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94-398: The cathedral is fronted with a golden-tinted coral limestone façade. The building is Gothic , a notable example of real Gothic architecture outside Europe. There is also a treasury which has an excellent art collection of ancient woodcarvings, furnishings, funerary monuments, silver, and jewelry. It is located between Calle Arzobispo Merino and Isabel la Católica, next to Columbus Park in

188-611: A pejorative description. Giorgio Vasari used the term "barbarous German style" in his 1550 Lives of the Artists to describe what is now considered the Gothic style. In the introduction to the Lives he attributed various architectural features to the Goths whom he held responsible for destroying the ancient buildings after they conquered Rome , and erecting new ones in this style. In

282-422: A Gothic choir, and six-part rib vaults over the nave and collateral aisles, alternating pillars and doubled columns to support the vaults, and buttresses to offset the outward thrust from the vaults. One of the builders who is believed to have worked on Sens Cathedral, William of Sens , later travelled to England and became the architect who, between 1175 and 1180, reconstructed the choir of Canterbury Cathedral in

376-510: A lantern tower, deeply moulded decoration, and high pointed arcades. Coutances Cathedral was remade into Gothic beginning about 1220. Its most distinctive feature is the octagonal lantern on the crossing of the transept, decorated with ornamental ribs, and surrounded by sixteen bays and sixteen lancet windows. Saint-Denis was the work of the Abbot Suger , a close adviser of Kings Louis VI and Louis VII . Suger reconstructed portions of

470-498: A new period of Gothic Revival . Gothic architecture survived the early modern period and flourished again in a revival from the late 18th century and throughout the 19th. Perpendicular was the first Gothic style revived in the 18th century. In England, partly in response to a philosophy propounded by the Oxford Movement and others associated with the emerging revival of 'high church' or Anglo-Catholic ideas during

564-449: A series of tracery patterns for windows – from the basic geometrical to the reticulated and the curvilinear – which had superseded the lancet window. Bar-tracery of the curvilinear, flowing , and reticulated types distinguish Second Pointed style. Decorated Gothic similarly sought to emphasize the windows, but excelled in the ornamentation of their tracery. Churches with features of this style include Westminster Abbey (1245–),

658-434: A step or two higher than the level of the nave, and the sanctuary is often raised still further. The chancel is very often separated from the nave by altar rails , or a rood screen , a sanctuary bar, or an open space, and its width and roof height is often different from that of the nave; usually the chancel will be narrower and lower. In churches with a traditional Latin cross plan, and a transept and central crossing ,

752-462: A triforium, Early English churches usually retained a gallery. High Gothic ( c.  1194 –1250) was a brief but very productive period, which produced some of the great landmarks of Gothic art. The first building in the High Gothic (French: Classique ) was Chartres Cathedral , an important pilgrimage church south of Paris. The Romanesque cathedral was destroyed by fire in 1194, but

846-533: A vast artistic treasure made up of altarpieces , paintings (including a panel of the Virgin of la Altagracia dated 1523), old cabinetry, furniture, monuments and tombstones, among other objects. The mausoleums of the archbishops of the colonial period stand out, it is also worth mentioning the tombstone of Simón Bolívar , one of the predecessors of the Liberator. The remains of Christopher Columbus were housed in

940-482: A violent and bothersome mistake, as suggested by Vasari. Rather, he saw that the Gothic style had developed over time along the lines of a changing society, and that it was thus a legitimate architectural style of its own. It was no secret that Wren strongly disliked the building practices of the Gothic style. When he was appointed Surveyor of the Fabric at Westminster Abbey in the year 1698, he expressed his distaste for

1034-504: A way that some Oriental Orthodox churches still practice today. A large (or "deep") chancel made most sense in monasteries and cathedrals where there was a large number of singing clergy and boys from a choir school to occupy the choir. In many orders "choir monk" was a term used to distinguish the educated monks who had taken full vows, or were training to do so, from another class, called "lay brothers" or other terms, who had taken lesser vows and mostly did manual tasks, including farming

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1128-421: Is built with calcareous stone, although some walls are made of masonry and bricks, and it has twelve side chapels, three free naves and a main nave. The roof of the central nave is pitched. Those of the side naves are made up of ribbed vaults that face the outside, as if they were hemispherical domes. The greatest length of the basilica is 54 m from the central nave to the bottom of the presbytery . The width of

1222-581: Is known in Britain as High Victorian Gothic . The Palace of Westminster in London by Sir Charles Barry with interiors by a major exponent of the early Gothic Revival, Augustus Welby Pugin , is an example of the Gothic revival style from its earlier period in the second quarter of the 19th century. Examples from the High Victorian Gothic period include George Gilbert Scott 's design for

1316-513: Is often adorned with chancel flowers . The word "chancel" derives from the French usage of chancel from the Late Latin word cancellus ("lattice"). This refers to the typical form of rood screens. The chancel was formerly known as the presbytery , because it was reserved for the clergy . In Early Christian architecture the templon was a barrier dividing off the sanctuary from

1410-602: Is one of the reasons why Wren's theory is rejected by many. The earliest examples of the pointed arch in Europe date from before the Holy War in the year 1095; this is widely regarded as proof that the Gothic style could not have possibly been derived from Saracen architecture. Several authors have taken a stance against this allegation, claiming that the Gothic style had most likely filtered into Europe in other ways, for example through Spain or Sicily. The Spanish architecture from

1504-506: Is the pointed arch . The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses , combined with elaborate tracery and stained glass windows. At the Abbey of Saint-Denis , near Paris, the choir was reconstructed between 1140 and 1144, drawing together for the first time the developing Gothic architectural features. In doing so, a new architectural style emerged that emphasized verticality and

1598-519: Is why he constantly praised the classic architecture of 'the Ancients' in his writings. Even though he openly expressed his distaste for the Gothic style, Wren did not blame the Saracens for the apparent lack of ingenuity. Quite the opposite: he praised the Saracens for their 'superior' vaulting techniques and their widespread use of the pointed arch. Wren claimed the inventors of the Gothic had seen

1692-489: The Albert Memorial in London, and William Butterfield 's chapel at Keble College, Oxford . From the second half of the 19th century onwards, it became more common in Britain for neo-Gothic to be used in the design of non-ecclesiastical and non-governmental buildings types. Gothic details even began to appear in working-class housing schemes subsidised by philanthropy, though given the expense, less frequently than in

1786-651: The Byzantine , of course belong more to the Gothic period than the light and elegant structures of the pointed order which succeeded them. The Gothic style of architecture was strongly influenced by the Romanesque architecture which preceded it; by the growing population and wealth of European cities, and by the desire to express local grandeur. It was influenced by theological doctrines which called for more light and by technical improvements in vaults and buttresses that allowed much greater height and larger windows. It

1880-592: The Chateau of Gaillon near Rouen (1502–1510) with the assistance of Italian craftsmen. The Château de Blois (1515–1524) introduced the Renaissance loggia and open stairway. King Francois I installed Leonardo da Vinci at his Chateau of Chambord in 1516, and introduced a Renaissance long gallery at the Palace of Fontainebleau in 1528–1540. In 1546 Francois I began building the first example of French classicism,

1974-640: The Counter-Reformation prioritized the congregation having a good view of what was happening in the chancel. Now the low communion rail is generally the only barrier; despite being essentially a Counter-Reformation invention, this has proved useful and accepted in the Protestant churches that dispense communion. However the screen enjoyed a small revival in the 19th century, after the passionate urgings of Augustus Pugin , who wrote A Treatise on Chancel Screens and Rood Lofts , and others. After

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2068-575: The Pantheon, Rome , was one of the first Renaissance landmarks, but it also employed Gothic technology; the outer skin of the dome was supported by a framework of twenty-four ribs. In the 16th century, as Renaissance architecture from Italy began to appear in France and other countries in Europe. The Gothic style began to be described as outdated, ugly and even barbaric. The term "Gothic" was first used as

2162-522: The Vitruvian architectural vocabulary of classical orders revived in the Renaissance and seen as evidence of a new Golden Age of learning and refinement. Thus the Gothic style, being in opposition to classical architecture, from that point of view was associated with the destruction of advancement and sophistication. The assumption that classical architecture was better than Gothic architecture

2256-640: The rib vault , had appeared in England, Sicily and Normandy in the 11th century. Rib-vaults were employed in some parts of the cathedral at Durham (1093–) and in Lessay Abbey in Normandy (1098). However, the first buildings to be considered fully Gothic are the royal funerary abbey of the French kings, the Abbey of Saint-Denis (1135–1144), and the archiepiscopal cathedral at Sens (1135–1164). They were

2350-424: The 1250s, Louis IX commissioned the rebuilt transepts and enormous rose windows of Notre-Dame de Paris (1250s for the north transept, 1258 for the beginning of south transept). This first 'international style' was also used in the clerestory of Metz Cathedral ( c . 1245–), then in the choir of Cologne 's cathedral ( c . 1250–), and again in the nave of the cathedral at Strasbourg ( c . 1250–). Masons elaborated

2444-539: The 13th century; by 1300, a first "international style" of Gothic had developed, with common design features and formal language. A second "international style" emerged by 1400, alongside innovations in England and central Europe that produced both the perpendicular and flamboyant varieties. Typically, these typologies are identified as: Norman architecture on either side of the English Channel developed in parallel towards Early Gothic . Gothic features, such as

2538-532: The 17th and 18th centuries, especially in provincial and ecclesiastical contexts, notably at Oxford . Beginning in the mid-15th century, the Gothic style gradually lost its dominance in Europe. It had never been popular in Italy, and in the mid-15th century the Italians, drawing upon ancient Roman ruins, returned to classical models. The dome of Florence Cathedral (1420–1436) by Filippo Brunelleschi , inspired by

2632-509: The 17th and 18th century several important Gothic buildings were constructed at Oxford University and Cambridge University , including Tom Tower (1681–82) at Christ Church, Oxford , by Christopher Wren . It also appeared, in a whimsical fashion, in Horace Walpole 's Twickenham villa , Strawberry Hill (1749–1776). The two western towers of Westminster Abbey were constructed between 1722 and 1745 by Nicholas Hawksmoor , opening

2726-431: The 17th century, Molière also mocked the Gothic style in the 1669 poem La Gloire : "...the insipid taste of Gothic ornamentation, these odious monstrosities of an ignorant age, produced by the torrents of barbarism..." The dominant styles in Europe became in turn Italian Renaissance architecture , Baroque architecture , and the grand classicism of the style Louis XIV . The Kings of France had first-hand knowledge of

2820-420: The 20th century. Medieval contemporaries described the style as Latin : opus Francigenum , lit.   'French work' or ' Frankish work', as opus modernum , 'modern work', novum opus , 'new work', or as Italian : maniera tedesca , lit.   'German style'. The term "Gothic architecture" originated as a pejorative description. Giorgio Vasari used

2914-640: The Air and Weather; the Coping, which cannot defend them, first failing, and if they give Way, the Vault must spread. Pinnacles are no Use, and as little Ornament. The chaos of the Gothic left much to be desired in Wren's eyes. His aversion of the style was so strong that he refused to put a Gothic roof on the new St. Paul's, despite being pressured to do so. Wren much preferred symmetry and straight lines in architecture, which

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3008-644: The Gothic style in a letter to the bishop of Rochester: Nothing was thought magnificent that was not high beyond Measure, with the Flutter of Arch-buttresses, so we call the sloping Arches that poise the higher Vaultings of the Nave. The Romans always concealed their Butments, whereas the Normans thought them ornamental. These I have observed are the first Things that occasion the Ruin of Cathedrals, being so much exposed to

3102-642: The Greeks. Wren was the first to popularize the belief that it was not the Europeans, but the Saracens that had created the Gothic style. The term 'Saracen' was still in use in the 18th century and it typically referred to all Muslims, including the Arabs and Berbers. Wren mentions Europe's architectural debt to the Saracens no fewer than twelve times in his writings. He also decidedly broke with tradition in his assumption that Gothic architecture did not merely represent

3196-548: The Moors could have favoured the emergence of the Gothic style long before the Crusades took place. This could have happened gradually through merchants, travelers and pilgrims. According to a 19th-century correspondent in the London journal Notes and Queries , Gothic was a derisive misnomer; the pointed arcs and architecture of the later Middle Ages was quite different from the rounded arches prevalent in late antiquity and

3290-601: The Reformation Protestant churches generally moved the altar (now often called the communion table ) forward, typically to the front of the chancel, and often used lay choirs who were placed in a gallery at the west end. The rear of deep chancels became little used in churches surviving from the Middle Ages, and new churches very often omitted one. With the emphasis on sermons, and their audibility, some churches simply converted their chancels to seat part of

3384-831: The Saracen architecture during the Crusades , also called the Religious war or Holy War, organised by the Kingdom of France in the year 1095: The Holy War gave the Christians, who had been there, an Idea of the Saracen Works, which were afterwards by them imitated in the West; and they refined upon it every day, as they proceeded in building Churches. There are several chronological issues that arise with this statement, which

3478-482: The altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. In a cathedral or other large church, there may be a distinct choir area at the start of the chancel (looking from the nave), before reaching the sanctuary, and an ambulatory may run beside and behind it. All these may be included in

3572-450: The ambulatory and side-chapels around the choir at Saint-Denis, and by the paired towers and triple doors on the western façade. Sens was quickly followed by Senlis Cathedral (begun 1160), and Notre-Dame de Paris (begun 1160). Their builders abandoned the traditional plans and introduced the new Gothic elements from Saint-Denis. The builders of Notre-Dame went further by introducing the flying buttress, heavy columns of support outside

3666-407: The ambulatory or parallel side chapels. As well as the altar, the sanctuary may house a credence table and seats for officiating and assisting ministers . In some churches, the congregation may gather on three sides or in a semicircle around the chancel. In some churches, the pulpit and lectern may be in the chancel, but in others these, especially the pulpit, are in the nave . The presbytery

3760-523: The brothers William and Robert Vertue 's Henry VII Chapel ( c.  1503 –1512) at Westminster Abbey . Perpendicular is sometimes called Third Pointed and was employed over three centuries; the fan-vaulted staircase at Christ Church, Oxford built around 1640. Lacey patterns of tracery continued to characterize continental Gothic building, with very elaborate and articulated vaulting, as at Saint Barbara's, Kutná Hora (1512). In certain areas, Gothic architecture continued to be employed until

3854-699: The capital of the medieval kingdom of Armenia concluded to have discovered the oldest Gothic arch. According to these historians, the architecture of the Saint Hripsime Church near the Armenian religious seat Etchmiadzin was built in the fourth century A.D. and was repaired in 618. The cathedral of Ani was built in 980–1012 A.D. However many of the elements of Islamic and Armenian architecture that have been cited as influences on Gothic architecture also appeared in Late Roman and Byzantine architecture,

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3948-428: The cathedral at Metz ( c .1235–). In High Gothic, the whole surface of the clerestory was given over to windows. At Chartres Cathedral, plate tracery was used for the rose window, but at Reims the bar-tracery was free-standing. Lancet windows were supplanted by multiple lights separated by geometrical bar-tracery. Tracery of this kind distinguishes Middle Pointed style from the simpler First Pointed . Inside,

4042-525: The cathedral for a time, which were transferred in 1795 to the Cathedral of Havana and finally, between 1898 and 1899, to the Cathedral of Seville . The valuable archiepiscopal throne, in the Plateresque style, dates from 1540. It was part of the lower choir, dismantled at the end of the last century to place the marble monument in which the remains of Christopher Columbus were kept. The cathedral

4136-507: The cathedrals at Lichfield (after 1257–) and Exeter (1275–), Bath Abbey (1298–), and the retro choir at Wells Cathedral ( c .1320–). The Rayonnant developed its second 'international style' with increasingly autonomous and sharp-edged tracery mouldings apparent in the cathedral at Clermont-Ferrand (1248–), the papal collegiate church at Troyes , Saint-Urbain (1262–), and the west façade of Strasbourg Cathedral (1276–1439)). By 1300, there were examples influenced by Strasbourg in

4230-517: The cathedrals of Limoges (1273–), Regensburg ( c . 1275–), and in the cathedral nave at York (1292–). Central Europe began to lead the emergence of a new, international flamboyant style with the construction of a new cathedral at Prague (1344–) under the direction of Peter Parler . This model of rich and variegated tracery and intricate reticulated rib-vaulting was definitive in the Late Gothic of continental Europe, emulated not only by

4324-434: The chancel usually begins at the eastern side of the central crossing, often under an extra-large chancel arch supporting the crossing and the roof. This is an arch which separates the chancel from the nave and transept of a church. If the chancel, strictly defined as choir and sanctuary, does not fill the full width of a medieval church, there will usually be some form of low wall or screen at its sides, demarcating it from

4418-413: The chancel, at least in architectural terms (see above). In many churches, the altar has now been moved to the front of the chancel, in what was built as the choir area, or to the centre of the transept, somewhat confusing the distinction between chancel, choir and sanctuary. In churches with less traditional plans, the term may not be useful in either architectural or ecclesiastical terms. The chancel may be

4512-534: The city of Santo Domingo de Guzmán. The Cathedral of Santo Domingo is the oldest existing in the Americas, built by order of Pope Julius II in 1504. Headquarters of the Archdiocese of Santo Domingo , its construction began in 1512, under the pastoral government of the first bishop of Santo Domingo, Friar García Padilla, who never came to the island; based on plans by the architect Alonso de Rodríguez. With

4606-546: The classical columns he had seen in Rome. In addition, he installed a circular rose window over the portal on the façade. These also became a common feature of Gothic cathedrals. Some elements of Gothic style appeared very early in England. Durham Cathedral was the first cathedral to employ a rib vault, built between 1093 and 1104. The first cathedral built entirely in the new style was Sens Cathedral , begun between 1135 and 1140 and consecrated in 1160. Sens Cathedral features

4700-473: The clergy. This distinction was enforced by the development of canon law , by which the construction and upkeep of the chancel was the responsibility of the rector , whereas the construction and upkeep of the nave was the responsibility of the parish . Barriers demarcating the chancel became increasingly elaborate, but were largely swept away after both the Protestant Reformation and then

4794-552: The cloisters and chapter-house ( c.  1332 ) of Old St Paul's Cathedral in London by William de Ramsey . The chancel of Gloucester Cathedral ( c.  1337 –1357) and its latter 14th century cloisters are early examples. Four-centred arches were often used, and lierne vaults seen in early buildings were developed into fan vaults, first at the latter 14th century chapter-house of Hereford Cathedral (demolished 1769) and cloisters at Gloucester, and then at Reginald Ely 's King's College Chapel, Cambridge (1446–1461) and

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4888-637: The collegiate churches and cathedrals, but by urban parish churches which rivalled them in size and magnificence. The minster at Ulm and other parish churches like the Heilig-Kreuz-Münster at Schwäbisch Gmünd ( c .1320–), St Barbara's Church at Kutná Hora (1389–), and the Heilig-Geist-Kirche (1407–) and St Martin's Church ( c .1385–) in Landshut are typical. Use of ogees was especially common. The flamboyant style

4982-719: The competition. Work began that same year, but in 1178 William was badly injured by falling from the scaffolding, and returned to France, where he died. His work was continued by William the Englishman who replaced his French namesake in 1178. The resulting structure of the choir of Canterbury Cathedral is considered the first work of Early English Gothic . The cathedral churches of Worcester (1175–), Wells ( c .1180–), Lincoln (1192–), and Salisbury (1220–) are all, with Canterbury, major examples. Tiercerons – decorative vaulting ribs – seem first to have been used in vaulting at Lincoln Cathedral, installed c .1200. Instead of

5076-421: The congregation is in the nave . Direct access may be provided by a priest's door , usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where

5170-679: The congregation. In 19th-century England one of the battles of the Cambridge Camden Society , the architectural wing of the Anglo-Catholics in the Church of England , was to restore the chancel as a necessary part of a church. By pushing the altar back to its medieval position and having the choir used by a lay choir, they were largely successful in this, although the harder end of the High Church objected to allowing

5264-591: The coverage of stained glass windows such that the walls are effectively entirely glazed; examples are the nave of Saint-Denis (1231–) and the royal chapel of Louis IX of France on the Île de la Cité in the Seine – the Sainte-Chapelle ( c .1241–1248). The high and thin walls of French Rayonnant Gothic allowed by the flying buttresses enabled increasingly ambitious expanses of glass and decorated tracery, reinforced with ironwork. Shortly after Saint-Denis, in

5358-629: The crypt of the Archbishops and the lateral Baptismal chapel. Among the works, the painting of Our Lady of la Antigua, donated by the Admiral. The organ was brought to Magdeburg in 1860. The architecture of the building of the Cathedral of Santo Domingo is characterized by a Gothic style with ribbed vaults , solid walls and three doors, two of them Gothic in contrast to the third and main of Gothic- Plateresque style. The cathedral contains

5452-425: The design of upper and middle-class housing. Presbytery (architecture) In church architecture , the chancel is the space around the altar , including the choir and the sanctuary (sometimes called the presbytery ), at the liturgical east end of a traditional Christian church building. It may terminate in an apse . The chancel is generally the area used by the clergy and choir during worship, while

5546-414: The development of Renaissance architecture in Italy during the mid-15th century, the Gothic style was supplanted by the new style, but in some regions, notably England and Belgium, Gothic continued to flourish and develop into the 16th century. A series of Gothic revivals began in mid-18th century England , spread through 19th-century Europe and continued, largely for churches and university buildings, into

5640-549: The east end of the church, which typically had a half-dome. The lantern tower was another common feature in Norman Gothic. One example of early Norman Gothic is Bayeux Cathedral (1060–1070) where the Romanesque cathedral nave and choir were rebuilt into the Gothic style. Lisieux Cathedral was begun in 1170. Rouen Cathedral (begun 1185) was rebuilt from Romanesque to Gothic with distinct Norman features, including

5734-557: The effect created by the transmission of light through stained glass windows. Common examples are found in Christian ecclesiastical architecture , and Gothic cathedrals and churches , as well as abbeys , and parish churches . It is also the architecture of many castles , palaces , town halls , guildhalls , universities and, less prominently today, private dwellings. Many of the finest examples of medieval Gothic architecture are listed by UNESCO as World Heritage Sites . With

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5828-534: The façades of Sainte-Chapelle de Vincennes (1370s) and choir Mont-Saint-Michel 's abbey church (1448). In England, ornamental rib-vaulting and tracery of Decorated Gothic co-existed with, and then gave way to, the perpendicular style from the 1320s, with straightened, orthogonal tracery topped with fan-vaulting . Perpendicular Gothic was unknown in continental Europe and unlike earlier styles had no equivalent in Scotland or Ireland. It first appeared in

5922-526: The first buildings to systematically combine rib vaulting, buttresses, and pointed arches. Most of the characteristics of later Early English were already present in the lower chevet of Saint-Denis. The Duchy of Normandy , part of the Angevin Empire until the 13th century, developed its own version of Gothic. One of these was the Norman chevet , a small apse or chapel attached to the choir at

6016-503: The front and back side of the façade. The new High Gothic churches competed to be the tallest, with increasingly ambitious structures lifting the vault yet higher. Chartres Cathedral's height of 38 m (125 ft) was exceeded by Beauvais Cathedral's 48 m (157 ft), but on account of the latter's collapse in 1248, no further attempt was made to build higher. Attention turned from achieving greater height to creating more awe-inspiring decoration. Rayonnant Gothic maximized

6110-414: The monastery's land. These usually sat in the nave, with any lay congregation. Following the exposition of the doctrine of transubstantiation at the fourth Lateran Council of 1215, clergy were required to ensure that the blessed sacrament was to be kept protected from irreverent access or abuse; and accordingly the area of the church used by the lay congregation was to be screened off from that used by

6204-544: The most noticeable example being the pointed arch and flying buttress. The most notable example is the capitals, which are forerunners of the Gothic style and deviated from the Classical standards of ancient Greece and Rome with serpentine lines and naturalistic forms. Architecture "became a leading form of artistic expression during the late Middle Ages". Gothic architecture began in the earlier 12th century in northwest France and England and spread throughout Latin Europe in

6298-447: The nave was divided into by regular bays, each covered by a quadripartite rib vaults. Other characteristics of the High Gothic were the development of rose windows of greater size, using bar-tracery, higher and longer flying buttresses, which could reach up to the highest windows, and walls of sculpture illustrating biblical stories filling the façade and the fronts of the transept. Reims Cathedral had two thousand three hundred statues on

6392-442: The new Gothic style. Sens Cathedral was influential in its strongly vertical appearance and in its three-part elevation, typical of subsequent Gothic buildings, with a clerestory at the top supported by a triforium , all carried on high arcades of pointed arches. In the following decades flying buttresses began to be used, allowing the construction of lighter, higher walls. French Gothic churches were heavily influenced both by

6486-412: The new Italian style, because of the military campaign of Charles VIII to Naples and Milan (1494), and especially the campaigns of Louis XII and Francis I (1500–1505) to restore French control over Milan and Genoa. They brought back Italian paintings, sculpture and building plans, and, more importantly, Italian craftsmen and artists. The Cardinal Georges d'Amboise , chief minister of Louis XII, built

6580-588: The new palace begun by Emperor Charles V in Granada, within the Alhambra (1485–1550), inspired by Bramante and Raphael, but it was never completed. The first major Renaissance work in Spain was El Escorial , the monastery-palace built by Philip II of Spain . Under Henry VIII and Elizabeth I , England was largely isolated from architectural developments on the continent. The first classical building in England

6674-490: The new style were Burghley House (1550s–1580s) and Longleat , built by associates of Somerset. With those buildings, a new age of architecture began in England. Gothic architecture, usually churches or university buildings, continued to be built. Ireland was an island of Gothic architecture in the 17th and 18th centuries, with the construction of Derry Cathedral (completed 1633), Sligo Cathedral ( c.  1730 ), and Down Cathedral (1790–1818) are other examples. In

6768-425: The old Romanesque church with the rib vault in order to remove walls and to make more space for windows. He described the new ambulatory as "a circular ring of chapels, by virtue of which the whole church would shine with the wonderful and uninterrupted light of most luminous windows, pervading the interior beauty." To support the vaults he also introduced columns with capitals of carved vegetal designs, modelled upon

6862-501: The old mediaeval style, which they termed Gothic, as synonymous with every thing that was barbarous and rude, it may be sufficient to refer to the celebrated Treatise of Sir Henry Wotton , entitled The Elements of Architecture , ... printed in London so early as 1624. ... But it was a strange misapplication of the term to use it for the pointed style, in contradistinction to the circular, formerly called Saxon, now Norman, Romanesque, &c. These latter styles, like Lombardic , Italian, and

6956-597: The others, continued to use six-part rib vaults); and Beauvais Cathedral (1225–). In central Europe, the High Gothic style appeared in the Holy Roman Empire , first at Toul (1220–), whose Romanesque cathedral was rebuilt in the style of Reims Cathedral; then Trier 's Liebfrauenkirche parish church (1228–), and then throughout the Reich , beginning with the Elisabethkirche at Marburg (1235–) and

7050-634: The period of the Ostrogothic Kingdom in Italy: There can be no doubt that the term 'Gothic' as applied to pointed styles of ecclesiastical architecture was used at first contemptuously, and in derision, by those who were ambitious to imitate and revive the Grecian orders of architecture, after the revival of classical literature. But, without citing many authorities, such as Christopher Wren , and others, who lent their aid in depreciating

7144-553: The rank of Metropolitan Cathedral and Primate of America at the request of King Charles V, Holy Roman Emperor . Another promotion came in 1920 when Pope Benedict XV elevated it to "Minor Basilica of the Virgin of the Annunciation". In the second half of the 16th century, the Cloister sector was built on the south side, with the cells of the canons; another example is found in the Cathedral of Salamanca in Spain. In 1547

7238-578: The rest of the church; in Eastern Christianity this developed into different arrangements from those of the Western church, with the sanctuary often not visible to the congregation. In the West the ciborium , an open-walled but usually roofed structure sheltering the altar, became common, and was originally fitted with curtains that were drawn and pulled back at different points in the Mass, in

7332-437: The second quarter of the 19th century, neo-Gothic began to become promoted by influential establishment figures as the preferred style for ecclesiastical, civic and institutional architecture. The appeal of this Gothic revival (which after 1837, in Britain, is sometimes termed Victorian Gothic ), gradually widened to encompass "low church" as well as "high church" clients. This period of more universal appeal, spanning 1855–1885,

7426-482: The south, the cloister called Plazoleta de los Curas. The annexes around the courtyard allow a passage called Callejón de Curas. Gothic architecture Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages , surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and

7520-763: The square courtyard of the Louvre Palace designed by Pierre Lescot . Nonetheless, new Gothic buildings, particularly churches, continued to be built. New Gothic churches built in Paris in this period included Saint-Merri (1520–1552) and Saint-Germain l'Auxerrois . The first signs of classicism in Paris churches did not appear until 1540, at Saint-Gervais-Saint-Protais . The largest new church, Saint-Eustache (1532–1560), rivalled Notre-Dame in size, 105 m (344 ft) long, 44 m (144 ft) wide, and 35 m (115 ft) high. As construction of this church continued, elements of Renaissance decoration, including

7614-477: The story of the Virgin Mary but also, in a small corner of each window, illustrating the crafts of the guilds who donated those windows. The model of Chartres was followed by a series of new cathedrals of unprecedented height and size. These were Reims Cathedral (begun 1211), where coronations of the kings of France took place; Amiens Cathedral (1220–1226); Bourges Cathedral (1195–1230) (which, unlike

7708-682: The system of classical orders of columns, were added to the design, making it a Gothic-Renaissance hybrid. In Germany, some Italian elements were introduced at the Fugger Chapel of St. Anne's Church, Augsburg , (1510–1512) combined with Gothic vaults; and others appeared in the Church of St. Michael in Munich, but in Germany Renaissance elements were used primarily for decoration. Some Renaissance elements also appeared in Spain, in

7802-412: The term "barbarous German style" in his Lives of the Artists to describe what is now considered the Gothic style, and in the introduction to the Lives he attributes various architectural features to the Goths , whom he held responsible for destroying the ancient buildings after they conquered Rome, and erecting new ones in this style. When Vasari wrote, Italy had experienced a century of building in

7896-469: The three naves is 23 m. The highest height from floor to vault reaches 16 meters, and the built area exceeds 3,000 square meters. Fourteen side chapels were built throughout the cathedral's history. The surroundings of the cathedral are formulated in three independent spaces, to the north the Plaza de Armas, the battlemented atrium is like an antechamber that marks the main entrance to the religious complex. To

7990-441: The walls connected by arches to the upper walls. The buttresses counterbalanced the outward thrust from the rib vaults. This allowed the builders to construct higher, thinner walls and larger windows. Following the destruction by fire of the choir of Canterbury Cathedral in 1174, a group of master builders was invited to propose plans for the reconstruction. The master-builder William of Sens , who had worked on Sens Cathedral, won

8084-539: The work on the bell tower was interrupted, because its height, surpassing the Homage tower , had caused disturbances to the sentinels. It was the headquarters of the troops of Sir Francis Drake during his invasion of 1586, who sacked it. Apparently in 1665 there was a second consecration. Initially without chapels , in 1740 it had 9 and currently it has 14. The Chapels of Alonso de Suazo, Rodrígo, Bastídas, Geraldini and Diego Caballero deserve special mention, as well as

8178-473: The work stopped, they continued with a new design by Luis de Moya and Rodrigo de Liendo in 1522 with the intervention of Bishop Alessandro Geraldini . The architect Alonso González, inspired by the Seville Cathedral , partially completed the church in 1550. Successively Alonso de Fuenmayor , promoted the works and on August 31, 1541, it was consecrated. In 1546 Pope Paul III elevated it to

8272-407: Was also influenced by the necessity of many churches, such as Chartres Cathedral and Canterbury Cathedral , to accommodate growing numbers of pilgrims. It adapted features from earlier styles. According to Charles Texier (French historian, architect, and archaeologist) and Josef Strzygowski (Polish-Austrian art historian), after lengthy research and study of cathedrals in the medieval city of Ani ,

8366-448: Was characterised by the multiplication of the ribs of the vaults, with new purely decorative ribs, called tiercons and liernes, and additional diagonal ribs. One common ornament of flamboyant in France is the arc-en-accolade , an arch over a window topped by a pinnacle, which was itself topped with fleuron , and flanked by other pinnacles. Examples of French flamboyant building include the west façade of Rouen Cathedral , and especially

8460-667: Was not owed to the Goths but to the Islamic Golden Age . He wrote: This we now call the Gothic manner of architecture (so the Italians called what was not after the Roman style) though the Goths were rather destroyers than builders; I think it should with more reason be called the Saracen style, for these people wanted neither arts nor learning: and after we in the west lost both, we borrowed again from them, out of their Arabic books, what they with great diligence had translated from

8554-438: Was succeeded by Renaissance architecture . It originated in the Île-de-France and Picardy regions of northern France . The style at the time was sometimes known as opus Francigenum ( lit.   ' French work ' ); the term Gothic was first applied contemptuously during the later Renaissance , by those ambitious to revive the architecture of classical antiquity . The defining design element of Gothic architecture

8648-456: Was swiftly rebuilt in the new style, with contributions from King Philip II of France , Pope Celestine III , local gentry, merchants, craftsmen, and Richard the Lionheart , king of England. The builders simplified the elevation used at Notre Dame, eliminated the tribune galleries, and used flying buttresses to support the upper walls. The walls were filled with stained glass, mainly depicting

8742-578: Was the Old Somerset House in London (1547–1552) (since demolished), built by Edward Seymour, 1st Duke of Somerset , who was regent as Lord Protector for Edward VI until the young king came of age in 1547. Somerset's successor, John Dudley, 1st Duke of Northumberland , sent the architectural scholar John Shute to Italy to study the style. Shute published the first book in English on classical architecture in 1570. The first English houses in

8836-412: Was widespread and proved difficult to defeat. Vasari was echoed in the 16th century by François Rabelais , who referred to Goths and Ostrogoths ( Gotz and Ostrogotz ). The polymath architect Christopher Wren disapproved of the name Gothic for pointed architecture. He compared it to Islamic architecture , which he called the ' Saracen style', pointing out that the pointed arch's sophistication

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