Misplaced Pages

#416583

93-402: The Anomaly is a 2014 British science fiction action film co-produced and directed by Noel Clarke , who also starred in the lead role. The film co-stars Ian Somerhalder and Luke Hemsworth . The film was panned by critics. This is Somerhalder's final acting film before his retirement in 2024. Ex-soldier Ryan Reeve wakes up in the back of a moving van next to a young tied-up boy, Alex, who

186-512: A British cinema and media theorist and cultural critic: Science fiction film is a film genre which emphasizes actual, extrapolative, or 2.0 speculative science and the empirical method , interacting in a social context with the lesser emphasized, but still present, transcendentalism of magic and religion , in an attempt to reconcile man with the unknown. This definition suggests a continuum between (real-world) empiricism and ( supernatural ) transcendentalism , with science fiction films on

279-524: A Friend for the End of the World ( 2012 ), Safety Not Guaranteed ( 2013 ), and Pixels (2015), romance films such as Her (2013), Monsters (2010), and Ex Machina (2015), heist films including Inception (2010) and action films including Real Steel (2011), Total Recall (2012), Edge of Tomorrow ( 2014 ), Pacific Rim (2013), Chappie (2015), Tomorrowland (2015), and Ghost in

372-715: A book explaining their techniques, naming this new medium "virtual reality cinema" (or cine-VR). He developed the film classification system called the Screenwriters Taxonomy . Williams graduated from Northwestern University in 1990 with a bachelor's degree in radio/television/film and a minor in education. He earned his MFA in film from Columbia University , directing the feature film Snakes and Arrows as his thesis. Williams chose Columbia so that he could study writing and producing from James Schamus , Richard Brick , David Shaber and Terry Southern . Williams' first feature film, Snakes and Arrows , opened

465-474: A civilization's level of technological advancement into types. Due to its exponential nature, sci-fi civilizations usually only attain Type I (harnessing all the energy attainable from a single planet), and strictly speaking often not even that. The concept of life, particularly intelligent life, having an extraterrestrial origin is a popular staple of science fiction films. Early films often used alien life forms as

558-470: A conspiracy in mind control known as "Anomaly" led by Langham. Langham, meanwhile, urges him to stop fighting it, as it has nothing to do with him, however, he is convinced otherwise. The film was produced in the United Kingdom in 2013. Clarke performed his own stunts, modifying his diet and receiving fight training for the purpose. The first official trailer was released on 19 April 2014. The film

651-401: A long tradition of movies featuring monster attacks. These differ from similar films in the horror or fantasy genres because science fiction films typically rely on a scientific (or at least pseudo-scientific) rationale for the monster's existence, rather than a supernatural or magical reason. Often, the science fiction film monster is created, awakened, or "evolves" because of the machinations of

744-533: A mad scientist, a nuclear accident, or a scientific experiment gone awry. Typical examples include The Beast from 20,000 Fathoms (1953), Jurassic Park films, Cloverfield , Pacific Rim , the King Kong films, and the Godzilla franchise or the many films involving Frankenstein's monster . The core mental aspects of what makes us human has been a staple of science fiction films, particularly since

837-462: A moderate success. The strongest contributors to the genre during the second half of the 1980s were James Cameron and Paul Verhoeven with The Terminator and RoboCop entries. Robert Zemeckis ' film Back to the Future ( 1985 ) and its sequels were critically praised and became box office successes, not to mention international phenomena. James Cameron's sequel to Alien , Aliens ( 1986 ),

930-457: A noble failure" and referred to "tangled conception and tortuously opaque execution" and to "meag[re] rewards for those willing to endure its laborious convolutions". Science fiction film The genre has existed since the early years of silent cinema , when Georges Méliès ' A Trip to the Moon (1902) employed trick photography effects. The next major example (first in feature-length in

1023-530: A number of science fiction comic strips were adapted as serials , notably Flash Gordon and Buck Rogers , both starring Buster Crabbe . These serials, and the comic strips they were based on, were very popular with the general public. Other notable science fiction films of the 1930s include Frankenstein (1931), Bride of Frankenstein (1935), Doctor X (1932), Dr. Jekyll and Mr. Hyde (1931), F.P.1 (1932), Island of Lost Souls (1932), Deluge (1933), The Invisible Man (1933), Master of

SECTION 10

#1732802200417

1116-463: A particular area or time period. This is not true of the science fiction film. However, there are several common visual elements that are evocative of the genre. These include the spacecraft or space station, alien worlds or creatures, robots, and futuristic gadgets. Examples include movies like Lost in Space , Serenity , Avatar , Prometheus , Tomorrowland , Passengers , and Valerian and

1209-500: A particular concern of the writer by serving as a vehicle of warning against a type of activity, including technological research. In the case of alien invasion films, the creatures can provide as a stand-in for a feared foreign power. Films that fit into the Disaster film typically also fall into the following general categories: While monster films do not usually depict danger on a global or epic scale, science fiction film also has

1302-565: A popular staple of science fiction film and science fiction television series. Time travel usually involves the use of some type of advanced technology, such as H. G. Wells' classic The Time Machine , the commercially successful 1980s-era Back to the Future trilogy, the Bill & Ted trilogy, the Terminator series, Déjà Vu (2006), Source Code (2011), Edge of Tomorrow (2014), and Predestination (2014). Other movies, such as

1395-637: A room with a mysterious young man (same as before) named Harkin Langham, who seems to think he is someone else. When Langham discovers who he really is, he disables Reeve and knocks him out. Reeve then wakes up in a mysterious bedroom having sex with a beautiful young woman. She identifies herself as a prostitute named Dana, who seems to remember meeting and engaging in sexual activity with a much more violent and sociopathic version of Reeve. He tries to explain his predicament, but she remains skeptical. He asks her to come with him, but she says she cannot leave as she

1488-657: A special metal called unobtainium. That same year, Terminator Salvation was released and garnered only moderate success. The 2010s saw new entries in several classic science fiction franchises, including Predators ( 2010 ), Tron: Legacy (2010), a resurgence of the Star Wars series, and entries into the Planet of the Apes and Godzilla franchises. Several more cross-genre films have also been produced, including comedies such as Hot Tub Time Machine (2010), Seeking

1581-708: A split-second before their demise, and then use their bodies for spare parts. Eric R. Williams Eric R. Williams is an American screenwriter , professor , cinematic virtual reality director, and new media storyteller. He is known for developing alternative narrative and documentary techniques that take advantage of digital technologies. Williams's narrative research emphasizes collaboration between storytellers and their audience. While teaching at Ohio University , Williams began combining aspects of traditional film , theater , and literature with emerging communication technologies such as virtual reality and 360-degree video . In 2020, he and his colleagues wrote

1674-533: A threat or peril to the human race, where the invaders were frequently fictional representations of actual military or political threats on Earth as observed in films such as Mars Attacks! , Starship Troopers , the Alien series, the Predator series, and The Chronicles of Riddick series. Some aliens were represented as benign and even beneficial in nature in such films as Escape to Witch Mountain , E.T.

1767-631: A variety of domestic media projects, Williams used his faculty position to work on international media projects in Ukraine, Guyana and Ecuador. Williams currently develops virtual reality cinema techniques at Ohio University's Game Research and Immersive Design (GRID) Lab, where he continues to collaborate on a wide variety of non-fiction and narrative-based projects. Williams began writing, directing and producing virtual reality experiences at Ohio University's Game Research and Immersive Design Lab in 2016. Williams' first narrative virtual reality project

1860-595: Is a popular scientific element in films as depicted in Jurassic Park (cloning of extinct species), The Island (cloning of humans), and ( genetic modification ) in some superhero movies and in the Alien series. Cybernetics and holographic projections as depicted in RoboCop and I, Robot are also popularized. Interstellar travel and teleportation is a popular theme in the Star Trek series that

1953-700: Is a popular theme in Independence Day while invisibility is also popular in Star Trek . Arc reactor technology, featured in Iron Man , is similar to a cold fusion device. Miniaturization technology where people are shrunk to microscopic sizes is featured in films like Fantastic Voyage (1966), Honey, I Shrunk the Kids (1989), and Marvel's Ant-Man (2015). The late Arthur C. Clarke 's third law states that "any sufficiently advanced technology

SECTION 20

#1732802200417

2046-564: Is achieved through warp drives and transporters while intergalactic travel is popular in films such as Stargate and Star Wars that is achieved through hyperspace or wormholes . Nanotechnology is also featured in the Star Trek series in the form of replicators (utopia), in The Day the Earth Stood Still in the form of grey goo (dystopia), and in Iron Man 3 in the form of extremis (nanotubes) . Force fields

2139-813: Is an exception. The first depiction of a sophisticated robot in a United States film was Gort in The Day the Earth Stood Still . Robots in films are often sentient and sometimes sentimental, and they have filled a range of roles in science fiction films. Robots have been supporting characters, such as Robby the Robot in Forbidden Planet , Huey, Dewey and Louie in Silent Running , Data in Star Trek: The Next Generation , sidekicks (e.g., C-3PO and R2-D2 from Star Wars , JARVIS from Iron Man ), and extras, visible in

2232-472: Is being held prisoner. Strangely, the boy seems to think Reeve is the kidnapper though he has no memory of ever having seen the boy before, and looking at his watch, he last remembered it being six months previously. After freeing the boy, making a run for it, and attempting to figure out what has happened to him, all he remembers is being at a facility treating his severe PTSD . As one of their pursuers catches up to them, suddenly he blacks out again and awakes in

2325-699: Is featured in Minority Report as well as in The Matrix saga (in which precognition is achieved by knowing the artificial world). Robots have been a part of science fiction since the Czech playwright Karel Čapek coined the word in 1921. In early films, robots were usually played by a human actor in a boxy metal suit, as in The Phantom Empire , although the female robot in Metropolis

2418-506: Is indistinguishable from magic". Past science fiction films have depicted "fictional" ("magical") technologies that became present reality. For example, the Personal Access Display Device from Star Trek was a precursor of smartphones and tablet computers . Gesture recognition in the movie Minority Report is part of current game consoles . Human-level artificial intelligence is also fast approaching with

2511-439: Is regarded as one of the best movies of the period, Planet of the Apes (1968) and Fahrenheit 451 ( 1966 ), which provided social commentary, and the campy Barbarella (1968), which explored the comical side of earlier science fiction. Jean-Luc Godard 's French "new wave" film Alphaville (1965) posited a futuristic Paris commanded by an artificial intelligence which has outlawed all emotion. The era of crewed trips to

2604-539: Is remote telepresence via androids as depicted in Surrogates and Iron Man 3 . As artificial intelligence becomes smarter due to increasing computer power , some sci-fi dreams have already been realized. For example, the computer Deep Blue beat the world chess champion in 1997 and a documentary film, Game Over: Kasparov and the Machine , was released in 2003. Another famous computer called Watson defeated

2697-554: Is the "property" of a Russian gangster named Sergio. Reeve offers to free her if she will help him solve the mystery that his life has become. The two manage to escape, but Reeve again loses consciousness when the mind control system reboots and again Langham catches up to him. He must work out what is happening in bursts of exactly nine minutes and forty-seven seconds, as the control and conscious awareness of his body are repeatedly being hijacked and shuffled through different scenarios by person/s unknown. He teams up with Dana as he battles

2790-525: Is whether robots will someday replace humans, a question raised in the film adaptation of Isaac Asimov 's I, Robot (in jobs) and in the film Real Steel (in sports), or whether intelligent robots could develop a conscience and a motivation to protect, take over, or destroy the human race (as depicted in The Terminator , Transformers , and in Avengers: Age of Ultron ). Another theme

2883-442: The Planet of the Apes series, Timeline (2003) and The Last Mimzy (2007), explained their depictions of time travel by drawing on physics concepts such as the special relativity phenomenon of time dilation (which could occur if a spaceship was travelling near the speed of light) and wormholes . Some films show time travel not being attained from advanced technology, but rather from an inner source or personal power, such as

The Anomaly - Misplaced Pages Continue

2976-565: The Power Rangers (2017) reboot was greatly improved as compared to the original Mighty Morphin Power Rangers: The Movie (1995). While "size does matter", a famous tagline of the movie Godzilla , incredibly small robots, called nanobots , do matter as well (e.g. Borg nanoprobes in Star Trek and nanites in I, Robot ). The concept of time travel —travelling backwards and forwards through time—has always been

3069-457: The Star Wars prequel trilogy , or the huge robot probes seen in Monsters vs. Aliens ). In some cases, robots have even been the leading characters in science fiction films; in the film Blade Runner (1982), many of the characters are bioengineered android " replicants ". This is also present in the animated films WALL-E (2008), Astro Boy (2009), Big Hero 6 (2014), Ghost in

3162-466: The Star Wars prequel trilogy began with the release of Star Wars: Episode I – The Phantom Menace , which eventually grossed over one billion dollars. As the decade progressed, computers played an increasingly important role in both the addition of special effects (thanks to Terminator 2: Judgment Day and Jurassic Park ) and the production of films. As software developed in sophistication it

3255-616: The Washington Monument . Cultural theorist Scott Bukatman has proposed that science fiction film allows contemporary culture to witness an expression of the sublime , be it through exaggerated scale, apocalypse or transcendence. Science fiction films appeared early in the silent film era, typically as short films shot in black and white, sometimes with colour tinting. They usually had a technological theme and were often intended to be humorous. In 1902 , Georges Méliès released Le Voyage dans la Lune , generally considered

3348-469: The cyberpunk genre spawned several movies on the theme of the computer-human interface, such as Terminator 2: Judgment Day ( 1991 ), Total Recall ( 1990 ), The Lawnmower Man ( 1992 ), and The Matrix ( 1999 ). Other themes included disaster films (e.g., Armageddon and Deep Impact , both 1998 ), alien invasion (e.g., Independence Day ( 1996 )) and genetic experimentation (e.g., Jurassic Park ( 1993 ) and Gattaca ( 1997 )). Also,

3441-452: The virtual reality world became a real-world prison for humanity, managed by intelligent machines. In movies such as eXistenZ , The Thirteenth Floor , and Inception , the nature of reality and virtual reality become intermixed with no clear distinguishing boundary. Telekinesis and telepathy are featured in movies like Star Wars , The Last Mimzy , Race to Witch Mountain , Chronicle , and Lucy while precognition

3534-827: The young adult dystopian fiction subgenre, popular in the early part of the decade. These include the Hunger Games film series , based on the trilogy of novels by Suzanne Collins , The Divergent Series based on Veronica Roth 's Divergent trilogy , and the Maze Runner series , based on James Dashner 's The Maze Runner novels . Several adult adaptations have also been produced, including The Martian (2015), based on Andy Weir 's 2011 novel , Cloud Atlas (2012), based on David Mitchell 's 2004 novel , World War Z , based on Max Brooks ' 2006 novel , and Ready Player One (2018), based on Ernest Cline 's 2011 novel . Independent productions also increased in

3627-412: The " mad scientist " transferring the human mind to another body is as old as Frankenstein while the idea of corporations behind mind transfer technologies is observed in later films such as Gamer , Avatar , and Surrogates . Films such as Total Recall have popularized a thread of films that explore the concept of reprogramming the human mind. The theme of brainwashing in several films of

3720-623: The 1950s, Ray Harryhausen , protege of master King Kong animator Willis O'Brien, used stop-motion animation to create special effects for the following notable science fiction films: It Came from Beneath the Sea (1955), Earth vs. the Flying Saucers (1956) and 20 Million Miles to Earth (1957). The most successful monster movies were Japanese film studio Toho 's kaiju films directed by Ishirō Honda and featuring special effects by Eiji Tsuburaya . The 1954 film Godzilla , with

3813-476: The 1960s, but some of the films transformed science fiction cinema. Stanley Kubrick 's 2001: A Space Odyssey ( 1968 ) brought new realism to the genre, with its groundbreaking visual effects and realistic portrayal of space travel and influenced the genre with its epic story and transcendent philosophical scope. Other 1960s films included Planet of the Vampires (1965) by Italian filmmaker Mario Bava , that

The Anomaly - Misplaced Pages Continue

3906-482: The 1970s included Woody Allen 's Sleeper ( 1973 ), and John Carpenter 's Dark Star ( 1974 ). The sports science fiction genre can be seen in films such as Rollerball (1975). Star Wars ( 1977 ) and Close Encounters of the Third Kind ( 1977 ) were box-office hits that brought about a huge increase in science fiction films. In 1979 , Star Trek: The Motion Picture brought the television series to

3999-408: The 1980s. Ridley Scott 's Blade Runner (1982), an adaptation of Philip K. Dick 's novel Do Androids Dream of Electric Sheep? , examined what made an organic-creation a human, while the RoboCop series saw an android mechanism fitted with the brain and reprogrammed mind of a human to create a cyborg . The idea of brain transfer was not entirely new to science fiction film, as the concept of

4092-443: The 2000s-era films Donnie Darko , Mr. Nobody , The Butterfly Effect , and X-Men: Days of Future Past . More conventional time travel movies use technology to bring the past to life in the present, or in a present that lies in our future. The film Iceman (1984) told the story of the reanimation of a frozen Neanderthal . The film Freejack (1992) shows time travel used to pull victims of horrible deaths forward in time

4185-579: The 2010s, with the rise of digital filmmaking making it easier for filmmakers to produce movies on a smaller budget. These films include Attack the Block (2011), Source Code (2011), Looper (2012), Upstream Color (2013), Ex Machina (2015), and Valerian and the City of a Thousand Planets (2017). In 2016, Ex Machina won the Academy Award for Visual Effects in a surprising upset over

4278-515: The City of a Thousand Planets . More subtle visual clues can appear with changes of the human form through modifications in appearance, size, or behavior, or by means a known environment turned eerily alien, such as an empty city The Omega Man (1971). While science is a major element of this genre, many movie studios take significant liberties with scientific knowledge. Such liberties can be most readily observed in films that show spacecraft maneuvering in outer space . The vacuum should preclude

4371-568: The Earth Stood Still , and The Watch , the aliens were nearly human in physical appearance, and communicated in a common earth language. However, the aliens in Stargate and Prometheus were human in physical appearance but communicated in an alien language. A few films have tried to represent intelligent aliens as something utterly different from the usual humanoid shape (e.g. An intelligent life form surrounding an entire planet in Solaris ,

4464-772: The Extra-Terrestrial , Close Encounters of the Third Kind , The Fifth Element , The Hitchhiker's Guide to the Galaxy , Avatar , Valerian and the City of a Thousand Planets , and the Men in Black series. In order to provide subject matter to which audiences can relate, the large majority of intelligent alien races presented in films have an anthropomorphic nature, possessing human emotions and motivations. In films like Cocoon , My Stepmother Is an Alien , Species , Contact , The Box , Knowing , The Day

4557-634: The Love of God and Lost Broken Alone . The latter was a finalist for "Best Use of Sound & Music in XR" at the 2020 Real World XR Awards.  Music for the piece was provided by Moby ; Jordan Herron was the immersive sound designer. In 2021, For the Love of God won the "Best Virtual Reality Award" in the New York Nil Gallery International Media Festival and "First Place: Outstanding Virtual Reality Film" in

4650-473: The Loves subsequently wrote the book Virtual Reality Cinema: Narrative Tips and Techniques identifying at least four new concepts for telling stories using cine-VR: The authors explain that cine-VR synthesizes concepts from film, theater, literature, virtual reality and video games. Between 2020 and 2021, Williams wrote and/or directed more than half a dozen cine-VR pieces using these techniques, including For

4743-739: The Moon in 1969 and the 1970s saw a resurgence of interest in the science fiction film. Andrei Tarkovsky 's Solaris ( 1972 ) and Stalker ( 1979 ) are two widely acclaimed examples of the renewed interest of film auteurs in science fiction. Science fiction films from the early 1970s explored the theme of paranoia, in which humanity is depicted as under threat from sociological, ecological or technological adversaries of its own creation, such as George Lucas 's directional debut THX 1138 ( 1971 ), The Andromeda Strain ( 1971 ), Silent Running ( 1972 ), Soylent Green ( 1973 ), Westworld ( 1973 ) and its sequel Futureworld ( 1976 ), and Logan's Run ( 1976 ). The science fiction comedies of

SECTION 50

#1732802200417

4836-584: The Pole (1912), Himmelskibet (1918; which with its runtime of 97 minutes generally is considered the first feature-length science fiction film in history), The Cabinet of Dr. Caligari (1920), The Mechanical Man (1921), Paris Qui Dort (1923), Aelita (1924), Luch Smerti (1925), and The Lost World (1925). In the 1930s, there were several big budget science fiction films, notably Just Imagine (1930), King Kong (1933), Things to Come (1936), and Lost Horizon (1937). Starting in 1936,

4929-502: The Sea ( 1916 ) is a film based on Jules Verne ’s famous novel of a wondrous submarine and its vengeful captain. In the 1920s, European filmmakers tended to use science fiction for prediction and social commentary, as can be seen in German films such as Metropolis ( 1927 ) and Frau im Mond ( 1929 ). Other notable science fiction films of the silent era include The Impossible Voyage (1904), The Motorist (1906), The Conquest of

5022-530: The Shell (2017) and in Next Gen (2018). Films like Bicentennial Man , A.I. Artificial Intelligence , Chappie , and Ex Machina depicted the emotional fallouts of robots that are self-aware. Other films like The Animatrix (The Second Renaissance) present the consequences of mass-producing self-aware androids as humanity succumbs to their robot overlords. One popular theme in science fiction film

5115-1076: The Shell (2017). The superhero film boom has also continued, into films such as Iron Man 2 (2010) and Iron Man 3 (2013), several entries into the X-Men film series , and The Avengers (2012), which became the fourth-highest-grossing film of all time. New franchises such as Deadpool and Guardians of the Galaxy also began in this decade. Further into the decade, more realistic science fiction epic films also become prevalent, including Battleship (2012), Gravity (2013), Elysium (2013), Interstellar ( 2014 ), Mad Max: Fury Road ( 2015 ), The Martian ( 2015 ), Arrival ( 2016 ), Passengers (2016), and Blade Runner 2049 ( 2017 ). Many of these films have gained widespread accolades, including several Academy Award wins and nominations. These films have addressed recent matters of scientific interest, including space travel, climate change, and artificial intelligence. Alongside these original films, many adaptations were produced, especially within

5208-618: The Short Sweet Film Festival. Williams co-developed the concept of "PRE-ality" (a portmanteau of "prepare" and "reality") while working with emergency room doctors and physical therapists, with whom he worked in Columbus, Ohio and San Francisco, California to implement a training experience for medical students. Williams furthered this research in collaboration with Dr. Petra Williams, Northern Arizona University professor of Physical Therapy, and subsequently introduced

5301-697: The Wire in 2003; Bill Littlefield's novel The Prospect in 2005; and the anthology Voices from the Heartland in 2008. Williams' work on Voices received the "Ohio Arts Council Award of Individual Excellence in Screenwriting" in 2009. These scripts are shared as examples in his book Screen Adaptation: Beyond the Basics. By 2010, Williams co-directed and co-produced two documentary television series ( Redefining Appalachia and Guyana Pepperpot ) as well as

5394-697: The World (1934), Mad Love (1935), Trans-Atlantic Tunnel (1935), The Devil-Doll (1936), The Invisible Ray (1936), The Man Who Changed His Mind (1936), The Walking Dead (1936), Non-Stop New York (1937), and The Return of Doctor X (1939). The 1940s brought us Before I Hang (1940), Black Friday (1940), Dr. Cyclops (1940), The Devil Commands (1941), Dr. Jekyll and Mr. Hyde (1941), Man Made Monster (1941), It Happened Tomorrow (1944), It Happens Every Spring (1949), and The Perfect Woman (1949). The release of Destination Moon (1950) and Rocketship X-M (1950) brought us to what many people consider "the golden age of

5487-776: The Worlds (1953), 20,000 Leagues Under the Sea (1954), This Island Earth (1955), Forbidden Planet (1956), Invasion of the Body Snatchers (1956), The Curse of Frankenstein (1957), Journey to the Center of the Earth (1959) and On the Beach (1959). There is often a close connection between films in the science fiction genre and the so-called " monster movie ". Examples of this are Them! (1954), The Beast from 20,000 Fathoms (1953) and The Blob (1958). During

5580-534: The advent of smartphone A.I. while a working cloaking device / material is the main goal of stealth technology . Autonomous cars (e.g. KITT from the Knight Rider series) and quantum computers , like in the movie Stealth and Transcendence , also will be available eventually. Furthermore, although Clarke's laws do not classify "sufficiently advanced" technologies , the Kardashev scale measures

5673-576: The background to create a futuristic setting (e.g., Back to the Future Part II (1989), Total Recall (2012), RoboCop (2014)). As well, robots have been formidable movie villains or monsters (e.g., the robot Box in the film Logan's Run (1976), HAL 9000 in 2001: A Space Odyssey , ARIIA in Eagle Eye , robot Sentinels in X-Men: Days of Future Past , the battle droids in

SECTION 60

#1732802200417

5766-691: The ball shaped creature in Dark Star , microbial-like creatures in The Invasion , shape-shifting creatures in Evolution ). Recent trends in films involve building-size alien creatures like in the movie Pacific Rim where the CGI has tremendously improved over the previous decades as compared in previous films such as Godzilla . A frequent theme among science fiction films is that of impending or actual disaster on an epic scale. These often address

5859-708: The big screen for the first time. It was also in this period that the Walt Disney Company released many science fiction films for family audiences such as The Black Hole , Flight of the Navigator , and Honey, I Shrunk the Kids . The sequels to Star Wars , The Empire Strikes Back ( 1980 ) and Return of the Jedi ( 1983 ), also saw worldwide box office success. Ridley Scott 's films, such as Alien ( 1979 ) and Blade Runner ( 1982 ), along with James Cameron 's The Terminator ( 1984 ), presented

5952-819: The concept of PRE-ality at the Virtual Reality and Healthcare Symposium in Washington, D.C. in 2017. PRE-ality uses virtual reality cinema to evoke a sense of déjà vu in the viewer to better prepare them for a reality they have yet to experience. This discovery led to the implementation of a virtual reality training experience for healthcare education. Williams authored three books: Virtual Reality Cinema (Routledge, 2021 with Matt and Carrie Love), Screen Adaptation (Focal Press, 2017), and The Screenwriters Taxonomy (Routledge, 2017), and edited two others, The Power of Virtual Reality Cinema for Healthcare Training (Routledge, 2021, with John Bowditch) and Media and

6045-433: The documentary Breaking News (featuring Dianne Rehm , Walter Cronkite and Terry Anderson ). Over the course of ten years as a professor, Williams developed three unique concepts for film and television, publishing two books on the topics: After working as a screenwriter, director and producer for eight years, Williams joined the faculty of Ohio University 's Scripps College of Communication in 2005. In addition to

6138-428: The door for him to meet Peter Falk , who hired him to write a Columbo made-for-TV murder mystery for Universal Pictures / Universal Studios in 1998. He later developed and co-produced a pilot for American Movie Classics called Don't Try This At Home . In the 2000s, Williams worked as a freelance screenwriter and was often hired to write adaptations. Notably, he adapted Luis Alberto Urrea 's anthology Across

6231-463: The film carries a profound message - that the evolution of a species toward technological perfection (in this case exemplified by the disappeared alien civilization called the "Krell") does not ensure the loss of primitive and dangerous urges. In the film, this part of the primitive mind manifests itself as monstrous destructive force emanating from the Freudian subconscious, or "Id". Some films blur

6324-612: The films were often well-photographed in colour ... and their dismal dialogue was delivered in well-designed and well-lit sets." With the Space Race between the USSR and the US going on, documentaries and illustrations of actual events, pioneers and technology were plenty. Any movie featuring realistic space travel was at risk of being obsolete at its time of release, rather fossil than fiction. There were relatively few science fiction films in

6417-440: The first science fiction film, and a film that used early trick photography to depict a spacecraft's journey to the Moon. Several early films merged the science fiction and horror genres. Examples of this are Frankenstein ( 1910 ), a film adaptation of Mary Shelley 's novel, and Dr. Jekyll and Mr. Hyde (1920), based on the psychological tale by Robert Louis Stevenson . Taking a more adventurous tack, 20,000 Leagues Under

6510-828: The future as dark, dirty and chaotic, and depicted aliens and androids as hostile and dangerous. In contrast, Steven Spielberg 's E.T. the Extra-Terrestrial ( 1982 ), one of the most successful films of the 1980s, presented aliens as benign and friendly, a theme already present in Spielberg's own Close Encounters of the Third Kind . James Bond also entered the science fiction genre in 1979 with Moonraker . The big budget adaptations of Frank Herbert 's Dune and Alex Raymond 's Flash Gordon , as well as Peter Hyams 's sequel to 2001 , 2010: The Year We Make Contact (based on 2001 author Arthur C. Clarke 's sequel novel 2010: Odyssey Two ), were box office failures that dissuaded producers from investing in science fiction literary properties. Disney's Tron ( 1982 ) turned out to be

6603-416: The genre) was the film Metropolis (1927). From the 1930s to the 1950s, the genre consisted mainly of low-budget B movies . After Stanley Kubrick 's landmark 2001: A Space Odyssey (1968), the science fiction film genre was taken more seriously. In the late 1970s, big-budget science fiction films filled with special effects became popular with audiences after the success of Star Wars (1977) and paved

6696-484: The genre. In the monster films of the 1950s, the scientist often played a heroic role as the only person who could provide a technological fix for some impending doom. Reflecting the distrust of government that began in the 1960s in the United States, the brilliant but rebellious scientist became a common theme, often serving a Cassandra -like role during an impending disaster. Biotechnology (e.g., cloning )

6789-464: The idea of reprogrammable reality and memory. The idea that a human could be entirely represented as a program in a computer was a core element of the film Tron . This would be further explored in the film version of The Lawnmower Man , Transcendence , and Ready Player One and the idea reversed in Virtuosity as computer programs sought to become real persons. In The Matrix series,

6882-399: The line between the genres, such as films where the protagonist gains the extraordinary powers of the superhero . These films usually employ quasi-plausible reason for the hero gaining these powers. Not all science fiction themes are equally suitable for movies. Science fiction horror is most common. Often enough, these films could just as well pass as Westerns or World War II films if

6975-458: The much higher-budget Star Wars: The Force Awakens (2015). Science fiction films are often speculative in nature, and often include key supporting elements of science and technology. However, as often as not the "science" in a Hollywood science fiction movie can be considered pseudo-science, relying primarily on atmosphere and quasi-scientific artistic fancy than facts and conventional scientific theory. The definition can also vary depending on

7068-473: The release of Transformers (2007) and Transformers: Revenge of the Fallen (2009), both of which resulted in worldwide box office success. In 2009, James Cameron 's Avatar garnered worldwide box office success, and would later become the highest-grossing movie of all time. This movie was also an example of political commentary. It depicted humans destroying the environment on another planet by mining for

7161-586: The repetitions of the Korova Milkbar make the alien decor seem more familiar. As well, familiar images become alien, as in the films Repo Man and Liquid Sky . For example, in Dr. Strangelove , the distortion of the humans make the familiar images seem more alien. Finally, alien images are juxtaposed with the familiar, as in The Deadly Mantis , when a giant praying mantis is shown climbing

7254-403: The science fiction film". In the 1950s, public interest in space travel and new technologies was great. While many 1950s science fiction films were low-budget B movies , there were several successful films with larger budgets and impressive special effects. These include The Day the Earth Stood Still (1951), The Thing from Another World (1951), When Worlds Collide (1951), The War of

7347-429: The science fiction props were removed. Common motifs also include voyages and expeditions to other planets, and dystopias , while utopias are rare. Film theorist Vivian Sobchack argues that science fiction films differ from fantasy films in that while science fiction film seeks to achieve our belief in the images we are viewing, fantasy film instead attempts to suspend our disbelief. The science fiction film displays

7440-463: The scientist has varied considerably in the science fiction film genre, depending on the public perception of science and advanced technology. Starting with Dr. Frankenstein , the mad scientist became a stock character who posed a dire threat to society and perhaps even civilization. Certain portrayals of the "mad scientist", such as Peter Sellers 's performance in Dr. Strangelove , have become iconic to

7533-437: The side of empiricism, and happy films and sad films on the side of transcendentalism. However, there are numerous well-known examples of science fiction horror films, epitomized by such pictures as Frankenstein and Alien . The visual style of science fiction film is characterized by a clash between alien and familiar images. This clash is implemented when alien images become familiar, as in A Clockwork Orange , when

7626-500: The sixties and seventies including A Clockwork Orange and The Manchurian Candidate coincided with secret real-life government experimentation during Project MKULTRA . Voluntary erasure of memory is further explored as themes of the films Paycheck and Eternal Sunshine of the Spotless Mind . Some films like Limitless explore the concept of mind enhancement. The anime series Serial Experiments Lain also explores

7719-640: The title monster attacking Tokyo, gained immense popularity, spawned multiple sequels, led to other kaiju films like Rodan , and created one of the most recognizable monsters in cinema history. Japanese science fiction films, particularly the tokusatsu and kaiju genres, were known for their extensive use of special effects , and gained worldwide popularity in the 1950s. Kaiju and tokusatsu films, notably Warning from Space (1956), sparked Stanley Kubrick 's interest in science fiction films and influenced 2001: A Space Odyssey (1968). According to his biographer John Baxter , despite their "clumsy model sequences,

7812-649: The transmission of sound or maneuvers employing wings, yet the soundtrack is filled with inappropriate flying noises and changes in flight path resembling an aircraft banking. The filmmakers, unfamiliar with the specifics of space travel , focus instead on providing acoustical atmosphere and the more familiar maneuvers of the aircraft. Similar instances of ignoring science in favor of art can be seen when movies present environmental effects as portrayed in Star Wars and Star Trek . Entire planets are destroyed in titanic explosions requiring mere seconds, whereas an actual event of this nature takes many hours. The role of

7905-460: The two best human Jeopardy (game show) players in 2011 and a NOVA documentary film, Smartest Machine on Earth , was released in the same year. Building-size robots are also becoming a popular theme in movies as featured in Pacific Rim . Future live action films may include an adaptation of popular television series like Voltron and Robotech . The CGI robots of Pacific Rim and

7998-535: The unfamiliar and alien in the context of the familiar. Despite the alien nature of the scenes and science fictional elements of the setting, the imagery of the film is related back to humankind and how we relate to our surroundings. While the science fiction film strives to push the boundaries of the human experience, they remain bound to the conditions and understanding of the audience and thereby contain prosaic aspects, rather than being completely alien or abstract. Genre films such as westerns or war movies are bound to

8091-444: The viewpoint of the observer. Many science fiction films include elements of mysticism, occult , magic, or the supernatural , considered by some to be more properly elements of fantasy or the occult (or religious) film. This transforms the movie genre into a science fantasy with a religious or quasi-religious philosophy serving as the driving motivation. The movie Forbidden Planet employs many common science fiction elements, but

8184-475: The way for the blockbuster hits of subsequent decades. Screenwriter and scholar Eric R. Williams identifies science fiction films as one of eleven super-genres in his screenwriters’ taxonomy , stating that all feature-length narrative films can be classified by these super-genres.  The other ten super-genres are action , crime , fantasy , horror , romance , slice of life , sports , thriller , war , and western . According to Vivian Sobchack ,

8277-657: Was Re:Disappearing, which he wrote and directed that same year. In collaboration with cinematographer/editor Matt Love and producer/director Carrie Love, Williams developed 360-degree video into a new medium called they deemed cinematic virtual reality (or cine-VR, for short). They used cine-VR techniques on the Medicaid Educational Simulation Project. Their cine-VR approach was said to improve cultural self-efficacy in healthcare providers. After three years of research at Ohio University's Game Research and Immersive Design Lab, Williams and

8370-471: Was completed (although it was later continued, but at the time it was not intended to be) with the darkly themed Star Wars: Episode III – Revenge of the Sith . Science-fiction also returned as a tool for political commentary in films such as A.I. Artificial Intelligence , Minority Report , Sunshine , District 9 , Children of Men , Serenity , Sleep Dealer , and Pandorum . The 2000s also saw

8463-886: Was shown at the Edinburgh International Film Festival in June 2014 and entered general release in the UK and the Republic of Ireland through Universal Pictures on 4 July. The film was unanimously panned by critics, with a Rotten Tomatoes approval rating of 0% based on 17 reviews, making it the worst reviewed British film of 2014. On Metacritic , it has a score of 27 out of 100 from 7 critics, indicating "generally unfavorable reviews". Mark Kermode of The Observer called it "ambitious but uneven". Other critics described it as "hilariously naff science-fiction mularkey" and "a peculiar Brit flick best described as

8556-455: Was used to produce more complicated effects. It also enabled filmmakers to enhance the visual quality of animation, resulting in films such as Ghost in the Shell (1995) from Japan, and The Iron Giant (1999) from the United States. During the first decade of the 2000s, superhero films abounded, as did earthbound science fiction such as the Matrix trilogy. In 2005 , the Star Wars saga

8649-534: Was very different from the original film, falling more into the action/science fiction genre, it was both a critical and commercial success and Sigourney Weaver was nominated for Best Actress in a Leading Role at the Academy Awards . The Japanese cyberpunk anime film Akira ( 1988 ) also had a big influence outside Japan when released. In the 1990s, the emergence of the World Wide Web and

#416583