80-424: In Norse mythology , a valkyrie ( / ˈ v æ l k ɪ r i / VAL -kirr-ee or / v æ l ˈ k ɪər i / val- KEER -ee ; from Old Norse : valkyrja , lit. 'chooser of the slain') is one of a host of female figures who guide souls of the dead to the god Odin 's hall Valhalla . There, the deceased warriors become einherjar ('single fighters' or 'once fighters'). When
160-553: A kenning for "Valkyrie". Valkyries are mentioned or appear in the Poetic Edda poems Völuspá , Grímnismál , Völundarkviða , Helgakviða Hjörvarðssonar , Helgakviða Hundingsbana I , Helgakviða Hundingsbana II and Sigrdrífumál . In stanza 30 of the poem Völuspá , a völva (a travelling seeress in Norse society) tells Odin that "she saw" valkyries coming from far away who are ready to ride to "the realm of
240-427: A central sacred tree , Yggdrasil . Units of time and elements of the cosmology are personified as deities or beings. Various forms of a creation myth are recounted, where the world is created from the flesh of the primordial being Ymir , and the first two humans are Ask and Embla . These worlds are foretold to be reborn after the events of Ragnarök when an immense battle occurs between the gods and their enemies, and
320-418: A conversation between a valkyrie and a raven, largely consisting of the life and deeds of Harald I of Norway . The poem begins with a request for silence among noblemen so that the skald may tell the deeds of Harald Fairhair. The narrator states that they once overheard a "high-minded", "golden-haired" and "white-armed" maiden speaking with a "glossy-beaked raven". The valkyrie considers herself wise, understands
400-466: A dream is it,' said Óðinn, in which just before daybreak, I thought I cleared Valhǫll, for coming of slain men? I waked the Einherjar, bade valkyries rise up, to strew the bench, and scour the beakers, wine to carry, as for a king's coming, here to me I expect heroes' coming from the world, certain great ones, so glad is my heart. The god Bragi asks where a thundering sound
480-455: A female being of the same name , may be ferried away by valkyries to Odin's martial hall Valhalla , or may be chosen by the goddess Freyja to dwell in her field Fólkvangr . The goddess Rán may claim those that die at sea, and the goddess Gefjon is said to be attended by virgins upon their death. Texts also make reference to reincarnation . Time itself is presented between cyclic and linear, and some scholars have argued that cyclic time
560-465: A great oath that she would never wed a man who knew fear. Sigurd asks Sigrdrífa to share with him her wisdom of all worlds. The poem continues in verse, where Sigrdrífa provides Sigurd with knowledge in inscribing runes , mystic wisdom, and prophecy. In the Prose Edda , written in the 13th century by Snorri Sturluson , valkyries are first mentioned in chapter 36 of the book Gylfaginning , where
640-428: A great ruler and pledges herself to him. At the beginning of the poem Helgakviða Hundingsbana II , a prose narrative says that King Sigmund (son of Völsung ) and his wife Borghild (of Brálund) have a son named Helgi, who they named for Helgi Hjörvarðsson (the protagonist of the earlier Helgakviða Hjörvarðssonar ). After Helgi has killed King Hunding in stanza 4, a prose narrative says that Helgi escapes, consumes
720-409: A prose narrative relates that Helgi and his immense fleet of ships are heading to Frekastein, but encounter a great storm. Lightning strikes one of the ships. The fleet sees nine valkyries flying through the air, among whom they recognise Sigrún. The storm abates, and the fleets arrive safely at land. Helgi dies in battle, yet returns to visit Sigrún from Valhalla once in a burial mound, and at the end of
800-459: A prose narrative states that, after the death of her husband Eric Bloodaxe , Gunnhild Mother of Kings had a poem composed about him. The composition is by an anonymous author from the 10th century and is referred to as Eiríksmál . It describes Eric Bloodaxe and five other kings arriving in Valhalla after their death. The poem begins with comments by Odin (as Old Norse Óðinn ): 'What kind of
880-516: A quote from the anonymous 10th century poem Eiríksmál is provided (see the Fagrskinna section below for more detail about the poem and another translation): What sort of dream is that, Odin? I dreamed I rose up before dawn to clear up Val-hall for slain people. I aroused the Einheriar, bade them get up to strew the benches, clean the beer-cups, the valkyries to serve wine for
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#1732780912740960-446: A quote is given from the work Húsdrápa by the 10th century skald Úlfr Uggason . In the poem, Úlfr describes mythological scenes depicted in a newly built hall, including valkyries and ravens accompanying Odin at Baldr's funeral feast: There I perceive valkyries and ravens, accompanying the wise victory-tree [Odin] to the drink of the holy offering [Baldr's funeral feast] Within have appeared these motifs. Further in chapter 2,
1040-463: A region in the center of the cosmos. Outside of the gods, humanity, and the jötnar, these Nine Worlds are inhabited by beings, such as elves and dwarfs . Travel between the worlds is frequently recounted in the myths, where the gods and other beings may interact directly with humanity. Numerous creatures live on Yggdrasil, such as the insulting messenger squirrel Ratatoskr and the perching hawk Veðrfölnir . The tree itself has three major roots, and at
1120-546: A spell used by the accused Ragnhild Tregagás to end the marriage of her former lover, a man named Bárd. The charm contains a mention of the valkyrie Göndul being "sent out": Norse mythology Norse , Nordic , or Scandinavian mythology , is the body of myths belonging to the North Germanic peoples , stemming from Old Norse religion and continuing after the Christianization of Scandinavia as
1200-426: A wound received in battle. A narrative at the end of the poem says that Helgi and his valkyrie wife Sváva "are said to be reincarnated". In the poem Helgakviða Hundingsbana I , the hero Helgi Hundingsbane sits in the corpse-strewn battlefield of Logafjöll. A light shines from the fell , and from that light strike bolts of lightning. Flying through the sky, helmeted valkyries appear. Their waist-length mail armour
1280-504: Is Njörðr's unnamed sister (her name is unprovided in the source material). However, there is more information about his pairing with the skiing and hunting goddess Skaði . Their relationship is ill-fated, as Skaði cannot stand to be away from her beloved mountains, nor Njörðr from the seashore. Together, Freyja, Freyr, and Njörðr form a portion of gods known as the Vanir . While the Aesir and
1360-511: Is coming from, and says that the benches of Valhalla are creaking—as if the god Baldr had returned to Valhalla—and that it sounds like the movement of a thousand. Odin responds that Bragi knows well that the sounds are for Eric Bloodaxe, who will soon arrive in Valhalla. Odin tells the heroes Sigmund and Sinfjötli to rise to greet Eric and invite him into the hall, if it is indeed he. A witchcraft trial held in 1324 in Bergen , Norway , records
1440-405: Is drenched in blood; their spears shine brightly: Then light shone from Logafell, and from that radiance there came bolts of lightning; wearing helmets at Himingvani [came the valkyries]. Their byrnies were drenched in blood; and rays shone from their spears. In the stanza that follows, Helgi asks the valkyries (who he refers to as "southern goddesses") if they would like to come home with
1520-526: Is engineered by Loki , and Baldr thereafter resides in Hel , a realm ruled over by an entity of the same name . Odin must share half of his share of the dead with a powerful goddess, Freyja . She is beautiful, sensual, wears a feathered cloak, and practices seiðr . She rides to battle to choose among the slain and brings her chosen to her afterlife field Fólkvangr . Freyja weeps for her missing husband Óðr and seeks after him in faraway lands. Freyja's brother,
1600-603: Is primarily attested in dialects of Old Norse , a North Germanic language spoken by the Scandinavian people during the European Middle Ages and the ancestor of modern Scandinavian languages . The majority of these Old Norse texts were created in Iceland , where the oral tradition stemming from the pre-Christian inhabitants of the island was collected and recorded in manuscripts. This occurred primarily in
1680-430: Is then provided. In Hákonarmál , Odin sends forth the two valkyries Göndul and Skögul to "choose among the kings' kinsmen" and who in battle should dwell with Odin in Valhalla. A battle rages with great slaughter, and part of the description employs the kenning "Skögul's-stormblast" for "battle". Haakon and his men die in battle, and they see the valkyrie Göndul leaning on a spear shaft. Göndul comments that "groweth now
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#17327809127401760-623: The Nafnaþulur . Óskmey may be related to the Odinic name Óski (roughly meaning "wish fulfiller"), referring to the fact that Odin receives slain warriors in Valhalla. The name Randalín , which Aslaug is called in Ragnars saga loðbrókar , when she joins her sons to avenge their brothers Agnarr and Eric in Sweden, is probably from Randa- Hlín , which means "shield-goddess", i.e.
1840-446: The einherjar are not preparing for the cataclysmic events of Ragnarök , the valkyries bear them mead . Valkyries also appear as lovers of heroes and other mortals, where they are sometimes described as the daughters of royalty, sometimes accompanied by ravens and sometimes connected to swans or horses . Valkyries are attested in the Poetic Edda (a book of poems compiled in the 13th century from earlier traditional sources),
1920-574: The Prose Edda , the Heimskringla (both by Snorri Sturluson ) and the Njáls saga (one of the Sagas of Icelanders ), all written—or compiled—in the 13th century. They appear throughout the poetry of skalds , in a 14th-century charm , and in various runic inscriptions . The Old English cognate term wælcyrge appears in several Old English manuscripts, and scholars have explored whether
2000-472: The Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore , Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as
2080-449: The skjaldborg , and sees a warrior lying there—asleep and fully armed. Sigurd removes the helmet of the warrior, and sees the face of a woman. The woman's corslet is so tight that it seems to have grown into the woman's body. Sigurd uses his sword Gram to cut the corslet, starting from the neck of the corslet downwards, he continues cutting down her sleeves, and takes the corslet off of her. The woman wakes, sits up, looks at Sigurd, and
2160-626: The 13th century by Snorri and Gesta Danorum , composed in Latin by Saxo Grammaticus in Denmark in the 12th century, are the results of heavy amounts of euhemerization. Numerous additional texts, such as the sagas , provide further information. The saga corpus consists of thousands of tales recorded in Old Norse ranging from Icelandic family histories ( Sagas of Icelanders ) to Migration period tales mentioning historic figures such as Attila
2240-698: The 13th century. These texts include the Prose Edda , composed in the 13th century by the Icelandic scholar, lawspeaker , and historian Snorri Sturluson , and the Poetic Edda , a collection of poems from earlier traditional material anonymously compiled in the 13th century. The Prose Edda was composed as a prose manual for producing skaldic poetry—traditional Old Norse poetry composed by skalds . Originally composed and transmitted orally, skaldic poetry utilizes alliterative verse , kennings , and several metrical forms. The Prose Edda presents numerous examples of works by various skalds from before and after
2320-754: The Christianization process and also frequently refers back to the poems found in the Poetic Edda . The Poetic Edda consists almost entirely of poems, with some prose narrative added, and this poetry— Eddic poetry—utilizes fewer kennings . In comparison to skaldic poetry, Eddic poetry is relatively unadorned. The Prose Edda features layers of euhemerization , a process in which deities and supernatural beings are presented as having been either actual, magic-wielding human beings who have been deified in time or beings demonized by way of Christian mythology . Texts such as Heimskringla , composed in
2400-617: The Hun ( legendary sagas ). Objects and monuments such as the Rök runestone and the Kvinneby amulet feature runic inscriptions —texts written in the runic alphabet , the indigenous alphabet of the Germanic peoples —that mention figures and events from Norse mythology. Objects from the archaeological record may also be interpreted as depictions of subjects from Norse mythology, such as amulets of
2480-656: The Norwegian woman Ragnhild Tregagås —convicted of witchcraft in Norway in the 14th century—and spells found in the 17th century Icelandic Galdrabók grimoire also sometimes make references to Norse mythology. Other traces, such as place names bearing the names of gods may provide further information about deities, such as a potential association between deities based on the placement of locations bearing their names, their local popularity, and associations with geological features. Central to accounts of Norse mythology are
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2560-634: The Old English and Old Norse forms, philologist Vladimir Orel reconstructs the Proto-Germanic form * walakuzjǭ . However, the term may have been borrowed into Old English from Old Norse: see discussion in the Old English attestations section below. Other terms for valkyries in Old Norse sources include óskmey ("wish maid"), appearing in the poem Oddrúnargrátr , and Óðins meyjar (" Odin 's maids"), appearing in
2640-546: The Vanir retain distinct identification, they came together as the result of the Aesir–Vanir War . While they receive less mention, numerous other gods and goddesses appear in the source material. (For a list of these deities, see List of Germanic deities .) Some of the gods heard less of include the apple-bearing goddess Iðunn and her husband, the skaldic god Bragi ; the gold-toothed god Heimdallr , born of nine mothers ;
2720-717: The ancient god Týr , who lost his right hand while binding the great wolf Fenrir ; and the goddess Gefjon , who formed modern-day Zealand , Denmark . Various beings outside of the gods are mentioned. Elves and dwarfs are commonly mentioned and appear to be connected, but their attributes are vague and the relation between the two is ambiguous. Elves are described as radiant and beautiful, whereas dwarfs often act as earthen smiths. A group of beings variously described as jötnar , thursar , and trolls (in English these are all often glossed as " giants ") frequently appear. These beings may either aid, deter, or take their place among
2800-400: The arrival of a prince. In chapter 31, poetic terms for referring to a woman are given, including "[a] woman is also referred to in terms of all Asyniur or valkyries or norns or dísir ". In chapter 41, while the hero Sigurd is riding his horse Grani , he encounters a building on a mountain. Within this building Sigurd finds a sleeping woman wearing a helmet and a coat of mail . Sigurd cuts
2880-578: The base of one of these roots live the Norns , female entities associated with fate. Elements of the cosmos are personified, such as the Sun ( Sól , a goddess), the Moon ( Máni , a god), and Earth ( Jörð , a goddess), as well as units of time, such as day ( Dagr , a god) and night ( Nótt , a jötunn). The afterlife is a complex matter in Norse mythology. The dead may go to the murky realm of Hel —a realm ruled over by
2960-490: The cosmological tree Yggdrasil to gain knowledge of the runic alphabet, which he passed on to humanity, and is associated closely with death, wisdom, and poetry. Odin is portrayed as the ruler of Asgard , and leader of the Aesir . Odin's wife is the powerful goddess Frigg who can see the future but tells no one, and together they have a beloved son, Baldr . After a series of dreams had by Baldr of his impending death, his death
3040-403: The end of the poem, the valkyries sing "start we swiftly with steeds unsaddled—hence to battle with brandished swords!" The prose narrative picks up again, and says that the valkyries tear their loom down and into pieces. Each valkyrie holds on to what she has in her hands. Dörruð leaves the chink in the wall and heads home, and the women mount their horses and ride away; six to the south and six to
3120-595: The enthroned figure of High informs Gangleri (King Gylfi in disguise) of the activities of the valkyries and mentions a few goddesses. High says "there are still others whose duty it is to serve in Valhalla. They bring drink and see to the table and the ale cups." Following this, High gives a stanza from the poem Grímnismál that contains a list of valkyries. High says "these women are called valkyries, and they are sent by Odin to every battle, where they choose which men are to die and they determine who has victory". High adds that Gunnr ("war"), Róta , and Skuld—the last of
3200-603: The feature Nafnaþulur section of Skáldskaparmál contain an extended list of 29 valkyrie names (listed as the "valkyries of Viðrir "—a name of Odin). The first stanza lists: Hrist, Mist, Herja, Hlökk, Geiravör, Göll, Hjörþrimul, Guðr, Herfjötra, Skuld, Geirönul, Skögul and Randgníð. The second stanza lists: Ráðgríðr, Göndul, Svipul, Geirskögul, Hildr, Skeggöld, Hrund, Geirdriful, Randgríðr, Þrúðr, Reginleif, Sveið, Þögn, Hjalmþrimul, Þrima and Skalmöld. The fragmentary skaldic poem Hrafnsmál (generally accepted as authored by 9th century Norwegian skald Þorbjörn Hornklofi ) features
3280-486: The god Freyr , is also frequently mentioned in surviving texts, and in his association with the weather, royalty, human sexuality, and agriculture brings peace and pleasure to humanity. Deeply lovesick after catching sight of the beautiful jötunn Gerðr , Freyr seeks and wins her love, yet at the price of his future doom. Their father is the powerful god Njörðr . Njörðr is strongly associated with ships and seafaring, and so also wealth and prosperity. Freyja and Freyr's mother
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3360-503: The god Thor's hammer Mjölnir found among pagan burials and small silver female figures interpreted as valkyries or dísir , beings associated with war, fate or ancestor cults. By way of historical linguistics and comparative mythology , comparisons to other attested branches of Germanic mythology (such as the Old High German Merseburg Incantations ) may also lend insight. Wider comparisons to
3440-406: The gods to grant it?" Skogul said: "'Tis owing to us that the issue was won and your foemen fled." Skögul says that they shall now ride forth to the "green homes of the godheads" to tell Odin the king will come to Valhalla. The poem continues, and Haakon becomes a part of the einherjar in Valhalla, awaiting to do battle with the monstrous wolf Fenrir . In chapter 8 of Fagrskinna ,
3520-529: The gods". The völva follows this with a list of six valkyries: Skuld (Old Norse, possibly "debt" or "future") who "bore a shield", Skögul ("shaker"), Gunnr ("war"), Hildr ("battle"), Göndul (" wand -wielder") and Geirskögul ("Spear-Skögul"). Afterwards, the völva tells him she has listed the "ladies of the War Lord, ready to ride, valkyries, over the earth". In the poem Grímnismál , Odin (disguised as Grímnir ), tortured, starved and thirsty, tells
3600-430: The gods' following, since Hákon has been with host so goodly bidden home with holy godheads". Haakon hears "what the valkyries said", and the valkyries are described as sitting "high-hearted on horseback", wearing helmets, carrying shields and that the horses wisely bore them. A brief exchange follows between Haakon and the valkyrie Skögul: Hákon said: "Why didst Geirskogul grudge us victory? though worthy we were for
3680-459: The gods. The Norns , dísir , and aforementioned valkyries also receive frequent mention. While their functions and roles may overlap and differ, all are collective female beings associated with fate. In Norse cosmology , all beings live in Nine Worlds that center around the cosmological tree Yggdrasil . The gods inhabit the heavenly realm of Asgard whereas humanity inhabits Midgard ,
3760-416: The gore-drenched and corpse-reeking raven: "How is it, ye ravens—whence are ye come now with beaks all gory, at break of morning? Carrion-reek ye carry, and your claws are bloody. Were ye near, at night-time, where ye knew of corpses?" The black raven shakes himself, and he responds that he and the rest of the ravens have followed Harald since hatching from their eggs. The raven expresses surprise that
3840-456: The hut and Dörruð can no longer see them. Dörruð goes to the hut, and looks through a chink in the wall. He sees that there are women within, and that they have set up a particular loom ; the heads of men are the weights, the entrails of men are the warp and weft , a sword is the shuttle , and the reels are composed of arrows. The women sing a song called Darraðarljóð , which Dörruð memorizes. The song consists of 11 stanzas, and within it
3920-744: The mail from her, and she awakes. She tells him her name is Hildr, and "she is known as Brynhildr , and was a valkyrie". In chapter 48, poetic terms for "battle" include "weather of weapons or shields, or of Odin or valkyrie or war-kings or their clash or noise", followed by examples of compositions by various skalds that have used the name of valkyries in said manner ( Þorbjörn Hornklofi uses "Skögul's din" for "battlefield", Bersi Skáldtorfuson uses "Gunnr's fire" for "sword" and "Hlökk's snow" for "battle", Einarr Skúlason uses "Hildr's sail" for "shield" and "Göndul's crushing wind" for "battle" and Einarr skálaglamm uses "Göndul's din"). Chapter 49 gives similar information when referring to weapons and armor (though
4000-615: The modern period, the Romanticist Viking revival re-awoke an interest in the subject matter, and references to Norse mythology may now be found throughout modern popular culture . The myths have further been revived in a religious context among adherents of Germanic Neopaganism . The historical religion of the Norse people is commonly referred to as Norse mythology . Other terms are Scandinavian mythology , North Germanic mythology or Nordic mythology . Norse mythology
4080-463: The mythology of other Indo-European peoples by scholars has resulted in the potential reconstruction of far earlier myths. Only a tiny amount of poems and tales survive of the many mythical tales and poems that are presumed to have existed during the Middle Ages, Viking Age, Migration Period, and before. Later sources reaching into the modern period, such as a medieval charm recorded as used by
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#17327809127404160-436: The mythology, Thor lays waste to numerous jötnar who are foes to the gods or humanity, and is wed to the beautiful, golden-haired goddess Sif . The god Odin is also frequently mentioned in surviving texts. One-eyed, wolf - and raven -flanked, with a spear in hand, Odin pursues knowledge throughout the nine realms. In an act of self-sacrifice, Odin is described as having hanged himself upside-down for nine days and nights on
4240-483: The north. At the end of the Heimskringla saga Hákonar saga góða , the poem Hákonarmál by the 10th century skald Eyvindr skáldaspillir is presented. The saga relates that king Haakon I of Norway died in battle, and although he is Christian, he requests that since he has died "among heathens, then give me such burial place as seems most fitting to you". The saga relates that shortly after Haakon died on
4320-605: The plights of the gods and their interaction with various other beings, such as with the jötnar , who may be friends, lovers, foes, or family members of the gods. Numerous gods are mentioned in the source texts. As evidenced by records of personal names and place names, the most popular god among the Scandinavians during the Viking Age was Thor the thunder god , who is portrayed as unrelentingly pursuing his foes, his mountain-crushing, thunderous hammer Mjölnir in hand. In
4400-502: The poem Helgakviða Hjörvarðssonar , a prose narrative says that an unnamed and silent young man, the son of the Norwegian King Hjörvarðr and Sigrlinn of Sváfaland, witnesses nine valkyries riding by while sitting atop a burial mound . He finds one particularly striking; this valkyrie is detailed later in a prose narrative as Sváva , King Eylimi's daughter, who "often protected him in battles". The valkyrie speaks to
4480-487: The poem Völundarkviða relates that the brothers Slagfiðr , Egil and Völund dwelt in a house sited in a location called Úlfdalir ("wolf dales"). There, early one morning, the brothers find three women spinning linen on the shore of the lake Úlfsjár ("wolf lake"), and "near them were their swan's garments ; they were valkyries". Two daughters of King Hlödvér are named Hlaðguðr svanhvít ("swan-white") and Hervör alvitr (possibly meaning "all-wise" or "strange creature");
4560-445: The poem, Atli flytes with the female jötunn Hrímgerðr . While flyting with Atli, Hrímgerðr says that she had seen 27 valkyries around Helgi, yet one particularly fair valkyrie led the band: Three times nine girls , but one girl rode ahead, white-skinned under her helmet; the horses were trembling, from their manes dew fell into the deep valleys, hail in the high woods; good fortune comes to men from there; all that I saw
4640-460: The poem, a prose epilogue explains that Sigrún later dies of grief. The epilogue details that "there was a belief in the pagan religion, which we now reckon [is] an old wives' tale, that people could be reincarnated" and that "Helgi and Sigrun were thought to have been reborn" as another Helgi and valkyrie couple; Helgi as Helgi Haddingjaskaði and Sigrún as the daughter of Halfdan ; the valkyrie Kára . The epilogue details that further information about
4720-417: The poem, the hero Sinfjötli flytes with Guðmundr. Sinfjötli accuses Guðmundr of having once been female, and gibes that Guðmundr was "a witch, horrible, unnatural, among Odin's valkyries", adding that all of the einherjar "had to fight, headstrong woman, on your account". Further in the poem, the phrase "the valkyrie's airy sea" is used for " mist ". Towards the end of the poem, valkyries again descend from
4800-423: The raw meat of cattle he has slaughtered on a beach, and encounters Sigrún. Sigrún, daughter of King Högni, is "a valkyrie and rode through air and sea", and she is the valkyrie Sváva reincarnated. In stanza 7, Sigrún uses the phrase "fed the gosling of Gunn's sisters". Gunnr and her sisters are valkyries, and these goslings are ravens , who feed on the corpses left on the battlefield by warriors. After stanza 18,
4880-498: The same slab of rock that he was born upon, he was greatly mourned by friend and foe alike, and that his friends moved his body northward to Sæheim in North Hordaland . Haakon was buried there in a large burial mound in full armour and his finest clothing, yet with no other valuables. Further, "words were spoken over his grave according to the custom of heathen men, and they put him on the way to Valhalla". The poem Hákonarmál
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#17327809127404960-474: The sky, this time to protect Helgi amid the battle at Frekastein. After the battle, all the valkyries fly away but Sigrún and wolves (referred to as "the troll -woman's mount") consume corpses: Helmeted valkyries came down from the sky —the noise of spears grew loud—they protected the prince; then said Sigrun—the wound-giving valkyries flew, the troll -woman's mount was feasting on the fodder of ravens: The battle won, Sigrún tells Helgi that he will become
5040-433: The speech of birds, is further described as having a white-throat and sparkling eyes, and she takes no pleasure in men: Wise thought her the valkyrie; were welcome never men to the bright-eyed one, her who the birds' speech knew well. Greeted the light-lashed maiden, the lily-throated woman, The hymir 's-skull-cleaver as on cliff he was perching. The valkyrie, previously described as fair and beautiful, then speaks to
5120-432: The subject of works of art, musical works, comic books, video games and poetry. The word valkyrie derives from Old Norse valkyrja (plural valkyrjur ), which is composed of two words: the noun valr (referring to the slain on the battlefield) and the verb kjósa (meaning "to choose"). Together, they mean 'chooser of the slain'. The Old Norse valkyrja is cognate to Old English wælcyrge . From
5200-480: The term "death-maidens"—Old Norse valmeyjar —instead of "valkyries" is used here), with further examples. In chapter 57, within a list of names of ásynjur (and after alternate names for the goddess Freyja are provided), a further section contains a list of "Odin's maids"; valkyries: Hildr, Göndul, Hlökk, Mist, Skögul. And then an additional four names; Hrund, Eir , Hrist and Skuld. The section adds that "they are called norns who shape necessity". Some manuscripts of
5280-506: The term appears in Old English by way of Norse influence, or reflects a tradition also native among the Anglo-Saxon pagans . Scholarly theories have been proposed about the relation between the valkyries, the Norns , and the dísir , all of which are supernatural figures associated with fate. Archaeological excavations throughout Scandinavia have uncovered amulets theorized as depicting valkyries. In modern culture, valkyries have been
5360-469: The third, daughter of Kjárr of Valland , is named Ölrún (possibly meaning " beer rune "). The brothers take the three women back to their hall with them—Egil takes Ölrún, Slagfiðr takes Hlaðguðr svanhvít and Völund takes Hervör alvitr. They live together for seven winters, until the women fly off to go to a battle and do not return. Egil goes off in snow-shoes to look for Ölrún, Slagfiðr goes searching for Hlaðguðr svanhvít and Völund sits in Úlfdalir. In
5440-423: The three he refers to as "the youngest norn "—"always ride to choose the slain and decide the outcome of battle". In chapter 49, High describes that when Odin and his wife Frigg arrived at the funeral of their slain son Baldr , with them came the valkyries and also Odin's ravens . References to valkyries appear throughout the book Skáldskaparmál , which provides information about skaldic poetry. In chapter 2,
5520-401: The thunder-god Thor , the raven -flanked god Odin , the goddess Freyja , and numerous other deities . Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar , beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Nine Worlds that flank
5600-511: The two can be found in the (now lost) work Káruljóð . In the prose introduction to the poem Sigrdrífumál , the hero Sigurd rides up to Hindarfell and heads south towards "the land of the Franks ". On the mountain Sigurd sees a great light, "as if fire were burning, which blazed up to the sky". Sigurd approaches it, and there he sees a skjaldborg with a banner flying overhead. Sigurd enters
5680-400: The two converse in two stanzas of verse. In the second stanza, the woman explains that Odin placed a sleeping spell on her she could not break, and due to that spell she has been asleep a long time. Sigurd asks for her name, and the woman gives Sigurd a horn of mead to help him retain her words in his memory. The woman recites a heathen prayer in two stanzas. A prose narrative explains that
5760-523: The unnamed man, and gives him the name Helgi (meaning "the holy one"). The previously silent Helgi speaks; he refers to the valkyrie as "bright-face lady", and asks her what gift he will receive with the name she has bestowed upon him, but he will not accept it if he cannot have her as well. The valkyrie tells him she knows of a hoard of swords in Sigarsholm, and that one of them is of particular importance, which she describes in detail. Further into
5840-506: The valkyrie seems unfamiliar with the deeds of Harald, and tells her about his deeds for several stanzas. At stanza 15, a question and answer format begins where the valkyrie asks the raven a question regarding Harald, and the raven responds in turn. This continues until the poem ends abruptly. In chapter 156 of Njáls saga , a man named Dörruð witnesses 12 people riding together to a stone hut on Good Friday in Caithness . The 12 go into
5920-482: The valkyries weave and choose who is to be slain at the Battle of Clontarf (fought outside Dublin in 1014 CE ). Of the 12 valkyries weaving, six have their names given in the song: Hildr, Hjörþrimul , Sanngriðr , Svipul , Guðr and Göndul. Stanza 9 of the song reads: Now awful it is to be without, as blood-red rack races overhead; is the welkin gory with warriors' blood as we valkyries war-songs chanted. At
6000-558: The warriors when night falls (all the while arrows were flying). The battle over, the valkyrie Sigrún ("victory- rune "), informs him from her horse that her father Högni has betrothed her to Höðbroddr , the son of king Granmar of the Hniflung clan, who Sigrún deems unworthy. Helgi assembles an immense host to ride to wage battle at Frekastein against the Hniflung clan to assist Sigrún in her plight to avoid her betrothment. Later in
6080-470: The woman is named Sigrdrífa and that she is a valkyrie. A narrative relates that Sigrdrífa explains to Sigurd that there were two kings fighting one another. Odin had promised one of these—Hjalmgunnar—victory in battle, yet she had "brought down" Hjalmgunnar in battle. Odin pricked her with a sleeping-thorn in consequence, told her she would never again "fight victoriously in battle", and condemned her to marriage. In response, Sigrdrífa told Odin she had sworn
6160-524: The world is enveloped in flames, only to be reborn anew. There the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world. Norse mythology has been the subject of scholarly discourse since the 17th century when key texts attracted the attention of the intellectual circles of Europe. By way of comparative mythology and historical linguistics , scholars have identified elements of Germanic mythology reaching as far back as Proto-Indo-European mythology . During
6240-499: The young Agnar that he wishes that the valkyries Hrist ("shaker") and Mist ("cloud") would "bear him a [drinking] horn ", then provides a list of 11 more valkyries who he says "bear ale to the einherjar "; Skeggjöld ("axe-age"), Skögul, Hildr, Þrúðr ("power"), Hlökk ("noise", or "battle"), Herfjötur ("host-fetter"), Göll ("tumult"), Geirahöð ("spear-fight"), Randgríð ("shield-truce"), Ráðgríð ("council-truce") and Reginleif ("power-truce"). A prose introduction in
6320-456: Was hateful to me. After Hrímgerðr is turned to stone by the daylight, a prose narrative continues that Helgi, who is now king, goes to Sváva's father—King Eylimi—and asks for his daughter. Helgi and Sváva are betrothed and love one another dearly. Sváva stays at home with King Eylimi, and Helgi goes raiding, and to this the narrative adds that Sváva "was a valkyrie just as before". The poem continues, and, among various other events, Helgi dies from
6400-483: Was the original format for the mythology. Various forms of a cosmological creation story are provided in Icelandic sources, and references to a future destruction and rebirth of the world— Ragnarok —are frequently mentioned in some texts. According to the Prose Edda and the Poetic Edda poem, Völuspá , the first human couple consisted of Ask and Embla ; driftwood found by a trio of gods and imbued with life in
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