57-614: The Käfigturm is a Baroque tower in Bern , Switzerland . It is part of the UNESCO Cultural World Heritage Site of the Old City of Bern and the tower is a Cultural Property of National Significance . The original tower was built as a gate house during the second expansion of Bern in 1256. The tower was demolished in 1640 and completely rebuilt immediately thereafter. The first tower, which stood on
114-506: A central element. The Early Baroque (1584–1625) was largely dominated by the work of Roman architects, notably the Church of the Gesù by Giacomo della Porta (consecrated 1584) façade and colonnade of St. Peter's Basilica by Carlo Maderno (completed 1612) and the lavish Barberini Palace interiors by Pietro da Cortona (1633–1639), and Santa Susanna (1603), by Carlo Maderno. In France,
171-528: A design. Beginning in 1664, Bernini proposed several Baroque variants, but in the end the King selected a design by a French architect, Charles Perrault , in a more classical variant of Baroque. This gradually became the Louis XIV style . Louis was soon engaged in an even larger project, the construction of the new Palace of Versailles . The architects chosen were Louis Le Vau and Jules Hardouin-Mansart , and
228-406: A lavish exterior contrasting with a relatively simple interior and multiple spaces. They carefully planned lighting in the interior to give an impression of mystery. Early 18th century, Notable Spanish examples included the new west façade of Santiago de Compostela Cathedral , (1738–50), with its spectacular towers, by Fernando de Casas Novoa . In Seville , Leonardo de Figueroa was the creator of
285-467: A wide popular audience. One of the first Baroque architects, Carlo Maderno , used Baroque effects of space and perspective in the new façade and colonnade of Saint Peter's Basilica , which was designed to contrast with and complement the gigantic dome built earlier by Michelangelo . Other influential early examples in Rome included the Church of the Gesù by Giacomo della Porta (consecrated 1584), with
342-543: A window in the middle section of the tower were all removed to add the clock. The current clock tower bell was added to the tower in 1643. The history of the bell is a bit unusual. When the town decided to add a bell, the Thirty Years War was still raging in Europe. Due to the war, it was very difficult to buy metal to cast a bell. So, the town council chose to buy a bell that had been captured near Vesoul and
399-763: Is San Cristobal de las Casas in Mexico. A notable example in Brazil is the São Bento Monastery in Rio de Janeiro . begun in 1617, with additional decoration after 1668. The Metropolitan Tabernacle the Mexico City Metropolitan Cathedral , to the right of the main cathedral, built by Lorenzo Rodríguez between 1749 and 1760, to house the archives and vestments of the archbishop, and to receive visitors. Portuguese colonial architecture
456-481: Is an opening in a wall of a building, gate or fortification, especially a grand entrance to an important structure. Doors, metal gates , or portcullis in the opening can be used to control entry or exit. The surface surrounding the opening may be made of simple building materials or decorated with ornamentation . The elements of a portal can include the voussoir , tympanum , an ornamented mullion or trumeau between doors, and columns with carvings of saints in
513-464: Is four stories tall above a round top portal. The current appearance of this prison building comes from 1805–06, except for the portal which was run through the old ground floor prison in 1903. Baroque architecture Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by
570-733: The Basilica of the Fourteen Holy Helpers and the Wurzburg Residence (1749–51). These works were among the final expressions of the Rococo or the Late Baroque. By the early 18th century, Baroque buildings could be found in all parts of Italy, often with regional variations. Notable examples included the Basilica of Superga , overlooking Turin , by Filippo Juvarra (1717–1731), which was later used as model for
627-545: The Basilica of the Fourteen Holy Helpers and the Würzburg Residence (1749–51). Baroque architecture first appeared in the late 16th and early 17th century in religious architecture in Rome as a means to counter the popular appeal of the Protestant Reformation . It was a reaction against the more severe and academic earlier style of earlier churches, it aimed to inspire the common people with
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#1732766187383684-780: The Catholic Church , particularly by the Jesuits , as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia, the Ottoman Empire and
741-683: The Church of Saint Augustine, Antwerp . Other churches are for example the St. Charles Borromeo Church, Antwerp (1615-1621) and the St. Walburga Church (Bruges) (1619-1641), both built by Pieter Huyssens . Later, secular buildings, such as the Guildhalls on the Grand-Place in Brussels and several Belfries , were constructed too. The first example of early Baroque in Central Europe
798-891: The Churrigueresque style. The Baroque style was imported into Latin America in the 17th century by the Spanish and the Portuguese, particularly by the Jesuits for the construction of churches. The style was sometimes called Churrigueresque , after the family of Baroque architects in Salamanca . A particularly fine example is Zacatecas Cathedral in Zacatecas City , in north-central Mexico, with its lavishly sculpted façade and twin bell towers. Another important example
855-529: The Luxembourg Palace (1615–1624) by architect Salomon de Brosse , and for a new wing of the Château of Blois by François Mansard (1635–38). Nicolas Fouquet , the superintendent of finances for the young King Louis XIV , chose the new style for his château at Vaux-le-Vicomte (1612–1670) by Louis Le Vau . He was later imprisoned by the King because of the extravagant cost of the palace. In
912-595: The Luxembourg Palace (1615–45) built by Salomon de Brosse for Marie de' Medici was an early example of the style. The High Baroque (1625–1675) produced major works in Rome by Pietro da Cortona, including the (Church of Santi Luca e Martina ) (1635–50); by Francesco Borromini ( San Carlo alle Quattro Fontane (1634–1646)); and by Gian Lorenzo Bernini (The colonnade of St. Peter's Square ) (1656–57). In Venice , High Baroque works included Santa Maria della Salute by Baldassare Longhena . Examples in France included
969-682: The Palacio de San Telmo , with a façade inspired by the Italian Baroque. The most ornate works of the Spanish Baroque were made by Jose Benito de Churriguera in Madrid and Salamanca. In his work, the buildings are nearly overwhelmed by the ornament of gilded wood, gigantic twisting columns, and sculpted vegetation. His two brothers, Joaquin and Alberto, also made important, if less ornamented, contributions to what became known simply as
1026-790: The Panthéon in Paris. The Stupinigi Palace (1729–31) was a hunting lodge and one of the Residences of the Royal House of Savoy near Turin. It was also built Filippo Juvarra . The Late Baroque period in France saw the evolving decoration of the Palace of Versailles , including the Hall of Mirrors and the Chapel . Later in the period, during the reign of Louis XV , a new, more ornate variant,
1083-726: The Pavillon de l’Horloge of the Louvre Palace by Jacques Lemercier (1624–1645), the Chapel of the Sorbonne by Jacques Lemercier (1626–35) and the Château de Maisons by François Mansart (1630–1651). The Late Baroque (1675–1750) saw the style spread to all parts of Europe, and to the colonies of Spain and Portugal in the New World. National styles became more varied and distinct. The Late Baroque in France, under Louis XIV ,
1140-687: The Rocaille style, or French Rococo, appeared in Paris and flourished between about 1723 and 1759. The most prominent example was the salon of the Princess in Hôtel de Soubise in Paris, designed by Germain Boffrand and Charles-Joseph Natoire (1735–40). Christopher Wren was the leading figure of the late Baroque in England, with his reconstruction of St. Paul's Cathedral (1675–1711) inspired by
1197-791: The Southern Netherlands , the Baroque architecture was introduced by the Catholic Church in the context of the Counter-Reformation and the Eighty Years' War . After the separation of the Netherlands Baroque churches were set up across the country. One of the first architects was Wenceslas Cobergher (1560-1634), who built the Basilica of Our Lady of Scherpenheuvel from 1609 until 1627 and
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#17327661873831254-520: The Spanish and Portuguese colonies in Latin America. In about 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture , including domes and colonnades , and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with
1311-540: The Italian Jesuit architect Giovanni Maria Bernardoni . Pope Urban VIII , who occupied the Papacy from 1623 to 1644, became the most influential patron of the Baroque style. After the death of Carlo Maderno in 1629, Urban named the architect and sculptor Gian Lorenzo Bernini as the chief Papal architect. Bernini created not only Baroque buildings, but also Baroque interiors, squares and fountains, transforming
1368-484: The King, in charge of all royal architectural projects. The Académie royale d'architecture was founded in 1671, with the mission of making Paris, not Rome, the artistic and architectural model for the world. The first architectural project of Louis XIV was a proposed reconstruction of the façade of the east wing of the Louvre Palace. Bernini , then Europe's most famous architect, was summoned to Paris to submit
1425-465: The Käfigturm, which was then known as the nüwe kefyen . The name was quickly shortened to kebie , from which the name Käfigturm (literally cage or jail tower ) came. After the armory tower was converted into a women's prison, the Käfigturm was known as Mannenkefi . By 1433, the tower was also serving as a watch and signal tower in addition to a prison. By 1470, it had been modified with niches on
1482-585: The architect Jacques Lemercier to Rome between 1607 and 1614 to study the new style. On his return to France, he designed the Pavillon de l’Horloge of the Louvre Palace (beginning 1626), and, more importantly, the Sorbonne Chapel , the first church dome in Paris. It was designed in 1626, and construction began in 1635. The next important French Baroque project was a much larger dome for the church of Val-de-Grâce begun in 1645 by Lemercier and François Mansart , and finished in 1715. A third Baroque dome
1539-682: The cells changed the role of the tower. It became an archive tower and stored the state archives of the canton and the records of the supreme court. For a time a portion of the basement served as a warehouse of the adjacent Garnier wine shop. After minor renovations in 1906 on the east facade and on the west facade in 1933, in 1976 the Grand Council of the Canton of Bern approved a total renovation. The renovation included an expansion into an information and exhibition center. The information center finally opened on 19 April 1980 and remained open for
1596-642: The center of Rome into an enormous theater. Bernini rebuilt the Church of Santa Bibiana and the Church of San Sebastiano al Palatino on the Palatine Hill into Baroque landmarks, planned the Fontana del Tritone in the Piazza Barberini , and created the soaring baldacchino as the centerpiece of St Peter's Basilica . The High Baroque spread gradually across Italy, beyond Rome. The period saw
1653-400: The city side and merlons around the top platform. At some point between 1470 and 1549, a hip roof was added to the top of the tower. According to a drawing by Gregorius Sickinger , the original tower stood about 3.8 meters (12 ft) east of its current location. On 19 May 1638, a commission was appointed by the city council to replace the dilapidated Mannerkefi tower. The old tower
1710-568: The colonies of Spain and Portugal in the New World and the Philippines. It often took different names, and the regional variations became more distinct. A particularly ornate variant appeared in the early 18th century, called Rocaille in France and Rococo in Spain and Central Europe. The sculpted and painted decoration covering every space on the walls and ceiling. The most prominent architects of this style included Balthasar Neumann , noted for
1767-590: The construction of Santa Maria della Salute by Baldassare Longhena in Venice (1630–31). Churches were not the only buildings to use the Baroque style. One of the finest monuments of the early Baroque is the Barberini Palace (1626–1629), the residence of the family of Urban VIII, begun by Carlo Maderno, and completed and decorated by Bernini and Francesco Borromini . The outside of the Pope's family residence,
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1824-506: The effects of surprise, emotion and awe. To achieve this, it used a combination of contrast, movement, trompe-l'œil and other dramatic and theatrical effects, such as quadratura —the use of painted ceilings that gave the illusion that one was looking up directly at the sky. The new style was particularly favored by the new religious orders, including the Theatines and the Jesuits , who built new churches designed to attract and inspire
1881-468: The façades of the new palace were constructed around the earlier Marble Court between 1668 and 1678. The Baroque grandeur of Versailles, particularly the façade facing the garden and the Hall of Mirrors by Jules Hardouin-Mansart, became models for other palaces across Europe. During the period of the Late Baroque (1675–1750), the style appeared across Europe, from England and France to Central Europe and Russia, from Spain and Portugal to Scandinavia, and in
1938-439: The first Baroque façade and a highly ornate interior, and Santa Susanna (1603), by Carlo Maderno. The Jesuits soon imported the style to Paris. The Church of St-Gervais-et-St-Protais in Paris (1615–1621) had the first Baroque façade in France, featuring, like the Italian Baroque façades, the three superimposed classical orders. The Italian style of palaces was also imported to Paris by Marie de' Medici for her new residence,
1995-640: The first half of the 18th century a distinctive Vilnian Baroque architectural style of the Late Baroque was formed in capital Vilnius (in which architecture was taught at Vilnius Jesuit Academy , Jesuits colleges , Dominican schools ) and spread throughout Lithuania. The most distinctive features of churches built in the Vilnian Baroque style are very tall and slender towers of the main façades with differently decorated compartments, undulation of cornices and walls, decorativeness in bright colors, and multi-colored marble and stucco altars in
2052-433: The four sides of the tower. The central tower is larger, but retains all the features of the four smaller towers. They all feature a pair of rectangular windows, a copper-plated pointed roof and a pennant. The clock works are built into the attic floor of the tower. On the east side, in the corner of the 1641 neighboring building and the tower, is a three sided stair house which was built in 1903. The neighboring building
2109-730: The interiors. The Lithuanian nobility funded renovations and constructions of Late Baroque churches, monasteries (e.g. Pažaislis Monastery ) and their personal palaces (e.g. Sapieha Palace , Slushko Palace , Minor Radvilos Palace ). Notable architects who built buildings in a Late Baroque style in Lithuania are Johann Christoph Glaubitz , Thomas Zebrowski , Pietro Perti (cooperated with painters Michelangelo Palloni , Giovanni Maria Galli ), Giambattista Frediani, Pietro Puttini, Carlo Puttini, Jan Zaor , G. Lenkiewicz, Abraham Würtzner, Jan Valentinus Tobias Dyderszteyn, P. I. Hofer, Paolo Fontana [ it ] , etc. Many of
2166-487: The landmarks of the high Baroque. Another important monument of the period was the Church of Santi Luca e Martina in Rome by Pietro da Cortona (1635–50), in the form of a Greek cross with an elegant dome. After the death or Urban VIII and the brief reign of his successor, the Papacy of Pope Alexander VII from 1666 until 1667 saw more construction of Baroque churches, squares and fountains in Rome by Carlo Rainaldi , Bernini and Carlo Fontana . King Louis XIII had sent
2223-401: The leading Baroque architect was Christoph Dientzenhofer , whose building featured complex curves and counter-curves and elliptical forms, making Prague , like Vienna, a capital of the late Baroque. Political and economic crises in the 17th century largely delayed the arrival of the Baroque in Spain until the late period, though the Jesuits strongly promoted it. Its early characteristics were
2280-534: The model of St. Peter's Basilica in Rome, his plan for Greenwich Hospital (begun 1695), and Hampton Court Palace (1690–96). Other British figures of the late Baroque included Inigo Jones for Wilton House (1632–1647 and two pupils of Wren, John Vanbrugh and Nicholas Hawksmoor , for Castle Howard (1699–1712) and Blenheim Palace (1705–1724). In the 17th century Late Baroque style buildings in Lithuania were built in an Italian Baroque style , however in
2337-764: The most extraordinary buildings of the Late Baroque were constructed in Austria, Germany, and Czechia. In Austria, the leading figure was Fischer von Erlach , who built the Karlskirche , the largest church of Vienna , to glorify the Habsburg emperors. These works sometimes borrowed elements from Versailles combined with elements of the Italian Baroque to create grandiose new effects, as in the Schwarzenberg Palace (1715). Johann Lukas von Hildebrandt used grand stairways and ellipses to achieve his effects at
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2394-402: The new tower. The house was rebuilt from the ground up as part of the prison by Antoni Graber. Once Graber finished the exterior work on the house, the interior was built in 1643/44 by Niclaus Bovet. During the winter of 1690-91, the first modifications were made to the tower. A clock face was added on the front and back of the middle of the tower. The decorative Corbels and triglyphs and
2451-580: The next 15 years. After the information center closed it was temporarily used as a commercial library and sporadically hosted exhibitions, private parties or meetings. Eventually, the federal government established the tower as a meeting place for the Polit-Forum (Political Forum of the Confederation) an organization of people who were interested in discussing politics. The tower is a square with 9.8 m (32 ft) sides. The portal through
2508-408: The roof and the interior woodwork. By the spring of 1644, most of the interior work was finished. During the planning phase, the commission determined that the new Käfigturm would not be large enough to close the several prisons around Bern and move them all into the new tower. In February 1641, the town council acquired the house of the recently deceased widow of Hans Gunier, which lay just south of
2565-505: The site of the present Käfigturm, was built in 1256 during the second expansion of Bern. Over the nearly seventy years since the construction of the Zytglogge tower and the first city walls, Bern had expanded westward along the Aare peninsula. In 1255, construction began on a second set of walls, which required a new gatehouse. The new tower was very similar to the original Zytglogge. It
2622-408: The tower is 5 m (16 ft) and the base is 2.5 m (8.2 ft) thick. The bottom of the roof is 23.2 m (76 ft) above the street, and the pennant at the top of the tower is 49 m (161 ft) high. Most of the tower is built out of sandstone. The roof features five early baroque towers. The four smaller towers are exact copies of each other and are placed at the centers of
2679-452: The upper and lower Belvedere Palace in Vienna (1714–1722). In The Abbey of Melk , Jakob Prandtauer used an abundance of polychrome marble and stucco, statuary and ceiling paintings to achieve harmonious and highly theatrical effects. Another important figure of German Baroque was Balthasar Neumann (1687–1753), whose works included the Würzburg Residence for the Prince-Bishops of Würzburg , with its famous staircase. In Bohemia ,
2736-558: The use of quadratura (i.e. trompe-l'œil painting combined with sculpture): the eye is drawn upward, giving the illusion that one is looking into the heavens. Clusters of sculpted angels and painted figures crowd the ceiling. Light was also used for dramatic effect; it streamed down from cupolas , and was reflected from an abundance of gilding . Twisted columns were also often used, to give an illusion of upwards motion, and cartouches and other decorative elements occupied every available space. In Baroque palaces, grand stairways became
2793-400: Was being shipped as war booty to Freiburg . Until the end of the 17th Century, the bell was struck by hand. The mechanism to ring the bells automatically was installed in 1691-92. The tower remained virtually unchanged over the following centuries, though the attached house was renovated and gained two additional stories between 1794 and 1805. In 1903 and 1933 the west facade of the tower
2850-402: Was built as a hollow square and most of the back of the tower was open to the city. It had a small, flat platform at the top and a gate that opened onto the bridge over the moat . Following the third city expansion in 1345, the tower became a second line of defense. In 1405, a fire destroyed most of the city of Bern. After the fire, the town's prison was moved from the Zytglogge tower west to
2907-419: Was demolished in 1640 and on 29 May 1641, the town council approved plans to build a new tower which would stand slightly to the west of the old tower. In April 1642, one of the chief builders, Joseph Plepp, died. The other chief builder, Antoni Graber, took full control of the project. On 20 January 1643, the exterior work was complete and Graber handed the project over to master carpenter Hans Stähli to finish
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#17327661873832964-425: Was modeled after the architecture of Lisbon , different from the Spanish style. The most notable architect in Brazil was Aleijadinho , who was native of Brazil, half-Portuguese, and self-taught. His most famous work is the Church of Saint Francis of Assisi (Ouro Preto) . Baroque architecture often used visual and theatrical effects, designed to surprise and awe the viewer: Portal (architecture) A portal
3021-433: Was more ordered and classical; examples included the Hall of Mirrors of the Palace of Versailles and the dome of Les Invalides . An especially ornate variant, appeared in the early 18th century; it was first called Rocaille in France; then Rococo in Spain and Central Europe. The sculpted and painted decoration covered every space on the walls and ceiling. Its most celebrated architect was Balthasar Neumann , noted for
3078-415: Was relatively restrained, but the interiors, and especially the immense fresco on the ceiling of the salon, the Allegory of Divine Providence and Barberini Power painted by Pietro da Cortona , are considered masterpieces of Baroque art and decoration. Curving façades and the illusion of movement were a speciality of Francesco Borromini, most notably in San Carlo alle Quattro Fontane (1634–1646), one of
3135-426: Was renovated. The east facade was renovated in 1906. To ease traffic congestion, a second walkway was cut through the house north of the tower in 1886. Then, in 1902-3 a large gate was built through the ground floor cell block of the prison. The 60 to 70 prisoners that had been housed in the tower, were moved to the district prison north of the main post office building in 1897. Removing the prisoners and demolishing
3192-424: Was soon added for the Collège des Quatre-Nations (now the Institut de France ). In 1661, following the death of Cardinal Mazarin , the young Louis XIV took direct charge of the government. The arts were put under the direction of his Controller-General of Finances , Jean-Baptiste Colbert . Charles Le Brun , director of the Royal Academy of Painting and Sculpture , was named Superintendent of Buildings of
3249-446: Was the Corpus Christi Church, Nesvizh in the Polish–Lithuanian Commonwealth , built by the Jesuits on the Roman model between 1586 and 1593 in Nieśwież (after 1945 Niasvizh in Belarus). The church also holds a distinction of being the first domed basilica with a Baroque façade in the Commonwealth and Eastern Europe. Another early example in Poland is the Church of Saints Peter and Paul Church, Kraków , built between 1597 and 1619 by
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