Science fiction first appeared in television programming in the late 1930s, during what is called the Golden Age of Science Fiction . Special effects and other production techniques allow creators to present a living visual image of an imaginary world not limited by the constraints of reality.
132-632: Doctor Who Magazine (abbreviated as DWM ) is a magazine devoted to the British science fiction television series Doctor Who . Launched in 1979 as Doctor Who Weekly , the magazine became a monthly publication the following year. In 1990 it switched to a four-weekly schedule, publishing 13 issues a year, along with triannual deluxe Special Editions (2002–) and Bookazines (2013–). Regular issues include interviews, behind-the-scenes articles on television episodes and Doctor Who in other media, as well as producing its own comic strip. Its founding editor
264-518: A Clue ) and a true or false quiz "The Six Faces of Delusion". Prior to this, the slot was taken up by a page called "Who on Earth is...", featuring a short interview with someone previously (or currently) involved in Doctor Who (say, a member of the cast). A single-page 'opinion' column has often been part of the magazine's mix – past columns have included "Fluid Links" by Matt Jones , "The Life and Times of Jackie Jenkins" by 'Jackie Jenkins', "It's
396-1000: A Fourth Doctor story featuring the First, Second, and Third Doctors; this was eventually published in Doctor Who issue 18). All these strip reprints were colourised for the first time; as were supporting secondary Doctorless strips also taken from DWM (or, on limited occasions, DWM Specials). Both Marvel Premiere: Doctor Who and Doctor Who had regular features and special articles. The list below covers all comic strip colourised reprints and notable special articles: Comic strip (colourised reprints): Articles: Comic strip (colourised reprints): Comic strip (colourised reprints): Comic strip (colourised reprints): Articles: Comic strip (colourised reprints): Articles: Comic strip (colourised reprints): Science fiction television The need to portray imaginary settings or characters with properties and abilities beyond
528-507: A cat badge to the ensemble. During Baker's run in the stage play Doctor Who – The Ultimate Adventure , the original frock coat was replaced by a similar one with a scarlet, blue and purple colour scheme. More recently, a royal blue version of the original costume has been used in spin-off media. First used in the webcast Real Time , due to the limited availability of colours in the type of animation used, it has appeared subsequently on covers of audio dramas from Big Finish Productions . In
660-597: A cross over with " Star Trek: The Next Generation / Doctor Who : Assimilation2". IDW ceded their license to Titan in 2014, who have since created a complex number of parallel Doctor Who series for both nu- Who and classic Doctors. Titan have collected the IDW and Titan comics into various format collectors editions, scaling back production since the beginning of the Thirteenth Doctor era. The publication also features parody cartoons, most notably "Doctor Who?",
792-528: A female superhero, wears traditional folkloric clothes and tries to save traditional elements of Dutch society against the factory owners. Italian TV shows include A come Andromeda (1972) which was a remake of 1962 BBC serial, A for Andromeda (from the novels of Hoyle and Elliott), Geminus (1968), Il segno del comando (1971), Gamma (1974) and La traccia verde (1975). French series are Highlander: The Series , French science-fiction/fantasy television series (both co-produced with Canada) and
924-453: A group of Dutch space explorers and their adventures, De duivelsgrot (The devil's cave), broadcast from 1963 to 1964, about a scientist who finds the map of a cave that leads to the center of the Earth and Treinreis naar de Toekomst (Train journey to the future) about two young children who are taken to the future by robots who try to recreate humanity, but are unable to give the cloned humans
1056-436: A humorous look at the series by Tim Quinn and Dicky Howett. This was principally a three-panel comic strip , though occasionally page-long parodies were featured. Also, between 1989 and 1992 "The Comic Assassins" was a series of parody strips by Steve Noble and Kev F. Sutherland . "Doctor Who?"'s spiritual successor was the single-panel strip "Doctor Whoah!" by 'Baxter'. Embedded into the 'Galaxy Forum' letters page, it lampooned
1188-630: A man who becomes trapped in a telephone booth, while passersby seem unable to help him, won the 1973 International Emmy Award for Fiction. The series Plutón B.R.B. Nero (2008) was a brutal SF comedy by Álex de la Iglesia , in the line of The Hitchhiker's Guide to the Galaxy , Red Dwarf , or Doctor Who , with 26 episodes of 35 minutes. Other series of the 2010s were Los protegidos (2010-2012), El barco (2011-2013), and El internado (2007-2010), all three inspired by North American productions, with minor SF elements. The latest success
1320-575: A mature magazine, expanding to explore behind-the-scenes aspects of the series and developing the comic strip. Due to its longevity, it is seen as a source of 'official' and exclusive information, sharing a close relationship with the television production team and the BBC. Officially licensed by the BBC , the magazine began life as Doctor Who Weekly in 1979, published by the UK arm of Marvel Comics . The first issue
1452-529: A minor – page-count-wise – exception for two pages of "The Tides of Time" [July 1982: issue 66]). The main strip, beginning in 1979 with the Fourth Doctor story "The Iron Legion" (17 October – 5 December [issues 1–8]), began being issued in colour as of issue 300 in 2001 with the Eighth Doctor story "Ophidius" (February–May [issues 300–303]). However, as early as December 1980 colourised reprints of
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#17327876167901584-499: A more mature magazine, getting rid of secondary and tertiary comic strips for regular features and articles going behind the scenes of the show. During 1995 Panini bought out Marvel UK, and thus took control of DWM . The incumbent editor Gary Russell – who would go on to produce the Big Finish Productions Doctor Who audios dramas from their inception, and to work for BBC Wales as a Script Editor on
1716-537: A new companion was introduced - Dr. Evelyn Smythe , a middle-aged history lecturer on the verge of compulsory retirement whose sharp tongue and unwillingness to tolerate the Doctor's attitude steadily taught him to rein in his more unkind tendencies. Due to this influence, the Sixth Doctor evolved into a more compassionate and likable character. In addition, beginning with the webcast Real Time (2003), his costume
1848-411: A new source of income for actors, who began to charge money for autographs that they had previously been doing for free. This became significant enough that lesser-known actors would come to conventions without requesting any appearance fee, simply to be allowed to sell their own autographs (commonly on publicity photos). Today most events with actor appearances are organized by commercial promoters, though
1980-469: A number of fan-run conventions still exist, such as Toronto Trek and Shore Leave . The 1985 series Robotech is most often credited as the catalyst for the Western interest in anime. The series inspired a few fanzines such as Protoculture Addicts and Animag both of which in turn promoted interest in the wide world of anime in general. Anime's first notable appearance at SF or comic book conventions
2112-428: A number of smaller fiction/fantasy television series, including Tang in 1971, about a secret organization that attempts to control the world with a new super weapon, "Les atomistes" and 1970 miniseries "La brigade des maléfices". Another French-produced science fiction series was the new age animated series Il était une fois... l'espace (English: Once upon a time...space ). Anime-influenced animation includes
2244-519: A one-pager in TV Century 21 as "The Daleks" (1965–1967). This tertiary Dalek strip ended in September 1982 (issue 68) after completing about half of the original run. Since 1982, other strips have appeared again from time to time. For instance, in the 1990s a Cyberman one-pager strip was featured on the inside cover (3 August 1994 – 8 May 1996 [issues 215–238]). Titled "The Cybermen", the series
2376-571: A recent episode, DVD release of stories or other such event by showing alternative, exaggerated and expanded versions of Doctor Who scenes. For example, after the broadcast of " Partners in Crime " (2008), the strip portrayed the Doctor's arrival on the 'Planet of the Hats', referred to in the episode. The strip was known for its characters who are depicted as having no pupils in their eyes. Since 2014, "Doctor Whoah!" has been replaced by "The Daft Dimension",
2508-638: A science fiction television series based upon Zoran Živković's story, winner of a World Fantasy Award . Návštěvníci (The Visitors) was a Czechoslovak (and Federal German, Swiss and French) TV series produced in 1981 to 1983. The family show aired in a larger number of European countries. For a list of notable science fiction series and programs on television, see: List of science fiction television programs . People who have influenced science fiction on television include: [REDACTED] Media related to Science fiction television programmes at Wikimedia Commons Sixth Doctor The Sixth Doctor
2640-407: A sense, virtually all animated series allow characters and objects to perform in unrealistic ways, so they are almost all considered to fit within the broadest category of speculative fiction (in the context of awards, criticism, marketing, etc.) The artistic affinity of animation to comic books has led to a large amount of superhero -themed animation, much of this adapted from comics series, while
2772-400: A series of French-Japanese cartoons / anime , including such titles as Ulysses 31 (1981), The Mysterious Cities of Gold (1982), and Ōban Star-Racers (2006). The first Spanish SF series was Diego Valor , a 22 episode TV adaption of a radio show hero of the same name based on Dan Dare , aired weekly between 1958 and 1959. Nothing was survived of this series, not a single still; it
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#17327876167902904-585: A similarly sized strip in three panels by Lew Stringer . DWM has also published illustrated short stories in its magazine and parallel publications, most cohesively during the Marvel years. Beginning in Doctor Who Weekly on 9 April 1980 (issue 26), a sequence of these short stories ran for eight issues, returning is shorts burst for a number of issues every few years up until 1996. Occasional illustrated short stories have appeared since then, including
3036-462: A soul. All three of these television series were aimed mostly at children. Later television series were Professor Vreemdeling (1977) about a strange professor who wants to make plants speak and Zeeuws Meisje [ nl ] (1997) a nationalistic post-apocalyptic series where the Netherlands has been built full of housing and the highways are filled with traffic jams. The protagonist,
3168-468: A time as "After Image", "Off the Shelf", and "Shelf Life"); the "Time Team", which involves four fans watching every Doctor Who story in order from the beginning; and, since production restarted on the series in 2004, a regular column "Production Notes" by the show's executive producer. From 2004 to 2009 the column was written by Russell T Davies , and from January 2010 to July 2017, Steven Moffat took over
3300-469: A wide array of software. Models have been an essential tool in science fiction television since the beginning, when Buck Rogers took flight in spark-scattering spaceships wheeling across a matte backdrop sky. The original Star Trek required a staggering array of models; the USS Enterprise had to be built in several different scales for different needs. Models fell out of use in filming in
3432-530: A year). DWM is now published by Panini Comics , which purchased the title along with the rest of the Marvel UK catalogue in 1995. In 2006, however, it lost its exclusivity when BBC Worldwide launched its own comic, Doctor Who Adventures , aimed at a younger audience. DWM's 400th issue was published in September 2008, and the publication celebrated its 30th anniversary in October 2009. In April 2010, it
3564-496: A younger demographic than the DWM readership. Initially published every fortnight, from 2008 it went weekly, returning to fortnightly in May 2013, then monthly in 2014. In April 2015, the title was purchased by Panini, the publishers of DWM , who rebooted the publication beginning again with issue 1, changing it to bi-monthly in late 2016. On 19 June 2017, Panini confirmed that publication of
3696-505: Is El ministerio del tiempo ( The ministry of time ), premiered on February 24, 2015 on TVE 's main channel La 1 . The series follows the exploits of a patrol of the fictional Ministry of Time, which deals with incidents caused by time travel. It has garnered several national prizes in 2015, like the Ondas Prize , and has a thick following on-line, called los ministéricos . Serbia produced The Collector ( Sakupljač ),
3828-540: Is an incarnation of the Doctor , the protagonist of the British science fiction television series Doctor Who . He is portrayed by Colin Baker . Although his televisual time on the series was comparatively brief and turbulent, Baker has continued as the Sixth Doctor in Big Finish 's range of original Doctor Who audio adventures. Within the series' narrative, the Doctor is a centuries-old alien Time Lord from
3960-511: Is based. The strip appeared almost every week: first in TV Comic , then in Countdown and TV Action before returning to TV Comic . All these titles were produced by a company called Polystyle Publications (formally TV Publications), which held the rights to publish a Doctor Who comic [strip] until May 1979 when the last instalment of the strip appeared [...] Once relinquished by Polystyle,
4092-464: Is currently written predominantly by Graham Kibble-White , former editor Gary Gillatt, Paul Kirkley, Martin Ruddock and Matt Michael. Previous reviewers include Vanessa Bishop , Craig Hinton (died in 2006), and Gary Russell , who subsequently became the magazine's editor. During the Marvel years (1979–1995), Doctor Who Magazine produced three types of "Deluxe edition" series issued in parallel to
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4224-438: Is not known if the show was even recorded or just a live broadcast. The 60s were dominated by Chicho Ibáñez Serrador and Narciso Ibáñez Menta , who adapted SF works from Golden Age authors and others to a series titled Mañana puede ser verdad . Only 11 episodes were filmed. The 70s saw three important television films, Los pajaritos (1974), La Gioconda está triste (1977), and La cabina (1972), this last one, about
4356-559: Is rescued by the Sixth as part of a temporal paradox), supermarket check-out girl Flip Jackson , and WREN code-breaker Constance Clarke. The novel The Shadow in the Glass also depicts the Doctor working with his old friend Brigadier Lethbridge-Stewart to thwart a conspiracy to unleash a Fourth Reich led by the secret son of Adolf Hitler , at a point when the Doctor was travelling alone. The Doctor eventually encounters Mel accidentally during
4488-770: The Annual and Storybooks (2006–2010), and two sets of reprints of the Ninth Doctor strips (2006) and some of the Tenth Doctor strips (2008) in the relaunched and rebranded Special Editions (2002–present). Returning to the origins of the DWM main strip, Panini licensed IDW , an American comic book company, for new digitalised colour reprints of Fourth, Fifth, Sixth, and Seventh Doctor stories. Beginning in January 2008 and running into 2013, IDW printed its Doctor Who Classics monthly comic book series, going on to collect
4620-512: The Asgard characters are puppets in scenes where they are sitting, standing, or lying down. In Mystery Science Theater 3000 , the characters of Crow T. Robot and Tom Servo , two of the show's main (and most iconic) characters, are puppets constructed from random household items. As animation is completely free of the constraints of gravity, momentum, and physical reality, it is an ideal technique for science fiction and fantasy on television. In
4752-527: The Australian Broadcasting Corporation . Later series made in the 1960s included The Interpretaris (1966) Vega 4 (1967), and Phoenix Five (1970). The country's best known Science Fiction series was Farscape ; an American co-production, it ran from 1999 to 2003. A significant proportion of Australian produced Science Fiction programmes are made for the teens/young Adults market, including The Girl from Tomorrow ,
4884-517: The Doctor since its first issue in October 1979. The DWM strip thus took over from what has become known as the 'Polystyle era' (1964–1979) of Doctor Who comic strips. Paul Scoones, an historian of the Doctor Who comic strip, writes: 'First launched in the pages of TV Comic in November 1964, the comic strip version of Doctor Who is just one year younger than the television series on which it
5016-540: The Doctor Who spin-offs The Sarah Jane Adventures and Torchwood – was 'asked to leave'. The editorship was taken over by recently hired comic strip editor, Gary Gillatt. Gillatt edited the magazine for the next five years, except for issue 255 in 1997 which was guest-edited by one of the stars of the Doctor Who TV show Sophie Aldred (who had portrayed the Seventh Doctor's companion Ace during
5148-588: The Fifth Doctor ( Peter Davison ), he is followed by the Seventh Doctor ( Sylvester McCoy ). The Sixth Doctor appeared in three seasons. His appearance in the first of these was at the end of the final episode of The Caves of Androzani which featured the regeneration from the Fifth Doctor and thereafter in the following serial The Twin Dilemma , the end of that season. The Sixth Doctor's era
5280-701: The Fifth Doctor , two featuring the Sixth Doctor , five with the adventures of the Seventh Doctor , four focusing on the Eighth Doctor , one with the adventures of the Ninth Doctor , three featuring the Tenth Doctor , four collecting the adventures of the Eleventh Doctor and four with the adventures of the Twelfth Doctor . Panini also published a one-shot magazine-format reprinting of the complete Ninth Doctor strips in 2006 and most of
5412-690: The Master , Daleks , Cybermen and Sontarans , and even shared an adventure with his own second incarnation in The Two Doctors . He also faced a renegade female Time Lord scientist, the Rani , who was conducting experiments on humans using the Luddite riots as a cover. Later, the Doctor and Peri landed on the devastated planet Ravolox, which they discovered was actually Earth, moved across space with devastating consequences. Before they could discover
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5544-571: The Ninth Doctor . Although work was done on this storyline, then editor Clayton Hickman and writer Scott Gray eventually turned down the offer as they felt they couldn't do such an important event justice under the constraints imposed by the TV series' continuity. In October 2018 (issue 531), the main comic strip began featuring the Thirteenth Doctor in "The Warmonger". As well as a main strip, DWM has also featured other comics strips over
5676-729: The Super Robots such as Mitsuteru Yokoyama 's Tetsujin 28-go ( Gigantor ) and Go Nagai 's Mazinger Z , and the Real Robots such as Yoshiyuki Tomino 's Gundam series and Shōji Kawamori 's Macross series. Other primary aspects of Japanese science fiction television are the superhero tokusatsu (a term literally meaning special effects ) series, pioneered by programs such as Moonlight Mask and Planet Prince . The suitmation technique has been used in long running franchises include Eiji Tsuburaya 's Ultra Series , Shotaro Ishinomori 's Kamen Rider Series , and
5808-619: The Super Sentai Series. In addition, several dramas utilize science fiction elements as framing devices, but are not labeled as "tokusatsu" as they do not utilize actors in full body suits and other special effects. Among the notable German language productions are: Danish television broadcast the children's TV-series Crash in 1984 about a boy who finds out that his room is a space ship. Early Dutch television series were Morgen gebeurt het [ nl ] (Tomorrow it will happen), broadcast from 1957 to 1959, about
5940-452: The Tenth Doctor and Martha Jones strips in 2008. DWM issue 426 reported that the series had been postponed; it eventually resumed with the publication of "The Crimson Hand" in May 2012. In November 2020, Panini published The Daleks , a new compilation of the Dalek comic strips originally published on the back pages of early issues of 1960s comic TV Century 21 . Unlike previous reprints,
6072-611: The 14-episode story arc The Trial of a Time Lord . The Sixth Doctor also appeared in the special Dimensions in Time . There are also novels and audio plays featuring the Sixth Doctor, and the character has been visually referenced several times in the revived 2000s production of the show. More so than any other canonical incarnation, aside from the Eighth Doctor , the Sixth Doctor has been heavily expanded upon in expanded universe media, most notably in audio stories produced by Big Finish Productions . In The Marian Conspiracy (2000),
6204-594: The 1950s". Doctor Who , which launched in 1963 and ran until 1989, then was revived in 2005, was listed in the Guinness World Records in 2006 as the longest-running science fiction television show in the world and as the "most successful" science fiction series of all time. Other cult British series in the science fiction genre include The Tomorrow People , Space: 1999 , Blake's 7 , Star Cops and Red Dwarf . Science fiction in Canada
6336-453: The 1970s. No other show attracted a large organized following until the 1990s, when Babylon 5 attracted both Star Trek fans and a large number of literary SF fans who previously had not been involved in media fandom. Other series began to attract a growing number of followers. The British series, Doctor Who , has similarly attracted a devoted following. In the late 1990s, a market for celebrity autographs emerged on eBay , which created
6468-472: The 1990s as CGI became more affordable and practical, but even today, designers sometimes construct scale models which are then digitized for use in animation software. Models of characters are puppets . Gerry Anderson created a series of shows using puppets living in a universe of models and miniature sets, notably Thunderbirds . ALF depicted an alien living in a family, while Farscape included two puppets as regular characters. In Stargate SG-1 ,
6600-621: The Big Finish audio Criss-Cross , the Doctor is depicted on the cover as wearing a brown-and-scarlet tweed jacket and waistcoat with a blue-and-white striped shirt, along with a navy blue bow tie with crimson spots, while acting undercover in Bletchley Park in 1944 after the TARDIS is rendered inoperable by a strange signal. The Doctor dons this attire again, referring to it as his 'Bletchley Tweeds', when visiting Russia in 1947 in
6732-524: The Doctor appeared as a guest character in the first Death's Head series (1989; rejigged and reprinted as "Incomplete Death's Head" in 1993). Spin-off strips and reprints have become much more limited and much more focused during the Panini Years (1995–present). There was a short-lived original Eighth Doctor strip for the Radio Times (1996–1997), some original Ninth and Tenth Doctor strips in
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#17327876167906864-560: The Doctor appearing in other original Marvel strips (all of which dovetail with the main DWM strip). Finally, other publishers have reprinted DWM strips under licence. The first series of reprints of DWM comic strips began in late 1980, only a year or so after the original publication in 1979. These reprints were for the American market, and consisted of four issues in the Marvel Premiere series. The Marvel Premiere series
6996-473: The End... But" by 'The Watcher', "You Are Not Alone" by Jonathan Morris (as 'Neil Harris') and "Relative Dimensions" by author (and former "Time Team" member) Jacqueline Rayner . The format has changed over the years, but the news, letters, reviews, and comic strip have all been present consistently since the early 1980s. The magazine also features interviews with the cast and crew of the television show (including
7128-865: The Fourth Doctor strips and four of the six strips of the Fifth Doctor era, as well as 24 of the 27 DWM secondary strip stories originally published between 1979 and 1982. Reprints of the original DWM strips have also appeared in their original black and white as well as colourised in a dizzying number of formats, especially during the Marvel years (1979–1995). These Marvel UK (or Marvel licensed) parallel publications were: Doctor Who Magazine Specials (1980–1996); Doctor Who Magazine Graphic Novels (1989–1993); Doctor Who Classic Comics (1992–1994) and Doctor Who Yearbooks (1992–1996). Many of these publications also printed original strips as well. Another original Doctor Who strip also appeared in The Incredible Hulk Presents comic series (1989), and
7260-639: The Matrix recordings of the Doctor's travels; in reality Peri had survived events on Thoros Beta. The events of the trial tangled the Doctor's timeline slightly, as he left in the company of Mel , whom he technically had not yet met. When the TARDIS is attacked by the Rani, the Sixth Doctor was somehow injured and regenerated into the Seventh Doctor ; the exact cause of the regeneration, however, has never been revealed on-screen. An aged Sixth Doctor appeared as one of
7392-560: The Sixth, because he could not become the masterplanner and manipulator that his next incarnation became, due to his fear of becoming the Valeyard. The BBC Books Past Doctor Adventures novel Spiral Scratch proposes that the Sixth Doctor died as a result of his chronal energy being drained in a confrontation with a powerful pan-dimensional entity before being snared by the Rani's beam. The unofficial, for-charity-published, novel Time's Champion by Craig Hinton and Chris McKeon consigns
7524-481: The Valeyard. He was lured back into travelling by the Time Lords, and recruited Grant Markham as a companion. Although now travelling again, he attempted to avoid meeting Mel and recruited other companions. The audios in particular depict a range of people joining the Doctor's travels, including history lecturer Evelyn Smythe , "Edwardian adventuress" Charley Pollard (a former companion of the Eighth Doctor who
7656-437: The actor's talents and the character's potential". He believed that "neither Baker nor the Sixth Doctor ever really got the proper treatment they deserved" in the series, Baker having been the only actor to portray the Doctor to be fired from the role. Jones noted that the Sixth Doctor's first onscreen appearance in " The Twin Dilemma ", showcasing his brash and aggressive demeanour, made it difficult for audiences to warm to him in
7788-673: The audio Quicksilver . In 2008, an unofficial Doctor Who novel Time's Champion was published, written by Chris McKeon and the late Craig Hinton . All proceeds went to the British Heart Foundation . Penguin Fiftieth Anniversary eBook novellas The Sixth Doctor was featured in a number of acclaimed comic strips drawn by John Ridgway . These featured visuals and storylines of a whimsical fantasy nature, similar to Alice in Wonderland. The Sixth Doctor
7920-448: The basic concept of a series, influencing all the artistic choices. By the late 1990s, improved technology and more training and cross-training within the industry made all of these techniques easier to use, so that directors of individual episodes could make decisions to use one or more methods, so such artistic choices no longer needed to be baked into the series concept. Special effects (or "SPFX") have been an essential tool throughout
8052-482: The beginning of the magazine; the letters page "Galaxy Forum" which – as well as containing the "Daft Dimension" strip – features other small sub-sections, such as "Ask DWM!" (where readers' questions about the show are answered), "On This Month" (which looks at an old issue on the anniversary of its publication) and "WhoTube" (which highlights "Doctor Who"-themed videos which can be viewed online); reviews of television episodes and merchandise (in "The DWM Review", known for
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#17327876167908184-546: The bureau's batch of Consumer Magazines figures that were released on 17 February 2022. Each issue of DWM contains a main comic strip (occasionally with secondary and tertiary strips or illustrated short stories), regular features (such as a letters page, previews and reviews of TV episodes, books and audios, and updates from the transmedia world of Doctor Who ), and special articles (sometimes one-offs, sometimes in serial form, including interviews, analyses, and making-ofs). DWM has featured an ongoing main comic strip starring
8316-442: The colourised strips into various trade paperbacks and omnibus editions. Notable writers and artists who have worked on the DWM comic strips, in all its myriad forms include John Wagner , Pat Mills , Alan Moore , Grant Morrison , Dave Gibbons , Mike McMahon , John Ridgway and Ian Edginton . Supporting characters created by such writers for DWM have even crossed over from the comic to other spin-off media include Frobisher,
8448-423: The course of his life, trapping the last fragments of the Doctor's personality in the Matrix. Faced with the prospect that the Valeyard, who has already replaced the Doctor's timeline so that even Mel believes he has always been the Doctor, will go on to do the same thing to every other Time Lord in history, the Sixth Doctor sends a message from the Matrix to his own past self, diverting the younger Doctor to travel to
8580-541: The development of the Massive software application permits producers to include hordes of non-human characters to storm a city or space station. The robotic Cylons in the new version of Battlestar Galactica are usually animated characters, while the Asgard in Stargate SG-1 are animated when they are shown walking around or more than one is on screen at once. In general, science fiction series are subject to
8712-533: The domestic television market, most Canadian productions involve partnerships with production studios based in the United States and Europe. However, in recent years, new partnership arrangements are allowing Canadian investors a growing share of control of projects produced in Canada and elsewhere. Australia's first locally produced Science Fiction series was The Stranger (1964–65) produced and screened by
8844-559: The earliest forms of media fandom was Star Trek fandom . Fans of the series became known to each other through the science fiction fandom . In 1968, NBC decided to cancel Star Trek . Bjo Trimble wrote letters to contacts in the National Fantasy Fan Foundation, asking people to organize their local friends to write to the network to demand the show remain on the air. Network executives were overwhelmed by an unprecedented wave of correspondence, and they kept
8976-558: The early Fourth Doctor main strip and secondary strips appeared in Marvel USA publications: Marvel Premiere : Doctor Who (every two months between December 1980 and June 1981 [issues 57–60]) successfully trialled the concept for an American audience to determine if it would attract enough readers; a Doctor Who comic series being launched in 1984. The series came to an end with issue 23 in August 1986, having colourised and reprinted all
9108-399: The editorship to Marcus Hearn in 2017. Hearn announced his departure as editor in issue 594 in 2023, and he was succeeded by Jason Quinn. The October 2017 issue of Doctor Who Magazine featured a hidden profane message in a column written by an anonymous writer under the pseudonym 'The Watcher'. Soon after the message's discovery, the column was amended in the digital version of the issue. It
9240-411: The events leading up to the Sixth Doctor's death and regeneration. According to this account, after a series of encounters with the Valeyard over the course of his life depicting the Valeyard regaining his energy after their last battle, the Sixth Doctor is essentially 'replaced' by the Valeyard, who had planted parasitic creatures in the TARDIS's telepathic circuits that formed a link with the Doctor over
9372-527: The events of Spiral Scratch to an alternate timeline, and makes the Sixth Doctor the eponymous Time's Champion, to save Mel from the clutches of the Time Lord God, Death. In these events, the Doctor, through the TARDIS' telepathic circuits, forces his own regeneration and then travels towards Lakertya, setting up the events of Time and the Rani . In 2015, Big Finish Productions released The Sixth Doctor: The Last Adventure , an audio drama depicting
9504-446: The events of Time and the Rani . Colin Baker wished to dress his Doctor in black velvet, to reflect his character's darker personality. Producer John Nathan-Turner , however, opted for a deliberately "totally tasteless" costume with clashing colours. Designer Pat Godfrey made several attempts which were considered not tasteless enough before Nathan-Turner finally accepted the last one as sufficiently garish. Colin Baker later described
9636-620: The events of the BBC Books novel Business Unusual and accepts his fate once she stows away in the TARDIS. Pip and Jane Baker's novelisation of Time and the Rani provides the first relatively brief attempt to explain the Doctor's regeneration (specifically, that it was triggered by "tumultuous buffeting" as the Rani attacked the TARDIS). The Virgin New Adventures series suggests that the Seventh Doctor somehow deliberately killed
9768-456: The first decade of the 21st century, changes in provincial tax legislation prompted many production companies to move from Toronto to Vancouver . Recent popular series produced in Vancouver include The Dead Zone , Smallville , Andromeda , Stargate Atlantis , Stargate Universe , The 4400 , Sanctuary and the reimagined Battlestar Galactica . Because of the small size of
9900-479: The history of science fiction on television: small explosives to simulate the effects of various rayguns , squibs of blood and gruesome prosthetics to simulate the monsters and victims in horror series, and the wire-flying entrances and exits of George Reeves as Superman . The broad term "special effects" includes all the techniques here, but more commonly there are two categories of effects. Visual effects ("VFX") involve photographic or digital manipulation of
10032-516: The impossible characters and settings allowed in animation made this a preferred medium for both fantasy and for series aimed at young audiences. Originally, animation was all hand-drawn by artists, though in the 1980s, beginning with Captain Power , computers began to automate the task of creating repeated images; by the 1990s, hand-drawn animation became defunct. In recent years as technology has improved, this has become more common, notably since
10164-542: The late 1980s). In February 2001, the editor at the time Alan Barnes , oversaw the transformation of the comic strip from black and white to full-colour with the first episode of the Eighth Doctor story Ophidius (issue 300). Clayton Hickman became the editor in 2002, launching the deluxe triannual Special Editions of the magazine (which are running to this day) and the Doctor Who Annual, later Storybook, in 1996 (which ceased publication after five years). He
10296-505: The long-running Mr. Squiggle , Halfway Across the Galaxy and Turn Left , Ocean Girl , Crash Zone , Watch This Space and Spellbinder . Other series like Time Trax , Roar , and Space: Above and Beyond were filmed in Australia, but used mostly US crew and actors. Japan has a long history of producing science fiction series for television. Some of the most famous are anime such as Osamu Tezuka 's Astro Boy ,
10428-532: The magazine was to be paused after issue 24. A special one-off edition was released in January 2019. Finally, IDW – who were reprinting early DWM strips in their Doctor Who Classics series – launched a parallel range of ongoing comics featuring the Tenth Doctor in early 2008. Over the next six years, until the end of 2013, there were series and ones-shots featuring the Tenth then Eleventh Doctor, even producing
10560-401: The main publication. These were the semi-regular Specials generally issued twice a year seasonally, and most usually labelled "Summer" and "Winter" (1980–1996); Yearbooks , essentially annuals, issued once a year in advance and for Christmas (1992–1996); and Poster Magazines , a short run of more visually orientated periodicals with single themes (1994–1996). All these series came to an end in
10692-440: The majority of pages in the collection were scanned from the original artwork. DWM' s founding editor was Dez Skinn , who had been headhunted by Stan Lee (the figurehead and creative leader at Marvel) to oversee the revitalisation of the ailing UK division. "[I] had the idea for a Doctor Who title around 1975. . . . I felt it would be a perfect stablemate to my then-current House of Hammer magazine, and could be produced in
10824-413: The majority of science fiction media fandom has been represented by males of all ages and for most of its modern existence, a fairly diverse racial demographic. The most highly publicized demographic for science fiction fans is the male adolescent; roughly the same demographic for American comic books . Female fans, while always present, were far fewer in number and less conspicuously present in fandom. With
10956-437: The many parallel publications in both Marvel and Panini years. In addition, there was also a run of 'Brief Encounters', very short one or two-page illustrated stories that ran from 28 November 1990 (issue 167) through to 6 July 1994 (issue 214) as well as in contemporary "Specials" and "Yearbooks" between 1991 and 1992. Other regular features of the magazine include the news section "Gallifrey Guardian", which has run since nearly
11088-461: The monopoly held by DWM since they had taken over where Polystyle had left off. In 2006, the partwork publishers GE Fabbri acquired the license to produce Doctor Who – Battles in Time , a fortnightly magazine with a trading card game and its own Doctor Who comic strip. The final issue (number 70) was released on 13 May 2009. Around the same time, IMC launched Doctor Who Adventures , its comic strip and features aimed at 6 to 13-year-olds,
11220-541: The old episodes), and reports from the set of the current series, written by Benjamin Cook or Jason Arnopp . The behind-the-scenes stories of all of the 1963–1989 episodes have been documented in Andrew Pixley's "DWM Archive", and detailed analysis of certain significant serials are covered in "The Fact of Fiction", usually written by former DWM editor Alan Barnes , Jonathan Morris or David Bailey. "The DWM Review"
11352-536: The onscreen image, usually done in post-production . Mechanical or physical effects involve props, pyrotechnics, and other physical methods used during principal photography itself. Some effects involved a combination of techniques; a ray gun might require a pyrotechnic during filming, and then an optical glowing line added to the film image in post-production. Stunts are another important category of physical effects. In general, all kinds of special effects must be carefully planned during pre-production . Babylon 5
11484-417: The original strips. In addition, there have also been some original strips issued through these publications. Some series have even reprinted some of the earlier pre- DWM Polystyle Publications Doctor Who comic strips that appeared in TV Comic , which began in 1964 and ended when DWM gained the comic strip licence in 1979. There have also been original Doctor Who strips in other Marvel publications, and
11616-442: The outfit as "an explosion in a rainbow factory". The Sixth Doctor wears a scarlet plaid frock coat , with green patchwork, and yellow and pink lapels over a white shirt with crimson question marks embroidered in the collar (a feature of the programme since 1980), a waistcoat with a fob watch , a large tie, yellow trousers with black stripes, and emerald green ankle boots with royal orange spats . There were many variants on
11748-479: The page, although other writers and production staff have from time-to-time written the column. Also, on the final page of magazine, there is a section called "Wotcha!" (compiled by 'The Watcher'), a comedy page with such recurring features as, 'A History of Doctor Who in 100 Objects', 'Supporting Artist of the Month', a spoof 'Top Ten', the 'Stockbridge English Dictionary' (a variation on a game from I'm Sorry I Haven't
11880-464: The period when Doctor Who was off-air, in the wake of the Seventh Doctor , the DWM main strip featured stories with all the previous Doctors (1994–1996) but continued with the Eighth Doctor after the broadcast of the TV movie (1996). In 2004, when the series returned to television, showrunner Russell T Davies offered to let DWM write and publish the official regeneration scene from the Eighth Doctor to
12012-468: The planet Gallifrey who travels in time and space in the TARDIS , frequently with companions . At the end of life, the Doctor regenerates ; as a result, the physical appearance and personality of the Doctor changes. Baker portrays the sixth such incarnation: an arrogant and flamboyant character in brightly coloured, mismatched clothes whose brash and often patronising personality set him apart from all his previous incarnations. Preceded in regeneration by
12144-408: The planet Lakertya shortly before the Valeyard originally took over his timeline. As a result, the younger Doctor is exposed to radiation that is deadly to Time Lords, with his death and subsequent regeneration into the Seventh Doctor killing the parasites, stopping the Valeyard from succeeding with his plan as the regeneration 'kills' the link the parasites had created to the Doctor, but also setting up
12276-474: The previous actor Peter Davison had left after only three years. Due to his decidedly short screen time, the Sixth Doctor appeared with only two companions, most notably the American college student Peri Brown ( Nicola Bryant ), who had travelled with his previous incarnation , before being briefly joined by Mel Bush ( Bonnie Langford ), a computer technician from his future who he had yet to actually meet during his trial. Prior to its postponement, season 23
12408-473: The previous year. A tertiary strip, named 'Tales from the TARDIS', ran in Doctor Who Weekly until late April 1980 (issue 29). These re-used adaptations of classic works of literary science fiction previously published in Marvel Classics Comics (USA). In late May 1980 (issue 33), the tertiary strip returned reprinting the "Dalek Chronicles" (aka "Dalek Tapes"), a strip originally published as
12540-567: The publication as 'Doctor Who Weekly' until issue 48. The cover title changed to Doctor Who Monthly with issue 61, and then to The Official Doctor Who Magazine with issue 85 in February 1984. It became The Doctor Who Magazine with issue 99 in April 1985, and simply Doctor Who Magazine with issue 107 in December 1985. The magazine has remained under that title ever since; an exception
12672-558: The publication recorded an average circulation of 35,374 per issue for between January and June 2010. Since then, the average figures per issue have fluctuated, reaching a high of 36,151 for the July–December 2013 period, but generally decreasing since then, with the occasional small rise. The last-known six-month certified average circulation figure per issue was 20,635 for the period between July and December 2018. The magazine's average circulation figure per issue for January to June 2019
12804-473: The purposes of transitioning to a new Doctor when the series resumed with Time and the Rani and there were other unresolved questions, such as when and how the Doctor and Mel actually met. Attempts have been made by various authors to fill in these narrative gaps. The Virgin Missing Adventures novel Time of Your Life states that the Doctor went into a self-imposed exile to avoid becoming
12936-484: The reach of current reality obliges producers to make extensive use of specialized techniques of television production. Through most of the 20th century, many of these techniques were expensive and involved a small number of dedicated craft practitioners, while the reusability of props, models, effects, or animation techniques made it easier to keep using them. The combination of high initial cost and lower maintenance cost pushed producers into building these techniques into
13068-458: The reason for this disaster, the TARDIS landed on Thoros Beta. What actually happened here is unclear, but initial accounts suggest that Peri was killed after being cruelly used as a test subject in brain transplant experiments and the Doctor was pulled out of time to a Time Lord space station where he was put on trial for the second time by his own race, the Time Lords . In reality the trial
13200-425: The reins in 1980. His immediate successor as editor, Paul Neary , was faced with significant falling sales following the premature end of the programme’s 17th season in January 1980. Neary first attempted to target the publication at a younger readership; when this failed to halt falling sales, he instead relaunched the title as a monthly magazine. Subsequent editors gradually realised then surpassed Skinn's vision of
13332-461: The rights were soon snapped up by Marvel UK, who created their own ongoing comic [strip]. This new strip [...] continues to this day'. The main comic strip features the contemporary television Doctor (beginning with the Fourth Doctor who was on TV at the time DWM launched), sometimes with his on-screen companion(s), and sometimes with companion(s) created by the DWM writers. During some of
13464-404: The rising popularity of fanfiction , a large majority of which is categorized as slash fanfiction . Female fans comprise the majority of fanfiction writers. U.S. television science fiction has produced Lost In Space , Star Trek , The Twilight Zone , and The X-Files , among others. British television science fiction began in 1938 when the broadcast medium was in its infancy with
13596-424: The rising popularity of fanzines, female fans became increasingly vocal. Starting in the 2000s (decade), genre series began to offer more prominent female characters. Many series featured women as the main characters with males as supporting characters. True Blood is an example. Also, such shows premises moved away from heroic action-adventure and focused more on characters and their relationships. This has caused
13728-403: The same financial constraints as other television shows. However, high production costs increase the financial risk, while limited audiences further complicate the business case for continuing production. Star Trek was the first television series to cost more than $ 100,000 per episode, while Star Trek: The Next Generation was the first to cost more than $ 1 million per episode. One of
13860-444: The same format, with a mix of comic strips and features, going behind and beyond the TV series." To make the publication work, Skinn needed a comic strip to be at the heart of the publication, and successfully negotiated for the rights to the Doctor Who comics licence with the BBC which had previously been held by Polystyle Publications since late 1964. DWCC Launching in 1979 as a weekly comic strip based publication, Skinn handed over
13992-717: The shape-changing companion of the Sixth and Seventh Doctors who would appear in Big Finish audios; Abslom Daak , the Dalek Killer; the Special Executive , who would later appear in Marvel's Captain Britain ; and the villainous Beep the Meep . During the mid-2000s, in the wake of the successful return of Doctor Who to television, the BBC began offering multiple comic strip publishing licences effectively ending
14124-487: The show on the air. Although the series continued to receive low ratings and was canceled a year later, the enduring popularity of the series resulted in Paramount creating a set of movies, and then a new series Star Trek: The Next Generation , which by the early 1990s had become one of the most popular dramas on American television. Star Trek fans continued to grow in number, and first began organizing conventions in
14256-455: The transmission of a partial adaptation of Karel Čapek 's play R.U.R. . Despite an occasionally chequered history, programmes in the genre have been produced by both the BBC and the largest commercial channel, ITV . Nigel Kneale 's The Quatermass Experiment (1953) and its sequels have been called "one of BBC Television's earliest audience successes" and Kneale became "one of the most influential television and film writers to emerge in
14388-466: The waistcoat and tie, the earliest being the knitted brown waistcoat and turquoise cravat . The waistcoat was changed to burgundy check, and in the following story a new crimson cravat with cream polka dots appeared. The "future" version of the Sixth Doctor seen aboard the Hyperion III ( The Trial of a Time Lord ) wore a stripey waistcoat and a yellow cravat, speckled with black stars. Baker added
14520-455: The wake of Panini acquiring Marvel, and consequently, Doctor Who Magazine in 1995. In addition, and since its very beginning, DWM comic strips have been reprinted and – on a few occasions had their original release – in many other publications and formats. Reprinting of DWM strips began as early as 1980 in parallel serial publications, and over the years there have been a number of such comic reprints and collections, many of which colourised
14652-477: The years. In its first incarnation as Doctor Who Weekly the main strip was accompanied by a specially commissioned secondary strip exploring stories from across the Whoniverse, and a tertiary strip of reprints from other Marvel publications. The secondary strip continued with the transformation of the magazine into a monthly publication, finally ending in May 1982 (issue 64), albeit becoming more infrequent over
14784-539: The “Guardians of the Edge” in an afterlife, inside the Doctor’s mind in the final Thirteenth Doctor special, " The Power of the Doctor ." Doctor Who was put on hiatus for 18 months following The Trial of a Time Lord , and Colin Baker was asked to return for a single story which would have led to an event precipitating the Doctor's regeneration. As he declined to do so, there were limits as to what could be done on screen for
14916-634: Was Dez Skinn , and the longest-serving editor was Tom Spilsbury who served from 2007 to 2017. He was succeeded by Marcus Hearn, who took over from Spilsbury in July 2017. The incumbent editor is Jason Quinn, who took over from Hearn in September 2023. DWM is recognised by Guinness World Records as the longest running TV tie-in magazine, celebrating 40 years of continuous publication on 11 October 2019. The magazine published its 600th issue on 1 February 2024. Originally geared towards children and predominately featuring comic strips, DWM slowly transformed into
15048-543: Was "paid off" in the summer of 2017 to leave the publication. However, in the following issue of Private Eye , a letter from Spilsbury was published, denying these allegations. The magazine joined the Audit Bureau of Circulations in June 2010, giving the average figure per issue for every six months, meaning circulation figures have only been made available officially for six-monthly periods since August of that year, when
15180-564: Was 17,586, comprising 10,239 paid single copies, 7,213 paid subscriptions and 134 free copies. The average circulation per issue for the 13 editions between January and December 2020 was 16,304, according to data published by the bureau on 11 February 2021. It comprised 8,330 paid single copies, 7,838 paid subscriptions and 136 free copies. The magazine stopped being registered with the Audit Bureau of Circulations at some point after then, meaning no figures for 2021 were published as part of
15312-554: Was a cover-up organised by the High Council. A race from Andromeda had stolen Time Lord secrets and hidden on Earth, so to protect themselves the Time Lords had moved Earth through space, burning the surface in a massive fireball and leaving it as Ravolox. The prosecutor at that trial, the Valeyard , turned out to be a possible future evil incarnation of the Doctor himself who was out to steal his remaining lives. He had also edited
15444-411: Was announced on 27 January 2012 that Doctor Who Insider had ceased publication after nine issues. Doctor Who Insider returned for a special edition issue on 1 November 2012. Panini has begun to digitally restore and reprint older DWM comics in trade paperback format. Twenty-five volumes have been printed so far: two featuring the comics adventures of the Fourth Doctor , one with the adventures of
15576-492: Was confirmed in issue 420 that Doctor Who Magazine now holds the Guinness World Record for "Longest Running Magazine Based on a Television Series." The magazine reached its 500th issue in May 2016. It reached its 600th issue in February 2024. In April 2011, Panini Comics released a new monthly magazine titled Doctor Who Insider ; although it was made in Britain the magazine was published for North America . It
15708-444: Was considered a testing ground to determine if a character or concept could attract enough readers to justify launching their own series. The four issues were considered a success, and so eventually became a series beginning in 1984, titled simply Doctor Who . Again, these were reprints were from DWM , and began soon after where Marvel Premiere left off (skipping a two part strip, perhaps appropriately titled "Timeslip" [issues 17–18],
15840-413: Was due to be released on 15 August 2019 as part of the bureau's batch of Consumer Magazines figures for that period. However, for the first time since August 2010 no official data was published, after the magazine changed its reporting frequency to annually. The average circulation figure per issue for the 13 editions between January and December 2019, subsequently published by the bureau on 13 February 2020,
15972-588: Was in the form of video showings of popular anime, untranslated and often low quality VHS bootlegs. Starting in the 1990s, anime fans began organizing conventions. These quickly grew to sizes much larger than other science fiction and media conventions in the same communities; many cities now have anime conventions attracting five to ten thousand attendees. Many anime conventions are a hybrid between non-profit and commercial events, with volunteer organizers handling large revenue streams and dealing with commercial suppliers and professional marketing campaigns. For decades,
16104-610: Was later revealed that the writer of the column had been Nicholas Pegg , an occasional writer for the magazine and one of the Dalek operators on the television series. BBC Worldwide had told the Daily Mirror that "The matter was raised with the publisher who have dismissed the writer." Private Eye later reported that editor Tom Spilsbury 's decision to leave the magazine stemmed from "falling-out" with BBC Wales over DWM's coverage of Doctor Who spin-off Class , and that he
16236-400: Was made for issue 397 (June 2008) when the cover featured only the words Bad Wolf , following transmission of the Doctor Who episode " Turn Left " on Saturday 21 June. Despite the BBC discontinuing production of Doctor Who in 1989, the magazine continued to be published, providing new adventures in the form of comics. In 1990 the magazine started appearing once every four weeks (13 times
16368-427: Was marked by the decision of the BBC controller Michael Grade to put the series on an 18-month "hiatus" between seasons 22 and 23, with only one new Doctor Who story, Slipback , made on radio during the hiatus, broadcast as 6 parts (at 10 minutes each) on BBC Radio 4 from 25 July to 8 August 1985, as part of a children's magazine show called Pirate Radio Four . Colin Baker had been signed up for four years, as
16500-611: Was produced by the CBC as early as the 1950s. In the 1970s, CTV produced The Starlost . In the 1980s, Canadian animation studios including Nelvana , began producing a growing proportion of the world market in animation. In the 1990s, Canada became an important player in live action speculative fiction on television, with dozens of series like Forever Knight , Robocop , and most notably The X-Files and Stargate SG-1 . Many series have been produced for youth and children's markets, including Deepwater Black and MythQuest . In
16632-427: Was released on Thursday 11 October with a cover date of 17 October and priced 12 pence. The magazine moved from weekly to monthly publication with issue 44 in September 1980, becoming Doctor Who – A Marvel Monthly with a cover price of 30 pence – although the tagline was not part of the name, but simply a descriptor which appeared on many of Marvel UK's monthly titles at that point. The indicia continued describing
16764-488: Was revised into a monochromatic blue variant, displayed on many audio stories' covers since then. The Sixth Doctor's regeneration was initially unstable, and he nearly strangled Peri before he came to his senses. Realising what he had nearly done, he initially considered going into a hermit-like existence on the planet Titan 3, only to be caught up in events on the planet Jocanda, after which he resumed his travels ( The Twin Dilemma ). He encountered many old foes including
16896-649: Was set on their home planet of Mondas prior to the events of the television episode The Tenth Planet (1966). The TV Century 21 comic "The Daleks" was also resurrected for a short time in 1997 (12 March-30 July [issues 249–254]), drawn in the same style as the 1960s original and continuing the story from where it had left off by showing the Daleks attacking Earth. Other than this and since then, secondary and tertiary strips have been as rare as hen's teeth, and usually either one or two episodes. The DWM comic strips were all originally printed in black and white (except with
17028-404: Was somewhat calmer and more restrained than on television. All of these comic strips appeared in Doctor Who magazine in the 1980s. Colin Baker himself wrote a comic book special called The Age of Chaos in which the Sixth Doctor and Frobisher visit an older version of Peri. In 2024, Callum Jones of Screen Rant wrote that Colin Baker 's tenure as the Sixth Doctor was "very much a waste of both
17160-484: Was the first editor since John Freeman (editor) to work on the publication with the show actually in production. Subsequent editor Tom Spilsbury took over in 2007, later launching the deluxe triannual Bookazine (running parallel to the Special Editions, and again still being produced to this day). Spilsbury would stay at the helm for a decade, becoming the longest-serving editor in the process, handing over
17292-401: Was the first series to use computer-generated imagery , or "CGI", for all exterior space scenes, even those with characters in space suits. The technology has made this more practical, so that today models are rarely used. In the 1990s, CGI required expensive processors and customized applications, but by the 2000s (decade), computing power has pushed capabilities down to personal laptops running
17424-414: Was well advanced with episodes already drafted and in at least one case distributed to cast and production. Alongside "The Nightmare Fair", "The Ultimate Evil", "Mission to Magnus", "Yellow Fever and How to Cure It", the remaining stories were still under development in a 25-minute episode format after the season was postponed. These were all dropped with the reconception of the season in mid 1985 in favour of
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