The International Style is a major architectural style and movement that began in western Europe in the 1920s and dominated modern architecture until the 1970s. It is defined by strict adherence to functional and utilitarian designs and construction methods , typically expressed through minimalism . The style is characterized by modular and rectilinear forms, flat surfaces devoid of ornamentation and decoration, open and airy interiors that blend with the exterior, and the use of glass, steel, and concrete.
133-641: Euston railway station ( / ˈ j uː s t ən / YOO -stən ; or London Euston ) is a major central London railway terminus managed by Network Rail in the London Borough of Camden . It is the southern terminus of the West Coast Main Line , the UK's busiest inter-city railway. Euston is the tenth-busiest station in Britain and the country's busiest inter-city passenger terminal, being
266-653: A World Heritage Site , describing it as "a masterpiece of modern city planning, architecture and art, created by the Venezuelan architect Carlos Raúl Villanueva and a group of distinguished avant-garde artists". In June 2007 UNESCO proclaimed Ciudad Universitaria of the Universidad Nacional Autónoma de México (UNAM), in Mexico City , a World Heritage Site due to its relevance and contribution in terms of international style movement. It
399-488: A book-length critique of the International Style. Architectural historian Vincent Scully regarded Venturi's book as 'probably the most important writing on the making of architecture since Le Corbusier's Vers une Architecture . It helped to define postmodernism . Best-selling American author Tom Wolfe wrote a book-length critique, From Bauhaus to Our House , portraying the style as elitist. One of
532-461: A common struggle between old and new. These architects were not considered part of the International Style because they practiced in an "individualistic manner" and seen as the last representatives of Romanticism . The International Style can be traced to buildings designed by a small group of modernists, the major figures of which include Ludwig Mies van der Rohe , Jacobus Oud , Le Corbusier , Richard Neutra and Philip Johnson . The founder of
665-541: A complex reconstruction of the city which was inspired by functionalism and the Garden city movement . Tomas Bata Memorial is the most valuable monument of the Zlín functionalism . It is a modern paraphrase of the constructions of high gothic style period: the supporting system and colourful stained glass and the reinforced concrete skeleton and glass. With the rise of Nazism, a number of key European modern architects fled to
798-499: A conglomeration of three glass skyscrapers in downtown Ottawa, where the plans of the property developer Robert Campeau in the mid-1960s and early 1970s—in the words of historian Robert W. Collier, were "forceful and abrasive[;] he was not well-loved at City Hall"—had no regard for existing city plans, and "built with contempt for the existing city and for city responsibilities in the key areas of transportation and land use". Architects attempted to put new twists into such towers, such as
931-484: A connection for London dock traffic. An alternative site at Marble Arch , proposed by Robert Stephenson, was rejected by a provisional committee, and a proposal to end the line at Maiden Lane was rejected by the House of Lords in 1832. A terminus at Camden Town , announced by Stephenson the following year, received royal assent on 6 May, before an extension was approved in 1834, allowing the line to reach Euston Grove where
1064-603: A flat fare of 1/- (£4.29 as of 2023). These were suspended during World War II . All stations except Fenchurch Street and Blackfriars provided integrated taxi services on opening. These originally had dedicated access roads to the station platforms when cabs were horse-drawn, while later purpose-built roads were built for road traffic. In the early 20th century, stations were expanded and upgraded to fit demand. Six terminal stations (Victoria, Waterloo, Euston, Cannon Street, Blackfriars and London Bridge) have been completely rebuilt and London Bridge has seen multiple rebuilds. Although
1197-654: A journey from Brighton cannot use a "London Terminals" ticket to travel to Euston or Paddington, as there is no permitted route to them using National Rail services alone. The concept of permitted routes did not exist until the National Routeing Guide was introduced: British Rail used the term "reasonable route", and in respect of the London station group merely stated that journeys between the origin station and London were "subject to normal route availabilities". The first London terminal stations were built in
1330-628: A large concourse separate from the train shed. Originally, no seats were installed there to deter vagrants and crime, but were added after complaints from passengers. Few remnants of the older station remain: two Portland stone entrance lodges, the London and North Western Railway War Memorial and a statue of Robert Stephenson by Carlo Marochetti , from the old ticket hall, stands in the forecourt. A large statue by Eduardo Paolozzi named Piscator dedicated to German theatre director Erwin Piscator
1463-488: A main central station at Farringdon , which would connect out to all branch lines. In 1846, the Royal Commission on Metropolitan Railway Termini was established to see if it was appropriate to bring the terminal stations any further and possibly connect with each other, as per Pearson's plans. The report concluded this was unnecessary, a single terminal was undesirable as it would create too much congestion and it
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#17327717287661596-431: A major building boom and few restrictions on massive building projects. International Style skyscrapers came to dominate many of Canada's major cities, especially Ottawa , Montreal , Vancouver , Calgary , Edmonton , Hamilton , and Toronto . While these glass boxes were at first unique and interesting, the idea was soon repeated to the point of ubiquity. A typical example is the development of so-called Place de Ville ,
1729-580: A model of a mid-rise housing development for Evanston , Illinois, by Chicago architect brothers Monroe Bengt Bowman and Irving Bowman , as well as a model and photos of Walter Gropius's Bauhaus building in Dessau. In the largest exhibition space, Room C, were works by Le Corbusier, Ludwig Mies van der Rohe, J. J. P. Oud and Frank Lloyd Wright (including a project for a house on the Mesa in Denver, 1932). Room B
1862-587: A more organic and sensual International Style. He designed the political landmarks (headquarters of the three state powers) of the new, planned capital Brasilia . The masterplan for the city was proposed by Lúcio Costa . [REDACTED] Jakarta , Indonesia In 1930, Frank Lloyd Wright wrote: "Human houses should not be like boxes, blazing in the sun, nor should we outrage the Machine by trying to make dwelling-places too complementary to Machinery." In Elizabeth Gordon 's well-known 1953 essay, "The Threat to
1995-638: A new journal called L'Esprit Nouveau that advocated the use of modern industrial techniques and strategies to create a higher standard of living on all socio-economic levels. In 1927, one of the first and most defining manifestations of the International Style was the Weissenhof Estate in Stuttgart , overseen by Ludwig Mies van der Rohe. It was enormously popular, with thousands of daily visitors. The exhibition Modern Architecture: International Exhibition ran from February 9 to March 23, 1932, at
2128-538: A prototypical modern architect. After World War II, the International Style matured; Hellmuth, Obata & Kassabaum (later renamed HOK ) and Skidmore, Owings & Merrill (SOM) perfected the corporate practice, and it became the dominant approach for decades in the US and Canada. Beginning with the initial technical and formal inventions of 860-880 Lake Shore Drive Apartments in Chicago, its most famous examples include
2261-727: A series of spirited, cantankerous exchanges with the museum." The gradual rise of the Nazi regime in Weimar Germany in the 1930s, and the Nazis' rejection of modern architecture, meant that an entire generation of avant-gardist architects, many of them Jews, were forced out of continental Europe. Some, such as Mendelsohn, found shelter in England, while a considerable number of the Jewish architects made their way to Palestine , and others to
2394-575: A signal and communications building and various staff offices. The parcel deck was reinforced using 5,500 tons of structural steelwork. Signalling on the routes leading out of the station was reworked along with the electrification of the lines, including the British Rail Automatic Warning System . Fifteen platforms had been completed by 1966, and the electric service began on 3 January. An automated parcel depot above platforms 3 to 18 opened on 7 August 1966. The station
2527-477: A ticket to take a train to several different London terminals, including London Bridge , London Charing Cross , London Cannon Street , Victoria , Blackfriars , City Thameslink or Waterloo via Clapham Junction . The ticket cannot be used to travel to any station using any non-National Rail modes of transport, including the London Underground , Docklands Light Railway or London Buses . Therefore,
2660-481: A unity of approach and general principles: lightweight structures, skeletal frames, new materials, a modular system, an open plan, and the use of simple geometric shapes. The problem of the International Style is that it is not obvious what type of material the term should be applied to: at the same time, there are key monuments of the 20th century (Le Corbusier's Villa Savoye ; Wright's Fallingwater House ) and mass-produced architectural products of their time. Here it
2793-481: A vampiric loathing of sunlight". Michael Palin , explorer and travel writer, in his contribution to Great Railway Journeys titled "Confessions of a Trainspotter" in 1980, likened it to "a great bath, full of smooth, slippery surfaces where people can be sloshed about efficiently". Journalist Barney Ronay described the station as "easily, easily the worst main station in Western Europe" and that using it
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#17327717287662926-416: Is "like being taken away to be machine gunned in the woods by various mobile phone and soft drinks companies". Access to parts of the station is difficult for people with physical disability . The introduction of lifts in 2010 made the taxi rank and underground station accessible from the concourse, though some customers found them unreliable and frequently broken down. Wayfindr technology was introduced to
3059-513: Is a group of 18 railway stations served by the National Rail network in central London , England. The group contains all 14 terminal stations in central London, either serving major national services or local commuter routes, and 4 other through-stations that are considered terminals for ticketing purposes. All current stations in the group fall within London fare zone 1 . A ticket marked "London Terminals" allows travel to any station in
3192-423: Is a crime, truth to materials , form follows function ; and Le Corbusier 's description: "A house is a machine to live in". International style is sometimes understood as a general term associated with such architectural phenomena as Brutalist architecture , constructivism , functionalism , and rationalism . Phenomena similar in nature also existed in other artistic fields, for example in graphics, such as
3325-470: Is appropriate to talk about the use of recognizable formal techniques and the creation of a standard architectural product, rather than iconic objects. Hitchcock and Johnson's 1932 MoMA exhibition catalog identified three principles of the style: volume of internal space (as opposed to mass and solidity), flexibility and regularity (liberation from classical symmetry). and the expulsion of applied ornamentation ('artificial accents'). Common characteristics of
3458-767: Is not part of these plans. Two hotels on Cardington Street adjacent to the west of the station were also demolished. In August 2019, the Department for Transport (DfT) ordered an independent review of the project, chaired by the British civil engineer Douglas Oakervee . The Oakervee Review was published by the Department for Transport the following February, alongside a statement from the Prime Minister Boris Johnson confirming that HS2 would go ahead in full, with reservations. The review said
3591-475: Is one of the nastiest concrete boxes in London: devoid of any decorative merit; seemingly concocted to induce maximum angst among passengers; and a blight on surrounding streets. The design should never have left the drawing-board – if, indeed, it was ever on a drawing-board. It gives the impression of having been scribbled on the back of a soiled paper bag by a thuggish android with a grudge against humanity and
3724-407: Is sited at the front of the courtyard, which as of 2016 was reported to be deteriorating. Other pieces of public art, including low stone benches by Paul de Monchaux around the courtyard, were commissioned by Network Rail in 1990. The station has catering units and shops, a large ticket hall and an enclosed car park with over 200 spaces. The lack of daylight on the platforms compares unfavourably with
3857-602: Is to be the London terminus for the planned High Speed 2 railway and the station is being redeveloped to accommodate it. The station is named after Euston Hall in Suffolk, the ancestral home of the Dukes of Grafton , the main landowners in the area during the mid-19th century. It is set back from Euston Square and Euston Road on the London Inner Ring Road , between Cardington Street and Eversholt Street in
3990-587: The Bauhaus school, Walter Gropius , along with prominent Bauhaus instructor, Ludwig Mies van der Rohe, became known for steel frame structures employing glass curtain walls. One of the world's earliest modern buildings where this can be seen is a shoe factory designed by Gropius in 1911 in Alfeld , Germany, called the Fagus Works building. The first building built entirely on Bauhaus design principles
4123-505: The Great Eastern Railway and North London Railway with Liverpool Street and Broad Street respectively. The only main railway line built across Central London was the London, Chatham and Dover Railway (LCDR) line connecting Blackfriars to Farringdon via Snow Hill Tunnel in 1866. Railway construction in London reached a peak between the mid-1850s and 1870s, where an estimated £40 million (£4,691 million as of 2023)
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4256-640: The International Typographic Style and Swiss Style . The Getty Research Institute defines it as "the style of architecture that emerged in The Netherlands, France, and Germany after World War I and spread throughout the world, becoming the dominant architectural style until the 1970s. The style is characterized by an emphasis on volume over mass, the use of lightweight, mass-produced, industrial materials, rejection of all ornament and colour, repetitive modular forms, and
4389-460: The London Borough of Camden . It is one of 20 stations managed by Network Rail . As of the 2022-23 estimates of station usage, it is the tenth-busiest station in Britain It is the eighth-busiest terminus in London by entries and exits. Euston bus station is in front of the main entrance. Euston was the first inter-city railway station in London. It opened on 20 July 1837 as the terminus of
4522-548: The London and Birmingham Railway (L&BR). It was demolished in the 1960s and replaced with the present building in the international modern style. The site was chosen in 1831 by George and Robert Stephenson , engineers of the L&BR. The area was mostly farmland at the edge of the expanding city, and adjacent to the New Road (now Euston Road ), which had caused urban development. The name Euston came from Euston Hall ,
4655-585: The London and North Western Railway , and the original sheds were replaced by the Great Hall in 1849. Capacity was increased throughout the 19th century from two platforms to fifteen. The station was controversially rebuilt in the mid-1960s when the Arch and the Great Hall were demolished to accommodate the electrified West Coast Main Line, and the revamped station still attracts criticism over its architecture. Euston
4788-630: The Manchester & Birmingham Railway and the Grand Junction Railway in 1846 to form the LNWR. The company headquarters were established at Euston requiring a block of offices to be built between the Arch and the platforms. The station's facilities were expanded with the opening of the Great Hall on 27 May 1849 replacing the original sheds. The Great Hall was designed by Hardwick's son Philip Charles Hardwick in classical style. It
4921-590: The Toronto City Hall by Finnish architect Viljo Revell . By the late 1970s a backlash was under way against modernism—prominent anti-modernists such as Jane Jacobs and George Baird were partly based in Toronto. The typical International Style or "corporate architecture" high-rise usually consists of the following: In 2000 UNESCO proclaimed University City of Caracas in Caracas , Venezuela , as
5054-980: The United Nations headquarters , the Lever House , the Seagram Building in New York City , and the campus of the United States Air Force Academy in Colorado Springs, Colorado, as well as the Toronto-Dominion Centre in Toronto . Further examples can be found in mid-century institutional buildings throughout North America and the "corporate architecture" spread from there, especially to Europe. In Canada , this period coincided with
5187-489: The electrification of the West Coast Main Line in 1959. Because of the restricted layout of track and tunnels at the northern end, enlargement only could be accomplished by expanding southwards over the area occupied by the Great Hall and the Arch. Permission to demolish the Arch and Great Hall was sought from London County Council and it was granted on condition that that the Arch would be restored and re-sited. BR estimated it would cost at least £190,000 (now £6,700,000) and
5320-494: The modernism movement , the International Style is closely related to " Modern architecture " and likewise reflects several intersecting developments in culture, politics, and technology in the early 20th century. After being brought to the United States by European architects in the 1930s, it quickly became an "unofficial" North American style, particularly after World War II. The International Style reached its height in
5453-565: The 1930s Euston was again congested and the LMS considered rebuilding it. In 1931 it was reported that a site for a new station was being sought, the most likely option was behind the existing station in the direction of Camden Town. The LMS announced in 1935 that the station (including the hotel and offices) would be rebuilt using a government loan guarantee. In 1937 it appointed the architect Percy Thomas to produce designs. He proposed an American-inspired station that would involve removing or resiting
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5586-487: The 1932 exhibition and book, Hitchcock had concerned himself with the themes of modern architecture in his 1929 book Modern Architecture: Romanticism and Reintegration . According to Terence Riley : "Ironically the (exhibition) catalogue, and to some extent, the book The International Style , published at the same time of the exhibition, have supplanted the actual historical event." The following architects and buildings were selected by Hitchcock and Johnson for display at
5719-465: The 1950s and 1960s, when it was widely adopted worldwide for its practicality and as a symbol of industry, progress, and modernity. The style remained the prevailing design philosophy for urban development and reconstruction into the 1970s, especially in the Western world . The International Style was one of the first architectural movements to receive critical renown and global popularity. Regarded as
5852-649: The Bauhaus, who also pioneered the use of plywood and tubular steel in furniture design, and who after leaving the Bauhaus would later teach alongside Gropius at Harvard, is as well an important contributor to Modernism and the International Style. Prior to use of the term 'International Style', some American architects—such as Louis Sullivan , Frank Lloyd Wright , and Irving Gill —exemplified qualities of simplification, honesty and clarity. Frank Lloyd Wright's Wasmuth Portfolio had been exhibited in Europe and influenced
5985-514: The Continent. Euston's 1960s style of architecture has been described as "a dingy, grey, horizontal nothingness" and a reflection of "the tawdry glamour of its time", entirely lacking in "the sense of occasion, of adventure, that the great Victorian termini gave to the traveller". Writing in The Times , Richard Morrison stated that "even by the bleak standards of Sixties architecture, Euston
6118-572: The Euston terminus and approach tunnel would not be government funded and that it could only go ahead with private sector investment. Transport for London commissioner Andy Lord was sceptical that the private sector would pay for the link to Old Oak Common. The demolition of the original buildings in 1962 was described by the Royal Institute of British Architects as "one of the greatest acts of Post-War architectural vandalism in Britain" and
6251-710: The Great Hall and a week later Sir Charles Wheeler led a deputation to speak with the Prime Minister Harold Macmillan . Macmillan replied that as well as the cost, there was nowhere large enough to relocate the Arch in keeping with its surroundings. Demolition began on 6 November and was completed within four months. The station was rebuilt by Taylor Woodrow Construction to a design by London Midland Region architects of British Railways, William Robert Headley and Ray Moorcroft , in consultation with Richard Seifert & Partners . Redevelopment began in summer 1962 and progressed from east to west,
6384-460: The Great Hall was demolished and an 11,000-square-foot (1,000 m) temporary building housed ticket offices and essential facilities. Euston worked to 80% capacity during the works with at least 11 platforms in operation at any time. Services were diverted elsewhere where practical and the station remained operational throughout the works. The first phase of construction involved building 18 platforms with two track bays to handle parcels above them,
6517-506: The Great Hall's roof was destroyed, and a bomb landed between platforms 2 and 3, destroying offices and part of the hotel. Passengers considered Euston to be squalid and covered in soot and it was restored and redecorated in 1953, when an enquiry kiosk in the middle of the Great Hall was removed. Ticket machines were modernised. By this time the Arch was surrounded by property development and kiosks and in need of restoration. British Railways announced that Euston would be rebuilt to accommodate
6650-527: The International Style in the 1930s. Many Jewish architects who had studied at the German Bauhaus school designed significant buildings here. A large proportion of the buildings built in the International Style can be found in the area planned by Patrick Geddes , north of Tel Aviv's main historical commercial center. In 1994, UNESCO proclaimed the White City a World Heritage Site , describing
6783-450: The International Style include: a radical simplification of form, a rejection of superfluous ornamentation, bold repetition and embracement of sleek glass, steel and efficient concrete as preferred materials. Accents were found to be suitably derived from natural design irregularities, such as the position of doors and fire escapes, stair towers, ventilators and even electric signs. Further, the transparency of buildings, construction (called
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#17327717287666916-467: The International Style went to the Soviet Union in 1930 to undertake huge, ambitious, idealistic urban planning projects, building entire cities from scratch. In 1936, when Stalin ordered them out of the country, many of these architects became stateless and sought refuge elsewhere; for example, Ernst May moved to Kenya. The White City of Tel Aviv is a collection of over 4,000 buildings built in
7049-593: The International Style were endorsed, while other styles were classed less significant. In 1922, the competition for the Tribune Tower and its famous second-place entry by Eliel Saarinen gave some indication of what was to come, though these works would not have been accepted by Hitchcock and Johnson as representing the "International Style". Similarly, Johnson, writing about Joseph Urban's recently completed New School for Social Research in New York, stated: "In
7182-408: The International Style. But later he evolved to a more traditional local architecture. Other notable Mexican architects of the International Style or modern period are Carlos Obregón Santacilia , Augusto H. Alvarez , Mario Pani , Federico Mariscal [ es ] , Vladimir Kaspé , Enrique del Moral , Juan Sordo Madaleno , Max Cetto , among many others. In Brazil Oscar Niemeyer proposed
7315-540: The LCDR's line via Blackfriars and Farringdon almost bankrupted the company and left it in financial ruin for the rest of its existence. The 1864 Joint Committee on Railway Schemes (Metropolis) decided that, following the success of the underground Metropolitan Railway , that a circular railway should be built to connect the terminals, which eventually became the Circle line , though it was not completed until 1884. By 1870,
7448-521: The Museum of Modern Art (MoMA), in the Heckscher Building at Fifth Avenue and 56th Street in New York. Beyond a foyer and office, the exhibition was divided into six rooms: the "Modern Architects" section began in the entrance room, featuring a model of William Lescaze's Chrystie-Forsyth Street Housing Development in New York. From there visitors moved to the centrally placed Room A, featuring
7581-659: The New School we have an anomaly of a building supposed to be in a style of architecture based on the development of the plan from function and facade from plan but which is a formally and pretentiously conceived as a Renaissance palace. Urban's admiration for the New Style is more complete than his understanding." California architect Rudolph Schindler 's work was not a part of the exhibit, though Schindler had pleaded with Hitchcock and Johnson to be included. Then, "[f]or more than 20 years, Schindler had intermittently launched
7714-602: The Next America", she criticized the style as non-practical, citing many instances where "glass houses" are too hot in summer and too cold in winter, empty, take away private space, lack beauty and generally are not livable. Moreover, she accused this style's proponents of taking away a sense of beauty from people and thus covertly pushing for a totalitarian society. In 1966, architect Robert Venturi published Complexity and Contradiction in Architecture , essentially
7847-471: The Regent's Canal on a gradient of more than 1 in 68. Because steam trains at the time could not climb such an ascent, they were cable-hauled on the down line towards Camden until 1844, after which bank engines were used. The L&BR's act of Parliament prohibited the use of locomotives in the Euston area, following concerns of residents about noise and smoke from locomotives toiling up the incline. The station
7980-544: The US. However, American anti-Communist politics after the war and Philip Johnson's influential rejection of functionalism have tended to mask the fact that many of the important architects, including contributors to the original Weissenhof project, fled to the Soviet Union . This group also tended to be far more concerned with functionalism and its social agenda. Bruno Taut , Mart Stam , the second Bauhaus director Hannes Meyer , Ernst May and other important figures of
8113-566: The US. When Walter Gropius and Marcel Breuer fled Germany they both arrived at the Harvard Graduate School of Design , in an excellent position to extend their influence and promote the Bauhaus as the primary source of architectural modernism. When Mies fled in 1938, he first fled to England, but on emigrating to the US he went to Chicago, founded the Second School of Chicago at IIT and solidified his reputation as
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#17327717287668246-777: The West Midlands, whilst the Lioness line of the London Overground provides local suburban services in the London area via the Watford DC Line which runs parallel to the West Coast Main Line as far as Watford Junction . Euston tube station is connected to the main concourse and Euston Square tube station is nearby. King's Cross and St Pancras railway stations are about 1 ⁄ 2 mile (800 metres) east along Euston Road . Euston,
8379-707: The advertising board installed in January 2024 after removal of the main departure boards, and issued a five point improvement plan. On 26 April 1924, an electric multiple unit collided with the rear of an excursion train carrying passengers from the FA Cup Final in Coventry . Five passengers were killed. The crash was blamed on poor visibility owing to smoke and steam under the Park Street Bridge. London station group The London station group
8512-425: The arch, and included office frontages along Euston Road and a helicopter pad on the roof. Redevelopment began on 12 July 1938, when 100,000 long tons (101,605 tonnes) of limestone was extracted for the building and new flats were constructed to rehouse people displaced by the works. The project was shelved indefinitely because of World War II . The station was damaged several times during the Blitz in 1940. Part of
8645-436: The area. The number of platforms would increase from 18 to 21. In 2008, it was reported that the Arch could be rebuilt. In September 2011, the demolition plans were cancelled, and Aedas was appointed to give the station a makeover. In July 2014 a statue of navigator and cartographer Matthew Flinders , who circumnavigated the globe and charted Australia, was unveiled at Euston; his grave was rumoured to lie under platform 15 at
8778-404: The areas around them. Both Kings Cross and St Pancras stations have been modernised in the 21st century, and are now better regarded. Many goods sheds have been removed, and the area surrounding the stations includes a natural swimming pool, and numerous new apartments. The four former London and North Eastern Railway terminals (King's Cross, Marylebone, Fenchurch Street and Liverpool Street) are
8911-411: The boom in building London terminals had finished. The final one to open was the Great Central Railway 's Marylebone , in 1899. By this time, around 776 acres (1.21 square miles; 3.14 square kilometres), or 5.4% of land in the central zone of London was owned by railway companies, more than the Corporation of London . The problem of connecting the various London terminals was ultimately resolved by
9044-474: The building’s form, as opposed to a solid mass"; (2) "Regularity in the facade, as opposed to building symmetry"; and (3) "No applied ornament". International style is an ambiguous term; the unity and integrity of this direction is deceptive. Its formal features were revealed differently in different countries. Despite the unconditional commonality, the international style has never been a single phenomenon. However, International Style architecture demonstrates
9177-503: The city as "a synthesis of outstanding significance of the various trends of the Modern Movement in architecture and town planning in the early part of the 20th century". In 1996, Tel Aviv's White City was listed as a World Monuments Fund endangered site. The residential area of Södra Ängby in western Stockholm , Sweden, blended an international or functionalist style with garden city ideals. Encompassing more than 500 buildings, most of them designed by Edvin Engström, it remains
9310-558: The classically trained architect Philip Hardwick , had a 200-foot-long (61 m) trainshed by structural engineer Charles Fox . It had two 420-foot-long (130 m) platforms, one each for departures and arrival. The main entrance portico, the Euston Arch , also by Hardwick, symbolised the arrival of a major new transport system and was "the gateway to the north". It was 72 feet (22 m) high, supported on four 44 ft 2 in (13.46 m) by 8 ft 6 in (2.59 m) hollow Doric propylaeum columns of Bramley Fall stone ,
9443-421: The collapse of Railtrack. In 2005 Network Rail was reported to have long-term aspirations to redevelop the station, removing the 1960s buildings and providing more commercial space by using the " air rights " above the platforms. In 2007, British Land announced that it had won the tender to demolish and rebuild the station, spending some £250 million of its overall redevelopment budget of £1 billion for
9576-472: The development of the Underground. The Metropolitan Railway, which opened in 1863, was designed to connect Paddington with King's Cross. The Circle Line was designed specifically to connect the London terminals together. All terminal stations had at least one underground connection by 1913, except Fenchurch Street , Ludgate Hill and Holborn Viaduct . As an alternative to the tube, buses have connected
9709-529: The diversion of some services to Old Oak Common (for Crossrail ). This would include eight commuter trains per hour originating/terminating between Tring and Milton Keynes Central inclusive. In 2016, the Mayor Sadiq Khan endorsed the plans and suggested that all services should terminate at Old Oak Common while a more appropriate solution is found for Euston. The current scheme does not provide any direct access between High Speed 2 at Euston and
9842-400: The exhibition Modern Architecture: International Exhibition : The exhibition excluded other contemporary styles that were exploring the boundaries of architecture at the time, including: Art Deco ; German Expressionism, for instance the works of Hermann Finsterlin ; and the organicist movement, popularized in the work of Antoni Gaudí . As a result of the 1932 exhibition, the principles of
9975-515: The existing High Speed 1 at St Pancras. In 2015, plans were announced to link the two stations via a travelator service. Platforms 17 and 18 closed in May and June 2019 for High Speed 2 preparation work. The Euston Downside Carriage Maintenance Depot was demolished in 2018 in preparation for the start of tunnelling. The two office towers in front of the station were demolished between January 2019 and December 2020. The third tower at 1 Eversholt Street
10108-404: The first inter-city railway terminal in London, was planned by George and Robert Stephenson . It was designed by Philip Hardwick and built by William Cubitt , with a distinctive arch over the station entrance. The station opened as the terminus of the London and Birmingham Railway (L&BR) on 20 July 1837. Euston was expanded after the L&BR was amalgamated with other companies to form
10241-621: The gateway from London to the West Midlands , North West England , North Wales and Scotland . Intercity express passenger services to the major cities of Birmingham , Manchester , Liverpool , Glasgow and Edinburgh , and through services to Holyhead for connecting ferries to Dublin are operated by Avanti West Coast . Overnight sleeper services to Scotland are provided by the Caledonian Sleeper . London Northwestern Railway provide commuter and regional services to
10374-556: The glazed trainshed roofs of traditional Victorian railway stations, but the use of the space above as a parcels depot released the maximum space at ground level for platforms and passenger facilities. Since 1996, proposals have been formulated to reconstruct the Arch as part of the redevelopment of the station, and its use as the terminus of the High Speed 2 line. Ownership of the station transferred from British Rail to Railtrack in 1994, passing to Network Rail in 2002 following
10507-632: The group includes four stations ( City Thameslink , Old Street , Vauxhall and Waterloo East ) that are not technically terminals but are used enough as a destination by National Rail to be considered appropriate as a "London Terminal" for ticketing purposes. The composition of the group has changed several times since 1983, when 18 stations were included: Blackfriars, Broad Street, Cannon Street, Charing Cross, Euston, Fenchurch Street, Holborn Viaduct, Kings Cross, Kings Cross Midland City, Liverpool Street, London Bridge, Marylebone, Moorgate, Paddington, St Pancras, Vauxhall, Victoria and Waterloo. Waterloo East
10640-481: The group via any permitted route, as determined by the National Routeing Guide . Most London terminal stations were developed in the mid-19th century during the initial boom of rail transport. Many stations were built around the edge of central London, stopping at what is now the London Inner Ring Road , because it was prohibitively expensive to build right into the centre, and because each railway
10773-424: The high point of modernist architecture, it is sometimes described as the "architecture of the modern movement" and credited with "single-handedly transforming the skylines of every major city in the world with its simple cubic forms". The International Style's emphasis on transcending historical and cultural influences, while favoring utility and mass-production methods, made it uniquely versatile in its application;
10906-486: The honest expression of structure), and acceptance of industrialized mass-production techniques contributed to the international style's design philosophy. Finally, the machine aesthetic , and logical design decisions leading to support building function were used by the International architect to create buildings reaching beyond historicism . The ideals of the style are commonly summed up in three slogans: ornament
11039-563: The largest coherent functionalist or "International Style" villa area in Sweden and possibly the world, still well-preserved more than a half-century after its construction in 1933–40 and protected as a national cultural heritage . Zlín is a city in the Czech Republic which was in the 1930s completely reconstructed on principles of functionalism. In that time the city was a headquarters of Bata Shoes company and Tomáš Baťa initiated
11172-457: The largest ever built. It was completed in May 1838 and cost £35,000 (now £3,981,000). The old station building was probably the first one in the world with all- wrought iron roof trusses . The first railway hotels in London were built at Euston. Two hotels designed by Hardwick opened in 1839 on either side of the Arch; the Victoria on the west had basic facilities while the Euston on the east
11305-531: The late 1830s (starting with London Bridge in 1836) and the early to mid 1840s. Those north of the Thames came up to the edge of richly-developed property that was too expensive to demolish, while property south of the river contained slums and cheap property, making it easier to have terminal stations close to the City and West End, both the main desired areas. The solicitor and railway planner Charles Pearson proposed
11438-479: The main terminals has been well-received and attracted occupants and businesses. Until 1970, railway tickets to London were issued to a specific named terminal. From April of that year, Southern Region terminals were grouped together as a "notional common station" called "LONDON S.R."; tickets issued to this destination were valid to Blackfriars, Cannon Street, Charing Cross, Holborn Viaduct, London Bridge, Vauxhall, Victoria, Waterloo and Waterloo East. The concept
11571-477: The major 19th century terminals, only Broad Street and Holborn Viaduct have closed. The latter was replaced by the nearby City Thameslink . The London terminals had a significant impact on the local area. Originally, the demolition of poor properties, particularly south of the River Thames , caused blight and deprived areas around the station. This has changed in the 21st century, where development around
11704-414: The modern complex; Drummond Street now terminates at the side of the station but then ran across its front. A short road, Euston Grove, ran from Euston Square towards the arch. A bay platform (later platform 7) for local services to Kensington (Addison Road) opened in 1863. Two new platforms (1 and 2) were added in 1873 along with an entrance for cabs from Seymour Street. At the same time, the station roof
11837-488: The modern concept of listed buildings had been introduced with the 1947 Town and Country Planning Act 1947 , stations were not high priority to be listed. While some had impressive facades and entrances, Victorian stations were not looked upon favourably in the 1960s and had become gradually neglected. One of the most significant examples was the demolition of the Euston Arch in 1962 as part of modernisation works to
11970-414: The museum's first architectural exhibition. The three of them toured Europe together in 1929 and had also discussed Hitchcock's book about modern art. By December 1930, the first written proposal for an exhibition of the "new architecture" was set down, yet the first draft of the book was not complete until some months later. The 1932 exhibition led to two publications by Hitchcock and Johnson: Previous to
12103-517: The name "LONDON BRIT RAIL" was adopted. After the privatisation of British Rail , the name "LONDON" on its own was used from the end of 1997 until April 1998, when the present designation "LONDON TERMINALS" was introduced. All stations in the London group are in London fare zone 1 and most are at the end of a railway line. This includes major national terminals such as Waterloo , Paddington , Euston and King's Cross , and local commuter terminals such as Cannon Street and Moorgate . In addition,
12236-465: The notice and implemented measures to better manage passenger traffic flows and overcrowding. In October 2024, London TravelWatch warned that passengers at Euston are being put in danger when the station becomes severely overcrowded during periods of disruption to services. Transport Secretary Louise Haigh subsequently asked Network Rail to declutter the station concourse and improve how it handles train announcements. Network Rail reacted by switching off
12369-566: The original station was built by William Cubitt . Initial services were three trains to and from Boxmoor with journeys taking just over an hour. On 9 April 1838, they were extended to a temporary halt at Denbigh Hall near Bletchley where a coach service was provided to Rugby . The line to Curzon Street station in Birmingham opened on 17 September 1838, the journey of 112 miles (180 km) took around 5 + 1 ⁄ 4 hours. The incline from Camden Town to Euston involved crossing
12502-637: The rebuild was "not satisfactory" and called the management "muddled" and recommended a change of governance. In Summer 2020, the government asked Network Rail's chairman, Sir Peter Hendy , to lead an oversight board; in October 2020, the Architects' Journal reported that more than £100m had already been spent on engineering and architectural design fees. In October 2023, the Prime Minister Rishi Sunak announced that construction of
12635-704: The rebuilding was scrapped after a government White Paper was released in 1963 that restricted the rate of commercial office development in London. In 1966, a " Whites only " recruitment policy for guards at the station was dropped after the case of Asquith Xavier , a migrant from Dominica , who had been refused promotion on those grounds, was raised in Parliament and taken up by the Secretary of State for Transport, Barbara Castle . A second development phase by Richard Seifert & Partners began in 1979, adding 405,000 square feet (37,600 m) of office space along
12768-478: The remains were reinterred at St Pancras Cemetery . Two more platforms (4 and 5) opened in 1891. Four departure platforms (now platforms 12–15), bringing the total to 15, and a booking office on Drummond Street opened on 1 July 1892. The line between Euston and Camden was doubled between 1901 and 1906. A new booking hall opened in 1914 on part of the cab yard. The Great Hall was redecorated and refurbished between 1915 and 1916 and again in 1927. The station's ownership
12901-537: The seat of the duke of Grafton , who owned the locality. The station and railway have been owned by the L&BR (1837–1846), the London and North Western Railway (LNWR) (1846–1923), the London, Midland and Scottish Railway (LMS) (1923–1948), British Railways (1948–1994), Railtrack (1994–2002) and Network Rail (2002–present). The plan was to construct a station near the Regent's Canal in Islington to provide
13034-439: The south and west to create new sufficiently long platforms. These plans involved a complete reconstruction, involving the demolition of 220 Camden Council flats, with half the station providing conventional train services and the new half high-speed trains. The Command Paper suggested rebuilding the Arch, and included an artist's impression. The station is to have seven new platforms dropped from an original planned eight, taking
13167-428: The station frontage in the form of three low-rise towers overlooking Melton Street and Eversholt Street. The offices were occupied by British Rail , then by Railtrack, and by Network Rail which has now vacated all but a small portion of one of the towers. The offices are in a functional style; the main facing material is polished dark stone, complemented by white tiles, exposed concrete and plain glazing. The station has
13300-616: The station in 2015 to help people with visual impairment to navigate the station. In September 2023, the Office of Rail and Road issued Network Rail with an improvement notice in relation to its failure to put in place effective measures to tackle overcrowding. Network Rail admitted that the station was designed for a different era and that "the passenger experience at Euston remains uncomfortable at times". The Office of Rail and Road declared in December 2023 that Network Rail had complied with
13433-618: The station, but had been relocated during the original station construction and in 2019 was found behind the station during excavation work for the HS2 line. In March 2010 the Secretary of State for Transport , Andrew Adonis announced that Euston was the preferred southern terminus of the planned High Speed 2 line, which would connect to a newly built station near Curzon Street and Fazeley Street in Birmingham. This would require expansion to
13566-499: The station, while the area around Kings Cross became run-down. An important exception was the Victorian Gothic structure of St Pancras , which became a Grade I listed building in 1967 after being threatened with demolition. Similarly, King's Cross and Paddington became Grade I listed in 1954 and 1961 respectively. In 1986, Broad Street, which had been a major London terminal for local and commuter services, closed. It
13699-788: The stations on a standard British Monopoly board. Download coordinates as: Notes Citations Sources International Style (architecture) The International Style is sometimes called rationalist architecture and the modern movement , although the former is mostly used in English to refer specifically to either Italian rationalism or the style that developed in 1920s Europe more broadly. In continental Europe , this and related styles are variably called Functionalism , Neue Sachlichkeit ("New Objectivity"), De Stijl ("The Style"), and Rationalism , all of which are contemporaneous movements and styles that share similar principles, origins, and proponents. Rooted in
13832-462: The style was ubiquitous in a wide range of purposes, ranging from social housing and governmental buildings to corporate parks and skyscrapers . Nevertheless, these same qualities provoked negative reactions against the style as monotonous, austere, and incongruent with existing landscapes; these critiques are conveyed through various movements such as postmodernism , new classical architecture , and deconstructivism . Postmodern architecture
13965-443: The supposed strengths of the International Style has been said to be that the design solutions were indifferent to location, site, and climate; the solutions were supposed to be universally applicable; the style made no reference to local history or national vernacular. This was soon identified as one of the style's primary weaknesses. In 2006, Hugh Pearman , the British architectural critic of The Times , observed that those using
14098-532: The time the station was built, which was eventually cleared away in 1867 when the London and South Western Railway made a compulsory purchase order for the properties and demolished them, to accommodate an expanded station. A significant exception was the later-constructed Marylebone, while Charing Cross was less affected by slum building than neighbouring stations. Around Battersea and New Cross , railway lines and interchanges occupied about 300 acres (120 ha) of available space. The low-income property that
14231-661: The total to 23, with 10 dedicated to HS2 services and 13 to conventional lines at a low level. The flats demolished for the extension would be replaced by significant building work above. The Underground station would be rebuilt and connected to adjacent Euston Square station. As part of the extension beyond Birmingham, the Mayor of London's office believed it will be necessary to build the proposed Crossrail 2 line via Euston to relieve 10,000 extra passengers forecast to arrive during an average day. To relieve pressure on Euston during and after rebuilding for High Speed 2, HS2 Ltd has proposed
14364-824: The use of flat surfaces, typically alternating with areas of glass." Some researchers consider the International Style as one of the attempts to create an ideal and utilitarian form. Around the start of the 20th century, a number of architects around the world began developing new architectural solutions to integrate traditional precedents with new social demands and technological possibilities. The work of Victor Horta and Henry van de Velde in Brussels , Antoni Gaudí in Barcelona , Otto Wagner in Vienna and Charles Rennie Mackintosh in Glasgow , among many others, can be seen as
14497-665: The various terminals. In 1928, the Southern Railway , London and North Eastern Railway and Great Western Railway began to provide dedicated buses between their terminals for Pullman and Continental trains. These were taken over by the London Passenger Transport Board (LPTB) upon its formation in 1933, and replaced with regular bus services. From 1936, the LPTB supplied purpose-build 20-seater coaches for this services, with large luggage boots and
14630-457: The work of European modernists, and his travels there probably influenced his own work, although he refused to be categorized with them. His buildings of the 1920s and 1930s clearly showed a change in the style of the architect, but in a different direction than the International Style. In Europe the modern movement in architecture had been called Functionalism or Neue Sachlichkeit ( New Objectivity ), L'Esprit Nouveau , or simply Modernism and
14763-547: The works of Europeans of the 1920s. Among these works was shown Alvar Aalto's Turun Sanomat newspaper offices building in Turku , Finland. After a six-week run in New York City, the exhibition then toured the US – the first such "traveling-exhibition" of architecture in the US – for six years. MoMA director Alfred H. Barr hired architectural historian and critic Henry-Russell Hitchcock and Philip Johnson to curate
14896-405: Was 125 ft (38 m) long, 61 ft (18.6 m) wide, and 62 ft (18.9 m) high with a coffered ceiling and a sweeping double flight of stairs leading to offices at its northern end. Architectural sculptor John Thomas contributed eight allegorical statues representing the cities served by the line. The station faced Drummond Street, further back from Euston Road than the front of
15029-623: Was a section titled "Housing", presenting "the need for a new domestic environment" as it had been identified by historian and critic Lewis Mumford . In Room D were works by Raymond Hood (including "Apartment Tower in the Country" and the McGraw-Hill Building ) and Richard Neutra. In Room E was a section titled "The extent of modern architecture", added at the last minute, which included the works of thirty-seven modern architects from fifteen countries who were said to be influenced by
15162-469: Was approved directly by Harold Macmillan . The attempts made to preserve the earlier building, championed by Sir John Betjeman , led to the formation of the Victorian Society and heralded the modern conservation movement. This movement saved the nearby high Gothic St Pancras station when threatened with demolition in 1966, ultimately leading to its renovation in 2007 as the terminus of HS1 to
15295-440: Was available, creating slums, and the immediate area around the stations were filled with cheap souvenir shops and prostitutes. Conversely, the middle class moved out into suburbs which now had easy access to Central London via train, and railway traffic increased. Around 76,000 people lost their homes between 1853 and 1901 as a direct result of rail expansion. The area around Waterloo had already become notorious for prostitution by
15428-598: Was built with space left vacant for extra platforms, as it was originally planned for the Great Western Railway (GWR) to use Euston, as the terminus of the Great Western Main Line . In the event, the GWR chose to build their own terminus at Paddington . The spare land was instead used for more platforms for ever expanding services as the railway network grew. The station building, designed by
15561-419: Was designed for first-class passengers. Between 1838 and 1841, parcel handling grew from 2,700 parcels a month to 52,000. By 1845, 140 staff were employed but trains began to run late because of a lack of capacity. The following year, two platforms (later 9 and 10) were constructed on vacant land to the west of the station that had been reserved for Great Western Railway services. The L&BR amalgamated with
15694-480: Was designed in the late 1940s and built in the mid-1950s based upon a masterplan created by architect Enrique del Moral . His original idea was enriched by other students, teachers, and diverse professionals of several disciplines. The university houses murals by Diego Rivera , Juan O'Gorman and others. The university also features Olympic Stadium (1968). In his first years of practice, Pritzker Prize winner and Mexican architect Luis Barragán designed buildings in
15827-401: Was destroyed by building the stations was generally not replaced, and consequently the remaining accommodation became overcrowded. The proliferation of railway lines south of the Thames is why the Underground has more lines north of the river, as it did not have alternative overground services. In contrast to the 19th century impact of stations, newer developments have seen gentrification of
15960-417: Was developed in the 1960s in reaction to the International Style, becoming dominant in the 1980s and 1990s. The term "International Style" was first used in 1932 by the historian Henry-Russell Hitchcock and architect Philip Johnson to describe a movement among European architects in the 1920s that was distinguished by three key design principles: (1) "Architecture as volume – thin planes or surfaces create
16093-418: Was extended to the rest of London's terminals with effect from British Rail 's fares update of May 1983, when the London station group was created: "as part of the progress towards simplification of routes and a reduction of [separate fares] ... a common origin/destination of LONDON BR has been adopted for most London fares". Tickets to the London station group were issued to "LONDON BR" until January 1989, when
16226-491: Was feared that Marylebone and St Pancras would follow, but both have been revitalised; the former became an alternative terminal for services to Oxford and Birmingham while the latter is now the main entry point for Eurostar services via the Channel Tunnel . The various terminal stations began to affect their surrounding area once built. Those displaced by the railways crammed into whatever existing accommodation
16359-405: Was included separately from January 1984. Two years later, Moorgate was dropped from the group in favour of Old Street, and Kensington Olympia was included; this was in connection with its upgrade in early 1986 to an InterCity station with regular British Rail services from northwest England to the south coast. Moorgate was reinstated as a member of the group in May 1988, and Kensington Olympia
16492-569: Was not viable. The Arch's demolition, announced by the Minister of Transport, Ernest Marples in July 1961, drew objections from the Earl of Euston , the Earl of Rosse and John Betjeman . Experts did not believe the work would cost £190,000 and speculated it could be done more cheaply by foreign labour. On 16 October 1961, 75 architects and students staged a demonstration against its demolition inside
16625-400: Was opened by Queen Elizabeth II on 14 October 1968. The station is a long, low structure, 200 feet (61 m) wide and 150 feet (46 m) deep under a 36-foot (11 m) high roof. It opened with integrated automatic ticket facilities and a range of shops; the first of its kind for any British station. The plan to construct offices above the station whose rents would help fund the cost of
16758-431: Was owned by a private company competing with the others. The creation of the London Underground provided a practical connection to the various terminals, which continues to be the case as of the 21st century. Many of the stations have been upgraded and modernised to provide a greater capacity and connections to the network; the first London terminal, London Bridge has been rebuilt and expanded on numerous occasions, and of
16891-401: Was raised by 6 feet (1.8 m) to accommodate smoke from the engines. The continued growth of long-distance railway traffic led to major expansion along the station's west side starting in 1887. It involved rerouting Cardington Street over part of the burial ground (later St James's Gardens) of St James's Church, Piccadilly , which was located some way from the church. To avoid public outcry,
17024-416: Was removed from the list in May 1994 as British Rail decided to make fares to and from the station identical to those of neighbouring station Willesden Junction . Tickets issued to "LONDON TERMINALS" can be used to travel from the station of origin to any London terminal that can be reached via a permitted route as defined by the National Routeing Guide . For example, a journey from Brighton can use such
17157-490: Was spent constructing routes around the capital. The competition between terminals led to increased costs and financial overruns. Around £2 million (£235 million as of 2023) was spent constructing the final approach of the GER main line from the original terminal at Bishopsgate to Liverpool Street, while the extension from London Bridge to Cannon Street and Charing Cross cost £4 million (£469 million as of 2023). The construction of
17290-759: Was the concrete and steel Haus am Horn , built in 1923 in Weimar , Germany, designed by Georg Muche . The Gropius-designed Bauhaus school building in Dessau , built 1925–26 and the Harvard Graduate Center (Cambridge, Massachusetts; 1949–50) also known as the Gropius Complex, exhibit clean lines and a "concern for uncluttered interior spaces". Marcel Breuer , a recognized leader in Béton Brut (Brutalist) architecture and notable alumnus of
17423-472: Was too expensive to demolish remaining property in the way. The Royal Commission recommended that no new stations should be built in the West End of London or the city, and that the New Road should be the northern boundary of railway development. This created competition between the individual railway companies, who could promote new terminals with individual financial backers. Exemptions were made for
17556-421: Was transferred to the London, Midland and Scottish Railway (LMS) in the 1923 grouping . Apart from the lodges on Euston Road and statues now on the forecourt, few relics of the old station survive. The National Railway Museum 's collection at York includes Edward Hodges Baily 's statue of George Stephenson from the Great Hall; the entrance gates; and a turntable from 1846 discovered during demolition. By
17689-655: Was very much concerned with the coming together of a new architectural form and social reform, creating a more open and transparent society. The "International Style", as defined by Hitchcock and Johnson, had developed in 1920s Western Europe, shaped by the activities of the Dutch De Stijl movement, Le Corbusier , and the Deutscher Werkbund and the Bauhaus . Le Corbusier had embraced Taylorist and Fordist strategies adopted from American industrial models in order to reorganize society. He contributed to
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