The Sonex guitars were a range of Gibson electric guitars launched in 1980. They were made from a synthetic material called Resonwood, and manufactured with Multi-phonic body construction. There were four models: Deluxe, Standard, Custom and Artist.
83-624: They replaced the Marauder and S-1 guitars. Like these two instruments, the Sonex took its styling from the Les Paul guitars that had been popular for the previous decades, but using Resonwood instead of mahogany , bolt-on necks instead of set (glued-in) necks, and far less ornamentation. Thus, the Resonwood was a coating used on a solid, usually mahogany body. At its launch in mid 1980,
166-476: A stoptail bridge , although variants exist. The Les Paul was originally offered with a gold finish and two P-90 pickups. In 1957, humbucking pickups were added, along with sunburst finishes in 1958. The 1958–1960 sunburst Les Paul, today one of the best-known electric guitar types in the world, was considered a commercial failure, with low production and sales. For 1961, the Les Paul was redesigned into what
249-471: A "pancake" body. The expression "pancake body" actually refers to a body made of a thin layer of maple sandwiched between two slabs of mahogany, with a maple cap. The grain of the maple was placed at 90 degrees to that of the mahogany. The "pancake"-like layers are clearly visible when looking at the edge of the guitar. This process is also known as "crossbanding", and was done to make use of less expensive and more readily available thinner mahogany. Crossbanding
332-611: A TV model). It fit in the model line between the Junior and the Standard, having the two-pickup configuration of the Standard, but featuring the simpler, more basic appointments of the Junior. In 1959, the Special was given the same new double-cutaway body shape as the Junior and the TV received in 1959. Around this time, Les Paul decided to discontinue his affiliation with Gibson; the model
415-402: A chambered mahogany body with either a maple or mahogany cap. The entry level Les Paul Studio "faded" has a weight relieved mahogany body and top and a satin finish. In 2018 neck binding and a pair of Gibson's most popular humbucking pickups, 57 Classic and 57 Classic+, and two push-pull pots were introduced. In order to guarantee the stability of the tuning and an excellent sustain were introduced
498-633: A contoured single cutaway Les Paul -shaped body, and a bolt on a maple neck with a headstock similar to the Flying V 's. Marauders were made with alder , maple, or mahogany bodies. The fretboard was produced both in the traditional Gibson rosewood , or a more Fender-like maple, both with 22 frets. Most had dot markers, "though some may have had trapezoid." In fact, rosewood fretboard could be bound and have typical to Gibson trapezoid markers. Such can be seen, for instance, in Gibson advertising materials of
581-570: A highly individualized guitar, adding to the collectability of the model. Many famous original Les Paul standards can be easily identified by their unique appearance. Original production of the Standards lasted from 1958 to early 1961. As Gibson only kept records on shipments of "Les Paul" models, and the Sunburst Standard overlapped production years with both the earlier Goldtop and later SG models, nailing down exact production numbers
664-429: A natural wood or dull yellow appearance, and eventually evolved into the opaque mustard yellow, popularly called "TV yellow". The model was not, as a popular myth says, to avoid glare from old TV cameras, but a modern look and a name to promote "The Les Paul & Mary Ford Show" then on television. Gibson made a radical design change to their Junior and TV models in 1959: to accommodate player requests for more access to
747-414: A nearly finished instrument for approval. McCarty stated that design discussions with Les Paul were limited to the tailpiece and the fitting of a maple cap over the mahogany body for increased density and sustain, which Les Paul had requested reversed. However, this reversal would have caused the guitar to become too heavy, and Paul's request was refused. Paul states that the original Custom should have had
830-922: A number of other model lines over the years, including budget/student lines such as the Les Paul Junior and Les Paul Special, studio-quality guitars with basic appointments but upgraded electronics, such as the Les Paul Professional and Les Paul Recording, and other short-lived models, including dozens of celebrity endorsed models. The first Les Paul model Goldtops were produced from 1952 to 1957. Early 1952 Les Pauls were not issued serial numbers, did not have bound fingerboards, and are considered by some as "LP Model prototypes". However, later 1952 Les Pauls were issued serial numbers and also came with bound fingerboards. The design scheme of some of these early models varied. For instance, some early Les Pauls were fitted with black covered P-90 pickups instead of
913-407: A push/pull function allowing to split the pickups and transient suppression. The guitar came in a special hardshell case, with a polished aluminium finish. The model was slightly modified in 2017, when the toggle-switch plate was removed, the knobs changed from ordinary speed knobs to chrome top hat ones, and the pickup rings changed from white to chrome. The model had a major change in 2018, with
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#1732797847863996-753: A rosewood fretboard, two P-90 single coil pickups, and a one-piece, 'trapeze'-style bridge/tailpiece with strings fitted under (instead of over) a steel stop-bar. The guitar made its public debut when Paul used it onstage in June 1952 at the Paramount theatre in New York. On July 24, 1952, at a special musicians clinic at the Waldorf-Astoria hotel, it was previewed by prominent guitarists such as Tiger Haynes , George Barnes , Mundell Lowe , Tony Mottola , and Billy Mure . A second Les Paul model
1079-675: A single P-90 pickup (in contrast to the two- and three-humbucker pickup configurations on the more expensive models), simple volume and tone controls, an unbound rosewood fingerboard with plain dot-shape position markers , and a combination bridge/tailpiece unit similar to the Goldtop. In 1955, Gibson launched the Les Paul TV model, which was identical to the Junior except for the name and a fashionable contemporary "limed oak" style finish, later more accurately named "limed mahogany". This natural wood finish with white grain filler often aged into
1162-766: A single color. In 1981, the Standard was dropped, replaced by the Artist series which was priced at $ 749. By 1982 the Custom had been discontinued. By 1984 only the Deluxe was left priced at $ 419. The Standard and Custom models featured the same Dirty Fingers pickups with a coil tap switch. The Custom has a three-piece maple neck and ebony fingerboard. The Custom was available in white finish, as well as ebony. The most common finishes were (in order): ebony, white, burgundy, silverburst and solid-color silver. Less than 100 (by factory record) solid-color silver units were produced, making it
1245-438: A solid-body prototype nicknamed "The Log", named after the pine block running through the middle of the guitar whose width and depth are a little more than the width of the fretboard. Conventional hollow guitar sides or "wings" were added for shape. In 1945 or 1946, Paul had approached Gibson with "The Log" prototype , but his design was rejected. In 1951, McCarty and his team at Gibson began work on what would eventually become
1328-600: A special cable that included an on-board transformer. The model came with either a stop tailpiece or a Gibson-branded Bigsby vibrato tailpiece . Chicago guitarist Terry Kath used a Les Paul Professional both in the studio and on stage. The model was never popular, and was phased out in 1971 and replaced with the Les Paul Recording model, which itself was replaced in 1983 by the Les Paul Studio model. A few Professionals shipped in 1972 and 1973, though
1411-510: Is a solid body electric guitar that was first sold by the Gibson Guitar Corporation in 1952. The guitar was designed by factory manager John Huis and his team with input from and endorsement by guitarist Les Paul . Its typical design features a solid mahogany body with a carved maple top and a single cutaway , a mahogany set-in neck with a rosewood fretboard, two pickups with independent volume and tone controls, and
1494-606: Is difficult. Depending on the source, it is estimated anywhere from 1,200 to 1,700 of these early models were made and have subsequently become highly valuable. Production ended in 1961 when Gibson redesigned the Les Paul to feature a "double cutaway" body, which has subsequently become the Gibson SG. The model was quietly reintroduced to dealers as early as 1972 before production of Les Paul Standards "officially" resumed in 1976 due to high demand. They have remained in continuous production since then, as well as periodic reissues from
1577-585: Is now known as the Gibson SG . The original single-cutaway, carved top bodystyle was re-introduced in 1968. The Les Paul has been produced in many versions and editions since. Along with Fender's Telecaster and Stratocaster , it was one of the first mass-produced electric solid-body guitars. Due to their versatility, Les Paul electric guitars have been used in a wide range of music genres, including rock , country , pop , soul , rhythm and blues , blues , jazz , reggae , punk , and heavy metal . In 1950,
1660-724: Is pictured holding his Marauder on the cover of their LP "Will Anything Happen" in the bottom right corner. Golden Earring guitarist George Kooymans used a Gibson Marauder for Drop-D songs like "Long Blonde Animal" live. This guitar was most likely bought in 1975 and first used on the To The Hilt album as it is seen in the promo video for the title track. Notable users: Walter Schreifels of Rival Schools , George Johnson of The Brothers Johnson, Lee Ranaldo and Thurston Moore of Sonic Youth , Fox Amato of Horace Green, Mac McCaughan of Superchunk , Pete Shelley of Buzzcocks , Ricardo Mastria of Dead Fish , Josh Homme of Queens of
1743-551: The Fender Telecaster Custom and the resulting tone was closer to the Fender sound than that of most Gibson guitars, with more higher frequencies than regular Gibsons. Early Marauders had a three-way toggle switch on the treble side of the upper bout of the body (opposite the location on Les Pauls and ES-175s, similar to a Gibson Byrdland ), to select either one or both pickups. In 1976, a rotary potentiometer
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#17327978478631826-475: The Gibson SG (which for the first several years was known as the Les Paul SG, before Les Paul's endorsement deal ran out). In the mid-late 1960s, the unique tonal quality of the humbucker-equipped "Burst" models became a favorite among rock guitarists, and this renewed interest caused Gibson to bring back the Standard and Custom models in 1968. They have remained in production ever since; as well Gibson added
1909-699: The Paul Butterfield Blues Band , and recorded most of his work on the band's East-West album with that guitar. A year later, he traded it for a 1959 Standard with which he became most identified. By 1967, Jerry Garcia of the Grateful Dead was using mid-1950s, P-90 pickup-equipped goldtops or black custom models, which he used through 1968. Concurrently in the late 1960s, artists such as Peter Green , Jeff Beck , Paul Kossoff , and Jimmy Page began using sunburst Les Paul Standards. Responding to this influence and increased pressure from
1992-486: The "Gibson Les Paul", was released in 1952. This style has since been retroactively named "The Goldtop", as the model came only in one finish: an old gold solid paint, with two P-90 pickups and nickel plated hardware. In 1954, the Gibson Les Paul Custom was added to the model line. The Custom featured a solid black finish, gold-plated hardware, and other high-end appointments, including becoming one of
2075-557: The 1957 Goldtop, including PAF humbucker pickups, a maple top, and a tune-o-matic bridge with a stop tailpiece or Bigsby vibrato tailpiece . The gold color used since 1952 was replaced by a cherry-red version of the Sunburst finish long used on Gibson's flat-top and archtop acoustic and hollow electric guitars. Since the maple cap was now visible, tops were made either with a solid "plaintop" piece of maple or two bookmatched pieces of figured (curly or quilted) maple. To differentiate from
2158-598: The 1957 Goldtop. However, Standards featured a cherry-red sunburst finish. These guitars were priced higher than the Goldtop models, but lower than the Customs. At this time, Gibson instruments were marketed toward an older, jazz-oriented audience rather than young burgeoning guitarists. As a result, over the three-year period of production, only about 1,700 Standards were made. These Les Pauls were considered to be too heavy and old-fashioned, and they initially did not find favor amongst guitarists. In 1961, Gibson stopped producing
2241-404: The 1958–59 models faded rapidly from ultraviolet light exposure, so in early 1960 Gibson switched to a new, fade-resistant formulation which was also less translucent and slightly more orange; this is sometimes called the "tomato soup burst". Fading of the original paint job was unpredictable, as the red color could either lighten or darken depending on the specific formulation and on the conditions
2324-583: The 1970s, the Les Paul body shape was incorporated into other Gibson models, including the S-1 , the Sonex , the L6-S , and other models that did not follow the classic Les Paul layout. In January 1986, Gibson again changed ownership and began manufacturing a range of varied Les Paul models. The 1980s also saw the end to several design characteristics, including the volute and maple neck. However, because of consumer demand,
2407-481: The Custom Shop produces numerous limited-run "historic-spec" models, as well as signature artist models. The first Custom Shop artist guitar was the 1996 Joe Perry Les Paul, and today, several artist models are offered. " Relic'd " or "aged" models, branded by Gibson as "Vintage Original Spec" (VOS), are made in the Custom Shop to replicate well-used vintage guitars. As of 2017 , Gibson offers several variations of
2490-413: The Deluxe featured a one-piece body and slim three-piece neck (It has been thought that some of these early "one-piece" bodies were actually leftovers from original 1950s Les Paul parts). The multi-piece body (a thin layer of maple on top of two layers of Honduran mahogany) arrived later in 1969. Towards the end of that year, a reinforcing neck volute was added. 1969 Deluxes feature the Gibson logo devoid of
2573-642: The G-Force tuner was removed with locking tuners being added. This was the last of the HP series, which was discontinued in 2020. The Gibson Dark Fire is a variant of the Les Paul. It was a second generation Robot Guitar , using an updated version of the Powertune self-tuning system produced by Tronical Gmbh. The Dark Fire also introduced Gibson's Chameleon Tone Technology, a system consisting of onboard electronics designed to simulate various guitar tones. Additionally,
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2656-475: The Gibson Custom Shop, using the original 1958–60 specs. In 1954, the Les Paul Junior debuted, targeted the beginning or student guitarist. As a cost-saving measure, many of the appointments of the Standard and Custom models are absent from the Junior. The Junior is characterized by its flat-top "slab" mahogany body (in contrast to the carved maple top on other models), finished in sunburst. It had
2739-565: The Gibson Les Paul Deluxe manufactured were Gold Top. New colors emerged from 1975, less valued than the Gold Top. By late 1975, the neck construction was changed from mahogany to maple. This lasted until the early 1980s, when the construction returned to mahogany. The body changed back to solid mahogany from the pancake design in late 1976 or early 1977. In 1985 Gibson discontinued the Deluxe model. The Les Paul Professional
2822-544: The Gibson Les Paul guitar is available today in a wide array of choices, ranging from guitars equipped with modern digital electronics to classic re-issue models built to match the look and specifications of the guitar's earliest production runs from 1952 to 1960. In 1986, responding to the high demand for vintage models, Gibson formed a Custom Shop division. Originally, the Custom Shop began producing accurate reproductions of early Les Pauls, as well as one-offs. Today,
2905-616: The Grover tuners, the self-lubricating nut and the aluminium tune-o-matic bridge. Gibson also offered the Studio in a "standard" model. This variant was adorned with neck and body binding, ebony fretboard and sunburst paint job. All Studios at the time had dot fretboard markers and a thinner body. Gibson released the Memphis ES-Les Paul in 2014. It is a semi-acoustic model with f-holes and most with two Alnico humbuckers. There
2988-520: The Les Paul Model. Early prototypes of the Les Paul model are very similar to the final version. The new Les Paul guitar was to be an expensive, well-made instrument in accordance with Gibson's reputation at the time, and distinct from growing rival guitar manufacturer Fender 's models. McCarty approached Les Paul for the right to imprint the musician's name on the headstock with the intention of increasing sales; in 1951, Gibson presented Paul
3071-537: The Les Paul guitar with differences in price, features, electronics and finishes. For example, the modern 'Standard' offers split-coil pickups for a wider range of sounds. The 'Traditional' model offers the more basic features of guitars available during the 1950s to 1980s, and the 'Classic' model offers yet other features. 'Special' and 'Studio' models have a more basic level of finish and are lower-priced. These models are marketed as 'Gibson USA' guitars, capitalizing on their American heritage. The first model, simply called
3154-545: The Memphis ES-Les Paul has become a sought-after and collectible Les Paul model. The Gibson Les Paul HP – which stands for "High Performance" – was introduced in 2016, intending to be a Les Paul version featuring the most modern features, like the G-Force automatic tuner, a compound radius fretboard, a titanium adjustable zero-fret nut, and a carved fast access neck heel, similar to the Axcess model. Each knob had
3237-550: The Sonex 180 Deluxe cost $ 299 which was Gibson's cheapest instrument. The Standard was $ 375, Custom $ 449. There were four guitar models to choose from in the Sonex Series, all with the Gibson single cutaway design. The Sonex-180 Deluxe featured a rosewood, dot inlaid fingerboard and adjustable exposed Zebra Dirty Fingers Humbuckers. All came With a three-position pick-up selector switch, Tune-0-Matic Bridge', stop bar tailpiece and volume/tone control speed knobs. The Sonex Deluxe,
3320-436: The Special. This model featured "mini-humbuckers", also known as "New York" humbuckers, and did not initially prove popular. The mini-humbucker pickups fit into the pre-carved P-90 pickup cavity using an adaptor ring developed by Gibson in order to use a surplus supply of Epiphone mini-humbuckers. The Deluxe was introduced in 1970 and helped to standardize production among Gibson's U.S.-built Les Pauls. The first incarnation of
3403-515: The Stone Age , Mick Taylor and Hugo Ali of Shitsunami. Paul Stanley of Kiss claimed to have never actually played the Marauder but would bring one out for every encore and then smash the guitar in several pieces then throw them into the audience. This article relating to electric guitars is a stub . You can help Misplaced Pages by expanding it . Gibson Les Paul The Gibson Les Paul
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3486-487: The ancestors of the Fender Telecaster ( Fender Esquire and Fender Broadcaster ) were introduced to the musical market and solid-body electric guitars became a public craze. In reaction to market demand, Gibson Guitar president Ted McCarty brought guitarist Les Paul into the company as a consultant. Les Paul was a respected innovator who had been experimenting with guitar design for years. He had hand-built
3569-460: The breakage problem. In 1960, Gibson experienced a decline in electric guitar sales due to strong competition from Fender's comparable but much lighter double-cutaway design, the Stratocaster . In response, Gibson modified the Les Paul line. For 1961, the Les Paul was thinner and much lighter than earlier models, with two sharply pointed cutaways and a vibrato system. However, the redesign
3652-414: The bridge position, though the latter is often called a humbucker in popular reviews. The Marauder was officially introduced in 1974 and began shipping in 1975, supported by endorsements from Ace Frehley and Paul Stanley . Minor modifications were made in 1976 and in 1978. The model was cancelled in 1979 though some were still made until 1982. In all, only 7,111 were ever made. The Marauder sports
3735-534: The catalogues had switched to the Recording model by then. The Les Paul Recording was produced from late 1971–1979 (the first models shipped in 1972). It was a slightly modified version of the Professional model, and featured the same low-impedance pickups and same body, though with a lighter-colored stain. The control layout was changed, the rhythm/lead selector switch was moved near the other controls from
3818-535: The color palette in 1974. Also new in 1974 was the optional TP-6 fine-tuner tailpiece, allowing for micro-adjustment of string tuning from the bridge. The mahogany neck was replaced with a three-piece maple neck in 1975 (though mahogany still saw limited use) with this change lasting until around 1982. Popular colors, such as wine red and "silverburst", were added in the 1970s and '80s. Gibson currently produces several Custom models with various finishes and pickups. In 1958, new Standard model retained most specifications of
3901-404: The complete removal of the pickup rings – the pickups were now mounted at the back of the guitar, with two screws for each pickup. This change made pickup swap noticeably harder, demanding a modification of the mounting piece of each pickup, which had to be bent inwards. The model was again changed in 2019, reversing the 2018 pickup ring removal. The knobs changed to transparent top hat ones, and
3984-405: The dot over the "i" in Gibson. By late 1969/early 1970, the dot over the "i" had returned, plus a "Made In USA" stamp on the back of the headstock. Gibson produced 216 Deluxe Gold Top as specially-ordered guitars with full-size humbucker t-tops pickups between 1972 and 1974 (179 in 1973, 28 in 1974 and 9 in 1972), as a Les Paul Standard pickup specification. Until the end of the year 1974, 90% of
4067-420: The earlier Goldtop model, the new Les Paul was referred to as The Les Paul Standard. Specifications during 1958–60 varied from year to year and also from guitar to guitar. Typical 1958 Les Paul Standard necks had a thicker neck, thinner frets and lower fret height, which changed during the course of 1959 to develop into typical 1960 necks with a thinner cross-section and wider, higher frets. The cherry dye used on
4150-425: The elements of the Gibson Les Paul that contribute to tone and playability, including the carved maple top and standard mechanical and electronic hardware. However, the Studio design, until 2017, omits several stock Gibson ornamentations that do not affect sound quality, including body/neck binding. The first Studios from 1983 to 1986 were made with alder bodies rather than mahogany/maple. The current Studios come with
4233-557: The first Gibson models to have 3 pickups. The standard goldtop model received PAF humbucking pickups in 1957, and the goldtop paint job was retired in 1958 and replaced with a two-tone translucent sunburst paint job. From 1958 onwards, this main model was known as the Les Paul Standard, nicknamed "the Burst", and is known for its high collectability. The original Les Paul body shape was retired in 1961 and radically redesigned as
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#17327978478634316-411: The guitar be offered in a gold finish, not only for flashiness, but to emphasize the high quality of the Gibson Les Paul instrument. Later Les Paul models included flame maple (tiger stripe) and "quilted" maple tops, again in contrast to the competing Fender line's range of car-like custom color finishes. The 1952 Les Paul featured a mahogany body with a one-inch-thick maple cap, a mahogany neck with
4399-539: The guitar had been exposed to, resulting in a wide array of nicknames, such as "lemon burst" or "tobacco burst", for the resulting colorations. Despite the wide variety of color variations now found on the original 1958–59 models, they all went to market with nearly identical paint jobs. Furthermore, during the production run, Gibson changed the color of plastic used on the pickup bobbins multiple times between black and white again; however during assembly, pickups were assembled semi-randomly, with no attention given to matching
4482-470: The guitarist's prominent instruments and provided the first impetus to the use of Les Pauls during the British blues boom. In 1965, Eric Clapton began using Les Pauls because of the influence of Freddie King and Hubert Sumlin , and played a 1960 Standard on the groundbreaking album Blues Breakers with Eric Clapton . In America, Mike Bloomfield began using a 1954 Les Paul goldtop while touring with
4565-436: The headstock, ebony fingerboard, real mother-of-pearl inlays and two or three-pickup layout. 1950s Customs were all-mahogany, rather than the mahogany-with-maple-cap of the Goldtop. The original Customs were fitted with a P-90 pickup in the bridge position and an Alnico V "staple" pickup in the neck. In 1957, the Custom was fitted with Gibson's new PAF humbucker pickups, and later became available with three pickups instead of
4648-517: The intonation and string height adjustability were limited. A new design, the Tune-o-matic, replaced the stopbar in 1955. It consisted of a separate bridge and tailpiece attached directly to the top of the guitar, combining an easily adjustable bridge with a sustain-carrying tailpiece. This design has been used on most Les Pauls ever since. The tuners were produced by Kluson . The Les Paul Custom features gold hardware, multilayer binding including
4731-414: The lowest price model, used Velvet Brick humbucker pickups, not Dirty Fingers. The Bricks were designed by Bill Lawrence, working for Gibson. They feature a unique steel mounting plate on the back of the pickup that differs from ALL other Gibson pickups, and has 2 height adjustment screws on one side and one on the other side. They are also black and cream coils, although some were made with the neck pickup in
4814-454: The maple cap and the Goldtop was to be all mahogany. The Custom did not appear on the market for another two years following the introduction of the Goldtop; it is possible that Gibson had planned a full model range of guitars (with a roll-out over the course of several years) at the time when initial specifications were being set. Les Paul's contributions to the guitar line bearing his name were more than cosmetic; for example, Paul specified that
4897-409: The markings " PAF ", for "Patent Applied For" (referring to U.S. patent 2,896,491 ). This innovation in pickups became the flagship pickup design most associated with Gibson. Many other guitar companies followed suit, outfitting their electrics with versions of the humbucking pickup. In 1958, the Les Paul saw its first major design change. A new model, called the Standard, retained most features of
4980-439: The neck pickup houses an Alnico III. In addition to the factory-installed Bigsby B7 and retro 'Milk Bottle' Grover Rotomatics on some models, other vintage enhancements were added to the guitar. The neck features a Historic-style truss-rod, rolled fingerboard edges, and is fretted over top of the binding. The three-pickup wiring offers modern switching and employs Orange Drop capacitors for less treble-cut. Due to its limited run,
5063-602: The public, Gibson reintroduced the Les Paul single-cutaway guitar in July 1968, and the guitar remains in production today. In 1969, Gibson's parent company ( Chicago Musical Instruments ) was taken over by the conglomerate ECL. Gibson remained under the control of CMI until 1974 when it became a subsidiary of Norlin Musical Instruments. These ownership changes, often called the "Norlin Era", caused Gibson products of
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#17327978478635146-545: The rarest of the Sonex models. Notable users of the Sonex included Jimmy Bower, Sludge/Doom metal pioneer and founding member of Crowbar , Eyehategod , Superjoint Ritual and Down . Allan Harper of the Limitations, ca 1987-1990 who played the Sonex through a Gallien Kruger aluminum cone combo to achieve a trademark tone. Lee Ving of Fear played a Gibson Sonex during the band's October 31, 1981 appearance on Saturday Night Live and may have subsequently used it during
5229-518: The sessions for their first album The Record immediately afterward, since those sessions took place in November 1981. Thurston Moore of Sonic Youth used a Sonex strung with four strings and with the frets removed, which he played with drum sticks. Gibson Marauder The Gibson Marauder was an electric guitar model produced by Gibson between 1975 and 1979. Designed to compete with guitars made by Fender , it had limited success and
5312-407: The time featuring Kiss Guitarist Paul Stanley . Every Marauder featured custom-designed Bill Lawrence pickups sealed in clear epoxy. The guitar had a regular-sized humbucker pickup in the neck position and a blade style single coil pickup, mounted at an angle, by the bridge (similar to a Telecaster or Stratocaster ), often mistaken to be a special type of humbucker. This arrangement resembled
5395-469: The time to undergo changes in manufacturing and construction. Les Paul designs were altered and a reinforced upper neck volute was added to decrease headstock breaks. Neck woods were changed from one-piece mahogany to a three-piece maple design. The body was also changed from one-piece mahogany with a maple top to multiple slabs of mahogany with multiple pieced maple tops. This is referred to as "multipiece" construction, and sometimes incorrectly referred to as
5478-426: The top frets than the previous designs allowed, these electric guitar models were revamped with a new double-cutaway body shape. In addition, Juniors were now available with a cherry red finish, while the re-shaped TV adopted a more yellow-tinged finish. The Les Paul Special was released in 1955, featuring a slab body, two soapbar P-90 single coil pickups, and was finished in a color similar to TV Yellow (but not called
5561-464: The traditional Les Paul in favor of a lighter redesign which was later called the SG . The mid-1960s, however, brought a resurgence of interest in the Les Paul Standard. In 1964, The Rolling Stones ' Keith Richards began using a sunburst, 1959 Les Paul Standard — becoming the first "star-guitarist" to play a Les Paul on the British scene. The guitar, outfitted with a Bigsby tailpiece, served as one of
5644-399: The two single-coil bobbins to each other when building the humbucking pickups; the guitar was sold with a nickel-plated pickup cover, so Gibson didn't consider the color of the bobbins to be an aesthetic consideration. Additionally, since the translucent finish allowed the wood grain to show, each Sunburst model has a unique combination of finish fade, wood grain, and pickup colors resulting in
5727-483: The upper left to lower right side of the guitar body, and the tone control toggle switches were rotated 90 degrees. The plastic plate to label the switches and knobs was larger than the Professional model as well. Les Paul himself favored the Recording model among all of the guitars to bear his name; it was his main guitar during his years playing at the Iridium Jazz Club and other New York venues. The model
5810-482: The usual cream-colored plastic covers. The weight and the tonal characteristics of the Goldtop Les Paul were largely due to the mahogany and maple construction. In 1953, the trapeze tailpiece was dropped, and a new stopbar design was added. This design combined a pre-intonated bridge and tailpiece with two studs just behind the bridge pickup. This increased the sustain of the Goldtop noticeably; however,
5893-510: The usual two. The traditional Les Paul Custom was discontinued in 1961 and its name transferred to the custom version of the then-new Gibson SG . In 1968, Gibson reintroduced the Les Paul Custom as a two-pickup-only model. The headstock angle was changed from 17 degrees to 14, and a wider headstock and a maple top (in lieu of the original 1953–1961 mahogany top construction) were added. White and two sunburst finish options were added to
5976-536: Was a limited Custom Shop run of VOS Black Beauty ES Les Pauls with three humbuckers. Some of these limited run guitars were also fitted with Bigsby tailpieces. The neck is mahogany, but the sides and back are laminated maple and poplar. A mahogany block runs throughout the body to increase sustain. The Les Paul Memphis ES was released with Gibson's MHS (Memphis Historic Spec) humbuckers. These scatter wound pickups have unbalanced coils to emulate vintage PAFs. The bridge and middle pickups both have Alnico II magnets while
6059-456: Was a walnut Marauder and he famously can be seen playing it in the music videos for " Fat Lip " and " In Too Deep ". Asian Kung-Fu Generation vocalist and guitarist Masafumi Gotoh can be seen using a Marauder in the music videos for " Rewrite " and " After Dark ". Adam Jones from Tool used it on their 2019 album Fear Inoculum . Also used for many years by Angelo Flies of Massive Attack . David Keegan from The Shop Assistants
6142-457: Was discontinued after only 7,111 had been sold. The Marauder was introduced as an attempt to break into the single coil pickup bolt-on neck guitar market, which was dominated by Fender at that time. To design the pickups, Gibson tapped Bill Lawrence , who had joined in 1972 and had already produced the L6-S . His design was reminiscent of the Fender Telecaster , contrasting the neck humbucker pickup with an angled single coil pickup in
6225-425: Was done without Les Paul's knowledge, and he hated the design, so he asked Gibson to remove his name. The double cutaway design retained the "Les Paul" name until 1963 when Les Paul's endorsement deal with Gibson ended. Without a contract, Gibson could no longer call its guitars "Les Pauls", and it renamed them "SGs" (for "Solid Guitars"). The Deluxe was among the "new" 1968–1969 Les Pauls and seen as an evolution of
6308-559: Was introduced in 1953. Called the Les Paul Custom, this black guitar with gold-plated hardware was dubbed the "Black Beauty". New bridge and tailpiece designs were rapidly adopted. The one-piece "wraparound" stopbar was introduced in 1953. The following year saw the introduction of the fully-adjustable Tune-o-matic bridge. The Goldtop and Custom models continued without significant changes until 1957. New humbucker pickups designed by Seth Lover in 1955 debuted on Les Pauls in 1957 and P-90 pickups were no longer offered. These pickups carried
6391-482: Was introduced which allowed a range of blends between the two pickups. In still later Marauders, the potentiometer was positioned between the volume and tone knobs, now with a "chickenhead" knob to avoid confusion with the "speed" knobs used for the volume and tone. All Marauders had a Schaller-made "Harmonica" tune-o-matic " style bridge and the standard Gibson "stopbar" tailpiece . They had enclosed "Gibson Deluxe" tuners and typical Gibson strap buttons. Most common
6474-550: Was manufactured between 1978 and 1982. It included such high end items as Grover tuning keys and the Tune-O-Matic bridge. It has become affectionately referred to as "The Coffee Table Burst" because of its natural finish. The Studio model was introduced in 1983, and is still in production. The guitar is intended for the studio musician; therefore, the design features of the "Les Paul Studio" are centered on optimal sound output and not on flashy appearance. This model retains only
6557-491: Was phased out by 1977. In this era, Gibson began experimenting with new models, such as the Les Paul Recording. This guitar was generally unpopular with guitarists because of its complex electronics. Less noticeable changes included, but were not limited to, optional maple fingerboards (added in 1976), pickup cavity shielding, and the crossover of the ABR1 Tune-o-matic bridge into the wide "Nashville" bridge. During
6640-471: Was produced from 1969 to 1971, it was a rare model as only around 118 were ever produced. Designed primarily as a studio guitar, it featured an unadorned dark-stained mahogany slab body with two low-impedance pickups mounted at an angle and a unique control layout that included not only the standard "rhythm/lead" switch, but also two toggles between the tailpiece and the volume/tone knobs that allowed for additional tone options. The low-impedance pickups required
6723-505: Was re-issued in 2014. A single sharp cutaway Les Paul-style walnut body, set walnut neck, pearl dot inlays, walnut headstock overlay with gold Gibson logo (1978–1981) or Gibson logo branded into the headstock (Firebrand, 1981–1982). Hardware included three-per-side tuners, stop tailpiece, two exposed humbucker pickups, four knobs (two volume, two tone), three-way pickup switch, chrome hardware, available in Natural Walnut finish. It
6806-410: Was renamed "SG Special" in the late 1959. However, when the new design was applied to the two-pickup Special, the cavity for the neck pickup overlapped the neck-to-body joint. This weakened the joint to the point that the neck could break after only moderate handling. The problem was soon resolved when Gibson designers moved the neck pickup farther down the body, producing a stronger joint and eliminating
6889-529: Was the natural satin finish on 4,758 of the Marauders. 1,368 were finished in the colour wine-red, 460 were finished in Ebony, and 240 in tobacco sunburst. 202 Marauders without specified finish were mentioned in Gibson's shipping lists, and 83 Marauder Customs were made only in the tobacco sunburst finish. A handful more were built until 1982. Sum 41 lead vocalist and guitarist Deryck Whibley's first guitar
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