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90-658: John Scott Award , created in 1816 as the John Scott Legacy Medal and Premium , is presented to men and women whose inventions improved the "comfort, welfare, and happiness of human kind" in a significant way. Since 1919 the Board of Directors of City Trusts of Philadelphia provide this award, recommended by an advisory committee. In 1822 the first awards were given to thirteen people by the Philadelphia Society for Promoting Agriculture entrusted by

180-401: A character flaw , or as a mistake (since the original Greek etymology traces back to hamartanein , a sporting term that refers to an archer or spear -thrower missing his target). According to Aristotle, "The misfortune is brought about not by [general] vice or depravity, but by some [particular] error or frailty." The reversal is the inevitable but unforeseen result of some action taken by

270-564: A 1959 Australian decision ("NRDC"), they believe that it is not possible to grasp the invention concept in a single rule. A British court once stated that the technical character test implies a "restatement of the problem in more imprecise terminology." In the United States, all patent applications are considered inventions. The statute explicitly says that the American invention concept includes discoveries (35 USC § 100(a)), contrary to

360-451: A Dream , The Handmaid's Tale . Defining tragedy is no simple matter, and there are many definitions, some of which are incompatible with each other. Oscar Mandel, in A Definition of Tragedy (1961), contrasted two essentially different means of arriving at a definition. First is what he calls the derivative way, in which the tragedy is thought to be an expression of an ordering of the world; "instead of asking what tragedy expresses,

450-433: A claimed invention is actually an invention. The rules and requirements for patenting an invention vary by country and the process of obtaining a patent is often expensive. Another meaning of invention is cultural invention , which is an innovative set of useful social behaviours adopted by people and passed on to others. The Institute for Social Inventions collected many such ideas in magazines and books. Invention

540-405: A deed that is important and complete, and of [a certain] magnitude, by means of language enriched [with ornaments], each used separately in the different parts [of the play]: it is enacted, not [merely] recited, and through pity and fear it effects relief ( catharsis ) to such [and similar] emotions. There is some dissent to the dithyrambic origins of tragedy, mostly based on the differences between

630-571: A form that developed in 18th-century Europe. It was a fruit of the Enlightenment and the emergence of the bourgeois class and its ideals. It is characterised by the fact that its protagonists are ordinary citizens. The first true bourgeois tragedy was an English play, George Lillo 's The London Merchant; or, the History of George Barnwell , which was first performed in 1731. Usually, Gotthold Ephraim Lessing 's play Miss Sara Sampson , which

720-542: A fraction of the work of Aeschylus , Sophocles and Euripides , as well as many fragments from other poets, and the later Roman tragedies of Seneca ; through its singular articulations in the works of Shakespeare , Lope de Vega , Jean Racine , and Friedrich Schiller to the more recent naturalistic tragedy of Henrik Ibsen and August Strindberg ; Natyaguru Nurul Momen 's Nemesis ' tragic vengeance & Samuel Beckett 's modernist meditations on death, loss and suffering; Heiner Müller postmodernist reworkings of

810-480: A new kind of abstraction by dripping, pouring, splashing and splattering paint onto un-stretched canvas lying on the floor. Inventive tools of the artist's trade also produced advances in creativity. Impressionist painting became possible because of newly invented collapsible, resealable metal paint tubes that facilitated spontaneous painting outdoors. Inventions originally created in the form of artwork can also develop other uses, e.g. Alexander Calder's mobile, which

900-503: A patent applications made to the US Patent Office for inventions are less likely to succeed where the applicant have a "feminine" name, and additionally women could lose their independent legal patent rights to their husbands once married. See also the gender gap in patents . Tragedy Tragedy (from the ‹See Tfd› Greek : τραγῳδία , tragōidia ) is a genre of drama based on human suffering and, mainly,

990-465: A successor of the ancient dramatists. For much of the 17th century, Pierre Corneille , who made his mark on the world of tragedy with plays like Medée (1635) and Le Cid (1636), was the most successful writer of French tragedies. Corneille's tragedies were strangely un-tragic (his first version of Le Cid was even listed as a tragicomedy), for they had happy endings. In his theoretical works on theatre, Corneille redefined both comedy and tragedy around

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1080-409: A tight set of passionate and duty-bound conflicts between a small group of noble characters, and concentrated on these characters' double-binds and the geometry of their unfulfilled desires and hatreds. Racine's poetic skill was in the representation of pathos and amorous passion (like Phèdre 's love for her stepson) and his impact was such that emotional crisis would be the dominant mode of tragedy to

1170-441: A time when a goat was either the prize in a competition of choral dancing or was what a chorus danced around prior to the animal's ritual sacrifice . In another view on the etymology, Athenaeus of Naucratis (2nd–3rd century CE) says that the original form of the word was trygodia from trygos (grape harvest) and ode (song), because those events were first introduced during grape harvest. Writing in 335 BCE (long after

1260-491: Is abundant evidence for tragoidia understood as "song for the prize goat". The best-known evidence is Horace, Ars poetica 220-24 ("he who with a tragic song competed for a mere goat"); the earliest is the Parian Marble, a chronicle inscribed about 264/63 BCE, which records, under a date between 538 and 528 BCE: "Thespis is the poet ... first produced ... and as prize was established the billy goat" (FrGHist 239A, epoch 43);

1350-449: Is also an important component of artistic and design creativity . Inventions often extend the boundaries of human knowledge, experience or capability. Inventions are of three kinds: scientific-technological (including medicine), sociopolitical (including economics and law), and humanistic, or cultural. Scientific-technological inventions include railroads, aviation , vaccination , hybridization, antibiotics , astronautics, holography ,

1440-427: Is also an important legal concept and central to patent law systems worldwide. As is often the case for legal concepts, its legal meaning is slightly different from common usage of the word. Additionally, the legal concept of invention is quite different in American and European patent law. In Europe, the first test a patent application must pass is, "Is this an invention?" If it is, subsequent questions are whether it

1530-542: Is characterised by seriousness and involves a great person who experiences a reversal of fortune ( Peripeteia ). Aristotle's definition can include a change of fortune from bad to good as in the Eumenides , but he says that the change from good to bad as in Oedipus Rex is preferable because this induces pity and fear within the spectators. Tragedy results in a catharsis (emotional cleansing) or healing for

1620-518: Is doubly unique among the extant ancient dramas. Athenian tragedies were performed in late March/early April at an annual state religious festival in honor of Dionysus. The presentations took the form of a contest between three playwrights, who presented their works on three successive days. Each playwright offered a tetralogy consisting of three tragedies and a concluding comic piece called a satyr play . The four plays sometimes featured linked stories. Only one complete trilogy of tragedies has survived,

1710-594: Is explained by his bent of mind or imagination which was 'so encompassing, so receptive to the plurality of diverse orders of experience.' When compared to the drama of Greek antiquity and French classicism Shakespeare's forms are 'richer but hybrid'. Numerous books and plays continue to be written in the tradition of tragedy to this day examples include Froth on the Daydream , The Road , The Fault in Our Stars , Fat City , Rabbit Hole , Requiem for

1800-623: Is new and sufficiently inventive. The implication—counter-intuitively—is that a legal invention is not inherently novel. Whether a patent application relates to an invention is governed by Article 52 of the European Patent Convention, that excludes, e.g., discoveries as such and software as such . The EPO Boards of Appeal decided that the technical character of an application is decisive for it to represent an invention, following an age-old Italian and German tradition. British courts do not agree with this interpretation. Following

1890-465: Is now commonly used over babies' cribs. Funds generated from patents on inventions in art, design and architecture can support the realization of the invention or other creative work. Frédéric Auguste Bartholdi 's 1879 design patent on the Statue of Liberty helped fund the famous statue because it covered small replicas, including those sold as souvenirs. The timeline for invention in the arts lists

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1980-591: Is the most common form of tragedy adapted into modern day television programs , books , films , theatrical plays , etc. Newly dealt with themes that sprang forth from the Domestic tragedy movement include: wrongful convictions and executions, poverty, starvation, addiction , alcoholism , debt, structural abuse , child abuse , crime , domestic violence , social shunning , depression , and loneliness. Classical Domestic tragedies include: Contemporary with Shakespeare, an entirely different approach to facilitating

2070-474: The Oresteia of Aeschylus. The Greek theatre was in the open air, on the side of a hill, and performances of a trilogy and satyr play probably lasted most of the day. Performances were apparently open to all citizens, including women, but evidence is scant. The theatre of Dionysus at Athens probably held around 12,000 people. All of the choral parts were sung (to the accompaniment of an aulos ) and some of

2160-457: The ekkyklêma as a theatrical device, which was a platform hidden behind the scene that could be rolled out to display the aftermath of some event which had happened out of sight of the audience. This event was frequently a brutal murder of some sort, an act of violence which could not be effectively portrayed visually, but an action of which the other characters must see the effects for it to have meaning and emotional resonance. A prime example of

2250-895: The Baháʼí Faith . Some of these disciplines, genres, and trends may seem to have existed eternally or to have emerged spontaneously of their own accord, but most of them have had inventors. Ideas for an invention may be developed on paper or on a computer, by writing or drawing, by trial and error , by making models, by experimenting , by testing and/or by making the invention in its whole form. Brainstorming also can spark new ideas for an invention. Collaborative creative processes are frequently used by engineers, designers, architects and scientists. Co-inventors are frequently named on patents. In addition, many inventors keep records of their working process – notebooks , photos, etc., including Leonardo da Vinci , Galileo Galilei , Evangelista Torricelli , Thomas Jefferson and Albert Einstein . In

2340-508: The Golden Age of 5th-century Athenian tragedy), Aristotle provides the earliest surviving explanation for the origin of the dramatic art form in his Poetics , in which he argues that tragedy developed from the improvisations of the leader of choral dithyrambs ( hymns sung and danced in praise of Dionysos , the god of wine and fertility): Anyway, arising from an improvisatory beginning (both tragedy and comedy—tragedy from

2430-575: The Latin verse tragedy Eccerinis , which uses the story of the tyrant Ezzelino III da Romano to highlight the danger to Padua posed by Cangrande della Scala of Verona . It was the first secular tragedy written since Roman times, and may be considered the first Italian tragedy identifiable as a Renaissance work. The earliest tragedies to employ purely classical themes are the Achilles written before 1390 by Antonio Loschi of Vicenza (c.1365–1441) and

2520-645: The Progne of the Venetian Gregorio Correr (1409–1464) which dates from 1428 to 1429. In 1515 Gian Giorgio Trissino (1478–1550) of Vicenza wrote his tragedy Sophonisba in the vernacular that would later be called Italian. Drawn from Livy 's account of Sophonisba , the Carthaginian princess who drank poison to avoid being taken by the Romans, it adheres closely to classical rules. It

2610-742: The United Nations , the European Union , and the Universal Declaration of Human Rights , as well as movements such as socialism , Zionism , suffragism , feminism , and animal-rights veganism. Humanistic inventions encompass culture in its entirety and are as transformative and important as any in the sciences, although people tend to take them for granted. In the domain of linguistics, for example, many alphabets have been inventions, as are all neologisms ( Shakespeare invented about 1,700 words). Literary inventions include

2700-428: The parachute became more useful once powered flight was a reality. Invention is often a creative process . An open and curious mind allows an inventor to see beyond what is known. Seeing a new possibility, connection or relationship can spark an invention. Inventive thinking frequently involves combining concepts or elements from different realms that would not normally be put together. Sometimes inventors disregard

2790-428: The tragédie en musique is regarded as a distinct musical genre. Some later operatic composers have also shared Peri's aims: Richard Wagner 's concept of Gesamtkunstwerk ("integrated work of art"), for example, was intended as a return to the ideal of Greek tragedy in which all the arts were blended in service of the drama. Nietzsche , in his The Birth of Tragedy (1872) was to support Wagner in his claims to be

John Scott Medal - Misplaced Pages Continue

2880-513: The " Corporation of the city of Philadelphia ". The druggist John Scott of Edinburgh organized a $ 4,000 fund which, after his death in 1815 was administered by a merchant until the first award, a copper medal and "an amount not to exceed twenty dollars", was given in 1822. (At the time, $ 20 could buy one ox or a 12-volume encyclopedia.) Several hundred recipients have since been selected by the City Council of Philadelphia , which decides from

2970-479: The "abstract idea" test, which suffers from abstractness itself, but none have succeeded. The last attempt so far was the "machine or transformation" test, but the U.S. Supreme Court decided in 2010 that it is merely an indication at best. In India, invention means a new product or process that involves an inventive step, and capable of being made or used in an industry. Whereas, "new invention" means any invention that has not been anticipated in any prior art or used in

3060-467: The 17th century . Towards the close of the eighteenth century, having studied her predecessors, Joanna Baillie wanted to revolutionise theatre, believing that it could be used more effectively to affect people's lives. To this end she gave a new direction to tragedy, which she as 'the unveiling of the human mind under the dominion of those strong and fixed passions, which seemingly unprovoked by outward circumstances, will from small beginnings brood within

3150-551: The Bible, from contemporary events and from short story collections (Italian, French and Spanish). The Greek tragic authors ( Sophocles and Euripides ) would become increasingly important as models by the middle of the 17th century. Important models were also supplied by the Spanish Golden Age playwrights Pedro Calderón de la Barca , Tirso de Molina and Lope de Vega , many of whose works were translated and adapted for

3240-489: The European invention concept. The European invention concept corresponds to the American "patentable subject matter" concept: the first test a patent application is submitted to. While the statute (35 USC § 101) virtually poses no limits to patenting whatsoever, courts have decided in binding precedents that abstract ideas, natural phenomena and laws of nature are not patentable. Various attempts have been made to substantiate

3330-528: The French stage. Dutch Renaissance and Golden Age The common forms are the: In English, the most famous and most successful tragedies are those of William Shakespeare and his Elizabethan contemporaries. Shakespeare's tragedies include: A contemporary of Shakespeare, Christopher Marlowe , also wrote examples of tragedy in English, notably: John Webster (1580?–1635?), also wrote famous plays of

3420-600: The Greek versions in their long declamatory, narrative accounts of action, their obtrusive moralising, and their bombastic rhetoric. They dwell on detailed accounts of horrible deeds and contain long reflective soliloquies . Though the gods rarely appear in these plays, ghosts and witches abound. Senecan tragedies explore ideas of revenge , the occult, the supernatural, suicide, blood and gore. The Renaissance scholar Julius Caesar Scaliger (1484–1558), who knew both Latin and Greek, preferred Seneca to Euripides. Classical Greek drama

3510-465: The Greek world), and continued to be popular until the beginning of the Hellenistic period . No tragedies from the 6th century and only 32 of the more than a thousand that were performed in the 5th century have survived. We have complete texts extant by Aeschylus , Sophocles , and Euripides . Aeschylus' The Persians is recognized to be the earliest extant Greek tragedy, and as such it

3600-863: The Nobel Prize in 2000 and has led to innovative lighting, display screens, wallpaper and much more (see conductive polymer , and organic light-emitting diode or OLED ). Invention is often an exploratory process with an uncertain or unknown outcome. There are failures as well as successes. Inspiration can start the process, but no matter how complete the initial idea, inventions typically must be developed. Inventors may, for example, try to improve something by making it more effective, healthier, faster, more efficient, easier to use, serve more purposes, longer lasting, cheaper, more ecologically friendly, or aesthetically different, lighter weight, more ergonomic , structurally different, with new light or color properties, etc. In economic theory , inventions are one of

3690-480: The actors' answers to the chorus were sung as well. The play as a whole was composed in various verse metres. All actors were male and wore masks. A Greek chorus danced as well as sang, though no one knows exactly what sorts of steps the chorus performed as it sang. Choral songs in tragedy are often divided into three sections: strophe ("turning, circling"), antistrophe ("counter-turning, counter-circling") and epode ("after-song"). Many ancient Greek tragedians employed

John Scott Medal - Misplaced Pages Continue

3780-554: The annual list of nominees made by the Franklin Institute . Most awards have been given for inventions in science and medicine. Notable recipients include: Invention An inventor creates or discovers an invention. The word inventor comes from the Latin verb invenire , invent- , to find. Although inventing is closely associated with science and engineering, inventors are not necessarily engineers or scientists. Due to advances in artificial intelligence ,

3870-525: The approach of the enemy, when he might have been combated most successfully; and where the suffering him to pass may be considered as occasioning all the misery that ensues.' In 1851, the tragedy El Palacio de Medrano , written by Pablo J. Villaseñor, was first performed at the Teatro Principal in Guadalajara on June 10th, 1851. Bourgeois tragedy (German: Bürgerliches Trauerspiel) is

3960-829: The atomic bomb, computing, the Internet , and the smartphone. Sociopolitical inventions comprise new laws, institutions, and procedures that change modes of social behavior and establish new forms of human interaction and organization. Examples include the British Parliament , the US Constitution , the Manchester (UK) General Union of Trades, the Boy Scouts, the Red Cross , the Olympic Games ,

4050-426: The audience through their experience of these emotions in response to the suffering of the characters in the drama. According to Aristotle, "the structure of the best tragedy should not be simple but complex and one that represents incidents arousing fear and pity —for that is peculiar to this form of art." This reversal of fortune must be caused by the tragic hero's hamartia , which is often translated as either

4140-466: The audience; only comedy should depict middle-class people. Domestic tragedy breaks with Aristotle's precepts, taking as its subjects merchants or citizens whose lives have less consequence in the wider world. The advent of the domestic tragedy ushered in the first phase shift of the genre focusing less on the Aristotelian definition of the genre and more on the definition of tragedy on the scale of

4230-487: The boundaries between distinctly separate territories or fields. Several concepts may be considered when thinking about invention. Play may lead to invention. Childhood curiosity, experimentation, and imagination can develop one's play instinct. Inventors feel the need to play with things that interest them, and to explore, and this internal drive brings about novel creations. Sometimes inventions and ideas may seem to arise spontaneously while daydreaming , especially when

4320-482: The breast, till all the better dispositions, all the fair gifts of nature are borne down before them'. This theory, she put into practice in her 'Series of Plays on the Passions' in three volumes (commencing in 1798) and in other dramatic works. Her method was to create a series of scenes and incidents intended to capture the audience's inquisitiveness and 'trace the progress of the passion, pointing out those stages in

4410-554: The case of polytetrafluoroethylene (Teflon). Insight can also be a vital element of invention. Such inventive insights may begin with questions, doubt or a hunch . It may begin by recognizing that something unusual or accidental may be useful or that it could open a new avenue for exploration. For example, the odd metallic color of plastic made by accidentally adding a thousand times too much catalyst led scientists to explore its metal-like properties, inventing electrically conductive plastic and light emitting plastic—an invention that won

4500-467: The characteristics of Greek tragedy and the traditions that developed from that period. In the Foreword (1980) to a new edition of his book Steiner concluded that 'the dramas of Shakespeare are not a renascence of or a humanistic variant of the absolute tragic model. They are, rather, a rejection of this model in the light of tragi-comic and "realistic" criteria.' In part, this feature of Shakespeare's mind

4590-517: The chief examples of " positive externalities ", a beneficial side effect that falls on those outside a transaction or activity. One of the central concepts of economics is that externalities should be internalized—unless some of the benefits of this positive externality can be captured by the parties, the parties are under-rewarded for their inventions, and systematic under-rewarding leads to under-investment in activities that lead to inventions. The patent system captures those positive externalities for

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4680-434: The clearest is Eustathius 1769.45: "They called those competing tragedians, clearly because of the song over the billy goat"... Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the theatrical culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE (from the end of which it began to spread throughout

4770-482: The conscious mind turns away from the subject or problem when the inventor's focus is on something else, or while relaxing or sleeping. A novel idea may come in a flash—a Eureka ! moment. For example, after years of working to figure out the general theory of relativity, the solution came to Einstein suddenly in a dream "like a giant die making an indelible impress, a huge map of the universe outlined itself in one clear vision". Inventions can also be accidental, such as in

4860-473: The country or anywhere in the world. Invention has a long and important history in the arts . Inventive thinking has always played a vital role in the creative process . While some inventions in the arts are patentable , others are not because they cannot fulfill the strict requirements governments have established for granting them. (see patent ). Some inventions in art include the: Likewise, Jackson Pollock invented an entirely new form of painting and

4950-416: The derivative definition tends to ask what expresses itself through tragedy". The second is the substantive way of defining tragedy, which starts with the work of art which is assumed to contain the ordering of the world. Substantive critics "are interested in the constituent elements of art, rather than its ontological sources". He recognizes four subclasses: a. "definition by formal elements" (for instance

5040-405: The drama, where tragedy is opposed to comedy i.e. melancholic stories. Although the utilization of key elements such as suffering, hamartia, morality, and spectacle ultimately ties this variety of tragedy to all the rest. This variant of tragedy noticeably had a larger number of stories that featured characters' downfalls being due to circumstances out of their control - a feature first established by

5130-475: The end of the century. Racine's two late plays ("Esther" and "Athalie") opened new doors to biblical subject matter and to the use of theatre in the education of young women. Racine also faced criticism for his irregularities: when his play, Bérénice , was criticised for not containing any deaths, Racine disputed the conventional view of tragedy. For more on French tragedy of the 16th and 17th centuries, see French Renaissance literature and French literature of

5220-845: The epic, tragedy , comedy, the novel , the sonnet , the Renaissance , neoclassicism, Romanticism , Symbolism , Aestheticism, Socialist Realism , Surrealism , postmodernism , and (according to Freud) psychoanalysis . Among the inventions of artists and musicians are oil painting, printmaking, photography , cinema , musical tonality, atonality, jazz , rock, opera , and the symphony orchestra. Philosophers have invented logic (several times), dialectics , idealism, materialism, utopia , anarchism , semiotics , phenomenology , behaviorism , positivism , pragmatism , and deconstruction . Religious thinkers are responsible for such inventions as monotheism , pantheism , Methodism , Mormonism , iconoclasm, puritanism , deism , secularism, ecumenism, and

5310-460: The first of all modern tragedies is A Castro , by Portuguese poet and playwright António Ferreira , written around 1550 (but only published in 1587) in polymetric verse (most of it being blank hendecasyllables), dealing with the murder of Inês de Castro , one of the most dramatic episodes in Portuguese history. Although these three Italian plays are often cited, separately or together, as being

5400-420: The first regular tragedies in modern times, as well as the earliest substantial works to be written in blank hendecasyllables, they were apparently preceded by two other works in the vernacular: Pamfila or Filostrato e Panfila written in 1498 or 1508 by Antonio Cammelli (Antonio da Pistoia); and a Sophonisba by Galeotto del Carretto of 1502. From about 1500 printed copies, in the original languages, of

5490-520: The following suppositions: Corneille continued to write plays through 1674 (mainly tragedies, but also something he called "heroic comedies") and many continued to be successes, although the "irregularities" of his theatrical methods were increasingly criticised (notably by François Hédelin, abbé d'Aubignac ) and the success of Jean Racine from the late 1660s signalled the end of his preeminence. Jean Racine 's tragedies—inspired by Greek myths, Euripides , Sophocles and Seneca —condensed their plot into

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5580-544: The genre: Domestic tragedies are tragedies in which the tragic protagonists are ordinary middle-class or working-class individuals. This subgenre contrasts with classical and Neoclassical tragedy, in which the protagonists are of kingly or aristocratic rank and their downfall is an affair of state as well as a personal matter. The Ancient Greek theorist Aristotle had argued that tragedy should concern only great individuals with great minds and souls, because their catastrophic downfall would be more emotionally powerful to

5670-453: The hero. It is also a misconception that this reversal can be brought about by a higher power (e.g. the law, the gods, fate , or society), but if a character's downfall is brought about by an external cause, Aristotle describes this as a misadventure and not a tragedy. In addition, the tragic hero may achieve some revelation or recognition ( anagnorisis —"knowing again" or "knowing back" or "knowing throughout") about human fate, destiny, and

5760-441: The inventor or other patent owner so that the economy as a whole invests an optimum amount of resources in the invention process. In contrast to invention, innovation is the implementation of a creative idea that specifically leads to greater value or usefulness. That is, while an invention may be useless or have no value yet still be an invention, an innovation must have some sort of value, typically economic. The term invention

5850-685: The later years of the republic and by means of the Roman Empire (27 BCE-476 CE), theatre spread west across Europe, around the Mediterranean and even reached Britain. While Greek tragedy continued to be performed throughout the Roman period, the year 240 BCE marks the beginning of regular Roman drama . Livius Andronicus began to write Roman tragedies, thus creating some of the first important works of Roman literature . Five years later, Gnaeus Naevius also began to write tragedies (though he

5940-469: The leaders of the dithyramb, and comedy from the leaders of the phallic processions which even now continue as a custom in many of our cities), [tragedy] grew little by little, as [the poets] developed whatever [new part] of it had appeared; and, passing through many changes, tragedy came to a halt, since it had attained its own nature. In the same work, Aristotle attempts to provide a scholastic definition of what tragedy is: Tragedy is, then, an enactment of

6030-415: The mind is free from its usual concerns. For example, both J. K. Rowling (the creator of Harry Potter ) and Frank Hornby (the inventor of Meccano ) first had their ideas while on train journeys. In contrast, the successful aerospace engineer Max Munk advocated "aimful thinking". To invent is to see anew. Inventors often envision a new idea, seeing it in their mind's eye . New ideas can arise when

6120-402: The most notable artistic inventors. Historically, women in many regions have been unrecognised for their inventive contributions (except Russia and France ), despite being the sole inventor or co-inventor in inventions, including highly notable inventions. Notable examples include Margaret Knight who faced significant challenges in receiving credit for her inventions; Elizabeth Magie who

6210-445: The process of developing an invention, the initial idea may change. The invention may become simpler, more practical, it may expand, or it may even morph into something totally different. Working on one invention can lead to others too. History shows that turning the concept of an invention into a working device is not always swift or direct. Inventions may also become more useful after time passes and other changes occur. For example,

6300-436: The rebirth of tragedy in the contemporary theatre, most notably in his volume Arguments for a Theatre . "You emerge from tragedy equipped against lies. After the musical, you're anybody's fool," he insists. Critics such as George Steiner have even been prepared to argue that tragedy may no longer exist in comparison with its former manifestations in classical antiquity. In The Death of Tragedy (1961) George Steiner outlined

6390-586: The rebirth of tragedy was taken in Italy. Jacopo Peri , in the preface to his Euridice refers to "the ancient Greeks and Romans (who in the opinion of many sang their staged tragedies throughout in representing them on stage)." The attempts of Peri and his contemporaries to recreate ancient tragedy gave rise to the new Italian musical genre of opera. In France, tragic operatic works from the time of Lully to about that of Gluck were not called opera, but tragédie en musique ("tragedy in music") or some similar name;

6480-565: The self-definition of Western civilization . That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans , in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only

6570-438: The shapes of their choruses and styles of dancing. A common descent from pre- Hellenic fertility and burial rites has been suggested. Friedrich Nietzsche discussed the origins of Greek tragedy in his early book The Birth of Tragedy (1872). Here, he suggests the name originates in the use of a chorus of goat-like satyrs in the original dithyrambs from which the tragic genre developed. Scott Scullion writes: There

6660-425: The supposed "three unities"); b. "definition by situation" (where one defines tragedy for instance as "exhibiting the fall of a good man"); c. "definition by ethical direction" (where the critic is concerned with the meaning, with the "intellectual and moral effect); and d. "definition by emotional effect" (and he cites Aristotle's "requirement of pity and fear"). Aristotle wrote in his work Poetics that tragedy

6750-417: The term "inventor" no longer exclusively applies to an occupation (see human computers ). Some inventions can be patented. The system of patents was established to encourage inventors by granting limited-term, limited monopoly on inventions determined to be sufficiently novel, non-obvious, and useful . A patent legally protects the intellectual property rights of the inventor and legally recognizes that

6840-436: The terrible or sorrowful events that befall a main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis , or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in

6930-812: The traditional division between comedy and tragedy in an anti- or a- generic deterritorialisation from the mid-19th century onwards. Both Bertolt Brecht and Augusto Boal define their epic theatre projects ( non-Aristotelian drama and Theatre of the Oppressed , respectively) against models of tragedy. Taxidou, however, reads epic theatre as an incorporation of tragic functions and its treatments of mourning and speculation. The word "tragedy" appears to have been used to describe different phenomena at different times. It derives from Classical Greek τραγῳδία , contracted from trag(o)-aoidiā = "goat song", which comes from tragos = "he-goat" and aeidein = "to sing" ( cf. "ode"). Scholars suspect this may be traced to

7020-410: The tragedies of Shakespeare - and less due to their own personal flaws. This variant of tragedy has led to the evolution and development of tragedies of the modern era especially those past the mid-1800s such as the works of Arthur Miller , Eugene O'Neill and Henrik Ibsen . This variant of tragedy is especially popular in the modern age due to its characters being more relatable to mass audiences and

7110-412: The tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. A long line of philosophers —which includes Plato , Aristotle , Saint Augustine , Voltaire , Hume , Diderot , Hegel , Schopenhauer , Kierkegaard , Nietzsche , Freud , Benjamin , Camus , Lacan , and Deleuze —have analysed, speculated upon, and criticised the genre. In

7200-402: The use of the ekkyklêma is after the murder of Agamemnon in the first play of Aeschylus' Oresteia , when the king's butchered body is wheeled out in a grand display for all to see. Variations on the ekkyklêma are used in tragedies and other forms to this day, as writers still find it a useful and often powerful device for showing the consequences of extreme human actions. Another such device

7290-421: The wake of Aristotle's Poetics (335 BCE), tragedy has been used to make genre distinctions, whether at the scale of poetry in general (where the tragic divides against epic and lyric ) or at the scale of the drama (where tragedy is opposed to comedy ). In the modern era, tragedy has also been defined against drama, melodrama , the tragicomic , and epic theatre . Drama, in the narrow sense, cuts across

7380-593: The works of Sophocles , Seneca , and Euripides , as well as comedic writers such as Aristophanes , Terence and Plautus , were available in Europe and the next forty years saw humanists and poets translating and adapting their tragedies. In the 1540s, the European university setting (and especially, from 1553 on, the Jesuit colleges) became host to a Neo-Latin theatre (in Latin) written by scholars. The influence of Seneca

7470-530: Was a crane, the mechane , which served to hoist a god or goddess on stage when they were supposed to arrive flying. This device gave origin to the phrase " deus ex machina " ("god out of a machine"), that is, the surprise intervention of an unforeseen external factor that changes the outcome of an event. Following the expansion of the Roman Republic (509–27 BCE) into several Greek territories between 270 and 240 BCE, Rome encountered Greek tragedy . From

7560-520: Was based on Euripides ' Hippolytus . Historians do not know who wrote the only extant example of the fabula praetexta (tragedies based on Roman subjects), Octavia , but in former times it was mistakenly attributed to Seneca due to his appearance as a character in the tragedy. Seneca's tragedies rework those of all three of the Athenian tragic playwrights whose work has survived. Probably meant to be recited at elite gatherings, they differ from

7650-662: Was first produced in 1755, is said to be the earliest Bürgerliches Trauerspiel in Germany. In modernist literature , the definition of tragedy has become less precise. The most fundamental change has been the rejection of Aristotle's dictum that true tragedy can only depict those with power and high status. Arthur Miller 's essay "Tragedy and the Common Man" (1949) argues that tragedy may also depict ordinary people in domestic surroundings thus defining Domestic tragedies. British playwright Howard Barker has argued strenuously for

7740-644: Was largely forgotten in Western Europe from the Middle Ages to the beginning of the 16th century. Medieval theatre was dominated by mystery plays , morality plays , farces and miracle plays . In Italy, the models for tragedy in the later Middle Ages were Roman, particularly the works of Seneca, interest in which was reawakened by the Paduan Lovato de' Lovati (1241–1309). His pupil Albertino Mussato (1261–1329), also of Padua, in 1315 wrote

7830-587: Was more appreciated for his comedies). No complete early Roman tragedy survives, though it was highly regarded in its day; historians know of three other early tragic playwrights— Quintus Ennius , Marcus Pacuvius and Lucius Accius . From the time of the empire, the tragedies of two playwrights survive—one is an unknown author, while the other is the Stoic philosopher Seneca . Nine of Seneca's tragedies survive, all of which are fabula crepidata (tragedies adapted from Greek originals); his Phaedra , for example,

7920-532: Was not credited for her invention of the game of Monopoly ; and among other such examples, Chien-Shiung Wu whose male colleagues alone were awarded the Nobel Prize for their joint contributions to physics. Societal prejudice, institutional, educational and often legal patent barriers have both played a role in the gender invention gap. For example, although there could be found female patenters in US patent Office who also are likely to be helpful in their experience, still

8010-606: Was particularly strong in its humanist tragedy. His plays, with their ghosts, lyrical passages and rhetorical oratory, brought a concentration on rhetoric and language over dramatic action to many humanist tragedies. The most important sources for French tragic theatre in the Renaissance were the example of Seneca and the precepts of Horace and Aristotle (and contemporary commentaries by Julius Caesar Scaliger and Lodovico Castelvetro ), although plots were taken from classical authors such as Plutarch , Suetonius , etc., from

8100-745: Was soon followed by the Oreste and Rosmunda of Trissino's friend, the Florentine Giovanni di Bernardo Rucellai (1475–1525). Both were completed by early 1516 and are based on classical Greek models, Rosmunda on the Hecuba of Euripides , and Oreste on the Iphigenia in Tauris of the same author; like Sophonisba , they are in Italian and in blank (unrhymed) hendecasyllables . Another of

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