. The US version included the single "Carrie Anne". In addition, the Searchers and Paul & Barry Ryan each had a minor UK chart hit covering the Evolution song "Have You Ever Loved Somebody" in 1967. Also in 1967,
5550-581: Was replaced in the Hollies in January 1969 by Terry Sylvester , formerly of the Escorts and the Swinging Blue Jeans . Sylvester also substituted for Nash as part of the group's songwriting team, with Clarke and Hicks. As planned before Nash's departure, the group's next album was Hollies Sing Dylan , which reached No. 3 on the UK chart, while the US version, Words and Music by Bob Dylan ,
5625-585: Was the emotional ballad " He Ain't Heavy, He's My Brother " written by Bobby Scott and Bob Russell , which featured the piano playing of Elton John ; it reached No. 3 in the UK in October 1969, and No. 7 in the US in March 1970. The next album Hollies Sing Hollies did not chart in the UK, but did well in the US—where it reached No. 32 after being retitled He Ain't Heavy, He's My Brother and including that song—and in Canada. The Hollies' next single, " I Can't Tell
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