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140-581: Billy Jack is a 1971 American action drama independent film , the second of four films centering on a character of the same name which began with the movie The Born Losers (1967), played by Tom Laughlin , who directed and co-wrote the script. Filming began in Prescott, Arizona , in the fall of 1969, but the movie was not completed until 1971. American International Pictures pulled out, halting filming. 20th Century Fox came forward and filming eventually resumed but when that studio refused to distribute

280-422: A jargon called slanguage or Varietyese (a form of headlinese ) that refers especially to the movie industry, and has largely been adopted and imitated by other writers in the industry. The language initially reflected that spoken by the actors during the early days of the newspaper. Such terms as "boffo", "payola", and "striptease" are attributed to the magazine. In 1934, founder Sime Silverman headed

420-651: A "Fresh" rating of 63% at Rotten Tomatoes based on 16 reviews, with an average grade of 5.4/10. The website The Grindhouse Database, and the book Search and Clear: Critical Responses to Selected Literature and Films of the Vietnam War list this movie as belonging to the vetsploitation subgenre. Film critic Leonard Maltin at first gave Billy Jack 3.5 stars out of 4, calling it "Uneven in spots but tremendously powerful." Later, he downgraded it to 1.5 stars, writing, "Seen today, its politics are highly questionable, and its 'message' of peace looks ridiculous, considering

560-586: A "desperate attempt to mask the lack of content." Geoff King argued that the spectacle can also be a vehicle for narrative, opposed to interfering with it. Soberson stated that Harvey O'Brien had "perhaps the most convincing understanding of the genre", stating that the action film was "best understood as a fusion of form and content. It represents the idea and ethic of action through a form in which action, agitation and movement are paramount." O'Brien wrote further in his book Action Movies: The Cinema of Striking Back to suggest action films being unique and not just

700-759: A 31-story office building on Wilshire Boulevard in the Miracle Mile area. The building was dubbed the Variety Building because a red, illuminated " Variety " sign graced the top of it. In 2013, PMC, the parent company of Variety , announced plans to move Variety's offices to their new corporate headquarters at 11175 Santa Monica Blvd. in Westwood. There, Variety shares the 9-story building with parent company PMC, Variety Intelligence Platform, and PMC's other media brands, including Deadline.com , Rolling Stone , Vibe , Billboard , Robb Report and

840-510: A Global release status of Chinese-language martial arts films, most notably Zhang Yimou 's Hero (2002) and House of Flying Daggers (2004), Stephen Chow 's Kung Fu Hustle (2004) and Chen Kaige 's The Promise (2005). Most Hong Kong action films in the first quarter of the 21st century, such as those in Cold War (2012), Cold War 2 (2016) and The White Storm film series have their violence toned down, especially compared to

980-528: A Time in Hollywood . Action film While the term "action film" or "action adventure film" has been used as early as the 1910s, the contemporary definition usually refers to a film that came with the arrival of New Hollywood and the rise of anti-heroes appearing in American films of the late 1960s and 1970s drawing from war films , crime films and Westerns . These genres were followed by what

1120-436: A fight sequence. In the 1980s, American martial arts films reflected the national move towards conservatism, reflected in films of Chuck Norris and other actors such as Sho Kosugi . The genre would shift from theatrical releases towards the end of the decade with the rise of home video, the lower box-office of American martial arts productions, and a significant portion of direct-to-video action films that first were made in

1260-407: A film producer, believed to be George Kleine , that they were wasting space criticizing moving pictures and others had suggested that favorable reviews brought too strong a demand for certain pictures to the exclusion of others. Despite the gap, Variety is still the longest unbroken source of film criticism in existence. In 1930 Variety also started publishing a summary of miniature reviews for

1400-500: A global audience of these films in the United States and Europe, but was cut short on Lee's death in 1973 leading the phases popularity to decline. Following a period of stagnation, Chang Cheh and Lau Kar-leung revitalized the genre with shaolin kung fu films and Chor Yuen 's series of darker swordplay films based on the novels of Gu Long . Kung Fu comedies appeared featuring Jackie Chan as martial arts films flourished into

1540-566: A hero overcoming enemies or obstacles and physical conflicts or challenge, usually battling other humans or alien opponents. By late 2010s studies of genre analysis, the term "genre" itself is often replaced or supplemented with the words "mode" and "narrative form" with all three terms often being used interchangeably. Johan Höglund and Agnieszka Soltysik Monnet said that the difference between these concepts are elusive, but stated that genre could be defined as belonging to specific historical and cultural moments while "mode" and "form" can refer to

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1680-454: A larger pattern that operates across a wider historical and cultural field. In their book Action Cinema Since 2000 (2024), Tasker, Lisa Purse, and Chris Holmlund stated that thinking of action as a mode is more helpful than thinking of it as a genre. The three authors suggested that action frames a certain manner of filmmaking and viewing exceed genre without eclipsing it stating that websites such as IMDb and Misplaced Pages rarely label films by

1820-570: A list in Time magazine of the "ten modern Americans who have done most to keep American jargon alive". According to The Boston Globe , the Oxford English Dictionary cites Variety as the earliest source for about two dozen terms, including "show biz" (1945). In 2005, Welcome Books published The Hollywood Dictionary by Timothy M. Gray and J. C. Suares, which defines nearly 200 of these terms. One of its popular headlines

1960-554: A propensity for violent action, identified with the films of Chang Cheh . Violent female characters have been part of cinema since its early inception, with characters such as Kate Kelly brandishing a shotgun in The Story of the Kelly Gang (1906). Women traditionally appear in action films as romantic interests, tomboys , or sidekicks to male protagonists. Violent white women would appear in other genres as well such as

2100-418: A review by Silverman's son Sidne , also known as Skigie (based on the childish lisping of his name) who was claimed to be the youngest critic in the world at seven years old. In 1922, Silverman acquired The New York Clipper which had been reporting on the stage and other entertainment since 1853, in an attempt to attract advertising revenue away from Billboard , following a dispute with William Donaldson,

2240-511: A series of action sequences, stating that that the difference between Raiders of the Lost Ark (1981) and Die Hard (1988), that while both were mainstream Hollywood blockbusters with hero asserting masculinity and overcoming obstacles to a personal and social solution, John McClane in Die Hard repeatedly firing his automatic pistol while swinging from a high rise was not congruent with

2380-745: A significant portion. These films include Taxi 2 (2000), Kiss of the Dragon (2001), District 13 (2004) and Unleashed (2005). Whan asked about the Americanization of these French films, Christophe Gans , director of Brotherhood of the Wolf (2001) stated that "Hollywood ownership of certain elements [...] must be challenged, in order to show that these elements have also long been present in European culture." The most significant producers of French action films with international ambitions

2520-658: A similar level of popularity to that of the Western in the United States. The most internationally known films of this era were the films Kurosawa with Seven Samurai (1954), The Hidden Fortress (1958), and Yojimbo (1961). By at least the 1950s, Japanese films were looked upon as a model to be emulated by Hong Kong film production, and Hong Kong film companies began actively enlisting professionals from Japan, such as cinematographer Tadashi Nishimoto to contribute to color and widescreen cinematography. New literary sources also developed in martial arts films of this period, with

2660-406: A single genre and that streaming services such as Amazon Prime and Netflix similarly dilutes what is marketed and received as action. In transnational cinema, there are two major trends in action films: Hollywood action films and their style being imitated around the globe and the other being Chinese-language martial arts films. The roots of action films extend into the beginning of film but it

2800-421: A smash finish. Crude and sensational yet urgent and pertinent, this provocative Warners release is in its unique, awkward way one of the year's important pictures." Gary Arnold, writing for The Washington Post , panned Billy Jack as "horrendously self-righteous and devious", explaining, "Every social issue is dramatized in terms of absolute, apolitical good and evil. The good guys... are next to angelic, while

2940-451: A three-act structure centered on survival, resistance and revenge with narratives where the physical body of the hero is tested, traumatized and ultimately triumphant. The third shift in action cinema, the postclassical, was defined by the predominance of Eastern cinema and its aesthetics, primarily the wire-work of Hong Kong action cinema from the classical era, through the convention of the increasingly computer generated effects. This saw

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3080-594: A tough police officer protects society by upholding the law against systematic corruption. This extended into films which O'Brien described as "knee-jerk responses" to perceived threats with rogue cop and vigilante films such as Dirty Harry (1971) and Death Wish (1974) where the restoration of order is only possible by force and antisocial characters prepared to act when society does not. The vigilantism reappears in other films that were exploitative of southern society such as Billy Jack (1971) and White Lightning (1973) and "good ol' boy" comedies like Smokey and

3220-415: A woman in his car, but is stopped by Jean and Billy, who give Bernard a choice: either receive a dislocated elbow or drive his Corvette into the lake. Bernard chooses the latter. Later, Bernard kidnaps and rapes Jean, and also murders a Native American student, Martin. Billy confronts Bernard, whom he catches in bed with a 13-year-old girl, and sustains a gunshot wound before killing him with a hand strike to

3360-463: Is Luc Besson 's France-based EuropaCorp , who released films like Taxi (1998) and From Paris with Love (2010). EuropaCorp produced Transporter franchise starred British actor Jason Statham and made him an action film star, which led him to feature in The Expendables series by the end of the 2010s. The action film genre has been a staple of Bollywood cinema . In the 1970s,

3500-574: Is a generic term to refer to several types of films containing martial arts. The wuxia film is the oldest genre in Chinese cinema. Stephen Teo wrote in his book on Wuxia that there is no satisfactory English translation of the term, with it often being identified as "the swordplay film" in critical studies. It is derived from the Chinese words wu denoting militarist or martial qualities and xia denoting chivalry, gallantry, and qualities of knighthood. The term wuxia entered into popular culture in

3640-673: Is based on Twin Dragons (1992). Other films such as the martial arts film Bhadrachlam (2001), borrows from American cinema with the Jean-Claude Van Damme film Kickboxer (1989). SS Rajamouli 's RRR (2022) was among the highest budgeted films made in India, and became a rare hit film outside of Indian diaspora, where it broke box office records in Japan and performed exceptionally well in American box office. Japan

3780-442: Is itself empowering and, if not, whether a hypersexualized female character can still represent strength and autonomy. Hypersexualized female action leads had tight fitting or revealing costumes that Tasker identified as "exaggerated statements of sexuality" and in the tradition of "fetishistic figure of fantasy" derives from comic books and soft pornography . This originated in television with characters like Buffy Summers ( Buffy

3920-413: Is persuaded to accept guarantees which a hundred years of Indian history have repudiated), there is enough innocent sincerity in the film to demonstrate that Tom Laughlin at least has the courage of his convictions, even if those convictions are scarcely thought out." Delores Taylor received a Golden Globe nomination as Most Promising Newcoming Actress. Tom Laughlin won the grand prize for Billy Jack at

4060-647: Is rammed down the spectators" throats and is sorely in need of considerable editing to tell a straightforward story." Gene Siskel gave Billy Jack 3.5 stars out of 4, calling it "a film that tries to say too many things in too many ways within an adequate story line, but it has such freshness, original humor and compassion that one is frequently moved to genuine emotion". Kevin Thomas , in the Los Angeles Times , also liked Billy Jack , praising its "searing tension that sustains it through careening unevenness to

4200-586: Is referred to as the "classical period" in the 1980s. This was followed by the post-classical era where American action films were influenced by Hong Kong action cinema and the growing using of computer generated imagery in film. Following the September 11 attacks , a return to the early forms of the genre appeared in the wake of Kill Bill and The Expendables films. Scott Higgins wrote in 2008 in Cinema Journal that action films are both one of

4340-578: The femme fatales in film noir and horror films of the 1970s. Violent women were common in action films since the 1960s. These films featured working-class women exacting revenge. Films of the 1970s featured black women such as Pam Grier in films like Foxy Brown (1974). In the 1980s, a new symbolically transgressive character emerged in the form of Ellen Ripley in Aliens (1986) and Sarah Connor in Terminator 2: Judgment Day (1991) and

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4480-759: The 1906 San Francisco earthquake , through Arab Spring in 2012, and argues that the entertainment industry needs to stay aware of changes in politics and tastes since those changes will affect their audiences. In a foreword to the book, Martin Scorsese calls Variety "the single most formidable trade publication ever" and says that the book's content "makes you feel not only like a witness to history, but part of it too." In 2013, Variety staffers tallied more than 200 uses of weekly or Daily Variety in TV shows and films, ranging from I Love Lucy to Entourage . In 2016, Variety endorsed Hillary Clinton for President of

4620-438: The 2007–2008 Writers Guild of America strike has been considered Variety 's largest competitor in online showbiz news. In October 2012, Jay Penske , chairman and CEO of PMC, announced that the website's paywall would come down, the print publication would stay, and he would invest more into Variety ' s digital platform in a townhall . In March 2013, owner Penske appointed three co-editors to oversee different parts of

4760-550: The Bollywood action film consolidated with two films starring Amitabh Bachchan : Prakash Mehra 's Zanjeer (1973) and Yash Chopra 's Deewaar (1975). The box office success of these films made Bachchan a star and spawned the "angry young man" film in Bollywood cinema. Throughout the 1980s and 1990s, the action genre film declined considerably with new films predominantly featuring former bodybuilders failing to reach

4900-580: The Daily in Hollywood. Bart had worked previously at Paramount Pictures and The New York Times . Syd remained as publisher until 1990 when he was succeeded on Weekly Variety by Gerard A. Byrne and on Daily Variety by Sime Silverman's great-grandson, Michael Silverman. Syd became chairman of both publications. In April 2009, Bart moved to the position of "vice president and editorial director", characterized online as "Boffo No More: Bart Up and Out at Variety ". From mid-2009 to 2013, Timothy M. Gray oversaw

5040-517: The Hong Kong action cinema , such melodramatic male bonding and marginalized women characters, while the Korean films also have greater elements of tragedy and romance emphasized. Most martial arts films made before the mid-1960s were Cantonese-language productions. In comparison, Mandarin-language films were an integral part of Hong Kong cinema due to the influx of Shanghai film talent in

5180-508: The September 11 attacks in 2001, which suggested an end to fantastical elements that defined the action hero and genre. Following the release of Quentin Tarantino 's Kill Bill: Volume 1 (2003) and Kill Bill: Volume 2 (2004) revisited the tropes of 1970s action films leading a renaissance of vengeance narratives in films like The Brave One (2007) and Taken (2008). O'Brien found that Tarantino's films were post-modern takes on

5320-621: The Variety Movie Guide containing a collection of 5,000 abridged reviews edited by Derek Elley . The last edition was published in 2001 with 8,500 reviews. Many of the abridged reviews for films prior to 1998 are published on Variety.com unless they have later posted the original review. The complete text of approximately 100,000 entertainment-related obituaries (1905–1986) was reprinted as Variety Obituaries , an 11-volume set, including alphabetical index. Four additional bi-annual reprints were published (for 1987–1994) before

5460-523: The Weekly on U.S. and international coverage. Silverman passed on the editorship of the Weekly Variety to Abel Green as his replacement in 1933. He remained as publisher until his death later that year, soon after launching Daily Variety . Silverman's son Sidne succeeded him as publisher of both publications but upon contracting tuberculosis in 1936 he could no longer take a day-to-day role at

5600-510: The xinpai wuxia xiaoshuo (or "new school martial arts fiction") coming into prominence with the success of Liang Yusheng 's Longhu Dou Jinghua (1954) and Jin Yong 's Shujian enchou lu (1956) which showed influence of the Shanghai martial arts films but also circulated from Hong Kong to Taiwan and Chinese communities overseas. This led to a growing demand in both local and regional markets in

5740-428: The 1960s with films like The Born Losers (1967) which was predominantly a drama, interspersed with martial arts scenes. American martial arts films predominantly came into production following the release of Enter the Dragon (1973), with the only higher-budgeted American film to follow in its wake being The Yakuza (1974). Lott noted the two films would lead to the two subsequent styles of martial arts films in

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5880-412: The 1970s started to contain republication of the film reviews published during the year. Older back issues of Variety are available on microfilm . In 2010, Variety.com allowed access to digitized versions of all issues of Variety and Daily Variety with a subscription. Certain articles and reviews prior to 1998 have been republished on Variety.com . The Media History Digital Library has scans of

6020-609: The 1970s. James Monaco wrote in 1979 in American Film Now: The People, The Power, The Money, the Movies that "the lines that separate on genre from another have continued to disintegrate." Tasker said that most post-classical action films are hybrids, drawing from genres as varied as war films, science fiction , horror , crime, martial arts , and comedy films . In Chinese-language films, both wuxia and kung fu are genre-specific terms, while martial arts

6160-477: The 1971 Taormina Film Fest in Italy. The film is recognized by American Film Institute in these lists: A direct sequel followed with The Trial of Billy Jack (1974). Billy Jack Goes to Washington (1977) followed three years later, but without a formal release. Plans for The Return of Billy Jack came and went in the mid-1980s. The film score was composed, arranged and conducted by Mundell Lowe and

6300-784: The 1980s. Other films again modernized the form with gangster films of John Woo ( A Better Tomorrow (1986), The Killer (1989)) and the Wong Fei Hung saga returning in Tsui Hark 's Once Upon a Time in China featuring Jet Li which again revitalized the swordplay styled films. By the turn of the century Hollywood action films would look towards Hong Kong cinema and bringing some of their major actors and directors over to apply their style to their films, such as Chan, Woo, Li, Michelle Yeoh and Yuen Woo-Ping . The release of Ang Lee 's Crouching Tiger, Hidden Dragon (2000) led to

6440-706: The 21st century have been comic book adaptations, which commenced with the X-Men and is seen in other series such as Spider-Man , and Iron Man series. Tasker wrote that despite the central characters in superhero cinema being extraordinary, occasionally even God-like, they often followed the traces of the central character becoming powerful of which is fundamental to action films, often dealt with origin stories in superhero films. Action films often interface with other genres. Tasker wrote that films are often labelled action thrillers, action-fantasy and action-adventure films with different nuances. Tasker later discussed that

6580-522: The Bandit (1977). This era also emphasizes the car chase scenes as moments of spectacle in films like Bullitt and The French Connection (1971). O'Brien described these films as emphasizing "the fusion of man and machine" with the drivers and vehicles acting as one, concluding with what he described as "the ultimate in apocalyptic modernity and social erasure" in Mad Max 2 (1981). O'Brien described

6720-754: The Bollywood press who reported on him in the headlines of Bollywood magazines for his public brawls and affairs with leading actresses. In Dabangg (2010), Khan continued with this public persona, which was repeated in several of his later films such as Ready (2011), Bodyguard (2011), Ek Tha Tiger (2012) and Dabangg 2 (2012). From the 1980s, generations of actors in Telugu cinema have invoked Hong Kong action films, such as Srihari who stated he wanted to become an actor after watching his first Bruce Lee film. Several films in Telugu cinema were remakes of Hong Kong films, such as Hello Brother (1994) which

6860-598: The Dragon briefly allowed an influx of Hong Kong films to Japan, but the trend did not last, with 28 Hong Kong films, mostly kung fu films, being released in 1974, and the number decreasing to five in 1975, four in 1977 and only two in 1978. Ryuhei Kitamura , director of Versus (2000), said in 2004 that he grew frustrated with the Japanese film industry as producers felt they couldn't make action films in competition with Hong Kong or American productions. Versus grew to become popular outside of Japan, and Kitamura said he

7000-582: The Hollywood-based Daily Variety in 1933 with Arthur Ungar as the editor. It replaced the Variety Bulletin issued in Hollywood on Fridays as a four-page wraparound to the Weekly . Daily Variety was initially published every day other than Sunday but mostly on Monday to Friday. The Daily and the Weekly were initially run as virtually independent newspapers, with the Daily concentrating mostly on Hollywood news and

7140-602: The Hong Kong film industry after the handover in 1997. Anglophone action film scholarship has tended to emphasize bigger budget American action films, with academics tending to find films that fall out of Hollywood productions as not quite fitting definitions of the genre. By 2024, many national and regional industries were known for action films. These include international films such as Hindi, Tamil, Telugu, Malayalam , South Korean, Japanese, Thai , Brazilian , Chinese , South African , French and Italian action titles. At

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7280-807: The Red Lotus (1965) and King Hu 's Come Drink with Me (1966). In the 1970s, the Hong Kong martial arts films began to grow under the format of yanggang ("staunch masculinity") mostly through the films of Chang Cheh which were popular. This transition led to the kung fu film sub-genre at beginning of the decade and moved beyond the swordplay films with contemporary settings of late Qing or early Republican periods and had more hand-to-hand combat over supernatural swordplay and special effects. A new studio, Golden Harvest quickly became one of independent filmmakers to grant creative freedom and pay and attracted new directors and actors, including Bruce Lee . The popularity of kung fu films and Bruce Lee led to attract

7420-753: The United States , marking the first time the publication endorsed a candidate for elected office in its 111-year history. Variety 's first offices were in the Knickerbocker Theatre located at 1396 Broadway on 38th and Broadway in New York. Later it moved to 1536 Broadway at the 45th and Broadway corner until Loew's acquired the site to build the Loew's State Theatre . In 1909, Variety set up its first overseas office in London. In 1920, Sime Silverman purchased an old brownstone building around

7560-484: The United States, Europe and Japan had during this period. Yip described Japanese cinema as the most advanced in Asia at the time. This was showcased by the international breakthrough of Akira Kurosawa 's films like Rashomon (1950). The film genre known as the chanbara was at its height in Japan. The style was a sub-genre to the jidai-geki , or period drama with an emphasis on sword fighting and action. It had

7700-406: The United States, with films like Enter the Dragon about people who reveled in combat, often in a tournament setting, and The Yakuza which had several genres attached to it, but featured several martial arts sequences. By the end of the 1970s, the style was an established genre in American cinema, often featuring tough heroic characters who would fight and not think about their actions until after

7840-591: The Vampire Slayer (1997–2003)) and Xena ( Xena: Warrior Princess (1995–2001)). These series popularity demonstrated a growing market for female action film heroes, in films of the 2000s like Lara Croft: Tomb Raider (2001), Charlie's Angels (2000), Ultraviolet (2006), Salt (2010) and series like Underworld and Resident Evil . These series like their television series earlier, had their leads eroticized as active and physically capable while also being scantily-clad, hyper-feminized similar to

7980-508: The West Coast offices of WWD and Footwear News . On January 19, 1907, Variety published what is considered the first film review in history. Two reviews written by Sime Silverman were published: Pathe 's comedy short An Exciting Honeymoon and Edison Studios ' western short The Life of a Cowboy directed by Edwin S. Porter . Variety discontinued reviews of films between March 1911 until January 1913 as they were convinced by

8120-594: The action film genre has been a subject of scholarly debate since the 1980s. Soberson wrote that repeated traits of the genre include chase sequences, fights, shootouts, explosions, and stunt work while other scholars asserted there were more underlying traits that define the genre. David Bordwell in The Way Hollywood Tells It wrote that audiences are "told that spectacle overrides narrative" in action cinema while Wheeler Winston Dixon echoed that these films were typified by "excessive spectacle" as

8260-553: The action heroine's dual status of an active subject and sexual object was overturning the traditional gender binary because the films "assume that women are powerful" without resorting to justify her physical aggression through narratives involving maternal drive, mental instability or trauma. Purse found that female leads in films like Elektra (2005), Kill Bill , Underworld , Charlie's Angels and Mr. & Mrs. Smith (2005) did showcase women having expensive cars, clothing, travel, homes and often high-paying jobs, but that this

8400-427: The amount of violence in the film." Roger Ebert gave the film 2.5 stars out of 4 and also saw the message of the film as self-contradictory, writing: "I'm also somewhat disturbed by the central theme of the movie. Billy Jack seems to be saying the same thing as Born Losers : that a gun is better than a constitution in the enforcement of justice." Howard Thompson , writing for The New York Times , agreed, calling

8540-449: The archive of Variety from 1905 to 1963 available online. The first issue of Variety sold 320 copies in 1905. Paid circulation for the weekly Variety magazine in 2023 was 85,300. Each copy of each Variety issue is read by an average of three people, with an estimated total readership of 255,900. Variety.com has 32 million unique monthly visitors. For much of its existence, Variety 's writers and columnists have used

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8680-509: The backing and later a re-recording, renamed as " One Tin Soldier (The Legend of Billy Jack) ", credited to the band Coven , became a Top 40 hit in 1971 and again in 1973. All compositions by Mundell Lowe, except as indicated. Marketed as an action film, the story focuses on the plight of Native Americans during the civil rights era . It attained a cult following among younger audiences due to its youth-oriented, anti-authority message and

8820-538: The bad guys are, according to the needs of the moment, utter buffoons or utter devils. Anyone with the slightest trace of skepticism or sophistication would tend to reject the movie out of hand and with good reason, since this kind of simplification is dramatically and socially deceitful." David Wilson, in The Monthly Film Bulletin , wrote: "If in the end Billy Jack is as much a sell-out as any glossier version of commercialized iconoclasm (Billy Jack

8960-473: The beginning of January, normally with a review of the year and other charts and data, including, from 1938 onwards, lists of the top performing films of the year and, from 1949, the annually updated all-time rental chart. The editions also contained many advertisements from show business personalities and companies. The 100th anniversary edition was published in October 2005 listing Variety 's icons of

9100-435: The book Australian Genre Film , Amanda Howell suggested that this label was used to help distance Australian cinema from Hollywood films as it would be suggesting commerce over culture and that it would be "quite unacceptable to make Australian movies using conventions established in the U.S.A." Howell stated this to be the case with action films of the 1970s and 1980s with Brian Trenchard-Smith 's Turkey Shoot (1982) being

9240-422: The century. Along with the large anniversary editions, Variety also published special editions containing lots of additional information, charts and data (and advertising) for three film festivals: Cannes Film Festival , MIFED Film Market, and American Film Market Daily Variety also published an anniversary issue each October. This regularly contained a day-by-day review of the year in show business and in

9380-550: The classical form of action cinema to be the 1980s. The decade continued the trends of formative period with heroes as avengers ( Lethal Weapon (1987)), rogue police officers ( Die Hard (1988)) and mercenary warriors ( Commando (1985)). Following the continuity of the car and man hybrid of the previous decade, the 1980s featured weaponized men with who were either also carrying weapons such as Sudden Impact (1983), trained to be weapons ( American Ninja (1985)) or imbued with technology ( RoboCop (1987)). O'Brien noted that

9520-509: The company as publisher of both the Weekly Variety in New York and the Daily Variety in Hollywood. Thomas M. Pryor, former Hollywood bureau chief of The New York Times , became editor of Daily Variety in 1959. Under Pryor, Daily Variety expanded from 8 pages to 32 pages and also saw circulation increase from 8,000 to 22,000. Green remained editor of Variety until he died in 1973, with Syd taking over. In 1987, Variety

9660-494: The corner at 154 West 46th Street in New York, which became the Variety headquarters until 1987, when the publication was purchased. Under the new management of Cahners Publishing, the New York headquarters of the Weekly Variety was relocated to the corner of 32nd Street and Park Avenue South. Five years later, it was downgraded to a section of one floor in a building housing other Cahner's publications on West 18th Street, until

9800-464: The decline of overt masculinity in the action film which corresponded with the end of the Cold War in 1991, while the rise of self-referential and parodies of this era grew in films like Last Action Hero (1993). O'Brien described this era as being soft where the hard bodies of the classical era were replaced with computer generated imagery such as that of Terminator 2: Judgment Day (1991). This

9940-559: The direct-to-video field, or in similarly low-budget theatrical releases such as Bulletproof Monk (2003). While the American styled-films were predominantly made in the United States, productions were also made in Australia, Canada, Hong Kong and South Africa, and were predominantly shot in the English-language. Heroic Bloodshed is a that originates with English-language Hong Kong action and crime film fan communities in

10080-508: The direction of self-proclaimed "Real Estalker" Mark David, which later expanded to its own stand-alone site in 2019. October 2014 Eller and Wallenstein were upped to Co-Editors in Chief, with Littleton continuing to oversee the trade's television coverage. In June 2014, Penske Media Corporation entered into an agreement with Reuters to syndicate news from Variety and Variety Latino-Powered by Univision to distribute leading entertainment news to

10220-487: The earlier work of directors like Woo and Johnnie To . Antong Chen, in his study on the Hong Kong action film, wrote that the influence of China and the amount of Chinese co-productions made with Hong Kong created a shift in these films, particularly following the release of Infernal Affairs (2002). Harvey O'Brien wrote in 2012 that the contemporary action film emerged through other genres, primarily Westerns , crime and war films and can be separated into four forms:

10360-432: The early 1960s and saw a surge in production of Hong Kong martial arts films that went beyond the stories about Wong Fei-hung which were declining in popularity. These new martial arts films featured magical swordplay and higher production values and more sophisticated special effects than the previous films with Shaw Brothers a campaign of "new school" ( xinpai ) martial arts swordplay films such as Xu Zenghong's Temple of

10500-491: The end of the 1990s. Films such as Chunhang (2000) and Memento Mori (2000) and action films Shiri (1999) and Nowhere to Hide (1999) received commercial releases in North America, Asia, and Europe. The success of the latter two films was unprecedented, and was followed by other South Korean action films in the early 2000s reaching the top of the local box office. These South Korean films mimic some traits of

10640-532: The female leads in implausible elements, such as in Charlie's Angels , Fantastic Four (2005) and My Super Ex-Girlfriend (2006). The fighting styles of women also tend towards more traditionally feminine fluid movements of martial arts, over using guns or directly punching. Purse wrote that the contemporary female action film lead's sexualized brand had her in close proximity of post-feminism discourse about choice, power and sexuality. Marc O'Day interprets

10780-405: The film "well-aimed but misguided" as he wrote, "For a picture that preaches pacifism, Billy Jack seems fascinated by its violence, of which it is full." He added that "some of the non-professional delivery of lines in the script by Mr. Frank and Teresa Christina is incredibly awful." Variety magazine opined that "the action frequently drags" and at nearly two hours' running length, "The message

10920-402: The film, Warner Bros. stepped forward. Still, the film lacked distribution, so Laughlin booked it into theaters himself in 1971. The film grossed $ 10 million in its initial run, but eventually added close to $ 50 million in its re-release, with distribution supervised by Laughlin. Billy Jack, a mixed-race Navajo , is a Green Beret Vietnam War veteran and a hapkido master. He defends

11060-519: The films reviewed that week and in 1951 the editors decided to position the capsules on top of the reviews, a tradition retained today. Writing reviews was a side job for Variety staff, most of whom were hired to be reporters and not film or theatre critics. Many of the publication's reviewers identified their work with four-letter pen names ("sigs") rather than with their full names. The practice stopped in August 1991. Those abbreviated names include

11200-414: The following films were voted the top ten best action films of all time. In Hong Kong, the "new school" of martial arts films that Shaw Brothers brought in 1965 featured what featured what Yip described as "strong, active female characters as protagonists." These female-centered films were challenged with the rise of a new male heroic prototype marked by a strong sense of youthful energy and defiance and by

11340-508: The following: Variety is one of the three English-language periodicals with 10,000 or more film reviews reprinted in book form. These are contained in the 24-volume Variety Film Reviews (1907–1996). Film reviews continue to be published in Variety . The other two periodicals are The New York Times (as The New York Times Film Reviews (1913–2000) in 22 volumes) and Harrison's Reports (as Harrison's Reports and Film Reviews (1919–1962) in 15 volumes). In 1992, Variety published

11480-448: The formative trends at this point had become "identifiably generic" as film industries began to reproduced these films during the decade producers like Joel Silver and production companies like The Cannon Group, Inc. began to formulate production of these films with both high and low budgets. The action films of this era have roots in classical story telling, specifically rooted from martial arts films and Westerns, and are built around

11620-610: The formative, the classical, the post-classical and neoclassical phases. Yvonne Tasker reiterated this in her book on action and adventure films , saying that action films became a distinct genre during the New Hollywood period of the 1970s. The formative films would be from the 1960s to the early 1980s where the Anti-hero appears in cinema, featuring characters who act and transcend the law and social conventions. This appears initially in films like Bullitt (1968) where

11760-551: The former was one of the highest-grossing movies of the year in Japan. Following LoveDeath , Kitamura's next directing work was in the United States. The action cinema of South Korea mostly existed on the margins of the film industry in South Korea. The genre was initially called the Hwalkuk ("living theatre") was a term that indicated plays and films driven by action scenes, while this term has not been used regularly since

11900-399: The front. The old front-page box advertisement was replaced by a strip advertisement, along with the first photos published in Variety since Sime gave up using them in the old format in 1920: they depicted Sime, Abel, and Syd. For 20 years from 1989, Variety ' s editor-in-chief was Peter Bart , originally only of the weekly New York edition, with Michael Silverman (Syd's son) running

12040-430: The ground. While heroes in kung fu films often display chivalry, they generally hail from different fighting schools, namely wudang and shaolin . American martial arts films feature what author M. Ray Lott described as a more realistic style of violence over the Hong Kong wuxia films with more realism and are often low-budget productions. Martial arts began routinely appearing in fight scenes in American films in

12180-562: The hippie-themed Freedom School (inspired by Prescott College ) and its students from townspeople who do not understand or like the counterculture students. The school is organized by its director, Jean Roberts. One of the troubled youths is a girl named Barbara, who became pregnant while in San Francisco and has an abusive father. A group of children of various races from the school goes to town for ice cream but are refused service. They are then abused and humiliated by Bernard Posner,

12320-489: The image of Indiana Jones in Raiders swinging his whip to fend off villains in the backstreets of Cairo. British author and academic Yvonne Tasker expanded on this topic, stating that action films have no clear and constant iconography or settings. In her book The Hollywood Action and Adventure Film (2015), she found that the most broadly consistent themes tend to be a characters quest from freedom from oppression such as

12460-658: The international news agency's global readership. This dissemination comes in the form of columns, news stories, images, video, and data-focused products. In July 2015, Variety was awarded a Los Angeles Area Emmy Award by the Television Academy in the Best Entertainment Program category for Variety Studio: Actors on Actors , a series of one-hour specials that take viewers inside Hollywood films and television programs through conversations with acclaimed actors. A second Los Angeles Area Emmy Award

12600-407: The key cities in the U.S. in the future and initially also reported results for ten other cities including Chicago and Los Angeles. They continued to report these grosses for films until 1989 when they put the data into a summarized weekly chart and only published the data by theatre for New York and Los Angeles as well as other international cities such as London and Paris. As media expanded over

12740-520: The late 1920s. These films were popular during the period, which comprised almost 60% of the total Chinese films. Man-Fung Yip stated that these film were "rather tame" by contemporary standards. He wrote that they lacked the kind of dazzling action choreography as expected today and had crude and rudimentary special effects. These films came under increasing attack by both government officials and cultural elites for their allegedly superstitious and anarchistic tendencies, leading them to be banned in 1932. It

12880-570: The late 1970s, with "action movie" becoming the more familiar term. The Korean action films came from Japanese cinema, James Bond series , and Hong Kong action cinema. As North Korea borders China, it block access to the continent from a South Korean perspective, the Cold War allowed South Koreans to substitute deferred travel beyond the border through films with locations shot in Hong Kong. While melodrama and comedy were staples in South Korean cinema, most action films were sporadic and tied to

13020-508: The late 1980s and early 1990s. In the Chinese language, the term used for these films is jinghungpin , literally meaning "hero films". Academic Laikwan Pang asserts that these gangster films appeared at a time when Hong Kong citizens felt particularly powerless with the handover of Hong Kong from the United Kingdom to China set for 1997. The key directors of the genre were John Woo and Ringo Lam , and producer Tsui Hark , with

13160-513: The late 1980s and early 1990s. Author Bey Logan stated that the term was coined by Rick Baker, in the British fanzine Eastern Heroes . The term is used broadly. Baker described the style as Hong Kong action films which feature gangsters and gunplay and martial arts that were more violent than kung fu films and academic Kristof Van Den Troost described it a term used to distinguish Hong Kong gun-heavy action films from period martial arts films from

13300-431: The late 1980s in the United States were martial arts films. Towards the end of the 1990s, production of low-budget martial arts films declined as no new stars in the genre developed and older actors such as Cynthia Rothrock and Steven Seagal started showing up in less and less films. Even internationally popular films like Crouching Tiger, Hidden Dragon (2000) had negligible effects in American productions in either

13440-623: The majority of operations were moved to Los Angeles . When Daily Variety started in 1933, its offices were in various buildings near Hollywood Blvd. and Sunset Blvd. In 1972, Syd Silverman purchased a building at 1400 North Cahuenga Blvd. which housed the Daily's offices until 1988, after which its new corporate owners and new publisher, Arthur Anderman, moved them to a building on the Miracle Mile on Wilshire Boulevard . In late 2008, Variety moved its Los Angeles offices to 5900 Wilshire ,

13580-624: The most notorious. Smith had previously released films like Deathcheaters (1976) and Stunt Rock (1979) when financial incentives were available for overtly commercial projects. She commented that action films did tell identifiably Australian stories such as the Sandy Harbutt 's biker film Stone (1974) and Miller's post-apocalyptic film Mad Max (1979) derived from Australia's social and cultural realities, as well as how George Miller 's later Mad Max: Fury Road (2015) derived from Australia's long-standing cinematic fascination with

13720-475: The most popular and popularly derided of contemporary cinema genres, stating that "in mainstream discourse, the genre is regularly lambasted for favoring spectacle over finely tuned narrative." Bordwell echoed this in his book, The Way Hollywood Tells It , writing that the reception to the genre as being "the emblem of what Hollywood does worst." In the Journal of Film and Video , Lennart Soberson stated that

13860-604: The notion that traditional marks of masculinity are not exclusive to men and that musculature was not natural, but something to be achieved. Accusations of these muscular women of the era were levelled at that them by 1993 were that they were "men in drag" and that the films generally have to "explain" why their female leads displayed physical aggression and why they were "driven to do it." As the 1990s went on, Hollywood films began having more conventional looking women in their action films such as The Long Kiss Goodnight (1996). A vibrant debate exists about whether hypersexualization

14000-470: The owner of Billboard . Silverman folded it two years later after spending $ 100,000, merging some of its features into Variety . The same year, he launched the Times Square Daily , which he referred to as "the world's worst daily" and soon scrapped. During that period, Variety staffers worked on all three papers. After the launch of The Hollywood Reporter in 1930, Silverman launched

14140-422: The paper. Green, the editor, and Harold Erichs, the treasurer and chief financial officer, ran the paper during his illness. Following Sidne's death in 1950, his only son Syd Silverman , was the sole heir to what was then Variety Inc. Young Syd's legal guardian Erichs, who had started at Variety as an office boy, assumed the presidency. Ungar remained editor of Daily Variety until his death in 1950. He

14280-435: The physical effort required to completing a task and the abilities and skills acquired over time. Films from the period reflected on the cultural and social climate from the period, as seen in invoking Japanese or Western imperialist forces as foils. The kung fu film came out of the wuxia films. In comparison to the wuxia , film, the focus on the kung fu film is on the martial arts over chivalry, The martial arts films

14420-574: The popularity Bachan had. These films predominantly earned their revenue through longer runs at B-grade theatres. A cycle of action films came from these films in the 1980s and 1990s called the Avenging Woman film, where female protagonists seek justice for a rape victim, where the protagonist seeks revenge through violence. In 2009, the action genre was re-popularized with the box office success of Wanted (2009) starring Salman Khan . Khan reinvented his screen persona with that of his image in

14560-543: The postwar period. These films were targeted at the more educated and more refined middle-class audiences who saw themselves as above the contemporary martial arts films. Scott Higgins wrote in 2008 in Cinema Journal that Hollywood action films are both one of the most popular and popularly derided of contemporary cinema genres, stating that "in mainstream discourse, the genre is regularly lambasted for favoring spectacle over finely tuned narrative." Bordwell echoed this in his book, The Way Hollywood Tells It , writing that

14700-462: The publication as Editor-in-Chief, after over 30 years of various reporter and editor positions in the newsroom. In October 2012, Reed Business Information , the periodical's owner, (formerly known as Reed-Elsevier, which had been parent to Cahner's Corp. in the United States) sold the publication to Penske Media Corporation (PMC). PMC is the owner of Deadline Hollywood , which since

14840-409: The publication's industry coverage; Claudia Eller as Editor, Film; Cynthia Littleton as Editor, TV; and Andrew Wallenstein as Editor, Digital. The decision was also made to stop printing Daily Variety with the last printed edition published on March 19, 2013, with the headline "Variety Ankles Daily Pub Hubbub". In June 2014, Variety launched a high-end real-estate breaking news site, Dirt , under

14980-402: The reception to the genre as being "the emblem of what Hollywood does worst." Tasker wrote that when action and adventure films secured awards, it is often in categories such as visual effects and sound editing. Time Out magazine conducted a poll with fifty experts in the field of action cinema, including actors, critics, filmmakers and stuntmen. Out of the 101 films ranked in the poll,

15120-540: The reprint series was discontinued. The annual anniversary edition published in January would often contain a necrology of the entertainment people who had died that year. Variety started reporting box office grosses for films by theatre on March 3, 1922, to give exhibitors around the country information on a film's performance on Broadway, which was often where first run showings of a film were held. In addition to New York City, they also endeavored to include all of

15260-441: The road and cars and a history of cultural anxiety towards a bleak and forbidding outback landscape opposed to the optimism of American action films. France is a major European country for film production and has made co-production commitments with 44 countries around the world. Around beginning of the 21st century, France began producing a series of films explicitly intended for international markets, with action films representing

15400-529: The serialization of Jinaghu qixia zhuan (1922) ( transl.  Legend of the Strange Swordsmen ). In wuxia , the emphasis is on chivalry and righteousness and allows for phantasmagoric actions over the kung fu film 's more ground-based combat. The Kung fu film emerged in the 1970s from the swordplay films. Its name is derived from the Cantonese term gong fu which has two meanings:

15540-438: The son of the county's corrupt political boss Stuart Posner, and his gang. This prompts a violent outburst by Billy. Billy undergoes a Navajo initiation in which he is deliberately bitten by a large rattlesnake , intending to become the blood brother to the snake. Meanwhile, Barbara loses her unborn child when the horse she is riding stumbles on a rock, leading to her falling off the horse. Bernard attempts to sexually assault

15680-472: The soundtrack album was originally released on the Warner Bros. label. The AllMusic review states "a strange and striking combination of styles that somehow is effective ... a listenable disc whose flaws only add to the warmth". A cover of Canadian band The Original Caste , the film's theme song, " One Tin Soldier " was recorded by Jinx Dawson, of the band Coven, with session musicians providing

15820-485: The starting point of the genre being traced to Woo's A Better Tomorrow (1986) make a record-breaking HK$ 34.7 million at the Hong Kong box office. The style of these films would influence American productions, such as Michael Bay 's Bad Boys II (2003) and the Wachowskis ' The Matrix (1999). Korean media recognized the more fatalistic and pessimistic tone of these films, leading to Korean journalists to label

15960-559: The studios' attempt to reach other Hollywood professionals who will be voting on the many awards given out in the early part of the year, including the Academy Awards , the Golden Globes and various guild award honors. On December 15, 1906, Variety published its first anniversary number that contained 64 pages, double the size of a regular edition. It published regular bumper anniversary editions each year, most often at

16100-433: The style as "Hong Kong noir ". The influence of these films was evident in early Korean films such as Im Kwon-taek 's General's Son (1990) and later films such Song Hae-sung 's A Better Tomorrow (2010), Cold Eyes (2013) and New World (2013). Postcolonial Hong Kong cinema has struggled to maintain its international identity as a provider of these types action films because the talents involved had abandoned

16240-450: The term action film genre and adventure are often used in hybrid, and are even used interchangeably. Along with Holmund and Purse, Tasker wrote that the action films expansiveness complicates easy categorization and though the genre is often spoken of as singular genre, it is rarely discussed as singular style. Screenwriter and academic Jule Selbo expanded on this, describing a film as " crime /action" or an "action/crime" or other hybrids

16380-445: The themes that rescinded irony to restore " cinephile re-actualization of the genre's conventions." The genre went into full circle resurrecting films from the classical period with Live Free or Die Hard (2007) and Rambo (2008) finding the characters navigating a contemporary world while also acknowledging their age, culminating into The Expendables (2010) film. The most commercially successful action films and franchise of

16520-590: The then-novel martial arts fight scenes, which predate the Bruce Lee / kung fu movie trend that followed. The centerpiece of the film features Billy Jack, enraged over the mistreatment of his Native American friends, fighting racist thugs using hapkido techniques. In 2019, it was revealed that writer-director Quentin Tarantino and actor Brad Pitt used the film and Laughlin's performance as an influence while developing Pitt's character Cliff Booth in Once Upon

16660-409: The throat. After barricading himself following a climactic shootout with the police and pleading from Jean, Billy Jack surrenders to the authorities in exchange for a decade-long guarantee that the school will be allowed to continue running with Jean as its head. As Billy is driven away in handcuffs, a large crowd of supporters raises their fists in a show of defiance and support. Billy Jack holds

16800-489: The time of the company's launch were The New York Clipper and the New York Dramatic Mirror . The original logo, which is very similar to the current design, was sketched by Edgar M. Miller, a scenic painter, who refused payment. The front cover contained pictures of the original editorial staff: Alfred Greason, Epes W. Sargeant (Chicot or Chic), Joshua Lowe, and Silverman. The first issue contained

16940-529: The title character in China O'Brien (1990) who were physically muscular and or enacted more extreme violence that was usually reserve for male action leads. In her book Contemporary Action Cinema (2011), Lisa Purse described the media response to female leads in action films reveal a discomfort about their presence and are often described with hesitant terms of women moving into territories that are perceived as masculine. Revealing woman in this form deconstructs

17080-539: The turn of the millennium, Australian genre films have gained increasing acceptance in the Australian feature film industry, while the action genre represented a small percentage of its output in the 21st century. Scholars of Australian genre film generally used the term "action-adventure" which allows them to apply it to various forms of narratives such as tongue in cheek heroic posturing stories like Crocodile Dundee (1986), road movies or bush/outback films. In

17220-422: The use of locations such as Hong Kong. These films often featured one-legged or otherwise handicapped action characters similar to those of Japanese films ( Zatoichi ) and Hong Kong films ( The One-Armed Swordsmen ). These included Im Kwon-taek's Returned Left-Handed Man (1968), Aekkunun Bak's One-Eyd Park (1970) and Lee Doo-yong's Returned One-Legged Man (1974). In the 1990s, the country's national cinema

17360-475: The woman of exploitation films of the 1970s such as Caged Heat (1974) and Big Bad Mama (1974). While characters like Frank in The Transporter series are permitted to visibly sweat, strain and be bloodied, Purse found a reluctance for filmmakers to have their female leads have any appearance warping injuries to ensure a perfectly made-up face. Comedy is often used in films of this period to place

17500-416: The years, charts and data for other media such as TV ratings and music charts were published, especially in the anniversary editions that were regularly published each January. During the 1930s, charts of the top performing films of the year were published and this tradition has been maintained annually since. In 1946, a weekly National Box Office survey was published on page 3 indicating the performance of

17640-448: Was "only a semantic exercise" as both genres are important in the construction phase of the narrative. Mark Bould in A Companion to Film Noir (2013) said that categorization of multiple generic genre labels was common in film reviews who are rarely concerned with succinct descriptions that evoke elements of the film's form, content and make no claims beyond on how these elements combine. Film Studies began to engage generic hybridity in

17780-408: Was a difficult market for Hong Kong action cinema to break into. Prompted by the success of Enter the Dragon and the popularity of Bruce Lee, Toei made their own Bruce Lee-style martial arts films, with The Street Fighter and its two sequels starring Sonny Chiba as well as a spin-off with a female lead similar to Hong Kong's Angela Mao called Sister Street Fighter . The success of Enter

17920-466: Was aiming for the foreign audience, as he was disappointed with the current state of Japanese films. Kitamura's characters have been described as "a careful combination of the maverick independence of 1980s Hollywood action heroes and the calmness and acceptance of Japanese samurai, a consistent criticism of Japanese people today." Kitamura followed up Versus with two manga-inspired big-budget action films, Azumi and Sky High . Both released in 2003,

18060-418: Was awarded in 2016. In June 2019, Variety shut down its Gaming section. A significant portion of the publication's advertising revenue comes during the film-award season leading up to the Academy Awards . During this "Awards Season", large numbers of colorful, full-page " For Your Consideration " advertisements inflate the size of Variety to double or triple its usual page count. These advertisements are

18200-417: Was displayed in corresponding with corresponded with millennial angst and apocalypticism showcased in films like Independence Day (1996) and Armageddon (1998). Action films of mass destruction began requiring more overtly super heroic characters with further comic book adaptations being made with increased non-realistic settings with films like The Matrix (1999). The fourth phase arrived following

18340-788: Was during the Wall Street Crash of 1929 : " Wall St. Lays An Egg ". The most famous was " Sticks Nix Hick Pix " (the movie-prop version renders it as "Stix nix hix pix!" in Yankee Doodle Dandy (1942), Michael Curtiz 's musical – biographical film about George M. Cohan starring James Cagney ). In 2012, Rizzoli Books published Variety: An Illustrated History of the World from the Most Important Magazine in Hollywood by Gray. The book covers Variety ' s coverage of hundreds of world events, from

18480-496: Was followed by Joe Schoenfeld. In 1953, Army Archerd took over the "Just for Variety" column on page two of Daily Variety and swiftly became popular in Hollywood. Archerd broke countless exclusive stories, reporting from film sets, announcing pending deals, and giving news of star-related hospitalizations, marriages, and births. The column appeared daily for 52 years until September 1, 2005. Erichs continued to oversee Variety until 1956. After that date, Syd Silverman managed

18620-555: Was founded by Sime Silverman in New York City in 1905 as a weekly newspaper reporting on theater and vaudeville . In 1933, Daily Variety was launched, based in Los Angeles, to cover the motion-picture industry . Variety 's website features entertainment news, reviews, box office results, plus a credits database, production charts and film calendar. Variety has been published since December 16, 1905, when it

18760-469: Was in decline by the mid-1970s in Hong Kong in relation to the stock market crash which went from over 150 films in 1972 to just over 80 in 1975, which led to a downfall in martial arts films produced. When the economy became to rebound, a new trend of martial arts films, the Shaolin kung fu films emerged and sparked a revival of the genre. Unlike the wuxia , the kung fu film primarily focuses on fighting on

18900-509: Was in decline leading to Hong Kong gangster films filled in this void leading to large commercial success at the national box office. Early Korean heirs to Hong Kong action films include Rules of The Game (1994), Beat (1997), and Green Fish (1997) involving men who gain confidence and achieve personal growth as they embark on journeys to protect national state and meet devastating ends. South Korean cinema only received international attention in both art film and blockbuster formats towards

19040-587: Was launched by Sime Silverman as a weekly periodical covering theater and vaudeville , with its headquarters in New York City . Silverman had been fired by The Morning Telegraph in 1905 for panning an act which had taken out an advert for $ 50. He subsequently decided to start his own publication that, he said, would "not be influenced by advertising." With a loan of $ 1,500 from his father-in-law, he launched Variety as publisher and editor. In addition to The Morning Telegraph , other major competitors at

19180-599: Was not until the base of Chinese commercial filmmaking was relocated from Shanghai to Hong Kong in the late 1940s that martial arts cinema was revived. These films contained much of the characteristics of the previous era. During this period, over 100 films were based on the adventures of real life Cantonese folk hero Wong Fei-hung who first appeared in film in 1949. These films primarily on circuited within Hong Kong and Cantonese-speaking areas with Chinese diaspora . Yip continued that these Hong Kong films were still lagging behind in aesthetic and technical standards that films from

19320-504: Was only in the mid-20th century when action films developed into their own recognizable genre instead of being a collection of other types of films such as Westerns, swashbucklers or adventure films. Films have been described "action films" or "action-adventure film" as early as the 1910s. Only by the 1980s was the term action as its own unique genre used routinely in terms of promotion and reviewing practices. The first Chinese-language martial arts films can be traced to Shanghai cinema of

19460-528: Was only shown as being applicable to white middle-class women. Purse found that these women were empowered at the price of women of other ethnicities. This is seen in Aeon Flux (2005) where Sithandra dies protecting Aeon and Rain's death to make way for Alice in Resident Evil (2002). Variety (magazine) Variety is an American trade magazine owned by Penske Media Corporation . It

19600-459: Was sold to Cahners Publishing for $ 64 million. In December 1987, Syd handed over editorship of Variety to Roger Watkins. After 29 years as editor of Daily Variety , Tom Pryor handed over to his son Pete in June 1988. On December 7, 1988, Watkins proposed and oversaw the transition to four-color print . Upon its launch, the new-look Variety measured one inch shorter with a washed-out color on

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