89-525: ANR may refer to: People [ edit ] Akkineni Nageswara Rao , Indian actor and producer in Telugu cinema Places [ edit ] Akkineni Nageswara Rao College, sometimes called ANR College , in Gudivada, Andhra Pradesh, India Antwerp International Airport (IATA code) Entities [ edit ] Agence nationale de la recherche ,
178-596: A Critics' Choice Award for Best Foreign Language Film . From its inception, Telugu cinema has been renowned as the preeminent centre of Hindu mythological films in India. Today, it is also recognised for its advanced technical crafts, particularly in visual effects and cinematography , making it one of the most sophisticated in Indian cinema. Telugu cinema has produced some of India's most expensive and highest-grossing films , including Baahubali 2 (2017), which holds
267-731: A memorandum of understanding with the Motion Picture Association of America to combat video piracy. In the years 2005, 2006, 2008, and 2014 the industry has produced the largest number of films in India, exceeding the number of films produced in Bollywood . The digital cinema network company UFO Moviez marketed by Southern Digital Screenz (SDS) has digitised several cinemas in the region. The Film and Television Institute of Telangana, Film and Television Institute of Andhra Pradesh, Ramanaidu Film School and Annapurna International School of Film and Media are some of
356-525: A "must watch" with children. Eega won various awards at the 8th Toronto After Dark Film Festival . Sub Genre war drama Kanche (2015) by Krish Jagarlamudi explored the 1944 Nazi attack on the Indian army in the Italian campaign , during World War II in an engrossing background tale of caste-ism while giving it a technically brilliant cinematic rendition. Sankalp Reddy explored submarine warfare in his directorial debut Ghazi (2017), based on
445-619: A 21-gun salute. Thousands were present to pay their last respects. Telugu cinema Telugu cinema , also known as Tollywood , is the segment of Indian cinema dedicated to the production of motion pictures in the Telugu language , widely spoken in the states of Andhra Pradesh and Telangana . Based in Film Nagar , Hyderabad , Telugu cinema has become the largest film industry in India by box-office revenue as of 2021. Telugu films sold 23.3 crore (233 million) tickets in 2022,
534-597: A French funding agency for research Agence nationale des renseignements , a Togolese intelligence agency Agence nationale de renseignement , a Democratic Republic of the Congo intelligence agency Alleanza Nazzjonali Repubblikana , a Maltese pressure group Alliance Nationale Républicaine ( National Republican Alliance ), an Algerian political party Americans for Nonsmokers' Rights , an American organization that lobbies in support of smoking bans Asociación Nacional Republicana ( National Republican Association ),
623-577: A Paraguayan political party Australian National Railways Commission - Australian rail operator from 1975 until 1987 Agencja Nieruchomości Rolnych - Polish estate agency Land use and planning [ edit ] Approval Not Required (Under the Subdivision Control Law) , a process for subdividing land in Massachusetts, USA, under MGL Chapter 41 Mathematics [ edit ] Absolute neighborhood retract ,
712-479: A film production company called 'Star of the East Films' also called 'Glass Studio', the first production company established by a Telugu person. He sent his son, Raghupathi Surya Prakash Naidu (R. S. Prakash) to study filmmaking in the studios of England , Germany , and United States . In 1921, they made Bhishma Pratigna , generally considered as the first Telugu feature film. Venkaiah Naidu produced
801-407: A folklore film hero into a star of social films. Missamma (1955), directed by L. V. Prasad , and adapted from two Bengali works, became a landmark in Telugu cinema. It was celebrated for its blend of humour, drama, and social commentary. Savitri emerged as a leading actress after this film. Likewise, Thodi Kodallu (1957) and Mangalya Balam (1959) were also adapted from Bengali novels. In
890-485: A modern-day setting as opposed to mythological and folklore films. Later, more 'social films' i.e. films based on contemporary life and social issues, were made by filmmakers. Notable among them was Vandemataram (1939), touching on societal problems like the practice of dowry . Telugu films began to focus more on contemporary life, with 29 of the 96 films released between 1937 and 1947 featuring social themes. In 1938, Gudavalli Ramabrahmam has co-produced and directed
979-405: A new era of comedy in Telugu cinema, where his movies captivated audiences with their blend of humour and social commentary . "Before his movies, comedy was a small part of movies and comedians were sidekicks to the hero or villain. Jandhyala proved that comedy can itself be a full-length subject and achieved a great success in this endeavor." His films are well known as clean entertainers affable to
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#17327725674291068-613: A pivotal role in the relocation of the Telugu film industry from Madras to Hyderabad in the 1970s. To support the growing industry in Hyderabad, he established Annapurna Studios in 1976. Later, in 2011, he founded the Annapurna College of Film and Media within Annapurna Studios. His last film, Manam (2014), was released posthumously and was featured at the 45th International Film Festival of India in
1157-563: A standard used with air compressors Automatic Number-plate Recognition, more commonly ANPR ( automatic number-plate recognition ) Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title ANR . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=ANR&oldid=1246499456 " Category : Disambiguation pages Hidden categories: Short description
1246-531: A tent house called Esplanade in Madras to exhibit his films. In c. 1912-14 , he established Gaiety Theatre on Mount Road , the first ever permanent cinema theatre in Madras and all of South India . He later constructed the Crown Theatre and Globe Theatre. In his theatres, he screened American and European films as well as silent films made in various parts of India. In 1919, he started
1335-586: A two-piece indie band from Miami, Florida Society [ edit ] Adult Nursing Relationship, a type of erotic relationship (see Erotic lactation ) Technology [ edit ] Active Noise Reduction, more commonly Active noise control Ambiguous name resolution , a search algorithm for LDAP implemented in Microsoft's Active Directory "Application not Responding", a message in Android operating system Atmosphere Normale de Reference ,
1424-723: A type of topological space (mathematics) Military [ edit ] Alaska NORAD Region, an alternate phrase for the Eleventh Air Force Agence Nationale de Renseignements , a government intelligence agency of the Zaire Aeronautica Nazionale Repubblicana , the air force of the Italian Social Republic during World War II Music [ edit ] Anew Revolution , a heavy metal band from Austin, Texas Awesome New Republic ,
1513-406: A vital role during this era, with the double act of Relangi and Ramana Reddy becoming immensely popular. Their performances provided comic relief in several films. This era, marked by groundbreaking films, innovative storytelling, and international recognition, remains a golden chapter in the history of Telugu cinema. The Telugu film industry, commonly known as Tollywood, traces its origins to
1602-552: Is also remembered for his performances in romantic dramas, including Laila Majnu (1949), Devadasu (1953), Anarkali (1955), Batasari (1961), Mooga Manasulu (1964), Prema Nagar (1971), Premabhishekam (1981), and Meghasandesam (1982). He also starred in the blockbusters Balaraju (1948), Keelu Gurram (1949), Ardhangi (1955), Donga Ramudu (1955), Mangalya Balam (1958), Gundamma Katha (1962), Doctor Chakravarty (1964), Dharma Daata (1970), and Dasara Bullodu (1971). He played
1691-425: Is different from Wikidata All article disambiguation pages All disambiguation pages Akkineni Nageswara Rao Akkineni Nageswara Rao (20 September 1923 – 22 January 2014), widely known as ANR , was an Indian actor and film producer, primarily known for his works in Telugu cinema . Over his seven decade career, he starred in numerous landmark films, becoming one of the most prominent figures in
1780-470: Is known for playing mythological figures such as Rama and Krishna, he was notably an atheist. He is fondly called Natasamrat by his fans. In 1953, Akkineni played the titular role in Devadasu (1953), which is based on the novel of the same name . Deccan Herald reported that several critics had considered Rao's portrayal to be the best among all language versions. Navaratri (1966) made Akkineni
1869-462: Is particularly revered for its innovative use of special effects , such as the first illusion of moonlight, showcasing the technical brilliance of the era. Mayabazar remains a classic, inspiring generations of filmmakers and continuing to captivate new audiences. In 2013, CNN-IBN included Mayabazar in its list of "100 greatest Indian films of all time," with the public voting it as the "greatest Indian film of all time." This period also continued
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#17327725674291958-463: Is the first Indian film depicting the Indian movie world. The film was directed by Y. V. Rao and scripted by Balijepalli Lakshmikantha Kavi , starring V. Nagayya . Rao subsequently made the sequel films Savithri and Sathyabhama (1941–42) casting thespian Sthanam Narasimha Rao . The outbreak of World War II and the subsequent resource scarcity caused the British Raj to impose a limit on
2047-706: The Erasing Borders Festival of Classical Dance, Indo-American Arts Council , New York, 2013. Experimental film Parampara has garnered the Platinum Award for Best Feature at the International Indonesian Movie Awards. 2018 biographical film Mahanati based on the life of veteran actress Savitri has garnered the "Equality in Cinema Award" at the 2018 Indian Film Festival of Melbourne . During
2136-502: The Raja of Challapalli , who produced Rojulu Marayi, acquired land in Hyderabad in March 1956 to set up a studio. In 1959, Maa Inti Mahalakshmi , the first Telugu film entirely filmed in Hyderabad, was released. Akkineni Nageswara Rao was one of the first prominent figures to move his film business entirely to Hyderabad, encouraging others to do the same and playing a crucial role in
2225-563: The United States . Speaking about the centenary of Indian cinema at the CII Media and Entertainment Summit 2012, filmmaker Shekhar Kapur said regional cinema is surpassing Hindi cinema in content and story, and cited Eega (2012) as an example. Kapur said he was impressed with its story and use of technology, and called it, "no less than a Hollywood superhero film". Shah Rukh Khan called Eega an "awesomely original" film and
2314-625: The comedy thriller , Chantabbai , the vigilante thriller , Kondaveeti Donga the first Telugu film to be released on a 70 mm 6-Track Stereophonic sound , the western thriller Kodama Simham , and the action thriller , Gang Leader , popularised genre films with the highest estimated footfall. He received the Padma Vibhushan , the second-highest civilian award, in 2024. Sekhar Kammula debuted with his National Award -winning film, Dollar Dreams (2000) featuring dialogue in both Telugu and English. Dollar Dreams explored
2403-702: The social problem film , Mala Pilla starring Kanchanamala . The film dealt with the crusade against untouchability, prevailing in pre-independent India. In 1939, he directed Raithu Bidda , starring thespian Bellary Raghava . The film was banned by the British administration in the region, for depicting the uprise of the peasantry among the Zamindar 's during the British raj . The success of these films gave an impetus to Y. V. Rao , B. N. Reddy and others to produce films on social themes. Viswa Mohini (1940)
2492-596: The "100 Greatest Indian Films of All Time." Raghupathi Venkaiah Naidu was a photographer and photographic studio owner in Madras who was drawn into filmmaking . Since 1909, he was involved in producing short films . He shot 12 three-minute-long short films and exhibited them in Victoria Public Hall , Madras . He also travelled to Bangalore , Vijayawada , Sri Lanka , Rangoon and Pegu to exhibit his films. In c. 1909-10 , he established
2581-507: The "first legit Pan-Indian Superstar" in Indian cinema. Actors like Prabhas , Allu Arjun , Ram Charan and N. T. Rama Rao Jr. enjoy a nationwide popularity among the audiences after the release of their respective Pan-Indian films. RRR propelled Telugu cinema into the mainstream outside India, fuelling the growth of Pan-India movies. It received universal critical acclaim for its direction, screenwriting, cast performances, cinematography, soundtrack, action sequences and VFX . The film
2670-542: The 1950s, largely influenced by the formation of Andhra Pradesh in 1956. Sarathi Studios was established in Hyderabad in 1956, marking the beginning of this transition. It was the first film studio facility in Hyderabad. Before this, Hyderabad was primarily known for Hindi film releases. The success of Rojulu Marayi (1955), which ran for 100 days in Hyderabad, prompted the then Revenue Minister of Andhra Pradesh, K. V. Ranga Reddy to urge Telugu filmmakers to relocate to Hyderabad. In response, Yarlagadda Sivarama Prasad ,
2759-522: The 1970s, completing the transition by the 1990s. This period also saw the rise of star-driven commercial films, technological advancements, and the development of major studios like Ramoji Film City , which holds the Guinness World Record as the largest film studio complex in the world. The 2010s marked a new era for Telugu cinema as a pioneer of the pan-Indian film movement, expanding its reach across India and globally. This established
ANR - Misplaced Pages Continue
2848-658: The 1990s, the Rayalaseema dialect was portrayed in films about the factional conflicts in the area, while the Telangana dialect, already having been pegged to villainous and comedic roles, saw an increase in this usage in reaction to the shift of the Telugu film production from Madras to Hyderabad. After the formation of the state of Telangana in 2014, Telangana culture gained more prominence, and more films were produced portraying Telangana culture, and dialect. Screenwriters such as Chandra Sekhar Yeleti experimented with
2937-536: The Akkineni Annapurna Educational Trust in memory of his wife Annapurna. Akkineni married Annapurna on 18 February 1949. Annapurna Studios (established 1975) is named after her, and she was also credited as a presenter for several of the studio's productions. Annapurna died in 2011 after a prolonged illness. The couple had 5 children: Nagarjuna , Venkat Rathnam, Saroja, Sathyavathi, and Naga Susheela. On 19 October 2013, Akkineni
3026-518: The Homage to ANR section. Nageswara Rao died on 22 January 2014, during the production of Manam . Akkineni Nageswara Rao was born into a lower-middle-class family on 20 September 1923 in Ramapuram , Krishna District , of present-day Andhra Pradesh . He was the youngest of five brothers. His parents Akkineni Venkataratnam and Akkineni Punnamma, were from the farming community. His formal education
3115-680: The Royal Reel Award at the Canada International Film Festival . 2013 Social problem film , Naa Bangaaru Talli won Best Film award at the Detroit Trinity International Film Festival. Minugurulu (2014) about blind children received Best Indian Film at the "9th India International Children's Film Festival Bangalore ". 2013 Cultural film, O Friend, This Waiting! has received special mention at
3204-476: The Special Jury Award (Feature Film - Director) at the 46th National Film Awards . K. Raghavendra Rao explored devotional themes with Agni Putrudu (1987), Annamayya (1997), Sri Ramadasu (2006), Shirdi Sai (2012) and Om Namo Venkatesaya (2017) receiving various state honours. Singeetam Srinivasa Rao introduced science fiction to the Telugu screen with Aditya 369 (1991),
3293-479: The Telugu film industry produces over 300 films annually, contributing significantly to the region's economy and maintaining a prominent position in Indian cinema. The Prasads IMAX located in Hyderabad is one of the largest 3D IMAX screens, and the most attended cinema screen in the world. As per the CBFC report of 2014, the industry is placed first in India, in terms of films produced yearly. The industry holds
3382-400: The Telugu film industry to relocate from Madras to the new state capital, Hyderabad . Despite these calls, the industry remained in Madras, where studios were already established and actors and technicians were settled. One early response to the call for relocation was the establishment of Sarathi Studios in Hyderabad in 1956, although it initially struggled to attract filmmakers. Over time,
3471-438: The best off-beat films of the year by various international juries. Paul Nicodemus of The Times of India cited Prashanth Varma 's super-hero film Hanu Man for merging elements of mythology with contemporary action, and offering a unique viewing experience in Indian cinema. Pan-Indian film is a term related to Indian cinema that originated with Telugu cinema as a mainstream commercial cinema appealing to audiences across
3560-497: The box office. In addition to mythological and social films, the period was marked by an increasing influence of world cinema and Bengali literature on Telugu filmmakers. The International Film Festival of India , initiated in 1952, exposed Indian filmmakers to global cinema, inspiring them to experiment with new storytelling techniques. Devadasu (1953), an adaptation of Sarat Chandra Chattopadhyay 's 1917 Bengali novel Devdas , transformed Akkineni Nageswara Rao (ANR) from
3649-514: The conflict between American dreams and human feelings. The film re-introduced social realism to Telugu screen, and brought back its lost glory which until then was stuck in its run-of-the-mill commercial pot-boilers. Vanaja (2006) won several international awards including the first prize in the live-action feature film category at the Chicago International Children's Film Festival . Dream (2012), has garnered
ANR - Misplaced Pages Continue
3738-547: The country with a spread to world markets. S. S. Rajamouli pioneered the pan-Indian films movement with duology of epic action films Baahubali: The Beginning (2015) and Baahubali 2: The Conclusion (2017), that changed the face of Indian cinema. "Pan-India film" is both a style of cinema and a distribution strategy, designed to universally appeal to audiences across the country and simultaneously released in multiple languages. Film journalists and analysts, such as Baradwaj Rangan and Vishal Menon, have labelled Prabhas as
3827-463: The decade include Mayabazar (1957), Panduranga Mahatyam (1957), Suvarna Sundari (1957), Bhookailas (1958), Jayabheri (1959), Sri Venkateswara Mahatyam (1960), and Raja Makutam (1960). Among these, K. V. Reddy's Mayabazar stands as a landmark in Indian cinema, blending myth, fantasy, romance, and humour in a timeless narrative. The film excelled in various departments, including production design, music, and cinematography. It
3916-511: The early 1990s, Hyderabad had become the central hub for Telugu cinema, further strengthened by the development of large film studios like Ramoji Film City , a 1,600-acre integrated film studio complex, which holds the Guinness World Record as the largest film production facility in the world. In 2006, 245 Telugu films were produced, the highest in India. The influence of Telugu cinema extended beyond regional boundaries, with many successful films being remade in other Indian languages. As of 2022,
4005-691: The early 20th century in Madras (now Chennai), which was the capital of the Madras Presidency , a region that included Andhra. Raghupathi Venkaiah Naidu , often regarded as the father of the Telugu film industry, was a pioneering figure who established Star of the East Films and the Glass Studio. The industry initially flourished in Madras, with major studios such as Vauhini Studios , founded by Moola Narayana Swamy and B. N. Reddy in 1948, and Prasad Studios, established by L. V. Prasad in 1956. The shift from Madras to Hyderabad began in
4094-464: The family audiences without any obscene language or double entendre . Aha Naa Pellanta! is considered one of the best comedy films in Telugu cinema. Ram Gopal Varma 's Siva , which attained cult status in Telugu cinema, is one of the first Telugu films produced after the migration of Telugu film industry from Madras to Hyderabad to feature characters speaking the Telangana dialect. Varma
4183-479: The film dealt with exploratory dystopian and apocalyptic themes. The edge of the seat thriller had characters which stayed human, inconsistent and insecure. The film's narrative takes the audience into the post apocalyptic experience through time travel, as well as folklore generation of 1500 CE, which including a romantic backstory, the "Time Machine" made it a brilliant work of fiction. Jandhyala popularly known as "Hasya Brahma" ( Brahma of comedy), ushered
4272-484: The film song. Playback singers like Ghantasala, Rao Balasaraswathi Devi , P. Leela , Jikki , P. B. Srinivas and P. Suseela emerged as prominent voices, defining the musical landscape of the era. This period also saw the rise of notable dance choreographers like Pasumarthi Krishnamurthy and Vempati Peda Satyam, who enhanced the artistic quality of Telugu cinema. The 1950s also saw the formation of Andhra State in 1953 and Andhra Pradesh in 1956 leading to calls for
4361-746: The film was also showcased in the United States . Nartanasala (1963) won three awards at the third Afro-Asian Film Festival in Jakarta . K. V. Reddy's Donga Ramudu (1955) was archived in the curriculum of the Film and Television Institute of India , and Nammina Bantu (1960) received critical acclaim at the San Sebastián International Film Festival . Films like Ummadi Kutumbam (1967), Sudigundalu (1968), and Bapu 's Sakshi (1967) were showcased at various international film festivals, highlighting
4450-478: The film, while R. S. Prakash directed and produced it along with playing the title character Bhishma . As the first Telugu film exhibitor and producer, Raghupathi Venkaiah Naidu is regarded as the 'Father of Telugu cinema'. From 1921 to 1931 about a dozen feature films were made by Telugu people . C. Pullayya made a three- reel short film, Markandeya (1926 or 1931) at his house in Kakinada . In 1921,
4539-535: The first Telugu feature film . As the first Telugu film producer and exhibitor, Naidu is regarded as the 'Father of Telugu cinema'. The first Telugu talkie film , Bhakta Prahlada (1932) was directed by H. M. Reddy . The 1950s and 1960s are considered the golden age of Telugu cinema, featuring enhanced production quality, influential filmmakers, and notable studios, resulting in a variety of films that were both popular and critically acclaimed. The industry, initially based in Madras , began shifting to Hyderabad in
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#17327725674294628-544: The first cinema hall in Andhra , Maruthi Cinema was established in Vijayawada by Pothina Srinivasa Rao. Y. V. Rao and R. S. Prakash established a long-lasting precedence of focusing exclusively on religious themes — Gajendra Moksham , Nandanar , and Matsyavataram —three of their most noted productions, centred on religious figures, parables, and morals. The first Telugu film with audible dialogue, Bhakta Prahlada ,
4717-606: The first female producer of Telugu film industry. The first film studio in Andhra , Durga Cinetone, was built in 1936 by Nidamarthi Surayya in Rajahmundry . Sampurna Ramayanam (1936) was the first film produced by the studio relying mostly on local talent. In 1937, another studio called Andhra Cinetone was built in Visakhapatnam . However, both the studios were short-lived. Early Telugu silent films and talkies were deeply influenced by stage performances, continuing
4806-508: The formation of Andhra Pradesh opened new markets for Telugu films in the Telangana region, laying the groundwork for the industry's eventual expansion into Hyderabad. During this golden era, several Telugu films received international recognition. Malliswari (1951), a historical romance film directed by B. N. Reddy , was screened at the 1952 Peking film festival, making it the first Telugu film to be screened in China . A 16 mm print of
4895-456: The global reach of Telugu cinema. Vijaya Productions, led by Nagi Reddi and Chakrapani , became the most successful production company of the era. Their collaborative approach brought together some of the best talents in the industry, resulting in a string of hits that defined the golden age of Telugu cinema. Vijaya Productions operated like a Hollywood studio , with staff hired on monthly salaries, and working regular hours. Comedy also played
4984-489: The highest among all Indian film industries. As of 2023, Andhra Pradesh has the highest number of movie screens in India. Since 1909, filmmaker Raghupathi Venkaiah Naidu was involved in producing short films and exhibiting them in different regions of South Asia. He established the first Indian-owned cinema halls in South India . In 1921, he produced the silent film , Bhishma Pratigna , generally considered to be
5073-462: The industry as a major force in Indian and world cinema and boosted the nationwide popularity of Telugu actors. Baahubali 2 (2017) won the Saturn Award for Best International Film , while RRR (2022) became the first Indian feature film to win an Academy Award and received various international accolades, including an Academy Award and a Golden Globe for the song " Naatu Naatu " and
5162-611: The industry's relocation. He insisted on working in films produced in Andhra Pradesh, except for those made at Vauhini and Venus Studios in Madras. In 1976, the Andhra Pradesh government allocated 22 acres of land in Banjara Hills , Hyderabad, to Akkineni Nageswara Rao for the establishment of a film studio. This led to the founding of Annapurna Studios in 1976. By the 1970s and 1980s, most production houses had moved to Andhra Pradesh or opened branch offices there. By
5251-589: The industry. Nageswara Rao received numerous accolades, including seven state Nandi Awards , five Filmfare Awards South and a Tamil Nadu State Film Award . He was honoured with the Dadasaheb Phalke Award , the highest recognition in Indian cinema, in 1990. Additionally, he was awarded the Padma Vibhushan (2011), Padma Bhushan (1988) and Padma Shri (1968), by the Government of India for his contributions to art and cinema. Nageswara Rao
5340-456: The largest film schools in India. The Telugu states consist of approximately 2800 theatres, the largest number of cinema halls of any state in India. Being commercially consistent, Telugu cinema had its influence over commercial cinema in India. The 1992 film Gharana Mogudu is the first Telugu film to gross over ₹ 10 crore at the box office. Produced on a shoestring budget of ₹ 1.2 crore, 2000 film Nuvve Kavali became sleeper hit of
5429-569: The late 1940s and 1950s. These studios played a crucial role in the development of Telugu cinema, contributing to the production of over 300 films between 1950 and 1960. Many Telugu-Tamil bilinguals were made during this period. During this era, the Telugu film industry became one of the largest producers of folklore , fantasy , and mythological films. Directors like K. V. Reddy and B. Vittalacharya pioneered these genres, creating films that captivated audiences with their imaginative storytelling. As demand for films grew, filmmakers recognised
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#17327725674295518-875: The late 1940s and early 1950s, many members of the Praja Natya Mandali and Abhyudaya Rachayithala Sangham, both affiliated with the Communist Party, transitioned into the film industry, bringing with them progressive ideas that subtly influenced the industry, though they eventually adapted to the commercial demands of mainstream cinema. During the 1950s and 1960s, Telugu film songs entered a golden era marked by exceptional lyricism, orchestration, and technological advancements. Prominent lyricists like Samudrala Sr. , Pingali Nagendra Rao , Devulapalli Krishna Sastry , and Kosaraju Raghavayya , alongside composers like Saluri Rajeswara Rao , Ghantasala , T. V. Raju , Pendyala , and Master Venu , set new standards for
5607-586: The late 1990s. It was screened for 200 days in 20 screens grossing over ₹ 20 crore . Dasari Narayana Rao directed the most number of films in the Telugu language, exploring themes such as aesthestics in Meghasandesam (1982), Battle of Bobbili in the biographical war film Tandra Paparayudu (1986), alternate history with Sardar Papa Rayudu (1980), and gender discrimination in Kante Koothurne Kanu (1998) for which he received
5696-560: The lead actors, which bought a rather fictional storyline a sense of authenticity at a time when the industry was being filled with unnecessary commercial fillers. It went on to gather a cult following in south India, with a dubbed Hindi version titled Hairaan released to positive reports from Bollywood critics, the Ann Arbor Film Festival , and the Fribourg Festival . Chiranjeevi 's works such as
5785-1015: The legendary sculptor Jakanachari in Amarasilpi Jakkanna (1964), the Marathi saint Tukaram in Bhakta Tukaram (1971), the 15th-century mystic poet Kabir in Sri Ramadasu (2006), and the Sanskrit poet Valmiki in Sri Rama Rajyam (2009). He also portrayed mythological figures such as Lord Vishnu in Chenchu Lakshmi (1958), Narada in Bhookailas (1958), and Arjuna in Sri Krishnarjuna Yuddhamu (1963). Nageswara Rao
5874-535: The mysterious altercation between PNS Ghazi and INS Karanj during the Indo-Pakistani War of 1971 . Indo-Asian News Service called new-generation film maker Sandeep Vanga 's Arjun Reddy the "most original, experimental work to come out of Telugu cinema in a long time", and said the protagonist's (played by Vijay Deverakonda ) "rise, fall and rise ... is nothing short of poetic and heart wrenching". Actor-dancer Allu Arjun produced and acted in
5963-564: The mythological Sri Seeta Rama Jananam (1944) under his home production, Prathiba Picture, marking Akkineni Nageswara Rao 's debut in a lead role. The 1950s and 1960s are often regarded as the golden age of Telugu cinema. This era witnessed significant advances in production quality, the establishment of iconic studios, and the rise of influential filmmakers who shaped the industry. Prominent production houses such as Vijaya Productions , Vauhini Studios , Bharani Pictures , Prasad Art Pictures , and Annapurna Pictures were established during
6052-563: The necessary infrastructure to produce films there. Akkineni was very active in social service. Regarding the existence of God, he once said, "If there's a presence there, I'm sure he'll want us to perform our earthly duties well and be a good human being rather than blindly worship him". Akkineni set up the Akkineni Janmabhoomi trust under the Janmabhoomi programme to foster development in his home town, Ramapuram . He
6141-748: The off beat film Aithe (2003) with a caption "all movies are not the same". Aithe was made on a shoestring budget of about 1.5 crores and went on to collect more than 6 crores. After almost two years he delivered another thriller Anukokunda Oka Roju (2005) both films were a refreshing change of pace to the audiences, produced by Gangaraju Gunnam . Aithe was remade in Tamil as Naam (2003) and in Malayalam as Wanted (2004). Mohana Krishna Indraganti explored themes of chastity and adultery in his 2004 literary adaptation Grahanam , based on Dosha Gunam written by social critic G. V. Chalam . The film
6230-519: The potential to remake earlier productions with enhanced cinematic techniques. Many mythological films originally made in the early talkie era, which featured actors from drama troupes and were limited by the technical constraints of the time, were reimagined in this era with improved technologies. Pathala Bhairavi (1951) emerged as the most successful folklore film of the decade and turned its lead actors, N. T. Rama Rao and S. V. Ranga Rao , into stars. Other notable mythological and folklore films from
6319-468: The producer nor the director of these two films were Telugus. In 1933, Sati Savitri directed by C. Pullayya received an honorary diploma at the 2nd Venice Film Festival . In the same year, Pruthvi Putra , based on the story of Narakasura was released. It starred Kalyanam Raghuramayya and was produced by Pothina Srinivasa Rao, who had previously built the first cinema hall in Andhra in 1921. This
6408-494: The record as the highest-grossing film of all time in India. Over the years, Telugu filmmakers have also ventured into parallel and arthouse cinema. Films like Daasi (1988), Thilaadanam (2000), and Vanaja (2006), among others, received acclaim at major international film festivals such as Venice , Berlin , Karlovy Vary , Moscow , and Busan . Additionally, ten Telugu films have been featured in CNN-IBN 's list of
6497-769: The second actor after Sivaji Ganesan to play nine different roles in a film. Akkineni is known for his romantic roles in films such as Laila Majnu (1949), Anarkali (1955), and Prema Nagar (1971). He also played several mythological characters in Mayabazar (1957), Mahakavi Kalidasu (1965), Bhakta Tukaram (1973), and Sri Ramadasu (2006). Some of his many commercially successful films are Maya Bazaar , Samsaram, Bratuku Theruvu , Aradhana , Donga Ramudu , Dr. Chakravarthi , Ardhaangi , Mangalya Balam , Illarikam , Shantinivasam , Velugu Needalu , Dasara Bullodu , Bharya Bhartalu , Dharmadata , Batasari and College Bullodu . Sitaramayyagari Manavaralu
6586-502: The short film, I Am That Change (2014), to spread awareness on individual social responsibility. The movie was directed by Sukumar , which was screened in theatres across Andhra Pradesh and Telangana on Indian Independence day, 2014. Adivi Sesh scripted the Neo-noir Kshanam (2016), based on a real life incident of a missing three-year-old girl. Sesh followed it up writing R.A.W. thriller Goodachari (2018), and
6675-423: The traditions of theatre onto the screen. These films often retained the same scripts, dialogues, and background settings as their stage counterparts. By 1936, the mass appeal of film allowed directors to move away from religious and mythological themes. That year, under the direction of Kruthiventi Nageswara Rao, Prema Vijayam , a film with a contemporary setting, was released. It was the first Telugu film with
6764-442: The trend of social films, which began in the late 1930s, focusing on contemporary issues and everyday life rather than mythology and fantasy. Notable social films from the decade included Pelli Chesi Choodu (1952), Puttillu (1953), Devadasu (1953), Pedda Manushulu (1954), Missamma (1955), Ardhangi (1955), Rojulu Marayi (1955), Donga Ramudu (1955), and Thodi Kodallu (1957), many of which performed well at
6853-501: The use of filmstrip in 1943 to 11,000 feet, a sharp reduction from the 20,000 feet that had been common till then. As a result, the number of films produced during the war was substantially lower than in previous years. Nonetheless, before the ban, an important shift occurred in the industry: Independent studios formed, actors and actresses were signed to contracts limiting whom they could work for, and films moved from social themes to folklore legends. Ghantasala Balaramayya , has directed
6942-497: The war docudrama Major (2022). Cinema Bandi (2022) scripted and directed by Praveen Kandregula, and produced by film making duo Raj and D. K. ; explored the theme of how a lost camera fuels dreams in a Telugu hamlet, winning the Jury Special Mention at the 53rd IFFI . Venu Yeldandi explored slice of life story from rural Telangana with Balagam (2023) hitting the right chords to be considered one of
7031-520: Was credited with the introduction of steadicams and new sound recording techniques in Telugu films. Within a year of the film's release, more than ten steadicams were imported into India. Siva attracted the young audience during its theatrical run, and its success encouraged filmmakers to explore a variety of themes and make experimental Telugu films. Subsequently, Varma introduced road movie and film-noir to Indian screen with Kshana Kshanam . Varma experimented with close-to-life performances by
7120-428: Was diagnosed with stomach cancer . He continued shooting for his final film Manam two weeks after a major laparoscopic surgery, which some doctors feared he wouldn't survive. His last public appearance was at the foundation day celebrations of Annapurna Studios on 14 January 2014. Akkineni died a week later, on 22 January 2014. He was cremated on 23 January 2014, at Annapurna Studios with full state honours amid
7209-745: Was directed by H. M. Reddy . Bhakta Prahlada was shot over 18 or 20 days at Imperial Studios, Bombay and was produced by Ardeshir Irani who also produced Alam Ara , India's first sound film . The film had an all-Telugu starcast featuring Sindhoori Krishna Rao as the titular Prahlada , Munipalle Subbayya as Hiranyakasyapa , and Surabhi Kamalabai as Leelavathy. Bhakta Prahlada was completed on 15 September 1931, which henceforth became known as "Telugu Film Day" to commemorate its completion. Popularly known as talkies , films with sound quickly grew in number and popularity. In 1932, Sagar Movietone produced Sri Rama Paduka Pattabhishekam and Sakunthala , both directed by Sarvottam Badami . Neither
7298-660: Was instrumental in the construction of the Akkineni Varadhi (a bridge named after him), which improved his village's economy by facilitating easy connectivity. In Ramapuram, Akkineni contributed towards the construction of a water filtration plant. He instituted the Akkineni International Foundation in 2005 to honour those who contributed to the Film Industry. The Annapurna College of Film and Media , founded by his family in 2011,
7387-430: Was limited to primary schooling due to his parents' poor economic condition. He began working in theatre at the age of 10. He became a stage actor, specialising in playing female characters, since women at that time were mostly prohibited from acting. His most famous roles were in notable dramas Harishchandra , Kanakatara , Vipranarayana , Telugu Talli , Aasajyoti and Satyanveshanam . The turning point of his career
7476-739: Was particularly known for his roles in biographical films . He portrayed the Tamil saint Vipra Narayana in Vipra Narayana (1954), the Telugu poet Tenali Ramakrishna in Tenali Ramakrishna (1956), which received the All India Certificate of Merit for Best Feature Film , the Sanskrit poet Kalidasa in Mahakavi Kalidasu (1960), the 12th-century poet Jayadeva in Bhakta Jayadeva (1961),
7565-521: Was released in 1991, almost 50 years after his debut, and was a success at the box office. Akkineni played an instrumental role in shifting the base of Telugu cinema from Madras to Hyderabad . During the late 1970s, he made a point to work only in the films that were produced in Andhra Pradesh (except for Vijaya Vauhini Studios and Venus Studios films). In 1976, he established Annapurna Studios in Hyderabad as part of his efforts to provide
7654-662: Was set up as a non-profit entity. Rao donated to educational institutions since the beginning of his career and created scholarships at GITAM University (Vizag). He was the Chief Donor and President of Akkineni Nageswara Rao College , which was named after him. Rao was a Life member of the board and an adviser to the Department of Dramatics and Theatre Arts of Andhra University. He instituted gold medals for students who excelled in Acting and Direction. In 2012, he instituted
7743-502: Was shot with a digital camera on a modest budget of approximately ₹ 8 lakh, with artists and technicians reportedly working without any remuneration. B. Anuradha of Rediff.com noted, "In this offbeat film, Indraganti upholds the tirade against chauvinists who accuse a noble lady of infidelity, ignoring her denials with contempt". The film was featured at the Independent South Asian Film Festival in
7832-409: Was the first Telugu talkie entirely financed by Telugu people. In 1934, the industry saw its first major commercial success with Lava Kusa . Directed by C. Pullayya and starring Parupalli Subbarao and Sriranjani , the film attracted unprecedented numbers of viewers to theatres and thrust the young industry into mainstream culture. Dasari Kotiratnam produced Sati Anasuya in 1935 and became
7921-580: Was when Ghantasala Balaramayya , a prominent film producer at that time, discovered him at the Vijayawada railway station. He was cast in the lead role of Rama in Sri Seeta Rama Jananam (1944). This was after his debut in a supporting role in the film Dharmapatni (1941). He starred in over 255 films, spanning the Telugu, Tamil and Hindi languages. A majority of his films were both commercial and critical successes. Though he
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