One Way Street is a 1950 American film noir crime film directed by Hugo Fregonese and starring James Mason , Märta Torén and Dan Duryea . The film takes place mainly in Mexico.
77-404: Dr. Frank Matson, a physician, steals $ 200,000 from the mob boss John Wheeler, after a robbery Wheeler and his gang have pulled off. Matson goes on the run, intending to go to Mexico City. Wheeler's girlfriend, Laura Thorsen, accompanies him. Forced by problems with the airplane to land in rural Mexico, for a time Matson and Laura establish a pleasant life and he is able to medically assist some of
154-492: A Poverty Row studio on Hollywood's famously low-rent Gower Street . Among Hollywood's elite, the studio's small-time reputation led some to joke that "CBC" stood for "Corned Beef and Cabbage". CBC was reorganized as Columbia Pictures Corporation by brothers Harry and Jack Cohn and best friend Joe Brandt on January 10, 1924. Harry Cohn became president in 1932 and remained head of production as well, thus concentrating enormous power in his hands. He would run Columbia for
231-584: A 'rough cut' with editors in Hollywood". Writing about L'Avventura (1960), Crowther said that watching the film was "like trying to follow a showing of a picture at which several reels have got lost." The career of Bosley Crowther is discussed at length in For the Love of Movies: The Story of American Film Criticism , including his support for foreign-language cinema and his public repudiation of McCarthyism and
308-811: A biography of the head of the MGM studio, The Great Films: 50 Golden Years of the Motion Picture Industry (1967), and Treasury of the Talking Picture . Perhaps conscious of the power of his reviews, Crowther adopted a tone that New York Times obituarist Robert D. McFadden considered to be "scholarly rather than breezy". Frank Beaver wrote in Bosley Crowther: Social Critic of the Film, 1940–1967 that Crowther opposed displays of patriotism in films and believed that
385-505: A child, Crowther moved to Winston-Salem, North Carolina , where he published a neighborhood newspaper, The Evening Star . His family moved to Washington, D.C., and Crowther graduated from Western High School in 1922. After two years of prep school at Woodberry Forest School , he entered Princeton University , where he majored in history and was editor of The Daily Princetonian . During his final year in 1928, he won The New York Times 's Intercollegiate Current Events Contest and won
462-576: A financial stake in Columbia Pictures Industries and Alan Hirschfield was appointed CEO, succeeding Leo Jaffe who became chairman. Stanley Schneider, son of Abe Schneider (who became honorary chairman before leaving the board in 1975) was replaced as head of the Columbia Pictures studio by David Begelman , who reported to Hirschfield. Some years later Begelman was involved in a check-forging scandal that badly hurt
539-413: A healthier balance-sheet (due in large part to box office hits like Kramer vs. Kramer , Stir Crazy , The Blue Lagoon , and Stripes ) Columbia was bought by beverage company The Coca-Cola Company on June 22, 1982, for $ 750 million. Studio head Frank Price mixed big hits like Tootsie , Gandhi , The Karate Kid , The Big Chill , and Ghostbusters with many costly flops. To share
616-440: A highly unfavorable review, and panned David Lean 's later works. He called Lawrence of Arabia (1962) a "thundering camel-opera that tends to run down rather badly as it rolls on into its third hour and gets involved with sullen disillusion and political deceit." Crowther often admired foreign-language films, especially the works of Roberto Rossellini , Vittorio De Sica , Ingmar Bergman , and Federico Fellini . However he
693-530: A juvenile delinquent's descent into murder: "Rubbish! The only shortcoming of society which this film proves is that it casually tolerates the pouring of such fraudulence onto the public mind." Crowther opposed censorship of movies, and advocated greater social responsibility in the making of them. He approved of movies with social content, such as Gone with the Wind (1939), The Grapes of Wrath (1940), Citizen Kane (1941), The Lost Weekend (1945), All
770-538: A live-action feature. Columbia was the last major studio to employ the expensive color process. Columbia's first Technicolor feature was the western The Desperadoes , starring Randolph Scott and Glenn Ford . Cohn quickly used Technicolor again for Cover Girl , a Hayworth vehicle that instantly was a smash hit, released in 1944, and for the fanciful biography of Frédéric Chopin , A Song to Remember , with Cornel Wilde , released in 1945. Another biopic, 1946's The Jolson Story with Larry Parks and Evelyn Keyes ,
847-685: A movie producer "should balance his political attitudes even in the uncertain times of the 1940s and 1950s, during the House Un-American Activities Committee ". Crowther's review of the wartime drama Mission to Moscow (1943), made during the period when the Soviet Union was one of the Allied Powers with the United States, chided the film by saying it should show "less ecstasy", and wrote: "It
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#1732791058854924-520: A new management team was brought in. In 1972, Columbia and Warner Bros. formed a partnership called The Burbank Studios, in which both companies shared the Warner studio lot in Burbank . In 1971, Columbia Pictures established sheet music publisher Columbia Pictures Publications, with vice president and general manager Frank J. Hackinson , who later became the president. In 1973, Allen & Co took
1001-685: A reorganization of the various Columbia Pictures legacy labels (Colpix, Colgems , and Bell), Davis introduced Columbia Pictures' new record division, Arista Records , in November 1974, with Davis himself owning 20% of the new venture. Columbia maintained control of the label until 1979, when it was sold to Ariola Records . In addition, Columbia sold its music publishing business (Columbia-Screen Gems) to EMI in August 1976 for $ 15 million. Both would later be reunited with Columbia Pictures under Sony ownership. In December 1976, Columbia Pictures acquired
1078-522: A total of 34 years, one of the longest tenures of any studio chief ( Warner Bros. ' Jack L. Warner was head of production or CEO longer but did not become CEO until 1956). Even in an industry rife with nepotism, Columbia was particularly notorious for having a number of Harry and Jack's relatives in high positions. Humorist Robert Benchley called it the Pine Tree Studio, "because it has so many Cohns". Brandt eventually tired of dealing with
1155-469: A trip to Europe. Following his return, Crowther was offered a job as a cub reporter for The New York Times at a salary of $ 30 per week. He declined the offer, made to him by the publisher Adolph S. Ochs , hoping to find employment on a small Southern newspaper. When the salary offered by those papers was not half of the Times offer, he went to New York and took the job. He was the first nightclub reporter for
1232-608: A writer and artist; and Jefferson, a banker and the father of Welles Remy Crowther who died in the September 11 attacks in 2001. In 1937 he became assistant screen editor and in 1940 replaced Frank Nugent as film critic for The New York Times as well as screen editor. He was film critic for the Times until he semi-retired in 1967 and became critic emeritus. In 1954, he received the Directors Guild of America 's first film criticism award. After he semi-retired from
1309-417: Is hit by a car coming down the one-way street. Jeff Chandler was originally announced for the lead. Film critic Bosley Crowther dismissed the film as uninteresting, "Perhaps it is all the fault of the script, which has our hero vacillating between a life of crime and regeneration via a lady's love and an honest but unremunerative practice. What it all adds up to is a standard romantic melodrama illustrating
1386-525: Is just as ridiculous to pretend that Russia has been a paradise of purity as it is to say the same thing of ourselves". In the 1950s, Crowther was an opponent of Senator Joseph R. McCarthy , whose anti-communist crusade targeted the State Department, the administration of Harry S. Truman , the U.S. Army , and individual government employees. However, he also criticised the left-wing film Knock on Any Door for blaming law-abiding society for
1463-1026: Is presently headquartered at the Irving Thalberg Building on the former Metro-Goldwyn-Mayer (currently known as the Sony Pictures Studios ) lot in Culver City, California since 1990. Columbia Pictures is a member of the Motion Picture Association (MPA), under Sony Pictures Entertainment, and is currently one of six live-action labels of Sony Pictures Motion Picture Group, the others being TriStar Pictures , Affirm Films , Screen Gems , Sony Pictures Classics , and Stage 6 Films . Columbia's most commercially successful franchises include Spider-Man , Jumanji , Bad Boys , Men in Black , The Karate Kid , Robert Langdon , and Ghostbusters , and
1540-510: Is the flagship unit of the Sony Pictures Motion Picture Group , a division of Sony Entertainment 's Sony Pictures , which is one of the "Big Five" film studios and a subsidiary of the multinational conglomerate Sony Group Corporation . On June 19, 1918, brothers Jack and Harry Cohn and their business partner Joe Brandt founded the studio as Cohn-Brandt-Cohn (CBC) Film Sales Corporation . It adopted
1617-478: The Blacklist . In this 2009 documentary film, contemporary critics who appreciate his work, such as A. O. Scott , appear, but also those who found his work too moralistic, such as Richard Schickel , Molly Haskell , and Andrew Sarris . The end of Crowther's career was marked by his disdain for the 1967 film Bonnie and Clyde . He was critical of what he saw as the film's sensationalized violence. His review
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#17327910588541694-583: The Matt Helm series with Dean Martin . Columbia also produced a James Bond spoof, Casino Royale (1967), in conjunction with Charles K. Feldman , which held the adaptation rights for that novel . By 1966, the studio was suffering from box-office failures, and takeover rumors began surfacing. Columbia was surviving solely on the profits made from Screen Gems, whose holdings also included radio and television stations. On December 23, 1968, Screen Gems merged with Columbia Pictures Corporation and became part of
1771-473: The Times , and in 1932 was asked by Brooks Atkinson to join the drama department as assistant drama editor. He spent five years covering the theater scene in New York, and even dabbled in writing for it. While at the Times in those early years, Crowther met Florence Marks, a fellow employee; the couple married on January 20, 1933. They had three sons, Bosley Crowther III, an attorney; John M. Crowther ,
1848-426: The Times , he also started to work for Columbia Pictures helping them identify stories and films to buy. One of the stories he suggested was S. J. Wilson's To Find a Man . In addition to his film criticism, Crowther wrote The Lion's Share: The Story of an Entertainment Empire (1957), the first book documenting the history of Metro-Goldwyn-Mayer , Hollywood Rajah: The Life and Times of Louis B. Mayer (1960),
1925-521: The Times . Crowther died of heart failure on March 7, 1981, at Northern Westchester Hospital in Mount Kisco, New York . He was survived by his wife Florence, who died in 1984; a sister, Nancy Crowther Kappes; three sons, F. Bosley, John , and Jefferson; and four grandchildren. Columbia Pictures Columbia Pictures Industries, Inc. , commonly known as Columbia Pictures , is an American film production and distribution company that
2002-583: The United States Department of Justice filed an antitrust suit against Kerkorian to block him from holding a stake in Columbia while controlling MGM. On February 19, 1979, Columbia Pictures Television acquired TOY Productions; the production company founded by Bud Yorkin and writers Saul Turteltaub and Bernie Orenstein in 1976. In May, Kerkorian acquired an additional 214,000 shares in Columbia, raising his stake to 25%. On August 2,
2079-484: The 1930s, Columbia signed Jean Arthur to a long-term contract, and after The Whole Town's Talking (1935), Arthur became a major comedy star. Ann Sothern 's career was launched when Columbia signed her to a contract in 1936. Cary Grant signed a contract in 1937 and soon after it was altered to a non-exclusive contract shared with RKO . Many theaters relied on westerns to attract big weekend audiences, and Columbia always recognized this market. Its first cowboy star
2156-487: The 1934 Oscars, put Columbia on the map. Until then, Columbia's business had depended on theater owners willing to take its films, since it did not have a theater network of its own. Other Capra-directed hits followed, including the original version of Lost Horizon (1937), with Ronald Colman , and Mr. Smith Goes to Washington (1939), which made James Stewart a major star. In 1933, Columbia hired Robert Kalloch to be its chief fashion and women's costume designer. He
2233-539: The Cohn brothers, and in 1932 sold his one-third stake to Jack and Harry Cohn, who took over from him as president. Columbia's product line consisted mostly of moderately budgeted features and short subjects including comedies, sports films, various serials, and cartoons. Columbia gradually moved into the production of higher-budget fare, eventually joining the second tier of Hollywood studios along with United Artists and Universal . Like United Artists and Universal, Columbia
2310-454: The Columbia Pictures name on January 10, 1924 (operating as Columbia Pictures Corporation until December 23, 1968) went public two years later and eventually began to use the image of Columbia , the female personification of the United States, as its logo. In its early years, Columbia was a minor player in Hollywood, but began to grow in the late 1920s, spurred by a successful association with director Frank Capra . With Capra and others such as
2387-764: The King's Men (1949), and High Noon (1952). Crowther barely concealed his disdain for Joan Crawford when reviewing her films, saying that her acting style in Female on the Beach (1955) was characterized by "artificiality" and "pretentiousness," and also chided Crawford for her physical bearing. In his review of the Nicholas Ray film Johnny Guitar (1954), Crowther complained that "no more femininity comes from (Crawford) than from rugged Mr. Heflin in Shane (1953). For
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2464-595: The Magician (1939), The Shadow (1940), Terry and the Pirates (1940), Captain Midnight (1942), The Phantom (1943), Batman (1943), and the especially successful Superman (1948), among many others. Columbia also produced musical shorts, sports reels (usually narrated by sportscaster Bill Stern ), and travelogues. Its " Screen Snapshots " series, showing behind-the-scenes footage of Hollywood stars,
2541-487: The President of Academy of Motion Picture Arts and Sciences in 1959, until his death a year later. Columbia could not afford to keep a huge roster of contract stars, so Jack Cohn usually borrowed them from other studios. At Metro-Goldwyn-Mayer , the industry's most prestigious studio, Columbia was nicknamed "Siberia", as Louis B. Mayer would use the loan-out to Columbia as a way to punish his less-obedient signings. In
2618-515: The Stooges, Keaton, Charley Chase , Shemp Howard , Joe Besser , and Joe DeRita subjects have been released to home video. Columbia incorporated animation into its studio in 1929, distributing Krazy Kat cartoons, taking over from Paramount . The following year, Columbia took over distribution of the Mickey Mouse series from Celebrity Productions until 1932. In 1933, The Mintz studio
2695-782: The UPA deal was terminated, Columbia distributed the Hanna-Barbera cartoons, including Loopy De Loop from 1959 to 1965, which was Columbia's final theatrical cartoon series. In 1967, the Hanna-Barbera deal expired and was not renewed. According to Bob Thomas' book King Cohn , studio chief Harry Cohn always placed a high priority on serials. Beginning in 1937, Columbia entered the lucrative serial market and kept making these weekly episodic adventures until 1956, after other studios had discontinued them. The most famous Columbia serials are based on comic-strip or radio characters: Mandrake
2772-551: The arcade game company D. Gottlieb & Co. for $ 50 million. In 1978, Begelman was suspended for having embezzled money from Columbia. Hirschfield was forced out for his refusal to reinstate him. Begelman later resigned and was replaced by Daniel Melnick in June 1978. Fay Vincent was hired to replace Hirschfield. Frank Price became president of production in 1978. In March 1979, he would become president of Columbia Pictures, succeeding Melnick. During Price's tenure he
2849-423: The budgets of his films, and the studio got the maximum use out of costly sets, costumes, and props by reusing them in other films. Many of Columbia's low-budget "B" pictures and short subjects have an expensive look, thanks to Columbia's efficient recycling policy. Cohn was reluctant to spend lavish sums on even his most important pictures, and it was not until 1943 that he agreed to use three-strip Technicolor in
2926-549: The careers of many actors, directors and screenwriters, though some of his reviews of popular films have been seen as unnecessarily harsh. Crowther was an advocate of foreign-language films in the 1950s and 1960s, particularly those of Roberto Rossellini , Vittorio De Sica , Ingmar Bergman , and Federico Fellini . Crowther was born Francis Bosley Crowther Jr. in Lutherville, Maryland , the son of Eliza Hay (née Leisenring, 1877–1960) and Francis Bosley Crowther (1874–1950). As
3003-550: The company as an office boy out of high school and become a director in 1929, rising through the financial side of the business. In 1963, Columbia acquired music publisher Aldon Music . By the late 1960s, Columbia had an ambiguous identity, offering old-fashioned fare such as A Man for All Seasons and Oliver! along with the more contemporary Easy Rider and The Monkees . After turning down releasing Albert R. Broccoli 's Eon Productions James Bond films, Columbia hired Broccoli's former partner Irving Allen to produce
3080-770: The company's shows until 1967, when Hanna-Barbera was sold to Taft Broadcasting . In 1960, the animation studio became a publicly traded company under the name Screen Gems, Inc., when Columbia spun off an 18% stake. By 1950, Columbia had discontinued most of its popular series films ( Boston Blackie , Blondie , The Lone Wolf , The Crime Doctor , Rusty , etc.) Only Jungle Jim , launched by producer Sam Katzman in 1949, kept going through 1955. Katzman contributed greatly to Columbia's success by producing dozens of topical feature films, including crime dramas , science-fiction stories, and rock'n'roll musicals. Columbia kept making serials until 1956 and two-reel comedies until 1957, after other studios had abandoned these mediums. As
3157-556: The company. Brandt was president of CBC Film Sales, handling sales, marketing and distribution from New York along with Jack Cohn, while Harry Cohn ran production in Hollywood. The studio's early productions were low-budget short subjects: Screen Snapshots , the Hallroom Boys (the vaudeville duo of Edward Flanagan and Neely Edwards ), and the Charlie Chaplin -imitator Billy West . The start-up CBC leased space in
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3234-482: The early 1980s, Columbia and Tri-Star Pictures set up a film partnership with Delphi Film Associates and acquired an interest in various film releases. In 1984, Delphi Film Associates III acquired an interest in the Tri-Star and Columbia film slate of 1984, which would make a $ 60 million offering in the financing of film production. Also that year, Columbia Pictures had bought out the rights to Hardbodies , which
3311-401: The facts that crime obviously doesn't pay and that the scenery and people below the border are colorful ... Like its title, One Way Street is explicitly obvious and not especially exciting." Bosley Crowther Francis Bosley Crowther Jr. (July 13, 1905 – March 7, 1981) was an American journalist, writer, and film critic for The New York Times for 27 years. His work helped shape
3388-434: The film weren't reddened with blotches of violence of the most grisly sort... This blending of farce with brutal killings is as pointless as it is lacking in taste, since it makes no valid commentary upon the already travestied truth. And it leaves an astonished critic wondering just what purpose Mr. Penn and Mr. Beatty think they serve with this strangely antique, sentimental claptrap. Other critics besides Crowther panned
3465-424: The film, Crowther recanted his criticism and named it one of the top ten movies of the year, writing that Psycho was a "bold psychological mystery picture.... [I]t represented expert and sophisticated command of emotional development with cinematic techniques." He commented that while Satyajit Ray 's Pather Panchali (1955, US: 1958) took on "a slim poetic form" the structure and tempo of it "would barely pass as
3542-426: The increasing cost of film production, Coke brought in two outside investors whose earlier efforts in Hollywood had come to nothing. In 1982, Columbia, Time Inc. 's HBO and CBS announced, as a joint venture, "Nova Pictures"; this enterprise was to be renamed Tri-Star Pictures . In 1983, Price left Columbia Pictures after a dispute with Coca-Cola and went back to Universal. He was replaced by Guy McElwaine . In
3619-513: The lady, as usual, is as sexless as the lions on the public library steps and as sharp and romantically forbidding as a package of unwrapped razor blades". Though his preferences in popular movies were not always predictable, Crowther in general detested action and war films that depicted violence and gunplay. He defended epics such as Ben-Hur (1959) and Cleopatra (1963), but gave the World War II film The Great Escape (also 1963)
3696-446: The larger studios declined in the 1950s, Columbia's position improved. This was largely because it did not suffer from the massive loss of income that the other major studios suffered from the loss of their theaters (well over 90 percent, in some cases). Columbia continued to produce 40-plus pictures a year, offering productions that often broke ground and kept audiences coming to theaters. Some of its significant films from this era include
3773-541: The largest studios. The studio soon replaced RKO on the list of the "Big Five" studios. In 1946, Columbia dropped the Screen Gems brand from its cartoon line, but retained the Screen Gems name for various ancillary activities, including a 16 mm film-rental agency and a TV-commercial production company. On November 8, 1948, Columbia adopted the Screen Gems name for its television production subsidiary when
3850-409: The most successful two reel comedy series, The Three Stooges , Columbia became one of the primary homes of the screwball comedy . In the 1930s, Columbia's major contract stars were Jean Arthur and Cary Grant . In the 1940s, Rita Hayworth became the studio's premier star and propelled their fortunes into the late 1950s. Rosalind Russell , Glenn Ford and William Holden also became major stars at
3927-427: The movie in reviews of other films and in a letters column response to unhappy Times readers. The New York Times replaced Crowther as its primary film critic in early 1968, and some observers speculated that his persistent attacks on Bonnie and Clyde had shown him to be out of touch with current cinema and weighed heavily in his removal. Crowther worked as an executive consultant at Columbia Pictures after leaving
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#17327910588544004-421: The movie. John Simon , the critic of New York magazine, while praising its technical execution, declared "Slop is slop, even served with a silver ladle." Its distributor pulled the film from circulation. However, the critical consensus on Bonnie and Clyde reversed, exemplified by two high-profile reassessments by Time and Newsweek . The latter's Joe Morgenstern wrote two reviews in consecutive issues,
4081-637: The newly formed Columbia Pictures Industries, Inc. for $ 24.5 million. Schneider was chairman of the holding company and Leo Jaffe president. Following the merger, in March 1969, CPI purchased Bell Records for $ 3.5 million (mainly in CPI stock), retaining Larry Uttal as label president. Nearly bankrupt by the early 1970s, the studio was saved via a radical overhaul: the Gower Street Studios (now called " Sunset Gower Studios ") were sold and
4158-644: The productions of the English studio Warwick Films (by producers Irving Allen and Albert R. Broccoli ), as well as many films by producer Carl Foreman , who resided in England. Columbia distributed some films made by Hammer , which was also based in England. In December 1956, Jack Cohn, co-founder and executive vice-president, died. In 1958, Columbia established its own record label, Colpix Records , initially run by Jonie Taps, who headed Columbia's music department, and later Paul Wexler and Lester Sill . Colpix
4235-481: The reincarnation of Rastar Pictures, which was acquired by Columbia Pictures in February 1980. Columbia Pictures also reorganized its music and record divisions. Clive Davis was hired as a record and music consultant by Columbia Pictures in 1974 and later became temporary president of Bell Records . Davis's real goal was to revitalize Columbia Pictures' music division. With a $ 10 million investment by CPI, and
4312-600: The remaining 19% in 1985. Around this time, Columbia put Steven Spielberg 's proposed follow-up to Close Encounters of the Third Kind , Night Skies , into turnaround . The project eventually became the highest-grossing film of the time, E.T. the Extra-Terrestrial . Columbia received a share of the profits for its involvement in the development. On May 17, 1982, Columbia Pictures acquired Spelling-Goldberg Productions for over $ 40 million. With
4389-523: The second retracting and apologizing for the first. Time hired Stefan Kanfer as its new film critic in late 1967; his first assignment was an ostentatious rebuttal of his magazine's original negative review. A rave in The New Yorker by Pauline Kael was also influential. Even in the wake of this critical reversal, however, Crowther remained one of the film's most dogged critics. He eventually wrote three negative reviews and periodically blasted
4466-1030: The studio acquired Pioneer Telefilms, a television commercial company founded by Jack Cohn's son, Ralph. Pioneer had been founded in 1947, and was later reorganized as Screen Gems. The studio opened its doors for business in New York on April 15, 1949. By 1951, Screen Gems became a full-fledged television studio and became a major producer of sitcoms for TV, beginning with Father Knows Best and followed by The Donna Reed Show , The Partridge Family , Bewitched , I Dream of Jeannie , and The Monkees . On July 1, 1956, studio veteran Irving Briskin stepped down as manager of Columbia Pictures and formed his own production company Briskin Productions, Inc. to release series through Screen Gems and supervise all of its productions. On December 10, Screen Gems expanded into television syndication by acquiring Hygo Television Films (a.k.a. "Serials Inc.") and its affiliated company United Television Films, Inc. Hygo Television Films
4543-531: The studio signed the Three Stooges in 1934. Rejected by MGM (which kept straight-man Ted Healy but let the Stooges go), the Stooges made 190 shorts for Columbia between 1934 and 1957. Columbia's short-subject department employed many famous comedians, including Buster Keaton , Charley Chase , Harry Langdon , Andy Clyde , and Hugh Herbert . Almost 400 of Columbia's 529 two-reel comedies were released to television between 1958 and 1961; to date, all of
4620-442: The studio's highest-grossing film worldwide is Spider-Man: No Way Home with box-office of $ 1.92 billion. The studio was founded on June 19, 1918, as Cohn-Brandt-Cohn (CBC) Film Sales by brothers Jack and Harry Cohn and Jack's best friend Joe Brandt , and released its first feature film More to Be Pitied Than Scorned on August 20, 1922. The film, with a budget of $ 20,000, was a success, bringing in $ 130,000 in revenue for
4697-604: The studio's adaptation of the controversial James Jones novel From Here to Eternity (1953), On the Waterfront (1954), and The Bridge on the River Kwai (1957) with William Holden and Alec Guinness , all of which won the Best Picture Oscar . Another significant film of the studio was the free adaptation of George Orwell 's dystopian novel Nineteen Eighty-Four (1956). Columbia also released
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#17327910588544774-448: The studio's image. On May 6, 1974, Columbia retired the Screen Gems name from television, renaming its television division to the name of Columbia Pictures Television . The name was suggested by David Gerber , who was then president of Columbia's television division. The same year, Columbia Pictures acquired Rastar Pictures , which included Rastar Productions, Rastar Features, and Rastar Television. Ray Stark then founded Rastar Films,
4851-484: The studio. It is one of the leading film studios in the world, and was one of the so-called " Little Three " among the eight major film studios of Hollywood 's Golden Age . Today, it has become the world's third largest major film studio. The company was also primarily responsible for distributing Disney 's Silly Symphony film series as well as the Mickey Mouse cartoon series from 1929 to 1932. The studio
4928-567: The trial began; on August 14, the court ruled in favor for Kerkorian. In 1979, Columbia agreed with Time-Life Video to release 20 titles on videocassette . On September 30, 1980, Kerkorian sued Columbia for ignoring shareholders' interest and violating an agreement with him. Columbia later accused him on October 2, of scheming with Nelson Bunker Hunt to gain control of Columbia. In 1981, Kerkorian sold his 25% stake in Columbia back to CPI. Columbia Pictures later acquired 81% of The Walter Reade Organization , which owned 11 theaters; it purchased
5005-452: The villagers. Eventually, word gets back to Matson that Wheeler knows where he is. He and Laura return to Los Angeles, planning to return the money, only to find Wheeler has been shot by Ollie, the one remaining member of the gang. About to meet the same fate, Matson produces a gun and kills Ollie instead. Laura is waiting for him at a cafe. As they leave, Matson turns to go phone an airline to arrange his and Laura's return to Mexico, but he
5082-493: Was Buck Jones , who signed with Columbia in 1930 for a fraction of his former big-studio salary. Over the next two decades Columbia released scores of outdoor adventures with Jones, Tim McCoy , Ken Maynard , Jack Luden , Bob Allen ( Robert (Tex) Allen ), Russell Hayden , Tex Ritter , Ken Curtis , and Gene Autry . Columbia's most popular cowboy was Charles Starrett , who signed with Columbia in 1935 and starred in 131 western features over 17 years. At Harry Cohn's insistence,
5159-760: Was a Columbia perennial that the studio had been releasing since the silent-movie days; producer-director Ralph Staub kept this series going through 1958. In the 1940s, propelled in part by the surge in audiences for their films during World War II , the studio also benefited from the popularity of its biggest star, Rita Hayworth . Columbia maintained a long list of contractees well into the 1950s; Glenn Ford , Penny Singleton , William Holden , Judy Holliday , The Three Stooges , Ann Miller , Evelyn Keyes , Ann Doran , Jack Lemmon , Cleo Moore , Barbara Hale , Adele Jergens , Larry Parks , Arthur Lake , Lucille Ball , Kerwin Mathews and Kim Novak . Harry Cohn monitored
5236-451: Was a horizontally integrated company. It controlled production and distribution; it did not own any theaters. Helping Columbia's climb was the arrival of an ambitious director, Frank Capra . Between 1927 and 1939, Capra constantly pushed Cohn for better material and bigger budgets. A string of hits he directed in the early and mid 1930s solidified Columbia's status as a major studio. In particular, It Happened One Night , which nearly swept
5313-435: Was active until 1966 when Columbia entered into a joint agreement with RCA Victor and discontinued Colpix in favor of its new label, Colgems Records . Shortly after closing their short subjects department, Columbia president Harry Cohn died of a heart attack in February 1958. His nephew Ralph Cohn died in 1959, ending almost four decades of family management. The new management was headed by Abe Schneider, who had joined
5390-415: Was critical of some iconic releases as well. He found Akira Kurosawa 's classic Throne of Blood (1957, but not released in the U.S. until 1961), derived from Macbeth , ludicrous, particularly its ending; and called Gojira (Godzilla) (1954) "an incredibly awful film". Crowther dismissed Alfred Hitchcock 's Psycho (1960) as "a blot on an otherwise honorable career". After other reviewers praised
5467-508: Was founded in 1951 by Jerome Hyams, who also acquired United Television Films in 1955 that was founded by Archie Mayers. In 1957, two years before its parent company Columbia dropped UPA, Screen Gems entered a distribution deal with Hanna-Barbera Productions , which produced classic animated series such as The Flintstones , The Quick Draw McGraw Show , The Huckleberry Hound Show , The Yogi Bear Show , Jonny Quest , The Jetsons and Top Cat among others. Screen Gems distributed
5544-556: Was negative: It is a cheap piece of bald-faced slapstick comedy that treats the hideous depredations of that sleazy, moronic pair as though they were as full of fun and frolic as the jazz-age cut-ups in Thoroughly Modern Millie ... [S]uch ridiculous, camp-tinctured travesties of the kind of people these desperadoes were and of the way people lived in the dusty Southwest back in those barren years might be passed off as candidly commercial movie comedy, nothing more, if
5621-634: Was once premiered on The Playboy Channel . Columbia Pictures expanded its music publishing operations in the 1980s, acquiring Big 3 Publishing (the former sheet music operations of Robbins, Feist , and Miller ) from MGM/UA Communications Co. in 1983, Belwin-Mills Publishing from Simon & Schuster in 1985, and Al Gallico Music in 1987. On June 18, 1985, Columbia's parent acquired Norman Lear and Jerry Perenchio 's Embassy Communications, Inc. (including Embassy Pictures , Embassy Television, Tandem Productions , and Embassy Home Entertainment), mostly for its library of television series such as All in
5698-688: Was re-established under the Screen Gems brand; Columbia's leading cartoon series were Krazy Kat , Scrappy , The Fox and the Crow , and (very briefly) Li'l Abner . Screen Gems was the last major cartoon studio to produce black-and-white cartoons, producing them until 1946. That same year, Screen Gems shut down but had completed enough cartoons for the studio to release until 1949. In 1948, Columbia agreed to release animated shorts from United Productions of America ; these new shorts were more sophisticated than Columbia's older cartoons, and many won critical praise and industry awards. In 1957, two years before
5775-520: Was responsible for turning out 9 of the top 10 grossing films in Columbia's history. In the fall of 1978, Kirk Kerkorian , a Vegas casino mogul who also controlled Metro-Goldwyn-Mayer , acquired a 5.5% stake in Columbia Pictures. He then announced on November 20, that he intended to launch a tender offer to acquire another 20% for the studio. On December 14, a standstill agreement was reached with Columbia by promising not to go beyond 25% or seeking control for at least three years. On January 15, 1979,
5852-528: Was started in black-and-white, but when Cohn saw how well the project was proceeding, he scrapped the footage and insisted on filming in Technicolor. In 1948, the United States v. Paramount Pictures, Inc. anti-trust decision forced Hollywood motion picture companies to divest themselves of the theater chains that they owned. Since Columbia did not own any theaters, it was now on equal terms with
5929-538: Was the first contract costume designer hired by the studio, and he established the studio's wardrobe department. Kalloch's employment, in turn, convinced leading actresses that Columbia Pictures intended to invest in their careers. In 1938, the addition of B. B. Kahane as vice president would produce Charles Vidor 's Those High Grey Walls (1939), and The Lady in Question (1940), the first joint film of Rita Hayworth and Glenn Ford . Kahane would later become
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