Milan Film Festival ( MFF , Italian : Milano Film Festival ) is an annual independent film festival held since 1996 in Milan , Italy. It was founded as a competition of only local short films , but grew to have a feature film competition program along with numerous other sections and events.
27-518: The festival was launched in 1996 as an independent festival of short meter movies. It became international in 1998 when it introduced a competition program. In 1999, MFF began to show feature films, and in the following year they started to compete for the Best Film Award. In 2007, the attendance exceeded 93,000. By 2017, the number of entries for the short meter competition exceeded 2,000. As of 2018, competitions were: Best Short, Best Feature,
54-534: A special competition ‘senza frontiere’ (‘without borders’) was launched, bringing together short and feature-length works by different directors, including both young and female directors. This article about a European film festival is a stub . You can help Misplaced Pages by expanding it . Porta Venezia 45°28′27.87″N 9°12′18.01″E / 45.4744083°N 9.2050028°E / 45.4744083; 9.2050028 Porta Venezia (formerly known as Porta Orientale , Porta Renza and by other names)
81-711: Is informal, there is no official definition of the boundaries of the Porta Venezia district. Areas that are usually referred to as being "in the Porta Venezia district" include Piazza Oberdan (the main square adjacent to the gates), Corso Buenos Aires , Corso Venezia , the Gardens of Porta Venezia (housing the Museum of Natural History and the Planetarium), Via Sirtori, Via Lecco, Via Vittor Pisani, Viale Vittorio Veneto, Via Casati, Via Melzo and Viale Tunisia. Despite
108-535: Is one of the centres of the so-called "Milanese movida ". The district also houses some of the most important LBGT venues in Milan, such as the "Lelephant" and the "Atomic Bar". The district has both a minor railway station (Stazione di Porta Venezia) and several stops of the Milan Metro subway ( Line 1 ). Porta Venezia is the crossroads of three of the city's different worlds: the elegance of Porta Nuova;
135-507: Is one of the historical gates of the city of Milan , Italy . In its present form, the gate dates back to the 19th century; nevertheless, its origins can be traced back to the medieval and even the Roman walls of the city. The name Porta Venezia is commonly used to refer both to the gate proper and to the surrounding district (" quartiere "), part of the Zone 3 of Milan. Porta Venezia area
162-546: Is partially inconsistent, as the gate faces north-east rather than east; Porta Vittoria would in fact be the truly "eastern" gate of Milan. Furthermore, Milanese gates are not, in general, named after cardinal directions , but rather after the places they lead to. As a consequence, some scholars argue that "Porta Orientale" might actually be a corruption of "Porta Renza", rather than the other way round, as some have suggested. As "Renza" has no obvious meaning in Italian, this
189-531: Is the square where Grandi's obelisk is located; this square is now called Piazza Cinque Giornate ("Five Days Square"). Most streets, avenues, and square in the district are named after heroes and prominent events of the Milanese Risorgimento and the Five Days. A large avenue crossing Piazza Cinque Giornate in east-west direction is called Corso di Porta Vittoria to the west and Corso 22 Marzo to
216-532: Is undeniably known today as the LGBT-Friendly district of Milan: Via Lecco and its surroundings are Milan's Gay Street with lgbt or lgbt-themed bars and restaurants. In 2019, after a commercial advertisement campaign by Netflix Italia for the 2018 Milano Pride, Mayor Giuseppe Sala announced that Porta Venezia Metro Station would have become a Rainbow Station, thanks to the agreement with the ATM metro service :
243-495: Is usually regarded as a popular corruption of another name, although there is no general consensus on what the original name might be. A widespread urban legend has "Porta Renza" derive from Renzo Tramaglino, protagonist of Alessandro Manzoni 's The Betrothed , who enters Milan from this gate (something that is remembered by a plaque in Corso Venezia ); yet, the name "Porta Renza" is much older than Manzoni's novel, as
270-711: The Italian Republic , the Spanish gates of Milan were demolished and replaced with new ones, which would both serve as tax stations and reflect, in their architecture, the prestige of Milan, elected capital of the Republic. The renewal of Porta Venezia was commissioned to architect Giuseppe Piermarini , who is responsible for a large part of the renewal of Milan and the Milanese in the late 18th Century (for example, he designed La Scala , Palazzo Belgioioso , part of
297-531: The Italian unification was completed, the gate was renamed "Porta Vittoria" (Victory Gate) after that victorious episode. What remained of the Spanish walls and gates was demolished in the 19th century. In 1881, Giuseppe Grandi designed a monument with a bronze obelisk to be placed in the square where the gate used to be; it was inaugurated on 18 March 1895. The centre of the Porta Vittoria district
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#1732798194738324-677: The Museum of Natural History as well as the Planetarium . The district has a long history of foreign immigration and has developed over the last decades as one of the multi-ethnic areas of Milan, to the point that it is sometimes referred to as Milan's "African district" or Milan's casbah . Another specific trait of Porta Venezia is the number of night life venues, such as restaurants (many of them started by immigrants and serving African, Asian , or South American cuisine) and "trendy" and underground night clubs; for this reason, Porta Venezia
351-517: The Pinacoteca di Brera , as well as the sumptuous Villa Reale in Monza ). Piermarini made plans for the renewal of the gate in neoclassic style, but died (in 1805) before the plan was realized. Piermarini's work was continued by his student Luigi Cagnola , who built a first temporary triumphal arch to celebrate the visit of Eugène de Beauharnais . He then proceeded to the final design, which
378-624: The Outsiders, Ultra Reality, . The festival takes place in 7 locations around the city, it is supported by Milano City Council and sponsored by Lavazza brand. The industry section is a 3-days long program which includes open talks on storytelling, filmmaking, advertising, as well as masterclasses and workshops by prominent guests of MFF. Other sections are MyScreen , dedicated to cinema in the post-Internet world, Immigration Day , Other Natures (environmental documentaries), Incontri Italiani ( Italian Meetings ), Milano Film Festivalino targeted on
405-473: The bustle of Corso Buenos Aires with its increasing immigrant population; and the more conventional Porta Romana. Along Corso Buenos Aires, there are large department stores, cheap clothing boutiques and shoe shops, as well as supermarkets. Porta Vittoria Porta Vittoria (formerly Porta Tosa ) was a city gate in the Spanish walls of Milan , Italy . While the walls and the gate have been demolished,
432-645: The centuries; for example, it is referred to in Francesco Guicciardini 's History of Italy , dating back to the mid-16th century, as well as in Giovanni Verga 's works of the late 19th century, and is still remembered (although not commonly used) by the Milanese population today. Stendhal , who lived in Milan, uses a variation Porta Rense . The origin and meaning of former names of Porta Venezia are disputed. While "Porta Orientale" has an obvious meaning in Italian ("Eastern Gate"), this
459-409: The district having a medieval origin, most of the surviving architecture in the area is from the 19th and 20th Century, with neoclassicism and Art Nouveau being the prominent styles. Some of the most important buildings in the area include Palazzo Saporiti , Palazzo Serbelloni , Palazzo Castiglioni and Villa Reale. The Gardens of Porta Venezia (recently renamed " Indro Montanelli Gardens") house
486-435: The left-hand side building are Mercury , Vulcan , Abundance and Justice. The buildings are mostly made of Viggiù sandstone . The area surrounding Porta Venezia has been recognized as a distinct "rione" (the medieval equivalent of the modern " quartiere ", i.e., a district) since the 12th century. The rione had its coat of arms , a black rampant lion on silver background. As the modern notion of district ("quartiere")
513-509: The name "Porta Vittoria" has remained to refer to the district (" quartiere ") where the gate used to be. This district is part of the Zone 4 administrative division of Milan. Porta Tosa was the eastern gate of the Spanish walls of Milan, dating back to the 16th century. During the Five Days of Milan , Porta Tosa was the first to be conquered by the Milanese rebels, on 22 March 1848 (an event known as "The Battle of Porta Tosa"). In 1861, when
540-572: The opposite sides of the main street that was used to enter Milan from north-east; today, this street is called "Corso Venezia" outside the gate, and Corso Buenos Aires past the gate. Each building has doric porticos on three sides, bas-relief -adornated architraves , and a set of four niches each hosting a statue. Bas-relief and statues, coherently with the building structure, are of classical taste, and reproduce Roman deities and subjects. The right-hand side building statues represent Minerva , Ceres , Eternity and Faithfulness, while those of
567-489: The rainbow colored wallpaper would have been indefinitely kept making Porta Venezia Italy's first official LGBT-dedicated urban transport stop. The name "Porta Venezia" (literally: " Venice Gate") was formally given in 1862, possibly in the hope that Venice would soon join Milan in the newly born Kingdom of Italy . Previously, the gate was mostly called "Porta Orientale", with "Porta Renza" being another widely used name. This latter name has been consistently in use through
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#1732798194738594-523: The reference in Guicciardini's works proves. Other candidates to be the original form of "Porta Renza" are "Porta Argentea" (or "Argenzia") and "Porta Fiorenza", both of which have been used in the past. The name "Porta Argentea", in turn, is possibly derived from the name of a settlement in the area of Gorgonzola or Crescenzago ("Argentiacum" or "Argentia"). A gate whose location and direction roughly correspond to those of modern Porta Venezia
621-537: The walls lost their defensive purpose, and so did the gates, which were adapted as customs tax stations. During the Austrian Empire rule, between 1783 and 1786, the walls in the Porta Venezia area were redesigned, and avenues and city parks were created in the area; yet the gate itself remained. Under Napoleonic rule, and especially during Francesco Melzi d'Eril 's mandate as the Vice-president of
648-609: The west. In the north-south direction, the Piazza is crossed by one of the main ring roads of Milan, the Circonvallazione Interna ("inner ringroad", as opposed to the Circonvallazione Esterna, the "outer ringroad" which embraces a much wider area). In the Porta Vittoria district, the Circonvallazione Interna is composed of streets Viale Montenero and Viale Regina Margherita. The area is mostly
675-451: The younger audience, etc. The list of events include screenings of diploma works made by students of Civica Scuola di Cinema Luchino Visconti. Since 2011, the festival has been directed by Alessandro Beretta. In 2018, Gabriele Salvatores was invited to be a co-director along with Beretta. Among the selectors, there are critics Boris Sollazzo and Antonello Catacchio. In 2021, the festival was relocated to Porta Venezia district. That year,
702-516: Was already part of the Roman walls of Milan (then Mediolanum ), which were expanded in the Middle Ages . It connected Milan to eastern Brianza and Bergamo . In the 16th century, the medieval walls were replaced by the Spanish walls, which enclosed a larger area; correspondingly, the gate leading to Bergamo was moved farther away from the city centre to the place it is located today. Over time,
729-549: Was still incomplete in 1825 when Emperor Francis II visited Milan. The gate was completed between 1827 and 1828 with the addition of customs offices designed by Rodolfo Vantini . The neoclassical bas-reliefs and statues were added in 1833. Until recently, they were largely covered by advertising posters; in 2004 these posters were removed and the buildings restored, returning them to their 19th-century appearance. The gate of Porta Venezia consists of two twin neoclassical buildings, that used to house customs offices , located on
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