Epipalaeolithic Near East
77-540: Caucasus Zagros The Azilian is a Mesolithic industry of the Franco-Cantabrian region of northern Spain and Southern France . It dates approximately 10,000–12,500 years ago. Diagnostic artifacts from the culture include projectile points (microliths with rounded retouched backs), crude flat bone harpoons and pebbles with abstract decoration. The latter were first found in the River Arize at
154-420: A "ceramic Mesolithic" can be distinguished between c. 9,000 to 5,850 BP. Russian archaeologists prefer to describe such pottery-making cultures as Neolithic, even though farming is absent. This pottery-making Mesolithic culture can be found peripheral to the sedentary Neolithic cultures. It created a distinctive type of pottery, with point or knob base and flared rims, manufactured by methods not used by
231-596: A concept in use. In the archaeology of the Americas , an Archaic or Meso-Indian period, following the Lithic stage , somewhat equates to the Mesolithic. The Saharan rock paintings found at Tassili n'Ajjer in central Sahara , and at other locations depict vivid scenes of everyday life in central North Africa . Some of these paintings were executed by a hunting people who lived in a savanna region teeming with
308-523: A feature of core Azilian sites; some 37 sites have produced them. The decoration is simple patterns of dots, zig-zags, and stripes, with some crosses or hatching, normally just on one side of the pebble, which is usually thin and flattish, and some 4 to 10 cm across. Large numbers may be found at a site. The colours are usually red from iron oxide , or sometimes black; the paint was often mixed in Pecten saltwater scallop shells, even at Mas d'Azil, which
385-602: A genetic study published in 2014, the remains of an Azilian male from the Grotte du Bichon were examined. He was found to be carrying the paternal haplogroup I2 and the maternal haplogroup U5b1h . Villalba-Mouco et al examined the remains of two males of the Azilian culture buried at the Late Upper Paleolithic site of Balma de Guilanyà, Catalonia , Spain c. 11,380-9,990 BC. They were found to be carrying
462-769: A more scientific manner than the popular aesthetic approach of the time. These early contributions paved the way for encyclopedias , manuals, and other publications useful in identifying the content of art. Mâle's l'Art religieux du XIIIe siècle en France (originally 1899, with revised editions) translated into English as The Gothic Image, Religious Art in France of the Thirteenth Century has remained continuously in print. In early twentieth-century Germany , Aby Warburg (1866–1929) and his followers Fritz Saxl (1890–1948) and Erwin Panofsky (1892–1968) elaborated
539-474: A particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics , media studies , and archaeology, and in general usage, for the content of images, the typical depiction in images of a subject, and related senses. Sometimes distinctions have been made between iconology and iconography , although
616-534: A possible "lunar calendar" at Warren Field in Scotland, with pits of post holes of varying sizes, thought to reflect the lunar phases . Both are dated to before c. 9,000 BP (the 8th millennium BC). An ancient chewed gum made from the pitch of birch bark revealed that a woman enjoyed a meal of hazelnuts and duck about 5,700 years ago in southern Denmark. Mesolithic people influenced Europe's forests by bringing favored plants like hazel with them. As
693-603: A result of ideological reluctance, different worldviews and an active rejection of the sedentary-farming lifestyle. In one sample from the Blätterhöhle in Hagen , it seems that the descendants of Mesolithic people maintained a foraging lifestyle for more than 2000 years after the arrival of farming societies in the area; such societies may be called " Subneolithic ". For hunter-gatherer communities, long-term close contact and integration in existing farming communities facilitated
770-554: A result, Azilian tools and art were cruder and less expansive than their Ice Age predecessors - or simply different. People associated with the Azilian are genetically different from the preceding Magdalenian peoples, instead being related to peoples from who produced the Epigravettian culture as part of the Villabruna/Western Hunter Gatherer ancestry cluster, though with some ancestry from
847-506: A smaller group of people. As the glaciers retreated, sites increasingly reach into the slopes of the Cantabrian Mountains as high as 1,000 metres above sea level, though presumably the higher ones were only occupied in the summers. The grand cavern at Mas d'Azil is not entirely typical of Azilian sites, many of which are shallow shelters at the bottom of a rock face. Painted, and sometimes engraved pebbles (or "cobbles") are
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#1732772366990924-460: A specialist on early medieval churches and another German émigré, extended iconographical analysis to architectural forms . The period from 1940 can be seen as one where iconography was especially prominent in art history. Whereas most iconographical scholarship remains highly dense and specialized, some analyses began to attract a much wider audience, for example Panofsky 's theory (now generally out of favour with specialists of that picture) that
1001-512: A thousand years ago, though development, and some shifts in meaning, have occurred – for example, the old man wearing a fleece in conversation with Saint Joseph usually seen in Orthodox Nativities seems to have begun as one of the shepherds, or the prophet Isaiah , but is now usually understood as the "Tempter" ( Satan ). In both East and West, numerous iconic types of Christ , Mary and saints and other subjects were developed;
1078-602: A transitional period between the Paleolithic and the Neolithic was indeed a useful concept. However, the terms "Mesolithic" and "Epipalaeolithic" remain in competition, with varying conventions of usage. In the archaeology of Northern Europe, for example for archaeological sites in Great Britain, Germany, Scandinavia, Ukraine, and Russia, the term "Mesolithic" is almost always used. In the archaeology of other areas,
1155-429: A water-dependent species like the hippopotamus , animals that no longer exist in the now-desert area. Iconography Iconography , as a branch of art history , studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style . The word iconography comes from
1232-708: A well-educated contemporary. The subtle layers of meaning uncovered by modern iconographical research in works of Robert Campin such as the Mérode Altarpiece , and of Jan van Eyck such as the Madonna of Chancellor Rolin and the Washington Annunciation lie in small details of what are on first viewing very conventional representations. When Italian painting developed a taste for enigma, considerably later, it most often showed in secular compositions influenced by Renaissance Neo-Platonism . From
1309-680: A wrathful deity but in few contexts is depicted in pacified mood. Although iconic depictions of, or concentrating on, a single figure are the dominant type of Buddhist image, large stone relief or fresco narrative cycles of the Life of the Buddha , or tales of his previous lives, are found at major sites like Sarnath , Ajanta , and Borobudor , especially in earlier periods. Conversely, in Hindu art, narrative scenes have become rather more common in recent centuries, especially in miniature paintings of
1386-734: Is a Natufian carving in calcite . A total of 33 antler frontlets have been discovered at Star Carr. These are red deer skulls modified to be worn by humans. Modified frontlets have also been discovered at Bedburg-Königshoven, Hohen Viecheln, Plau, and Berlin-Biesdorf. Weaving techniques were deployed to create shoes and baskets, the latter being of fine construction and decorated with dyes. Examples have been found in Cueva de los Murciélagos in Southern Spain that in 2023 were dated to 9,500 years ago. In North-Eastern Europe , Siberia , and certain southern European and North African sites,
1463-434: Is a concern of other academic disciplines including Semiotics , Anthropology , Sociology , Media Studies , Communication Studies , and Cultural Studies . These analyses in turn have affected conventional art history, especially concepts such as signs in semiotics . Discussing imagery as iconography in this way implies a critical "reading" of imagery that often attempts to explore social and cultural values. Iconography
1540-574: Is a rare Mesolithic animal carving in soapstone from Finland . The rock art in the Urals appears to show similar changes after the Paleolithic, and the wooden Shigir Idol is a rare survival of what may well have been a very common material for sculpture. It is a plank of larch carved with geometric motifs, but topped with a human head. Now in fragments, it would apparently have been over 5 metres tall when made. The Ain Sakhri figurine from Palestine
1617-415: Is also used within film studies to describe the visual language of cinema, particularly within the field of genre criticism . In the age of Internet, the new global history of the visual production of Humanity (Histiconologia ) includes History of Art and history of all kind of images or medias. Contemporary iconography research often draws on theories of visual framing to address such diverse issues as
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#17327723669901694-465: Is associated with a decline in the group hunting of large animals in favour of a broader hunter-gatherer way of life, and the development of more sophisticated and typically smaller lithic tools and weapons than the heavy-chipped equivalents typical of the Paleolithic. Depending on the region, some use of pottery and textiles may be found in sites allocated to the Mesolithic, but generally indications of agriculture are taken as marking transition into
1771-399: Is far from the sea. Attempts to find a meaning for their iconography have not got very far, although "the repeated combinations of motifs does seem to some extent to be ordered, which may suggest a simple syntax". Such attempts began with Piette, who believed the pebbles carried a primitive writing system. The Azilian culture coexisted with similar early Mesolithic European cultures, such as
1848-611: Is more common in Near Eastern archaeology. The Balkan Mesolithic begins around 15,000 years ago. In Western Europe, the Early Mesolithic, or Azilian , begins about 14,000 years ago, in the Franco-Cantabrian region of northern Spain and Southern France . In other parts of Europe, the Mesolithic begins by 11,500 years ago (the beginning of the Holocene ), and it ends with the introduction of farming, depending on
1925-686: Is the Old World archaeological period between the Upper Paleolithic and the Neolithic . The term Epipaleolithic is often used synonymously, especially for outside northern Europe, and for the corresponding period in the Levant and Caucasus . The Mesolithic has different time spans in different parts of Eurasia . It refers to the final period of hunter-gatherer cultures in Europe and
2002-604: The Catacombs of Rome show orans figures, portraits of Christ and some saints, and a limited number of "abbreviated representations" of biblical episodes emphasizing deliverance. From the Constantinian period monumental art borrowed motifs from Roman Imperial imagery, classical Greek and Roman religion and popular art – the motif of Christ in Majesty owes something to both Imperial portraits and depictions of Zeus . In
2079-864: The Federmesser in northern Europe, the Tjongerian in the Low countries , the Romanellian culture of Italy , the Creswellian in Britain and the Clisurian in Romania (in a process called azilianization). In its late phase, it experienced strong influences from the neighbouring Tardenoisian , reflected in the presence of many geometrical microliths . The Azilian culture persisted until the arrival of
2156-543: The Franciscans , as were many other developments. Most painters remained content to copy and slightly modify the works of others, and it is clear that the clergy, by whom or for whose churches most art was commissioned, often specified what they wanted shown in great detail. The theory of typology , by which the meaning of most events of the Old Testament was understood as a "type" or pre-figuring of an event in
2233-642: The Greek εἰκών ("image") and γράφειν ("to write" or to draw ). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called " icons ", in the Byzantine and Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history , "an iconography" may also mean
2310-596: The Late Antique period iconography began to be standardized, and to relate more closely to Biblical texts, although many gaps in the canonical Gospel narratives were plugged with matter from the apocryphal gospels . Eventually, the Church would succeed in weeding most of these out, but some remain, like the ox and ass in the Nativity of Christ . After the period of Byzantine iconoclasm iconographical innovation
2387-521: The Neolithic Era. The Asturian culture in the area to the west along the coast was also similar, but added a distinctive form of pick-axe to its toolkit. A culture very similar to the Azilian spread as well into Mediterranean Spain and southern Portugal. Because it lacked bone industry it is named distinctively as Iberian microlaminar microlithism . It was replaced by the so-called geometrical microlithism related to Sauveterrian culture. In
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2464-406: The archaeology of China , and can be mostly regarded as happily naturalized, Mesolithic was introduced later, mostly after 1945, and does not appear to be a necessary or useful term in the context of China. Chinese sites that have been regarded as Mesolithic are better considered as "Early Neolithic". In the archaeology of India , the Mesolithic, dated roughly between 12,000 and 8,000 BP, remains
2541-408: The " Neolithic package" (including farming, herding, polished stone axes, timber longhouses and pottery) spread into Europe, the Mesolithic way of life was marginalized and eventually disappeared. Mesolithic adaptations such as sedentism, population size and use of plant foods are cited as evidence of the transition to agriculture. Other Mesolithic communities rejected the Neolithic package likely as
2618-599: The "Younger Stone Age". Compared to the preceding Upper Paleolithic and the following Neolithic, there is rather less surviving art from the Mesolithic. The Rock art of the Iberian Mediterranean Basin , which probably spreads across from the Upper Paleolithic, is a widespread phenomenon, much less well known than the cave-paintings of the Upper Paleolithic, with which it makes an interesting contrast. The sites are now mostly cliff faces in
2695-445: The 15th century religious painting gradually freed itself from the habit of following earlier compositional models, and by the 16th century ambitious artists were expected to find novel compositions for each subject, and direct borrowings from earlier artists are more often of the poses of individual figures than of whole compositions. The Reformation soon restricted most Protestant religious painting to Biblical scenes conceived along
2772-464: The Azilian represents the tail end of the Magdalenian as the warming climate brought about changes in human behaviour in the area. The effects of melting ice sheets would have diminished the food supply and probably impoverished the previously well-fed Magdalenian manufacturers, or at least those who had not followed the herds of horse and reindeer out of the glacial refugium to new territory. As
2849-788: The Eastern Baltic. Spreading westward along the coastline it is found in the Ertebølle culture of Denmark and Ellerbek of Northern Germany, and the related Swifterbant culture of the Low Countries . A 2012 publication in the Science journal, announced that the earliest pottery yet known anywhere in the world was found in Xianrendong cave in China, dating by radiocarbon to between 20,000 and 19,000 years before present, at
2926-594: The Franco-Cantabrian region still appear in non-specialized sources. Terms like "Azilian-like" and even "epi-Azilian" may be used to describe such finds. The Azilian in Vasco-Cantabria occupied a similar region to the Magdalenian , and in very many cases the same sites; typically the Azilian remains are fewer, and rather simpler, than those from the Magdalenian occupation beneath, indicative of
3003-607: The Index of Medieval Art (formerly Index of Christian Art) at Princeton (which has made a specialism of iconography since its early days in America). These are now being digitised and made available online, usually on a restricted basis. With the arrival of computing, the Iconclass system, a highly complex system for the classification of the content of images, with 40,000+ classification types, and 84,000 (14,000 unique) keywords,
3080-570: The Isle of Man and the Tyrrhenian Islands, a macrolithic technology was used in the Mesolithic. In the Neolithic, the microlithic technology was replaced by a macrolithic technology, with an increased use of polished stone tools such as stone axes. There is some evidence for the beginning of construction at sites with a ritual or astronomical significance, including Stonehenge , with a short row of large post holes aligned east–west, and
3157-696: The Middle East, between the end of the Last Glacial Maximum and the Neolithic Revolution . In Europe it spans roughly 15,000 to 5,000 BP ; in the Middle East (the Epipalaeolithic Near East ) roughly 20,000 to 10,000 BP . The term is less used of areas farther east, and not at all beyond Eurasia and North Africa . The type of culture associated with the Mesolithic varies between areas, but it
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3234-429: The Neolithic . The more permanent settlements tend to be close to the sea or inland waters offering a good supply of food. Mesolithic societies are not seen as very complex, and burials are fairly simple; in contrast, grandiose burial mounds are a mark of the Neolithic. The terms "Paleolithic" and "Neolithic" were introduced by John Lubbock in his work Pre-historic Times in 1865. The additional "Mesolithic" category
3311-741: The Neolithic farmers. Though each area of Mesolithic ceramic developed an individual style, common features suggest a single point of origin. The earliest manifestation of this type of pottery may be in the region around Lake Baikal in Siberia. It appears in the Yelshanka culture on the Volga in Russia 9,000 years ago, and from there spread via the Dnieper-Donets culture to the Narva culture of
3388-855: The Neolithic, some authors prefer the term "Epipaleolithic" for hunter-gatherer cultures who are not succeeded by agricultural traditions, reserving "Mesolithic" for cultures who are clearly succeeded by the Neolithic Revolution, such as the Natufian culture . Other authors use "Mesolithic" as a generic term for hunter-gatherer cultures after the Last Glacial Maximum, whether they are transitional towards agriculture or not. In addition, terminology appears to differ between archaeological sub-disciplines, with "Mesolithic" being widely used in European archaeology, while "Epipalaeolithic"
3465-783: The Virgin , parts of the Old Testament, and, increasingly, the lives of popular saints . Especially in the West, a system of attributes developed for identifying individual figures of saints by a standard appearance and symbolic objects held by them; in the East, they were more likely to identified by text labels. From the Romanesque period sculpture on churches became increasingly important in Western art, and probably partly because of
3542-538: The adoption of a farming lifestyle. The integration of these hunter-gatherer in farming communities was made possible by their socially open character towards new members. In north-Eastern Europe, the hunting and fishing lifestyle continued into the Medieval period in regions less suited to agriculture, and in Scandinavia no Mesolithic period may be accepted, with the locally preferred "Older Stone Age" moving into
3619-649: The collections of the Gemäldegalerie, Berlin and the German Marburger Index . These are available, usually on-line or on DVD . The system can also be used outside pure art history, for example on sites like Flickr . Religious images are used to some extent by all major religions, including both Indian and Abrahamic faiths, and often contain highly complex iconography, which reflects centuries of accumulated tradition. Secular Western iconography later drew upon these themes. Central to
3696-643: The definitions, and so the distinction made, varies. When referring to movies, genres are immediately recognizable through their iconography, motifs that become associated with a specific genre through repetition. Early Western writers who took special note of the content of images include Giorgio Vasari , whose Ragionamenti interpreted the paintings in the Palazzo Vecchio in Florence . Ragionamenti reassuringly demonstrates that such works were difficult to understand even for well-informed contemporaries. Lesser known, though it had informed poets, painters and sculptors for over two centuries after its 1593 publication,
3773-554: The end of the Last Glacial Period . The carbon 14 datation was established by carefully dating surrounding sediments. Many of the pottery fragments had scorch marks, suggesting that the pottery was used for cooking. These early pottery containers were made well before the invention of agriculture (dated to 10,000 to 8,000 BC), by mobile foragers who hunted and gathered their food during the Late Glacial Maximum. Epipalaeolithic Near East Caucasus Zagros While Paleolithic and Neolithic have been found useful terms and concepts in
3850-411: The gap with his naming of the Azilian Culture. Knut Stjerna offered an alternative in the "Epipaleolithic", suggesting a final phase of the Paleolithic rather than an intermediate age in its own right inserted between the Paleolithic and Neolithic. By the time of Vere Gordon Childe 's work, The Dawn of Europe (1947), which affirms the Mesolithic, sufficient data had been collected to determine that
3927-523: The iconography and hagiography of Indian religions are mudra or gestures with specific meanings. Other features include the aureola and halo , also found in Christian and Islamic art, and divine qualities and attributes represented by asana and ritual tools such as the dharmachakra , vajra , chhatra , sauwastika , phurba and danda . The symbolic use of colour to denote the Classical Elements or Mahabhuta and letters and bija syllables from sacred alphabetic scripts are other features. Under
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#17327723669904004-421: The iconography of climate change created by different stakeholders, the iconography that international organizations create about natural disasters, the iconography of epidemics disseminated in the press, and the iconography of suffering found in social media. An iconography study in communication science analyzed stock photos used in press reporting to depict the social issue of child sexual abuse. Based on
4081-468: The identification of visual content) and "iconology" (the analysis of the meaning of that content), has not been generally accepted, though it is still used by some writers. In the United States , to which Panofsky immigrated in 1931, students such as Frederick Hartt , and Meyer Schapiro continued under his influence in the discipline. In an influential article of 1942, Introduction to an "Iconography of Mediaeval Architecture" , Richard Krautheimer ,
4158-461: The influence of tantra art developed esoteric meanings, accessible only to initiates; this is an especially strong feature of Tibetan art . The art of Indian Religions esp. Hindus in its numerous sectoral divisions is governed by sacred texts called the Aagama which describes the ratio and proportion of the icon, called taalmaana as well as mood of the central figure in a context. For example, Narasimha an incarnation of Vishnu though considered
4235-429: The lack of Byzantine models, became the location of much iconographic innovation, along with the illuminated manuscript , which had already taken a decisively different direction from Byzantine equivalents, under the influence of Insular art and other factors. Developments in theology and devotional practice produced innovations like the subject of the Coronation of the Virgin and the Assumption , Both associated with
4312-500: The life of, or aspect of, Christ or Mary was often reflected in art, and in the later Middle Ages came to dominate the choice of Old Testament scenes in Western Christian art. Whereas in the Romanesque and Gothic periods the great majority of religious art was intended to convey often complex religious messages as clearly as possible, with the arrival of Early Netherlandish painting iconography became highly sophisticated, and in many cases appears to be deliberately enigmatic, even for
4389-527: The lines of history painting , and after some decades the Catholic Council of Trent reined in somewhat the freedom of Catholic artists. Secular painting became far more common in the West from the Renaissance, and developed its own traditions and conventions of iconography, in history painting , which includes mythologies , portraits , genre scenes , and even landscapes , not to mention modern media and genres like photography , cinema , political cartoons , comic books . Renaissance mythological painting
4466-404: The lives of Krishna and Rama . Christian art features Christian iconography, prominently developed in the medieval era and renaissance , and is a prominent aspect of Christian media . Aniconism was rejected within Christian theology from the outset, and the development of early Christian art and architecture occurred within the first seven centuries after Jesus . Small images in
4543-477: The material record, such as the Maglemosian and Azilian cultures. Such conditions also delayed the coming of the Neolithic until some 5,500 BP in northern Europe. The type of stone toolkit remains one of the most diagnostic features: the Mesolithic used a microlithic technology – composite devices manufactured with Mode V chipped stone tools ( microliths ), while the Paleolithic had utilized Modes I–IV. In some areas, however, such as Ireland, parts of Portugal,
4620-400: The meaning of Christian images and architecture is closely linked to the content of biblical , liturgical and theological texts, which were usually considered authoritative by most patrons, artists and viewers. Technological advances allowed the building-up of huge collections of photographs, with an iconographic arrangement or index, which include those of the Warburg Institute and
4697-606: The nineteenth century in the works of scholars such as Adolphe Napoleon Didron (1806–1867), Anton Heinrich Springer (1825–1891), and Émile Mâle (1862–1954) all specialists in Christian religious art, which was the main focus of study in this period, in which French scholars were especially prominent. They looked back to earlier attempts to classify and organise subjects encyclopedically like Cesare Ripa and Anne Claude Philippe de Caylus 's Recueil d'antiquités égyptiennes, étrusques, grècques, romaines et gauloises as guides to understanding works of art, both religious and profane, in
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#17327723669904774-403: The number of named types of icons of Mary, with or without the infant Christ, was especially large in the East, whereas Christ Pantocrator was much the commonest image of Christ. Especially important depictions of Mary include the Hodegetria and Panagia types. Traditional models evolved for narrative paintings, including large cycles covering the events of the Life of Christ , the Life of
4851-579: The open air, and the subjects are now mostly human rather than animal, with large groups of small figures; there are 45 figures at Roca dels Moros . Clothing is shown, and scenes of dancing, fighting, hunting and food-gathering. The figures are much smaller than the animals of Paleolithic art, and depicted much more schematically, though often in energetic poses. A few small engraved pendants with suspension holes and simple engraved designs are known, some from northern Europe in amber , and one from Star Carr in Britain in shale . The Elk's Head of Huittinen
4928-450: The paternal haplogroups I and C1a1a , and the maternal haplogroups U5b2a and U2'3'4'7'8'9 . They consisted of a mixture of ancestry between people from the preceding Magdalenian culture, as well as Villabruna/Western Hunter-Gatherer cluster, which shares affinities to people from the Middle East and Caucasus. Mesolithic The Mesolithic ( Greek : μέσος, mesos 'middle' + λίθος, lithos 'stone') or Middle Stone Age
5005-487: The practice of identification and classification of motifs in images to using iconography as a means to understanding meaning. Panofsky codified an influential approach to iconography in his 1939 Studies in Iconology , where he defined it as "the branch of the history of art which concerns itself with the subject matter or meaning of works of art, as opposed to form," although the distinction he and other scholars drew between particular definitions of "iconography" (put simply,
5082-404: The preceding Magdalenian peoples. The Azilian was named by Édouard Piette , who excavated the Mas d'Azil type-site in 1887. Unlike other coinages by Piette, the name was generally accepted, indeed in the early 20th century used for much greater areas than it is today. Henry Fairfield Osborn , president of the American Museum of Natural History and a palaeontologist rather than an archaeologist,
5159-446: The publications of Erwin Panofsky, has been critically discussed since the mid-1950s, in part also strongly ( Otto Pächt , Svetlana Alpers ). However, among the critics, no one has found a model of interpretation that could completely replace that of Panofsky. As regards the interpretation of Christian art , that Panofsky researched throughout his life, the iconographic interest in texts as possible sources remains important, because
5236-426: The region between c. 8,500 and 5,500 years ago. Regions that experienced greater environmental effects as the last glacial period ended have a much more apparent Mesolithic era, lasting millennia. In northern Europe, for example, societies were able to live well on rich food supplies from the marshlands created by the warmer climate. Such conditions produced distinctive human behaviors that are preserved in
5313-449: The term "Epipaleolithic" may be preferred by most authors, or there may be divergences between authors over which term to use or what meaning to assign to each. In the New World, neither term is used (except provisionally in the Arctic). "Epipaleolithic" is sometimes also used alongside "Mesolithic" for the final end of the Upper Paleolithic immediately followed by the Mesolithic. As "Mesolithic" suggests an intermediate period, followed by
5390-432: The type-site for the culture, the Grotte du Mas d'Azil at Le Mas-d'Azil in the French Pyrenees (illustrated, now with a modern road running through it). These are the main type of Azilian art, showing a great reduction in scale and complexity from the Magdalenian Art of the Upper Palaeolithic . The industry can be classified as part of the Epipaleolithic or the Mesolithic periods, or of both. Archaeologists think
5467-462: The writing on the rear wall in the Arnolfini Portrait by Jan van Eyck turned the painting into the record of a marriage contract. Holbein 's The Ambassadors has been the subject of books for a general market with new theories as to its iconography, and the best-sellers of Dan Brown include theories, disowned by most art historians, on the iconography of works by Leonardo da Vinci . The method of iconology , which had developed following
5544-462: Was Cesare Ripa 's emblem book Iconologia . Gian Pietro Bellori , a 17th-century biographer of artists of his own time, describes and analyses, not always correctly, many works. Lessing 's study (1796) of the classical figure Amor with an inverted torch was an early attempt to use a study of a type of image to explain the culture it originated in, rather than the other way round. Iconography as an academic art historical discipline developed in
5621-409: Was added as an intermediate category by Hodder Westropp in 1866. Westropp's suggestion was immediately controversial. A British school led by John Evans denied any need for an intermediate: the ages blended together like the colors of a rainbow, he said. A European school led by Gabriel de Mortillet asserted that there was a gap between the earlier and later. Edouard Piette claimed to have filled
5698-663: Was developed in the Netherlands as a standard classification for recording collections, with the idea of assembling huge databases that will allow the retrieval of images featuring particular details, subjects or other common factors. For example, the Iconclass code "71H7131" is for the subject of " Bathsheba (alone) with David's letter", whereas "71" is the whole " Old Testament " and "71H" the "story of David ". A number of collections of different types have been classified using Iconclass, notably many types of old master print ,
5775-607: Was in theory reviving the iconography of its Classical Antiquity , but in practice themes like Leda and the Swan developed on largely original lines, and for different purposes. Personal iconographies, where works appear to have significant meanings individual to, and perhaps only accessible by, the artist, go back at least as far as Hieronymous Bosch , but have become increasingly significant with artists like Goya , William Blake , Gauguin , Picasso , Frida Kahlo , and Joseph Beuys . Iconography, often of aspects of popular culture ,
5852-596: Was regarded as unhealthy, if not heretical, in the Eastern Church, though it still continued at a glacial pace. More than in the West, traditional depictions were often considered to have authentic or miraculous origins , and the job of the artist was to copy them with as little deviation as possible. The Eastern church also never accepted the use of monumental high relief or free-standing sculpture, which it found too reminiscent of paganism. Most modern Eastern Orthodox icons are very close to their predecessors of
5929-583: Was taken around the sites by leading excavators such as Hugo Obermaier . The popularizing book he published in 1916, Men of the Old Stone Age talks happily of Azilian sites as far north as Oban in Scotland, wherever flattened barbed "harpoon" points of deer antler are found. Subsequently, Azilian types of artefact have been defined more precisely, and similar examples from beyond the Franco-Cantabrian region generally excluded and reassigned, although references to "Azilian" finds much further north than
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