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160-743: The Clarendon Building is an early 18th-century neoclassical building of the University of Oxford . It is in Broad Street , Oxford , England, next to the Bodleian Library and the Sheldonian Theatre and near the centre of the city. It was built between 1711 and 1715 and is now a Grade I listed building . Until the early 18th century, the printing presses of the Oxford University Press (OUP) were in

320-476: A compromise between the two, combining modernist forms and stylized decoration. The dominant figure in the rise of modernism in France was Charles-Édouard Jeanerette, a Swiss-French architect who in 1920 took the name Le Corbusier . In 1920 he co-founded a journal called ' L'Espirit Nouveau and energetically promoted architecture that was functional, pure, and free of any decoration or historical associations. He

480-496: A consolidated scheme for city planning for both defence and civil convenience; however, the roots of this scheme go back to even older civilizations. At its most basic, the grid system of streets, a central forum with city services, two main slightly wider boulevards, and the occasional diagonal street were characteristic of the very logical and orderly Roman design. Ancient façades and building layouts were oriented to these city design patterns and they tended to work in proportion with

640-424: A discovery of the genuine classic interior, inspired by the rediscoveries at Pompeii and Herculaneum . These had begun in the late 1740s, but only achieved a wide audience in the 1760s, with the first luxurious volumes of tightly controlled distribution of Le Antichità di Ercolano Esposte ( The Antiquities of Herculaneum Exposed ). The antiquities of Herculaneum showed that even the most classicizing interiors of

800-574: A generation of architects, including Louis Sullivan , Victor Horta , Hector Guimard , and Antoni Gaudí . At the end of the 19th century, a few architects began to challenge the traditional Beaux Arts and Neoclassical styles that dominated architecture in Europe and the United States. The Glasgow School of Art (1896–99) designed by Charles Rennie Mackintosh , had a façade dominated by large vertical bays of windows. The Art Nouveau style

960-467: A hotel near Chandler, Arizona , and the most famous of all his residences, Fallingwater (1934–37), a vacation house in Pennsylvania for Edgar J. Kaufman. Fallingwater is a remarkable structure of concrete slabs suspended over a waterfall, perfectly uniting architecture and nature. The Austrian architect Rudolph Schindler designed what could be called the first house in the modern style in 1922,

1120-649: A lighthouse-like tower in the center to inspire hope. His rebuilt city was declared a UNESCO World Heritage site in 2005. Shortly after the War, the French architect Le Corbusier , who was nearly sixty years old and had not constructed a building in ten years, was commissioned by the French government to construct a new apartment block in Marseille . He called it Unité d'Habitation in Marseille, but it more popularly took

1280-653: A major exposition of modernist design in Cologne just a few weeks before the outbreak of the First World War in August 1914. For the 1914 Cologne exhibition, Bruno Taut built a revolutionary glass pavilion. Frank Lloyd Wright was a highly original and independent American architect who refused to be categorized in any one architectural movement. Like Le Corbusier and Ludwig Mies van der Rohe , he had no formal architectural training. From 1887 to 1893 he worked in

1440-462: A mere antique revival, drained of all the high-minded ideas and force of conviction that had inspired its masterpieces". High neoclassicism was an international movement. Architects reacted against the excesses and profuse ornament used in Late Baroque architecture . The new "classical" architecture emphasized planar qualities, rather than elaborate sculptural ornament in both the interior and

1600-763: A neo-gothic or neoclassical style, but these buildings were very different; they combined modern materials and technology (stainless steel, concrete, aluminum, chrome-plated steel) with Art Deco geometry; stylized zig-zags, lightning flashes, fountains, sunrises, and, at the top of the Chrysler building, Art Deco "gargoyles" in the form of stainless steel radiator ornaments. The interiors of these new buildings, sometimes termed Cathedrals of Commerce", were lavishly decorated in bright contrasting colors, with geometric patterns variously influenced by Egyptian and Mayan pyramids, African textile patterns, and European cathedrals, Frank Lloyd Wright himself experimented with Mayan Revival , in

1760-589: A new impetus to neoclassicism, the Greek Revival. There was little direct knowledge of surviving Greek buildings before the middle of the 18th century in Western Europe , when an expedition funded by the Society of Dilettanti in 1751 and led by James Stuart and Nicholas Revett began serious archaeological enquiry. Stuart was commissioned after his return from Greece by George Lyttelton to produce

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1920-664: A new note of sobriety and restraint in public buildings in Britain around 1800 as an assertion of nationalism attendant on the Act of Union , the Napoleonic Wars , and the clamour for political reform. It was to be William Wilkins 's winning design for the public competition for Downing College, Cambridge , that announced the Greek style was to be the dominant idiom in architecture. Wilkins and Robert Smirke went on to build some of

2080-501: A new style for government buildings, sometimes called PWA Moderne , for the Public Works Administration , which launched gigantic construction programs in the U.S. to stimulate employment. It was essentially classical architecture stripped of ornament, and was employed in state and federal buildings, from post offices to the largest office building in the world at that time, Pentagon (1941–43), begun just before

2240-474: A new style. They became leaders in the postwar modernist movement. World War II (1939–1945) and its aftermath was a major factor in driving innovation in building technology, and in turn, architectural possibilities. The wartime industrial demands resulted in shortages of steel and other building materials, leading to the adoption of new materials, such as aluminum, The war and postwar period brought greatly expanded use of prefabricated building ; largely for

2400-470: A nursery school, and other serves, and the flat terrace roof had a running track, ventilation ducts, and a small theater. Le Corbusier designed furniture, carpets, and lamps to go with the building, all purely functional; the only decoration was a choice of interior colors that Le Corbusier gave to residents. Unité d'Habitation became a prototype for similar buildings in other cities, both in France and Germany. Combined with his equally radical organic design for

2560-428: A pioneer in the architecture of collective housing , though his Moroccan colleague Elie Azagury was critical of him for serving as a tool of the French colonial regime and for ignoring the economic and social necessity that Moroccans live in higher density vertical housing. Late modernist architecture is generally understood to include buildings designed (1968–1980) with exceptions. Modernist architecture includes

2720-484: A prominent architectural commentator. Its goal was to bring together designers and industrialists, to turn out well-designed, high-quality products, and in the process to invent a new type of architecture. The organization originally included twelve architects and twelve business firms, but quickly expanded. The architects include Peter Behrens , Theodor Fischer (who served as its first president), Josef Hoffmann and Richard Riemerschmid . In 1909 Behrens designed one of

2880-618: A proponent of monumental fascist architecture, who rebuilt the University of Rome, and designed the Italian pavilion at the 1937 Paris Exposition, and planned a grand reconstruction of Rome on the fascist model. The 1939 New York World's Fair marked a turning point in architecture between Art Deco and modern architecture. The theme of the Fair was the World of Tomorrow , and its symbols were

3040-579: A reaction to the Rococo style can be detected in some European architecture of the earlier 18th century, most vividly represented in the Palladian architecture of Georgian Britain and Ireland . The name refers to the designs of the 16th-century Venetian architect Andrea Palladio . The Baroque style had never truly been to the English taste. Four influential books were published in the first quarter of

3200-456: A row of white pylons in the center of a large lawn, it became an icon of modernist architecture. In Germany, two important modernist movements appeared after the first World War, The Bauhaus was a school founded in Weimar in 1919 under the direction of Walter Gropius . Gropius was the son of the official state architect of Berlin, who studied before the war with Peter Behrens , and designed

3360-521: A study of Casablanca's bidonvilles entitled "Habitat for the Greatest Number". The presenters, Georges Candilis and Michel Ecochard , argued—against doctrine—that architects must consider local culture and climate in their designs. This generated great debate among modernist architects around the world and eventually provoked a schism and the creation of Team 10 . Ecochard's 8x8 meter model at Carrières Centrales earned him recognition as

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3520-585: A style that was decelerated with the advent of Modernism . Yet still Neoclassical architecture is beginning to be practiced again in the 21st century more in the form of New Classical architecture and even in Gentrification and Historicism Architecture , the Neoclassical architecture or its important elements are still being used, even when Postmodern architecture is dominant throughout the world. A return to more classical architectural forms as

3680-514: A symbol of British Malta. Other 19th-century neoclassical buildings include the Monument to Sir Alexander Ball (1810), RNH Bighi (1832), St Paul's Pro-Cathedral (1844), the Rotunda of Mosta (1860) and the now-destroyed Royal Opera House, Valletta (1866). Neoclassicism gave way to other architectural styles by the late 19th century. Few buildings were built in the neoclassical style during

3840-408: A temporary halt to the construction of new skyscrapers. It also brought in a new style, called " Streamline Moderne " or sometimes just Streamline. This style, sometimes modeled after for the form of ocean liners, featured rounded corners, strong horizontal lines, and often nautical features, such as superstructures and steel railings. It was associated with modernity and especially with transportation;

4000-463: Is a machine for living in." He tirelessly promoted his ideas through slogans, articles, books, conferences, and participation in Expositions. To illustrate his ideas, in the 1920s he built a series of houses and villas in and around Paris. They were all built according to a common system, based upon the use of reinforced concrete, and of reinforced concrete pylons in the interior which supported

4160-720: Is a name often given to the Modern architecture that emerged in Europe, primarily German-speaking Europe, in the 1920s and 30s. It is also frequently called Neues Bauen (New Building). The New Objectivity took place in many German cities in that period, for example in Frankfurt with its Neues Frankfurt project. By the late 1920s, modernism had become an important movement in Europe. Architecture, which previously had been predominantly national, began to become international. The architects traveled, met each other, and shared ideas. Several modernists, including Le Corbusier , had participated in

4320-581: Is also an important example of Neoclassical architecture along with the islands of Poros and Syros (especially in the capital Ermoupoli ). The earliest examples of neoclassical architecture in Hungary may be found in Vác . In this town the triumphal arch and the neoclassical façade of the Baroque Cathedral were designed by the French architect Isidor Marcellus Amandus Ganneval (Isidore Canevale) in

4480-535: Is an outstanding example of the many Protestant churches that were built in the first half of the 19th century. This was the time of the first iron structures in Hungarian architecture, the most important of which is the Széchenyi Chain Bridge by William Tierney Clark . Although not a western country, due to Western influence Japan has had neoclassical architecture produced in it. This includes

4640-481: Is expressed in the Louis XV style of architect Ange-Jacques Gabriel ( Petit Trianon , 1762–1768); the second phase, in the styles called Directoire and Empire , might be characterized by Jean Chalgrin 's severe astylar Arc de Triomphe (designed in 1806). In England the two phases might be characterized first by the structures of Robert Adam , the second by those of Sir John Soane . The interior style in France

4800-488: Is known as Brick Expressionism . Erich Mendelsohn , (who disliked the term Expressionism for his work) began his career designing churches, silos, and factories which were highly imaginative, but, for lack of resources, were never built. In 1920, he finally was able to construct one of his works in the city of Potsdam; an observatory and research center called the Einsteinium , named in tribute to Albert Einstein . It

4960-706: The goût grec ("Greek taste"), not a court style; when Louis XVI acceded to the throne in 1774, Marie Antoinette , his fashion-loving Queen, brought the Louis XVI style to court. However, there was no real attempt to employ the basic forms of Roman furniture until around the turn of the century, and furniture-makers were more likely to borrow from ancient architecture, just as silversmiths were more likely to take from ancient pottery and stone-carving than metalwork: "Designers and craftsmen [...] seem to have taken an almost perverse pleasure in transferring motifs from one medium to another". A new phase in neoclassical design

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5120-657: The Austrian Postal Savings Bank (1904–1906). Wagner declared his intention to express the function of the building in its exterior. The reinforced concrete exterior was covered with plaques of marble attached with bolts of polished aluminum. The interior was purely functional and spare, a large open space of steel, glass, and concrete where the only decoration was the structure itself. The Viennese architect Adolf Loos also began removing any ornament from his buildings. His Steiner House , in Vienna (1910),

5280-461: The Baroque , or the most "Roman" rooms of William Kent were based on basilica and temple exterior architecture turned outside in, hence their often bombastic appearance to modern eyes: pedimented window frames turned into gilded mirrors, fireplaces topped with temple fronts. The new interiors sought to recreate an authentically Roman and genuinely interior vocabulary. Techniques employed in

5440-654: The Basilica Cathedral of Arequipa built between 1540–1844 by Lucas Poblete . Brazil , which became the seat of the court of the Portuguese monarchy , gaining independence from its metropolis as the Empire of Brazil , also used the resources of architecture for the glorification of political power, and it was decided to resort to architects trained in the Académie royale d'architecture . To this period belong

5600-480: The Beaux-Arts architecture sparked by the return of massive number of architectural students to the islands from the western schools. It also became a symbol of democracy and the approaching republic during the commonwealth . The centre of Polish-Lithuanian Neoclassicism was Warsaw and Vilnius under the rule of the last Polish king and Lithuanian grand duke, Stanisław August Poniatowski . Vilnius University

5760-455: The Carson, Pirie, Scott and Company Building , in the heart of Chicago in 1904–1906. While these buildings were revolutionary in their steel frames and height, their decoration was borrowed from Neo-Renaissance , Neo-Gothic and Beaux-Arts architecture . The Woolworth Building , designed by Cass Gilbert , was completed in 1912, and was the tallest building in the world until the completion of

5920-620: The Chapel of Notre-Dame du-Haut at Ronchamp , this work propelled Corbusier in the first rank of postwar modern architects. In the early 1950s, Michel Écochard , director of urban planning under the French Protectorate in Morocco , commissioned GAMMA ( Groupe des Architectes Modernes Marocains )—which initially included the architects Elie Azagury , George Candillis , Alexis Josic and Shadrach Woods —to design housing in

6080-488: The Chrysler Building in 1929. The structure was purely modern, but its exterior was decorated with Neo-Gothic ornament, complete with decorative buttresses, arches and spires, which caused it to be nicknamed the "Cathedral of Commerce". After the first World War, a prolonged struggle began between architects who favored the more traditional styles of neo-classicism and the Beaux-Arts architecture style, and

6240-471: The Enlightenment , empiricism , and the study of sites by early archaeologists. Classical architecture after about 1840 must be classified as one of a series of "revival" styles, such as Greek , Renaissance , or Italianate . Various historians of the 19th century have made this clear since the 1970s. Classical architecture during the 20th century is classified less as a revival, and more a return to

6400-649: The Hay Mohammedi neighborhood of Casablanca that provided a "culturally specific living tissue" for laborers and migrants from the countryside . Sémiramis , Nid d’Abeille (Honeycomb), and Carrières Centrales were some of the first examples of this Vernacular Modernism . At the 1953 Congrès Internationaux d'Architecture Moderne (CIAM), ATBAT-Afrique —the Africa branch of Atelier des Bâtisseurs founded in 1947 by figures including Le Corbusier , Vladimir Bodiansky , and André Wogenscky —prepared

6560-506: The IG Farben building , a massive corporate headquarters, now the main building of Goethe University in Frankfurt. Bruno Taut specialized in building large-scale apartment complexes for working-class Berliners. He built twelve thousand individual units, sometimes in buildings with unusual shapes, such as a giant horseshoe. Unlike most other modernists, he used bright exterior colors to give his buildings more life The use of dark brick in

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6720-644: The National Library of Greece (1888), the third building of the trilogy being the National and Capodistrian University of Athens (1843), which was designed by his brother Christian Hansen . Also he designed the Zappeion Hall (1888). Ernst Ziller also designed many private mansions in the centre of Athens which gradually became public, usually through donations, such the mansion of Heinrich Schliemann , Iliou Melathron (1880). The city of Nauplio

6880-694: The Palais de Tokyo and Palais de Chaillot , both built by collectives of architects for the 1937 Paris Exposition Internationale des Arts et Techniques dans la Vie Moderne . In the late 1920s and early 1930s, an exuberant American variant of Art Deco appeared in the Chrysler Building , Empire State Building and Rockefeller Center in New York City, and Guardian Building in Detroit. The first skyscrapers in Chicago and New York had been designed in

7040-544: The Polish–Lithuanian Commonwealth were Dominik Merlini , Jan Chrystian Kamsetzer , Szymon Bogumił Zug , Jakub Kubicki , Antonio Corazzi , Efraim Szreger , Chrystian Piotr Aigner and Bertel Thorvaldsen . In the Russian Empire at the end of the 19th century, neoclassical architecture was equal to Saint Petersburg architecture because this style was specific for a huge number of buildings in

7200-590: The Russian Revolution of 1917, Russian avant-garde artists and architects began searching for a new Soviet style which could replace traditional neoclassicism. The new architectural movements were closely tied with the literary and artistic movements of the period, the futurism of poet Vladimir Mayakovskiy , the Suprematism of painter Kasimir Malevich , and the colorful Rayonism of painter Mikhail Larionov . The most startling design that emerged

7360-585: The Venetian Republic , building one of the first lapidariums in Europe in Verona , in the Doric style (1738). During the same period, neoclassical elements were introduced to Tuscany by architect Jean Nicolas Jadot de Ville-Issey , the court architect of Francis Stephen of Lorraine . On Jadot's lead, an original neoclassical style was developed by Gaspare Maria Paoletti , transforming Florence into

7520-833: The restoration of the Republic and the subsequent stability of the Pax Porfiriana that Mexico saw a significant number of new neoclassical buildings. The Academy of San Carlos saw a renewal of neoclassicism ideals under director Francesco Saverio Cavallari . During the Porfiriato, the predominant architectural taste favored Eclecticism . Buildings such as the Teatro Juárez , Museo Nacional de Arte and Palacio de Bellas Artes , are eclectic buildings that combine different architectural styles and are not solely neoclassical. An important unfinished neoclassical building

7680-592: The 1750s. It first gained influence in England and France; in England, Sir William Hamilton 's excavations at Pompeii and other sites, the influence of the Grand Tour , and the work of William Chambers and Robert Adam , were pivotal in this regard. In France, the movement was propelled by a generation of French art students trained in Rome, and was influenced by the writings of Johann Joachim Winckelmann . The style

7840-782: The 1760s. Also the work of a French architect, Jean-Charles-Alexandre Moreau , is the garden façade of the Esterházy Palace (1797–1805) in Kismarton (today Eisenstadt in Austria). The two principal architects of Neoclassicism in Hungary were Mihály Pollack and József Hild . Pollack's major work is the Hungarian National Museum (1837–1844). Hild is famous for his designs for the Cathedral of Eger and Esztergom . The Reformed Great Church of Debrecen

8000-648: The 18th century in Germany, in what was then Prussia . Karl Friedrich Schinkel built many notable buildings in this style, including the Altes Museum in Berlin. While the city remained dominated by Baroque city planning, his architecture and functional style provided the city with a distinctly neoclassical center. Schinkel's work is very comparable to Neoclassical architecture in Britain since he drew much of his inspiration from that country. He made trips to observe

8160-402: The 18th century which highlighted the simplicity and purity of classical architecture: Vitruvius Britannicus by Colen Campbell (1715), Palladio's I quattro libri dell'architettura ( The Four Books of Architecture , 1715), De re aedificatoria by Leon Battista Alberti (first published in 1452) and The Designs of Inigo Jones... with Some Additional Designs (1727). The most popular

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8320-523: The 1920s and 1930s it became a highly popular style in the United States, South America, India, China, Australia, and Japan. In Europe, Art Deco was particularly popular for department stores and movie theaters. The style reached its peak in Europe at the International Exhibition of Modern Decorative and Industrial Arts in 1925, which featured art deco pavilions and decoration from twenty countries. Only two pavilions were purely modernist;

8480-578: The 1950s and 1960s. The group met once more in Paris in 1937 to discuss public housing and was scheduled to meet in the United States in 1939, but the meeting was cancelled because of the war. The legacy of the CIAM was a roughly common style and doctrine which helped define modern architecture in Europe and the United States after World War II. The Art Deco architectural style (called Style Moderne in France),

8640-421: The 20th century, such as the Domvs Romana museum (1922), and the Courts of Justice building (Valletta) (1965–1971). Neoclassical architecture in Mexico had two main eras, the first was toward the end of Spanish colonial rule and the second phase was during independent Mexico beginning in the mid-19th century. As part of the Spanish Enlightenment 's cultural impact on the Kingdom of New Spain (Mexico),

8800-416: The Burns Monument at Alloway (1818) and the Royal High School, Edinburgh (1823–1829). At the same time the Empire style in France was a more grandiose wave of neoclassicism in architecture and the decorative arts. Mainly based on Imperial Roman styles, it originated in, and took its name from, the rule of Napoleon I in the First French Empire , where it was intended to idealize Napoleon's leadership and

8960-501: The Chicago office of Louis Sullivan , who pioneered the first tall steel-frame office buildings in Chicago, and who famously stated " form follows function ". Wright set out to break all the traditional rules. He was particularly famous for his Prairie Houses , including the Winslow House in River Forest, Illinois (1893–94); Arthur Heurtley House (1902) and Robie House (1909); sprawling, geometric residences without decoration, with strong horizontal lines which seemed to grow out of

9120-500: The Clarendon Building for seven hours, following similar protests at other UK universities. The demonstrators called for the University to condemn Israel's role in the 2008–2009 Israel–Gaza conflict and to cancel a lecture series at Balliol College inaugurated by Shimon Peres . The protestors ended their protest after an agreement with the Senior Proctor . Neoclassical architecture The development of archaeology and published accurate records of surviving classical buildings

9280-445: The Esprit Nouveau pavilion of Le Corbusier, which represented his idea for a mass-produced housing unit, and the pavilion of the USSR, by Konstantin Melnikov in a flamboyantly futurist style. Later French landmarks in the Art Deco style included the Grand Rex movie theater in Paris, La Samaritaine department store by Henri Sauvage (1926–28) and the Social and Economic Council building in Paris (1937–38) by Auguste Perret , and

9440-482: The French Empire style . The term "neoclassical" is often used very loosely for any building using some of the classical architectural vocabulary. In form, Neoclassical architecture emphasizes the wall rather than chiaroscuro and maintains separate identities to each of its parts. The style is manifested both in its details as a reaction against the Rococo style of naturalistic ornament, and in its architectural formulae as an outgrowth of some classicizing features of

9600-427: The French state. The style corresponds to the more bourgeois Biedermeier style in the German-speaking lands, Federal style in the United States, the Regency style in Britain, and the Napoleonstil in Sweden. According to the art historian Hugh Honour "so far from being, as is sometimes supposed, the culmination of the Neo-classical movement, the Empire marks its rapid decline and transformation back once more into

9760-475: The German Werkbund, and became the head of the Bauhaus from 1930 to 1933. proposing a wide variety of modernist plans for urban reconstruction. His most famous modernist work was the German pavilion for the 1929 international exposition in Barcelona. It was a work of pure modernism, with glass and concrete walls and clean, horizontal lines. Though it was only a temporary structure, and was torn down in 1930, it became, along with Le Corbusier's Villa Savoye , one of

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9920-425: The German projects gave that particular style a name, Brick Expressionism . The Austrian philosopher, architect, and social critic Rudolf Steiner also departed as far as possible from traditional architectural forms. His Second Goetheanum , built from 1926 near Basel , Switzerland and Mendelsohn 's Einsteinturm in Potsdam, Germany, were based on no traditional models and had entirely original shapes. After

10080-403: The Late Baroque architectural tradition. Therefore, the style is defined by symmetry, simple geometry, and social demands instead of ornament. In the 21st century, a version of the style continues, sometimes called New Classical architecture or New Classicism. Neoclassical architecture is a specific style and moment in the late 18th and early 19th centuries that was specifically associated with

10240-444: The Netherlands, and Adolf Loos from Czechoslovakia. A delegation of Soviet architects was invited to attend, but they were unable to obtain visas. Later members included Josep Lluís Sert of Spain and Alvar Aalto of Finland. No one attended from the United States. A second meeting was organized in 1930 in Brussels by Victor Bourgeois on the topic "Rational methods for groups of habitations". A third meeting, on "The functional city",

10400-446: The Schindler house. Schindler also contributed to American modernism with his design for the Lovell Beach House in Newport Beach . The Austrian architect Richard Neutra moved to the United States in 1923, worked for a short time with Frank Lloyd Wright, also quickly became a force in American architecture through his modernist design for the same client, the Lovell Health House in Los Angeles. Neutra's most notable architectural work

10560-462: The Soviet Pavilion for the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925; it was a highly geometric vertical construction of glass and steel crossed by a diagonal stairway, and crowned with a hammer and sickle. The leading group of constructivist architects, led by Vesnin brothers and Moisei Ginzburg , was publishing the 'Contemporary Architecture' journal. This group created several major constructivist projects in

10720-581: The Spanish architect, whose pavilion of the Second Spanish Republic was pure modernist glass and steel box. Inside it displayed the most modernist work of the Exposition, the painting Guernica by Pablo Picasso . The original building was destroyed after the Exposition, but it was recreated in 1992 in Barcelona. The rise of nationalism in the 1930s was reflected in the Fascist architecture of Italy, and Nazi architecture of Germany, based on classical styles and designed to express power and grandeur. The Nazi architecture, much of it designed by Albert Speer ,

10880-428: The United States entered the Second World War. During the 1920s and 1930s, Frank Lloyd Wright resolutely refused to associate himself with any architectural movements. He considered his architecture to be entirely unique and his own. Between 1916 and 1922, he broke away from his earlier prairie house style and worked instead on houses decorated with textured blocks of cement; this became known as his "Mayan style", after

11040-401: The United States led to the design and construction of enormous government-financed housing projects, usually in run-down center of American cities, and in the suburbs of Paris and other European cities, where land was available, One of the largest reconstruction projects was that of the city center of Le Havre, destroyed by the Germans and by Allied bombing in 1944; 133 hectares of buildings in

11200-510: The adaptation to the local architectural language, which during previous centuries had made a synthesis or syncretism of European and pre-Columbian elements in the so-called Colonial Baroque. Two more Classical criteria belong, in Chile , the La Moneda Palace (1784–1805) and the Santiago Metropolitan Cathedral (1748–1899), both works by the Italian architect Joaquín Toesca . In Ecuador, the Quito's Palacio de Carondelet (Ecuador's Government Palace) built between 1611–1801 by Antonio García. At

11360-405: The architectural theorist and historian Eugène Viollet-le-Duc . In his 1872 book Entretiens sur L'Architecture , he urged: "use the means and knowledge given to us by our times, without the intervening traditions which are no longer viable today, and in that way we can inaugurate a new architecture. For each function its material; for each material its form and its ornament." This book influenced

11520-571: The architecture. However, a style of its own was not conceived, but the Classical canon was introduced, not in the form of a replica of buildings from Antiquity, but with a classical predominance and a lot of influence from French Classicism ; which lasted until the 20th century. Like most western tradition, it arrived in the Pacific Archipelagos via rule from New Spain (Mexico) during the period of governance by Mexico City as one of

11680-523: The basement of the Sheldonian Theatre . This meant that the compositors could not work when the Theatre was in use for ceremonies. Therefore, the University commissioned a new building to house the OUP. Nicholas Hawksmoor produced a neoclassical design, construction started in 1711 and it was completed in 1715. The builder and sculptor was William Townesend of Oxford . The building was funded largely from

11840-547: The best preferred architecture in the Spanish East Indies , manifested in churches, civic buildings and one of the popular architectural ornament for newer styled Bahay na bato and Bahay kubo . When the power over the archipelago was transferred from Spain to the United States of America, the style became more popular and developed from slightly simple approach during the Spanish era, to a more ornamented style of

12000-675: The best-known landmarks of modernist architecture. A reconstructed version now stands on the original site in Barcelona. When the Nazis came to power in Germany, they viewed the Bauhaus as a training ground for communists, and closed the school in 1933. Gropius left Germany and went to England, then to the United States, where he and Marcel Breuer both joined the faculty of the Harvard Graduate School of Design , and became

12160-613: The buildings and develop his functional style. From the middle of the 18th century, exploration and publication changed the course of British architecture from the Palladian architecture towards a purer vision of the Ancient Greco-Roman ideal. James 'Athenian' Stuart 's work The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood 's Palmyra and Baalbec . A combination of simple forms and high levels of enrichment

12320-646: The buildings designed between 1945 and the 1960s. The late modernist style is characterized by bold shapes and sharp corners, slightly more defined than Brutalist architecture . The International Style of architecture had appeared in Europe, particularly in the Bauhaus movement, in the late 1920s. In 1932 it was recognized and given a name at an Exhibition at the Museum of Modern Art in New York City organized by architect Philip Johnson and architectural critic Henry-Russell Hitchcock , Between 1937 and 1941, following

12480-462: The center of the fast-growing American cities, and the availability of new technologies, including fireproof steel frames and improvements in the safety elevator invented by Elisha Otis in 1852. The first steel-framed "skyscraper", The Home Insurance Building in Chicago, was ten stories high. It was designed by William Le Baron Jenney in 1883, and was briefly the tallest building in the world. Louis Sullivan built another monumental new structure,

12640-409: The center were flattened, destroying 12,500 buildings and leaving 40,000 persons homeless. The architect Auguste Perret , a pioneer in the use of reinforced concrete and prefabricated materials, designed and built an entirely new center to the city, with apartment blocks, cultural, commercial, and government buildings. He restored historic monuments when possible, and built a new church, St. Joseph, with

12800-638: The city. Catherine the Great adopted the style during her reign by allowing the architect Jean-Baptiste Vallin de la Mothe to build the Old Hermitage and the Imperial Academy of Arts . Modern architecture Modern architecture , also called modernist architecture , was an architectural movement and style that was prominent in the 20th century, between the earlier Art Deco and later postmodern movements. Modern architecture

12960-600: The competition for the headquarters of the League of Nations in 1927. In the same year, the German Werkbund organized an architectural exposition at the Weissenhof Estate Stuttgart . Seventeen leading modernist architects in Europe were invited to design twenty-one houses; Le Corbusier, and Ludwig Mies van der Rohe played a major part. In 1927 Le Corbusier, Pierre Chareau, and others proposed

13120-547: The concrete cube-based Ennis House of 1924 in Los Angeles. The style appeared in the late 1920s and 1930s in all major American cities. The style was used most often in office buildings, but it also appeared in the enormous movie palaces that were built in large cities when sound films were introduced. The beginning of the Great Depression in 1929 brought an end to lavishly decorated Art Deco architecture and

13280-519: The construction of clusters of slender eight- to ten-story high-rise apartment towers for workers. While Gropius was active at the Bauhaus, Ludwig Mies van der Rohe led the modernist architectural movement in Berlin. Inspired by the De Stijl movement in the Netherlands, he built clusters of concrete summer houses and proposed a project for a glass office tower. He became the vice president of

13440-520: The construction of major neoclassical buildings came to an end as a result of interruptions to the operation of the Academy of San Carlos and economic turmoil caused by the War of Independence. The economic slump was worsened by a succession of wars, including the Spanish reconquest attempts , First French Intervention , First American Intervention and Reform War . It was not until the late 1860s, with

13600-644: The crown established the Academy of San Carlos in 1785 to train painters, sculptors, and architects in New Spain, under the direction of the peninsular Gerónimo Antonio Gil . The academy emphasized neoclassicism, which drew on the inspiration of the clean lines of Greek and Roman architecture, but also, for some monuments, from the Aztec and Maya architectural traditions. The preeminent Neoclassical architect in Mexico

13760-851: The dawn of the independence of Hispanic America, constructive programs were developed in the new republics. Neoclassicism was introduced in New Granada by Marcelino Pérez de Arroyo . Later, in Colombia , the Capitolio Nacional was built in Bogotá between 1848–1926 by Thomas Reed , trained at the Berlin Bauakademie ; the Primatial Cathedral of Bogotá (1807–1823), designed by Friar Domingo de Petrés ; and in Peru

13920-697: The decorative arts, neoclassicism is exemplified in French furniture of the Empire style; the English furniture of Chippendale , George Hepplewhite and Robert Adam , Wedgwood 's bas reliefs and "black basaltes" vases , and the Biedermeier furniture of Austria. The Scottish architect Charles Cameron created palatial Italianate interiors for the German-born Catherine the Great in Saint Petersburg . Indoors, neoclassicism made

14080-459: The designer Marcel Breuer . Gropius became an important theorist of modernism, writing The Idea and Construction in 1923. He was an advocate of standardization in architecture, and the mass construction of rationally designed apartment blocks for factory workers. In 1928 he was commissioned by the Siemens company to build apartment for workers in the suburbs of Berlin, and in 1929 he proposed

14240-587: The earliest and most influential industrial buildings in the modernist style, the AEG turbine factory , a functional monument of steel and concrete. In 1911–1913, Adolf Meyer and Walter Gropius , who had both worked for Behrens, built another revolutionary industrial plant, the Fagus Factory in Alfeld an der Laine, a building without ornament where every construction element was on display. The Werkbund organized

14400-663: The earth, and which echoed the wide flat spaces of the American prairie. His Larkin Building (1904–1906) in Buffalo, New York , Unity Temple (1905) in Oak Park, Illinois and Unity Temple had highly original forms and no connection with historical precedents. At the end of the 19th century, the first skyscrapers began to appear in the United States. They were a response to the shortage of land and high cost of real estate in

14560-436: The eternality of the universe. There are links between Boullée's ideas and Edmund Burke 's conception of the sublime . Ledoux addressed the concept of architectural character, maintaining that a building should immediately communicate its function to the viewer: taken literally, such ideas give rise to architecture parlante ("speaking architecture"). From about 1800 a fresh influx of Greek architectural examples, seen through

14720-574: The exterior. Projections and recessions and their effects of light and shade were more flat; sculptural bas-reliefs were flat and tended to be framed by friezes, tablets or panels. This was the first "stripped down" classical architecture, and appeared to be modern in the context of the Revolutionary period in Europe. At its most elemental, as in the work of Etienne-Louis Boullée , it was highly abstract and geometrically pure. Neoclassicism also influenced city planning. The ancient Romans had used

14880-765: The final years of Hospitaller rule . Early examples include the Bibliotheca (1786), the De Rohan Arch (1798) and the Hompesch Gate (1801). However, neoclassical architecture only became popular in Malta following the establishment of British rule in the early 19th century. In 1814, a neoclassical portico decorated with the British coat of arms was added to the Main Guard building so as to serve as

15040-561: The first Greek building in England, the garden temple at Hagley Hall (1758–59). A number of British architects in the second half of the century took up the expressive challenge of the Doric from their aristocratic patrons, including Joseph Bonomi the Elder and John Soane , but it was to remain the private enthusiasm of connoisseurs up to the first decade of the 19th century. Seen in its wider social context, Greek Revival architecture sounded

15200-449: The first glass and metal curtain wall . These developments together led to the first steel-framed skyscraper, the ten-story Home Insurance Building in Chicago, built in 1884 by William Le Baron Jenney and based on the works of Viollet le Duc. French industrialist François Coignet was the first to use iron-reinforced concrete, that is, concrete strengthened with iron bars, as a technique for constructing buildings. In 1853 Coignet built

15360-446: The first half of the 20th century and became dominant after World War II until the 1980s, when it was gradually replaced as the principal style for institutional and corporate buildings by postmodern architecture . Modern architecture emerged at the end of the 19th century from revolutions in technology, engineering, and building materials, and from a desire to break away from historical architectural styles and invent something that

15520-490: The first iron reinforced concrete structure, a four-storey house in the suburbs of Paris. A further important step forward was the invention of the safety elevator by Elisha Otis , first demonstrated at the New York Crystal Palace exposition in 1854, which made tall office and apartment buildings practical. Another important technology for the new architecture was electric light, which greatly reduced

15680-761: The forefront of the new school of design was the aristocratic "architect earl", Richard Boyle, 3rd Earl of Burlington ; in 1729, he and William Kent designed Chiswick House . This house was a reinterpretation of Palladio's Villa Capra "La Rotonda" , but purified of 16th-century elements and ornament. This severe lack of ornamentation was to be a feature of Palladianism. In 1734, William Kent and Lord Burlington designed one of England's finest examples of Palladian architecture, Holkham Hall in Norfolk . The main block of this house followed Palladio's dictates quite closely, but Palladio's low, often detached, wings of farm buildings were elevated in significance. This classicizing vein

15840-747: The foundation of an international conference to establish the basis for a common style. The first meeting of the Congrès Internationaux d'Architecture Moderne or International Congresses of Modern Architects (CIAM), was held in a chateau on Lake Leman in Switzerland 26–28 June 1928. Those attending included Le Corbusier, Robert Mallet-Stevens , Auguste Perret , Pierre Chareau and Tony Garnier from France; Victor Bourgeois from Belgium; Walter Gropius , Erich Mendelsohn , Ernst May and Ludwig Mies van der Rohe from Germany; Josef Frank from Austria; Mart Stam and Gerrit Rietveld from

16000-739: The headquarters of a shipping company, and was modeled after a giant steamship, a triangular building with a sharply pointed bow. It was constructed of dark brick, and used external piers to express its vertical structure. Its external decoration borrowed from Gothic cathedrals, as did its internal arcades. Hans Poelzig was another notable expressionist architect. In 1919 he built the Großes Schauspielhaus , an immense theater in Berlin, seating five thousand spectators for theater impresario Max Reinhardt . It featured elongated shapes like stalagmites hanging down from its gigantic dome, and lights on massive columns in its foyer. He also constructed

16160-549: The importance of public buildings. Many of these urban planning patterns found their way into the first modern planned cities of the 18th century. Exceptional examples include Karlsruhe , Washington, D.C., Saint Petersburg, Buenos Aires, Havana, and Barcelona. Contrasting models may be found in Modernist designs exemplified by Brasília , the Garden city movement , and levittowns . The first phase of neoclassicism in France

16320-400: The industrialization many constructivist buildings were erected in provincial cities. The regional industrial centers, including Ekaterinburg , Kharkiv or Ivanovo , were rebuilt in the constructivist manner; some cities, like Magnitogorsk or Zaporizhzhia , were constructed anew (the so-called socgorod , or 'socialist city'). The style fell markedly out of favor in the 1930s, replaced by

16480-424: The inherent danger of fires caused by gas in the 19th century. The debut of new materials and techniques inspired architects to break away from the neoclassical and eclectic models that dominated European and American architecture in the late 19th century, most notably eclecticism , Victorian and Edwardian architecture , and the Beaux-Arts architectural style . This break with the past was particularly urged by

16640-490: The medium of etchings and engravings, gave a new impetus to neoclassicism that is called the Greek Revival . Although several European cities – notably Saint Petersburg , Athens , Berlin and Munich – were transformed into veritable museums of Greek revival architecture, the Greek Revival in France was never popular with either the state or the public. Neoclassical architecture became a symbol of national pride during

16800-454: The military and government. The semi-circular metal Nissen hut of World War I was revived as the Quonset hut . The years immediately after the war saw the development of radical experimental houses, including the enameled-steel Lustron house (1947–1950), and Buckminster Fuller's experimental aluminum Dymaxion House . The unprecedented destruction caused by the war was another factor in

16960-451: The modernist Fagus turbine factory. The Bauhaus was a fusion of the prewar Academy of Arts and the school of technology. In 1926 it was transferred from Weimar to Dessau; Gropius designed the new school and student dormitories in the new, purely functional modernist style he was encouraging. The school brought together modernists in all fields; the faculty included the modernist painters Vasily Kandinsky , Joseph Albers and Paul Klee , and

17120-532: The modernists, led by Le Corbusier and Robert Mallet-Stevens in France, Walter Gropius and Ludwig Mies van der Rohe in Germany, and Konstantin Melnikov in the new Soviet Union , who wanted only pure forms and the elimination of any decoration. Louis Sullivan popularized the axiom Form follows function to emphasize the importance of utilitarian simplicity in modern architecture. Art Deco architects such as Auguste Perret and Henri Sauvage often made

17280-762: The more grandiose nationalist styles that Stalin favored. Constructivist architects and even Le Corbusier projects for the new Palace of the Soviets from 1931 to 1933, but the winner was an early Stalinist building in the style termed Postconstructivism . The last major Russian constructivist building, by Boris Iofan , was built for the Paris World Exhibition (1937), where it faced the pavilion of Nazi Germany by Hitler's architect Albert Speer . The New Objectivity (in German Neue Sachlichkeit, sometimes also translated as New Sobriety)

17440-734: The most important buildings of the era, including the Theatre Royal , Covent Garden (1808–1809), the General Post Office (1824–1829) and the British Museum (1823–1848), Wilkins University College London (1826–1830) and the National Gallery (1832–1838). In Scotland, Thomas Hamilton (1784–1858), in collaboration with the artists Andrew Wilson (1780–1848) and Hugh William Williams (1773–1829) created monuments and buildings of international significance;

17600-527: The most important centre of neoclassicism in the peninsula. In the second half of the century, Neoclassicism flourished also in Turin , Milan ( Giuseppe Piermarini ) and Trieste ( Matteo Pertsch ). In the latter two cities, just as in Tuscany, the sober neoclassical style was linked to the reformism of the ruling Habsburg enlightened monarchs. The shift to neoclassical architecture is conventionally dated to

17760-434: The most innovative expressionist projects, including Bruno Taut 's Alpine Architecture and Hermann Finsterlin 's Formspiels , remained on paper. Scenography for theatre and films provided another outlet for the expressionist imagination, and provided supplemental incomes for designers attempting to challenge conventions in a harsh economic climate. A particular type, using bricks to create its forms (rather than concrete)

17920-552: The name of the Cité Radieuse (and later "Cité du Fada" "City of the crazy one" in Marseille French), after his book about futuristic urban planning. Following his doctrines of design, the building had a concrete frame raised up above the street on pylons. It contained 337 duplex apartment units, fit into the framework like pieces of a puzzle. Each unit had two levels and a small terrace. Interior "streets" had shops,

18080-504: The need of supporting pillars, replaced stone and brick as the primary material for modernist architects. The first concrete apartment buildings by Perret and Sauvage were covered with ceramic tiles, but in 1905 Perret built the first concrete parking garage on 51 rue de Ponthieu in Paris; here the concrete was left bare, and the space between the concrete was filled with glass windows. Henri Sauvage added another construction innovation in an apartment building on Rue Vavin in Paris (1912–1914);

18240-577: The pavilion of the Soviet Union, topped by enormous statues of a worker and a peasant carrying a hammer and sickle. As to the modernists, Le Corbusier was practically, but not quite invisible at the Exposition; he participated in the Pavilion des temps nouveaux, but focused mainly on his painting. The one modernist who did attract attention was a collaborator of Le Corbusier, Josep Lluis Sert ,

18400-601: The portal of the Imperial Academy of Fine Arts in Rio de Janeiro made in 1826 and the Imperial Palace of Petrópolis built between 1845–1862. Argentina is another of the countries that seeks to shed its colonial past, but in the context of the reorganization of the country after independence in 1810, an aspect of power was sought that transmitted the presence of the State, inspiring respect and devotion, including of course

18560-569: The preceding decades, to bring what they felt to be a lighter and more elegant feel to Georgian houses. The Works in Architecture illustrated the main buildings the Adam brothers had worked on and crucially documented the interiors, furniture and fittings, designed by the Adams. From about 1800 a fresh influx of Greek architectural examples, seen through the medium of etchings and engravings, gave

18720-876: The proceeds of the commercially successful History of the Great Rebellion by the 1st Earl of Clarendon , whose legacy later paid for the building of the Clarendon Laboratory in Oxford as well. In the 1820s, the OUP moved to new premises in Walton Street , after which the University used the Clarendon Building for administrative purposes. In 1975, the building was transferred to the Bodleian Library , for which it now provides office and meeting space for senior members of staff. On 22 January 2009, student demonstrators occupied part of

18880-536: The purely geometric trylon and periphery sculpture. It had many monuments to Art Deco, such as the Ford Pavilion in the Streamline Moderne style, but also included the new International Style that would replace Art Deco as the dominant style after the War. The Pavilions of Finland, by Alvar Aalto , of Sweden by Sven Markelius , and of Brazil by Oscar Niemeyer and Lúcio Costa , looked forward to

19040-421: The pyramids of the ancient Mayan civilization. He experimented for a time with modular mass-produced housing. He identified his architecture as "Usonian", a combination of USA, "utopian" and "organic social order". His business was severely affected by the beginning of the Great Depression that began in 1929; he had fewer wealthy clients who wanted to experiment. Between 1928 and 1935, he built only two buildings:

19200-463: The reinforced concrete building was in steps, with each floor set back from the floor below, creating a series of terraces. Between 1910 and 1913, Auguste Perret built the Théâtre des Champs-Élysées , a masterpiece of reinforced concrete construction, with Art Deco sculptural bas-reliefs on the façade by Antoine Bourdelle . Because of the concrete construction, no columns blocked the spectator's view of

19360-473: The rise Hitler and the Nazis in Germany, most of the leaders of the German Bauhaus movement found a new home in the United States, and played an important part in the development of American modern architecture. Frank Lloyd Wright was eighty years old in 1947; he had been present at the beginning of American modernism, and though he refused to accept that he belonged to any movement, continued to play

19520-444: The rise of modern architecture. Large parts of major cities, from Berlin, Tokyo, and Dresden to Rotterdam and east London; all the port cities of France, particularly Le Havre , Brest, Marseille, Cherbourg had been destroyed by bombing. In the United States, little civilian construction had been done since the 1920s; housing was needed for millions of American soldiers returning from the war. The postwar housing shortages in Europe and

19680-450: The spirit of Italian Rationalism of the 1920s continued, with the work of architect Giuseppe Terragni . His Casa del Fascio in Como, headquarters of the local Fascist party, was a perfectly modernist building, with geometric proportions (33.2 meters long by 16.6 meters high), a clean façade of marble, and a Renaissance-inspired interior courtyard. Opposed to Terragni was Marcello Piacitini,

19840-437: The stage. Otto Wagner , in Vienna, was another pioneer of the new style. In his book Moderne Architektur (1895) he had called for a more rationalist style of architecture, based on "modern life". He designed a stylized ornamental metro station at Karlsplatz in Vienna (1888–89), then an ornamental Art Nouveau residence, Majolika House (1898), before moving to a much more geometric and simplified style, without ornament, in

20000-535: The structure, allowing glass curtain walls on the façade and open floor plans, independent of the structure. They were always white, and had no ornament or decoration on the outside or inside. The best-known of these houses was the Villa Savoye , built in 1928–1931 in the Paris suburb of Poissy . An elegant white box wrapped with a ribbon of glass windows around on the façade, with living space that opened upon an interior garden and countryside around, raised up by

20160-408: The style included flatter, lighter motifs, sculpted in low frieze -like relief or painted in monotones en camaïeu ("like cameos"), isolated medallions or vases or busts or bucrania or other motifs, suspended on swags of laurel or ribbon, with slender arabesques against backgrounds, perhaps, of "Pompeiian red" or pale tints, or stone colours. The style in France was initially a Parisian style,

20320-467: The style was often used for new airport terminals, train and bus stations, and for gas stations and diners built along the growing American highway system. In the 1930s the style was used not only in buildings, but in railroad locomotives, and even refrigerators and vacuum cleaners. It both borrowed from industrial design and influenced it. In the United States, the Great Depression led to

20480-490: The teachers of a generation of American postwar architects. In 1937 Mies van der Rohe also moved to the United States; he became one of the most famous designers of postwar American skyscrapers. Expressionism , which appeared in Germany between 1910 and 1925, was a counter-movement against the strictly functional architecture of the Bauhaus and Werkbund. Its advocates, including Bruno Taut , Hans Poelzig , Fritz Hoger and Erich Mendelsohn , wanted to create architecture that

20640-418: The time. It is particularly evident in Dublin , which is a largely neoclassical and Georgian city. After the establishment of the Kingdom of Greece in 1832, the architecture of Greece was mostly influenced by the Neoclassical architecture. For Athens, the first King of Greece, Otto I , commissioned the architects Stamatios Kleanthis and Eduard Schaubert to design a modern city plan. The Old Royal Palace

20800-412: The unique Hiko Shrine  [ ja ] which is a Shinto shrine based on Greek temples . It later developed into the Imperial Crown Style which contains elements of both Eastern and Western design Roofs are notably distinctly Asian in this style and it was used heavily by the Japanese Empire in its colonies. Neoclassical architecture was introduced in Malta in the late 18th century, during

20960-479: The wake of the First Five Year Plan – including colossal Dnieper Hydroelectric Station (1932) – and made an attempt to start the standardization of living blocks with Ginzburg's Narkomfin building . A number of architects from the pre-Soviet period also took up the constructivist style. The most famous example was Lenin's Mausoleum in Moscow (1924), by Alexey Shchusev (1924) The main centers of constructivist architecture were Moscow and Leningrad; however, during

21120-437: Was Manuel Tolsá . Neoclassicism in Mexican architecture was directly linked to crown policies that sought to rein in the exuberance of the New Spanish Baroque , and to create public buildings of "good taste" funded by the crown, such as the Palacio de Minería in Mexico City, the Hospicio Cabañas in Guadalajara, and the Alhóndiga de Granaditas in Guanajuato , all built in the late colonial era. Following Independence ,

21280-401: Was Italy, especially Naples , where by the 1730s court architects such as Luigi Vanvitelli and Ferdinando Fuga were recovering classical, Palladian and Mannerist forms in their Baroque architecture. Following their lead, Giovanni Antonio Medrano began to build the first truly neoclassical structures in Italy in the 1730s. In the same period, Alessandro Pompei introduced neoclassicism to

21440-403: Was a prototype for the modernist office buildings that followed. (It was torn down in 1957, because it stood in the zone between East and West Berlin, where the Berlin Wall was constructed.) Following the rise of the Nazis to power, he moved to England (1933), then to the United States (1941). Fritz Höger was another notable Expressionist architect of the period. His Chilehaus was built as

21600-409: Was adopted by the majority of contemporary British architects and designers. The revolution begun by Stuart was soon to be eclipsed by the work of the Adam brothers , James Wyatt , Sir William Chambers , George Dance the Younger , James Gandon , and provincially based architects such as John Carr and Thomas Harrison of Chester . In Scotland and the north of England, where the Gothic Revival

21760-454: Was also a passionate advocate of a new urbanism, based on planned cities. In 1922 he presented a design of a city for three million people, whose inhabitants lived in identical sixty-story tall skyscrapers surrounded by open parkland. He designed modular houses, which would be mass-produced on the same plan and assembled into apartment blocks, neighborhoods, and cities. In 1923 he published "Toward an Architecture", with his famous slogan, "a house

21920-440: Was also adopted by progressive circles in other countries such as Sweden and Russia . International neoclassical architecture was exemplified in Karl Friedrich Schinkel 's buildings, especially the Altes Museum in Berlin, Sir John Soane 's Bank of England in London and the newly built White House and Capitol in Washington, D.C. of the nascent American Republic . The style was international. The Baltimore Basilica , which

22080-399: Was also detectable, to a lesser degree, in the Late Baroque architecture in Paris, such as in the Louvre Colonnade . This shift was even visible in Rome at the redesigned façade for Archbasilica of Saint John Lateran . By the mid-18th century, the movement broadened to incorporate a greater range of classical influences, including those from Ancient Greece . An early centre of neoclassicism

22240-445: Was an example of what he called rationalist architecture ; it had a simple stucco rectangular façade with square windows and no ornament. The fame of the new movement, which became known as the Vienna Secession spread beyond Austria. Josef Hoffmann , a student of Wagner, constructed a landmark of early modernist architecture, the Stoclet Palace , in Brussels, in 1906–1911. This residence, built of brick covered with Norwegian marble,

22400-400: Was another important centre of Neoclassical architecture in Europe, led by the notable professors of architecture Marcin Knackfus , Laurynas Gucevičius and Karol Podczaszyński . The style was expressed in the shape of main public buildings, such as the Vilnius University Astronomical Observatory , Vilnius Cathedral and the town hall . The best-known architects and artists, who worked in

22560-474: Was based upon new and innovative technologies of construction (particularly the use of glass , steel , and concrete ); the principle functionalism (i.e. that form should follow function ); an embrace of minimalism ; and a rejection of ornament . According to Le Corbusier , the roots of the movement were to be found in the works of Eugène Viollet le duc , while Mies van der Rohe was heavily inspired by Karl Friedrich Schinkel . The movement emerged in

22720-432: Was composed of geometric blocks, wings, and a tower. A large pool in front of the house reflected its cubic forms. The interior was decorated with paintings by Gustav Klimt and other artists, and the architect even designed clothing for the family to match the architecture. In Germany, a modernist industrial movement, Deutscher Werkbund (German Work Federation) had been created in Munich in 1907 by Hermann Muthesius ,

22880-414: Was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architecture . This followed increased understanding of Greek survivals. As the 19th century continued, the style tended to lose its original rather austere purity in variants like

23040-545: Was designed by Benjamin Henry Latrobe in 1806, is considered one of the finest examples of neoclassical architecture in the world . A second neoclassic wave, more severe, more studied and more consciously archaeological, is associated with the height of the First French Empire . In France, the first phase of neoclassicism was expressed in the Louis XVI style , and the second in the styles called Directoire and Empire . Its major proponents were Percier and Fontaine , court architects who specialized in interior decoration. In

23200-442: Was inaugurated by Robert and James Adam , who travelled in Italy and Dalmatia in the 1750s, observing the ruins of the classical world. On their return to Britain, they published a book entitled The Works in Architecture in installments between 1773 and 1779. This book of engraved designs made the Adam style available throughout Europe. The Adam brothers aimed to simplify the Rococo and Baroque styles which had been fashionable in

23360-495: Was initially a Parisian style, the " Goût grec " ("Greek style") not a court style. Only when the young King Louis XVI acceded to the throne in 1774 did Marie Antoinette , his fashion-loving Queen, bring the Louis XVI style to court. Many early 19th-century neoclassical architects were influenced by the drawings and projects of Étienne-Louis Boullée and Claude Nicolas Ledoux . The many graphite drawings of Boullée and his students depict spare geometrical architecture that emulates

23520-441: Was intended to awe the spectators by its huge scale. Adolf Hitler intended to turn Berlin into the capital of Europe, grander than Rome or Paris. The Nazis closed the Bauhaus, and the most prominent modern architects soon departed for Britain or the United States. In Italy, Benito Mussolini wished to present himself as the heir to the glory and empire of ancient Rome. Mussolini's government was not as hostile to modernism as The Nazis;

23680-792: Was launched in the 1890s by Victor Horta in Belgium and Hector Guimard in France; it introduced new styles of decoration, based on vegetal and floral forms. In Barcelona, Antonio Gaudi conceived architecture as a form of sculpture; the façade of the Casa Batlló in Barcelona (1904–1907) had no straight lines; it was encrusted with colorful mosaics of stone and ceramic tiles. Architects also began to experiment with new materials and techniques, which gave them greater freedom to create new forms. In 1903–1904 in Paris Auguste Perret and Henri Sauvage began to use reinforced concrete , previously only used for industrial structures, to build apartment buildings. Reinforced concrete, which could be molded into any shape, and which could create enormous spaces without

23840-442: Was less strong, architects continued to develop the neoclassical style of William Henry Playfair . The works of Cuthbert Brodrick and Alexander Thomson show that by the end of the 19th century the results could be powerful and eccentric. In Ireland , where Gothic Revival was also less popular, a refined, restrained form of the neoclassical developed, and can be seen in the works of James Gandon and other architects working at

24000-513: Was modern, but it was not modernist; it had many features of modernism, including the use of reinforced concrete, glass, steel, chrome, and it rejected traditional historical models, such as the Beaux-Arts style and Neo-classicism ; but, unlike the modernist styles of Le Corbusier and Mies van der Rohe, it made lavish use of decoration and color. It reveled in the symbols of modernity; lightning flashes, sunrises, and zig-zags. Art Deco had begun in France before World War I and spread through Europe; in

24160-406: Was poetic, expressive, and optimistic. Many expressionist architects had fought in World War I and their experiences, combined with the political turmoil and social upheaval that followed the German Revolution of 1919, resulted in a utopian outlook and a romantic socialist agenda. Economic conditions severely limited the number of built commissions between 1914 and the mid-1920s, As result, many of

24320-467: Was purely functional and new. The revolution in materials came first, with the use of cast iron , drywall , plate glass , and reinforced concrete, to build structures that were stronger, lighter, and taller. The cast plate glass process was invented in 1848, allowing the manufacture of very large windows. The Crystal Palace by Joseph Paxton at the Great Exhibition of 1851 was an early example of iron and plate glass construction, followed in 1864 by

24480-424: Was scheduled for Moscow in 1932, but was cancelled at the last minute. Instead, the delegates held their meeting on a cruise ship traveling between Marseille and Athens. On board, they together drafted a text on how modern cities should be organized. The text, called The Athens Charter , after considerable editing by Corbusier and others, was finally published in 1957 and became an influential text for city planners in

24640-479: Was supposed to be built of reinforced concrete, but because of technical problems it was finally built of traditional materials covered with plaster. His sculptural form, very different from the austere rectangular forms of the Bauhaus, first won him commissions to build movie theaters and retail stores in Stuttgart, Nuremberg, and Berlin. His Mossehaus in Berlin was an early model for the streamline moderne style. His Columbushaus on Potsdamer Platz in Berlin (1931)

24800-449: Was the Kaufmann Desert House in 1946, and he designed hundreds of further projects. The 1937 Paris International Exposition in Paris effectively marked the end of the Art Deco, and of pre-war architectural styles. Most of the pavilions were in a neoclassical Deco style, with colonnades and sculptural decoration. The pavilions of Nazi Germany, designed by Albert Speer , in a German neoclassical style topped by eagle and swastika, faced

24960-433: Was the first important public building to be built, between 1836 and 1843. Later, in the mid- and late 19th century, Theophil Hansen and Ernst Ziller took part in the construction of many neoclassical buildings. Theophil Hansen designed his first building, the National Observatory of Athens , and two of the three contiguous buildings forming the so-called "Athens Classical Trilogy", namely the Academy of Athens (1859) and

25120-439: Was the four-volume Vitruvius Britannicus by Colen Campbell. The book contained architectural prints of famous British buildings that had been inspired by the great architects from Vitruvius to Palladio. At first the book mainly featured the work of Inigo Jones , but the later tomes contained drawings and plans by Campbell and other 18th-century architects. Palladian architecture became well established in 18th-century Britain. At

25280-435: Was the planned Palacio Legislativo Federal by Émile Bénard . Construction was halted by the Mexican Revolution and it was eventually turned into the Monumento a la Revolución . The Neoclassical style arrived in the American empires of Spain and Portugal through projects designed in Europe or carried out locally by European or Criollo architects trained in the academies of the metropolis . There are also examples of

25440-428: Was the tower proposed by painter and sculptor Vladimir Tatlin for the Moscow meeting of the Third Communist International in 1920: he proposed two interlaced towers of metal four hundred meters high, with four geometric volumes suspended from cables. The movement of Russian Constructivist architecture was launched in 1921 by a group of artists led by Aleksandr Rodchenko . Their manifesto proclaimed that their goal

25600-504: Was to find the "communist expression of material structures". Soviet architects began to construct workers' clubs, communal apartment houses, and communal kitchens for feeding whole neighborhoods. One of the first prominent constructivist architects to emerge in Moscow was Konstantin Melnikov , the number of working clubs – including Rusakov Workers' Club (1928) – and his own living house, Melnikov House (1929) near Arbat Street in Moscow. Melnikov traveled to Paris in 1925 where he built

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