161-399: In Greek mythology , Icarus ( / ˈ ɪ k ə r ə s / ; Ancient Greek : Ἴκαρος , romanized : Íkaros , pronounced [ǐːkaros] ) was the son of the master craftsman Daedalus , the architect of the labyrinth of Crete . After Theseus , king of Athens and enemy of Minos, escaped from the labyrinth, King Minos suspected that Icarus and Daedalus had revealed
322-460: A framing story in which the main narrator, a skeptic named Tychiades, goes to visit an elderly friend named Eukrates. At Eukrates's house, he encounters a large group of guests who have recently gathered together due to Eukrates suddenly falling ill. The other guests offer Eukrates a variety of folk remedies to help him recover. When Tychiades objects that such remedies do not work, the others all laugh at him and try to persuade him to believe in
483-641: A labyrinth for King Minos of Crete near his palace at Knossos to imprison the Minotaur , a half-man, half-bull monster born of his wife and the Cretan bull . Minos imprisoned Daedalus himself in the labyrinth because he believed Daedalus gave Minos's daughter, Ariadne , a clew (or ball of string) in order to help Theseus escape the labyrinth and defeat the Minotaur. Daedalus fashioned two pairs of wings for himself and his son, made of metal feathers held to
644-579: A pederastic light . Alexandrian poets at first, then more generally literary mythographers in the early Roman Empire, often re-adapted stories of Greek mythological characters in this fashion. The achievement of epic poetry was to create story-cycles and, as a result, to develop a new sense of mythological chronology. Thus, Greek mythology unfolds as a phase in the development of the world and of humans. While self-contradictions in these stories make an absolute timeline impossible, an approximate chronology may be discerned. The resulting mythological "history of
805-486: A "eulogy of Platonism", but may, in fact, be satirical, or merely an excuse to ridicule Roman society. Nonetheless, at other times, Lucian writes approvingly of individual philosophies. According to Turner, although Lucian makes fun of Skeptic philosophers , he displays a temperamental inclination towards that philosophy. Edwyn Bevan identifies Lucian as a Skeptic, and in his Hermotimus , Lucian rejects all philosophical systems as contradictory and concludes that life
966-677: A Christian moralizing perspective. The discovery of the Mycenaean civilization by the German amateur archaeologist Heinrich Schliemann in the nineteenth century, and the discovery of the Minoan civilization in Crete by the British archaeologist Arthur Evans in the twentieth century, helped to explain many existing questions about Homer's epics and provided archaeological evidence for many of
1127-479: A barbarous manner and all but wearing a caftan [ kandys ] in the Assyrian fashion". Rhetoric states that she "took him in hand and ... gave him paideia ". Scholars have long interpreted the "Syrian" in this work as Lucian himself and taken this speech to mean that Lucian ran away to Ionia, where he pursued his education. Richter, however, argues that the "Syrian" is not Lucian himself, but rather
1288-585: A collection of epic poems , starts with the events leading up to the war: Eris and the golden apple of Kallisti , the Judgement of Paris , the abduction of Helen , the sacrifice of Iphigenia at Aulis . To recover Helen, the Greeks launched a great expedition under the overall command of Menelaus 's brother, Agamemnon, king of Argos, or Mycenae , but the Trojans refused to return Helen. The Iliad , which
1449-492: A combination of their name and epithets , that identify them by these distinctions from other manifestations of themselves (e.g., Apollo Musagetes is " Apollo , [as] leader of the Muses "). Alternatively, the epithet may identify a particular and localized aspect of the god, sometimes thought to be already ancient during the classical epoch of Greece. Most gods were associated with specific aspects of life. For example, Aphrodite
1610-610: A comedic routine. Lucian's Dialogues of the Dead ( Νεκρικοὶ Διάλογοι ) is a satirical work centering around the Cynic philosophers Diogenes and his pupil Menippus , who lived modestly while they were alive and are now living comfortably in the abysmal conditions of the Underworld, while those who had lived lives of luxury are in torment when faced by the same conditions. The dialogue draws on earlier literary precursors, including
1771-525: A convenient framework into which to fit their own courtly and chivalric ideals. Twelfth-century authors, such as Benoît de Sainte-Maure ( Roman de Troie [Romance of Troy, 1154–60]) and Joseph of Exeter ( De Bello Troiano [On the Trojan War, 1183]) describe the war while rewriting the standard version they found in Dictys and Dares . They thus follow Horace 's advice and Virgil's example: they rewrite
SECTION 10
#17327647831711932-484: A decade, during which he wrote most of his extant works. In his fifties, he may have been appointed as a highly paid government official in Egypt , after which point he disappears from the historical record. Lucian's works were wildly popular in antiquity, and more than eighty writings attributed to him have survived to the present day, a considerably higher quantity than for most other classical writers. His most famous work
2093-472: A fictional narrative work written in prose, he parodies some of the fantastic tales told by Homer in the Odyssey and also the not-so-fantastic tales from the historian Thucydides . He anticipated modern science fiction themes including voyages to the moon and Venus, extraterrestrial life , interplanetary warfare, and artificial life, nearly two millennia before Jules Verne and H. G. Wells . The novel
2254-489: A flat disk afloat on the river of Oceanus and overlooked by a hemispherical sky with sun, moon, and stars. The Sun ( Helios ) traversed the heavens as a charioteer and sailed around the Earth in a golden bowl at night. Sun, earth, heaven, rivers, and winds could be addressed in prayers and called to witness oaths. Natural fissures were popularly regarded as entrances to the subterranean house of Hades and his predecessors, home of
2415-448: A generally negative opinion of Herodotus and his historiography, which he viewed as faulty. Over eighty works attributed to Lucian have survived. These works belong to a diverse variety of styles and genres, and include comic dialogues, rhetorical essays, and prose fiction. Lucian's writings were targeted towards a highly educated, upper-class Greek audience and make almost constant allusions to Greek cultural history, leading
2576-558: A god "greater than he", Zeus swallowed her. She was already pregnant with Athena , however, and she burst forth from his head—fully-grown and dressed for war. The earliest Greek thought about poetry considered the theogonies to be the prototypical poetic genre—the prototypical mythos —and imputed almost magical powers to it. Orpheus , the archetypal poet, also was the archetypal singer of theogonies, which he uses to calm seas and storms in Apollonius' Argonautica , and to move
2737-553: A higher education, so, after he completed his elementary schooling, Lucian's uncle took him on as an apprentice and began teaching him how to sculpt. Lucian, however, soon proved to be poor at sculpting and ruined the statue he had been working on. His uncle beat him, causing him to run off. Lucian fell asleep and experienced a dream in which he was being fought over by the personifications of Statuary and Culture. He decided to listen to Culture and thus sought out an education. Although The Dream has long been treated by scholars as
2898-481: A lawyer, but that he had become disillusioned by the deceitfulness of the trade and resolved to become a philosopher instead. Lucian travelled across the Empire, lecturing throughout Greece, Italy, and Gaul . In Gaul, Lucian may have held a position as a highly paid government professor. In around 160, Lucian returned to Ionia as a wealthy celebrity. He visited Samosata and stayed in the east for several years. He
3059-511: A leather frame by beeswax. Before trying to escape the island, he warned his son to follow his flight path and not fly too close to the sun or the sea. Overcome by giddiness while flying, Icarus disobeyed his father and soared higher into the sky. Without warning, the heat from the sun softened (and melted) the wax. Icarus could feel melted wax dripping down his arms. The feathers then fell one by one. Icarus kept flapping his "wings", trying to stay aloft. But he realized that he had no feathers left. He
3220-513: A limited number of gods, who were the focus of large pan-Hellenic cults. It was, however, common for individual regions and villages to devote their own cults to minor gods. Many cities also honored the more well-known gods with unusual local rites and associated strange myths with them that were unknown elsewhere. During the heroic age, the cult of heroes (or demigods) supplemented that of the gods. "The origins of humanity [were] ascribed to various figures, including Zeus and Prometheus ." Bridging
3381-659: A literary device Lucian uses to subvert literary and ethnic norms. Ionia was the center of rhetorical learning at the time. The most prestigious universities of rhetoric were in Ephesus and Smyrna , but it is unlikely that Lucian could have afforded to pay the tuition at either of these schools. It is not known how Lucian obtained his education, but somehow he managed to acquire an extensive knowledge of rhetoric as well as classical literature and philosophy. Lucian mentions in his dialogue The Fisherman that he had initially attempted to apply his knowledge of rhetoric and become
SECTION 20
#17327647831713542-633: A marker indicating that Heracles and Dionysus have traveled to this point, and trees that look like women. Shortly after leaving the island, they are caught up by a whirlwind and taken to the Moon , where they find themselves embroiled in a full-scale war between the king of the Moon and the king of the Sun over colonization of the Morning Star . Both armies include bizarre hybrid lifeforms. The armies of
3703-457: A morally constructive discipline, but he is critical of pseudo-philosophers, whom he portrays as greedy, bad-tempered, sexually immoral hypocrites. Lucian was not known to be a member of any of the major philosophical schools. In his Philosophies for Sale , he makes fun of members of every school. Lucian was critical of Stoicism and Platonism , because he regarded them as encouraging superstition. His Nigrinus superficially appears to be
3864-405: A musical contest with Apollo . Ian Morris considers Prometheus' adventures as "a place between the history of the gods and that of man." An anonymous papyrus fragment, dated to the third century, vividly portrays Dionysus ' punishment of the king of Thrace , Lycurgus , whose recognition of the new god came too late, resulting in horrific penalties that extended into the afterlife. The story of
4025-520: A native Syrian. Scholars dispute whether the treatise is an accurate description of Syrian cultural practices because very little is known about Hierapolis other than what is recorded in On the Syrian Goddess itself. Coins minted in the late fourth century BC, municipal decrees from Seleucid rulers, and a late Hellenistic relief carving have confirmed Lucian's statement that the city's original name
4186-458: A number of local legends became attached. The story of Medea , in particular, caught the imagination of the tragic poets. In between the Argo and the Trojan War, there was a generation known chiefly for its horrific crimes. This includes the doings of Atreus and Thyestes at Argos. Behind the myth of the house of Atreus (one of the two principal heroic dynasties with the house of Labdacus ) lies
4347-414: A poem of Troy instead of telling something completely new. Lucian Lucian of Samosata (Λουκιανὸς ὁ Σαμοσατεύς, c. 125 – after 180) was a Hellenized Syrian satirist , rhetorician and pamphleteer who is best known for his characteristic tongue-in-cheek style, with which he frequently ridiculed superstition, religious practices, and belief in the paranormal. Although his native language
4508-500: A promise which a disappointed scholiast described as "the biggest lie of all". In his Double Indictment , Lucian declares that his proudest literary achievement is the invention of the "satirical dialogue", which was modeled on the earlier Platonic dialogue , but was comedic in tone rather than philosophical. The prolaliai to his Dialogues of the Courtesans suggests that Lucian acted out his dialogues himself as part of
4669-573: A pyre at the Olympic Games of AD 165. The letter is historically significant because it preserves one of the earliest pagan evaluations of Christianity. In the letter, one of Lucian's characters delivers a speech ridiculing Christians for their perceived credulity and ignorance, but he also affords them some level of respect on account of their morality. In the letter Against the Ignorant Book Collector , Lucian ridicules
4830-507: A spirit to every aspect of nature. Eventually, these vague spirits assumed human forms and entered the local mythology as gods. When tribes from the north of the Balkan Peninsula invaded, they brought with them a new pantheon of gods, based on conquest, force, prowess in battle, and violent heroism. Other older gods of the agricultural world fused with those of the more powerful invaders or else faded into insignificance. After
4991-430: A summarized version of a story by Lucian, and contains largely the same basic plot elements as The Golden Ass (or Metamorphoses ) of Apuleius , but with fewer inset tales and a different ending. Amores is usually dated to the third or fourth centuries based on stylistic grounds. Lucian is mentioned only sporadically between his death and the ninth century, even among pagan authors. The first author to mention him
Icarus - Misplaced Pages Continue
5152-678: A truthful autobiography of Lucian, its historical accuracy is questionable at best. Classicist Simon Swain calls it "a fine but rather apocryphal version of Lucian's education" and Karin Schlapbach calls it "ironical". Richter argues that it is not autobiographical at all, but rather a prolalia ( προλᾰλιά ), or playful literary work, and a "complicated meditation on a young man's acquisition of paideia " [i.e. education]. Russell dismisses The Dream as entirely fictional, noting, "We recall that Socrates too started as sculptor, and Ovid 's vision of Elegy and Tragedy ( Amores 3.1)
5313-483: Is A True Story , a tongue-in-cheek satire against authors who tell incredible tales, which is regarded by some as the earliest known work of science fiction . Lucian invented the genre of comic dialogue, a parody of the traditional Socratic dialogue . His dialogue Lover of Lies makes fun of people who believe in the supernatural and contains the oldest known version of " The Sorcerer's Apprentice ". Lucian wrote numerous satires making fun of traditional stories about
5474-530: Is Lactantius . He is made a character in the sixth-century letters of Aristaenetus . In the same century, portions of his On Slander were translated into Syriac as part of a monastic compendium. He was reassessed positively in the ninth century by the first generation of Byzantine humanists, such as Leo the Mathematician , Basil of Adada and Photios . In his Bibliotheca , Photios notes that Lucian "ridicules pagan things in almost all his texts",
5635-608: Is a metaphor for troubled modern young men in the Norwegian Axel Jensen 's novel Icarus: A Young Man in Sahara (1957). He is also the subject of the 2017 novel, Icarus , by Adam Wing. According to the New York Times Book Review , the hero of Andrew Boryga’s “Victim” is an “inner-city Icarus” who exaggerates his victimization narrative until it implodes. Literary interpretation has considered
5796-595: Is all too similar to Lucian's." In Lucian's Double Indictment , the personification of Rhetoric delivers a speech in which she describes the unnamed defendant, who is described as a "Syrian" author of transgressive dialogues, at the time she found him, as a young man wandering in Ionia in Anatolia "with no idea what he ought to do with himself". She describes "the Syrian" at this stage in his career as "still speaking in
5957-682: Is never serious and never reveals his own opinion. In the tenth century, Lucian was known in some circles as an anti-Christian writer, as seen in the works of Arethas of Caesarea and the Suda encyclopedia. The authors of the Suda concludes that Lucian's soul is burning in Hell for his negative remarks about Christians in the Passing of Peregrinus . In general, however, the Byzantine reception of Lucian
6118-474: Is often regarded as the earliest known work of science fiction. The novel begins with an explanation that the story is not at all "true" and that everything in it is, in fact, a complete and utter lie. The narrative begins with Lucian and his fellow travelers journeying out past the Pillars of Heracles . Blown off course by a storm, they come to an island with a river of wine filled with fish and bears,
6279-461: Is portrayed as a sacrificer, mentioned as a founder of altars, and imagined as a voracious eater himself; it is in this role that he appears in comedy. While his tragic end provided much material for tragedy— Heracles is regarded by Thalia Papadopoulou as "a play of great significance in examination of other Euripidean dramas." In art and literature, Heracles was represented as an enormously strong man of moderate height; his characteristic weapon
6440-539: Is recorded as having been in Antioch in either 162 or 163. In around 165, he bought a house in Athens and invited his parents to come live with him in the city. Lucian must have married at some point during his travels because in one of his writings, he mentions having a son at this point. Lucian lived in Athens for around a decade, during which time he gave up lecturing and instead devoted his attention to writing. It
6601-619: Is set in the tenth year of the war, tells of the quarrel between Agamemnon and Achilles, who was the finest Greek warrior, and the consequent deaths in battle of Achilles' beloved comrade Patroclus and Priam 's eldest son, Hector . After Hector's death, the Trojans were joined by two exotic allies, Penthesilea , queen of the Amazons , and Memnon , king of the Ethiopians and son of the dawn-goddess, Eos . Achilles killed both of these, but Paris then managed to kill Achilles with an arrow in
Icarus - Misplaced Pages Continue
6762-480: Is shown to be a "feckless ruler" and a serial adulterer. Lucian also wrote several other works in a similar vein, including Zeus Catechized , Zeus Rants , and The Parliament of the Gods . Throughout all his dialogues, Lucian displays a particular fascination with Hermes , the messenger of the gods, who frequently appears as a major character in the role of an intermediary who travels between worlds. The Dialogues of
6923-528: Is that "the Greek gods are persons, not abstractions, ideas or concepts." Regardless of their underlying forms, the Ancient Greek gods have many fantastic abilities; most significantly, the gods are not affected by disease and can be wounded only under highly unusual circumstances. The Greeks considered immortality as the distinctive characteristic of their gods; this immortality, as well as unfading youth,
7084-420: Is the body of myths originally told by the ancient Greeks , and a genre of ancient Greek folklore , today absorbed alongside Roman mythology into the broader designation of classical mythology . These stories concern the ancient Greek religion 's view of the origin and nature of the world ; the lives and activities of deities , heroes , and mythological creatures ; and the origins and significance of
7245-501: Is too short to determine which of them comes nearest to the truth, so the best solution is to rely on common sense, which was what the Pyrrhonian Skeptics advocated. The maxim that "Eyes are better witnesses than ears" is echoed repeatedly throughout several of Lucian's dialogues. Lucian was skeptical of oracles , though he was by no means the only person of his time to voice such skepticism. Lucian rejected belief in
7406-749: The Homeric Hymns , in fragments of epic poems of the Epic Cycle , in lyric poems , in the works of the tragedians and comedians of the fifth century BC, in writings of scholars and poets of the Hellenistic Age , and in texts from the time of the Roman Empire by writers such as Plutarch and Pausanias . Aside from this narrative deposit in ancient Greek literature , pictorial representations of gods, heroes, and mythic episodes featured prominently in ancient vase paintings and
7567-457: The nekyia in Book XI of Homer's Odyssey , but also adds new elements not found in them. Homer's nekyia describes transgressors against the gods being punished for their sins, but Lucian embellished this idea by having cruel and greedy persons also be punished. In his dialogue The Lover of Lies ( Φιλοψευδὴς ), Lucian satirizes belief in the supernatural and paranormal through
7728-589: The Chimera and Medusa . Bellerophon's adventures are commonplace types, similar to the adventures of Heracles and Theseus. Sending a hero to his presumed death is also a recurrent theme of this early heroic tradition, used in the cases of Perseus and Bellerophon. The only surviving Hellenistic epic, the Argonautica of Apollonius of Rhodes (epic poet, scholar, and director of the Library of Alexandria ) tells
7889-476: The Derveni Papyrus now proves that at least in the fifth-century BC a theogonic-cosmogonic poem of Orpheus was in existence. The first philosophical cosmologists reacted against, or sometimes built upon, popular mythical conceptions that had existed in the Greek world for some time. Some of these popular conceptions can be gleaned from the poetry of Homer and Hesiod. In Homer, the Earth was viewed as
8050-611: The Early Modern period . Many early modern European writers adopted Lucian's lighthearted tone, his technique of relating a fantastic voyage through a familiar dialogue, and his trick of constructing proper names with deliberately humorous etymological meanings. During the Protestant Reformation , Lucian provided literary precedent for writers making fun of Catholic clergy . Desiderius Erasmus 's Encomium Moriae (1509) displays Lucianic influences. Perhaps
8211-520: The Geometric period from c. 900 BC to c. 800 BC onward. In fact, literary and archaeological sources integrate, sometimes mutually supportive and sometimes in conflict; however, in many cases, the existence of this corpus of data is an indication that many elements of Greek mythology have strong factual and historical roots. Mythical narration plays an important role in nearly every genre of Greek literature. Nevertheless,
SECTION 50
#17327647831718372-539: The Hellenistic and Roman ages was primarily composed as a literary rather than cultic exercise. Nevertheless, it contains many important details that would otherwise be lost. This category includes the works of: Prose writers from the same periods who make reference to myths include Apuleius , Petronius , Lollianus , and Heliodorus . Two other important non-poetical sources are the Fabulae and Astronomica of
8533-598: The Parthenon depicting the sack of Troy); this artistic preference for themes deriving from the Trojan Cycle indicates its importance to the Ancient Greek civilization. The same mythological cycle also inspired a series of posterior European literary writings. For instance, Trojan Medieval European writers, unacquainted with Homer at first hand, found in the Troy legend a rich source of heroic and romantic storytelling and
8694-692: The Peloponnesian kingdoms of Mycenae , Sparta and Argos , claiming, according to legend, a right to rule them through their ancestor. Their rise to dominance is frequently called the " Dorian invasion ". The Lydian and later the Macedonian kings, as rulers of the same rank, also became Heracleidae. Other members of this earliest generation of heroes such as Perseus, Deucalion , Theseus and Bellerophon , have many traits in common with Heracles. Like him, their exploits are solitary, fantastic and border on fairy tale , as they slay monsters such as
8855-589: The Roman culture because of the story of Aeneas , a Trojan hero whose journey from Troy led to the founding of the city that would one day become Rome, as recounted in Virgil's Aeneid (Book II of Virgil's Aeneid contains the best-known account of the sack of Troy). Finally there are two pseudo-chronicles written in Latin that passed under the names of Dictys Cretensis and Dares Phrygius . The Trojan War cycle ,
9016-444: The paranormal , regarding it as superstition . In his dialogue The Lover of Lies , he probably voices some of his own opinions through his character Tychiades, perhaps including the declaration by Tychiades that he does not believe in daemones , phantoms , or ghosts because he has never seen such things. Tychiades, however, still professes belief in the gods' existence : Dinomachus: 'In other words, you do not believe in
9177-607: The Amsterdam Town Hall – where he symbolizes high-flying ambition. The 16th-century painting Landscape with the Fall of Icarus ,) attributed to Pieter Bruegel the Elder , was the inspiration for two of the 20th century's most notable ekphrastic English-language poems, " Musée des Beaux Arts " by W. H. Auden and " Landscape with the Fall of Icarus " by William Carlos Williams . Other English-language poems referring to
9338-473: The Ancient Greek pantheon, poets composed the Homeric Hymns (a group of thirty-three songs). Gregory Nagy (1992) regards "the larger Homeric Hymns as simple preludes (compared with Theogony ), each of which invokes one god." The gods of Greek mythology are described as having essentially corporeal but ideal bodies. According to Walter Burkert , the defining characteristic of Greek anthropomorphism
9499-578: The Centaur are both based on descriptions of paintings found in Lucian's works. Lucian's prose narrative Timon the Misanthrope was the inspiration for William Shakespeare's tragedy Timon of Athens and the scene from Hamlet with the gravediggers echoes several scenes from Dialogues of the Dead . Christopher Marlowe 's famous verse "Was this the face that launched a thousand ships/And burnt
9660-591: The Christians. Lucian's treatise On the Syrian Goddess is a detailed description of the cult of the Syrian goddess Atargatis at Hierapolis (now Manbij ). It is written in a faux-Ionic Greek and imitates the ethnographic methodology of the Greek historian Herodotus, which Lucian elsewhere derides as faulty. For generations, many scholars doubted the authenticity of On the Syrian Goddess because it seemed too genuinely reverent to have really been written by Lucian. More recently, scholars have come to recognize
9821-497: The Courtesans is a collection of short dialogues involving various courtesans. This collection is unique as one of the only surviving works of Greek literature to mention female homosexuality. It is also unusual for mixing Lucian's characters from other dialogues with stock characters from New Comedy ; over half of the men mentioned in Dialogues of the Courtesans are also mentioned in Lucian's other dialogues, but almost all of
SECTION 60
#17327647831719982-610: The Cynic philosopher Peregrinus Proteus in his letter The Passing of Peregrinus and the fraudulent oracle Alexander of Abonoteichus in his treatise Alexander the False Prophet . Lucian's treatise On the Syrian Goddess satirizes cultural distinctions between Greeks and Syrians and is the main source of information about the cult of Atargatis . Lucian had an enormous, wide-ranging impact on Western literature. Works inspired by his writings include Thomas More 's Utopia ,
10143-574: The False Prophet as "truly holy and prophetic". Later, in the same dialogue, he praises a book written by Epicurus: What blessings that book creates for its readers and what peace, tranquillity, and freedom it engenders in them, liberating them as it does from terrors and apparitions and portents, from vain hopes and extravagant cravings, developing in them intelligence and truth, and truly purifying their understanding, not with torches and squills [i. e. sea onions] and that sort of foolery, but with straight thinking, truthfulness and frankness. Lucian had
10304-610: The Greek leaders (including the wanderings of Odysseus and Aeneas (the Aeneid ), and the murder of Agamemnon) were told in two epics, the Returns (the lost Nostoi ) and Homer's Odyssey . The Trojan cycle also includes the adventures of the children of the Trojan generation (e.g., Orestes and Telemachus ). The Trojan War provided a variety of themes and became a main source of inspiration for Ancient Greek artists (e.g. metopes on
10465-472: The Greek world and noted the stories they heard, supplied numerous local myths and legends, often giving little-known alternative versions. Herodotus in particular, searched the various traditions he encountered and found the historical or mythological roots in the confrontation between Greece and the East. Herodotus attempted to reconcile origins and the blending of differing cultural concepts. The poetry of
10626-647: The Icarus myth and its connection to Phaethon influenced the mythological tradition in English literature reflected in the writings of Chaucer , Marlowe , Shakespeare , Milton , and Joyce . In Renaissance iconography , the significance of Icarus depends on context: in the Orion Fountain at Messina, he is one of many figures associated with water; but he is also shown on the Bankruptcy Court of
10787-483: The Icarus myth are "To a Friend Whose Work Has Come to Triumph" by Anne Sexton ; "Icarus" by John Updike ; "Icarus Again" by Alan Devenish; "Mrs Icarus" by Carol Ann Duffy ; "Failing and Flying" by Jack Gilbert ; "It Should Have Been Winter" by Nancy Chen Long, " Up like Icarus " by Mark Antony Owen, "Age 10, 3am" by Sheri Wright, and "Yesterday's Myth" by Jennifer Chang. While the myth is a major subtext throughout Hiromi Yoshida's Icarus tetralogy poetry chapbooks, Icarus
10948-578: The Island of the Blessed, they deliver a letter to Calypso given to them by Odysseus explaining that he wishes he had stayed with her so he could have lived eternally. They then discover a chasm in the Ocean, but eventually sail around it, discover a far-off continent and decide to explore it. The book ends abruptly with Lucian stating that their future adventures will be described in the upcoming sequels,
11109-442: The Olympians, the Greeks worshipped various gods of the countryside, the satyr-god Pan , Nymphs (spirits of rivers), Naiads (who dwelled in springs), Dryads (who were spirits of the trees), Nereids (who inhabited the sea), river gods, Satyrs , and others. In addition, there were the dark powers of the underworld, such as the Erinyes (or Furies), said to pursue those guilty of crimes against blood-relatives. In order to honor
11270-441: The Roman writer styled as Pseudo- Hyginus , the Imagines of Philostratus the Elder and Philostratus the Younger , and the Descriptions of Callistratus . Finally, several Byzantine Greek writers provide important details of myth, much derived from earlier now lost Greek works. These preservers of myth include Arnobius , Hesychius , the author of the Suda , John Tzetzes , and Eustathius . They often treat mythology from
11431-410: The Sun win the war by clouding over the Moon and blocking out the Sun's light. Both parties then come to a peace agreement. Lucian then describes life on the Moon and how it is different from life on Earth. After returning to Earth, the adventurers are swallowed by a 200-mile-long whale, in whose belly they discover a variety of fish people, whom they wage war against and triumph over. They kill
11592-523: The Syrian author "has somehow outraged the purity of Greek idiom or genre" through his invention of the comic dialogue. British classicist Donald Russell states, "A good deal of what Lucian says about himself is no more to be trusted than the voyage to the moon that he recounts so persuasively in the first person in True Stories " and warns that "it is foolish to treat [the information he gives about himself in his writings] as autobiography." Lucian
11753-519: The Trojan cycle, as well as the adventures of Heracles. These visual representations of myths are important for two reasons. Firstly, many Greek myths are attested on vases earlier than in literary sources: of the twelve labors of Heracles, for example, only the Cerberus adventure occurs in a contemporary literary text. Secondly, visual sources sometimes represent myths or mythical scenes that are not attested in any extant literary source. In some cases,
11914-456: The age when gods lived alone and the age when divine interference in human affairs was limited was a transitional age in which gods and mortals moved together. These were the early days of the world when the groups mingled more freely than they did later. Most of these tales were later told by Ovid's Metamorphoses and they are often divided into two thematic groups: tales of love, and tales of punishment. Tales of love often involve incest, or
12075-405: The ancient Greeks' cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of mythmaking itself. The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC; eventually the myths of
12236-415: The antithesis of true philosophy. His Symposium is a parody of Plato's Symposium in which, instead of discussing the nature of love, the philosophers get drunk, tell smutty tales, argue relentlessly over whose school is the best, and eventually break out into a full-scale brawl. In Icaromenippus [ fi ] , the Cynic philosopher Menippus fashions a set of wings for himself in imitation of
12397-481: The appropriation or invention of some important cultural artifact, as when Prometheus steals fire from the gods, when Tantalus steals nectar and ambrosia from Zeus' table and gives it to his subjects—revealing to them the secrets of the gods, when Prometheus or Lycaon invents sacrifice, when Demeter teaches agriculture and the Mysteries to Triptolemus , or when Marsyas invents the aulos and enters into
12558-681: The army of the dead." Another important difference between the hero cult and the cult of gods is that the hero becomes the centre of local group identity. The monumental events of Heracles are regarded as the dawn of the age of heroes. To the Heroic Age are also ascribed three great events: the Argonautic expedition, the Theban Cycle , and the Trojan War . Some scholars believe that behind Heracles' complicated mythology there
12719-454: The arrival of Dionysus to establish his cult in Thrace was also the subject of an Aeschylean trilogy. In another tragedy, Euripides' The Bacchae , the king of Thebes , Pentheus , is punished by Dionysus, because he disrespected the god and spied on his Maenads , the female worshippers of the god. In another story, based on an old folktale-motif, and echoing a similar theme, Demeter
12880-400: The author. Daniel S. Richter criticizes the frequent tendency to interpret such "Lucian-like figures" as self-inserts by the author and argues that they are, in fact, merely fictional characters Lucian uses to "think with" when satirizing conventional distinctions between Greeks and Syrians. He suggests that they are primarily a literary trope used by Lucian to deflect accusations that he as
13041-521: The basis for the collection; however, the "Library" discusses events that occurred long after his death, hence the name Pseudo-Apollodorus. Among the earliest literary sources are Homer 's two epic poems, the Iliad and the Odyssey . Other poets completed the Epic Cycle , but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no direct connection with Homer. The oldest are choral hymns from
13202-409: The beginnings of the universe in human language. The most widely accepted version at the time, although a philosophical account of the beginning of things, is reported by Hesiod , in his Theogony . He begins with Chaos , a yawning nothingness. Next comes Gaia (Earth), "the ever-sure foundation of all", and then Tartarus , "in the depth of the wide-pathed Earth", and Eros (Love), "fairest among
13363-439: The book as satirical and have restored its Lucianic authorship. In the treatise, Lucian satirizes the arbitrary cultural distinctions between "Greeks" and "Assyrians" by emphasizing the manner in which Syrians have adopted Greek customs and thereby effectively become "Greeks" themselves. The anonymous narrator of the treatise initially seems to be a Greek Sophist, but, as the treatise progresses, he reveals himself to actually be
13524-560: The city of Samosata along the banks of the Euphrates in the remote Roman province of Syria . As a young man, he was apprenticed to his uncle to become a sculptor, but, after a failed attempt at sculpting, he ran away to pursue an education in Ionia . He may have become a travelling lecturer and visited universities throughout the Roman Empire . After acquiring fame and wealth through his teaching, Lucian finally settled down in Athens for
13685-568: The classical scholar R. Bracht Branham to label Lucian's highly sophisticated style "the comedy of tradition". By the time Lucian's writings were rediscovered during the Renaissance , most of the works of literature referenced in them had been lost or forgotten, making it difficult for readers of later periods to understand his works. Lucian was one of the earliest novelists in Western civilization. In A True Story ( Ἀληθῆ διηγήματα ),
13846-504: The common practice whereby Near Easterners collect massive libraries of Greek texts for the sake of appearing "cultured", but without actually reading any of them. Some of the writings attributed to Lucian, such as the Amores and the Ass , are usually not considered genuine works of Lucian and are normally cited under the name of "Pseudo-Lucian". The Ass ( Λούκιος ἢ ῎Oνος ) is probably
14007-512: The composition of the story of the Argonauts is earlier than Odyssey , which shows familiarity with the exploits of Jason (the wandering of Odysseus may have been partly founded on it). In ancient times, the expedition was regarded as a historical fact, an incident in the opening up of the Black Sea to Greek commerce and colonization. It was also extremely popular, forming a cycle to which
14168-451: The concept and ritual. The age in which the heroes lived is known as the Heroic age . The epic and genealogical poetry created cycles of stories clustered around particular heroes or events and established the family relationships between the heroes of different stories; they thus arranged the stories in sequence. According to Ken Dowden (1992), "there is even a saga effect: We can follow
14329-475: The courtesans themselves are characters borrowed from the plays of Menander and other comedic playwrights. Lucian's treatise Alexander the False Prophet describes the rise of Alexander of Abonoteichus, a charlatan who claimed to be the prophet of the serpent-god Glycon . Though the account is satirical in tone, it seems to be a largely accurate report of the Glycon cult and many of Lucian's statements about
14490-502: The cult have been confirmed through archaeological evidence, including coins, statues, and inscriptions. Lucian describes his own meeting with Alexander in which he posed as a friendly philosopher, but, when Alexander invited him to kiss his hand, Lucian bit it instead. Lucian reports that, aside from himself, the only others who dared challenge Alexander's reputation as a true prophet were the Epicureans (whom he lauds as heroes) and
14651-400: The culture, arts, and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes. Greek mythology is known today primarily from Greek literature and representations on visual media dating from
14812-574: The customers to buy his philosophy. In The Banquet, or Lapiths , Lucian points out the hypocrisies of representatives from all the major philosophical schools. In The Fisherman, or the Dead Come to Life , Lucian defends his other dialogues by comparing the venerable philosophers of ancient times with their unworthy contemporary followers. Lucian was often particularly critical of people who pretended to be philosophers when they really were not and his dialogue The Runaways portrays an imposter Cynic as
14973-518: The dead. Influences from other cultures always afforded new themes. According to Classical-era mythology, after the overthrow of the Titans, the new pantheon of gods and goddesses was confirmed. Among the principal Greek gods were the Olympians, residing on Mount Olympus under the eye of Zeus. (The limitation of their number to twelve seems to have been a comparatively modern idea.) Besides
15134-514: The deathless gods". Without male assistance, Gaia gave birth to Uranus (the Sky) who then fertilized her. From that union were born first the Titans —six males: Coeus , Crius , Cronus , Hyperion , Iapetus , and Oceanus ; and six females: Mnemosyne , Phoebe , Rhea , Theia , Themis , and Tethys . After Cronus was born, Gaia and Uranus decreed no more Titans were to be born. They were followed by
15295-473: The decoration of votive gifts and many other artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Epic Cycle as well as the adventures of Heracles . In the succeeding Archaic , Classical , and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an extensive influence on
15456-624: The divine-focused Theogony and Homeric Hymns in both size and popularity. Under the influence of Homer the "hero cult" leads to a restructuring in spiritual life, expressed in the separation of the realm of the gods from the realm of the dead (heroes), of the Chthonic from the Olympian. In the Works and Days , Hesiod makes use of a scheme of Four Ages of Man (or Races): Golden, Silver, Bronze, and Iron. These races or ages are separate creations of
15617-429: The earlier part of the so-called Lyric age . Hesiod , a possible contemporary with Homer, offers in his Theogony ( Origin of the Gods ) the fullest account of the earliest Greek myths, dealing with the creation of the world, the origin of the gods, Titans , and Giants , as well as elaborate genealogies, folktales, and aetiological myths. Hesiod's Works and Days , a didactic poem about farming life, also includes
15778-630: The escape from Crete was actually by boat, provided by Pasiphaë , for which Daedalus invented the first sails, to outstrip Minos's pursuing galleys , that Icarus fell overboard en route to Sicily and drowned, and that Heracles erected a tomb for him. Accounts of Icarus's story are found in Pseudo-Apollodorus's Bibliotheca (Epitome i.12–13); Diodorus Siculus's Bibliotheca historica (4.77.5–9); Hyginus's Fabulae (40); Virgil's Aeneid (vi.14–33); and Ovid's Metamorphoses (viii.183–235). A number of other ancient writers allude to
15939-476: The evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued. The earlier inhabitants of the Balkan Peninsula were an agricultural people who, using animism , assigned
16100-519: The existence of the Gods, since you maintain that cures cannot be wrought by the use of holy names?' Tychiades: 'Nay, say not so, my dear Dinomachus,' I answered; 'the Gods may exist, and these things may yet be lies. I respect the Gods: I see the cures performed by them, I see their beneficence at work in restoring the sick through the medium of the medical faculty and their drugs. Asclepius , and his sons after him, compounded soothing medicines and healed
16261-405: The fates of some families in successive generations." After the rise of the hero cult, gods and heroes constitute the sacral sphere and are invoked together in oaths and prayers which are addressed to them. Burkert (2002) notes that "the roster of heroes, again in contrast to the gods, is never given fixed and final form. Great gods are no longer born, but new heroes can always be raised up from
16422-509: The first known representation of a myth in geometric art predates its first known representation in late archaic poetry, by several centuries. In the Archaic ( c. 750 – c. 500 BC ), Classical ( c. 480 –323 BC), and Hellenistic (323–146 BC) periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has changed over time to accommodate
16583-451: The gods including The Dialogues of the Gods , Icaromenippus , Zeus Rants , Zeus Catechized , and The Parliament of the Gods . His Dialogues of the Dead focuses on the Cynic philosophers Diogenes and Menippus . Philosophies for Sale and The Carousal, or The Lapiths make fun of various philosophical schools, and The Fisherman or the Dead Come to Life is a defense of this mockery. Lucian often ridiculed public figures, such as
16744-472: The gods, the Golden Age belonging to the reign of Cronos, the subsequent races to the creation of Zeus . The presence of evil was explained by the myth of Pandora , when all of the best of human capabilities, save hope, had been spilled out of her overturned jar. In Metamorphoses , Ovid follows Hesiod's concept of the four ages. "Myths of origin" or " creation myths " represent an attempt to explain
16905-541: The heel. Achilles' heel was the only part of his body which was not invulnerable to damage by human weaponry. Before they could take Troy, the Greeks had to steal from the citadel the wooden image of Pallas Athena (the Palladium ). Finally, with Athena's help, they built the Trojan Horse . Despite the warnings of Priam's daughter Cassandra , the Trojans were persuaded by Sinon , a Greek who feigned desertion, to take
17066-548: The heroes of the Trojan War and its aftermath became part of the oral tradition of Homer 's epic poems , the Iliad and the Odyssey . Two poems by Homer's near contemporary Hesiod , the Theogony and the Works and Days , contain accounts of the genesis of the world, the succession of divine rulers, the succession of human ages, the origin of human woes, and the origin of sacrificial practices. Myths are also preserved in
17227-729: The highest social prestige through his appointment as official ancestor of the Dorian kings. This probably served as a legitimation for the Dorian migrations into the Peloponnese . Hyllus , the eponymous hero of one Dorian phyle , became the son of Heracles and one of the Heracleidae or Heraclids (the numerous descendants of Heracles, especially the descendants of Hyllus —other Heracleidae included Macaria , Lamos, Manto , Bianor , Tlepolemus , and Telephus ). These Heraclids conquered
17388-446: The historian should remain absolutely impartial and tell the events as they really happened, even if they are likely to cause disapproval. Lucian names Thucydides as a specific example of a historian who models these virtues. In his satirical letter Passing of Peregrinus ( Περὶ τῆς Περεγρίνου Τελευτῆς ), Lucian describes the death of the controversial Cynic philosopher Peregrinus Proteus , who had publicly immolated himself on
17549-450: The historical change in how Western culture both propagated and interpreted the Icarus myth arguing that "We tend to forget that Icarus was also warned not to fly too low, because seawater would ruin the lift in his wings. Flying too low is even more dangerous than flying too high, because it feels deceptively safe." Each study and analysis of the myth agrees Icarus was too ambitious for his own good. Greek mythology Greek mythology
17710-420: The horse inside the walls of Troy as an offering to Athena; the priest Laocoon, who tried to have the horse destroyed, was killed by sea-serpents. At night the Greek fleet returned, and the Greeks from the horse opened the gates of Troy. In the total sack that followed, Priam and his remaining sons were slaughtered; the Trojan women passed into slavery in various cities of Greece. The adventurous homeward voyages of
17871-434: The labyrinth's secrets and imprisoned them—either in a large tower overlooking the ocean or in the labyrinth itself, depending upon the account. Icarus and Daedalus escaped using wings Daedalus constructed from birds’ molted feathers, threads from blankets, the leather straps from their sandals, and beeswax. Before escaping, Daedalus warned Icarus not to fly too low or the water would soak the feathers and not to fly too close to
18032-576: The middle of the Archaic period, myths about relationships between male gods and male heroes became more and more frequent, indicating the parallel development of pedagogic pederasty ( παιδικὸς ἔρως , eros paidikos ), thought to have been introduced around 630 BC. By the end of the fifth-century BC, poets had assigned at least one eromenos , an adolescent boy who was their sexual companion, to every important god except Ares and many legendary figures. Previously existing myths, such as those of Achilles and Patroclus , also then were cast in
18193-734: The most notable example of Lucian's impact in the fifteenth and sixteenth centuries was on the French writer François Rabelais , particularly in his set of five novels , Gargantua and Pantagruel , which was first published in 1532. Rabelais also is thought to be responsible for a primary introduction of Lucian to the French Renaissance and beyond through his translations of Lucian's works. Lucian's True Story inspired both Sir Thomas More 's Utopia (1516) and Jonathan Swift 's Gulliver's Travels (1726). Sandro Botticelli 's paintings The Calumny of Apelles and Pallas and
18354-534: The myth of Icarus as a consequence of excessive ambition. An Icarus-related study of the Daedalus myth was published by the French hellenist Françoise Frontisi-Ducroux . In psychology, there have been synthetic studies of the Icarus complex with respect to the alleged relationship between fascination for fire, enuresis , high ambition, and Ascensionism. In the psychiatric mind, features of disease were perceived in
18515-577: The myth of the voyage of Jason and the Argonauts to retrieve the Golden Fleece from the mythical land of Colchis . In the Argonautica , Jason is impelled on his quest by king Pelias , who receives a prophecy that a man with one sandal would be his nemesis . Jason loses a sandal in a river, arrives at the court of Pelias, and the epic is set in motion. Nearly every member of the next generation of heroes, as well as Heracles, went with Jason in
18676-402: The mythical Icarus and flies to Heaven, where he receives a guided tour from Zeus himself. The dialogue ends with Zeus announcing his decision to destroy all philosophers, since all they do is bicker, though he agrees to grant them a temporary reprieve until spring. Nektyomanteia is a dialogue written in parallel to Icaromenippus in which, rather than flying to Heaven, Menippus descends to
18837-479: The mythological details about gods and heroes. The evidence about myths and rituals at Mycenaean and Minoan sites is entirely monumental, as the Linear B script (an ancient form of Greek found in both Crete and mainland Greece) was used mainly to record inventories, although certain names of gods and heroes have been tentatively identified. Geometric designs on pottery of the eighth-century BC depict scenes from
18998-530: The myths of Prometheus , Pandora , and the Five Ages . The poet advises on the best way to succeed in a dangerous world, rendered yet more dangerous by its gods. Lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar , Bacchylides and Simonides , and bucolic poets such as Theocritus and Bion , relate individual mythological incidents. Additionally, myth
19159-492: The one-eyed Cyclopes and the Hecatoncheires or Hundred-Handed Ones, who were both thrown into Tartarus by Uranus. This made Gaia furious. Cronus ("the wily, youngest and most terrible of Gaia 's children") was convinced by Gaia to castrate his father. He did this and became the ruler of the Titans with his sister-wife, Rhea, as his consort, and the other Titans became his court. A motif of father-against-son conflict
19320-473: The only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus. This work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c. 180 BC to c. 125 BC and wrote on many of these topics. His writings may have formed
19481-531: The philosopher Demonax eulogizes him as a great philosopher and portrays him as a hero of parrhesia ("boldness of speech"). In his treatise, How to Write History , Lucian criticizes the historical methodology used by writers such as Herodotus and Ctesias, who wrote vivid and self-indulgent descriptions of events they had never actually seen. Instead, Lucian argues that the historian never embellish his stories and should place his commitment to accuracy above his desire to entertain his audience. He also argues
19642-600: The philosopher Demonax , who was a philosophical eclectic , but whose ideology most closely resembled Cynicism. Demonax's main divergence from the Cynics was that he did not disapprove of ordinary life. Paul Turner observes that Lucian's Cynicus reads as a straightforward defense of Cynicism, but also remarks that Lucian savagely ridicules the Cynic philosopher Peregrinus in his Passing of Peregrinus . Lucian also greatly admired Epicurus , whom he describes in Alexander
19803-459: The problem of the devolution of power and of the mode of accession to sovereignty. The twins Atreus and Thyestes with their descendants played the leading role in the tragedy of the devolution of power in Mycenae. The Theban Cycle deals with events associated especially with Cadmus , the city's founder, and later with the doings of Laius and Oedipus at Thebes; a series of stories that lead to
19964-539: The reign of Emperor Commodus (180–192), the aging Lucian may have been appointed to a lucrative government position in Egypt. After this point, he disappears from the historical record entirely, and nothing is known about his death. Lucian's philosophical views are difficult to categorize due to his persistent use of irony and sarcasm. In The Fisherman , Lucian describes himself as a champion of philosophy and throughout his other writings he characterizes philosophy as
20125-510: The seduction or rape of a mortal woman by a male god, resulting in heroic offspring. The stories generally suggest that relationships between gods and mortals are something to avoid; even consenting relationships rarely have happy endings. In a few cases, a female divinity mates with a mortal man, as in the Homeric Hymn to Aphrodite , where the goddess lies with Anchises to produce Aeneas . The second type (tales of punishment) involves
20286-409: The shape of the pendulous emotional ecstatic- high and depressive- low of bipolar disorder. Henry Murray having proposed the term Icarus complex , apparently found symptoms particularly in mania where a person is fond of heights, fascinated by both fire and water, narcissistic and observed with fantastical or far-fetched imaginary cognition. Seth Godin 's 2012 The Icarus Deception, points to
20447-538: The ship Argo to fetch the Golden Fleece. This generation also included Theseus , who went to Crete to slay the Minotaur ; Atalanta , the female heroine, and Meleager , who once had an epic cycle of his own to rival the Iliad and Odyssey . Pindar , Apollonius and the Bibliotheca endeavor to give full lists of the Argonauts. Although Apollonius wrote his poem in the 3rd century BC,
20608-590: The sick, – without the lion's-skin-and-field-mouse process.' According to Everett Ferguson , Lucian was strongly influenced by the Cynics . The Dream or the Cock , Timon the Misanthrope , Charon or Inspectors , and The Downward Journey or the Tyrant all display Cynic themes. Lucian was particularly indebted to Menippus , a Cynic philosopher and satirist of the third century BC. Lucian wrote an admiring biography of
20769-483: The society while the beliefs were held. After they ceased to become religious beliefs, few would have known the rites and rituals. Allusions often existed, however, to aspects that were quite public. Images existed on pottery and religious artwork that were interpreted and more likely, misinterpreted in many diverse myths and tales. A few fragments of these works survive in quotations by Neoplatonist philosophers and recently unearthed papyrus scraps. One of these scraps,
20930-615: The stone, which had been sitting in Cronus's stomach all this time. Zeus then challenged Cronus to war for the kingship of the gods. At last, with the help of the Cyclopes (whom Zeus freed from Tartarus), Zeus and his siblings were victorious, while Cronus and the Titans were hurled down to imprisonment in Tartarus . Zeus was plagued by the same concern, and after a prophecy that the offspring of his first wife, Metis , would give birth to
21091-406: The stony hearts of the underworld gods in his descent to Hades . When Hermes invents the lyre in the Homeric Hymn to Hermes , the first thing he does is sing about the birth of the gods. Hesiod's Theogony is not only the fullest surviving account of the gods but also the fullest surviving account of the archaic poet's function, with its long preliminary invocation to the Muses . Theogony also
21252-543: The story in passing, notably Lucian . The account by Pseudo-Apollodorus is brief. Ovid 's account in the Metamorphoses is among the lengthiest, and the Latin poet refers to Icarus's myth elsewhere. Hyginus , among the Augustan writers who wrote about it in Latin in his Fabulae , tells of the bovine love affair of Pasiphaë , daughter of the Sun, that resulted in the birth of the Minotaur . Ovid's version of
21413-417: The sun or the heat would melt the wax. Icarus ignored Daedalus's instructions not to fly too close to the sun, causing the beeswax in his wings to melt. Icarus fell from the sky, plunged into the sea, and drowned. The myth gave rise to the idiom, " fly too close to the sun ." In some versions of the tale, Daedalus and Icarus escape by ship. Icarus's father Daedalus , a very talented Athenian craftsman, built
21574-598: The supernatural by telling him stories, which grow increasingly ridiculous as the conversation progresses. One of the last stories they tell is " The Sorcerer's Apprentice ", which the German playwright Goethe later adapted into a famous ballad. Lucian frequently made fun of philosophers and no school was spared from his mockery. In the dialogue Philosophies for Sale , Lucian creates an imaginary slave market in which Zeus puts famous philosophers up for sale, including Pythagoras, Diogenes, Heraclitus , Socrates , Chrysippus , and Pyrrho , each of whom attempts to persuade
21735-473: The tale known to us through tragedy (e.g. Sophocles' Oedipus Rex ) and later mythological accounts. Greek mythology culminates in the Trojan War, fought between Greece and Troy , and its aftermath. In Homer's works, such as the Iliad , the chief stories have already taken shape and substance, and individual themes were elaborated later, especially in Greek drama. The Trojan War also elicited great interest in
21896-460: The teachings of master rhetoricians. His treatise On Dancing is a major source of information about Greco-Roman dance. In it, he describes dance as an act of mimesis ("imitation") and rationalizes the myth of Proteus as being nothing more than an account of a highly skilled Egyptian dancer. He also wrote about visual arts in Portraits and On Behalf of Portraits . Lucian's biography of
22057-589: The temple of Apollo in Sicily, hung up his own wings as an offering, and promised to never attempt to fly again. According to scholia on Euripides , Icarus thought himself greater than Helios , the Sun himself, and the god punished him by directing his powerful rays at him, melting the beeswax. Afterwards, it was Helios who named the Icarian Sea after Icarus. Hellenistic writers give euhemerising variants in which
22218-538: The time when Lucian lived, traditional Greco-Roman religion was in decline and its role in society had become largely ceremonial. As a substitute for traditional religion, many people in the Hellenistic world joined mystery cults , such as the Mysteries of Isis , Mithraism , the cult of Cybele , and the Eleusinian Mysteries . Superstition had always been common throughout ancient society, but it
22379-406: The underworld to consult the prophet Tiresias . Lucian wrote numerous dialogues making fun of traditional Greek stories about the gods. His Dialogues of the Gods ( Θεῶν Διάλογοι ) consists of numerous short vignettes parodying a variety of the scenes from Greek mythology . The dialogues portray the gods as comically weak and prone to all the foibles of human emotion. Zeus in particular
22540-577: The war of the Seven against Thebes and the eventual pillage of that city at the hands of the Epigoni . (It is not known whether the Seven figured in early epic.) As far as Oedipus is concerned, early epic accounts seem to have him continuing to rule at Thebes after the revelation that Iokaste was his mother, and subsequently marrying a second wife who becomes the mother of his children—markedly different from
22701-504: The whale by starting a bonfire and escape by propping its mouth open. Next, they encounter a sea of milk, an island of cheese, and the Island of the Blessed . There, Lucian meets the heroes of the Trojan War , other mythical men and animals, as well as Homer and Pythagoras . They find sinners being punished, the worst of them being the ones who had written books with lies and fantasies, including Herodotus and Ctesias . After leaving
22862-769: The works of François Rabelais , William Shakespeare 's Timon of Athens and Jonathan Swift 's Gulliver's Travels . Lucian is not mentioned in any contemporary texts or inscriptions written by others and he is not included in Philostratus 's Lives of the Sophists . As a result of this, everything that is known about Lucian comes exclusively from his own writings. A variety of characters with names very similar to Lucian, including "Lukinos", "Lukianos", "Lucius", and "The Syrian" appear throughout Lucian's writings. These have been frequently interpreted by scholars and biographers as "masks", "alter-egos", or "mouthpieces" of
23023-459: The works of Lucian as there were for the writings of Plato and Plutarch . By ridiculing plutocracy as absurd, Lucian helped facilitate one of Renaissance humanism's most basic themes. His Dialogues of the Dead were especially popular and were widely used for moral instruction. As a result of this popularity, Lucian's writings had a profound influence on writers from the Renaissance and
23184-434: The world" may be divided into three or four broader periods: While the age of gods often has been of more interest to contemporary students of myth, the Greek authors of the archaic and classical eras had a clear preference for the age of heroes, establishing a chronology and record of human accomplishments after the questions of how the world came into being were explained. For example, the heroic Iliad and Odyssey dwarfed
23345-539: Was Manbog and that the city was closely associated with the cults of Atargatis and Hadad . A Jewish rabbi later listed the temple at Hierapolis as one of the five most important pagan temples in the Near East. Macrobii ("Long-Livers") is an essay about famous philosophers who lived for many years. It describes how long each of them lived, and gives an account of each of their deaths. In his treatises Teacher of Rhetoric and On Salaried Posts , Lucian criticizes
23506-614: Was Theodore Prodromos . In the Norman–Arab–Byzantine culture of twelfth-century Sicily , Lucian influenced the Greek authors Philagathus of Cerami and Eugenius of Palermo . In the West, Lucian's writings were mostly forgotten during the Middle Ages . When they were rediscovered in the West around 1400, they immediately became popular with the Renaissance humanists . By 1400, there were just as many Latin translations of
23667-580: Was born in the town of Samosata on the banks of the Euphrates on the far eastern outskirts of the Roman Empire. Samosata had been the capital of the kingdom of Commagene until 72 AD when it was annexed by Vespasian and became part of the Roman province of Syria. The population of the town was mostly Syrian and Lucian's native tongue was probably Syriac, a form of Middle Aramaic . During
23828-598: Was central to classical Athenian drama . The tragic playwrights Aeschylus , Sophocles , and Euripides took most of their plots from myths of the age of heroes and the Trojan War. Many of the great tragic stories (e.g. Agamemnon and his children, Oedipus , Jason , Medea , etc.) took on their classic form in these tragedies. The comic playwright Aristophanes also used myths, in The Birds and The Frogs . Historians Herodotus and Diodorus Siculus , and geographers Pausanias and Strabo , who traveled throughout
23989-620: Was during this decade that Lucian composed nearly all his most famous works. Lucian wrote exclusively in Greek, mainly in the Attic Greek popular during the Second Sophistic, but On the Syrian Goddess , which is attributed to Lucian, is written in a highly successful imitation of Herodotus' Ionic Greek , leading some scholars to believe that Lucian may not be the real author. For unknown reasons, Lucian stopped writing around 175 and began travelling and lecturing again. During
24150-511: Was especially prevalent during the second century. Most educated people of Lucian's time adhered to one of the various Hellenistic philosophies , of which the major ones were Stoicism , Platonism , Peripateticism , Pyrrhonism , and Epicureanism . Every major town had its own 'university' and these 'universities' often employed professional travelling lecturers, who were frequently paid high sums of money to lecture about various philosophical teachings. The most prestigious center of learning
24311-478: Was insured by the constant use of nectar and ambrosia , by which the divine blood was renewed in their veins. Each god descends from his or her own genealogy, pursues differing interests, has a certain area of expertise, and is governed by a unique personality; however, these descriptions arise from a multiplicity of archaic local variants, which do not always agree with one another. When these gods are called upon in poetry, prayer, or cult, they are referred to by
24472-503: Was only flapping his bare arms. He also saw loose feathers falling like snowflakes. Finally, he fell into the sea, sank to the bottom, and drowned. Daedalus wept for his son and called the nearest land Icaria (an island southwest of Samos ) in the memory of him. Today, the supposed site of his burial on the island bears his name, and the sea near Icaria in which he drowned is called the Icarian Sea . With much grief, Daedalus went to
24633-539: Was positive. He was perhaps the only ancient author openly hostile to Christianity to be received positively by the Byzantines. He was regarded as not merely a pagan, but an atheist . Even so, "Lucian the atheist gave way to Lucian the master of style." From the eleventh century, he was a part of the school curriculum. There was a "Lucianic revival" in the twelfth century. The preeminent Lucianic author of this period, who imitated Lucian's style in his own works,
24794-543: Was probably Syriac , all of his extant works are written entirely in ancient Greek (mostly in the Attic Greek dialect popular during the Second Sophistic period). Everything that is known about Lucian's life comes from his own writings, which are often difficult to interpret because of his extensive use of sarcasm. According to his oration The Dream , he was the son of a lower middle class family from
24955-592: Was probably a real man, perhaps a chieftain-vassal of the kingdom of Argos . Some scholars suggest the story of Heracles is an allegory for the sun's yearly passage through the twelve constellations of the zodiac. Others point to earlier myths from other cultures, showing the story of Heracles as a local adaptation of hero myths already well established. Traditionally, Heracles was the son of Zeus and Alcmene , granddaughter of Perseus . His fantastic solitary exploits, with their many folk-tale themes, provided much material for popular legend. According to Burkert (2002), "He
25116-511: Was repeated when Cronus was confronted by his son, Zeus . Because Cronus had betrayed his father, he feared that his offspring would do the same, and so each time Rhea gave birth, he snatched up the child and ate it. Rhea hated this and tricked him by hiding Zeus and wrapping a stone in a baby's blanket, which Cronus ate. When Zeus was full-grown, he fed Cronus a drugged drink which caused him to vomit, throwing up Rhea's other children, including Poseidon , Hades , Hestia , Demeter , and Hera , and
25277-591: Was searching for her daughter, Persephone , having taken the form of an old woman called Doso, and received a hospitable welcome from Celeus , the King of Eleusis in Attica . As a gift to Celeus, because of his hospitality, Demeter planned to make his son Demophon a god, but she was unable to complete the ritual because his mother Metanira walked in and saw her son in the fire and screamed in fright, which angered Demeter, who lamented that foolish mortals do not understand
25438-575: Was the bow but frequently also the club. Vase paintings demonstrate the unparalleled popularity of Heracles, his fight with the lion being depicted many hundreds of times. Heracles also entered Etruscan and Roman mythology and cult, and the exclamation "mehercule" became as familiar to the Romans as "Herakleis" was to the Greeks. In Italy he was worshipped as a god of merchants and traders, although others also prayed to him for his characteristic gifts of good luck or rescue from danger. Heracles attained
25599-511: Was the city of Athens in Greece, which had a long intellectual history. According to Lucian's oration The Dream , which classical scholar Lionel Casson states he probably delivered as an address upon returning to Samosata at the age of thirty-five or forty after establishing his reputation as a great orator, Lucian's parents were lower middle class and his uncles owned a local statue-making shop. Lucian's parents could not afford to give him
25760-431: Was the goddess of love and beauty, Ares was the god of war, Hades the ruler of the underworld, and Athena the goddess of wisdom and courage. Some gods, such as Apollo and Dionysus , revealed complex personalities and mixtures of functions, while others, such as Hestia (literally "hearth") and Helios (literally "sun"), were little more than personifications. The most impressive temples tended to be dedicated to
25921-503: Was the subject of many lost poems, including those attributed to Orpheus, Musaeus , Epimenides , Abaris , and other legendary seers, which were used in private ritual purifications and mystery-rites . There are indications that Plato was familiar with some version of the Orphic theogony. A silence would have been expected about religious rites and beliefs, however, and that nature of the culture would not have been reported by members of
#170829