Science fiction (or sci-fi ) is a film genre that uses speculative , fictional science -based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms , spacecraft , robots , cyborgs , mutants , interstellar travel , time travel , or other technologies. Science fiction films have often been used to focus on political or social issues , and to explore philosophical issues like the human condition .
151-468: Forbidden Planet is a 1956 American science fiction film from Metro-Goldwyn-Mayer , produced by Nicholas Nayfack , and directed by Fred M. Wilcox from a script by Cyril Hume that was based on an original film story by Allen Adler and Irving Block . It stars Walter Pidgeon , Anne Francis , and Leslie Nielsen . Shot in Eastmancolor and CinemaScope , this landmark film is considered one of
302-544: A Maltese Falcon in 2013, making it the most valuable film prop ever sold at auction. An Australian radio adaptation using the original electronic music and noted local actors was broadcast in June 1959 on The Caltex Radio Theatre . In Stephen King's The Tommyknockers , Altair-4 is frequently referenced as the home planet of the titular alien presence. In the authorized biography of Star Trek creator Gene Roddenberry , biographer David Alexander notes that Forbidden Planet
453-406: A virgin . The novel also includes some elements never included in the film: For one, Adams, Farman, and Ostrow clandestinely observe Morbius' house overnight one evening, but see or hear nothing. When they leave they accidentally kill one of Altaira's pet monkeys. When Dr. Ostrow later on dissects the dead animal he discovers that its internal structure precludes it from ever having been alive in
604-512: A British cinema and media theorist and cultural critic: Science fiction film is a film genre which emphasizes actual, extrapolative, or 2.0 speculative science and the empirical method , interacting in a social context with the lesser emphasized, but still present, transcendentalism of magic and religion , in an attempt to reconcile man with the unknown. This definition suggests a continuum between (real-world) empiricism and ( supernatural ) transcendentalism , with science fiction films on
755-524: A Friend for the End of the World ( 2012 ), Safety Not Guaranteed ( 2013 ), and Pixels (2015), romance films such as Her (2013), Monsters (2010), and Ex Machina (2015), heist films including Inception (2010) and action films including Real Steel (2011), Total Recall (2012), Edge of Tomorrow ( 2014 ), Pacific Rim (2013), Chappie (2015), Tomorrowland (2015), and Ghost in
906-513: A bubble of charged plasma , contained by a fine mesh of superconducting wire, to surround a spacecraft. This would protect the spacecraft from interstellar radiation and some particles without needing physical shielding . The Rutherford Appleton Laboratory was in 2007 attempting to design an actual test satellite, which would orbit Earth with a charged plasma field around it. In 2008, Cosmos Magazine reported on research into creating an artificial replica of Earth's magnetic field around
1057-474: A civilization's level of technological advancement into types. Due to its exponential nature, sci-fi civilizations usually only attain Type I (harnessing all the energy attainable from a single planet), and strictly speaking often not even that. The concept of life, particularly intelligent life, having an extraterrestrial origin is a popular staple of science fiction films. Early films often used alien life forms as
1208-453: A consultation with the head of MGM's music department Johnny Green and the movie's producer Nicholas Nayfack, he agreed to hire them. When they declined to have all their equipment transferred from New York to Hollywood for a three-month job, the studio agreed, and the movie became MGM's first production to have its score produced outside of the studio lot. While the theremin had been used on the soundtracks of Spellbound (1945) and The Day
1359-488: A film prop at this time; it represented almost 7% of the film's $ 1.9 million budget and equates to at least $ 1 million in 2017 dollars. Both the electrically controlled passenger vehicle driven by Robby and the truck/tractor-crane off-loaded from the starship were also constructed especially for this film. Robby later starred in the science fiction film The Invisible Boy (1957) and appeared in many TV series and films. The animated sequences of Forbidden Planet , especially
1510-526: A force field generator post, and an original Sascha Brastoff steel prehistoric fish sculpture seen outside Morbius' home; also offered were several lobby cards and publicity photos. On November 2, 2017, the original Robby the Robot prop was offered for auction by Bonhams, and it earned US$ 5.3 million, including the buyer's premium . It set a new record for TCM-Bonhams auctions, surpassing the US$ 4 million earned for
1661-547: A frequent superpower in superhero media . The concept of a force field goes back at least as far as early 20th century. The Encyclopedia of Science Fiction suggests that the first use of the term in science fiction was in 1931, in Spacehounds of IPC by E.E. 'Doc' Smith . An early precursor of what is now called "force field" may be found in William Hope Hodgson 's The Night Land (1912), where
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#17327835916901812-468: A frequent superpower in superhero media . While sometimes an explicit power on their own, force fields have also been attributed to other fictional abilities. Marvel Comics' Jean Grey is able to use her telekinesis to create a barrier of telekinetic energy that acts as a force field by repelling objects. Similarly, Magneto is able to use his magnetism to manipulate magnetic fields into acting as shields. The most common superpower link seen with force fields
1963-479: A fully restored, digital transfer of the film. A Blu-ray edition of Forbidden Planet was released on September 7, 2010. Shortly before the film was released, a novelization appeared in hardcover and then later in mass-market paperback ; it was written by W. J. Stuart (the pseudonym of mystery novelist Philip MacDonald ), which chapters the novel into separate first person narrations by Dr. Ostrow, Commander Adams, and Dr. Morbius. The novel delves further into
2114-401: A long tradition of movies featuring monster attacks. These differ from similar films in the horror or fantasy genres because science fiction films typically rely on a scientific (or at least pseudo-scientific) rationale for the monster's existence, rather than a supernatural or magical reason. Often, the science fiction film monster is created, awakened, or "evolves" because of the machinations of
2265-533: A mad scientist, a nuclear accident, or a scientific experiment gone awry. Typical examples include The Beast from 20,000 Fathoms (1953), Jurassic Park films, Cloverfield , Pacific Rim , the King Kong films, and the Godzilla franchise or the many films involving Frankenstein's monster . The core mental aspects of what makes us human has been a staple of science fiction films, particularly since
2416-462: A moderate success. The strongest contributors to the genre during the second half of the 1980s were James Cameron and Paul Verhoeven with The Terminator and RoboCop entries. Robert Zemeckis ' film Back to the Future ( 1985 ) and its sequels were critically praised and became box office successes, not to mention international phenomena. James Cameron's sequel to Alien , Aliens ( 1986 ),
2567-455: A nuclear war. The force field demonstrated in the end is a solid hemisphere, apparently completely opaque and reflective from both sides. Asimov explores the force field concept again in the short story Not Final! . The concept of force fields as a defensive measure from enemy attack or as a form of attack can be regularly found in modern video games as well as in film, such as in The War of
2718-530: A number of science fiction comic strips were adapted as serials , notably Flash Gordon and Buck Rogers , both starring Buster Crabbe . These serials, and the comic strips they were based on, were very popular with the general public. Other notable science fiction films of the 1930s include Frankenstein (1931), Bride of Frankenstein (1935), Doctor X (1932), Dr. Jekyll and Mr. Hyde (1931), F.P.1 (1932), Island of Lost Souls (1932), Deluge (1933), The Invisible Man (1933), Master of
2869-463: A particular area or time period. This is not true of the science fiction film. However, there are several common visual elements that are evocative of the genre. These include the spacecraft or space station, alien worlds or creatures, robots, and futuristic gadgets. Examples include movies like Lost in Space , Serenity , Avatar , Prometheus , Tomorrowland , Passengers , and Valerian and
3020-500: A particular concern of the writer by serving as a vehicle of warning against a type of activity, including technological research. In the case of alien invasion films, the creatures can provide as a stand-in for a feared foreign power. Films that fit into the Disaster film typically also fall into the following general categories: While monster films do not usually depict danger on a global or epic scale, science fiction film also has
3171-429: A person, area, or object from attacks or intrusions, or even deflects energy attacks back at the attacker. This fictional technology is created as a field of energy without matter that acts as a wall, so that objects affected by the particular force relating to the field are unable to pass through the field and reach the other side, instead being deflected or destroyed. Actual research in the 21st century has looked into
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#17327835916903322-565: A popular staple of science fiction film and science fiction television series. Time travel usually involves the use of some type of advanced technology, such as H. G. Wells' classic The Time Machine , the commercially successful 1980s-era Back to the Future trilogy, the Bill & Ted trilogy, the Terminator series, Déjà Vu (2006), Source Code (2011), Edge of Tomorrow (2014), and Predestination (2014). Other movies, such as
3473-471: A spacecraft to protect astronauts from dangerous cosmic rays . British and Portuguese scientists used a mathematical simulation to prove that it would be possible to create a " mini-magnetosphere " bubble several hundred meters across, possibly generated by a small uncrewed vessel that could accompany a future crewed mission to Mars. In 2014, a group of students from the University of Leicester released
3624-657: A special metal called unobtainium. That same year, Terminator Salvation was released and garnered only moderate success. The 2010s saw new entries in several classic science fiction franchises, including Predators ( 2010 ), Tron: Legacy (2010), a resurgence of the Star Wars series, and entries into the Planet of the Apes and Godzilla franchises. Several more cross-genre films have also been produced, including comedies such as Hot Tub Time Machine (2010), Seeking
3775-531: A split-second before their demise, and then use their bodies for spare parts. Force field (fiction) In speculative fiction , a force field , sometimes known as an energy shield , force shield , energy bubble , or deflector shield , is a barrier produced by something like energy , negative energy , dark energy , electromagnetic fields , gravitational fields , electric fields , quantum fields , telekinetic fields , plasma , particles , radiation , solid light , magic , or pure force . It protects
3926-405: A study describing functioning of spaceship plasma deflector shields. In 2015, Boeing was granted a patent on a force field system designed to protect against shock waves generated by explosions. It is not intended to protect against projectiles, radiation, or energy weapons such as lasers. The field purportedly works by using a combination of lasers, electricity and microwaves to rapidly heat
4077-533: A threat or peril to the human race, where the invaders were frequently fictional representations of actual military or political threats on Earth as observed in films such as Mars Attacks! , Starship Troopers , the Alien series, the Predator series, and The Chronicles of Riddick series. Some aliens were represented as benign and even beneficial in nature in such films as Escape to Witch Mountain , E.T.
4228-595: Is a popular scientific element in films as depicted in Jurassic Park (cloning of extinct species), The Island (cloning of humans), and ( genetic modification ) in some superhero movies and in the Alien series. Cybernetics and holographic projections as depicted in RoboCop and I, Robot are also popularized. Interstellar travel and teleportation is a popular theme in the Star Trek series that
4379-700: Is a popular theme in Independence Day while invisibility is also popular in Star Trek . Arc reactor technology, featured in Iron Man , is similar to a cold fusion device. Miniaturization technology where people are shrunk to microscopic sizes is featured in films like Fantastic Voyage (1966), Honey, I Shrunk the Kids (1989), and Marvel's Ant-Man (2015). The late Arthur C. Clarke 's third law states that "any sufficiently advanced technology
4530-564: Is achieved through warp drives and transporters while intergalactic travel is popular in films such as Stargate and Star Wars that is achieved through hyperspace or wormholes . Nanotechnology is also featured in the Star Trek series in the form of replicators (utopia), in The Day the Earth Stood Still in the form of grey goo (dystopia), and in Iron Man 3 in the form of extremis (nanotubes) . Force fields
4681-595: Is also highlighted in Dr. Michio Kaku 's books (such as Physics of the Impossible ). Science fiction and fantasy avenues suggest a number of potential uses of force fields: The capabilities and functionality of force fields vary; in some works of fiction (such as in the Star Trek universe), energy shields can nullify or mitigate the effects of both energy and particle (e.g., phasers ) and conventional weapons, as well as supernatural forces. In many fictional scenarios,
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4832-761: Is an exception. The first depiction of a sophisticated robot in a United States film was Gort in The Day the Earth Stood Still . Robots in films are often sentient and sometimes sentimental, and they have filled a range of roles in science fiction films. Robots have been supporting characters, such as Robby the Robot in Forbidden Planet , Huey, Dewey and Louie in Silent Running , Data in Star Trek: The Next Generation , sidekicks (e.g., C-3PO and R2-D2 from Star Wars , JARVIS from Iron Man ), and extras, visible in
4983-459: Is driven completely by underground machinery. Close to the end, an explicit reference is made: "Didn't you ever see Forbidden Planet ? Human movie. They remade it five, six times". Forbidden Planet and star Anne Francis are named alongside ten other classic science fiction films in the opening song " Science Fiction Double Feature " in the stage musical The Rocky Horror Show and its subsequent film adaptation . The British musical Return to
5134-699: Is featured in Minority Report as well as in The Matrix saga (in which precognition is achieved by knowing the artificial world). Robots have been a part of science fiction since the Czech playwright Karel Čapek coined the word in 1921. In early films, robots were usually played by a human actor in a boxy metal suit, as in The Phantom Empire , although the female robot in Metropolis
5285-453: Is finally revealed during its attack on the Earth ship was not created using traditional cel animation . Instead, Meador simply sketched each frame of the entire sequence in black pencil on animation stand translucent vellum paper; each page was then photographed in high contrast, so that only the major details remained visible. These images were then photographically reversed into negative and
5436-506: Is indistinguishable from magic". Past science fiction films have depicted "fictional" ("magical") technologies that became present reality. For example, the Personal Access Display Device from Star Trek was a precursor of smartphones and tablet computers . Gesture recognition in the movie Minority Report is part of current game consoles . Human-level artificial intelligence is also fast approaching with
5587-458: Is leaving Altair IV with Adams. Robby detects the creature approaching; Morbius commands Robby to kill it, but the robot knows it is Morbius and shuts down, being programmed to never kill a human. Adams, Altaira, and Morbius hide in the Krell lab, but the creature melts its way through the thick doors. Morbius finally accepts the truth and confronts and disowns his other self, but is fatally injured by
5738-461: Is no Krell or a monster from the ID. The invisible ape-like beast simply appears to be a native of Mercury. Hume's first story outline from November 1952 fleshed out and rewrote much of the original concept. The film sets for Forbidden Planet were constructed on a Metro-Goldwyn-Mayer (MGM) sound stage at its Culver City film lot and were designed by Cedric Gibbons and Arthur Lonergan . The film
5889-424: Is not yet ready to receive such limitless power." Adams erects a force field fence around the starship, but the unseen intruder easily passes through and brutally murders Chief Engineer Quinn, who was repairing the damaged communications equipment. Morbius warns Adams of his premonition of further deadly attacks. That night, the intruder is detected approaching. Its outline and features become visible when it enters
6040-439: Is regarded as one of the best movies of the period, Planet of the Apes (1968) and Fahrenheit 451 ( 1966 ), which provided social commentary, and the campy Barbarella (1968), which explored the comical side of earlier science fiction. Jean-Luc Godard 's French "new wave" film Alphaville (1965) posited a futuristic Paris commanded by an artificial intelligence which has outlawed all emotion. The era of crewed trips to
6191-539: Is remote telepresence via androids as depicted in Surrogates and Iron Man 3 . As artificial intelligence becomes smarter due to increasing computer power , some sci-fi dreams have already been realized. For example, the computer Deep Blue beat the world chess champion in 1997 and a documentary film, Game Over: Kasparov and the Machine , was released in 2003. Another famous computer called Watson defeated
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6342-463: Is the power of invisibility . This is seen with Marvel Comics' Invisible Woman and Disney Pixar 's Violet Parr . Force fields often vary in what they are made of, though are commonly made of energy. The 2017 series The Gifted featured character Lauren Strucker who had the ability to create shields by pushing molecules together. This resulted in her being able to construct force fields out of air and water particles rather than energy. In 2005,
6493-525: Is whether robots will someday replace humans, a question raised in the film adaptation of Isaac Asimov 's I, Robot (in jobs) and in the film Real Steel (in sports), or whether intelligent robots could develop a conscience and a motivation to protect, take over, or destroy the human race (as depicted in The Terminator , Transformers , and in Avengers: Age of Ultron ). Another theme
6644-442: The Planet of the Apes series, Timeline (2003) and The Last Mimzy (2007), explained their depictions of time travel by drawing on physics concepts such as the special relativity phenomenon of time dilation (which could occur if a spaceship was travelling near the speed of light) and wormholes . Some films show time travel not being attained from advanced technology, but rather from an inner source or personal power, such as
6795-565: The Power Rangers (2017) reboot was greatly improved as compared to the original Mighty Morphin Power Rangers: The Movie (1995). While "size does matter", a famous tagline of the movie Godzilla , incredibly small robots, called nanobots , do matter as well (e.g. Borg nanoprobes in Star Trek and nanites in I, Robot ). The concept of time travel —travelling backwards and forwards through time—has always been
6946-457: The Star Wars prequel trilogy , or the huge robot probes seen in Monsters vs. Aliens ). In some cases, robots have even been the leading characters in science fiction films; in the film Blade Runner (1982), many of the characters are bioengineered android " replicants ". This is also present in the animated films WALL-E (2008), Astro Boy (2009), Big Hero 6 (2014), Ghost in
7097-548: The NASA Institute for Advanced Concepts devised a way to protect from radiation by applying an electric field to spheres made of a thin, non-conductive material coated with a layer of gold with either positive or negative charges, which could be arranged to bend a stream of charged particles to protect from radiation. In 2006, a University of Washington group in Seattle , Washington, had been experimenting with using
7248-466: The Star Wars prequel trilogy began with the release of Star Wars: Episode I – The Phantom Menace , which eventually grossed over one billion dollars. As the decade progressed, computers played an increasingly important role in both the addition of special effects (thanks to Terminator 2: Judgment Day and Jurassic Park ) and the production of films. As software developed in sophistication it
7399-616: The Washington Monument . Cultural theorist Scott Bukatman has proposed that science fiction film allows contemporary culture to witness an expression of the sublime , be it through exaggerated scale, apocalypse or transcendence. Science fiction films appeared early in the silent film era, typically as short films shot in black and white, sometimes with colour tinting. They usually had a technological theme and were often intended to be humorous. In 1902 , Georges Méliès released Le Voyage dans la Lune , generally considered
7550-469: The cyberpunk genre spawned several movies on the theme of the computer-human interface, such as Terminator 2: Judgment Day ( 1991 ), Total Recall ( 1990 ), The Lawnmower Man ( 1992 ), and The Matrix ( 1999 ). Other themes included disaster films (e.g., Armageddon and Deep Impact , both 1998 ), alien invasion (e.g., Independence Day ( 1996 )) and genetic experimentation (e.g., Jurassic Park ( 1993 ) and Gattaca ( 1997 )). Also,
7701-428: The shields function primarily as a defensive measure against weapons fired from other spacecraft. Force fields in these stories also generally prevent transporting . There are generally two kinds of force fields postulated: one in which energy is projected as a flat plane from emitters around the edges of a spacecraft and another where energy surrounds a ship like a bubble. The ability to create force fields has become
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#17327835916907852-452: The virtual reality world became a real-world prison for humanity, managed by intelligent machines. In movies such as eXistenZ , The Thirteenth Floor , and Inception , the nature of reality and virtual reality become intermixed with no clear distinguishing boundary. Telekinesis and telepathy are featured in movies like Star Wars , The Last Mimzy , Race to Witch Mountain , Chronicle , and Lucy while precognition
8003-827: The young adult dystopian fiction subgenre, popular in the early part of the decade. These include the Hunger Games film series , based on the trilogy of novels by Suzanne Collins , The Divergent Series based on Veronica Roth 's Divergent trilogy , and the Maze Runner series , based on James Dashner 's The Maze Runner novels . Several adult adaptations have also been produced, including The Martian (2015), based on Andy Weir 's 2011 novel , Cloud Atlas (2012), based on David Mitchell 's 2004 novel , World War Z , based on Max Brooks ' 2006 novel , and Ready Player One (2018), based on Ernest Cline 's 2011 novel . Independent productions also increased in
8154-412: The " mad scientist " transferring the human mind to another body is as old as Frankenstein while the idea of corporations behind mind transfer technologies is observed in later films such as Gamer , Avatar , and Surrogates . Films such as Total Recall have popularized a thread of films that explore the concept of reprogramming the human mind. The theme of brainwashing in several films of
8305-623: The 1950s, Ray Harryhausen , protege of master King Kong animator Willis O'Brien, used stop-motion animation to create special effects for the following notable science fiction films: It Came from Beneath the Sea (1955), Earth vs. the Flying Saucers (1956) and 20 Million Miles to Earth (1957). The most successful monster movies were Japanese film studio Toho 's kaiju films directed by Ishirō Honda and featuring special effects by Eiji Tsuburaya . The 1954 film Godzilla , with
8456-476: The 1960s, but some of the films transformed science fiction cinema. Stanley Kubrick 's 2001: A Space Odyssey ( 1968 ) brought new realism to the genre, with its groundbreaking visual effects and realistic portrayal of space travel and influenced the genre with its epic story and transcendent philosophical scope. Other 1960s films included Planet of the Vampires (1965) by Italian filmmaker Mario Bava , that
8607-482: The 1970s included Woody Allen 's Sleeper ( 1973 ), and John Carpenter 's Dark Star ( 1974 ). The sports science fiction genre can be seen in films such as Rollerball (1975). Star Wars ( 1977 ) and Close Encounters of the Third Kind ( 1977 ) were box-office hits that brought about a huge increase in science fiction films. In 1979 , Star Trek: The Motion Picture brought the television series to
8758-408: The 1980s. Ridley Scott 's Blade Runner (1982), an adaptation of Philip K. Dick 's novel Do Androids Dream of Electric Sheep? , examined what made an organic-creation a human, while the RoboCop series saw an android mechanism fitted with the brain and reprogrammed mind of a human to create a cyborg . The idea of brain transfer was not entirely new to science fiction film, as the concept of
8909-443: The 2000s-era films Donnie Darko , Mr. Nobody , The Butterfly Effect , and X-Men: Days of Future Past . More conventional time travel movies use technology to bring the past to life in the present, or in a present that lies in our future. The film Iceman (1984) told the story of the reanimation of a frozen Neanderthal . The film Freejack (1992) shows time travel used to pull victims of horrible deaths forward in time
9060-579: The 2010s, with the rise of digital filmmaking making it easier for filmmakers to produce movies on a smaller budget. These films include Attack the Block (2011), Source Code (2011), Looper (2012), Upstream Color (2013), Ex Machina (2015), and Valerian and the City of a Thousand Planets (2017). In 2016, Ex Machina won the Academy Award for Visual Effects in a surprising upset over
9211-515: The City of a Thousand Planets . More subtle visual clues can appear with changes of the human form through modifications in appearance, size, or behavior, or by means a known environment turned eerily alien, such as an empty city The Omega Man (1971). While science is a major element of this genre, many movie studios take significant liberties with scientific knowledge. Such liberties can be most readily observed in films that show spacecraft maneuvering in outer space . The vacuum should preclude
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#17327835916909362-595: The Earth Stood Still (1951), the Barrons' is credited with being the first completely electronic film score, preceding the development of analog synthesizers by Robert Moog and Don Buchla in the early 1960s. Using ideas and procedures from the book Cybernetics: Or Control and Communication in the Animal and the Machine (1948) by the mathematician and electrical engineer Norbert Wiener , Louis Barron constructed his own electronic circuits that he used to generate
9513-568: The Earth Stood Still , and The Watch , the aliens were nearly human in physical appearance, and communicated in a common earth language. However, the aliens in Stargate and Prometheus were human in physical appearance but communicated in an alien language. A few films have tried to represent intelligent aliens as something utterly different from the usual humanoid shape (e.g. An intelligent life form surrounding an entire planet in Solaris ,
9664-772: The Extra-Terrestrial , Close Encounters of the Third Kind , The Fifth Element , The Hitchhiker's Guide to the Galaxy , Avatar , Valerian and the City of a Thousand Planets , and the Men in Black series. In order to provide subject matter to which audiences can relate, the large majority of intelligent alien races presented in films have an anthropomorphic nature, possessing human emotions and motivations. In films like Cocoon , My Stepmother Is an Alien , Species , Contact , The Box , Knowing , The Day
9815-664: The Forbidden Planet was inspired by and loosely based on the MGM film, and won the Olivier Award for best musical of 1989/90. A scene from the science fiction TV series Babylon 5 , set on the Epsilon III Great Machine bridge, strongly resembles the Krell's great machine. While this was not the intent of the show's producer, the special effects crew, tasked with creating the imagery, stated that
9966-429: The Krell's machine was a definite influence on their Epsilon III designs. Also, Season 2 episode 5 "The Long Dark" features an invisible creature, that when shot is made visible with very similar effects as the invisible creature from Forbidden Planet. The Time Tunnel 's pilot episode featured a matte shot of huge underground buildings and people running across a walkway above a giant power generator, in homage to
10117-465: The Krell, a highly advanced race that mysteriously perished in a single night 200,000 years before. One such device enhances the intellect, which Morbius had used. He barely survived, but his intellectual capacity had doubled. Another is a vast 8,000-cubic-mile (33,000 km) underground machine, still functioning, powered by 9,200 thermonuclear reactors. Adams tells Morbius he must share these discoveries with Earth, but Morbius refuses, saying, "Humanity
10268-577: The Last Redoubt, the fortress of the remnants of a far-future humanity, is kept safe by "The Air Clog" generated by the burning "Earth-Current". An even earlier precursor is Florence Carpenter Dieudonné 's 1887 novel Rondah, or Thirty-Three Years in a Star , where the far-off Sun Island is enclosed by a "wall in the air" that blocks access by land, sea and air, which is occasionally disabled. In Isaac Asimov 's Foundation universe, personal shields have been developed by scientists specializing in
10419-474: The MGM studios in March 1956. Rose was originally hired to compose the musical score in 1955, but his main title theme was discarded when he was discharged from the project by Dore Schary in late December of that year. The film's original theatrical trailer contains snippets of Rose's score, the tapes of which he reportedly later destroyed. The Barrons finally released their soundtrack in 1976 as an LP album for
10570-528: The Moon (1902) employed trick photography effects. The next major example (first in feature-length in the genre) was the film Metropolis (1927). From the 1930s to the 1950s, the genre consisted mainly of low-budget B movies . After Stanley Kubrick 's landmark 2001: A Space Odyssey (1968), the science fiction film genre was taken more seriously. In the late 1970s, big-budget science fiction films filled with special effects became popular with audiences after
10721-739: The Moon in 1969 and the 1970s saw a resurgence of interest in the science fiction film. Andrei Tarkovsky 's Solaris ( 1972 ) and Stalker ( 1979 ) are two widely acclaimed examples of the renewed interest of film auteurs in science fiction. Science fiction films from the early 1970s explored the theme of paranoia, in which humanity is depicted as under threat from sociological, ecological or technological adversaries of its own creation, such as George Lucas 's directional debut THX 1138 ( 1971 ), The Andromeda Strain ( 1971 ), Silent Running ( 1972 ), Soylent Green ( 1973 ), Westworld ( 1973 ) and its sequel Futureworld ( 1976 ), and Logan's Run ( 1976 ). The science fiction comedies of
10872-507: The Musicians Union, their work could not be considered for an Academy Award in either the "soundtrack" or "sound effects" categories; this also necessitated the "electronic tonalities" credit. MGM declined to publish a soundtrack album at the time that Forbidden Planet was released; however, film composer and conductor David Rose later published a 7-inch (18 cm) single of his original main title theme that he had recorded at
11023-692: The Nicholas Nayfack production a top offering in the space travel category." Harrison's Reports called the film "weird but fascinating and exciting", with "highly imaginative" production. Philip K. Scheuer of the Los Angeles Times wrote that the film was "more than another science-fiction movie, with the emphasis on fiction; it is a genuinely thought-through concept of the future, and the production MGM has bestowed on it gives new breadth and dimension to that time-worn phrase, 'out of this world.'" John McCarten of The New Yorker called
11174-584: The Pole (1912), Himmelskibet (1918; which with its runtime of 97 minutes generally is considered the first feature-length science fiction film in history), The Cabinet of Dr. Caligari (1920), The Mechanical Man (1921), Paris Qui Dort (1923), Aelita (1924), Luch Smerti (1925), and The Lost World (1925). In the 1930s, there were several big budget science fiction films, notably Just Imagine (1930), King Kong (1933), Things to Come (1936), and Lost Horizon (1937). Starting in 1936,
11325-589: The Robot, the various C-57D models, the full-scale mock-up of the base of the ship (which featured in the episodes " To Serve Man " and " On Thursday We Leave for Home "), the blaster pistols and rifles, crew uniforms, and special effects shots. In late September 2015, several screen-used items from Forbidden Planet were offered in Profiles in History 's Hollywood Auction 74, including Walter Pidgeon's "Morbius" costume, an illuminating blaster rifle, blaster pistol,
11476-502: The Sea ( 1916 ) is a film based on Jules Verne ’s famous novel of a wondrous submarine and its vengeful captain. In the 1920s, European filmmakers tended to use science fiction for prediction and social commentary, as can be seen in German films such as Metropolis ( 1927 ) and Frau im Mond ( 1929 ). Other notable science fiction films of the silent era include The Impossible Voyage (1904), The Motorist (1906), The Conquest of
11627-530: The Shell (2017) and in Next Gen (2018). Films like Bicentennial Man , A.I. Artificial Intelligence , Chappie , and Ex Machina depicted the emotional fallouts of robots that are self-aware. Other films like The Animatrix (The Second Renaissance) present the consequences of mass-producing self-aware androids as humanity succumbs to their robot overlords. One popular theme in science fiction film
11778-1076: The Shell (2017). The superhero film boom has also continued, into films such as Iron Man 2 (2010) and Iron Man 3 (2013), several entries into the X-Men film series , and The Avengers (2012), which became the fourth-highest-grossing film of all time. New franchises such as Deadpool and Guardians of the Galaxy also began in this decade. Further into the decade, more realistic science fiction epic films also become prevalent, including Battleship (2012), Gravity (2013), Elysium (2013), Interstellar ( 2014 ), Mad Max: Fury Road ( 2015 ), The Martian ( 2015 ), Arrival ( 2016 ), Passengers (2016), and Blade Runner 2049 ( 2017 ). Many of these films have gained widespread accolades, including several Academy Award wins and nominations. These films have addressed recent matters of scientific interest, including space travel, climate change, and artificial intelligence. Alongside these original films, many adaptations were produced, especially within
11929-534: The USS Enterprise is NCC-1701. There were many references to Altair IV in Star Trek . In a scene from Star Trek III: The Search For Spock (1984) Dr. McCoy visits a bar and orders "Altair Water". Elements of the Doctor Who serial Planet of Evil were consciously based on Forbidden Planet . In the novel Strata by Terry Pratchett the main characters get stranded on a disc world which
12080-536: The Ultimate Collector's Edition was released on November 28, 2006, in an oversized red metal box, using the original film poster for its wraparound cover. Both DVD and high definition HD DVD formats were available in this deluxe package. Inside both premium packages were the films Forbidden Planet and The Invisible Boy , The Thin Man episode "Robot Client" ("Robby The Robot", one of the film's co-stars,
12231-697: The World (1934), Mad Love (1935), Trans-Atlantic Tunnel (1935), The Devil-Doll (1936), The Invisible Ray (1936), The Man Who Changed His Mind (1936), The Walking Dead (1936), Non-Stop New York (1937), and The Return of Doctor X (1939). The 1940s brought us Before I Hang (1940), Black Friday (1940), Dr. Cyclops (1940), The Devil Commands (1941), Dr. Jekyll and Mr. Hyde (1941), Man Made Monster (1941), It Happened Tomorrow (1944), It Happens Every Spring (1949), and The Perfect Woman (1949). The release of Destination Moon (1950) and Rocketship X-M (1950) brought us to what many people consider "the golden age of
12382-724: The Worlds (1953), 20,000 Leagues Under the Sea (1954), This Island Earth (1955), Forbidden Planet (1956), Invasion of the Body Snatchers (1956), The Curse of Frankenstein (1957), Journey to the Center of the Earth (1959) and On the Beach (1959). There is often a close connection between films in the science fiction genre and the so-called " monster movie ". Examples of this are Them! (1954), The Beast from 20,000 Fathoms (1953) and The Blob (1958). During
12533-673: The Worlds (1953, George Pál) and Independence Day . The ability to create a force field has been a common superpower in comic books and associated media. While only a few characters have the explicit ability to create force fields (for example, the Invisible Woman of the Fantastic Four and Violet Parr from The Incredibles ), it has been emulated via other powers, such as Green Lantern 's energy constructs, Jean Grey 's telekinesis, and Magneto's manipulation of electromagnetic fields. Apart from this, its importance
12684-534: The advent of smartphone A.I. while a working cloaking device / material is the main goal of stealth technology . Autonomous cars (e.g. KITT from the Knight Rider series) and quantum computers , like in the movie Stealth and Transcendence , also will be available eventually. Furthermore, although Clarke's laws do not classify "sufficiently advanced" technologies , the Kardashev scale measures
12835-512: The attack of the Id Monster, were created by veteran animator Joshua Meador , who was loaned to MGM by Walt Disney Productions . According to a "Behind the Scenes" featurette on the film's DVD, a close look at the creature shows it to have a small goatee beard, suggesting its connection to Dr. Morbius, the only character with this physical feature. Unusually, the scene in which the Id Monster
12986-576: The background to create a futuristic setting (e.g., Back to the Future Part II (1989), Total Recall (2012), RoboCop (2014)). As well, robots have been formidable movie villains or monsters (e.g., the robot Box in the film Logan's Run (1976), HAL 9000 in 2001: A Space Odyssey , ARIIA in Eagle Eye , robot Sentinels in X-Men: Days of Future Past , the battle droids in
13137-691: The ball shaped creature in Dark Star , microbial-like creatures in The Invasion , shape-shifting creatures in Evolution ). Recent trends in films involve building-size alien creatures like in the movie Pacific Rim where the CGI has tremendously improved over the previous decades as compared in previous films such as Godzilla . A frequent theme among science fiction films is that of impending or actual disaster on an epic scale. These often address
13288-708: The big screen for the first time. It was also in this period that the Walt Disney Company released many science fiction films for family audiences such as The Black Hole , Flight of the Navigator , and Honey, I Shrunk the Kids . The sequels to Star Wars , The Empire Strikes Back ( 1980 ) and Return of the Jedi ( 1983 ), also saw worldwide box office success. Ridley Scott 's films, such as Alien ( 1979 ) and Blade Runner ( 1982 ), along with James Cameron 's The Terminator ( 1984 ), presented
13439-438: The copies sold at the convention. They also introduced the first of three packed-house screenings that showed an MGM 35mm fine-grain vault print in original CinemaScope and stereophonic sound. A decade later, in 1986, their soundtrack was released on a music CD for the film's 30th Anniversary, with a six-page color booklet containing images from Forbidden Planet , plus liner notes from the composers and Bill Malone. A tribute to
13590-464: The creature as it vanishes. Before he dies, he has Adams activate a planetary self-destruct system, warning them to be far away in deep space. At a safe distance, Adams, Altaira, Robby, and the surviving crew witness the obliteration of Altair IV. Adams reassures Altaira that in about a million years, the human race will stand where the Krell did. They embrace as C-57D heads back to Earth. The screenplay by Irving Block and Allen Adler , written in 1952,
13741-501: The extinct Krell. While not stated explicitly in the film (although the basis for a deleted scene first included as an extra with the Criterion Collection 's LaserDisc set and included with both the later 50th anniversary DVD and current Blu-ray releases), the novelization compared Altaira's ability to tame the tiger (until her sexual awakening with Commander Adams) to the medieval myth of a unicorn being tamable only by
13892-509: The film "a pleasant spoof of all the moonstruck nonsense the movies have been dishing up about what goes on among our neighbors out there in interstellar space." The Monthly Film Bulletin of Britain praised the film as "an enjoyably thorough-going space fantasy", adding, "In tone the film adroitly combines naivete with sophistication, approaching its inter-planetary heroics with a cheerful consciousness of their absurdity that still allows for one or two genuinely weird and exciting moments, such as
14043-463: The film carries a profound message - that the evolution of a species toward technological perfection (in this case exemplified by the disappeared alien civilization called the "Krell") does not ensure the loss of primitive and dangerous urges. In the film, this part of the primitive mind manifests itself as monstrous destructive force emanating from the Freudian subconscious, or "Id". Some films blur
14194-634: The film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In the 23rd century, after more than a year's journey, the United Planets starship C-57D arrives at the distant planet Altair IV to determine the fate of the ship Bellerophon , sent there 20 years before. Dr. Edward Morbius, one of
14345-526: The film's 20th anniversary; it was on their very own Planet Records label (later changed to Small Planet Records and distributed by GNP Crescendo Records). The LP premiered at MidAmeriCon , the 34th World Science Fiction Convention , held in Kansas City, Missouri , over the 1976 Labor Day weekend, as part of a 20th Anniversary celebration of Forbidden Planet held at that Worldcon ; the Barrons were there promoting their album's first release, signing all
14496-566: The film's soundtrack was performed live in concert by Jack Dangers , and is available on disc one of the album Forbidden Planet Explored . The costumes worn by Anne Francis were designed by Helen Rose . Her miniskirts resulted in Forbidden Planet being banned in Spain; it was not shown there until 1967. Other costumes were designed by Walter Plunkett . Robby the Robot was operated at first by diminutive stuntman Frankie Darro . He
14647-493: The film. Out of the Silent Planet , a song on Iron Maiden 's album Brave New World , is based on Forbidden Planet . Fallout: New Vegas 's DLC Old World Blues uses multiple references, including Doctor Mobius as a reference to Morbius in the film, the protectrons being modeled after Robby the Robot, and The Forbidden Dome being based on the film's title. In the first Mass Effect game, while examining
14798-465: The film. Outside science fiction, the film was groundbreaking as the first of any genre to use an entirely electronic musical score , courtesy of Bebe and Louis Barron . Forbidden Planet ' s effects team was nominated for the Academy Award for Best Special Effects at the 29th Academy Awards . Tony Magistrale describes it as one of the best examples of early techno-horror . In 2013,
14949-612: The films were often well-photographed in colour ... and their dismal dialogue was delivered in well-designed and well-lit sets." With the Space Race between the USSR and the US going on, documentaries and illustrations of actual events, pioneers and technology were plenty. Any movie featuring realistic space travel was at risk of being obsolete at its time of release, rather fossil than fiction. There were relatively few science fiction films in
15100-486: The first science fiction film to depict humans traveling in a man-made faster-than-light starship . It was also the first to be set entirely on a planet orbiting another star, far away from Earth and the Solar System . The Robby the Robot character is one of the first film robots that was more than just a mechanical "tin can" on legs; Robby displays a distinct personality and is an integral supporting character in
15251-440: The first science fiction film, and a film that used early trick photography to depict a spacecraft's journey to the Moon. Several early films merged the science fiction and horror genres. Examples of this are Frankenstein ( 1910 ), a film adaptation of Mary Shelley 's novel, and Dr. Jekyll and Mr. Hyde (1920), based on the psychological tale by Robert Louis Stevenson . Taking a more adventurous tack, 20,000 Leagues Under
15402-401: The first time, on a deluxe laserdisc set with various extra features on a second disc. Warner Bros. next released the film on DVD in 1999 (MGM's catalog of films has since remained under ownership of Turner Entertainment , currently a division of Warner Bros. Discovery ). Warner's release offered both cropped and widescreen picture formats on the same disc. For the film's 50th anniversary,
15553-435: The force field and blasters are fired at it, to little effect. The thing kills Farman and two other crewmen. When Morbius is awakened by Altaira's screams, the creature suddenly vanishes. Adams tries to persuade Altaira to leave. Ostrow sneaks away and uses the Krell intellect enhancer but is fatally injured. Before dying, he informs Adams that the underground machine's purpose was to create anything by mere thought, anywhere on
15704-885: The future as dark, dirty and chaotic, and depicted aliens and androids as hostile and dangerous. In contrast, Steven Spielberg 's E.T. the Extra-Terrestrial ( 1982 ), one of the most successful films of the 1980s, presented aliens as benign and friendly, a theme already present in Spielberg's own Close Encounters of the Third Kind . James Bond also entered the science fiction genre in 1979 with Moonraker . The big budget adaptations of Frank Herbert 's Dune and Alex Raymond 's Flash Gordon , as well as Peter Hyams 's sequel to 2001 , 2010: The Year We Make Contact (based on 2001 author Arthur C. Clarke 's sequel novel 2010: Odyssey Two ), were box office failures that dissuaded producers from investing in science fiction literary properties. Disney's Tron ( 1982 ) turned out to be
15855-484: The genre. In the monster films of the 1950s, the scientist often played a heroic role as the only person who could provide a technological fix for some impending doom. Reflecting the distrust of government that began in the 1960s in the United States, the brilliant but rebellious scientist became a common theme, often serving a Cassandra -like role during an impending disaster. Biotechnology (e.g., cloning )
16006-470: The great science fiction films of the 1950s, a precursor of contemporary science fiction cinema. The characters and isolated setting have been compared to those in William Shakespeare 's The Tempest , and the plot contains certain happenings analogous to the play, leading many to consider it a loose adaptation . Forbidden Planet pioneered several aspects of science fiction cinema. It was
16157-464: The idea of reprogrammable reality and memory. The idea that a human could be entirely represented as a program in a computer was a core element of the film Tron . This would be further explored in the film version of The Lawnmower Man , Transcendence , and Ready Player One and the idea reversed in Virtuosity as computer programs sought to become real persons. In The Matrix series,
16308-480: The last survivors tried to escape. Only Morbius, his wife (who Morbius claims later died of natural causes), and their daughter Altaira were somehow immune. Morbius offers to help the starship return home, but Adams says he must receive further instructions from Earth. The next day, Adams finds Farman kissing Altaira. Furious, he rebukes Farman and criticizes Altaira for wearing revealing clothing. That night, an invisible intruder sabotages communications equipment aboard
16459-399: The line between the genres, such as films where the protagonist gains the extraordinary powers of the superhero . These films usually employ quasi-plausible reason for the hero gaining these powers. Not all science fiction themes are equally suitable for movies. Science fiction horror is most common. Often enough, these films could just as well pass as Westerns or World War II films if
16610-484: The magnetic or Perspecta processes. At the review aggregator website Rotten Tomatoes , the film holds a rating of 94% based on 51 reviews from critics, averaging 8.20/10. Bosley Crowther of The New York Times wrote that everyone who worked on the film certainly "had a barrel of fun with it. And, if you've got an ounce of taste for crazy humor, you'll have a barrel of fun, too." Variety wrote: "Imaginative gadgets galore, plus plenty of suspense and thrills, make
16761-464: The miniaturization of planet-based shields. As they are primarily used by Foundation Traders, most other inhabitants of the Galactic Empire do not know about this technology. In an unrelated short story Breeds There a Man...? by Asimov, scientists are working on a force field ("energy so channelled as to create a wall of matter-less inertia"), capable of protecting the population in case of
16912-454: The monster's first advance on the spaceship." The Philadelphia film critic Steve Friedman ("Mr. Movie") told interviewers that Forbidden Planet was his favorite film. He watched it 178 times. According to MGM records, the film initially earned $ 1,530,000 in the U.S. and Canada and $ 1,235,000 elsewhere resulting in a profit of $ 210,000. Forbidden Planet was re-released to film theaters during 1972 as one of MGM's "Kiddie Matinee" features; it
17063-458: The much higher-budget Star Wars: The Force Awakens (2015). Science fiction films are often speculative in nature, and often include key supporting elements of science and technology. However, as often as not the "science" in a Hollywood science fiction movie can be considered pseudo-science, relying primarily on atmosphere and quasi-scientific artistic fancy than facts and conventional scientific theory. The definition can also vary depending on
17214-481: The mysteries of the vanished Krell and Morbius' relationship to them. In the novel, he repeatedly exposes himself to the Krell's manifestation machine, which (as suggested in the film) boosts his brain power far beyond normal human intelligence. Unfortunately, Morbius retains enough of his imperfect human nature to be afflicted with hubris and a contempt for humanity. Not recognizing his own base primitive drives and limitations proves to be Morbius' downfall, as it had for
17365-457: The normal biological sense. The tiger, deer, and monkeys are all conscious creations by Dr. Morbius as companions ("pets") for his daughter and only outwardly resemble their Earth counterparts. The novel also differs somewhat from the film in that it does not directly establish the great machine as the progenitor of the animals or monster; instead only attributes them to Morbius' elevated mental power. The Krell's self-destruction can be interpreted by
17516-482: The original expedition's scientists, warns the ship not to land for safety reasons, but Commander John J. Adams ignores his warning. Adams and Lieutenants Jerry Farman and "Doc" Ostrow are met by Robby the Robot , who transports them to Morbius' residence. Morbius describes how all other members of their expedition had been killed, one by one, by an unseen "planetary force", with the Bellerophon being vaporized as
17667-407: The planet. However, he tells Adams the Krell forgot one thing: "Monsters from the id ." The machine gave the Krell's own subconscious desires free rein with unlimited power, causing their own extinction. Adams deduces that Morbius's subconscious created the thing that both killed the original expedition members and attacked his crewmen; Morbius refuses to believe him. Altaira tells Morbius that she
17818-571: The planets in the Gagarin system of the Armstrong Nebula, specifically on the planet's Junthor survey feed, a reference is made to "Monsters from the id". Author George R. R. Martin cites Forbidden Planet as his favorite science fiction film and states that he owns a working full-size Robby the Robot replica. Science fiction film The genre has existed since the early years of silent cinema , when Georges Méliès ' A Trip to
17969-402: The potential to deflect radiation or cosmic rays , as well as more extensive shielding. This concept has become a staple of many science-fiction works, so much so that authors frequently do not even bother to explain or justify them to their readers, treating them almost as established fact and attributing whatever capabilities the plot requires. The ability to create force fields has become
18120-801: The ray gun beams and disintegration scenes. Although workprints of cinema films were normally destroyed, the workprint of Forbidden Planet was not destroyed, and was discovered in 1977. There are differences in characterization, dialogue and scenes between the workprint and the release print . Forbidden Planet had its world premiere at the Southeastern Science Fiction Convention in Charlotte, North Carolina , on March 3 and 4, 1956. The film opened in more than 100 cities on March 23 in CinemaScope , Eastmancolor , and in some theaters, stereophonic sound , either by
18271-407: The reader as a cosmic punishment for misappropriating the life-creating power of God. This is why in the film's ending, Commander Adams says in his speech to Altaira "...we are, after all, not God". The novel ends with a postscript making a similar observation. Forbidden Planet ' s innovative electronic music score (credited as "electronic tonalities" due to disputes with the musicians' union)
18422-473: The release of Transformers (2007) and Transformers: Revenge of the Fallen (2009), both of which resulted in worldwide box office success. In 2009, James Cameron 's Avatar garnered worldwide box office success, and would later become the highest-grossing movie of all time. This movie was also an example of political commentary. It depicted humans destroying the environment on another planet by mining for
18573-586: The repetitions of the Korova Milkbar make the alien decor seem more familiar. As well, familiar images become alien, as in the films Repo Man and Liquid Sky . For example, in Dr. Strangelove , the distortion of the humans make the familiar images seem more alien. Finally, alien images are juxtaposed with the familiar, as in The Deadly Mantis , when a giant praying mantis is shown climbing
18724-410: The resulting white line images were then tinted red, creating the effect of the Id Monster's body remaining largely invisible, with only its major outlines illuminated by the energy from the force-field and blaster beams. The monster was considered so scary that in some states its image was edited out of the film so as to not frighten children. Meador was also responsible for the other visual effects, like
18875-452: The scene of the Krell's underground complex. The Outer Limits episode " The Man with the Power " revisits the premise of a person's subconscious manifesting as a destructive, murderous entity. For the film's 50th anniversary in 2006, DAW Books released an original mass-market paperback anthology of new science fiction short stories, Forbidden Planets , all of which were inspired by
19026-403: The science fiction film". In the 1950s, public interest in space travel and new technologies was great. While many 1950s science fiction films were low-budget B movies , there were several successful films with larger budgets and impressive special effects. These include The Day the Earth Stood Still (1951), The Thing from Another World (1951), When Worlds Collide (1951), The War of
19177-429: The science fiction props were removed. Common motifs also include voyages and expeditions to other planets, and dystopias , while utopias are rare. Film theorist Vivian Sobchack argues that science fiction films differ from fantasy films in that while science fiction film seeks to achieve our belief in the images we are viewing, fantasy film instead attempts to suspend our disbelief. The science fiction film displays
19328-416: The scientist has varied considerably in the science fiction film genre, depending on the public perception of science and advanced technology. Starting with Dr. Frankenstein , the mad scientist became a stock character who posed a dire threat to society and perhaps even civilization. Certain portrayals of the "mad scientist", such as Peter Sellers 's performance in Dr. Strangelove , have become iconic to
19479-425: The score's "bleeps, blurps, whirs, whines, throbs, hums, and screeches", making heavy use of ring modulation . After recording the basic sounds, the Barrons further manipulated the sounds with reverberation, delay, filters, and tape manipulations (as employed in the piece Williams Mix , which they had assisted John Cage in realizing at their Greenwich Village studio). Since Bebe and Louis Barron did not belong to
19630-437: The side of empiricism, and happy films and sad films on the side of transcendentalism. However, there are numerous well-known examples of science fiction horror films, epitomized by such pictures as Frankenstein and Alien . The visual style of science fiction film is characterized by a clash between alien and familiar images. This clash is implemented when alien images become familiar, as in A Clockwork Orange , when
19781-500: The sixties and seventies including A Clockwork Orange and The Manchurian Candidate coincided with secret real-life government experimentation during Project MKULTRA . Voluntary erasure of memory is further explored as themes of the films Paycheck and Eternal Sunshine of the Spotless Mind . Some films like Limitless explore the concept of mind enhancement. The anime series Serial Experiments Lain also explores
19932-465: The starship was built to suggest its full width of 170 ft (51 m). The starship was surrounded by a huge, painted cyclorama featuring the desert landscape of Altair IV; this one set took up all of the available space in one of the Culver City sound stages. Principal photography took place from April 18 to late May 1955. At a cost of roughly $ 125,000, Robby the Robot was very expensive for
20083-448: The starship. The next morning, Adams and Ostrow go to Morbius' residence to discuss the intrusion. While waiting, Adams happens upon Altaira swimming. After she dons a new, less revealing dress, Adams apologizes for his behavior toward her, and they kiss. They are suddenly attacked by Altaira's pet tiger, and Adams is forced to disintegrate it with his blaster. Morbius appears and tells Adams and Ostrow that he has been studying artifacts of
20234-521: The success of Star Wars (1977) and paved the way for the blockbuster hits of subsequent decades. Screenwriter and scholar Eric R. Williams identifies science fiction films as one of eleven super-genres in his screenwriters’ taxonomy , stating that all feature-length narrative films can be classified by these super-genres. The other ten super-genres are action , crime , fantasy , horror , romance , slice of life , sports , thriller , war , and western . According to Vivian Sobchack ,
20385-640: The title monster attacking Tokyo, gained immense popularity, spawned multiple sequels, led to other kaiju films like Rodan , and created one of the most recognizable monsters in cinema history. Japanese science fiction films, particularly the tokusatsu and kaiju genres, were known for their extensive use of special effects , and gained worldwide popularity in the 1950s. Kaiju and tokusatsu films, notably Warning from Space (1956), sparked Stanley Kubrick 's interest in science fiction films and influenced 2001: A Space Odyssey (1968). According to his biographer John Baxter , despite their "clumsy model sequences,
20536-649: The transmission of sound or maneuvers employing wings, yet the soundtrack is filled with inappropriate flying noises and changes in flight path resembling an aircraft banking. The filmmakers, unfamiliar with the specifics of space travel , focus instead on providing acoustical atmosphere and the more familiar maneuvers of the aircraft. Similar instances of ignoring science in favor of art can be seen when movies present environmental effects as portrayed in Star Wars and Star Trek . Entire planets are destroyed in titanic explosions requiring mere seconds, whereas an actual event of this nature takes many hours. The role of
20687-460: The two best human Jeopardy (game show) players in 2011 and a NOVA documentary film, Smartest Machine on Earth , was released in the same year. Building-size robots are also becoming a popular theme in movies as featured in Pacific Rim . Future live action films may include an adaptation of popular television series like Voltron and Robotech . The CGI robots of Pacific Rim and
20838-535: The unfamiliar and alien in the context of the familiar. Despite the alien nature of the scenes and science fictional elements of the setting, the imagery of the film is related back to humankind and how we relate to our surroundings. While the science fiction film strives to push the boundaries of the human experience, they remain bound to the conditions and understanding of the audience and thereby contain prosaic aspects, rather than being completely alien or abstract. Genre films such as westerns or war movies are bound to
20989-444: The viewpoint of the observer. Many science fiction films include elements of mysticism, occult , magic, or the supernatural , considered by some to be more properly elements of fantasy or the occult (or religious) film. This transforms the movie genre into a science fantasy with a religious or quasi-religious philosophy serving as the driving motivation. The movie Forbidden Planet employs many common science fiction elements, but
21140-511: Was also a guest star in both The Thin Man episode and The Invisible Boy ) and a documentary Watch the Skies!: Science Fiction, The 1950s and Us . Also included were miniature lobby cards and an 8 cm (3-inch) toy replica of Robby the Robot. This was quickly followed by the release of the Forbidden Planet 50th Anniversary edition in both standard DVD and HD DVD packaging. Both 50th anniversary formats were mastered by Warner Bros.-MGM techs from
21291-400: Was an inspiration for Star Trek and quotes a memo by Roddenberry in which he explicitly avoids copying the mechanics of Forbidden Planet s spaceship, but hopes for it to "stimulate our own thinking" in regards to the production of the still-in-development Star Trek TV series. In the opening scene of the movie, the navigator says "We'll reach D.C. point at 1701". The registration number for
21442-471: Was completed (although it was later continued, but at the time it was not intended to be) with the darkly themed Star Wars: Episode III – Revenge of the Sith . Science-fiction also returned as a tool for political commentary in films such as A.I. Artificial Intelligence , Minority Report , Sunshine , District 9 , Children of Men , Serenity , Sleep Dealer , and Pandorum . The 2000s also saw
21593-531: Was composed by Bebe and Louis Barron . The two were originally slated to contribute about twenty minutes of sound effects and electronic pieces, as avant-garde composer Harry Partch was also due to contribute music. When Partch left the project, the Barrons took over the entire soundtrack. MGM producer Dore Schary had been approached by them at a nightclub in Greenwich Village while on a family Christmas visit to New York City , where they asked if he
21744-433: Was fired shortly after an early scene because of his having consumed a five-martini lunch prior to the scene being shot; he nearly fell over while attempting to walk while inside the expensive prop. Many costume and prop items were reused in several different episodes of the television series The Twilight Zone , most of which were filmed by Rod Serling 's Cayuga Productions at the MGM studio in Culver City, including Robby
21895-468: Was interested in listening to a demonstration of their electronic music. Schary told them he was returning to California the next morning, but to assuage their disappointment, he promised to give them a chance if they ever came to California. Assuming he had heard the last of them, he was surprised when they showed up in Hollywood a few weeks later. Keeping his promise, he listened to their music, and after
22046-515: Was missing about six minutes of film footage cut to ensure it received a G rating from the Motion Picture Association of America , including a 1950s-style muted scene of Anne Francis, which made it seem she swam without a bathing suit. Later video releases carry a G rating, although they are all the original theatrical version. The American Film Institute nominated the film as one of its top-10 science fiction films. The score
22197-517: Was nominated for AFI's 100 Years of Film Scores. Forbidden Planet was first released in the pan and scan format in 1981 on MGM VHS and Betamax videotape and on MGM laser disc and CED Videodisc ; years later, in 1996, it was again re-issued by MGM/UA, but this time in widescreen VHS and laserdisc, both for the film's 40th anniversary. The Criterion Collection later re-issued Forbidden Planet in CinemaScope's original 2.55:1 aspect ratio for
22348-437: Was originally titled Fatal Planet . The later screenplay draft by Cyril Hume renamed the film Forbidden Planet , because this was believed to have greater box-office appeal. Block and Adler's drama took place in the year 1976 on the planet Mercury . An Earth expedition headed by John Grant is sent to the planet to retrieve Dr. Adams and his daughter Dorianne, who have been stranded there for twenty years. In this version, there
22499-470: Was shot entirely indoors, with all the Altair IV exterior scenes simulated using sets, visual effects , and matte paintings . As the art director of the film, Lonergan took the liberty to build sets that were much larger than the budget allowed. The sets were already half done when the budget department found out and it was too late to do anything about it. A full-size mock-up of roughly three-quarters of
22650-455: Was used to produce more complicated effects. It also enabled filmmakers to enhance the visual quality of animation, resulting in films such as Ghost in the Shell (1995) from Japan, and The Iron Giant (1999) from the United States. During the first decade of the 2000s, superhero films abounded, as did earthbound science fiction such as the Matrix trilogy. In 2005 , the Star Wars saga
22801-534: Was very different from the original film, falling more into the action/science fiction genre, it was both a critical and commercial success and Sigourney Weaver was nominated for Best Actress in a Leading Role at the Academy Awards . The Japanese cyberpunk anime film Akira ( 1988 ) also had a big influence outside Japan when released. In the 1990s, the emergence of the World Wide Web and
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