A terrace is an external, raised, open, flat area in either a landscape (such as a park or garden) near a building, or as a roof terrace on a flat roof .
107-657: The Beekman Tower , also known as the Panhellenic Tower , is a 26-story Art Deco skyscraper situated at the corner of First Avenue and East 49th Street in Midtown Manhattan , New York City . The building was constructed between 1927 and 1928 and was designed by John Mead Howells . The Beekman Tower had been built for the Panhellenic Association's New York chapter as a club and hotel for women in college sororities . However, due to
214-842: A 20th-century adaptation of a classical subject. Other important works for Rockefeller Center were made by Lee Lawrie , including the sculptural façade and the Atlas statue . During the Great Depression in the United States, many sculptors were commissioned to make works for the decoration of federal government buildings, with funds provided by the WPA, or Works Progress Administration . They included sculptor Sidney Biehler Waugh, who created stylized and idealized images of workers and their tasks for federal government office buildings. In San Francisco, Ralph Stackpole provided sculpture for
321-618: A broadly applied stylistic label in 1968 when historian Bevis Hillier published the first major academic book on it, Art Deco of the 20s and 30s . He noted that the term was already being used by art dealers, and cites The Times (2 November 1966) and an essay named Les Arts Déco in Elle magazine (November 1967) as examples. In 1971, he organized an exhibition at the Minneapolis Institute of Arts , which he details in his book The World of Art Deco . In its time, Art Deco
428-540: A departure from) the undulating Art Nouveau style of Hector Guimard , so popular in Paris a few years earlier. Grasset stressed the principle that various simple geometric shapes like triangles and squares are the basis of all compositional arrangements. The reinforced-concrete buildings of Auguste Perret and Henri Sauvage, and particularly the Théâtre des Champs-Élysées , offered a new form of construction and decoration which
535-439: A flat roof area (which may or may not be surrounded by a balustrade) used for social activity is also known as a terrace. In Venice , Italy, for example, the rooftop terrace (or altana ) is the most common form of terrace found. Developed around 1500 CE, it has changed little and consists of a wooden platform with small spaces between the floorboards. The altana was originally a place where laundry could be hung out to dry (hence
642-482: A floral chair with a parrot design for the hunting lodge of art collector Jacques Doucet . The furniture designers Louis Süe and André Mare made their first appearance at the 1912 exhibit, under the name of the Atelier français , combining polychromatic fabrics with exotic and expensive materials, including ebony and ivory. After World War I, they became one of the most prominent French interior design firms, producing
749-444: A lack of patronage during the Great Depression , the hotel was opened to non-sorority guests in 1931 and to men in 1934. After the hotel was made available to men, it was renamed Beekman Tower (Panhellenic) to present a more inviting image to both genders. Other improvements included the conversion of the building's rooftop solarium into a bar in 1940; the conversion of the retail space on First Avenue into restaurant space in 1959; and
856-483: A lack of patronage, it was opened up to non-sorority women and men by the mid-1930s. It was later converted into a hotel and then corporate apartments. The Beekman Tower contains a design with numerous setbacks , chamfers at its corners, and a massing that abuts onto the boundaries of its lot. Its sculptural ornamentation was designed by Rene Paul Chambellan in the Art Deco style with Gothic influences. In 1998,
963-404: A lodge for female students and graduates in 1921. The Panhellenic Association had concluded that several existing clubs were not suitable short-term housing options due to "long waiting lists", so it proposed a building that could house up to 400 women at a time. As indicated by the association's name (which meant "all Greek"), the building would serve members of various Greek-letter sororities . At
1070-468: A modernist look. At its birth between 1910 and 1914, Art Deco was an explosion of colours, featuring bright and often clashing hues, frequently in floral designs, presented in furniture upholstery , carpets, screens, wallpaper and fabrics. Many colourful works, including chairs and a table by Maurice Dufrêne and a bright Gobelin carpet by Paul Follot were presented at the 1912 Salon des artistes décorateurs . In 1912–1913 designer Adrien Karbowsky made
1177-463: A painting by Jean Dupas . The interior design followed the same principles of symmetry and geometric forms which set it apart from Art Nouveau, and bright colours, fine craftsmanship rare and expensive materials which set it apart from the strict functionality of the Modernist style. While most of the pavilions were lavishly decorated and filled with hand-made luxury furniture, two pavilions, those of
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#17327753359791284-399: A part in the resurgence of decorative arts, as French designers felt challenged by the increasing exports of less expensive German furnishings. In 1911, SAD proposed a major new international exposition of decorative arts in 1912. No copies of old styles would be permitted, only modern works. The exhibit was postponed until 1914; and then, because of the war, until 1925, when it gave its name to
1391-529: A period of deterioration, the lobby and suites were refurbished between 1989 and 1991. The New York City Landmarks Preservation Commission designated the building as an official city landmark on February 13, 1998. The Beekman Tower Hotel operated until 2013, when it was sold to Silverstein Properties , who also developed the new World Trade Center . Silverstein converted the building's suites to long-term furnished corporate apartments. Silverstein later sold
1498-406: A raised area in front of a monumental building or structure, which is usually reached by a grand staircase and surrounded by a balustrade . A terrace may be supported by an embankment or solid foundation, either natural or man-made. But terraces are always open to the sky and may or may not be paved. Agricultural terracing can be traced back to prehistoric times, but architectural terracing
1605-689: A square floor plan and short setbacks . The central portion contained a two-story event space with another entrance to Mitchell Place. The easternmost portion was an eight-story, 18-foot (5.5 m)-wide annex. The design was inspired by two plans for the Tribune Tower in Chicago, as well as the American Radiator Building at 40th Street in Midtown Manhattan. Howells's plan incorporated the setback massing used in
1712-602: A style which flourished in Europe between 1895 and 1900, and coexisted with the Beaux-Arts and neoclassical that were predominant in European and American architecture. In 1905 Eugène Grasset wrote and published Méthode de Composition Ornementale, Éléments Rectilignes, in which he systematically explored the decorative (ornamental) aspects of geometric elements, forms, motifs and their variations, in contrast with (and as
1819-675: Is Tamara de Lempicka . Born in Poland, she emigrated to Paris after the Russian Revolution . She studied under Maurice Denis and André Lhote , and borrowed many elements from their styles. She painted portraits in a realistic, dynamic and colourful Art Deco style. In the 1930s, a dramatic new form of Art Deco painting appeared in the United States. During the Great Depression, the Federal Art Project of
1926-488: Is equally ancient. Examples of early architectural terracing in the Middle East have been found at Nahal Oren (a Natufian cultural site occupied between 13000 and 9834 BCE ), at Tel Yarmut (2700 to 2200 BCE), and at Tel el-'Umeiri (600 BCE). Architectural terracing was widespread globally. For example, architectural (rather than agricultural) terracing also occurred on the island of Babeldaob in modern Palau in
2033-755: Is the Christ the Redeemer by the French sculptor Paul Landowski , completed between 1922 and 1931, located on a mountain top overlooking Rio de Janeiro , Brazil. Many early Art Deco sculptures were small, designed to decorate salons. One genre of this sculpture was called the Chryselephantine statuette, named for a style of ancient Greek temple statues made of gold and ivory. They were sometimes made of bronze, or sometimes with much more lavish materials, such as ivory, onyx , alabaster, and gold leaf. One of
2140-491: The Empire State Building , Chrysler Building , and other buildings from the 1920s and 1930s are monuments to the style. In the 1930s, during the Great Depression , Art Deco gradually became more subdued. A sleeker form of the style, called Streamline Moderne , appeared in the 1930s, featuring curving forms and smooth, polished surfaces. Art Deco was a truly international style, but its dominance ended with
2247-528: The Musée d'Orsay in Paris. Parallel with these Art Deco sculptors, more avant-garde and abstract modernist sculptors were at work in Paris and New York City. The most prominent were Constantin Brâncuși , Joseph Csaky , Alexander Archipenko , Henri Laurens , Jacques Lipchitz , Gustave Miklos , Jean Lambert-Rucki , Jan et Joël Martel , Chana Orloff and Pablo Gargallo . The Art Deco style appeared early in
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#17327753359792354-523: The New York City Landmarks Preservation Commission made the building an official city landmark. The Beekman Tower is located at the northeast corner of First Avenue and Mitchell Place/49th Street. It has a frontage of 81 feet (25 m) on First Avenue and 126 feet (38 m) on Mitchell Place. The building consists of three portions. The westernmost portion, abutting First Avenue, is a 26-story tower with
2461-659: The Tribune Tower design by Finnish-American architect Eliel Saarinen , while incorporating the corners, lines, and decorations from Raymond Hood 's final designs for both the Tribune Tower and the American Radiator Building. The decoration of the Beekman Tower was largely derived from geometric massing rather than ornamental decoration. This contrasted with the Gothic -style Tribune Tower and
2568-496: The Works Progress Administration was created to give work to unemployed artists. Many were given the task of decorating government buildings, hospitals and schools. There was no specific Art Deco style used in the murals; artists engaged to paint murals in government buildings came from many different schools, from American regionalism to social realism ; they included Reginald Marsh , Rockwell Kent and
2675-502: The groundbreaking ceremony held on November 13. The ceremonial laying of the cornerstone occurred on May 20, 1928, halfway through construction. The building initially only consisted of the 26-story tower at First Avenue and Mitchell Place, and the two-story auditorium to the east. During the construction process, Howells filed plans for an eight-story wing to the east of the auditorium. The building opened in October 1928. Hepburn gave
2782-430: The École royale gratuite de dessin (Royal Free School of Design), founded in 1766 under King Louis XVI to train artists and artisans in crafts relating to the fine arts, was renamed the École nationale des arts décoratifs ( National School of Decorative Arts). It took its present name, ENSAD ( École nationale supérieure des arts décoratifs ), in 1920.. The actual term art déco did not appear in print until 1966, in
2889-901: The 1912 Salon d'Automne was entrusted to the department store Printemps , and that year it created its own workshop, Primavera . By 1920 Primavera employed more than 300 artists, whose styles ranged from updated versions of Louis XIV , Louis XVI , and especially Louis Philippe furniture made by Louis Süe and the Primavera workshop, to more modern forms from the workshop of the Au Louvre department store. Other designers, including Émile-Jacques Ruhlmann and Paul Follot, refused to use mass production, insisting that each piece be made individually. The early Art Deco style featured luxurious and exotic materials such as ebony , ivory and silk, very bright colours and stylized motifs , particularly baskets and bouquets of flowers of all colours, giving
2996-424: The 1920s, the look changed; the fashions stressed were more casual, sportive and daring, with the woman models usually smoking cigarettes. American fashion magazines such as Vogue , Vanity Fair and Harper's Bazaar quickly picked up the new style and popularized it in the United States. It also influenced the work of American book illustrators such as Rockwell Kent. In Germany, the most famous poster artist of
3103-556: The 1920s. The art movement known as Cubism appeared in France between 1907 and 1912, influencing the development of Art Deco. In Art Deco Complete: The Definitive Guide to the Decorative Arts of the 1920s and 1930s Alastair Duncan writes "Cubism, in some bastardized form or other, became the lingua franca of the era's decorative artists." The Cubists, themselves under the influence of Paul Cézanne , were interested in
3210-415: The 1920s. Art Deco's development of Cubism's selective geometry into a wider array of shapes carried Cubism as a pictorial taxonomy to a much broader audience and wider appeal. (Richard Harrison Martin, Metropolitan Museum of Art) Art Deco was not a single style, but a collection of different and sometimes contradictory styles. In architecture, Art Deco was the successor to (and reaction against) Art Nouveau,
3317-969: The 1925 Exposition internationale des arts décoratifs et industriels modernes ( International Exhibition of Modern Decorative and Industrial Arts ) held in Paris . Art Deco has its origins in bold geometric forms of the Vienna Secession and Cubism . From its outset, it was influenced by the bright colors of Fauvism and of the Ballets Russes , and the exoticized styles of art from China , Japan , India , Persia , ancient Egypt , and Maya . During its heyday, Art Deco represented luxury, glamour, exuberance and faith in social and technological progress. The movement featured rare and expensive materials, such as ebony and ivory, and exquisite craftsmanship. It also introduced new materials such as chrome plating , stainless steel and plastic. In New York,
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3424-528: The 19th century were considered simply artisans. The term arts décoratifs had been invented in 1875 , giving the designers of furniture, textiles, and other decoration official status. The Société des artistes décorateurs (Society of Decorative Artists), or SAD, was founded in 1901, and decorative artists were given the same rights of authorship as painters and sculptors. A similar movement developed in Italy. The first international exhibition devoted entirely to
3531-597: The Art Deco aesthetic, when transposed from the canvas onto a textile material or wallpaper. Sonia Delaunay conceives her dress models in an abstract and geometric style, "as live paintings or sculptures of living forms". Cubist-like designs are created by Louis Barrilet in the stained-glass windows of the American bar at the Atrium Casino in Dax (1926), but also including names of fashionable cocktails. In architecture,
3638-523: The Crossroads (1933) for 30 Rockefeller Plaza featured an unauthorized portrait of Lenin . When Rivera refused to remove Lenin, the painting was destroyed and a new mural was painted by the Spanish artist Josep Maria Sert . Sculpture was a very common and integral feature of Art Deco architecture. In France, allegorical bas-reliefs representing dance and music by Antoine Bourdelle decorated
3745-464: The First Avenue side. Above the base, there were 380 bedrooms, many with balconies, as well as a fourth-floor roof garden above the event space. The building, as designed, has two emergency staircases (one at the north and the other at the southeast corner), as well as three elevators. The Beekman Tower's eastern portion contained apartments, a gymnasium, and hotel offices. A service alley ran along
3852-752: The French Arts décoratifs ( lit. ' Decorative Arts ' ), is a style of visual arts, architecture , and product design , that first appeared in Paris in the 1910s (just before World War I ), and flourished in the United States and Europe during the 1920s to early 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look (clothing, fashion, and jewelry), Art Deco has influenced bridges, buildings (from skyscrapers to cinemas), ships, ocean liners , trains, cars, trucks, buses, furniture, and everyday objects including radios and vacuum cleaners. Art Deco got its name after
3959-461: The Gothic and Art Deco -style American Radiator Building, which were both ornately decorated. The facade materials were colored so as "to produce the impression that the building has been built out of, or carved out of one material". The base is largely two stories tall, with two leaded-glass windows within each of the second-story bays. An entrance to the tower portion of the building is located at
4066-523: The Mexican painter Diego Rivera . The murals were Art Deco because they were all decorative and related to the activities in the building or city where they were painted: Reginald Marsh and Rockwell Kent both decorated U.S. postal buildings, and showed postal employees at work while Diego Rivera depicted automobile factory workers for the Detroit Institute of Arts . Diego Rivera's mural Man at
4173-549: The Pacific Ocean. Terraces are found the world over, throughout history. Terraces were used extensively throughout Greece in both public and private architecture, and rooftop terraces can be found at Knossos as early as 1700 BCE. Terraces were also built extensively in the Roman Empire , with terraces in front of monumental structures (such as temples) common throughout imperial history. Temples were terraced on
4280-572: The Soviet Union and Pavilion de L'Esprit Nouveau , built by the magazine of that name run by Le Corbusier, were built in an austere style with plain white walls and no decoration; they were among the earliest examples of modernist architecture . In 1925, two different competing schools coexisted within Art Deco: the traditionalists, who had founded the Society of Decorative Artists; included
4387-553: The Soviet Union, Konstantin Melnikov ; the Irish designer Eileen Gray; the French designer Sonia Delaunay; and the jewellers Georges Fouquet and Jean Puiforcat . They fiercely attacked the traditional Art Deco style, which they said was created only for the wealthy, and insisted that well-constructed buildings should be available to everyone, and that form should follow function. The beauty of an object or building resided in whether it
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4494-490: The United States during the Great Depression. The Federal Art Project hired American artists to create posters to promote tourism and cultural events. The architectural style of Art Deco made its debut in Paris in 1903–04, with the construction of two apartment buildings in Paris, one by Auguste Perret on rue Benjamin Franklin and the other on rue Trétaigne by Henri Sauvage. The two young architects used reinforced concrete for
4601-518: The United States in 1929, and reached Europe shortly afterwards, greatly reduced the number of wealthy clients who could pay for the furnishings and art objects. In the Depression economic climate, few companies were ready to build new skyscrapers. Even the Ruhlmann firm resorted to producing pieces of furniture in series, rather than individual hand-made items. The last buildings built in Paris in
4708-459: The United States, where, during the World War, he designed posters to encourage war production. The designer Charles Gesmar became famous making posters for the singer Mistinguett and for Air France . Among the best-known French Art Deco poster designers was Cassandre , who made the celebrated poster of the ocean liner SS Normandie in 1935. In the 1930s a new genre of posters appeared in
4815-698: The addition of air conditioning in 1960. The sorority sold the building to investors in 1964, and it became a conventional hotel. The architect, Sidney Goldhammer, installed bathrooms and kitchenettes in each room, as well as building apartments within the former event spaces. After the conversion of the Beekman Hotel, its clients mostly came from the United Nations , whose headquarters is located nearby, as well as from large companies. The hotel's guests included actor Geraldine Chaplin , musicians Pearl Bailey and Frank Zappa , and UN delegates. After
4922-469: The base contained Greek-letter designs. The building's central section consists of a three-story wing that was originally an auditorium/event space. This portion is 33 feet (10 m) wide by 81 feet (25 m) deep, and its 33-foot-wide southern elevation contains four bays divided by pilaster strips. The building's eastern section is ten stories high with a penthouse on the roof and measures 18 feet (5.5 m) wide by 81 feet deep. It contains facades to
5029-621: The beginning of World War II and the rise of the strictly functional and unadorned styles of modern architecture and the International Style of architecture that followed. Art Deco took its name, short for Arts Décoratifs , from the International Exhibition of Modern Decorative and Industrial Arts held in Paris in 1925, though the diverse styles that characterised it had already appeared in Paris and Brussels before World War I . Arts décoratifs
5136-512: The best-known Art Deco salon sculptors was the Romanian-born Demétre Chiparus , who produced colourful small sculptures of dancers. Other notable salon sculptors included Ferdinand Preiss , Josef Lorenzl , Alexander Kelety, Dorothea Charol and Gustav Schmidtcassel. Another important American sculptor in the studio format was Harriet Whitney Frishmuth , who had studied with Auguste Rodin in Paris. Pierre Le Paguays
5243-476: The building or room. The themes were usually selected by the patrons, not the artist. Abstract sculpture for decoration was extremely rare. In the United States, the most prominent Art Deco sculptor for public art was Paul Manship , who updated classical and mythological subjects and themes in an Art Deco style. His most famous work was the statue of Prometheus at Rockefeller Center in New York City,
5350-570: The building to the sorority by the end of 1928, and the following year, a sorority publication claimed that the Panhellenic Tower was the only women-owned and managed hotel in New York. Initially, the Panhellenic Tower was seen as successful. Hepburn went on to develop 2 Beekman Place at the opposite end of Mitchell Place; the entire area became known as Beekman Hill, one of the most prestigious places in New York City. However, because of
5457-399: The building's southwestern corner, at First Avenue and Mitchell Place. The hotel entrance further east on Mitchell Place is distinctive in that it contains a three-story-tall base with three bays, separated by wide pilaster strips, as well as cast-stone moldings. There are three Art Deco sculptural panels designed by Rene Chambellan : one at the corner and two on Mitchell Place. The panel above
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#17327753359795564-493: The clear contrast between horizontal and vertical volumes, specific both to Russian Constructivism and the Frank Lloyd Wright - Willem Marinus Dudok line, becomes a common device in articulating Art Deco façades, from individual homes and tenement buildings to cinemas or oil stations. Art Deco also used the clashing colours and designs of Fauvism, notably in the work of Henri Matisse and André Derain , inspired
5671-486: The corner depicts a floral motif above an octagon, while the other two panels resemble "frozen fountains". On the third story of the Mitchell Place entrance, there were formerly tripartite windows topped with lunettes , which were later replaced with casement windows. The building's western section contains a tower section, measuring 75 feet (23 m) square and rising 24 stories above the two-story base. Each of
5778-652: The decorative arts, the Esposizione Internazionale d'Arte Decorativa Moderna , was held in Turin in 1902. Several new magazines devoted to decorative arts were founded in Paris, including Arts et décoration and L'Art décoratif moderne . Decorative arts sections were introduced into the annual salons of the Sociéte des artistes français , and later in the Salon d'Automne . French nationalism also played
5885-646: The designs of Art Deco textiles, wallpaper, and painted ceramics. It took ideas from the high fashion vocabulary of the period, which featured geometric designs, chevrons, zigzags, and stylized bouquets of flowers. It was influenced by discoveries in Egyptology , and growing interest in the Orient and in African art. From 1925 onwards, it was often inspired by a passion for new machines, such as airships, automobiles and ocean liners, and by 1930 this influence resulted in
5992-551: The dominant architectural style became the International Style pioneered by Le Corbusier, and Mies van der Rohe . A handful of Art Deco hotels were built in Miami Beach after World War II, but elsewhere the style largely vanished, except in industrial design, where it continued to be used in automobile styling and products such as jukeboxes. In the 1960s, it experienced a modest academic revival, thanks in part to
6099-447: The earliest Art Deco landmark in Paris, the Théâtre des Champs-Élysées , in 1912. The 1925 Exposition had major sculptural works placed around the site, pavilions were decorated with sculptural friezes, and several pavilions devoted to smaller studio sculpture. In the 1930s, a large group of prominent sculptors made works for the 1937 Exposition Internationale des Arts et Techniques dans la Vie Moderne at Chaillot. Alfred Janniot made
6206-414: The early part of the 20th century, architects Henry and Theodore Hubbard argued that the basic function of a terrace was as an interesting base of an even more interesting building. Since the terrace was not the focal point of the structure, its design should be simple and it should command a view. More recently, architect Catherine Dee has noted that the terrace is most commonly used to link the structure to
6313-625: The façade of the new San Francisco Stock Exchange building. In Washington D.C., Michael Lantz made works for the Federal Trade Commission building. In Britain, Deco public statuary was made by Eric Gill for the BBC Broadcasting House , while Ronald Atkinson decorated the lobby of the former Daily Express Building in London (1932). One of the best known and certainly the largest public Art Deco sculpture
6420-456: The fireplace in the Maison du Collectionneur exhibit at the 1925 Exposition, which featured furniture by Ruhlmann and other prominent Art Deco designers. His murals were also prominent in the décor of the French ocean liner SS Normandie . His work was purely decorative, designed as a background or accompaniment to other elements of the décor. The other painter closely associated with the style
6527-493: The first modern reinforced-concrete apartment building in Paris on rue Benjamin Franklin in 1903–04. Henri Sauvage , another important future Art Deco architect, built another in 1904 at 7, rue Trétaigne (1904). From 1908 to 1910, the 21-year-old Le Corbusier worked as a draftsman in Perret's office, learning the techniques of concrete construction. Perret's building had clean rectangular form, geometric decoration and straight lines,
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#17327753359796634-657: The first time in Paris residential buildings; the new buildings had clean lines, rectangular forms, and no decoration on the façades; they marked a clean break with the art nouveau style. Between 1910 and 1913, Perret used his experience in concrete apartment buildings to construct the Théâtre des Champs-Élysées, 15 avenue Montaigne . Between 1925 and 1928 Sauvage constructed the new Art Deco façade of La Samaritaine department store in Paris. Terrace (building) Terraces are used primarily for leisure activity such as sitting, strolling, or resting. The term often applies to
6741-622: The furniture designer Emile-Jacques Ruhlmann, Jean Dunand , the sculptor Antoine Bourdelle, and designer Paul Poiret; they combined modern forms with traditional craftsmanship and expensive materials. On the other side were the modernists, who increasingly rejected the past and wanted a style based upon advances in new technologies, simplicity, a lack of decoration, inexpensive materials, and mass production. The modernists founded their own organisation, The French Union of Modern Artists , in 1929. Its members included architects Pierre Chareau , Francis Jourdain , Robert Mallet-Stevens , Corbusier, and, in
6848-502: The furniture for the first-class salons and cabins of the French transatlantic ocean liners . The vivid hues of Art Deco came from many sources, including the exotic set designs by Léon Bakst for the Ballets Russes , which caused a sensation in Paris just before World War I. Some of the colours were inspired by the earlier Fauvism movement led by Henri Matisse ; others by the Orphism of painters such as Sonia Delaunay ; others by
6955-423: The future trademarks of Art Deco. The décor of the theatre was also revolutionary; the façade was decorated with high reliefs by Antoine Bourdelle , a dome by Maurice Denis , paintings by Édouard Vuillard , and an Art Deco curtain by Ker-Xavier Roussel . The theatre became the venue for many of the first performances of the Ballets Russes . Perret and Sauvage became the leading Art Deco architects in Paris in
7062-466: The graphic arts, in the years just before World War I. It appeared in Paris in the posters and the costume designs of Léon Bakst for the Ballets Russes, and in the catalogues of the fashion designers Paul Poiret. The illustrations of Georges Barbier , and Georges Lepape and the images in the fashion magazine La Gazette du bon ton perfectly captured the elegance and sensuality of the style. In
7169-555: The idea of strengthening the concrete with a mesh of iron rods in a grill pattern. In 1893, Auguste Perret built the first concrete garage in Paris, then an apartment building, house, then, in 1913, the Théâtre des Champs-Élysées . The theatre was denounced by one critic as the "Zeppelin of Avenue Montaigne", an alleged Germanic influence, copied from the Vienna Secession . Thereafter, the majority of Art Deco buildings were made of reinforced concrete, which gave greater freedom of form and less need for reinforcing pillars and columns. Perret
7276-460: The island of Java by at least 800 CE, and the practice spread to Cambodia . The first terrace stone temple in Cambodia was constructed at Bakong in 881 CE. Terraces are often used for private residences. In traditional Thai homes (or "cluster houses"), the dwelling is built around a central terrace, or chaan . One or more "house cabins" (small, enclosed rooms) are placed around the edge of
7383-406: The landscape and as an extension of living space. According to architect Sophia Psarra, the terrace is one of the most commonly used forms of architecture in the 21st century, along with entrance halls, stairs, and corridors. Landscape architect Russell Sturgis has observed that terraces tend to be used only in larger and more expensive gardens. Terraces need not always protrude from a building;
7490-548: The left bank, and along the banks of the Seine. The Grand Palais, the largest hall in the city, was filled with exhibits of decorative arts from the participating countries. There were 15,000 exhibitors from twenty different countries, including Austria, Belgium, Czechoslovakia, Denmark, Great Britain, Italy, Japan, the Netherlands, Poland, Spain, Sweden, and the new Soviet Union . Germany was not invited because of tensions after
7597-530: The movement known as Les Nabis , and in the work of symbolist painter Odilon Redon, who designed fireplace screens and other decorative objects. Bright shades were a feature of the work of fashion designer Paul Poiret , whose work influenced both Art Deco fashion and interior design. The Théâtre des Champs-Élysées (1910–1913), by Auguste Perret , was the first landmark Art Deco building completed in Paris. Previously, reinforced concrete had been used only for industrial and apartment buildings, Perret had built
7704-652: The new style were the Museum of Public Works by Auguste Perret (now the French Economic, Social and Environmental Council ), the Palais de Chaillot by Louis-Hippolyte Boileau , Jacques Carlu and Léon Azéma , and the Palais de Tokyo of the 1937 Paris International Exposition ; they looked out at the grandiose pavilion of Nazi Germany, designed by Albert Speer , which faced the equally grandiose socialist-realist pavilion of Stalin's Soviet Union. After World War II,
7811-518: The north side of the building. There was a terrace or "solarium" on the 26th floor, surrounded by balconies, which initially served as a gathering place for female residents. In 1940, the solarium became a bar called Top of the Tower. The lounge contained dark tones and curved patterns that drew attention away from its unusual floor plan, as well as features like pendant-shaped lights, elevator doors with foliage designs, and French style furniture. The bar
7918-519: The period was Ludwig Hohlwein , who created colourful and dramatic posters for music festivals, beers, and, late in his career, for the Nazi Party. During the Art Nouveau period, posters usually advertised theatrical products or cabarets. In the 1920s, travel posters, made for steamship lines and airlines, became extremely popular. The style changed notably in the 1920s, to focus attention on
8025-423: The product being advertised. The images became simpler, precise, more linear, more dynamic, and were often placed against a single-color background. In France, popular Art Deco designers included Charles Loupot and Paul Colin , who became famous for his posters of American singer and dancer Josephine Baker . Jean Carlu designed posters for Charlie Chaplin movies, soaps, and theatres; in the late 1930s he emigrated to
8132-527: The products, all the major Paris department stores, and major designers had their own pavilions. The Exposition had a secondary purpose in promoting products from French colonies in Africa and Asia, including ivory and exotic woods. The Hôtel du Collectionneur was a popular attraction at the Exposition; it displayed the new furniture designs of Emile-Jacques Ruhlmann, as well as Art Deco fabrics, carpets, and
8239-522: The project was taken over by Emily Eaton Hepburn , a suffragist and activist whose husband had died four years prior. She was tasked with hiring a new architect after Barber's death. Hepburn chose John Mead Howells because she believed he had "a great interest in the housing problem". Hepburn announced the purchase of the Panhellenic's site in March 1927, and construction began on October 10, 1927, with
8346-440: The property; by 2018, the Beekman Tower was managed by RESIDE Worldwide. Meridian Capital Group refinanced the building for $ 70 million in 2017. By 2022, the hotel was operated by Wyndham Hotels & Resorts and was known as The Beekman Tower, Trademark Collection by Wyndham . The Beekman Tower was widely lauded upon its completion, even receiving international recognition when several French architecture publications reported on
8453-515: The relief sculptures on the façade of the Palais de Tokyo. The Musée d'Art Moderne de la Ville de Paris , and the esplanade in front of the Palais de Chaillot, facing the Eiffel Tower, was crowded with new statuary by Charles Malfray , Henry Arnold, and many others. Public Art Deco sculpture was almost always representational, usually of heroic or allegorical figures related to the purpose of
8560-450: The salon passed through the full-scale model. The façade of the house, designed by Duchamp-Villon, was not very radical by modern standards; the lintels and pediments had prismatic shapes, but otherwise the façade resembled an ordinary house of the period. For the two rooms, Mare designed the wallpaper, which featured stylized roses and floral patterns, along with upholstery, furniture and carpets, all with flamboyant and colourful motifs. It
8667-557: The simplification of forms to their geometric essentials: the cylinder, the sphere, the cone. In 1912, the artists of the Section d'Or exhibited works considerably more accessible to the general public than the analytical Cubism of Picasso and Braque. The Cubist vocabulary was poised to attract fashion, furniture and interior designers. In the Art Décoratif section of the 1912 Salon d'Automne, an architectural installation
8774-424: The south and west, as well as a setback at the penthouse level. The southern facade is divided into two bays, with the western bay being wider. The western facade, overlooking the auditorium/event space, is divided into seven bays. The base of the Beekman Tower's western portion was built with administrative and common areas such as lounges, reception areas, and a dining room, while there were shops at ground level on
8881-514: The structure. The New Yorker stated that the Beekman Tower was "a glorious building on a glorious site and a marvellous example of modernists not gone berserk", while The New York Times said that the building was "an outstanding example of American skyscraper architecture". In 1929, the year after the building opened, the First Avenue Association gave the building an "outstanding architectural merit" award. Later criticism
8988-470: The style called Streamline Moderne . The event that marked the zenith of the style and gave it its name was the International Exhibition of Modern Decorative and Industrial Arts which took place in Paris from April to October in 1925. This was officially sponsored by the French government, and covered a site in Paris of 55 acres, running from the Grand Palais on the right bank to Les Invalides on
9095-440: The terrace, and set about 40 centimetres (16 in) higher than the terrace to provide built-in bench seating. The terrace is often pierced in the center by a tree, which along with the house cabin roofs and walls provides shade, and may be decorated with large flat ceramic bowls of fish and water lilies or by potted plants. Architectural theories for the use and design of terraces varies widely geographically and historically. In
9202-402: The time, the association thought that the building might be ready by 1923. Donn Barber was hired in October 1922 to design the building, and a corporation was created to issue preferred and common stock to finance the building's construction. The restrictions on the common stock caused a delay in construction, and a sufficient number of shares of stock would not be sold until 1925. In 1926,
9309-477: The title of the first modern exhibition on the subject, held by the Museum of Decorative Arts in Paris, Les Années 25 : Art déco, Bauhaus, Stijl, Esprit nouveau , which covered a variety of major styles in the 1920s and 1930s. The term was then used in a 1966 newspaper article by Hillary Gelson in The Times (London, 12 November), describing the different styles at the exhibit. Art Deco gained currency as
9416-406: The tower's corners contain a small pier with a single column of windows. The tower's four sides contain piers that rise to the 24th floor, with recessed window bays located between them. The recessed bays, as well as vertical recesses within the piers in the upper levels of the building, were intended to create a shadow-like effect. The roofline of the building contains various ornamentation, while
9523-507: The war; the United States, misunderstanding the purpose of the exhibit, declined to participate. The event was visited by sixteen million people during its seven-month run. The rules of the exhibition required that all work be modern; no historical styles were allowed. The main purpose of the Exhibit was to promote the French manufacturers of luxury furniture, porcelain, glass, metalwork, textiles, and other decorative products. To further promote
9630-457: The whole family of styles known as "Déco". Parisian department stores and fashion designers also played an important part in the rise of Art Deco. Prominent businesses such as silverware firm Christofle , glass designer René Lalique , and the jewellers Louis Cartier and Boucheron began designing products in more modern styles. Beginning in 1900, department stores recruited decorative artists to work in their design studios. The decoration of
9737-471: The writings of architectural historians such as Bevis Hillier. In the 1970s efforts were made in the United States and Europe to preserve the best examples of Art Deco architecture, and many buildings were restored and repurposed. Postmodern architecture , which first appeared in the 1980s, like Art Deco, often includes purely decorative features. Deco continues to inspire designers, and is often used in contemporary fashion, jewellery, and toiletries. There
9844-483: Was a brilliant publicist for modernist architecture; he stated that a house was simply "a machine to live in", and tirelessly promoted the idea that Art Deco was the past and modernism was the future. Le Corbusier's ideas were gradually adopted by architecture schools, and the aesthetics of Art Deco were abandoned. The same features that made Art Deco popular in the beginning, its craftsmanship, rich materials and ornament, led to its decline. The Great Depression that began in
9951-499: Was a distinct break from traditional décor. The critic Emile Sedeyn described Mare's work in the magazine Art et Décoration : "He does not embarrass himself with simplicity, for he multiplies flowers wherever they can be put. The effect he seeks is obviously one of picturesqueness and gaiety. He achieves it." The Cubist element was provided by the paintings. The installation was attacked by some critics as extremely radical, which helped make for its success. This architectural installation
10058-486: Was a prominent Art Deco studio sculptor, whose work was shown at the 1925 Exposition. He worked with bronze, marble, ivory, onyx, gold, alabaster and other precious materials. François Pompon was a pioneer of modern stylised animalier sculpture. He was not fully recognised for his artistic accomplishments until the age of 67 at the Salon d'Automne of 1922 with the work Ours blanc , also known as The White Bear , now in
10165-436: Was a shortage of housing units available in New York City due to inflation and rent controls implemented during World War I, and the few available apartments tended to be overly expensive. Moreover, options such as hotels and lodges tended to be biased toward men, while self-supporting women's homes mostly catered toward the immigrants and the working class. The Panhellenic Association 's New York chapter announced plans for
10272-566: Was also a founder of the Wiener Werkstätte (1903–1932), an association of craftsmen and interior designers working in the new style. This became the model for the Compagnie des arts français , created in 1919, which brought together André Mare , and Louis Süe , the first leading French Art Deco designers and decorators. The emergence of Art Deco was closely connected with the rise in status of decorative artists, who until late in
10379-435: Was also a pioneer in covering the concrete with ceramic tiles , both for protection and decoration. The architect Le Corbusier first learned the uses of reinforced concrete working as a draftsman in Perret's studio. Other new technologies that were important to Art Deco were new methods in producing plate glass , which was less expensive and allowed much larger and stronger windows, and for mass-producing aluminium , which
10486-730: Was copied worldwide. In decoration, many different styles were borrowed and used by Art Deco. They included pre-modern art from around the world and observable at the Musée du Louvre , Musée de l'Homme and the Musée national des Arts d'Afrique et d'Océanie . There was also popular interest in archaeology due to excavations at Pompeii , Troy , and the tomb of the 18th dynasty Pharaoh Tutankhamun . Artists and designers integrated motifs from ancient Egypt , Africa , Mesopotamia , Greece , Rome , Asia, Mesoamerica and Oceania with Machine Age elements. Other styles borrowed included Futurism , Orphism, Functionalism , and Modernism in general. Cubism discovers its decorative potential within
10593-535: Was exhibited known as La Maison Cubiste . The façade was designed by Raymond Duchamp-Villon . The décor of the house was by André Mare . La Maison Cubiste was a furnished installation with a façade, a staircase, wrought iron banisters, a bedroom, a living room—the Salon Bourgeois , where paintings by Albert Gleizes , Jean Metzinger , Marie Laurencin , Marcel Duchamp , Fernand Léger and Roger de La Fresnaye were hung. Thousands of spectators at
10700-654: Was expanded in 1959 by enclosing the balconies around the solarium, and then expanded and renovated again in the late 20th century. The bar operated until 2013 and was subsequently renovated by Merchants Hospitality Inc. and reopened in 2018 as a bar named Ophelia. In the years following World War I , there had been a great increase in the number of female college students, which had long been underrepresented in higher education compared to their male counterparts. Most of these women planned to go into business, professional or social-science careers after graduation, so they planned to move to urban areas with suitable jobs. However, there
10807-572: Was first used in France in 1858 in the Bulletin de la Société française de photographie . In 1868, the Le Figaro newspaper used the term objets d'art décoratifs for objects for stage scenery created for the Théâtre de l'Opéra . In 1875, furniture designers, textile, jewellers, glass-workers, and other craftsmen were officially given the status of artists by the French government. In response,
10914-685: Was mixed. Robert A. M. Stern wrote in 1987 that the building "marked an advance" from the American Radiator Building and Tribune Tower. Christopher Gray of The New York Times wrote in 1991 that before the headquarters of the United Nations was built, the structure was "an out-of-place landmark". The Beekman Tower's design was the inspiration for several other structures such as the Reynolds Building in Winston-Salem, North Carolina . Art Deco Art Deco , short for
11021-478: Was no section set aside for painting at the 1925 Exposition. Art deco painting was by definition decorative, designed to decorate a room or work of architecture, so few painters worked exclusively in the style, but two painters are closely associated with Art Deco. Jean Dupas painted Art Deco murals for the Bordeaux Pavilion at the 1925 Decorative Arts Exposition in Paris, and also painted the picture over
11128-417: Was perfectly fit to fulfil its function. Modern industrial methods meant that furniture and buildings could be mass-produced, not made by hand. The Art Deco interior designer Paul Follot defended Art Deco in this way: "We know that man is never content with the indispensable and that the superfluous is always needed...If not, we would have to get rid of music, flowers, and perfumes..!" However, Le Corbusier
11235-409: Was subsequently exhibited at the 1913 Armory Show , New York City, Chicago and Boston. Thanks largely to the exhibition, the term "Cubist" began to be applied to anything modern, from women's haircuts to clothing to theater performances." The Cubist influence continued within Art Deco, even as Deco branched out in many other directions. Cubism's adumbrated geometry became coin of the realm in
11342-404: Was tagged with other names, like style moderne , Moderne , modernistic or style contemporain , and was not recognized as a distinct and homogenous style. New materials and technologies, especially reinforced concrete , were key to the development and appearance of Art Deco. The first concrete house was built in 1853 in the Paris suburbs by François Coignet. In 1877 Joseph Monier introduced
11449-582: Was used for building and window frames and later, by Corbusier, Warren McArthur , and others, for lightweight furniture. The architects of the Vienna Secession (formed 1897), especially Josef Hoffmann , had a notable influence on Art Deco. His Stoclet Palace , in Brussels (1905–1911), was a prototype of the Art Deco style, featuring geometric volumes, symmetry, straight lines, concrete covered with marble plaques, finely-sculpted ornament, and lavish interiors, including mosaic friezes by Gustav Klimt . Hoffmann
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