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25-670: The first Shintōhō , or "New Toho", also known as Shintōhō Co. Ltd. ( 新東宝株式会社 , Shintōhō kabushiki kaisha ) , was formed as an offshoot of the Toho Company after World War II. When this company went bankrupt in May 1961, two new companies were created in its place. Shintōhō's former president, Mitsuru Ōkura, formed the Ōkura Eiga studio (later OP Eiga ) after buying the Shintōhō production facilities in Setagaya, Tokyo while Kōichi Gotō,

50-521: A Shintōhō employee at the company's Kansai sales office in Osaka , bought the rights to the name of the company. Three years later, in 1964, the 33-year-old Gotō used borrowed money to buy the management rights to the section in Osaka where he had previously worked. He named his new company Shintōhō Kōgyō ( 新東宝興業 ) or "Shintoho Entertainment". In 1972, this company moved to Tokyo and absorbed another piece of

75-516: A film described by general manager Akira Mori as "something akin to a pink-tinged version of a historical epic." The movie, directed by Minoru Inao and written by Takahisa Zeze , had double the budget of a standard pink film and featured actress Yumika Hayashi and actor Shinji Kubo . In 1994, the studio released the Kokuei produced film Keep on Masturbating: Non-Stop Pleasure from director Toshiya Ueno which, in addition to winning Best Film of

100-524: A good deal of controversy and scandal. Shintōhō helped this along by renaming the film Horse and Woman and Dog and according to the company's website, it became one of their all-time hits. When Shintōhō decided to resurrect the Molester Train series originally started at the studio by director Yōjirō Takita in 1982, they chose Satō to direct the 1993 installment Molester's Train: Nasty Behavior . The film starred AV idol Yumika Hayashi and it

125-492: A number of period ghost movies and low-budget science fiction films (such as the Starman ( Super Giant ) series which was designed to compete with rival then-popular characters Planet Prince , Space Chief and Moonlight Mask ). Shintoho declared bankruptcy in 1961, its last production being Jigoku . Like the other major Japanese movie companies at that time, Shintoho was also recruiting so-called new faces under

150-522: A plunge in box office revenues. In order to compete with early AVs, which had taken a substantial portion of the adult entertainment market, Shintōhō transferred some of their films to video and began shooting new material directly on video. However, the pink film studios had trouble competing with the low budget videos produced by the new AV companies which also had the advantage of using real sex (though censored) in their productions. Shintōhō also kept up its output of pink film as well. Especially popular

175-472: Is an annual Japanese film award ceremony which recognizes excellence in the pink film genre. Referred to by Miho Toda as the "Academy Awards of the Pink Film", the ceremony attracts a diverse audience of industry personnel, film scholars and the general public. Pink film scholar Jasper Sharp calls it the high point of the year for the pink film community. PG , a magazine focusing on the genre, hosts

200-652: The Best Film Third Place award and Kasai took one of Best New Director prizes at the first Pink Grand Prix in 1988. As part of its Roman porno films, Nikkatsu started a Female Teacher series in 1977 based on sex and rape in the classroom. When Nikkatsu discontinued the series in 1983 due to complaints from teachers and the Japanese government, Shintōhō stepped in with the 1983 Female Teacher: Tight Bondage Discipline ( 女教師　緊縛化粧 , Onna Kyōshi Kinbaku-gesho ) . Another significant series for Shintōhō

225-755: The Pink Grand Prix in April of each year as a review of pink films released the previous year. The top ten films are selected by a readers' poll, and the top five films are screened during the evening of the ceremony held at the Kameari-za theater in Aoto, Tokyo until its closing in 1999, and at the Shinbungeiza theater thereafter. PG magazine was founded by Yoshiyuki Hayashida in July 1994. The magazine

250-483: The Weissers, the series declined in quality and popularity after the first entry. The 1990s saw a further decline in the pink film industry; Nikkatsu had released its last Roman porno film in 1988, and the company declared bankruptcy in 1993. However, the pink film was still being produced in large quantities and actually increased its share of total Japanese film production. In fact, Shintōhō president Kōichi Gotō

275-798: The end of the decade, Shintōhō released the June 1979 Mamoru Watanabe Meiji period film Virgin Rope Makeover ( 少女縄化粧 , Shōjo nawa geshō ) . The movie won the Best Film award at the Zoom-Up Film Festival ( ズームアップ映画祭 ) while Watanabe took the Best Director award. The decade of the 1980s was a difficult one for the pink film industry generally, a combination of the advent of adult videos (AV) in 1981 and strict new government rules for theatrical films in 1984 caused

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300-484: The existing studios were Kokuei (which distributes its films through Shintōhō), OP Eiga , Xces, and ENK which produces gay-themed films. Despite the decline in studios, pink films were still a significant force in Japanese cinema, and of the 287 films released in Japan in 2003, 89 were pink films . In 2004, the studio released Tsumugi which marked the pink film debut of AV Idol and actress Sora Aoi . The film won

325-464: The former Shintōhō Company (Tokyo Kōei) to become Shintōhō Eiga ( 新東宝映画 ). After relocating to Tokyo, president Kōichi Gotō and his staff shared offices with Kokuei , the earliest pink film production company. In this early period, the company mostly distributed films from other production studios, either those produced by the original Shintōhō or bought from other independent studios, but it also began to produce its own films. Among these early films

350-681: The fourth place Best Film Award at the 2004 Pink Grand Prix and Aoi took a Best New Actress award. The "Molester Train" series, begun in 1982, was re-invented once again in 2005 when Shintōhō produced Molester's Train: Suggestive Indecent Hips by director Naoyuki Tomomatsu . The film won the 3rd place Best Film award at that year's Pink Grand Prix . Directors whose films were produced or released by Shintōhō Eiga include: Notable actors and actresses who performed at Shintōhō Eiga include: Notable films produced or released by Shintōhō Eiga: Shint%C5%8Dh%C5%8D Shintoho Co. Ltd. ( 新東宝株式会社 , Shintōhō kabushiki kaisha , or New Tōhō Company )

375-532: The name of "Shintoho Starlet". Recruitment started in 1951. However, due to the early bankruptcy of Shintoho, the materials have been scattered, and there are many unclear points in the information on successful applicants. One of the successful applicants was the future kickboxing sports-legend Tadashi Sawamura , who acted under pseudonym "Tetsuya Shiro". Pink Grand Prix The Pink Grand Prix ( ピンク大賞 , pinku taishō ) or PG Film Prize ( PG映画大賞 , PG eiga taishō , "Pink film festival" or "Pink Prize")

400-508: The original Shintōhō since 1953 but when that company dissolved, began directing pink films for Shintōhō Eiga. Komori made a number of films distributed by Shintōhō from 1964 until his retirement from pink film in the mid 1970s. After absorbing Tokyo Kōei and moving to Tokyo, Shintōhō began a period of rapid expansion. To compete with OP Eiga and its distribution network, Shintōhō began its own theater network, partnering with Kokuei, Nihon Cinema and Aoi Eiga. The years 1972-1976 constituted

425-495: The peak years for Shintōhō when it produced some 60 films a year. One of the directors working with Shintōhō during this period was Kōji Wakamatsu who made a number of S&M themed pink films for the studio including the 1975 Pornographic Casebook: Sexual Darkness and the 1976 Women Cruelty Dark Chronicles . Two other torture-filled works from Wakamatsu from this time are Torture Chronicles: 100 Years (1975) and its 1977 sequel Torture Chronicles Continues: 100 Years . Toward

450-477: The year at the 1994 Pink Grand Prix , also brought awards to director Ueno, screenwriter Takahisa Zeze , and actors Takeshi Itō and Hotaru Hazuki . Jasper Sharp calls this "one of Ueno's most accomplished films" and posits the work as a lead-in to the next generation of Japanese pink film directors known as "The Seven Lucky Gods." At the beginning of the 21st century, only five pink film production companies were still operating in Japan. In addition to Shintōhō,

475-513: Was a Japanese movie studio . It was one of the big six film studios (which also included Daiei , Nikkatsu , Shochiku , Toei Company , and Toho ) during the Golden Age of Japanese cinema . It was founded by defectors from the original Toho company following a bitter strike in 1947. To compete with the other major studios in the horror/supernatural movie field, Shintoho turned out a large group of such films between 1957 and 1960, including

500-439: Was able to report that 1991-92 was the most profitable year in the company's history. Of the new generation of directors from this period, often called (sometimes derisively) the "Four Heavenly Kings", one in particular, Hisayasu Satō , made a number of prominent films released by Shintōhō starting in the late 1980s. His 1990 film, named Poaching By The Water by the director, with its themes of forced sex and bestiality, caused

525-641: Was director Yōjirō Takita 's Molester's Train ( 痴漢電車 , Chikan densha ) series featuring Detective Kuroda and his side-kick Hamako which began with the 1982 Molester's Train: Please Continue and ended eleven films later in 1985 with Molester's Train: 1 Centimeter From the Wall . The studio also released other entries in the series with different characters and by different directors, chiefly Minoru Inao (1983-1984) and Masahiro Kasai (1988-1991). One of Kasai's films Molester's Train: Shaking Booty ( 痴漢電車　お尻を振っておねだり , Chikan Densha: Oshiri O Futte Onedari ) won

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550-481: Was named the second best film at the Pink Grand Prix festival. Shintōhō moved into video production again in 1992 with their "Hard Porno" line of S&M videos beginning with a series of films from the 1970s which had been sold to the studio by director Koji Wakamatsu . The company celebrated its 30-year anniversary in 1993 with the release of Obscenities of Japan ( ニッポンの猥褻 , Nippon no waisetsu ) ,

575-536: Was preceded by the limited-circulation New Zoom-up , which Hayashida started in 1989, and which held the first Pink Grand Prix awards beginning that year, covering films released in 1988. Among actresses who have won the award multiple times are Yumika Hayashi , recipient of the Best Actress award in 2004 and the Special Career Award the following year. After her death on June 28, 2005, she

600-488: Was the "Detective With Sunglasses" set of hardboiled action films directed by Yoshiho Fukuoka which featured actor Shirō Shimomoto as the ultra-hip Detective Eiji. The first film in the series was the 1983 Serial Rape: Attack! ( 連続暴行　犯す , Renzoku boko Okasu ) , followed by the 1985 Disgraced! Uniform Virgin ( 凌辱！制服処女 , Ryojoku! Seifuku shojo ) and the 1987 Almost Ripe Madonna: Tasty Big Thighs ( 半熟マドンナ　おいしい太腿 , Hanjuku Madonna Oishii Futomomo ) . According to

625-461: Was the sadomasochistic April 1968 Absolutely Secret: Girl Torture produced by Tokyo Kōei and featuring future pink film superstar Naomi Tani . Another early work was the September 1968 release Love Hotel directed by Shin'ya Yamamoto (director) and also produced by Tokyo Kōei. A further group of early movies came from director Kiyoshi Komori who had been directing mainstream films for

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