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According to Christian tradition, the Image of Edessa was a holy relic consisting of a square or rectangle of cloth upon which a miraculous image of the face of Jesus Christ had been imprinted—the first icon ( lit.   ' image ' ). The image is also known as the Mandylion ( Greek : μανδύλιον , 'cloth' or 'towel'), in Eastern Orthodoxy, it is also known as Acheiropoieton ( Greek : Εἰκόν' ἀχειροποίητη , lit.   ' icon not made by hand ' ).

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103-401: In the tradition recorded in the early 4th century by Eusebius of Caesarea , King Abgar of Edessa wrote to Jesus, asking him to come cure him of an illness. Abgar received a reply letter from Jesus, declining the invitation, but promising a future visit by one of his disciples. One of the seventy disciples , Thaddeus of Edessa , is said to have come to Edessa , bearing the words of Jesus, by

206-531: A device to his soldiers' shields, but unlike Lactantius and subsequent Christian tradition, Eusebius does not date the events to October 312 and does not connect Constantine's vision and dream-vision with the Battle of the Milvian Bridge. Before he compiled his church history, Eusebius edited a collection of martyrdoms of the earlier period and a biography of Pamphilus. The martyrology has not survived as

309-634: A court painter in Addai, which becomes a miracle caused by a miraculously-created image supernaturally made when Jesus pressed a cloth to his wet face in Evagrius. It was this last and latest stage of the legend that became accepted in Eastern Orthodoxy, the image of Edessa that was "created by God, and not produced by the hands of man". This idea of an icon that was Acheiropoietos ( Greek : Αχειροποίητη , lit.   ' not made by hand ' )

412-463: A different sort had to be prepared. Lastly, Eusebius wrote eulogies in praise of Constantine. To all this activity must be added numerous writings of a miscellaneous nature, addresses, letters, and the like, and exegetical works that extended over the whole of his life and that include both commentaries and an important treatise on the location of biblical place names and the distances between these cities. Pamphilus and Eusebius occupied themselves with

515-654: A disciple ( Thaddeus of Edessa ) to heal Abgar (and does so). At this stage, there is no mention of an image of Jesus. In AD 384, Egeria , a pilgrim from either Gaul or Spain, was given a personal tour by the Bishop of Edessa, who provided her with many marvellous accounts of miracles that had saved Edessa from the Persians and put into her hands transcripts of the correspondence of Abgarus and Jesus, with embellishments. Part of her accounts of her travels, in letters to her sisterhood, survive. "She naïvely supposed that this version

618-815: A feast day on February 29 according to the official calendar of Saints created by Corbishop Rajan Achen. Eusebius was long venerated in the Roman Catholic Church. Bishop J. B. Lightfoot writes in his entry for St. Eusebius in Henry Wace 's Dictionary of Christian Biography and Literature to the End of the Sixth Century AD, with an Account of Principal Sects and Heresies (1911) that "in the Martyrologium Romanum itself he held his place for centuries" and in "Gallican service-books

721-488: A great deal of which Origen knew of firsthand from his extensive travels, from the library and writings of Origen. On his deathbed, Origen had made a bequest of his private library to the Christian community in the city. Together with the books of his patron Ambrosius , Origen's library (including the original manuscripts of his works ) formed the core of the collection that Pamphilus established. Pamphilus also managed

824-592: A linen cloth and set it upon his visage, and emprinted the very phisiognomy of his visage therein, and sent it unto the king Abgarus which so much desired it. And in the same history is contained how this image was figured. It was well-eyed, well-browed, a long visage or cheer, and inclined, which is a sign of maturity or ripe sadness. The Holy Mandylion disappeared again after the Sassanians conquered Edessa in 609. A local legend, related to historian Andrew Palmer when he visited Urfa (Edessa) in 1997, relates that

927-405: A painter unto Jesu Christ for to figure the image of our Lord, to the end that at least that he might see him by his image, whom he might not see in his visage. And when the painter came, because of the great splendour and light that shone in the visage of our Lord Jesu Christ, he could not behold it, ne could not counterfeit it by no figure. And when our Lord saw this thing he took from the painter

1030-468: A phrase often rendered into Latin as " in hoc signo vinces ". In a dream that night "the Christ of God appeared to him with the sign which had appeared in the sky, and urged him to make himself a copy of the sign which had appeared in the sky, and to use this as a protection against the attacks of the enemy." Eusebius relates that this happened "on a campaign he [Constantine] was conducting somewhere". It

1133-466: A promise that "no enemy would ever enter the city", was inscribed over the city gate, but does not mention an image. Procopius is sceptical about the authenticity of the promise, but says that the wish to disprove it was part of the Persian king Khosrau I 's motivation for the attack, as "it kept irritating his mind". The Syriac Chronicle of Edessa written in 540-550 also claim divine interventions in

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1236-468: A revelatory dream on the eve of battle. Eusebius's work of that time, his Church History , also makes no mention of the vision. The Arch of Constantine, constructed in AD 315, neither depicts a vision nor any Christian insignia in its depiction of the battle. In his posthumous biography of Constantine, Eusebius agrees with Lactantius that Constantine received instructions in a dream to apply a Christian symbol as

1339-405: A school that was similar to (or perhaps a re-establishment of ) that of Origen. He was compared to Demetrius of Phalerum —as well as to another (evidently, learnèd) scholar by the name of "Pisistratus" —for Pamphilus had gathered Bibles "from all parts of the world". Like his model Origen, Pamphilus maintained close contact with his students. Eusebius, in his history of the persecutions, alludes to

1442-587: A synoptical table so that it might be easier to find the pericopes that belong together. These canon tables or "Eusebian canons" remained in use throughout the Middle Ages, and illuminated manuscript versions are important for the study of early medieval art, as they are the most elaborately decorated pages of many Gospel books . Eusebius detailed in Epistula ad Carpianum how to use his canons. The Chronicle ( Παντοδαπὴ Ἱστορία ( Pantodape historia ))

1545-585: A time labored in behalf of the Arian heresy, coming to the council of Nicæa, inspired by the Holy Spirit, followed the decision of the Fathers, and thereafter up to the time of his death lived in a most holy manner in the orthodox faith. Lesson 2 . He was, moreover, very zealous in the study of the sacred Scriptures, and along with Pamphilus the martyr was a most diligent investigator of sacred literature. At

1648-473: A tributary stream of the Euphrates that passed by Edessa. This flood is mentioned in the writings of the court historian Procopius of Caesarea . In the course of the reconstruction work, a cloth bearing the facial features of a man was discovered hidden in the wall above one of the gates of Edessa. Writing soon after the Persian siege of 544, Procopius says that the text of Jesus' letter, by then including

1751-605: A universal calendar of events from the Creation to, again, Eusebius's own time. He completed the first editions of the Ecclesiastical History and Chronicle before 300. Eusebius succeeded Agapius as Bishop of Caesarea soon after 313 and was called on by Arius who had been excommunicated by his bishop Alexander of Alexandria . An episcopal council in Caesarea pronounced Arius blameless. Eusebius enjoyed

1854-415: A whole, but it has been preserved almost completely in parts. It contained: Of the life of Pamphilus, only a fragment survives. A work on the martyrs of Palestine in the time of Diocletian was composed after 311; numerous fragments are scattered in legendaries which have yet to be collected. The life of Constantine was compiled after the death of the emperor and the election of his sons as Augusti (337). It

1957-604: A work ' Quaestiones ad Stephanum et Marinum , On the Differences of the Gospels (including solutions). This was written for the purpose of harmonizing the contradictions in the reports of the different Evangelists. This work was recently (2011) translated into the English language by David J. Miller and Adam C. McCollum and was published under the name Eusebius of Caesarea: Gospel Problems and Solutions . The original work

2060-577: Is 1517, when the nuns were forbidden to exhibit it to avoid competition with the Veronica. Like the Genoa image, it is painted on board and therefore is likely to be a copy. It was exhibited at Germany's Expo 2000 in the pavilion of the Holy See. Historian Rebecca Rist says that devotion to Saint Veronica was encouraged by Pope Innocent III in part to compete with Constantinople's Mandylion and increase

2163-426: Is a collection of hagiographies compiled by Jacobus de Voragine in the thirteenth century, the king Abgarus sent an epistle to Jesus, who answered him writing that he would send him one of his disciples ( Thaddeus of Edessa ) to heal him. The same work adds: And when Abgarus saw that he might not see God presently, after that it is said in an ancient history, as John Damascene witnesseth in his fourth book, he sent

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2266-601: Is a separate enrichment of the original legend: similar legends of supernatural origins have accrued to other Orthodox icons. The Ancha icon is reputed to be the Keramidion , another acheiropoietos recorded from an early period, miraculously imprinted with the face of Christ by contact with the Mandylion. To art historians it is a Georgian icon of the 6th-7th century. According to the Golden Legend , which

2369-687: Is believed that somehow because of this, the Shroud made its way to France. A small part of a relic, believed to be the same as this, was one of the large group sold by Baldwin II of Constantinople to Louis IX of France in 1241 and housed in the Sainte-Chapelle in Paris (not to be confused with the Sainte Chapelle at Chambéry , home for a time of the Shroud of Turin) until it disappeared during

2472-522: Is divided into two parts. The first part, the Chronography ( Χρονογραφία ( Chronographia )), gives an epitome of universal history from the sources, arranged according to nations. The second part, the Canons ( Χρονικοὶ Κανόνες ( Chronikoi kanones )), furnishes a synchronism of the historical material in parallel columns, the equivalent of a parallel timeline. The work as a whole has been lost in

2575-459: Is good which is according to nature. Every rational soul has naturally a good free-will, formed for the choice of what is good. But when a man acts wrongly, nature is not to be blamed; for what is wrong, takes place not according to nature, but contrary to nature, it being the work of choice, and not of nature. A letter Eusebius is supposed to have written to Constantine 's daughter Constantina , refusing to fulfill her request for images of Christ,

2678-588: Is more a rhetorical eulogy on the emperor than a history but is of great value on account of numerous documents incorporated into it. To the class of apologetic and dogmatic works belong: A number of writings, belonging in this category, have been entirely lost. All of the exegetical works of Eusebius have suffered damage in transmission. The majority of them are known to us only from long portions quoted in Byzantine catena-commentaries. However these portions are very extensive. Extant are: Eusebius also wrote

2781-643: Is that homoousios came straight from Constantine's Hermetic background. As can be clearly seen in the Poimandres , and even more clearly in an inscription mentioned exclusively in the Theosophia , in the theological language of Egyptian paganism the word homoousios meant that the Nous-Father and the Logos-Son, who are two distinct beings, share the same perfection of the divine nature. However,

2884-499: Is the cause of all beings. But he is not merely a cause; in him everything good is included, from him all life originates, and he is the source of all virtue. God sent Christ into the world that it may partake of the blessings included in the essence of God. Eusebius expressly distinguishes the Son as distinct from Father as a ray is also distinct from its source the sun. Eusebius held that men were sinners by their own free choice and not by

2987-452: Is there any evidence of a normal, well-established Christian use of the term homoousios in its strictly Trinitarian meaning. Having once excluded any relationship of the Nicene homoousios with the Christian tradition, it becomes legitimate to propose a new explanation, based on an analysis of two pagan documents which have so far never been taken into account. The main thesis of this paper

3090-419: Is unclear from Eusebius's description whether the shields were marked with a Christian cross or with a chi-rho , a staurogram , or another similar symbol. The Latin text De mortibus persecutorum contains an early account of the 28 October 312 Battle of the Milvian Bridge written by Lactantius probably in 313, the year following the battle. Lactantius does not mention a vision in the sky but describes

3193-467: Is worst, deserving of blame and punishment, because he has by his own motion neglected the natural law, and becoming the origin and fountain of wickedness, and misusing himself, not from any extraneous necessity, but from free will and judgment. The fault is in him who chooses, not in God. For God has not made nature or the substance of the soul bad; for he who is good can make nothing but what is good. Everything

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3296-518: The Ascension of Jesus . The icon (105X71X4.6 cm without a kiot , an icon box) is enclosed into the middle panel of the triptych so that only the face of the Savior remains visible. The silver chasing, remodeled in 1825, presents Christ Pantocrator , while the original encaustic painting shows the bust of Jesus. The frame of the central panel is adorned with Beka Opizari's work, a high point of

3399-524: The French Revolution . The Portuguese Jesuit Jerónimo Lobo , who visited Rome in 1637, mentions the sacred portrait sent to King Abgar as being in this city: "I saw the famous relics that are preserved in that city as in a sanctuary, a large part of the holy cross, pieces of the crown and several thorns, the sponge, the lance, Saint Thomas's finger, one of the thirty coins for which the Saviour

3502-518: The Gospel of Matthew ; and many of Origen's own writings. Marginal comments in extant manuscripts note that Pamphilus and his friends and pupils, including Eusebius, corrected and revised much of the biblical text in their library. Their efforts made the hexaplaric Septuagint text increasingly popular in Syria and Palestine. Soon after joining Pamphilus's school, Eusebius started helping his master expand

3605-750: The Vatican Library , contains an 8th-century account saying that an imprint of Christ's whole body was left on a canvas kept in a church in Edessa: it quotes a man called Smera in Constantinople: "King Abgar received a cloth on which one can see not only a face but the whole body" ( Latin : [non tantum] faciei figuram sed totius corporis figuram cernere poteris ). This image is kept in the Church of St Bartholomew of The Armenians in Genoa, Italy . In

3708-636: The Volto Santo of Lucca ), is a Christian relic of a piece of cloth which, according to tradition, bears the image of Jesus' face. Various existing images have been claimed to be the "original" relic, or early copies of it. Accounts of the Veil of Veronica and the Image of Edessa are sometimes confused by scholars. Eusebius of Caesarea Eusebius of Caesarea ( c.  AD 260/265  – 30 May AD 339), also known as Eusebius Pamphilius ,

3811-725: The textual criticism of the Septuagint text of the Old Testament and especially of the New Testament . An edition of the Septuagint seems to have been already prepared by Origen , which, according to Jerome , was revised and circulated by Eusebius and Pamphilus. For an easier survey of the material of the four Evangelists, Eusebius divided his edition of the New Testament into paragraphs and provided it with

3914-508: The 14th century it was donated to the doge of Genoa Leonardo Montaldo by the Byzantine Emperor John V Palaeologus . It has been the subject of a detailed 1969 study by Colette Dufour Bozzo, who dated the outer frame to the late 14th century, giving a terminus ante quem for the inner frame and the image itself. Bozzo found that the image was imprinted on a cloth that had been pasted onto a wooden board. The similarity of

4017-578: The Crusaders sacked the city in 1204 and carried off many of its treasures to Western Europe, though the "Image of Edessa" is not mentioned in this context in any contemporary document. Similarly, it has been claimed that the Shroud of Turin disappeared from Constantinople in 1204, when Crusaders looted the city. The leaders of the Crusader army in this instance were French and Italian (from Venice), and it

4120-587: The Georgian hymnist Ioann, bishop of Ancha (fl. 1195), the icon was brought in Georgia by Apostle Andrew from Hierapolis . An 18th-century inscription on the icon covering associates the Anchiskhati with the Image of Edessa, an " icon not made by hand ", brought to the cathedral of Ancha in the Georgian princedom of Klarjeti to preserve it from the iconoclastic campaign by the Byzantine emperor Leo III

4223-757: The Gospel , Preparations for the Gospel and On Discrepancies between the Gospels , studies of the biblical text. His work Onomasticon is an early geographical lexicon of places in the Holy Land mentioned in the Bible. As "Father of Church History " (not to be confused with the title of Church Father ), he produced the Ecclesiastical History , On the Life of Pamphilus , the Chronicle and On

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4326-699: The Isaurian . After the Ottoman conquest of the Georgian Principality of Samtskhe , of which Klarjeti was part, in the 16th century, Christianity went in decline in the area. In 1664, the merchant Amirjan Ievangulishvili brought the icon of Ancha to Tbilisi, where it was acquired by the Georgian catholicos Domenti III for 2,000 silver coins for the newly refurbished church of the Nativity of

4429-459: The Mandylion from the 6th to the 13th centuries was in fact the Shroud of Turin, folded in four, and enclosed in an oblong frame so that only the face was visible. Wilson cites documents in the Vatican Library and the University of Leiden , Netherlands, which seem to suggest the presence of another image at Edessa. A 10th-century codex, Codex Vossianus Latinus Q 69, found by Gino Zaninotto in

4532-609: The Martyrs . He also produced a biographical work on Constantine the Great , the first Christian Roman emperor , who was Augustus between AD 306 and AD 337. Little is known about the life of Eusebius. His successor at the See of Caesarea, Acacius , wrote a Life of Eusebius , a work that has since been lost. Eusebius's own surviving works probably only represent a small portion of his total output. Beyond notices in his extant writings,

4635-485: The Orthodox Christians to return the icon to the church’s property. Ancha Icon of the Savior is an encaustic icon dated to the 6th-7th century as it was identified by the detailed analysis by art historian Shalva Amiranashvili in the 1920s. By the end of the 12th century the icon was covered with gilded chasing by the Georgian master Beka Opizari at the behest of the bishop of Ancha, Ioann Rkinaeli, and

4738-724: The Persians in 544. The image was moved to Constantinople in the 10th century. The cloth disappeared when Constantinople was sacked in 1204 during the Fourth Crusade , and is believed by some to have reappeared as a relic in King Louis IX of France 's Sainte-Chapelle in Paris . This relic disappeared in the French Revolution . The provenance of the Edessa letter between the 1st century and its location in his own time are not reported by Eusebius. The materials, according to

4841-510: The Savior , known in Georgia as Anchiskhati ( Georgian : ანჩისხატი ), is a medieval Georgian encaustic icon , traditionally considered to be the Keramidion , a "holy tile" imprinted with the face of Jesus Christ miraculously transferred by contact with the Image of Edessa ( Mandylion ). Dated to the 6th-7th century, it was covered with a chased silver riza and partly repainted in

4944-780: The Theotokos in Tbilisi, henceforth known as the Anchiskhati church . The icon remained one of the most venerated relics of Georgian Christianity until after the Soviet takeover of Georgia it was moved to the National Art Museum of Georgia in the 1920s. The Anchiskhati church was closed down and would only be reopened in the last years of the Soviet Union in the 1980s. Since then, there have been repeated calls from

5047-401: The birth of Eusebius to some point between AD 260 and 265. He was most likely born in or around Caesarea Maritima . Nothing is known about his parents. He was baptized and instructed in the city, and lived in Syria Palaestina in 296, when Diocletian 's army passed through the region (in the Life of Constantine , Eusebius recalls seeing Constantine traveling with the army). Eusebius

5150-399: The contention. Through the activities of the theologian Origen (185/6–254) and the school of his follower Pamphilus (later 3rd century – 309), Caesarea became a center of Christian learning. Origen was largely responsible for the collection of usage information, or which churches were using which gospels, regarding the texts which became the New Testament . The information used to create

5253-456: The council evidently did not force the insertion of the word and instead adopted a text related to the confession of Jerusalem. The role of Constantine remained uncertain during the council. Alternate views have suggested that Gibbon's dismissal of Eusebius is inappropriate: While many have shared Burckhardt's assessment, particularly with reference to the Life of Constantine , others, while not pretending to extol his merits, have acknowledged

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5356-403: The days of the prophets of old, would take place at the coming of the Christ, which I will presently shew to have been fulfilled as never before in accordance with the predictions" ( Demonstratio Evangelica VIII). From a dogmatic point of view, Eusebius is related in his views to Origen . Like Origen, he started from the fundamental thought of the absolute sovereignty ( monarchia ) of God. God

5459-440: The early church due to Eusebius's access to materials now lost. Eusebius's Life of Constantine ( Vita Constantini ) is a eulogy or panegyric , and therefore its style and selection of facts are affected by its purpose, rendering it inadequate as a continuation of the Church History. As the historian Socrates Scholasticus said, at the opening of his history which was designed as a continuation of Eusebius, "Also in writing

5562-456: The emperor himself had recounted to him that some time between the death of his father – the augustus Constantius – and his final battle against his rival Maxentius as augustus in the West, Constantine experienced a vision in which he and his soldiers beheld a Christian symbol, "a cross-shaped trophy formed from light", above the sun at midday. Attached to the symbol was the phrase "by this conquer" ( ἐν τούτῳ νίκα , en toútōi níka ),

5665-443: The environs. The next stage of development appears in the Doctrine of Addai [Thaddeus], c. 400, which introduces a court painter among a delegation sent by Abgar to Jesus, who paints a portrait of Jesus to take back to his master: When Hannan, the keeper of the archives, saw that Jesus spoke thus to him, by virtue of being the king's painter, he took and painted a likeness of Jesus with choice paints, and brought with him to Abgar

5768-410: The fact that many of the Caesarean martyrs lived together, presumably under Pamphilus. Soon after Pamphilus settled in Caesarea ( c. 280s), he began teaching Eusebius, who was then somewhere between twenty and twenty-five. Because of his close relationship with his schoolmaster, Eusebius was sometimes called Eusebius Pamphili : "Eusebius, son of Pamphilus". The name may also indicate that Eusebius

5871-438: The favor of the Emperor Constantine . Because of this he was called upon to present the creed of his own church to the 318 attendees of the Council of Nicaea in 325. However, the anti-Arian creed from Palestine prevailed, becoming the basis for the Nicene Creed . The theological views of Arius, that taught the subordination of the Son to the Father , continued to be controversial. Eustathius of Antioch strongly opposed

5974-406: The first part of Eusebius's Chronicle , of which only a few fragments exist in Greek, has been preserved entirely in Armenian , though with lacunae. The Chronicle as preserved extends to the year 325. In his Church History or Ecclesiastical History , Eusebius wrote the first surviving history of the Christian Church as a chronologically ordered account, based on earlier sources, complete from

6077-442: The first year of Abraham up to the year 300 AD, which the divine Hieronymus has continued. Finally this Eusebius, after the conversion of Constantine the Great, was united to him by strong friendship as long as he lived. A bone fragment relic of Eusebius within its original reliquary is on display at the Shrine of All Saints located within St. Martha's Catholic Church in Morton Grove, Illinois. Ancha icon The Ancha Icon of

6180-429: The following centuries. The icon derives its name from the Georgian monastery of Ancha in what is now Turkey , whence it was brought to Tbilisi in 1664. The icon is now kept at the National Art Museum of Georgia in Tbilisi. Medieval Georgian sources identify the Ancha icon with the Keramidion , a "holy tile" imprinted with the face of Christ miraculously transferred by contact with the Mandylion . According to

6283-408: The following year, he was again summoned before a synod in Tyre at which Eusebius of Caesarea presided. Athanasius, foreseeing the result, went to Constantinople to bring his cause before the Emperor. Constantine called the bishops to his court, among them Eusebius. Athanasius was condemned and exiled at the end of 335. Eusebius remained in the Emperor's favour throughout this time and more than once

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6386-471: The former category he includes evidence of Eusebius in several martyrologies and being entitled "Blessed" dating back to Victorius of Aquitaine . Valois includes both Usuardus and Notker , who list his feast as June 21 in the Roman Martyrology, and a Gallican breviary is included for June 21 that reads as follows: Of the holy Eusebius, bishop and confessor. Lesson 1 . Eusebius, bishop of Cæsarea in Palestine, on account of his friendship with Pamphilus

6489-402: The growing influence of Origen 's theology as the root of Arianism . Eusebius, an admirer of Origen, was reproached by Eustathius for deviating from the Nicene faith. Eusebius prevailed and Eustathius was deposed at a synod in Antioch . However, Athanasius of Alexandria became a more powerful opponent and in 334 he was summoned before a synod in Caesarea (which he refused to attend). In

6592-445: The historian is commemorated as a saint." However, Lightfoot notes that in "the revision of this Martyrology under Gregory XIII his name was struck out, and Eusebius of Samosata was substituted, under the mistaken idea that Caesarea had been substituted for Samosata by a mistake." The Roman Catholic author Henri Valois includes in his translations on Eusebius's writings testimonies of ancient authors in favor and against Eusebius; in

6695-401: The image with the Veil of Veronica suggests a link between the two traditions. This image was kept in Rome's church of San Silvestro in Capite , attached to a convent of Poor Clares , up to 1870, and is now kept in the Matilda chapel in the Vatican Palace . It is housed in a Baroque frame added by Sister Dionora Chiarucci, head of the convent, in 1623. The earliest evidence of its existence

6798-445: The irreplaceable value of his works which may principally reside in the copious quotations that they contain from other sources, often lost. The earliest recorded feast day of Eusebius is found in the earliest known Syrian Martyrology dating to the year 411 translated by William Wright . The Martyrology lists his feast day as May 30. Eusebius continues to be venerated as a Saint by the modern-day Syrian Orthodox Church as well, with

6901-402: The king, his master. And when Abgar the king saw the likeness, he received it with great joy, and placed it with great honor in one of his palatial houses. The later legend of the image recounts that because the successors of Abgar reverted to paganism, the bishop placed the miraculous image inside a wall, and setting a burning lamp before the image, he sealed them up behind a tile; that the image

7004-401: The late appearance of this legend, has increased the scepticism of scholars. A cloth believed to exist today in the Vatican is supposed to have been brought back to Italy at the time of the Crusades . The Veil of Veronica ( Latin : Sudarium , 'sweat-cloth'), often called simply "The Veronica" and known in Italian as the Volto Santo or Holy Face (but not to be confused with the carved crucifix

7107-409: The late-fourth-century Easter Letter , which declared accepted Christian writings, was probably based on the Ecclesiastical History [HE] of Eusebius of Caesarea, wherein he uses the information passed on to him by Origen to create both his list at HE 3:25 and Origen's list at HE 6:25. Eusebius got his information about what texts were accepted by the third-century churches throughout the known world,

7210-440: The library's collections and broaden access to its resources. At about this time Eusebius compiled a Collection of Ancient Martyrdoms , presumably for use as a general reference tool. In the 290s, Eusebius began work on his most important work, the Ecclesiastical History , a narrative history of the Church and Christian community from the Apostolic Age to Eusebius's own time. At about the same time, he worked on his Chronicle ,

7313-405: The life of Constantine, this same author has but slightly treated of matters regarding Arius , being more intent on the rhetorical finish of his composition and the praises of the emperor than on an accurate statement of facts." The work was unfinished at Eusebius's death. Some scholars have questioned the Eusebian authorship of this work. Writing after Constantine had died, Eusebius claimed that

7416-411: The major sources are the 5th-century ecclesiastical historians Socrates , Sozomen , and Theodoret , and the 4th-century Christian author Jerome . There are assorted notices of his activities in the writings of his contemporaries Athanasius , Arius , Eusebius of Nicomedia , and Alexander of Alexandria . Eusebius's pupil, Eusebius of Emesa , provides some incidental information. Most scholars date

7519-406: The martyr, took from him the surname of Pamphili; inasmuch as along with this same Pamphilus he was a most diligent investigator of sacred literature. The man indeed is very worthy of being remembered in these times, both for his skill in many things, and for his wonderful genius, and by both Gentiles and Christians he was held distinguished and most noble among philosophers. This man, after having for

7622-454: The martyrs of his own time and the past, and this led him to the history of the whole Church and finally to the history of the world, which, to him, was only a preparation for ecclesiastical history. Then followed the time of the Arian controversies, and dogmatic questions came into the foreground. Christianity at last found recognition by the State; and this brought new problems – apologies of

7725-569: The nation famous, firstly the kingship, secondly that of prophet, and lastly the high priesthood. The prophecies said that the abolition and complete destruction of all these three together would be the sign of the presence of the Christ. And that the proofs that the times had come, would lie in the ceasing of the Mosaic worship, the desolation of Jerusalem and its Temple, and the subjection of the whole Jewish race to its enemies. ...The holy oracles foretold that all these changes, which had not been made in

7828-485: The necessity of their natures. Eusebius said: The Creator of all things has impressed a natural law upon the soul of every man, as an assistant and ally in his conduct, pointing out to him the right way by this law; but, by the free liberty with which he is endowed, making the choice of what is best worthy of praise and acceptance, he has acted rightly, not by force, but from his own free-will, when he had it in his power to act otherwise, As, again, making him who chooses what

7931-522: The original Greek, but it may be reconstructed from later chronographists of the Byzantine school who made excerpts from the work, especially George Syncellus . The tables of the second part have been completely preserved in a Latin translation by Jerome, and both parts are still extant in an Armenian translation. The loss of the Greek originals has given the Armenian translation a special importance; thus,

8034-521: The painstaking labor of original research. Hence, much has been preserved, quoted by Eusebius, which otherwise would have been lost. The literary productions of Eusebius reflect on the whole the course of his life. At first, he occupied himself with works on biblical criticism under the influence of Pamphilus and probably of Dorotheus of Tyre of the School of Antioch . Afterward, the persecutions under Diocletian and Galerius directed his attention to

8137-624: The period of the Apostles to his own epoch. The time scheme correlated the history with the reigns of the Roman Emperors, and the scope was broad. Included were the bishops and other teachers of the Church, Christian relations with the Jews and those deemed heretical, and the Christian martyrs through 324. Although its accuracy and biases have been questioned, it remains an important source on

8240-585: The prestige of Rome and its pope by claiming a similar acheiropoieta, the Veil of Veronica . In later Western European tradition the main likeness of the face of Jesus not made by human hand (i.e., an acheiropoieton ), became the Veil of Veronica, supposedly the cloth offered by Saint Veronica to Jesus so he could wipe his face on the way to his crucifixion. That the name "Veronica" may derive from "true image" (alternatively pherenike ("bearer of blessing" in Greek), and

8343-588: The product of centuries of development. The first version is found in Eusebius ' History of the Church (1.13.5–1.13.22). Eusebius claimed that he had transcribed and translated the actual letter in the Syriac chancery documents of the king of Edessa. This records a letter written by King Abgar of Edessa to Jesus, asking him to come cure him of an illness. Jesus replies by letter, saying that when he had completed his earthly mission and ascended to heaven, he would send

8446-524: The queen Tamar of Georgia . In the early 14th century, the icon was converted into a triptych at the expense of the Jaqeli princes of Samtskhe. The chasing was amended several times and embellished with various inscriptions that date to the 12th, 14th, 16th, and 18th centuries. The 14th and 17th-century chasing of the lateral leaves depicts 12 scenes from the New Testament , from the Annunciation to

8549-625: The reign of Constantine (336). Most of Eusebius's letters are lost. His letters to Carpianus and Flacillus exist complete. Fragments of a letter to the empress Constantia also exists. Eusebius is fairly unusual in his preterist , or fulfilled, eschatological view. Saying "the Holy Scriptures foretell that there will be unmistakable signs of the Coming of Christ. Now there were among the Hebrews three outstanding offices of dignity, which made

8652-720: The same time he has written many things, but especially the following books: The Præparatio Evangelica, the Ecclesiastical History, Against Porphyry, a very bitter enemy of the Christians; he has also composed Six Apologies in Behalf of Origen, a Life of Pamphilus the Martyr, from whom on account of friendship he took his surname, in three books; likewise very learned Commentaries on the hundred and fifty Psalms. Lesson 3 . Moreover, as we read, after having ascertained

8755-405: The scholar Robert Eisenman , "are very widespread in the Syriac sources with so many multiple developments and divergences that it is hard to believe they could all be based on Eusebius' poor efforts" (Eisenman 1997:862). The Eastern Orthodox Church observes a feast for this icon on August 16, which commemorates its translation from Edessa to Constantinople. The story of the Mandylion is likely

8858-465: The siege, but does not mention the Image. Some fifty years later, Evagrius Scholasticus in his Ecclesiastical History (593) is the first to mention a role for the image in the relief of the siege, attributing it to a "God-made image", a miraculous imprint of the face of Jesus upon a cloth. Thus we can trace the development of the legend from a letter, but no image in Eusebius, to an image painted by

8961-482: The sufferings of many holy martyrs in all the provinces, and the lives of confessors and virgins, he has written concerning these saints twenty books; while on account of these books therefore, and especially on account of his Præparatio Evangelica, he was held most distinguished among the Gentiles, because of his love of truth he contemned the ancestral worship of the gods. He has written also a Chronicle, extending from

9064-473: The towel or burial cloth ( منديل mendil ) of Jesus was thrown into a well in what is today the city's Great Mosque. The Christian tradition exemplified in Georgios Kedrenos ' Historiarum compendium is at variance with this, John Scylitzes recounting how in 944, when the city was besieged by John Kourkouas , it was exchanged for a group of Muslim prisoners. At that time the Image of Edessa

9167-509: The virtues of which the king was miraculously healed. Eusebius said that he had transcribed and translated the actual letter in the Syriac chancery documents of the king of Edessa, but who makes no mention of an image. The report of an image, which accrued to the legendarium of Abgar, first appears in the Syriac work the Doctrine of Addai : according to it, the messenger, here called Ananias,

9270-489: The word homoousios ( consubstantial ) "was inserted in the Nicene Creed solely by the personal order of Constantine." According to Eusebius of Caesarea, the word homoousios was inserted in the Nicene Creed solely by the personal order of Constantine. But this statement is highly problematic. It is very difficult to explain the seeming paradoxical fact that this word, along with the explanation given by Constantine,

9373-407: The works of Plato and to an extensive range of later philosophic works, largely from Middle Platonists from Philo to the late 2nd century. Whatever its secular contents, the primary aim of Origen and Pamphilus's school was to promote sacred learning. The library's biblical and theological contents were more impressive: Origen's Hexapla and Tetrapla ; a copy of the original Aramaic version of

9476-515: Was a Greek Syro-Palestinian historian of Christianity , exegete , and Christian polemicist . In about AD 314 he became the bishop of Caesarea Maritima in the Roman province of Syria Palaestina . Together with Pamphilus , Eusebius was a scholar of the biblical canon and is regarded as one of the most learned Christians during late antiquity . He wrote the Demonstrations of

9579-401: Was accepted by the "Arian" Eusebius, whereas it has left no traces at all in the works of his opponents, the leaders of the anti-Arian party such as Alexander of Alexandria , Ossius of Cordova , Marcellus of Ancyra , and Eustathius of Antioch , who are usually considered Constantine's theological advisers and the strongest supporters of the council. Neither before nor during Constantine's time

9682-401: Was also a painter, and he painted the portrait, which was brought back to Edessa and conserved in the royal palace. The first record of the existence of a physical image in the ancient city of Edessa (now Urfa ) was by Evagrius Scholasticus , writing about 593, who reports a portrait of Christ of divine origin (θεότευκτος), which effected the miraculous aid in the defence of Edessa against

9785-525: Was also translated into Syriac , and lengthy quotations exist in a catena in that language, and also in Arabic catenas. Eusebius also wrote treatises on the biblical past; these three treatises have been lost. They were: The addresses and sermons of Eusebius are mostly lost, but some have been preserved, e.g., a sermon on the consecration of the church in Tyre and an address on the thirtieth anniversary of

9888-726: Was exonerated with the explicit approval of the Emperor Constantine. After the Emperor's death ( c.  337 ), Eusebius wrote the Life of Constantine , an important historical work because of eyewitness accounts and the use of primary sources. Of the extensive literary activity of Eusebius, a relatively large portion has been preserved. Although posterity suspected him of Arianism , Eusebius had made himself indispensable by his method of authorship; his comprehensive and careful excerpts from original sources saved his successors

9991-457: Was later found again, after a vision, on the very night of the Persian invasion, and that not only had it miraculously reproduced itself on the tile , but the same lamp was still burning before it; further, that the bishop of Edessa used a fire into which oil flowing from the image was poured to destroy the Persians. The image itself is said to have resurfaced in 525, during a flood of the Daisan,

10094-528: Was made presbyter by Agapius of Caesarea . Some, like theologian and ecclesiastical historian John Henry Newman , understand Eusebius's statement that he had heard Dorotheus of Tyre "expound the Scriptures wisely in the Church" to indicate that Eusebius was Dorotheus's pupil while the priest was resident in Antioch; others, like the scholar D. S. Wallace-Hadrill, deem the phrase too ambiguous to support

10197-508: Was made Pamphilus' heir. Pamphilus gave Eusebius a strong admiration for the thought of Origen. Neither Pamphilus nor Eusebius knew Origen personally; Pamphilus probably picked up Origenist ideas during his studies under Pierius (nicknamed "Origen Junior" ) in Alexandria. Eusebius's Preparation for the Gospel bears witness to the literary tastes of Origen: Eusebius quotes no comedy, tragedy, or lyric poetry, but makes reference to all

10300-530: Was more complete than the shorter letter which she had read in a translation at home, presumably one brought back to the Far West by an earlier pilgrim". Her escorted tour, accompanied by a translator, was thorough; the bishop is quoted: "Now let us go to the gate where the messenger Ananias came in with the letter of which I have been telling you." There was however, no mention of any image reported by Egeria, who spent three days inspecting every corner of Edessa and

10403-726: Was quoted in the decrees (now lost) of the Iconoclast Council of Hieria in 754, and later quoted in part in the rebuttal of the Hieria decrees in the Second Council of Nicaea of 787, now the only source from which some of the text is known. The authenticity or authorship of the letter remains uncertain. In the June 2002 issue of the Church History journal, Pier Franco Beatrice reports that Eusebius testified that

10506-623: Was sold, the sacred portrait, the one that Christ Our Lord sent to King Abagaro, the sacred staircase on which Christ went up and down from the Praetorium, the head of the holy Baptist, the Column, the Altar on which Saint Peter said mass, and countless other relics." Three images survive today which are associated with the Mandylion . Author Ian Wilson has argued that the object venerated as

10609-646: Was taken to Constantinople where it was received amidst great celebration by emperor Romanos I Lekapenos , who deposited it in the Theotokos of the Pharos chapel in the Great Palace of Constantinople . Not inconsequentially, the earliest known Byzantine icon of the Mandylion or Holy Face, preserved at Saint Catherine's Monastery in Egypt , is dated c. 945. The Mandylion remained under Imperial protection until

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