The pastoral genre of literature, art, or music depicts an idealised form of the shepherd's lifestyle – herding livestock around open areas of land according to the seasons and the changing availability of water and pasture . The target audience is typically an urban one. A pastoral is a work of this genre . A piece of music in the genre is usually referred to as a pastorale .
186-398: Pieter Cornelis Mondriaan ( Dutch: [ˈpitər kɔrˈneːlɪs ˈmɔndrijaːn] ; 7 March 1872 – 1 February 1944), known after 1911 as Piet Mondrian ( / p iː t ˈ m ɒ n d r i ɑː n / , US also /- ˈ m ɔː n -/ , Dutch: [pit ˈmɔndrijɑn] ), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century. He
372-707: A cot–caught merger , which is rapidly spreading throughout the whole country. However, the South, Inland North, and a Northeastern coastal corridor passing through Rhode Island, New York City, Philadelphia, and Baltimore typically preserve an older cot–caught distinction. For that Northeastern corridor, the realization of the THOUGHT vowel is particularly marked , as depicted in humorous spellings, like in tawk and cawfee ( talk and coffee ), which intend to represent it being tense and diphthongal : [oə] . A split of TRAP into two separate phonemes , using different
558-520: A pronunciations for example in gap [æ] versus gas [eə] , further defines New York City as well as Philadelphia–Baltimore accents. Most Americans preserve all historical /r/ sounds, using what is known as a rhotic accent . The only traditional r -dropping (or non-rhoticity) in regional U.S. accents variably appears today in eastern New England , New York City , and some of the former plantation South primarily among older speakers (and, relatedly, some African-American Vernacular English across
744-409: A terraformed planet or moon. Unlike most genres of science fiction, pastoral science fiction works downplay the role of futuristic technologies. In the 1950s and 1960s, Clifford Simak wrote stories about rural people who have contact with extraterrestrial beings who hide their alien identity. Pastoral science fiction stories typically show a reverence for the land, its life-giving food harvests,
930-449: A "deeply eccentric man" who "lived like an ambassador from the kingdom of ridiculous notions" and who "had no sense of humor and rarely smiled". He was a follower of phrenology and spiritualism and fad diets and "didn’t believe in ice cubes because cold food was bad for the health". According to Nick Weber, author of a 2018 biography of Mondrian, the artist was so deeply afraid of eye injuries that he refused to play with his brothers as
1116-454: A "port of call" on his artistic journey, rather than as a destination. Piet Mondrian's Cubist period lasted from 1912 to 1917. Unlike the Cubists, Mondrian still attempted to reconcile his painting with his spiritual pursuits, and in 1913 he began to fuse his art and his theosophical studies into a theory that signaled his final break from representational painting. While Mondrian was visiting
1302-616: A 'golden age' when people lived together in harmony with nature. This Golden Age shows that even before the Alexandrian age , ancient Greeks had sentiments of an ideal pastoral life that they had already lost. This is the first example of literature that has pastoral sentiments and may have begun the pastoral tradition. Ovid's Metamorphoses is much like the Works and Days with the description of ages (golden, silver, bronze, iron, and human) but with more ages to discuss and less emphasis on
1488-529: A child. He was also afraid of spiders. He once fell asleep during a concert and started screaming loudly when he woke up and spotted a spider. He never married, never had any long lasting relationships and always ate alone. Mondrian died of pneumonia on 1 February 1944 and was interred at the Cypress Hills Cemetery in Queens , New York. On 3 February 1944 a memorial was held for Mondrian at
1674-631: A complex phenomenon of "both convergence and divergence": some accents are homogenizing and leveling , while others are diversifying and deviating further away from one another. Having been settled longer than the American West Coast, the East Coast has had more time to develop unique accents, and it currently comprises three or four linguistically significant regions, each of which possesses English varieties both different from each other as well as quite internally diverse: New England ,
1860-447: A consonant, such as in pearl , car and fort . Non-rhotic American accents, those that do not pronounce ⟨r⟩ except before a vowel, such as some accents of Eastern New England , New York City , and African-Americans , and a specific few (often older ones) spoken by Southerners , are often quickly noticed by General American listeners and perceived as sounding especially ethnic, regional, or antiquated. Rhoticity
2046-443: A degree of abstraction are a series of canvases from 1905 to 1908 that depict dim scenes of indistinct trees and houses reflected in still water. Although the result leads the viewer to begin focusing on the forms over the content, these paintings are still firmly rooted in nature, and it is only the knowledge of Mondrian's later achievements that leads one to search in these works for the roots of his future abstraction. Mondrian's art
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#17327807618452232-673: A feature of grand opera , most particularly in Meyerbeer's operas: often composers would develop a pastoral-themed "oasis", usually in the centre of their work. Notable examples include the shepherd's "alte Weise" from Wagner 's Tristan und Isolde , or the pastoral ballet occupying the middle of Tchaikovsky 's The Queen of Spades . The 20th-century continued to bring new pastoral interpretations, particularly in ballet, such as Ravel's Daphis and Chloe , Nijinsky's use of Debussy's Prélude à l'après-midi d'un faune , and Stravinsky 's Le sacre du printemps and Les Noces . The Pastorale
2418-487: A few are left white. During late 1920 and 1921, Mondrian's paintings arrive at what is to casual observers their definitive and mature form. Thick black lines now separate the forms, which are larger and fewer in number, and more of the forms are left white. This was not the culmination of his artistic evolution, however. Although the refinements became subtler, Mondrian's work continued to evolve during his years in Paris. In
2604-546: A few canvases that he began in Paris or London and only completed months or years later in Manhattan. The finished works from this later period are visually busy, with more lines than any of his work since the 1920s, placed in an overlapping arrangement that is almost cartographical in appearance. He spent many long hours painting on his own until his hands blistered, and he sometimes cried or made himself sick. Mondrian produced Lozenge Composition With Four Yellow Lines (1933),
2790-581: A generator of Mondrians." He has been described as "the world's greatest abstract geometrist". American English American English , sometimes called United States English or U.S. English , is the set of varieties of the English language native to the United States. English is the most widely spoken language in the United States ; the de facto common language used in government, education, and commerce; and an official language in 32 of
2976-525: A greater sense of depth than his previous works. An unfinished 1941 version of this work, titled New York City I , uses strips of painted paper tape, which the artist could rearrange at will to experiment with different designs. In October 2022 it was revealed that the work, which was first displayed at the Museum of Modern Art (MoMA) in New York in 1945, had been displayed upside down, since at least 1980, at
3162-777: A group of three books of the canonical New Testament : the First Epistle to Timothy (1 Timothy) the Second Epistle to Timothy (2 Timothy), and the Epistle to Titus . They are presented as letters from Paul the Apostle to Timothy and to Titus . They are generally discussed as a group (sometimes with the addition of the Epistle to Philemon ) and are given the title "pastoral" because they are addressed to individuals with pastoral oversight of churches and discuss issues of Christian living, doctrine and leadership . In
3348-545: A guise for political discourse, which other forms had previously neglected. The Pastoral, he writes, has a didactic duty to “contain and enforme morall discipline for the amendment of mans behaviour”. Friedrich Schiller linked the Pastoral to childhood and a childlike simplicity. For Schiller, we perceive in nature an “image of our infancy irrevocably past”. Sir William Empson spoke of the ideal of Pastoral as being embedded in varying degrees of ambivalence, and yet, for all
3534-568: A life of melancholy and solitude. Milton's, On the Morning of Christ's Nativity (1629) blends Christian and pastoral imagery. Milton is perhaps best known for his epic Paradise Lost , one of the few Pastoral epics ever written. A notable part of Paradise Lost is book IV where he chronicles Satan's trespass into paradise. Milton's iconic descriptions of the garden are shadowed by the fact that we see it from Satan's perspective and are thus led to commiserate with him. Milton elegantly works through
3720-591: A merger with the THOUGHT ( caught ) set. Having taken place prior to the unrounding of the cot vowel, it results in lengthening and perhaps raising, merging the more recently separated vowel into the THOUGHT vowel in the following environments: before many instances of /f/ , /θ/ , and particularly /s/ (as in Austria, cloth, cost, loss, off, often, etc.), a few instances before /ŋ/ (as in strong, long, wrong ), and variably by region or speaker in gone , on , and certain other words. Unlike American accents,
3906-636: A nice day , for sure); many are now distinctly old-fashioned (swell, groovy). Some English words now in general use, such as hijacking, disc jockey , boost, bulldoze and jazz , originated as American slang. American English has always shown a marked tendency to use words in different parts of speech and nouns are often used as verbs . Examples of nouns that are now also verbs are interview, advocate, vacuum, lobby, pressure, rear-end, transition, feature, profile, hashtag, head, divorce, loan, estimate, X-ray, spearhead, skyrocket, showcase, bad-mouth, vacation , major, and many others. Compounds coined in
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#17327807618454092-522: A number of paintings from this period, including such Post-Impressionist works as The Red Mill and Trees in Moonrise . Another painting, Evening ( Avond ) (1908), depicting a tree in a field at dusk, even augurs future developments by using a palette consisting almost entirely of red, yellow, and blue. Although Avond is only limitedly abstract , it is the earliest Mondrian painting to emphasize primary colors . Mondrian's earliest paintings showing
4278-488: A pastoral view demonstrates how prestigious Penshurst was, to be worthy in the company with gods. "A Country Life", another 17th-century work by Katherine Philips , was also a country house poem. Philips focuses on the joys of the countryside and looks upon the lifestyle that accompanies it as being "the first and happiest life, when man enjoyed himself." She writes about maintaining this lifestyle by living detached from material things, and by not over-concerning herself with
4464-467: A presentation of Adam and Eve ’s pastorally idyllic, eternally fertile living conditions and focuses upon their stewardship of the garden. He gives much focus to the fruit bearing trees and Adam and Eve's care of them, sculpting an image of pastoral harmony. However, Milton in turn continually comes back to Satan , constructing him as a character the audience can easily identify with and perhaps even like. Milton creates Satan as character meant to destabilize
4650-480: A process of extensive dialect mixture and leveling in which English varieties across the colonies became more homogeneous compared with the varieties in Britain. English thus predominated in the colonies even by the end of the 17th century's first immigration of non-English speakers from Western Europe and Africa. Additionally, firsthand descriptions of a fairly uniform American English (particularly in contrast to
4836-482: A sense of nostalgia for their country way of living. His next argument focuses on the artificiality of poetry, drawing upon fellow theorist, Puttenham. Kermode elaborates on this and says, "the cultivated, in their artificial way, reflect upon and describe, for their own ends, the natural life". Kermode wants us to understand that the recreation or reproduction of the natural is in itself artificial. Kermode elaborates on this in terms of imitation, describing it as "one of
5022-680: A series of other vowel shifts in the same region, known by linguists as the " Inland North ". The Inland North shares with the Eastern New England dialect (including Boston accents ) a backer tongue positioning of the GOOSE /u/ vowel (to [u] ) and the MOUTH /aʊ/ vowel (to [ɑʊ~äʊ] ) in comparison to the rest of the country. Ranging from northern New England across the Great Lakes to Minnesota, another Northern regional marker
5208-563: A simple painting that innovated thick, colored lines instead of black ones. After that one painting, this practice remained dormant in Mondrian's work until he arrived in Manhattan, at which time he began to embrace it with abandon. In some examples of this new direction, such as Composition (1938) / Place de la Concorde (1943), he appears to have taken unfinished black-line paintings from Paris and completed them in New York by adding short perpendicular lines of different colors, running between
5394-723: A specifically ‘Irish pastoral'". In 2014, The Cambridge Companion to the City in Literature had a chapter on the urban pastoral subgenre. Charles Siebert's Wickerby: An Urban Pastoral describes a man who splits his time between a gritty Brooklyn apartment, where the night is filled with the sounds of pigeons, starlings, and youth gangs shouting, and driving to rural Quebec to squat in an abandoned, tumbledown cabin in rural Quebec. Theocritus's Idylls include strophic songs and musical laments, and, as in Homer , his shepherds often play
5580-462: A survey, completed in 2003, polling English speakers across the United States about their specific everyday word choices, hoping to identify regionalisms. The study found that most Americans prefer the term sub for a long sandwich, soda (but pop in the Great Lakes region and generic coke in the South) for a sweet and bubbly soft drink , you or you guys for the plural of you (but y'all in
5766-411: A tool for writers to discuss a controversial topic without repercussions. Raymond Williams argues that the foundation of the pastoral lies in the idea that the city is a highly urban, industrialized center that has removed us from the peaceful life we once had in the countryside. However, he states that this is really a "myth functioning as a memory" that literature has created in its representations of
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5952-453: A variation of American English in these islands. In 2021, about 245 million Americans, aged 5 or above, spoke English at home: a majority of the United States total population of roughly 330 million people. The United States has never had an official language at the federal level, but English is commonly used at the federal level and in states without an official language. 32 of the 50 states, in some cases as part of what has been called
6138-559: A work of art, as strong as it is true. Over the next two decades, Mondrian methodically developed his signature style embracing the Classical, Platonic, Euclidean worldview where he simply focused on his, now iconic, horizontal and vertical black lines forming squares and rectangles filled with primary hues. When World War I ended in 1918, Mondrian returned to France , where he would remain until 1938. Immersed in post-war Paris culture of artistic innovation, he flourished and fully embraced
6324-482: Is "Colin Clout"). Spenser's example was imitated by such poets as Michael Drayton ( Idea, The Shepherd's Garland ) and William Browne ( Britannia's Pastorals ). During this period of England's history, many authors explored "anti-pastoral" themes. Two examples of this, Sir Philip Sidney 's "The Twenty-Third Psalm" and "The Nightingale", focus on the world in a very anti-pastoral view. In “The Twenty-Third Psalm,” Nature
6510-431: Is a form of Italian folk song still played in the regions of Southern Italy where the zampogna continues to thrive. They generally sound like a slowed down version of a tarantella , as they encompass many of the same melodic phrases. The pastorale on the zampogna can be played by a solo zampogna player, or in some regions can be accompanied by the piffero (also commonly called a ciaramella , 'pipita', or bifora ), which
6696-579: Is a primitive key-less double reed oboe type instrument. Idealised pastoral landscapes appear in Hellenistic and Roman wall paintings. Interest in the pastoral as a subject for art revived in Renaissance Italy, partly inspired by the descriptions of pictures Jacopo Sannazaro included in his Arcadia . The Pastoral Concert in the Louvre attributed to Giorgione or Titian is perhaps
6882-654: Is also associated with the United States, perhaps mostly in the Midwest and the South. American accents that have not undergone the cot–caught merger (the lexical sets LOT and THOUGHT ) have instead retained a LOT – CLOTH split : a 17th-century distinction in which certain words (labeled as the CLOTH lexical set ) separated away from the LOT set. The split, which has now reversed in most British English, simultaneously shifts this relatively recent CLOTH set into
7068-664: Is also home to a creole language known commonly as Hawaiian Pidgin , and some Hawaii residents speak English with a Pidgin-influenced accent. American English also gave rise to some dialects outside the country, for example, Philippine English , beginning during the American occupation of the Philippines and subsequently the Insular Government of the Philippine Islands ; Thomasites first established
7254-538: Is common in most American accents despite being now rare in England because, during the 17th-century British colonization, nearly all dialects of English were rhotic, and most North American English simply remained that way. The preservation of rhoticity in North America was also supported by continuing waves of rhotic-accented Scotch-Irish immigrants, most intensely during the 18th century (and moderately during
7440-551: Is entirely homosexual . Pastoral literature continued after Hesiod with the poetry of the Hellenistic Greek Theocritus , several of whose Idylls are set in the countryside (probably reflecting the landscape of the island of Cos where the poet lived) and involve dialogues between herdsmen. Theocritus may have drawn on authentic folk traditions of Sicilian shepherds. He wrote in the Doric dialect but
7626-494: Is known in linguistics as General American ; it covers a fairly uniform accent continuum native to certain regions of the U.S. but especially associated with broadcast mass media and highly educated speech. However, historical and present linguistic evidence does not support the notion of there being one single mainstream American accent . The sound of American English continues to evolve, with some local accents disappearing, but several larger regional accents having emerged in
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7812-505: Is left in the background, leaving the shepherdesses and their swains in a state of almost perfect leisure . This makes them available for embodying perpetual erotic fantasies. The shepherds spend their time chasing pretty girls – or, at least in the Greek and Roman versions, pretty boys as well. The eroticism of Virgil 's second eclogue , Formosum pastor Corydon ardebat Alexin ("The shepherd Corydon burned with passion for pretty Alexis"),
7998-405: Is of six 'books' only, though Spenser intended to write twelve. He wrote the poem primarily to honor Queen Elizabeth . William Cowper addressed the artificiality of the fast-paced city life in his poems Retirement (1782) and The Winter Nosegay (1782). Pastoral nevertheless survived as a mood rather than a genre, as can be seen from such works as Matthew Arnold 's Thyrsis (1867), a lament on
8184-437: Is of the highest importance for life. In the early paintings of this style, the lines delineating the rectangular forms are relatively thin, and they are gray, not black. The lines also tend to fade as they approach the edge of the painting, rather than stopping abruptly. The forms themselves, smaller and more numerous than in later paintings, are filled with primary colors, black, or gray, and nearly all of them are colored; only
8370-453: Is often contrasted with the negative aspects of noisy, dirty, fast-paced cities. Some works take a Luddite tone, criticizing mechanization and industrialization and showing the ills of urbanization and over-reliance on advanced technologies. In 1994, British literature professor Terry Gifford proposed the concept of a "post-pastoral" subgenre. By appending the prefix "post-", Gifford does not intend this to refer to “after” but rather to
8556-420: Is often identified by Americans as a "country" accent, and is defined by the /aɪ/ vowel losing its gliding quality : [aː] , the initiation event for a complicated Southern vowel shift, including a " Southern drawl " that makes short front vowels into distinct-sounding gliding vowels . The fronting of the vowels of GOOSE , GOAT , MOUTH , and STRUT tends to also define Southern accents as well as
8742-529: Is portrayed as something we need to be protected from, and in “The Nightingale,” the woe of Philomela is compared to the speaker's own pain. Sidney also wrote Arcadia , which is filled with pastoral descriptions of the landscape. " The Nymph's Reply to the Shepherd " (1600) by Sir Walter Raleigh also comments on the anti-pastoral as the nymph responds realistically to the idealizing shepherd of The Passionate Shepherd to His Love by embracing and explaining
8928-538: Is shown in two versions of Still Life with Ginger Pot ( Stilleven met Gemberpot ). The 1911 version, is Cubist; in the 1912 version, the objects are reduced to a round shape with triangles and rectangles . In 1912, Mondrian moved to Paris and changed his name, dropping an "a" from "Mondriaan", to emphasize his departure from the Netherlands, and his integration within the Parisian avant-garde . While in Paris,
9114-538: Is the Edenic Pastoral, which alludes to the perfect relationship between God, man, and nature in the Garden of Eden . It typically includes biblical symbols and imagery. In 1645 John Milton wrote L'Allegro , which translates as the happy person. It is a celebration of Mirth personified, who is the child of love and revelry. It was originally composed to be a companion poem to, Il Penseroso , which celebrates
9300-472: Is the common language at home, in public, and in government. Pastoral The genre is also known as bucolic , from the Greek βουκολικόν , from βουκόλος , meaning a cowherd . Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on
9486-469: Is the variable fronting of /ɑ/ before /r/ , for example, appearing four times in the stereotypical Boston shibboleth Park the car in Harvard Yard . Several other phenomena serve to distinguish regional U.S. accents. Boston , Pittsburgh , Upper Midwestern , and Western U.S. accents have fully completed a merger of the LOT vowel with the THOUGHT vowel ( /ɑ/ and /ɔ/ , respectively):
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#17327807618459672-582: The Eclogues (c. 1515) of Alexander Barclay , which were heavily influenced by Mantuan. A landmark in English pastoral poetry was Spenser ’s The Shepheardes Calender , first published in 1579. Spenser's work consists of twelve eclogues, one for each month of the year, and is written in dialect. It contains elegies , fables and a discussion of the role of poetry in contemporary England. Spenser and his friends appear under various pseudonyms (Spenser himself
9858-482: The English-only movement , have adopted legislation granting official or co-official status to English. Typically only "English" is specified, not a particular variety like American English. (From 1923 to 1969, the state of Illinois recognized its official language as "American", meaning American English.) Puerto Rico is the largest example of a United States territory in which another language – Spanish –
10044-408: The Garden of Eden . An example of the use of the genre is the short poem by the 15th-century Scottish makar Robert Henryson Robene and Makyne which also contains the conflicted emotions often present in the genre. A more tranquil mood is set by Christopher Marlowe 's well known lines from his 1588 The Passionate Shepherd to His Love : Come live with me and be my Love, And we will all
10230-713: The Hague School of artists), the younger Piet often painted and drew along the river Gein. After a strict Protestant upbringing, in 1892, Mondrian entered the Academy for Fine Art in Amsterdam . He was already qualified as a teacher. He began his career as a teacher in primary education , but he also practiced painting . Most of his work from this period is naturalistic or Impressionistic , consisting largely of landscapes . These pastoral images of his native country depict windmills , fields, and rivers, initially in
10416-596: The Hebrew word רעה ( roʿeh ), which is used as a noun as in "shepherd", and as a verb as in "to tend a flock." It occurs 173 times in 144 Old Testament verses and relates to the literal feeding of sheep, as in Genesis 29:7. In Jeremiah 23:4, both meanings are used ( ro'im is used for "shepherds" and yir'um for "shall feed them"), "And I will set up shepherds over them which shall feed them: and they shall fear no more, nor be dismayed, neither shall they be lacking, saith
10602-605: The Kunstsammlung Nordrhein-Westfalen in Germany, where it is now held. The gallery explained that it would continue to display it the wrong way up to avoid damaging it. His painting Broadway Boogie-Woogie (1942–43) at the Museum of Modern Art was highly influential in the school of abstract geometric painting. The piece is made up of a number of shimmering squares of bright color that leap from
10788-622: The Mid-Atlantic states (including a New York accent as well as a unique Philadelphia–Baltimore accent ), and the South . As of the 20th century, the middle and eastern Great Lakes area , Chicago being the largest city with these speakers, also ushered in certain unique features, including the fronting of the LOT /ɑ/ vowel in the mouth toward [a] and tensing of the TRAP /æ/ vowel wholesale to [eə] . These sound changes have triggered
10974-551: The Native American languages . Examples of such names are opossum , raccoon , squash , moose (from Algonquian ), wigwam , and moccasin . American English speakers have integrated traditionally non-English terms and expressions into the mainstream cultural lexicon; for instance, en masse , from French ; cookie , from Dutch ; kindergarten from German , and rodeo from Spanish . Landscape features are often loanwords from French or Spanish, and
11160-722: The francophile tastes of the 19th century Victorian era Britain (for example they preferred programme for program , manoeuvre for maneuver , cheque for check , etc.). AmE almost always uses -ize in words like realize . BrE prefers -ise , but also uses -ize on occasion (see: Oxford spelling ). There are a few differences in punctuation rules. British English is more tolerant of run-on sentences , called " comma splices " in American English, and American English prefers that periods and commas be placed inside closing quotation marks even in cases in which British rules would place them outside. American English also favors
11346-494: The spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. We find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man." He was a contributor to the De Stijl art movement and group, which he co-founded with Theo van Doesburg . He evolved a non-representational form which he termed Neoplasticism . This
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#173278076184511532-460: The syrinx , or pan flute, which is considered a quintessentially pastoral instrument. Virgil's Eclogues were performed as sung mime in the 1st century, and there is evidence of the pastoral song as a legitimate genre of classical times. The pastoral genre was a significant influence in the development of opera . After settings of pastoral poetry in the pastourelle genre by the troubadours , Italian poets and composers became increasingly drawn to
11718-426: The "lozenge" works that Mondrian began producing with regularity in the mid-1920s. The "lozenge" paintings are square canvases tilted 45 degrees, so that they have a diamond shape. Typical of these is Schilderij No. 1: Lozenge With Two Lines and Blue (1926). One of the most minimal of Mondrian's canvases, this painting consists only of two black, perpendicular lines and a small blue triangular form. The lines extend all
11904-456: The "post-pastoral" concept, as well as two other variants: "gay pastoral", the seemingly contradictory "urban pastoral" and "radical pastoral". Gifford lists further examples of pastoral variants, which he calls "prefix-pastoral[s]": " postmodern pastoral,...hard pastoral, soft pastoral, Buell’s revolutionary lesbian feminist pastoral, black pastoral, ghetto pastoral, frontier pastoral, militarized pastoral, domestic pastoral and, most recently,
12090-573: The 14th century onwards, first in Latin (examples include works by Petrarch , Pontano and Mantuan ) then in the Italian vernacular ( Sannazaro , Boiardo ). The fashion for pastoral spread throughout Renaissance Europe. Leading French pastoral poets include Marot , a poet of the French court, and Pierre de Ronsard , once called the "prince of poets" in his day. The first pastorals in English were
12276-507: The 17th century came the Country house poem . Included in this genre is Emilia Lanier 's The Description of Cooke-ham in 1611, in which a woman is described in terms of her relationship to her estate and how it mourns for her when she leaves it. In 1616, Ben Jonson wrote To Penshurst, a poem in which he addresses the estate owned by the Sidney family and tells of its beauty. The basis of
12462-709: The 18th century; apartment , shanty in the 19th century; project, condominium , townhouse , mobile home in the 20th century; and parts thereof ( driveway , breezeway, backyard ) . Industry and material innovations from the 19th century onwards provide distinctive new words, phrases, and idioms through railroading (see further at rail terminology ) and transportation terminology, ranging from types of roads ( dirt roads , freeways ) to infrastructure ( parking lot , overpass , rest area ), to automotive terminology often now standard in English internationally. Already existing English words—such as store , shop , lumber —underwent shifts in meaning; others remained in
12648-460: The 1920s and 1930s tend to have an almost scientific austerity about them, these are bright, lively paintings, reflecting the upbeat music that inspired them and the city in which they were made. In these final works, the forms have indeed usurped the role of the lines, opening another new door for Mondrian's development as an abstractionist. The Boogie-Woogie paintings were clearly more of a revolutionary change than an evolutionary one, representing
12834-501: The 1921 paintings, many, though not all, of the black lines stop short at a seemingly arbitrary distance from the edge of the canvas, although the divisions between the rectangular forms remain intact. Here, too, the rectangular forms remain mostly colored. As the years passed and Mondrian's work evolved further, he began extending all of the lines to the edges of the canvas, and he began to use fewer and fewer colored forms, favoring white instead. These tendencies are particularly obvious in
13020-546: The 20th century. The use of English in the United States is a result of British colonization of the Americas . The first wave of English-speaking settlers arrived in North America during the early 17th century, followed by further migrations in the 18th and 19th centuries. During the 17th and 18th centuries, dialects from many different regions of England and the British Isles existed in every American colony, allowing
13206-441: The 50 U.S. states . Since the late 20th century, American English has become the most influential form of English worldwide. Varieties of American English include many patterns of pronunciation, vocabulary, grammar and particularly spelling that are unified nationwide but distinct from other English dialects around the world. Any American or Canadian accent perceived as lacking noticeably local, ethnic, or cultural markers
13392-555: The Atlantic to Manhattan. At the age of 71 in the fall of 1943, Mondrian moved into his second and final Manhattan studio at 15 East 59th Street , and set about to recreate the environment he had learned over the years was most congenial to his modest way of life and most stimulating to his art. He painted the high walls the same off-white he used on his easel and on the seats, tables and storage cases he designed and fashioned meticulously from discarded orange and apple-crates. He glossed
13578-627: The British form is a back-formation , such as AmE burglarize and BrE burgle (from burglar ). However, while individuals usually use one or the other, both forms will be widely understood and mostly used alongside each other within the two systems. While written American English is largely standardized across the country and spoken American English dialects are highly mutually intelligible, there are still several recognizable regional and ethnic accents and lexical distinctions. The regional sounds of present-day American English are reportedly engaged in
13764-1093: The Carpenter + Hochman Gallery (1984), once each at the Galerie Tokoro in Tokyo, Japan (1993), the XXII Biennial of São Paulo (1994), the University of Michigan (1995), and – the first time shown in Europe – at the Akademie der Künste (Academy of The Arts), in Berlin (22 February – 22 April 2007). His work was also shown in a retrospective exhibition at the Whitechapel Gallery in London, which ran from August – September 1955. While Mondrian's theories of abstraction have been his enduring legacy, he
13950-420: The City . This acknowledgment of Herrick's work is appropriate, as both Williams and Herrick accentuate the importance of labor in the pastoral lifestyle. The pastoral elegy is a subgenre that uses pastoral elements to lament a death or loss. The most famous pastoral elegy in English is John Milton 's " Lycidas " (1637), written on the death of Edward King, a fellow student at Cambridge University. Milton used
14136-614: The Dutch Impressionist manner of the Hague School and then in a variety of styles and techniques that attest to his search for a personal style. These paintings are representational , and they illustrate the influence that various artistic movements had on Mondrian, including pointillism and the vivid colors of Fauvism . In 1893 he had his first exhibition. On display in the Kunstmuseum Den Haag are
14322-413: The East Coast (perhaps in imitation of 19th-century London speech), even the East Coast has gradually begun to restore rhoticity, due to it becoming nationally prestigious in the 20th century. The pronunciation of ⟨r⟩ is a postalveolar approximant [ ɹ̠ ] or retroflex approximant [ ɻ ] , but a unique "bunched tongue" variant of the approximant r sound
14508-571: The Inland North. Rather than one particular accent, General American is best defined as an umbrella covering an American accent that does not incorporate features associated with some particular region, ethnicity, or socioeconomic group. Typical General American features include rhoticity , the father–bother merger , Mary–marry–merry merger , pre-nasal "short a " tensing , and other particular vowel sounds . General American features are embraced most by Americans who are highly educated or in
14694-560: The Jewish world at the time of the origins of Christianity in the first century CE. A pastoral letter , often called simply a pastoral, is an open letter addressed by a bishop to the clergy or laity of a diocese or to both, containing general admonition, instruction or consolation, or directions for behavior in particular circumstances. In most episcopal church bodies, clerics are often required to read out pastoral letters of superior bishops to their congregations. The pastoral epistles are
14880-596: The LORD." ( KJV ). A pastoral economic system had great cultural significance for the Jewish people from earliest recorded times: Abraham herded flocks. Throughout the biblical accounts of the Children of Israel , a pastoral lifestyle in the harsh hinterland of the Levant related to the ideal of a society obedient to Yahweh , in contrast to the corruption and idolatry encountered in the "fleshpots of Egypt" (Exodus 16:3), in
15066-512: The Netherlands in 1914, World War I began, forcing him to remain there for the duration of the conflict. During this period, he stayed at the Laren artists' colony, where he met Bart van der Leck and Theo van Doesburg , who were both undergoing their own personal journeys toward abstraction. Van der Leck's use of only primary colors in his art greatly influenced Mondrian. After a meeting with Van der Leck in 1916, Mondrian wrote, "My technique which
15252-642: The Society of Independent Artists in the Brooklyn Museum – the first major exhibition of modern art in America since the Armory Show . She stated in the catalog that "Holland has produced three great painters who, though a logical expression of their own country, rose above it through the vigor of their personality – the first was Rembrandt , the second was Van Gogh , and the third is Mondrian." As
15438-573: The South), sneakers for athletic shoes (but often tennis shoes outside the Northeast), and shopping cart for a cart used for carrying supermarket goods. American English and British English (BrE) often differ at the levels of phonology, phonetics, vocabulary, and, to a much lesser extent, grammar and orthography. The first large American dictionary, An American Dictionary of the English Language , known as Webster's Dictionary ,
15624-528: The U.S. Several verbs ending in -ize are of U.S. origin; for example, fetishize, prioritize, burglarize, accessorize, weatherize , etc.; and so are some back-formations (locate, fine-tune, curate, donate, emote, upholster and enthuse). Among syntactic constructions that arose are outside of, headed for, meet up with, back of, etc. Americanisms formed by alteration of some existing words include notably pesky, phony, rambunctious, buddy, sundae , skeeter, sashay and kitty-corner. Adjectives that arose in
15810-570: The U.S. are for instance foothill , landslide (in all senses), backdrop , teenager , brainstorm , bandwagon , hitchhike , smalltime, and a huge number of others. Other compound words have been founded based on industrialization and the wave of the automobile: five-passenger car, four-door sedan, two-door sedan, and station-wagon (called an estate car in British English). Some are euphemistic ( human resources , affirmative action , correctional facility ). Many compound nouns have
15996-676: The U.S. are, for example, lengthy, bossy, cute and cutesy, punk (in all senses), sticky (of the weather), through (as in "finished"), and many colloquial forms such as peppy or wacky . A number of words and meanings that originated in Middle English or Early Modern English and that have been in everyday use in the United States have since disappeared in most varieties of British English; some of these have cognates in Lowland Scots . Terms such as fall ("autumn"), faucet ("tap"), diaper ("nappy"; itself unused in
16182-530: The U.S. while changing in Britain. Science, urbanization, and democracy have been important factors in bringing about changes in the written and spoken language of the United States. From the world of business and finance came new terms ( merger , downsize , bottom line ), from sports and gambling terminology came, specific jargon aside, common everyday American idioms, including many idioms related to baseball . The names of some American inventions remained largely confined to North America ( elevator [except in
16368-427: The U.S.), candy ("sweets"), skillet , eyeglasses , and obligate are often regarded as Americanisms. Fall for example came to denote the season in 16th century England, a contraction of Middle English expressions like "fall of the leaf" and "fall of the year." Gotten ( past participle of get ) is often considered to be largely an Americanism. Other words and meanings were brought back to Britain from
16554-597: The U.S., especially in the second half of the 20th century; these include hire ("to employ"), I guess (famously criticized by H. W. Fowler ), baggage , hit (a place), and the adverbs overly and presently ("currently"). Some of these, for example, monkey wrench and wastebasket , originated in 19th century Britain. The adjectives mad meaning "angry", smart meaning "intelligent", and sick meaning "ill" are also more frequent in American (and Irish) English than British English. Linguist Bert Vaux created
16740-538: The United States and the United Kingdom suggest that, while spoken American English deviated away from period British English in many ways, it is conservative in a few other ways, preserving certain features 21st-century British English has since lost. Full rhoticity (or "R-fulness") is typical of American accents, pronouncing the phoneme /r/ (corresponding to the letter ⟨r⟩ ) in all environments, including in syllable-final position or before
16926-551: The Universal Chapel on Lexington Avenue and 52nd Street in Manhattan . The service was attended by nearly 200 people including Alexander Archipenko , Marc Chagall , Marcel Duchamp , Fernand Léger , Alexander Calder and Robert Motherwell . The Mondrian / Holtzman Trust functions as Mondrian's official estate, and "aims to promote awareness of Mondrian's artwork and to ensure the integrity of his work". Mondrian
17112-605: The West and Midwest, and New York Latino English , spoken in the New York metropolitan area . Additionally, ethnic varieties such as Yeshiva English and " Yinglish " are spoken by some American Orthodox Jews , Cajun Vernacular English by some Cajuns in southern Louisiana , and Pennsylvania Dutch English by some Pennsylvania Dutch people. American Indian Englishes have been documented among diverse Indian tribes. The island state of Hawaii , though primarily English-speaking,
17298-555: The accents spoken in the " Midland ": a vast band of the country that constitutes an intermediate dialect region between the traditional North and South. Western U.S. accents mostly fall under the General American spectrum. Below, ten major American English accents are defined by their particular combinations of certain vowel sounds: In 2010, William Labov noted that Great Lakes, Philadelphia, Pittsburgh, and West Coast accents have undergone "vigorous new sound changes" since
17484-428: The adjective 'pastoral' refers to rural subjects and aspects of life in the countryside among shepherds , cowherds and other farm workers that are often romanticized and depicted in a highly unrealistic manner. The pastoral life is usually characterized as being closer to the golden age than the rest of human life. The setting is a locus amoenus , or a beautiful place in nature, sometimes connected with images of
17670-505: The aeronautical sense ], gasoline ) as did certain automotive terms ( truck , trunk ). New foreign loanwords came with 19th and early 20th century European immigration to the U.S.; notably, from Yiddish ( chutzpah , schmooze, bupkis, glitch ) and German ( hamburger , wiener ). A large number of English colloquialisms from various periods are American in origin; some have lost their American flavor (from OK and cool to nerd and 24/7 ), while others have not ( have
17856-405: The apparent dichotomies, and contradicting elements found within it, he felt there was a unified harmony within it. He refers to the pastoral process as 'putting the complex into the simple.' Empson argues that "... good proletarian art is usually Covert Pastoral", and uses Soviet Russia's propaganda about the working class as evidence. Empson also emphasizes the importance of the double plot as
18042-411: The art of pure abstraction for the rest of his life. Mondrian began producing grid-based paintings in late 1919, and in 1920, the style for which he came to be renowned began to appear. Mondrian believed that "pure abstract art becomes completely emancipated, free of naturalistic appearances. It is no longer natural harmony but creates equivalent relationships. The realization of equivalent relationships
18228-451: The audience’s understanding of themselves and the world around them. Through this mode, Milton is able to create a working dialogue between the text and his audience about the ‘truths’ they hold for themselves. Italian writers invented a new genre, the pastoral romance, which mixed pastoral poems with a fictional narrative in prose. Although there was no classical precedent for the form, it drew some inspiration from ancient Greek novels set in
18414-589: The beginning of a period of profound change. He encountered experiments in Cubism and with the intent of integrating himself within the Parisian avant-garde removed an 'a' from the Dutch spelling of his name (Mondriaan). Mondrian's work had an enormous influence on 20th-century art , influencing not only the course of abstract painting and numerous major styles and art movements (e.g. Color Field painting, Abstract Expressionism and Minimalism ), but also fields outside
18600-460: The canvas, then appear to shimmer, drawing the viewer into those neon lights. In this painting and the unfinished Victory Boogie Woogie (1942–1944), Mondrian replaced former solid lines with lines created from small adjoining rectangles of color, created in part by using small pieces of paper tape in various colors. Larger unbounded rectangles of color punctuate the design, some with smaller concentric rectangles inside them. While Mondrian's works of
18786-471: The composition in one session. It also was found that the composition was changed radically by Mondrian shortly before his death by using small pieces of colored tape. When the 47-year-old Piet Mondrian left the Netherlands for unfettered Paris for the second and last time in 1919, he set about at once to make his studio a nurturing environment for paintings he had in mind that would increasingly express
18972-626: The contrast between urban and rural lifestyles and political allegory most notably in Eclogues 1 and 4 respectively. In doing so, Virgil presents a more idealized portrayal of the lives of shepherds while still employing the traditional pastoral conventions of Theocritus. He was the first to set his poems in Arcadia, an idealized location to which much later pastoral literature will refer. Horace 's Epodes , ii Country Joys has "the dreaming man" Alfius, who dreams of escaping his busy urban life for
19158-406: The country), though the vowel-consonant cluster found in "bird", "work", "hurt", "learn", etc. usually retains its r pronunciation, even in these non-rhotic American accents. Non-rhoticity among such speakers is presumed to have arisen from their upper classes' close historical contact with England, imitating London's r -dropping, a feature that has continued to gain prestige throughout England from
19344-700: The countryside, such as Daphnis and Chloe . The most influential Italian example of the form was Sannazzaro 's Arcadia (1504). The vogue for the pastoral romance spread throughout Europe producing such notable works as Bernardim Ribeiro "Menina e Moça" (1554) in Portuguese, Montemayor 's Diana (1559) in Spain, Sir Philip Sidney 's Arcadia (1590) in England, and Honoré d'Urfé 's Astrée (1607–27) in France. Dutch Renaissance and Golden Age Pastoral drama also emerged in Renaissance Italy. Again, there
19530-419: The cycle of the seasons, and the role of the community. While fertile agrarian environments on Earth or Earth-like planets are common settings, some works may be set in ocean or desert planets or habitable moons. The rural dwellers, such as farmers and small-townspeople, are depicted sympathetically, albeit with the tendency to portray them as conservative and suspicious of change. The simple, peaceful rural life
19716-460: The death of his fellow poet Arthur Hugh Clough . Robert Burns can be read as a Pastoral poet for his nostalgic portrayals of rural Scotland and simple farm life in To A Mouse and The Cotter's Saturday Night . Burns explicitly addresses the Pastoral form in his Poem on Pastoral Poetry . In this he champions his fellow Scot Allan Ramsey as the best Pastoral poet since Theocritus . Another subgenre
19902-614: The diverse regional dialects of British English) became common after the mid-18th century, while at the same time speakers' identification with this new variety increased. Since the 18th century, American English has developed into some new varieties, including regional dialects that retain minor influences from waves of immigrant speakers of diverse languages, primarily European languages. Some racial and regional variation in American English reflects these groups' geographic settlement, their de jure or de facto segregation, and patterns in their resettlement. This can be seen, for example, in
20088-528: The domain of painting, such as design , architecture and fashion . Design historian Stephen Bayley said: "Mondrian has come to mean Modernism . His name and his work sum up the High Modernist ideal. I don't like the word 'iconic', so let's say that he's become totemic – a totem for everything Modernism set out to be." Mondrian was born in Amersfoort , province of Utrecht in the Netherlands,
20274-742: The double quotation mark ("like this") over the single ('as here'). Vocabulary differences vary by region. For example, autumn is used more commonly in the United Kingdom, whereas fall is more common in American English. Some other differences include: aerial (United Kingdom) vs. antenna, biscuit (United Kingdom) vs. cookie/cracker, car park (United Kingdom) vs. parking lot, caravan (United Kingdom) vs. trailer, city centre (United Kingdom) vs. downtown, flat (United Kingdom) vs. apartment, fringe (United Kingdom) vs. bangs, and holiday (United Kingdom) vs. vacation. AmE sometimes favors words that are morphologically more complex, whereas BrE uses clipped forms, such as AmE transportation and BrE transport or where
20460-433: The dynamics of color and space, producing new tensions and equilibrium. Before long, he had established a creative schedule in which a period of painting took turns with a period of experimentally regrouping the smaller papers on the walls, a process that directly fed the next period of painting. It was a pattern he followed for the rest of his life, through wartime moves from Paris to London's Hampstead in 1938 and 1940, across
20646-409: The famous pastoral epic The Faerie Queene , in which he employs the pastoral mode to accentuate the charm, lushness, and splendor of the poem's (super)natural world. Spenser alludes to the pastoral continuously throughout the work and also uses it to create allegory in his poem, with the characters as well as with the environment, both of which are meant to have symbolic meaning in the real world. It
20832-517: The following two centuries) when this ethnic group eventually made up one-seventh of the colonial population. Scotch-Irish settlers spread from Delaware and Pennsylvania throughout the larger Mid-Atlantic region, the inland regions of both the South and North, and throughout the West: American dialect areas that were all uninfluenced by upper-class non-rhoticity and that consequently have remained consistently rhotic. While non-rhoticity spread on
21018-424: The foreseeable future for all true Anthroposophists and Theosophists". He remained a committed Theosophist in subsequent years, although he also believed that his own artistic current, neoplasticism, would eventually become part of a larger, ecumenical spirituality. Mondrian and his later work were deeply influenced by the 1911 Moderne Kunstkring exhibition of Cubism in Amsterdam . His search for simplification
21204-619: The form both to explore his vocation as a writer and to attack what he saw as the abuses of the Church. Also included is Thomas Gray 's, "Elegy In a Country Churchyard" (1750). The formal English pastoral continued to flourish during the 18th century, eventually dying out at the end. One notable example of an 18th-century work is Alexander Pope 's Pastorals (1709). In this work Pope imitates Edmund Spenser 's Shepheardes Calendar , while utilizing classical names and allusions aligning him with Virgil . In 1717, Pope's Discourse on Pastoral Poetry
21390-426: The fundamental laws of literary history" because it "gives literary history a meaning in terms of itself, and provides the channels of literary tradition". Kermode goes on to explain about the works of Virgil and Theocritus as progenitors of the pastoral. Later poets would draw on these earlier forms of pastoral, elaborating on them to fit their own social context. As the pastoral was becoming more modern, it shifted into
21576-481: The gods and their punishments. In this artificially constructed world, nature acts as the main punisher. Another example of this perfect relationship between man and nature is evident in the encounter of a shepherd and a goatherd who meet in the pastures in Theocritus ' poem Idylls 1 . Traditionally, pastoral refers to the lives of herdsmen in a romanticized, exaggerated, but representative way. In literature ,
21762-889: The hospital , BrE to hospital ; contrast, however, AmE actress Elizabeth Taylor , BrE the actress Elizabeth Taylor ). Often, these differences are a matter of relative preferences rather than absolute rules; and most are not stable since the two varieties are constantly influencing each other, and American English is not a standardized set of dialects. Differences in orthography are also minor. The main differences are that American English usually uses spellings such as flavor for British flavour , fiber for fibre , defense for defence , analyze for analyse , license for licence , catalog for catalogue and traveling for travelling . Noah Webster popularized such spellings in America, but he did not invent most of them. Rather, "he chose already existing options on such grounds as simplicity, analogy or etymology." Other differences are due to
21948-516: The idealization of urban material pleasures to win over his love rather than resorting to the simplified pleasures of pastoral ideology. This can be seen in the listed items: "lined slippers", "purest gold", "silver dishes", and "ivory table" (lines 13, 15, 16, 21, 23). The speaker takes on a voyeuristic point of view with his love, and they are not directly interacting with the other true shepherds and nature. Pastoral shepherds and maidens usually have Greek names like Corydon or Philomela, reflecting
22134-674: The influence of 18th-century Protestant Ulster Scots immigrants (known in the U.S. as the Scotch-Irish ) in Appalachia developing Appalachian English and the 20th-century Great Migration bringing African-American Vernacular English to the Great Lakes urban centers. Any phonologically unmarked North American accent falls under an umbrella known as General American. This section mostly refers to such General American features. Studies on historical usage of English in both
22320-491: The influence of the Cubist style of Pablo Picasso and Georges Braque appeared almost immediately in Mondrian's work. Paintings such as The Sea (1912) and his various studies of trees from that year still contain a measure of representation, but, increasingly, they are dominated by geometric shapes and interlocking planes. While Mondrian was eager to absorb the Cubist influence into his work, it seems clear that he saw Cubism as
22506-473: The largest UK collection of Mondrian's works, in commemoration of the 70th anniversary of his death. Mondrian and his Studios included a life-size reconstruction of his Paris studio. Charles Darwent, in The Guardian , wrote: "With its black floor and white walls hung with moveable panels of red, yellow and blue, the studio at Rue du Départ was not just a place for making Mondrians. It was a Mondrian – and
22692-438: The late 18th century onwards, but which has conversely lost prestige in the U.S. since at least the early 20th century. Non-rhoticity makes a word like car sound like cah or source like sauce . New York City and Southern accents are the most prominent regional accents of the country, as well as the most stigmatized and socially disfavored. Southern speech, strongest in southern Appalachia and certain areas of Texas,
22878-435: The lines and the colors, which indeed they were doing, as Mondrian's paintings of this period came to be increasingly dominated by white space. In 1926, Katherine Dreier , co-founder of New York City's Society of Independent Artists (along with Marcel Duchamp and Man Ray ), visited Piet Mondrian's studio in Paris and acquired one of his diamond compositions, Painting I. This was then shown during an exhibition organized by
23064-570: The longer black lines, or from a black line to the edge of the canvas. The newly colored areas are thick, almost bridging the gap between lines and forms, and it is startling to see color in a Mondrian painting that is unbounded by black. Other works mix long lines of red amidst the familiar black lines, creating a new sense of depth by the addition of a colored layer on top of the black one. His painting Composition No. 10 , 1939–1942, characterized by primary colors, white ground and black grid lines clearly defined Mondrian's radical but classical approach to
23250-484: The lush Canaanite lowlands "flowing with milk and honey" (Exodus 3:8), or in Babylon , the "great city" of Israelite exile. David , a righteous shepherd-boy associated with the arid hill-country, contrasts with Goliath and Saul , representatives of luxurious urban élites. Thus New Testament imagery of shepherds and their sheep builds on established cultural and economic distinctions familiar, directly or indirectly, to
23436-424: The metre he chose was the dactylic hexameter associated with the most prestigious form of Greek poetry, epic . This blend of simplicity and sophistication would play a major part in later pastoral verse. Theocritus was imitated by the Greek poets Bion and Moschus . The Roman poet Virgil adapted pastoral into Latin with his highly influential Eclogues . Virgil introduces two very important uses of pastoral,
23622-427: The mid-nineteenth century onwards, so they "are now more different from each other than they were 50 or 100 years ago", while other accents, like of New York City and Boston, have remained stable in that same time-frame. However, a General American sound system also has some debated degree of influence nationwide, for example, gradually beginning to oust the regional accent in urban areas of the South and at least some in
23808-471: The most famous painting in this style. Later, French artists were also attracted to the pastoral, notably Claude , Poussin (e.g., Et in Arcadia ego ) and Watteau (in his Fêtes galantes ). The Fête champêtre , with scenes of country people dancing was a popular subject in Flemish painting. Thomas Cole has a series of paintings titled The Course of Empire , and the second of these paintings (shown on
23994-617: The most formal contexts, and regional accents with the most General American native features include North Midland, Western New England, and Western accents. Although no longer region-specific, African-American Vernacular English , which remains the native variety of most working- and middle-class African Americans , has a close relationship to Southern dialects and has greatly influenced everyday speech of many Americans, including hip hop culture . Hispanic and Latino Americans have also developed native-speaker varieties of English. The best-studied Latino Englishes are Chicano English , spoken in
24180-466: The most important tropes of which he cites as religion (embodied by Pan); friendship; allegory;and poetic and musical calling. He concedes though that such a categorization is open to much misinterpretation. As well, Poggioli focused on the idea that Pastoral was a nostalgic and childish way of seeing the world. In The Oaten Flue , he claims that the shepherd was looked up to was because they were “an ideal kind of leisure class." Frank Kermode discusses
24366-494: The most profound development in Mondrian's work since his abandonment of representational art in 1913. In 2008 the Dutch television program Andere Tijden found the only known movie footage with Mondrian. The discovery of the film footage was announced at the end of a two-year research program on the Victory Boogie Woogie . The research found that the painting was in very good condition and that Mondrian painted
24552-427: The origin of the pastoral genre. Pastoral poems are set in beautiful rural landscapes, the literary term for which is "locus amoenus" (Latin for "beautiful place"), such as Arcadia , a rural region of Greece , mythological home of the god Pan , which was portrayed as a sort of Eden by the poets. The tasks of their employment with sheep and other rustic chores is held in the fantasy to be almost wholly undemanding and
24738-402: The past forms of a few verbs (for example, AmE/BrE: learned / learnt , burned / burnt , snuck/sneaked , dove/dived ) although the purportedly "British" forms can occasionally be seen in American English writing as well; different prepositions and adverbs in certain contexts (for example, AmE in school, BrE at school ); and whether or not a definite article is used, in very few cases (AmE to
24924-427: The past four hundred years, a range of writers have worked on theorizing the nature of pastoral. These include Friedrich Schiller , George Puttenham , William Empson , Frank Kermode , Raymond Williams , Renato Poggioli , Annabel Patterson, Paul Alpers, and Ken Hiltner. George Puttenham was one of the first Pastoral theorists. He did not see the form as merely a recording of a prior rustic way of life but
25110-417: The past. As a result, when society evolves and looks back to these representations, it considers its own present as the decline of the simple life of the past. He then discusses how the city's relationship with the country affected the economic and social aspects of the countryside. As the economy became a bigger part of society, many country newcomers quickly realized the potential and monetary value that lay in
25296-445: The pastoral in which authors recognize and discuss life in the country and in particular the life of a shepherd. This is summed up by Leo Marx with the phrase "No shepherd, no pastoral." The second type of the pastoral is literature that "describes the country with an implicit or explicit contrast to the urban". The third type of pastoral depicts the country life with derogative classifications. Hesiod 's Works and Days presents
25482-480: The pastoral within the historical context of the English Renaissance. His first condition of pastoral poetry is that it is an urban product. Kermode establishes that the pastoral is derived as an opposition between two modes of living, in the country and in the city. London was becoming a modern metropolis before the eyes of its citizens. The result of this large-scale urban sprawl left the people with
25668-543: The pastoral". He gives examples of post-pastoral works, including Cormac McCarthy ’s The Road (2006), Margaret Atwood ’s The Year of the Flood (2009) and Maggie Gee ’s The Ice People (1999), and he points out that these works "raise questions of ethics, sustenance and sustainability that might exemplify [Leo] Marx’s vision of the pastoral needing to find new forms in the face of new conditions". Gifford states that British eco-critics such as Greg Garrard have used
25854-421: The pastoral. Musical settings of pastoral poetry became increasingly common in first polyphonic and then monodic madrigals : these later led to the cantata and the serenata , in which pastoral themes remained on a consistent basis. Partial musical settings of Giovanni Battista Guarini 's Il pastor fido were highly popular: the texts of over 500 madrigals were taken from this one play alone. Tasso 's Aminta
26040-481: The peaceful country. But as "the dreaming man" indicates, this is just a dream for Alfius. He is too consumed in his career as a usurer to leave it behind for the country. Later Silver Latin poets who wrote pastoral poetry, modeled principally upon Virgil's Eclogues, include Calpurnius Siculus and Nemesianus and the author(s) of the Einsiedeln Eclogues . Italian poets revived the pastoral from
26226-512: The play who embraces and appreciates both the real and idealized life and manages to make the two ideas coexist. Therefore, Shakespeare explores city and country life as being appreciated through the coexistence of the two. Pastoral science fiction is a subgenre of science fiction which uses bucolic, rural settings, like other forms of pastoral literature. Since it is a subgenre of science fiction, authors may set stories either on Earth or another habitable planet or moon, sometimes including
26412-418: The play, Shakespeare employs various characters to illustrate pastoralism . His protagonists Rosalind and Orlando metaphorically depict the importance of the coexistence of realism and idealism, or urban and rural life. While Orlando is absorbed in the ideal, Rosalind serves as a mediator, bringing Orlando back down to reality and embracing the simplicity of pastoral love. She is the only character throughout
26598-418: The pleasures prove That hills and valleys, dale and field, And all the craggy mountains yield. There will we sit upon the rocks And see the shepherds feed their flocks, By shallow rivers, to whose falls Melodious birds sing madrigals. "The Passionate Shepherd to His Love" exhibits the concept of Gifford's second definition of 'pastoral'. The speaker of the poem, who is the titled shepherd, draws on
26784-486: The poem is a harmonious and joyous elation of the memories that Jonson had at the manor. It is beautifully written with iambic pentameter, a style that Jonson eloquently uses to describe the culture of Penshurst. It includes Pan and Bacchus as notable company of the manor. Pan, Greek god of the Pastoral world, half man and half goat, was connected with both hunting and shepherds; Bacchus was the god of wine, intoxication and ritual madness. This reference to Pan and Bacchus in
26970-449: The principles of neoplasticism about which he had been writing for two years. To hide the studio's structural flaws quickly and inexpensively, he tacked up large rectangular placards, each in a single color or neutral hue. Smaller colored paper squares and rectangles, composed together, accented the walls. Then came an intense period of painting. Again he addressed the walls, repositioning the colored cutouts, adding to their number, altering
27156-517: The rectangle. On 23 September 1940 Mondrian left Europe for New York aboard the Cunard White Star Line ship RMS Samaria (1920) , departing from Liverpool. The new canvases that Mondrian began in Manhattan are even more startling, and indicate the beginning of a new idiom that was cut short by the artist's death. New York City (1942) is a complex lattice of red, blue, and yellow lines, occasionally interlacing to create
27342-427: The recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy). Terry Gifford, a prominent literary theorist, defines pastoral in three ways in his critical book Pastoral . The first way emphasizes the historical literary perspective of
27528-592: The return of four paintings by Mondrian. In December 2021, Mondrian's heirs sued the Philadelphia Museum of Art for the return of Mondrian's Composition with Blue (1928) which had been seized by the Nazis, and passed through the art dealers Karl Buchholz and Curt Valentin before being gifted to the museum by Albert E. Gallatin . From 6 June to 5 October 2014, the Tate Liverpool displayed
27714-696: The right) depicts the perfect pastoral setting. Pastoral imagery and symbolism feature heavily in Christianity and the Bible. Jesus calls himself the "Good Shepherd" in John 10:11 , contrasting his role as the Lamb of God . Many Christian denominations use the title " Pastor ", a word rooted in the Biblical metaphor of shepherding. ( Pastor in Latin means "shepherd"). The Hebrew Bible (or Old Testament) uses
27900-401: The same belief that he was "one of the great artists of the twentieth century". In 2022 design historian Stephen Bayley wrote: "Mondrian has come to mean Modernism . His name and his work sum up the High Modernist ideal. I don't like the word 'iconic', so let's say that he's become totemic – a totem for everything Modernism set out to be." On 14 November 2022, Mondrian's Composition No. II
28086-630: The same time, Italian and German composers developed a genre of vocal and instrumental pastorals, distinguished by certain stylistic features, associated with Christmas Eve. The pastoral, and parodies of the pastoral, continued to play an important role in musical history throughout the 18th and 19th centuries. John Gay may have satirized the pastoral in The Beggar's Opera , but also wrote an entirely sincere libretto for Handel 's Acis and Galatea . Rousseau 's Le Devin du village draws on pastoral roots, and Metastasio 's libretto Il re pastore
28272-480: The second of his parents' children. He was descended from Christian Dirkzoon Monderyan who lived in The Hague as early as 1670. The family moved to Winterswijk when his father, Pieter Cornelius Mondriaan, was appointed head teacher at a local primary school. Mondrian was introduced to art from an early age. His father was a qualified drawing teacher, and, with his uncle, Frits Mondriaan (a pupil of Willem Maris of
28458-422: The sense of “reaching beyond” the contraints of the pastoral genre, but while continuing the core conceptual elements that have defined the pastoral tradition. Gifford states that the post-pastoral is "best used to describe works that successfully suggest a collapse of the human/nature divide whilst being aware of the problematics involved", noting that it is "more about connection than the disconnections essential to
28644-598: The studio on film and in still photographs before opening it to the public for a six-week exhibition. Before dismantling the studio, Holtzman (who was also Mondrian's heir) traced the wall compositions precisely, prepared exact portable facsimiles of the space each had occupied, and affixed to each the original surviving cut-out components. These portable Mondrian compositions have become known as "The Wall Works". Since Mondrian's death, they have been exhibited twice at Manhattan's Museum of Modern Art (1983 and 1995–96), once in SoHo at
28830-428: The taboo that was cast upon traditional genre and representational painting by an entire age swept up by the triumph of abstraction. Nevertheless, the Mondrian flowers contribute to a broader view of the life and work of Mondrian – a view that diverges sharply from the traditional reading of his artistic evolution. In a review of a 2024 biography of Mondrian, New York Times book critic Dwight Garner described him as
29016-399: The top of a white metal stool in the same brilliant primary red he applied to the cardboard sheath he made for the radio-phonograph that spilled forth his beloved jazz from well-traveled records. Visitors to this last studio seldom saw more than one or two new canvases, but found, often to their astonishment, that eight large compositions of colored bits of paper he had tacked and re-tacked to
29202-570: The traditional standard accent of (southern) England, Received Pronunciation (RP), has evolved a trap–bath split . Moreover, American accents preserve /h/ at the start of syllables, while perhaps a majority of the regional dialects of England participate in /h/ dropping , particularly in informal contexts. However, General American is also innovative in a number of its own ways: The process of coining new lexical items started as soon as English-speaking British-American colonists began borrowing names for unfamiliar flora, fauna, and topography from
29388-528: The true course of nature and its incompatibility with the love that the Shepherd yearns for with the nymph. Terry Gifford defined the anti-pastoral in his 2012 essay "Pastoral, Anti-Pastoral and Post-Pastoral as Reading Strategies" as an often explicit correction of pastoral, emphasizing "realism" over romance, highlighting problematic elements (showing tensions, disorder and inequalities), challenging literary constructs as false distortions and demythologizing mythical locations such as Arcadia and Shangri-La . In
29574-401: The truth and abstract everything from that, until I reach the foundation (still just an external foundation!) of things… I believe it is possible that, through horizontal and vertical lines constructed with awareness, but not with calculation, led by high intuition, and brought to harmony and rhythm, these basic forms of beauty, supplemented if necessary by other direct lines or curves, can become
29760-419: The untouched land. Furthermore, this new system encouraged a social stratification in the countryside. With the implementation of paper money came a hierarchy in the working system, as well as the "inheritance of titles and making of family names". Poggioli was concerned with how death reconciled itself with the pastoral, and thus came up with a loose categorization of death in the pastoral as 'funeral elegy',
29946-407: The various elements. The black lines are the flattest elements, with the least depth. The colored forms have the most obvious brush strokes, all running in one direction. Most interesting, however, are the white forms, which clearly have been painted in layers, using brush strokes running in different directions. This generates a greater sense of depth in the white forms so that they appear to overwhelm
30132-417: The verb-and-preposition combination: stopover, lineup, tryout, spin-off, shootout , holdup, hideout, comeback, makeover , and many more. Some prepositional and phrasal verbs are in fact of American origin ( win out, hold up, back up/off/down/out, face up to and many others). Noun endings such as -ee (retiree), -ery (bakery), -ster (gangster) and -cian (beautician) are also particularly productive in
30318-506: The walls in ever-changing relationships constituted together an environment that, paradoxically and simultaneously, was both kinetic and serene, stimulating and restful. It was the best space, Mondrian said, that he had inhabited. He was there for only a few months, as he died in February 1944. After his death, Mondrian's friend and sponsor in Manhattan, artist Harry Holtzman , and another painter friend, Fritz Glarner , carefully documented
30504-541: The way to the edges of the canvas, almost giving the impression that the painting is a fragment of a larger work. Although one's view of the painting is hampered by the glass protecting it, and by the toll that age and handling have obviously taken on the canvas, a close examination of this painting begins to reveal something of the artist's method. The painting is not composed of perfectly flat planes of color, as one might expect. Subtle brush strokes are evident throughout. The artist appears to have used different techniques for
30690-405: The woods, the river, his Pupil Mary, and the future. Marvell used nature as a thread to weave together a poem centered around man. We once again see nature fully providing for man. Marvell also continuously compares nature to art and seems to point out that art can never accomplish on purpose what nature can achieve accidentally or spontaneously. Robert Herrick 's The Hock-cart, or Harvest Home
30876-775: The word corn , used in England to refer to wheat (or any cereal), came to denote the maize plant, the most important crop in the U.S. Most Mexican Spanish contributions came after the War of 1812 , with the opening of the West, like ranch (now a common house style ). Due to Mexican culinary influence, many Spanish words are incorporated in general use when talking about certain popular dishes: cilantro (instead of coriander), queso, tacos, quesadillas, enchiladas, tostadas, fajitas, burritos, and guacamole. These words usually lack an English equivalent and are found in popular restaurants. New forms of dwelling created new terms ( lot , waterfront) and types of homes like log cabin , adobe in
31062-418: The world around her. Andrew Marvell 's " Upon Appleton House " was written when Marvell was working as a tutor for Lord Fairfax's daughter Mary, in 1651. The poem is very rich with metaphors that relate to religion, politics and history. Similar to Jonson's "To Penshurst", Marvell's poem is describing a pastoral estate. It moves through the house itself, its history, the gardens, the meadows and other grounds,
31248-405: The years progressed, lines began to take precedence over forms in Mondrian's paintings. In the 1930s, he began to use thinner lines and double lines more frequently, punctuated with a few small colored forms, if any at all. Double lines particularly excited Mondrian, for he believed they offered his paintings a new dynamism which he was eager to explore. The introduction of the double line in his work
31434-507: Was also a favourite. As opera developed, the dramatic pastoral came to the fore with such works as Jacopo Peri 's Dafne and, most notably, Monteverdi 's L'Orfeo . Pastoral opera remained popular throughout the 17th-century, and not just in Italy, as is shown by the French genre of pastorale héroïque , Englishman Henry Lawes 's music for Milton's Comus (not to mention John Blow 's Venus and Adonis ), and Spanish zarzuela . At
31620-412: Was also a painter of flowers. He began to paint flowers at the turn of the century, creating portraits of individual blooms that blended his strict artistic training and powers of observation to his spiritual and romantic yearnings. Mondrian continued to paint flowers in a secretive manner into the 1920s, claiming to friends that he did so for commercial reasons alone. The flower paintings were created under
31806-473: Was also written in the 17th century. In this pastoral work, he paints the reader a colorful picture of the benefits reaped from hard work. This is an atypical interpretation of the pastoral, given that there is a celebration of labor involved as opposed to central figures living in leisure and nature just taking its course independently. This poem was mentioned in Raymond Williams ', The Country and
31992-504: Was derived from Thomas Lodge 's pastoral romance Rosalynde ) and The Winter's Tale , of which Act 4 Scene 4 is a lengthy pastoral digression. The forest in As You Like It can be seen as a place of pastoral idealization, where life is simpler and purer, and its inhabitants live more closely to each other, nature and God than their urban counterparts. However, Shakespeare plays with the bounds of pastoral idealization. Throughout
32178-551: Was described by critic Robert Hughes , in his 1980 book The Shock of the New , as "one of the supreme artists of the 20th century." Likewise in his television documentaries of The Shock of the New , Hughes referred to Mondrian considered again as "one of the greatest artists of the 20th century (...) who was one of the last painters who believed that the conditions of human life could be changed by making pictures". Dutch art historian Carel Blotkamp , an authority on De Stijl , reaffirmed
32364-515: Was his first major attempt to express his artistic theory in writing. Mondrian's best and most-often quoted expression of this theory, however, comes from a letter he wrote to H. P. Bremmer in 1914: I construct lines and color combinations on a flat surface, in order to express general beauty with the utmost awareness. Nature (or, that which I see) inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to
32550-705: Was influenced by the work of his friend and contemporary Marlow Moss . From 1934 to 1935, three of Mondrian's paintings were exhibited as part of the "Abstract and Concrete" exhibitions in the UK at Oxford, London, and Liverpool . In September 1938, Mondrian left Paris in the face of advancing fascism and moved to London. After the Netherlands was invaded and Paris fell in 1940, he left London for Manhattan in New York City, where he would remain until his death. Some of Mondrian's later works are difficult to place in terms of his artistic development because there were quite
32736-521: Was intimately related to his spiritual and philosophical studies. In 1908, he became interested in the theosophical movement launched by Helena Petrovna Blavatsky in the late 19th century, and in 1909 he joined the Dutch branch of the Theosophical Society . The work of Blavatsky and a parallel spiritual movement, Rudolf Steiner 's Anthroposophy , significantly affected the further development of his aesthetic. Blavatsky believed that it
32922-699: Was little Classical precedent, with the possible exception of Greek satyr plays . Poliziano 's Orfeo (1480) shows the beginnings of the new form, but it reached its zenith in the late 16th century with Tasso 's Aminta (1573), Isabella Andreini 's Mirtilla (1588), and Guarini 's Il pastor fido (1590). John Lyly 's Endimion (1579) brought the Italian-style pastoral play to England. John Fletcher 's The Faithful Shepherdess , Ben Jonson 's The Sad Shepherd and Sidney's The Lady of May are later examples. Some of Shakespeare 's plays contain pastoral elements, most notably As You Like It (whose plot
33108-569: Was more or less Cubist, and therefore more or less pictorial, came under the influence of his precise method." With Van Doesburg, Mondrian founded De Stijl ( The Style ), a journal of the De Stijl Group , in which he first published essays defining his theory, which he called neoplasticism. Mondrian published " De Nieuwe Beelding in de schilderkunst " ("The New Visualisation in Painting"), in twelve installments during 1917 and 1918. This
33294-462: Was one of the pioneers of 20th-century abstract art , as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements. Mondrian's art was highly utopian and was concerned with a search for universal values and aesthetics. He proclaimed in 1914: "Art is higher than reality and has no direct relation to reality. To approach
33480-467: Was possible to attain a more profound knowledge of nature than that provided by empirical means, and much of Mondrian's work for the rest of his life was inspired by his search for that spiritual knowledge. In 1918, he wrote "I got everything from the Secret Doctrine", referring to a book written by Blavatsky. In 1921, in a letter to Steiner, Mondrian argued that his neoplasticism was "the art of
33666-496: Was published as a preface to Pastorals. In this work Pope sets standards for pastoral literature and critiques many popular poets, one of whom is Spenser, along with his contemporary opponent Ambrose Philips . During this time period Ambrose Philips, who is often overlooked because of Pope, modeled his poetry after the native English form of Pastoral, employing it as a medium to express the true nature and longing of Man. He strove to write in this fashion to conform to what he thought
33852-402: Was set over 30 times, most famously by Mozart . Rameau was an outstanding exponent of French pastoral opera. Beethoven also wrote his famous Pastoral Symphony , avoiding his usual musical dynamism in favour of relatively slow rhythms. More concerned with psychology than description, he labelled the work "more the expression of feeling than [realistic] painting". The pastoral also appeared as
34038-573: Was sold at Sotheby 's Auction for US $ 51 million, which beat a previous record of US $ 50.6 million for his work. Composition No. II features a 20-inch by 20-inch canvas with a large red square in the upper right corner, a small blue square in the bottom left corner, and a yellow block with all outlined by black. In October 2020, Mondrian's heirs filed a lawsuit in a U.S. court against the Kaiser Wilhelm Museum in Krefeld, Germany, for
34224-405: Was the new 'pure plastic art' which he believed was necessary in order to create 'universal beauty'. To express this, Mondrian eventually decided to limit his formal vocabulary to the three primary colors (red, blue, and yellow), the three primary values (black, white, and gray), and the two primary directions (horizontal and vertical). Mondrian's arrival in Paris from the Netherlands in 1912 marked
34410-469: Was the original intent of Pastoral literature. As such, he centered his themes around the simplistic life of the Shepherd, and, personified the relationship that humans once had with nature. John Gay , who came a little later was criticized for his poem's artificiality by Doctor Johnson and attacked for their lack of realism by George Crabbe , who attempted to give a true picture of rural life in his poem The Village. In 1590, Edmund Spenser also composed
34596-469: Was written by Noah Webster in 1828, codifying several of these spellings. Differences in grammar are relatively minor, and do not normally affect mutual intelligibility; these include: typically a lack of differentiation between adjectives and adverbs, employing the equivalent adjectives as adverbs he ran quick / he ran quickly ; different use of some auxiliary verbs ; formal (rather than notional) agreement with collective nouns ; different preferences for
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