Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Abstract art , non-figurative art , non-objective art , and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
133-535: Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology , science and philosophy . The sources from which individual artists drew their theoretical arguments were diverse, and reflected
266-498: A form of prayer distinguished from discursive meditation in both East and West. This threefold meaning of "mystical" continued in the Middle Ages . According to Dan Merkur, the term unio mystica came into use in the 13th century as a synonym for the "spiritual marriage", the ecstasy, or rapture, that was experienced when prayer was used "to contemplate both God's omnipresence in the world and God in his essence." Mysticism
399-866: A Circle (1911); František Kupka had painted the Orphist works, Discs of Newton (Study for Fugue in Two Colors ), 1912 and Amorpha, Fugue en deux couleurs ( Fugue in Two Colors ), 1912; Robert Delaunay painted a series entitled Simultaneous Windows and Formes Circulaires, Soleil n°2 (1912–13); Léopold Survage created Colored Rhythm (Study for the film), 1913; Piet Mondrian , painted Tableau No. 1 and Composition No. 11 , 1913. With his expressive use of color and his free and imaginative drawing Henri Matisse comes very close to pure abstraction in French Window at Collioure (1914), View of Notre-Dame (1914), and The Yellow Curtain from 1915. And
532-429: A Mycenaean market, or Mycenaean overlords of Crete. While Minoan figures, whether human or animal, have a great sense of life and movement, they are often not very accurate, and the species is sometimes impossible to identify; by comparison with Ancient Egyptian art they are often more vivid, but less naturalistic. In comparison with the art of other ancient cultures there is a high proportion of female figures, though
665-516: A basis for a diversity of modes of abstraction. The following extract from The World Backwards gives some impression of the inter-connectedness of culture at the time: " David Burliuk 's knowledge of modern art movements must have been extremely up-to-date, for the second Knave of Diamonds exhibition , held in January 1912 (in Moscow) included not only paintings sent from Munich, but some members of
798-654: A broad spectrum of religious traditions, in which all sorts of esotericism , religious traditions, and practices are joined together. The term mysticism was extended to comparable phenomena in non-Christian religions, where it influenced Hindu and Buddhist responses to colonialism, resulting in Neo-Vedanta and Buddhist modernism . In the contemporary usage "mysticism" has become an umbrella term for all sorts of non-rational world views, parapsychology and pseudoscience. William Harmless even states that mysticism has become "a catch-all for religious weirdness". Within
931-433: A concept (she organized an exhibit in 1871). Expressionist painters explored the bold use of paint surface, drawing distortions and exaggerations, and intense color. Expressionists produced emotionally charged paintings that were reactions to and perceptions of contemporary experience; and reactions to Impressionism and other more conservative directions of late 19th-century painting. The Expressionists drastically changed
1064-562: A counter movement of the Rococo, the impetus being a sense of disgust directed towards the latter's florid qualities. Mysticism Antiquity Medieval Early modern Modern Iran India East-Asia Mysticism is popularly known as becoming one with God or the Absolute , but may refer to any kind of ecstasy or altered state of consciousness which is given a religious or spiritual meaning. It may also refer to
1197-781: A distant memory in parts of the Medieval period, to re-emerge in the Renaissance , suffer a period of what some early art historians viewed as "decay" during the Baroque period, to reappear in a refined form in Neo-Classicism and to be reborn in Post-Modernism . Before the 1800s, the Christian church was a major influence on European art, and commissions from the Church provided the major source of work for artists. In
1330-728: A few directions relating to abstraction in the second half of the 20th century. In the United States, Art as Object as seen in the Minimalist sculpture of Donald Judd and the paintings of Frank Stella are seen today as newer permutations. Other examples include Lyrical Abstraction and the sensuous use of color seen in the work of painters as diverse as Robert Motherwell , Patrick Heron , Kenneth Noland , Sam Francis , Cy Twombly , Richard Diebenkorn , Helen Frankenthaler , Joan Mitchell , and Veronica Ruiz de Velasco . One socio-historical explanation that has been offered for
1463-808: A few of the exiled Europeans who arrived in New York. The rich cultural influences brought by the European artists were distilled and built upon by local New York painters. The climate of freedom in New York allowed all of these influences to flourish. The art galleries that primarily had focused on European art began to notice the local art community and the work of younger American artists who had begun to mature. Certain artists at this time became distinctly abstract in their mature work. During this period Piet Mondrian's painting Composition No. 10 , 1939–1942, characterized by primary colors, white ground and black grid lines clearly defined his radical but classical approach to
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#17328023977571596-425: A form of mysticism, in which the world of spirits is accessed through religious ecstasy . According to Mircea Eliade shamanism is a "technique of religious ecstasy ". Shamanism involves a practitioner reaching an altered state of consciousness in order to perceive and interact with spirits, and channel transcendental energies into this world. A shaman is a person regarded as having access to, and influence in,
1729-525: A great influence on medieval monastic religiosity, although it was mostly a male religiosity, since women were not allowed to study. It was influenced by Neo-Platonism , and very influential in Eastern Orthodox Christian theology . In western Christianity it was a counter-current to the prevailing Cataphatic theology or "positive theology". In the 1400s, leading theologian Jean Gerson wrote several books on "mystical theology" which
1862-570: A key element of mysticism. Since the 1960s scholars have debated the merits of perennial and constructionist approaches in the scientific research of "mystical experiences". The perennial position is now "largely dismissed by scholars", most scholars using a contextualist approach, which considers the cultural and historical context. "Mysticism" is derived from the Greek μύω , meaning "I conceal", and its derivative μυστικός , mystikos , meaning 'an initiate'. The verb μύω has received
1995-529: A long period perhaps covering the Upper Paleolithic, Mesolithic and early Neolithic. Prehistoric Celtic art comes from much of Iron Age Europe and survives mainly in the form of high-status metalwork skillfully decorated with complex, elegant and mostly abstract designs, often using curving and spiral forms. There are human heads and some fully represented animals, but full-length human figures at any size are so rare that their absence may represent
2128-508: A manifesto defining an abstract art in which the line, color and surface only are the concrete reality. Abstraction-Création founded in 1931 as a more open group, provided a point of reference for abstract artists, as the political situation worsened in 1935, and artists again regrouped, many in London. The first exhibition of British abstract art was held in England in 1935. The following year
2261-786: A more elaborate and dramatic re-adaptation of late Renaissance art. By the 18th century, however, Baroque art was falling out of fashion as many deemed it too melodramatic and also gloomy, and it developed into the Rococo , which emerged in France. Rococo art was even more elaborate than the Baroque, but it was less serious and more playful. Whilst the Baroque used rich, strong colours, Rococo used pale, creamier shades. The artistic movement no longer placed an emphasis on politics and religion, focusing instead on lighter themes such as romance, celebration, and appreciation of nature. Rococo art also contrasted
2394-461: A new art had been made by James McNeill Whistler who, in his painting Nocturne in Black and Gold: The Falling Rocket , (1872), placed greater emphasis on visual sensation than the depiction of objects. Even earlier than that, with her "spirit" drawings, Georgiana Houghton 's choice to work with abstract shapes correlate with the unnatural nature of her subject, in a time when abstraction was not yet
2527-442: A phenomenological de-emphasis, blurring, or eradication of multiplicity, where the cognitive significance of the experience is deemed to lie precisely in that phenomenological feature". Mysticism involves an explanatory context, which provides meaning for mystical and visionary experiences, and related experiences like trances. According to Dan Merkur, mysticism may relate to any kind of ecstasy or altered state of consciousness, and
2660-409: A popular label for "anything nebulous, esoteric, occult, or supernatural". Parsons warns that "what might at times seem to be a straightforward phenomenon exhibiting an unambiguous commonality has become, at least within the academic study of religion, opaque and controversial on multiple levels". Because of its Christian overtones, and the lack of similar terms in other cultures, some scholars regard
2793-589: A quite different meaning in the Greek language, where it is still in use. The primary meanings it has are "induct" and "initiate". Secondary meanings include "introduce", "make someone aware of something", "train", "familiarize", "give first experience of something". The related form of the verb μυέω (mueó or myéō) appears in the New Testament . As explained in Strong's Concordance , it properly means shutting
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#17328023977572926-635: A rather larger number of copies of them from the Early Medieval period. Early Christian art grew out of Roman popular, and later Imperial, art and adapted its iconography from these sources. Most surviving art from the Medieval period was religious in focus, often funded by the Church , powerful ecclesiastical individuals such as bishops , communal groups such as abbeys , or wealthy secular patrons . Many had specific liturgical functions—processional crosses and altarpieces , for example. One of
3059-443: A religious framework. Ann Taves asks by which processes experiences are set apart and deemed religious or mystical. Some authors emphasize that mystical experience involves intuitive understanding of the meaning of existence and of hidden truths, and the resolution of life problems. According to Larson, "mystical experience is an intuitive understanding and realization of the meaning of existence." According to McClenon, mysticism
3192-758: A religious taboo. As the Romans conquered Celtic territories, it almost entirely vanishes, but the style continued in limited use in the British Isles , and with the coming of Christianity revived there in the Insular style of the Early Middle Ages. The Minoan civilization of Crete is regarded as the oldest civilization in Europe. Minoan art is marked by imaginative images and exceptional workmanship. Sinclair Hood described an "essential quality of
3325-489: A self-conscious classical revival, developing into Ottonian art . Anglo-Saxon art is the art of England after the Insular period. Illuminated manuscripts contain nearly all the surviving painting of the period, but architecture, metalwork and small carved work in wood or ivory were also important media. Byzantine art overlaps with or merges with what we call Early Christian art until the iconoclasm period of 730-843 when
3458-531: A sense of unity, but of nothingness , such as Pseudo-Dionysius the Areopagite and Meister Eckhart . According to Merkur, Kabbala and Buddhism also emphasize nothingness . Blakemore and Jennett note that "definitions of mysticism [...] are often imprecise." They further note that this kind of interpretation and definition is a recent development which has become the standard definition and understanding. According to Gelman, "A unitive experience involves
3591-407: A technician, learning to use the tools and materials of modern production. Art into life! was Vladimir Tatlin 's slogan, and that of all the future Constructivists. Varvara Stepanova and Alexandre Exter and others abandoned easel painting and diverted their energies to theatre design and graphic works. On the other side stood Kazimir Malevich , Anton Pevsner and Naum Gabo . They argued that art
3724-546: A transcendental reality. An influential proponent of this understanding was William James (1842–1910), who stated that "in mystic states we both become one with the Absolute and we become aware of our oneness." William James popularized this use of the term "religious experience" in his The Varieties of Religious Experience , contributing to the interpretation of mysticism as a distinctive experience, comparable to sensory experiences. Religious experiences belonged to
3857-564: A view from a single point, with modulated color in flat areas – became the basis of a new visual art, later to be developed into Cubism . Additionally in the late 19th century in Eastern Europe mysticism and early modernist religious philosophy as expressed by theosophist Mme. Blavatsky had a profound impact on pioneer geometric artists like Hilma af Klint and Wassily Kandinsky . The mystical teaching of Georges Gurdjieff and P.D. Ouspensky also had an important influence on
3990-408: Is "the doctrine that special mental states or events allow an understanding of ultimate truths." According to James R. Horne, mystical illumination is "a central visionary experience [...] that results in the resolution of a personal or religious problem." According to Evelyn Underhill, illumination is a generic English term for the phenomenon of mysticism. The term illumination is derived from
4123-713: Is a general term for the art of the "barbarian" peoples who moved into formerly Roman territories. Celtic art in the 7th and 8th centuries saw a fusion with Germanic traditions through contact with the Anglo-Saxons creating what is called the Hiberno-Saxon style or Insular art , which was to be highly influential on the rest of the Middle Ages. Merovingian art describes the art of the Franks before about 800, when Carolingian art combined insular influences with
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4256-755: Is an example of their architecture that has lasted to modern days. Greek marble sculpture is often described as the highest form of Classical art. Painting on the pottery of Ancient Greece and ceramics gives a particularly informative glimpse into the way society in Ancient Greece functioned. Black-figure vase painting and Red-figure vase painting gives many surviving examples of what Greek painting was. Some famous Greek painters on wooden panels who are mentioned in texts are Apelles , Zeuxis and Parrhasius , however no examples of Ancient Greek panel painting survive, only written descriptions by their contemporaries or by later Romans. Zeuxis lived in 5–6 BC and
4389-425: Is arranged into a number of stylistic periods, which, historically, overlap each other as different styles flourished in different areas. Broadly the periods are, Classical , Byzantine , Medieval , Gothic , Renaissance , Baroque , Rococo , Neoclassical , Modern , Postmodern and New European Painting . European prehistoric art is an important part of the European cultural heritage. Prehistoric art history
4522-686: Is attributed in a religious way, mysticism as "enlightenment" or insight, and mysticism as a way of transformation, "mysticism" can be found in many cultures and religious traditions, both in folk religion and organized religion . These traditions include practices to induce religious or mystical experiences, but also ethical standards and practices to enhance self-control and integrate the mystical experience into daily life. Dan Merkur notes, though, that mystical practices are often separated from daily religious practices, and restricted to "religious specialists like monastics, priests, and other renunciates . According to Dan Merkur, shamanism may be regarded as
4655-619: Is far from clear; one room in Akrotiri has been argued to be a bedroom, with remains of a bed, or a shrine. Animals, including an unusual variety of marine fauna, are often depicted; the " Marine Style " is a type of painted palace pottery from MM III and LM IA that paints sea creatures including octopus spreading all over the vessel, and probably originated from similar frescoed scenes; sometimes these appear in other media. Scenes of hunting and warfare, and horses and riders, are mostly found in later periods, in works perhaps made by Cretans for
4788-536: Is human transformation, not just experiencing mystical or visionary states. According to McGinn, personal transformation is the essential criterion to determine the authenticity of Christian mysticism. In the Hellenistic world, 'mystical' referred to "secret" religious rituals like the Eleusinian Mysteries . The use of the word lacked any direct references to the transcendental. A "mystikos"
4921-575: Is impossible. Artwork which takes liberties, e.g. altering color or form in ways that are conspicuous, can be said to be partially abstract. Total abstraction bears no trace of any reference to anything recognizable. In geometric abstraction , for instance, one is unlikely to find references to naturalistic entities. Figurative art and total abstraction are almost mutually exclusive . But figurative and representational (or realistic ) art often contain partial abstraction. Both geometric abstraction and lyrical abstraction are often totally abstract. Among
5054-488: Is more accurate than "union", since not all mystics spoke of union with God, and since many visions and miracles were not necessarily related to union. He also argues that we should speak of "consciousness" of God's presence, rather than of "experience", since mystical activity is not simply about the sensation of God as an external object, but more broadly about "new ways of knowing and loving based on states of awareness in which God becomes present in our inner acts." However,
5187-596: Is necessary. In the New Testament it reportedly takes the meaning of the counsels of God, once hidden but now revealed in the Gospel or some fact thereof, the Christian revelation generally, and/or particular truths or details of the Christian revelation. According to Thayer's Greek Lexicon, the term μυστήριον in classical Greek meant "a hidden thing", "secret". A particular meaning it took in Classical antiquity
5320-458: Is one of the finest of a number of Magdalenian carvings in bone or antler of animals in the art of the Upper Paleolithic , though they are outnumbered by engraved pieces, which are sometimes classified as sculpture. With the beginning of the Mesolithic in Europe figurative sculpture greatly reduced, and remained a less common element in art than relief decoration of practical objects until
5453-452: Is popularly known as union with God or the Absolute. In the 13th century the term unio mystica came to be used to refer to the "spiritual marriage", the ecstasy, or rapture, that was experienced when prayer was used "to contemplate both God's omnipresence in the world and God in his essence." In the 19th century, under the influence of Romanticism, this "union" was interpreted as a "religious experience", which provides certainty about God or
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5586-545: Is seen as Absolutist in nature. Religious and political themes were widely explored within the Baroque artistic context, and both paintings and sculptures were characterised by a strong element of drama, emotion and theatricality. Famous Baroque artists include Caravaggio or Rubens . Artemisia Gentileschi was another noteworthy artist, who was inspired by Caravaggio's style. Baroque art was particularly ornate and elaborate in nature, often using rich, warm colours with dark undertones. Pomp and grandeur were important elements of
5719-552: Is then precisely the abstract nature of social existence—legal formalities, bureaucratic impersonalization, information/power—in the world of late modernity . By contrast, Post-Jungians would see the quantum theories with their disintegration of conventional ideas of form and matter as underlying the divorce of the concrete and the abstract in modern art. Western art Art of Central Asia Art of East Asia Art of South Asia Art of Southeast Asia Art of Europe Art of Africa Art of
5852-412: Is thought to have had a religious significance; bull's heads are also a popular subject in terracotta and other sculptural materials. There are no figures that appear to be portraits of individuals, or are clearly royal, and the identities of religious figures is often tentative, with scholars uncertain whether they are deities, clergy or devotees. Equally, whether painted rooms were "shrines" or secular
5985-589: Is usually divided into four main periods: Stone Age , Neolithic , Bronze Age , and Iron Age . Most of the remaining artifacts of this period are small sculptures and cave paintings. Much surviving prehistoric art is small portable sculptures, with a small group of female Venus figurines such as the Venus of Willendorf (24,000–22,000 BC) found across central Europe; the 30 cm tall Löwenmensch figurine of about 30,000 BCE has hardly any pieces that can be related to it. The Swimming Reindeer of about 11,000 BCE
6118-670: The Abstract expressionists and the New York School . In New York City there was an atmosphere which encouraged discussion and there was a new opportunity for learning and growing. Artists and teachers John D. Graham and Hans Hofmann became important bridge figures between the newly arrived European Modernists and the younger American artists coming of age. Mark Rothko , born in Russia, began with strongly surrealist imagery which later dissolved into his powerful color compositions of
6251-456: The Bauhaus . By the mid-1920s the revolutionary period (1917 to 1921) when artists had been free to experiment was over; and by the 1930s only socialist realism was allowed. As visual art becomes more abstract, it develops some characteristics of music: an art form which uses the abstract elements of sound and divisions of time. Wassily Kandinsky , himself an amateur musician, was inspired by
6384-633: The Florence Cathedral . Brunelleschi's dome for the cathedral was one of the first truly revolutionary architectural innovations since the Gothic flying buttress. Donatello created many of its sculptures. Giotto and Lorenzo Ghiberti also contributed to the cathedral. High Renaissance artists include such figures as Leonardo da Vinci , Michelangelo Buonarroti , and Raffaello Sanzio . The 15th-century artistic developments in Italy (for example,
6517-533: The Scrovegni Chapel , Padua , is seen as the beginnings of a Renaissance style . Other painters of the 14th century were carried the Gothic style to great elaboration and detail. Notable among these painters are Simone Martini and Gentile da Fabriano . In the Netherlands , the technique of painting in oils rather than tempera , led itself to a form of elaboration that was not dependent upon
6650-523: The early modern period , the definition of mysticism grew to include a broad range of beliefs and ideologies related to "extraordinary experiences and states of mind". In modern times, "mysticism" has acquired a limited definition, with broad applications, as meaning the aim at the "union with the Absolute, the Infinite, or God". This limited definition has been applied to a wide range of religious traditions and practices, valuing "mystical experience" as
6783-466: The humanist spirit of the age, art became more secular in subject matter, depicting ancient mythology in addition to Christian themes. This genre of art is often referred to as Renaissance Classicism . In the North, the most important Renaissance innovation was the widespread use of oil paints , which allowed for greater colour and intensity. During the late 13th century and early 14th century, much of
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#17328023977576916-403: The "personal religion", which he considered to be "more fundamental than either theology or ecclesiasticism". He gave a Perennialist interpretation to religious experience, stating that this kind of experience is ultimately uniform in various traditions. McGinn notes that the term unio mystica , although it has Christian origins, is primarily a modern expression. McGinn argues that "presence"
7049-465: The 3rd millennium BC. However a consistent pattern of artistic development within Europe becomes clear only with Ancient Greek art , which was adopted and transformed by Rome and carried; with the Roman Empire , across much of Europe, North Africa and Western Asia . The influence of the art of the Classical period waxed and waned throughout the next two thousand years, seeming to slip into
7182-404: The Absolute, the Infinite, or God—and thereby the perception of its essential unity or oneness—was claimed to be genuinely mystical. The historical evidence, however, does not support such a narrow conception of mysticism. Under the influence of Perennialism , which was popularised in both the west and the east by Unitarianism , Transcendentalists , and Theosophy , mysticism has been applied to
7315-710: The Americas Art of Oceania The art of Europe , also known as Western art , encompasses the history of visual art in Europe . European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age . Written histories of European art often begin with the Aegean civilizations , dating from
7448-405: The Baroque artistic movement in general, as can be seen when Louis XIV said, "I am grandeur incarnate"; many Baroque artists served kings who tried to realize this goal. Baroque art in many ways was similar to Renaissance art; as a matter of fact, the term was initially used in a derogative manner to describe post-Renaissance art and architecture which was over-elaborate. Baroque art can be seen as
7581-504: The Baroque as it often refused symmetry in favor of asymmetrical designs. Furthermore, it sought inspiration from the artistic forms and ornamentation of Far Eastern Asia , resulting in the rise in favour of porcelain figurines and chinoiserie in general. The 18th-century style flourished for a short while; nevertheless, the Rococo style soon fell out of favor, being seen by many as a gaudy and superficial movement emphasizing aesthetics over meaning. Neoclassicism in many ways developed as
7714-586: The Baroque nature of Rembrandt's art is clear, the label is less use for Vermeer and many other Dutch artists. Flemish Baroque painting shared a part in this trend, while also continuing to produce the traditional categories. Baroque art is often seen as part of the Counter-Reformation —the artistic element of the revival of spiritual life in the Roman Catholic Church . Additionally, the emphasis that Baroque art placed on grandeur
7847-576: The Bauhaus went to America. During the 1930s Paris became the host to artists from Russia, Germany, the Netherlands and other European countries affected by the rise of totalitarianism . Sophie Tauber and Jean Arp collaborated on paintings and sculpture using organic/geometric forms. The Polish Katarzyna Kobro applied mathematically based ideas to sculpture. The many types of abstraction now in close proximity led to attempts by artists to analyse
7980-597: The Divine as residing within human, an essence beyond the varieties of religious expressions. The 19th century saw a growing emphasis on individual experience, as a defense against the growing rationalism of western society. The meaning of mysticism was considerably narrowed: The competition between the perspectives of theology and science resulted in a compromise in which most varieties of what had traditionally been called mysticism were dismissed as merely psychological phenomena and only one variety, which aimed at union with
8113-633: The Eucharist. The third dimension is the contemplative or experiential knowledge of God. Until the sixth century, the Greek term theoria , meaning "contemplation" in Latin, was used for the mystical interpretation of the Bible and the vision of God. The link between mysticism and the vision of the Divine was introduced by the early Church Fathers , who used the term as an adjective, as in mystical theology and mystical contemplation. Theoria enabled
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#17328023977578246-463: The Fathers to perceive depths of meaning in the biblical writings that escape a purely scientific or empirical approach to interpretation. The Antiochene Fathers, in particular, saw in every passage of Scripture a double meaning, both literal and spiritual. Later, theoria or contemplation came to be distinguished from intellectual life, leading to the identification of θεωρία or contemplatio with
8379-652: The German Die Brücke group, while from Paris came work by Robert Delaunay , Henri Matisse and Fernand Léger , as well as Picasso. During the Spring David Burliuk gave two lectures on cubism and planned a polemical publication, which the Knave of Diamonds was to finance. He went abroad in May and came back determined to rival the almanac Der Blaue Reiter which had emerged from the printers while he
8512-656: The Iberian Mediterranean Basin represents a very different style, with the human figure the main focus, often seen in large groups, with battles, dancing and hunting all represented, as well as other activities and details such as clothing. The figures are generally rather sketchily depicted in thin paint, with the relationships between the groups of humans and animals more carefully depicted than individual figures. Other less numerous groups of rock art, many engraved rather than painted, show similar characteristics. The Iberian examples are believed to date from
8645-475: The Latin illuminatio , applied to Christian prayer in the 15th century. Comparable Asian terms are bodhi , kensho , and satori in Buddhism , commonly translated as "enlightenment" , and vipassana , which all point to cognitive processes of intuition and comprehension. Other authors point out that mysticism involves more than "mystical experience". According to Gellmann, the ultimate goal of mysticism
8778-504: The Orphic mysteries. The terms are first found connected in the writings of Heraclitus . Such initiates are identified in texts with the persons who have been purified and have performed certain rites. A passage of Cretans by Euripides seems to explain that the μύστης (initiate) who devotes himself to an ascetic life, renounces sexual activities, and avoids contact with the dead becomes known as βάκχος . Such initiates were believers in
8911-535: The Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism . The raw language of color as developed by the Fauves directly influenced another pioneer of abstraction, Wassily Kandinsky . Cubism , based on Cézanne's idea that all depiction of nature can be reduced to cube , sphere and cone became, along with Fauvism , the art movement that directly opened
9044-903: The Roman period, despite some works such as the Gundestrup cauldron from the European Iron Age and the Bronze Age Trundholm sun chariot . The oldest European cave art dates back 40,800, and can be found in the El Castillo Cave in Spain. Other cave painting sites include Lascaux , Cave of Altamira , Grotte de Cussac , Pech Merle , Cave of Niaux , Chauvet Cave , Font-de-Gaume , Creswell Crags, Nottinghamshire, England, (Cave etchings and bas-reliefs discovered in 2003), Coliboaia cave from Romania (considered
9177-524: The academic study of religion the apparent "unambiguous commonality" has become "opaque and controversial". The term "mysticism" is being used in different ways in different traditions. Some call to attention the conflation of mysticism and linked terms, such as spirituality and esotericism, and point at the differences between various traditions. Based on various definitions of mysticism, namely mysticism as an experience of union or nothingness, mysticism as any kind of an altered state of consciousness which
9310-402: The academics of the time considered them hoaxes. Recent reappraisals and numerous additional discoveries have since demonstrated their authenticity, while at the same time stimulating interest in the artistry of Upper Palaeolithic peoples. Cave paintings, undertaken with only the most rudimentary tools, can also furnish valuable insight into the culture and beliefs of that era. The Rock art of
9443-415: The allegorical interpretation of the bible, and condemned Mystical theology, which he saw as more Platonic than Christian. "The mystical", as the search for the hidden meaning of texts, became secularised, and also associated with literature, as opposed to science and prose. Science was also distinguished from religion. By the middle of the 17th century, "the mystical" is increasingly applied exclusively to
9576-538: The ancient wisdom of the sacred books of India and China in the early years of the century. It was in this context that Piet Mondrian , Wassily Kandinsky, Hilma af Klint and other artists working towards an 'objectless state' became interested in the occult as a way of creating an 'inner' object. The universal and timeless shapes found in geometry : the circle, square and triangle become the spatial elements in abstract art; they are, like color, fundamental systems underlying visible reality. The Bauhaus at Weimar, Germany
9709-559: The application of gold leaf and embossing, but upon the minute depiction of the natural world. The art of painting textures with great realism evolved at this time. Dutch painters such as Jan van Eyck and Hugo van der Goes were to have great influence on Late Gothic and Early Renaissance painting. The ideas of the Renaissance first emerged in the city-state of Florence , Italy . The sculptor Donatello returned to classical techniques such as contrapposto and classical subjects like
9842-471: The appropriation of churches to mosques. Romanesque art refers to the period from about 1000 to the rise of Gothic art in the 12th century. This was a period of increasing prosperity, and the first to see a coherent style used across Europe, from Scandinavia to Sicily. Romanesque art is vigorous and direct, was originally brightly coloured, and is often very sophisticated. Stained glass and enamel on metalwork became important media, and larger sculptures in
9975-467: The attainment of insight in ultimate or hidden truths, and to human transformation supported by various practices and experiences. The term "mysticism" has Ancient Greek origins with various historically determined meanings. Derived from the Greek word μύω múō , meaning "to close" or "to conceal", mysticism came to refer to the biblical, liturgical (and sacramental), spiritual, and contemplative dimensions of early and medieval Christianity . During
10108-442: The best known Baroque painters are Caravaggio , Rembrandt , Peter Paul Rubens , and Diego Velázquez . A rather different art developed out of northern realist traditions in 17th-century Dutch Golden Age painting , which had very little religious art, and little history painting , instead playing a crucial part in developing secular genres such as still life , genre paintings of everyday scenes, and landscape painting . While
10241-452: The central questions about Medieval art concerns its lack of realism. A great deal of knowledge of perspective in art and understanding of the human figure was lost with the fall of Rome . But realism was not the primary concern of Medieval artists. They were simply trying to send a religious message, a task which demands clear iconic images instead of precisely rendered ones. Time Period : 6th century to 15th century Migration period art
10374-473: The confusion and anguish associated with the end of the Middle Ages. Albrecht Dürer introduced Italian Renaissance style to Germany at the end of the 15th century, and dominated German Renaissance art. Time Period : In European art, Renaissance Classicism spawned two different movements— Mannerism and the Baroque . Mannerism, a reaction against the idealist perfection of Classicism, employed distortion of light and spatial frameworks in order to emphasize
10507-533: The development of abstract art were Romanticism , Impressionism and Expressionism . Artistic independence for artists was advanced during the 19th century. An objective interest in what is seen can be discerned from the paintings of John Constable , J. M. W. Turner , Camille Corot and from them to the Impressionists who continued the plein air painting of the Barbizon school . Early intimations of
10640-428: The door to abstraction in the early 20th century. During the 1912 Salon de la Section d'Or , where František Kupka exhibited his abstract painting Amorpha, Fugue en deux couleurs ( Fugue in Two Colors ) (1912), the poet Guillaume Apollinaire named the work of several artists including Robert Delaunay , Orphism . He defined it as, "the art of painting new structures out of elements that have not been borrowed from
10773-706: The early 1950s. The expressionistic gesture and the act of painting itself, became of primary importance to Jackson Pollock , Robert Motherwell , and Franz Kline . While during the 1940s Arshile Gorky 's and Willem de Kooning 's figurative work evolved into abstraction by the end of the decade. New York City became the center, and artists worldwide gravitated towards it; from other places in America as well. Digital art , hard-edge painting , geometric abstraction , minimalism , lyrical abstraction , op art, abstract expressionism, color field painting, monochrome painting , assemblage , neo-Dada, shaped canvas painting, are
10906-408: The early formations of the geometric abstract styles of Piet Mondrian and his colleagues in the early 20th century. The spiritualism also inspired the abstract art of Kasimir Malevich and František Kupka . At the beginning of the 20th century Henri Matisse and several other young artists including the pre-cubist Georges Braque , André Derain , Raoul Dufy and Jean Metzinger revolutionized
11039-466: The emotional content of a painting and the emotions of the painter. The work of El Greco is a particularly clear example of Mannerism in painting during the late 16th, early 17th centuries. Northern Mannerism took longer to develop, and was largely a movement of the last half of the 16th century. Baroque art took the representationalism of the Renaissance to new heights, emphasizing detail, movement, lighting, and drama in their search for beauty. Perhaps
11172-469: The emphasis on subject matter in favor of the portrayal of psychological states of being. Although artists like Edvard Munch and James Ensor drew influences principally from the work of the Post-Impressionists they were instrumental to the advent of abstraction in the 20th century. Paul Cézanne had begun as an Impressionist but his aim – to make a logical construction of reality based on
11305-470: The end of the period includes new media such as prints. The Renaissance is characterized by a focus on the arts of Ancient Greece and Rome , which led to many changes in both the technical aspects of painting and sculpture, as well as to their subject matter. It began in Italy , a country rich in Roman heritage as well as material prosperity to fund artists. During the Renaissance, painters began to enhance
11438-455: The eyes and mouth to experience mystery. Its figurative meaning is to be initiated into the "mystery revelation". The meaning derives from the initiatory rites of the pagan mysteries. Also appearing in the New Testament is the related noun μυστήριον (mustérion or mystḗrion), the root word of the English term "mystery". The term means "anything hidden", a mystery or secret, of which initiation
11571-701: The finest Minoan art, the ability to create an atmosphere of movement and life although following a set of highly formal conventions". It forms part of the wider grouping of Aegean art , and in later periods came for a time to have a dominant influence over Cycladic art . Wood and textiles have decomposed, so most surviving examples of Minoan art are pottery , intricately-carved Minoan seals , .palace frescos which include landscapes), small sculptures in various materials, jewellery, and metalwork. The relationship of Minoan art to that of other contemporary cultures and later Ancient Greek art has been much discussed. It clearly dominated Mycenaean art and Cycladic art of
11704-539: The first examples of trompe-l'œil , pseudo-perspective, and pure landscape. Almost all of the surviving painted portraits from the Ancient world are a large number of coffin-portraits of bust form found in the Late Antique cemetery of Al-Fayum . They give an idea of the quality that the finest ancient work must have had. A very small number of miniatures from Late Antique illustrated books also survive, and
11837-415: The god Dionysus Bacchus who took on the name of their god and sought an identification with their deity. Until the sixth century the practice of what is now called mysticism was referred to by the term contemplatio , c.q. theoria . According to Johnston, "[b]oth contemplation and mysticism speak of the eye of love which is looking at, gazing at, aware of divine realities." According to Peter Moore,
11970-429: The growing prevalence of the abstract in modern art—an explanation linked to the name of Theodor W. Adorno —is that such abstraction is a response to (and a reflection of) the growing abstraction of social relations in industrial society . Frederic Jameson similarly sees modernist abstraction as a function of the abstract power of money, equating all things equally as exchange-values. The social content of abstract art
12103-467: The idea of "union" does not work in all contexts. For example, in Advaita Vedanta, there is only one reality (Brahman) and therefore nothing other than reality to unite with it—Brahman in each person ( atman ) has always in fact been identical to Brahman all along. Dan Merkur also notes that union with God or the Absolute is a too limited definition, since there are also traditions which aim not at
12236-512: The idea that Minoans had only goddesses and no gods is now discounted. Most human figures are in profile or in a version of the Egyptian convention with the head and legs in profile, and the torso seen frontally; but the Minoan figures exaggerate features such as slim male waists and large female breasts. Ancient Greece had great painters, great sculptors, and great architects. The Parthenon
12369-461: The ideas and explanations related to them. Parsons stresses the importance of distinguishing between temporary experiences and mysticism as a process, which is embodied within a "religious matrix" of texts and practices. Richard Jones does the same. Peter Moore notes that mystical experience may also happen in a spontaneous and natural way, to people who are not committed to any religious tradition. These experiences are not necessarily interpreted in
12502-434: The institutional/historical, the intellectual/speculative, and the mystical/experiential. For Erasmus , mysticism subsisted in contemplating the deep secrets contained in the Bible, notably the startling personality of Christ. In the sixteenth and seventeenth century mysticism came to be used as a substantive. This shift was linked to a new discourse, in which science and religion were separated. Luther dismissed
12635-725: The interest in perspectival systems, in depicting anatomy, and in classical cultures) matured during the 16th century, accounting for the designations "Early Renaissance" for the 15th century and "High Renaissance" for the 16th century. Although no singular style characterizes the High Renaissance, the art of those most closely associated with this period—Leonardo da Vinci, Raphael, Michelangelo, and Titian—exhibits an astounding mastery, both technical and aesthetic. High Renaissance artists created works of such authority that generations of later artists relied on these artworks for instruction. These exemplary artistic creations further elevated
12768-882: The more international Abstract and Concrete exhibition was organized by Nicolete Gray including work by Piet Mondrian , Joan Miró , Barbara Hepworth and Ben Nicholson . Hepworth, Nicholson and Gabo moved to the St. Ives in Cornwall to continue their constructivist work. During the Nazi rise to power in the 1930s many artists fled Europe to the United States. By the early 1940s the main movements in modern art, expressionism, cubism, abstraction, surrealism , and dada were represented in New York: Marcel Duchamp , Fernand Léger , Piet Mondrian , Jacques Lipchitz , André Masson , Max Ernst , and André Breton , were just
12901-436: The mystic or hidden sense of things. It is used for the secrets behind sayings, names, or behind images seen in visions and dreams. The Vulgate often translates the Greek term to the Latin sacramentum ( sacrament ). The related noun μύστης (mustis or mystis, singular) means the initiate, the person initiated to the mysteries. According to Ana Jiménez San Cristobal in her study of Greco-Roman mysteries and Orphism ,
13034-476: The mystic with some transcendent reality and the non-sensory revelation of that reality. The mystic experience can be defined by the mystic's purported access to "realities or states of affairs that are of a kind not accessible by way of ordinary sense-perception structured by mental conceptions, somatosensory modalities, or standard introspection." Whether or not such an experience is veridical remains undecided. Deriving from Neo-Platonism and Henosis , mysticism
13167-573: The oldest cave painting in central Europe ) and Magura, Belogradchik, Bulgaria. Rock painting was also performed on cliff faces, but fewer of those have survived because of erosion. One well-known example is the rock paintings of Astuvansalmi in the Saimaa area of Finland. When Marcelino Sanz de Sautuola first encountered the Magdalenian paintings of the Altamira cave, Cantabria, Spain in 1879,
13300-497: The painting in Italy was Byzantine in character, notably that of Duccio of Siena and Cimabue of Florence, while Pietro Cavallini in Rome was more Gothic in style. During the 13th century , Italian sculptors began to draw inspiration not only from medieval prototypes, but also from ancient works. In 1290, Giotto began painting in a manner that was less traditional and more based upon observation of nature. His famous cycle at
13433-419: The possibility of marks and associative color resounding in the soul. The idea had been put forward by Charles Baudelaire , that all our senses respond to various stimuli but the senses are connected at a deeper aesthetic level. Closely related to this, is the idea that art has The spiritual dimension and can transcend 'every-day' experience, reaching a spiritual plane. The Theosophical Society popularized
13566-470: The prestige of artists. Artists could claim divine inspiration, thereby raising visual art to a status formerly given only to poetry. Thus, painters, sculptors, and architects came into their own, successfully claiming for their work a high position among the fine arts. In a sense, 16th- century masters created a new profession with its own rights of expression and its own venerable character. Early Netherlandish painting developed (but did not strictly invent)
13699-450: The realism of their work by using new techniques in perspective , thus representing three dimensions more authentically. Artists also began to use new techniques in the manipulation of light and darkness, such as the tone contrast evident in many of Titian 's portraits and the development of sfumato and chiaroscuro by Leonardo da Vinci . Sculptors , too, began to rediscover many ancient techniques such as contrapposto . Following with
13832-457: The rectangle and abstract art in general. Some artists of the period defied categorization, such as Georgia O'Keeffe who, while a modernist abstractionist, was a pure maverick in that she painted highly abstract forms while not joining any specific group of the period. Eventually American artists who were working in a great diversity of styles began to coalesce into cohesive stylistic groups. The best-known group of American artists became known as
13965-415: The religious realm, separating religion and "natural philosophy" as two distinct approaches to the discovery of the hidden meaning of the universe. The traditional hagiographies and writings of the saints became designated as "mystical", shifting from the virtues and miracles to extraordinary experiences and states of mind, thereby creating a newly coined "mystical tradition". A new understanding developed of
14098-459: The round developed, although high relief was the principal technique. Its architecture is dominated by thick walls, and round-headed windows and arches, with much carved decoration. Gothic art is a variable term depending on the craft, place and time. The term originated with Gothic architecture in 1140, but Gothic painting did not appear until around 1200 (this date has many qualifications), when it diverged from Romanesque style. Gothic sculpture
14231-400: The same period there was also a renewed interest in classical mythology, great wars, heroes and heroines, and themes not connected to religion. Most art of the last 200 years has been produced without reference to religion and often with no particular ideology at all, but art has often been influenced by political issues, whether reflecting the concerns of patrons or the artist. European art
14364-531: The same periods, even after Crete was occupied by the Mycenaeans, but only some aspects of the tradition survived the Greek Dark Ages after the collapse of Mycenaean Greece . Minoan art has a variety of subject-matter, much of it appearing across different media, although only some styles of pottery include figurative scenes. Bull-leaping appears in painting and several types of sculpture, and
14497-453: The school was moved to Dessau and, as the Nazi party gained control in 1932, The Bauhaus was closed. In 1937 an exhibition of degenerate art , 'Entartete Kunst' contained all types of avant-garde art disapproved of by the Nazi party. Then the exodus began: not just from the Bauhaus but from Europe in general; to Paris, London and America. Paul Klee went to Switzerland but many of the artists at
14630-625: The search continued: The Rayist (Luchizm) drawings of Natalia Goncharova and Mikhail Larionov , used lines like rays of light to make a construction. Kasimir Malevich completed his first entirely abstract work, the Suprematist , Black Square , in 1915. Another of the Suprematist group' Liubov Popova , created the Architectonic Constructions and Spatial Force Constructions between 1916 and 1921. Piet Mondrian
14763-399: The singular form μύστης and the plural form μύσται are used in ancient Greek texts to mean the person or persons initiated to religious mysteries. These followers of mystery religions belonged to a select group, where access was only gained through an initiation. She finds that the terms were associated with the term βάκχος ( Bacchus ), which was used for a special class of initiates of
14896-431: The social and intellectual preoccupations in all areas of Western culture at that time. Abstraction indicates a departure from reality in depiction of imagery in art. This departure from accurate representation can be slight, partial, or complete. Abstraction exists along a continuum. Even art that aims for verisimilitude of the highest degree can be said to be abstract, at least theoretically, since perfect representation
15029-553: The technique of oil painting to allow greater control in painting minute detail with realism— Jan van Eyck (1366–1441) was a figure in the movement from illuminated manuscripts to panel paintings . Hieronymus Bosch (1450?–1516), a Dutch painter, is another important figure in the Northern Renaissance . In his paintings, he used religious themes, but combined them with grotesque fantasies, colorful imagery, and peasant folk legends. His paintings often reflect
15162-400: The term "mysticism" is "problematic but indispensable". It is a generic term which joins together into one concept separate practices and ideas which developed separately. According to Dupré, "mysticism" has been defined in many ways, and Merkur notes that the definition, or meaning, of the term "mysticism" has changed through the ages. Moore further notes that the term "mysticism" has become
15295-497: The term "mysticism" to be inadequate as a useful descriptive term. Other scholars regard the term to be an inauthentic fabrication, the "product of post-Enlightenment universalism". Richard Jones notes that "few classical mystics refer to their experiences as the union of two realities: there is no literal 'merging' or 'absorption' of one reality into another resulting in only one entity." He explicates mysticism with reference to one's mode of access in order to include both union of
15428-651: The unsupported nude—his second sculpture of David was the first free-standing bronze nude created in Europe since the Roman Empire. The sculptor and architect Brunelleschi studied the architectural ideas of ancient Roman buildings for inspiration. Masaccio perfected elements like composition, individual expression, and human form to paint frescoes, especially those in the Brancacci Chapel , of surprising elegance, drama, and emotion. A remarkable number of these major artists worked on different portions of
15561-541: The various conceptual and aesthetic groupings. An exhibition by forty-six members of the Cercle et Carré group organized by Joaquín Torres-García assisted by Michel Seuphor contained work by the Neo-Plasticists as well as abstractionists as varied as Kandinsky, Anton Pevsner and Kurt Schwitters . Criticized by Theo van Doesburg to be too indefinite a collection he published the journal Art Concret setting out
15694-487: The vast majority of artwork with figures was destroyed; so little remains that today any discovery sheds new understanding. After 843 until 1453 there is a clear Byzantine art tradition. It is often the finest art of the Middle Ages in terms of quality of material and workmanship, with production centered on Constantinople. Byzantine art's crowning achievement were the monumental frescos and mosaics inside domed churches, most of which have not survived due to natural disasters and
15827-425: The very numerous art movements that embody partial abstraction would be for instance fauvism in which color is conspicuously and deliberately altered vis-a-vis reality, and cubism , which alters the forms of the real-life entities depicted. Patronage from the church diminished and private patronage from the public became more capable of providing a livelihood for artists. Three art movements which contributed to
15960-462: The visual sphere, but had been created entirely by the artist...it is a pure art." Since the turn of the century, cultural connections between artists of the major European cities had become extremely active as they strove to create an art form equal to the high aspirations of modernism . Ideas were able to cross-fertilize by means of artist's books, exhibitions and manifestos so that many sources were open to experimentation and discussion, and formed
16093-475: The world of benevolent and malevolent spirits , who typically enters into trance during a ritual , and practices divination and healing . Neoshamanism refers to "new"' forms of shamanism , or methods of seeking visions or healing, typically practiced in Western countries. Neoshamanism comprises an eclectic range of beliefs and practices that involve attempts to attain altered states and communicate with
16226-458: Was a religious secret or religious secrets, confided only to the initiated and not to be communicated by them to ordinary mortals. In the Septuagint and the New Testament the meaning it took was that of a hidden purpose or counsel, a secret will. It is sometimes used for the hidden wills of humans, but is more often used for the hidden will of God. Elsewhere in the Bible it takes the meaning of
16359-462: Was also manifested in various sects of the time such as the Waldensians . Under the influence of Pseudo-Dionysius the Areopagite the term mystical theology came to denote the investigation of the allegorical truth of the Bible, and "the spiritual awareness of the ineffable Absolute beyond the theology of divine names." Pseudo-Dionysius' Apophatic theology , or "negative theology", exerted
16492-607: Was also strongly influenced by the more local Etruscan art of Italy. Roman sculpture , is primarily portraiture derived from the upper classes of society as well as depictions of the gods. However, Roman painting does have important unique characteristics. Among surviving Roman paintings are wall paintings, many from villas in Campania , in Southern Italy, especially at Pompeii and Herculaneum . Such painting can be grouped into four main "styles" or periods and may contain
16625-647: Was an antidote the "self-aggrandizing hyper-inquisitiveness" of Scholasticism and was attainable even by simple and uneducated people. The outcome of affective mysticism may be to see God's goodness or love rather than, say, his radical otherness. The theology of Catherine of Sienna was analysed in terms of mystical theology by Baron Friedrich von Hügel in The Mystical Element of Religion as Studied in St. Catherine of Genoa and Her Friends (1908). Von Hügel proposed three elements of religious experience:
16758-408: Was an initiate of a mystery religion. In early Christianity the term "mystikos" referred to three dimensions, which soon became intertwined, namely the biblical, the liturgical and the spiritual or contemplative. The biblical dimension refers to "hidden" or allegorical interpretations of Scriptures. The liturgical dimension refers to the liturgical mystery of the Eucharist, the presence of Christ in
16891-426: Was any theology (or divine-human knowledge) that occurred in the affective (relating to the will including the emotions) realm rather than the intellective. This kind of mysticism was a general category that included the positive knowledge of God obtained, for example, through practical "repentant activity" (e.g., as part of sacramental participation), rather being about passive esoteric/transcendent religious ecstasy: it
17024-503: Was born in France in 1144 with the renovation of the Abbey Church of S. Denis and spread throughout Europe, by the 13th century it had become the international style, replacing Romanesque. International Gothic describes Gothic art from about 1360 to 1430, after which Gothic art merges into Renaissance art at different times in different places. During this period forms such as painting, in fresco and on panel, become newly important, and
17157-681: Was essentially a spiritual activity; to create the individual's place in the world, not to organize life in a practical, materialistic sense. During that time, representatives of the Russian avant-garde collaborated with other Eastern European Constructivist artists, including Władysław Strzemiński , Katarzyna Kobro , and Henryk Stażewski . Many of those who were hostile to the materialist production idea of art left Russia. Anton Pevsner went to France, Gabo went first to Berlin, then to England and finally to America. Kandinsky studied in Moscow then left for
17290-428: Was evolving his abstract language, of horizontal and vertical lines with rectangles of color, between 1915 and 1919, Neo-Plasticism was the aesthetic which Mondrian, Theo van Doesburg and other in the group De Stijl intended to reshape the environment of the future. Many of the abstract artists in Russia became Constructivists believing that art was no longer something remote, but life itself. The artist must become
17423-568: Was founded in 1919 by Walter Gropius . The philosophy underlying the teaching program was unity of all the visual and plastic arts from architecture and painting to weaving and stained glass. This philosophy had grown from the ideas of the Arts and Crafts movement in England and the Deutscher Werkbund . Among the teachers were Paul Klee , Wassily Kandinsky , Johannes Itten , Josef Albers , Anni Albers , and László Moholy-Nagy . In 1925
17556-572: Was in Germany". From 1909 to 1913 many experimental works in the search for this 'pure art' had been created by a number of artists: Francis Picabia painted Caoutchouc , c. 1909, The Spring , 1912, Dances at the Spring and The Procession, Seville , 1912; Wassily Kandinsky painted Untitled (First Abstract Watercolor) , 1913, Improvisation 21A , the Impression series, and Picture with
17689-458: Was said to be the first to use sfumato . According to Pliny the Elder , the realism of his paintings was such that birds tried to eat the painted grapes. Apelles is described as the greatest painter of Antiquity for perfect technique in drawing, brilliant color and modeling. Roman art was influenced by Greece and can in part be taken as a descendant of ancient Greek painting and sculpture, but
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