109-698: We've Come for You All is the ninth studio album by American heavy metal band Anthrax . It was released on May 6, 2003 through Nuclear Blast in Europe and Sanctuary Records in North America. This was the first Anthrax record to feature Rob Caggiano on lead guitar and their last studio album with John Bush on vocals. The album was recorded over a one-year span at the BearTracks Recording Studio in Suffern, New York . The cover art
218-558: A staccato attack created by using a palm-muted technique on the rhythm guitar. Brief, abrupt and detached rhythmic cells are joined into rhythmic phrases with a distinctive, often jerky texture. These phrases are used to create rhythmic accompaniment and melodic figures called riffs , which help to establish thematic hooks . Heavy metal songs also use longer rhythmic figures such as whole note - or dotted quarter note-length chords in slow-tempo power ballads . The tempos in early heavy metal music tended to be "slow, even ponderous". By
327-492: A drummer, a bassist, a rhythm guitarist, a lead guitarist and a singer, who may or may not be an instrumentalist. Keyboard instruments are sometimes used to enhance the fullness of the sound. Deep Purple 's Jon Lord played an overdriven Hammond organ . In 1970, John Paul Jones used a Moog synthesizer on Led Zeppelin III ; by the 1990s, synthesizers were used in "almost every subgenre of heavy metal". The electric guitar and
436-510: A general manager of the company, Taylor becoming Chief Executive and former British Airways chief executive Bob Ayling being installed as the new chairman. On 26 May 2006, Ayling dismissed Taylor, following a review of accounting practices prompted by inquiries from the Financial Reporting Review Panel . The board's publicly stated reason for the dismissal was "that certain of the prior year adjustments made in
545-473: A heavy metal direction. A few commentators – mainly American – argue for other groups, including Iron Butterfly , Steppenwolf , Blue Cheer , or Vanilla Fudge , as the first to play heavy metal. In 1968, the sound that would become known as heavy metal began to coalesce. That January, San Francisco band Blue Cheer released a cover of Eddie Cochran 's classic " Summertime Blues " as a part of their debut album, Vincebus Eruptum , and many consider it to be
654-527: A heavy-metals blues sound". In January 1970, Lucian K. Truscott IV , reviewing Led Zeppelin II for the Village Voice , described the sound as "heavy" and made comparisons with Blue Cheer and Vanilla Fudge . Other early documented uses of the phrase are from reviews by critic Metal Mike Saunders . In the 12 November 1970 issue of Rolling Stone , he commented on an album put out the previous year by
763-428: A major influence on heavy metal since the genre's earliest days, and that metal's "most influential musicians have been guitar players who have also studied classical music. Their appropriation and adaptation of classical models sparked the development of a new kind of guitar virtuosity [and] changes in the harmonic and melodic language of heavy metal." In an article written for Grove Music Online , Walser stated that
872-491: A massive, heavy sound from unison riffing between guitarist Eric Clapton and bassist Jack Bruce , as well as Ginger Baker 's double bass drumming. Their first two LPs – Fresh Cream (1966) and Disraeli Gears (1967) – are regarded as essential prototypes for the future style of heavy metal. The Jimi Hendrix Experience 's debut album, Are You Experienced (1967), was also highly influential. Hendrix 's virtuosic technique would be emulated by many metal guitarists, and
981-671: A party without limits ... [T]he bulk of the music is stylized and formulaic." Music critics have often deemed metal lyrics juvenile and banal, and others have objected to what they see as advocacy of misogyny and the occult. During the 1980s, the Parents Music Resource Center petitioned the U.S. Congress to regulate the popular music industry due to what the group asserted were objectionable lyrics, particularly those in heavy metal songs. Andrew Cope stated that claims that heavy metal lyrics are misogynistic are "clearly misguided" as these critics have "overlook[ed]
1090-419: A spirit of "affectionate rivalry". Heavy metal "demands the subordination of the voice" to the overall sound of the band. Reflecting metal's roots in the 1960s counterculture, an "explicit display of emotion" is required from the vocals as a sign of authenticity. Critic Simon Frith claims that the metal singer's "tone of voice" is more important than the lyrics. The prominent role of the bass is also key to
1199-794: A trippy, distorted haze". During the late 1960s, many psychedelic singers, such as Arthur Brown , began to create outlandish, theatrical, and often macabre performances that influenced many metal acts. The American psychedelic rock band Coven , who opened for early heavy metal influencers such as Vanilla Fudge and the Yardbirds, portrayed themselves as practitioners of witchcraft or black magic , using dark – Satanic or occult – imagery in their lyrics, album art and live performances, which consisted of elaborate, theatrical " Satanic rites ". Coven's 1969 debut album, Witchcraft Destroys Minds & Reaps Souls , featured imagery of skulls, black masses , inverted crosses , and Satan worship, and both
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#17327943710151308-417: A wide audience. Our sound is recognizable each time you listen to one of our songs and that's something we really want for our music. You have the fastest rhythms, the more danceable ones, you have everything you can expect from an Anthrax record." Benante said that elements from their earlier albums are still present on the record, though it explores "other territories". Johnny Loftus from AllMusic described
1417-698: Is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock , psychedelic rock and acid rock , heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos , emphatic beats and loudness . In 1968, three of the genre's most famous pioneers – British bands Led Zeppelin , Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during
1526-506: Is considered vital. In his book, Metalheads , psychologist Jeffrey Arnett refers to heavy metal concerts as "the sensory equivalent of war". Following the lead set by Jimi Hendrix , Cream and the Who , early heavy metal acts such as Blue Cheer set new benchmarks for volume. As Blue Cheer's Dick Peterson put it, "All we knew was we wanted more power." A 1977 review of a Motörhead concert noted how "excessive volume in particular figured into
1635-426: Is emphatic, with deliberate stresses. Weinstein observes that the wide array of sonic effects available to metal drummers enables the "rhythmic pattern to take on a complexity within its elemental drive and insistency". In many heavy metal songs, the main groove is characterized by short, two- or three-note rhythmic figures – generally made up of eighth or 16th notes . These rhythmic figures are usually performed with
1744-557: Is speculation as to who started the phenomenon. Attendees of metal concerts do not dance in the usual sense. It has been argued that this is due to the music's largely male audience and "extreme heterosexualist ideology". Two primary body movements used are headbanging and an arm thrust that is both a sign of appreciation and a rhythmic gesture. The performance of air guitar is popular among metal fans both at concerts and listening to records at home. According to Deena Weinstein , thrash metal concerts have two elements that are not part of
1853-485: Is traditionally characterized by loud distorted guitars, emphatic rhythms, dense bass-and-drum sound and vigorous vocals. Heavy metal subgenres variously emphasize, alter or omit one or more of these attributes. In a 1988 article, The New York Times critic Jon Pareles wrote, "In the taxonomy of popular music, heavy metal is a major subspecies of hard-rock—the breed with less syncopation , less blues, more showmanship and more brute force." The typical band lineup includes
1962-540: The Billboard 200 , with first week sales of 10,000 copies. To date, We've Come for You All has sold over 62,000 copies in the United States. It was nominated for Outstanding Hard Rock Album at the 2004 California Music Awards, but lost to Blink 182 's untitled album . This album followed Volume 8: The Threat Is Real , which was released in 1998. Anthrax decided to sign with record label Nuclear Blast for
2071-439: The 13th Floor Elevators epitomized the frenetic, heavier, darker, and more psychotic psychedelic rock sound known as acid rock, a sound characterized by droning guitar riffs, amplified feedback, and guitar distortion, while the 13th Floor Elevators' sound in particular featured yelping vocals and "occasionally demented" lyrics. Frank Hoffman noted that "[Psychedelic rock] was sometimes referred to as 'acid rock'. The latter label
2180-724: The Aeolian and Phrygian modes . Harmonically speaking, this means the genre typically incorporates modal chord progressions such as the Aeolian progressions I-♭VI-♭VII, I-♭VII-(♭VI), or I-♭VI-IV-♭VII and Phrygian progressions implying the relation between I and ♭II (I-♭II-I, I-♭II-III, or I-♭II-VII for example). Tense-sounding chromatic or tritone relationships are used in a number of metal chord progressions. In addition to using modal harmonic relationships, heavy metal also uses " pentatonic and blues-derived features". The tritone, an interval spanning three whole tones – such as C to F# –
2289-470: The European Commission , UMG was required to sell Sanctuary. It was one of the three units of Universal Music, never fully owned by EMI, that were forced to be sold; other such units were Vivendi Entertainment and V2 Records . BMG Rights Management acquired Sanctuary for over €46 million. In June 2013, BMG agreed to have INgrooves distribute the label's catalogue in North America, while
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#17327943710152398-475: The PIAS Group would handle international rights; however, Black Sabbath 's catalogue remained at Universal until March 2014, when BMG took over the band's distribution. In March 2017, BMG transferred the distribution rights of select Sanctuary artists to Warner Music Group 's ADA division. In 2023, BMG signed a new distribution deal with Universal Music Group, Sanctuary's previous owner. Iron Maiden
2507-458: The minor third , major third , perfect fourth , diminished fifth or minor sixth . Most power chords are also played with a consistent finger arrangement that can be slid easily up and down the fretboard . Heavy metal is usually based on riffs created with three main harmonic traits: modal scale progressions, tritone and chromatic progressions, and the use of pedal points . Traditional heavy metal tends to employ modal scales, in particular
2616-443: The perfect fifth , though an octave may be added as a doubling of the root . When power chords are played on the lower strings at high volumes and with distortion, additional low-frequency sounds are created, which add to the "weight of the sound" and create an effect of "overwhelming power". Although the perfect fifth interval is the most common basis for the power chord, power chords are also based on different intervals such as
2725-485: The "1980s brought on ... the widespread adaptation of chord progressions and virtuosic practices from 18th-century European models, especially Bach and Antonio Vivaldi , by influential guitarists such as Ritchie Blackmore , Marty Friedman , Jason Becker , Uli Jon Roth , Eddie Van Halen , Randy Rhoads and Yngwie Malmsteen ." Kurt Bachmann of Believer has stated that "if done correctly, metal and classical fit quite well together. Classical and metal are probably
2834-410: The "heavy crunch sound in heavy metal ... [is created by] palm muting " the strings with the picking hand and using distortion. Palm muting creates a tighter, more precise sound and it emphasizes the low end. The lead role of the guitar in heavy metal often collides with the traditional "frontman" or bandleader role of the vocalist, creating a musical tension as the two "contend for dominance" in
2943-434: The "holiest of heavy metal communions". The metal scene has been characterized as a "subculture of alienation" with its own code of authenticity. This code puts several demands on performers: they must appear both completely devoted to their music and loyal to the subculture that supports it; they must appear uninterested in mainstream appeal and radio hits; and they must never " sell out ". Deena Weinstein stated that for
3052-555: The "punch and grind" characteristic. Thrash metal guitar tone has scooped mid-frequencies and tightly compressed sound with multiple bass frequencies. Guitar solos are "an essential element of the heavy metal code ... that underscores the significance of the guitar" to the genre. Most heavy metal songs "feature at least one guitar solo", which is "a primary means through which the heavy metal performer expresses virtuosity". Some exceptions are nu metal and grindcore bands, which tend to omit guitar solos. With rhythm guitar parts,
3161-400: The 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss ; the blues-rooted rock of Aerosmith ; and the flashy guitar leads and party rock of Van Halen . During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence, while Motörhead introduced a punk rock sensibility and an increasing emphasis on speed. Beginning in
3270-510: The 1980s and 1990s, heavy metal hair "symbolised the hate, angst and disenchantment of a generation that seemingly never felt at home", according to journalist Nader Rahman. Long hair gave members of the metal community "the power they needed to rebel against nothing in general". The classic uniform of heavy metal fans consists of light-colored, ripped, frayed or torn blue jeans, black T-shirts, boots, and black leather or denim jackets. Deena Weinstein wrote, "T-shirts are generally emblazoned with
3379-475: The 2005 accounts should have been presented as a correction of fundamental errors and not as changes in accounting policy". Taylor was replaced by Frank Presland , the chief executive of Sanctuary-owned Twenty-First Artists Management . In July 2006, it was reported that MAMA, the management group behind the Kaiser Chiefs and Franz Ferdinand and headed by Mean Fiddler chief Dean James, had bid for
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3488-466: The British band Humble Pie : " Safe as Yesterday Is , their first American release, proved that Humble Pie could be boring in lots of different ways. Here they were a noisy, unmelodic, heavy metal-leaden shit-rock band with the loud and noisy parts beyond doubt. There were a couple of nice songs ... and one monumental pile of refuse." He described the band's latest, self-titled release as "more of
3597-416: The British bands Led Zeppelin and Black Sabbath , with American commentators tending to favour Led Zeppelin and British commentators tending to favour Black Sabbath, though many give equal credit to both. Deep Purple , the third band in what is sometimes considered the "unholy trinity" of heavy metal along with Led Zeppelin and Black Sabbath, fluctuated between many rock styles until late 1969 when they took
3706-702: The British record label Earache Records , in an "unsuccessful attempt to prosecute the label for obscenity". In some predominantly Muslim countries, heavy metal has been officially denounced as a threat to traditional values, and in countries such as Morocco, Egypt, Lebanon and Malaysia, there have been incidents of heavy metal musicians and fans being arrested and incarcerated. In 1997, the Egyptian police jailed many young metal fans, and they were accused of "devil worship" and blasphemy after police found metal recordings during searches of their homes. In 2013, Malaysia banned Lamb of God from performing in their country, on
3815-794: The UK. The albums were only available as imports in the US. Rogers' 2003 release "Back to the Well" was released by Sanctuary in the UK. Mayan Records was an imprint of Sanctuary Records, under which Lordi 's UK album The Monster Show was released. 2006 saw Sanctuary's notable twentieth anniversary release of CD86: 48 Tracks from the Birth of Indie Pop , a reissue of the pivotal UK independent compilation C86 . The company incurred significant losses in its 2004 and 2005 fiscal years. Sanctuary's losses in 2005 increased to £142.6m from £26.7m in 2004. In October 2005,
3924-656: The United States. Apart from entering the French Albums Chart at number 95, the record did not manage to chart in any other country. Referring to the low record sales, Ian posted a message on the band's official web site saying: "That's more than I thought it would do after five years away. That's basically what [the group's last album] Volume 8 did in its first week and this one was based on mostly just Internet promo." Bush opined that this record wasn't very different from their previous releases. "It's still an Anthrax album with many different parts that can appeal to
4033-545: The album A Long Time Comin' by U.S. band Electric Flag : "Nobody who's been listening to Mike Bloomfield —either talking or playing—in the last few years could have expected this. This is the new soul music, the synthesis of white blues and heavy metal rock." In the 7 September 1968 edition of the Seattle Daily Times , reviewer Susan Schwartz wrote that the Jimi Hendrix Experience "has
4142-493: The album a return to form, but asserted that the record was an "acceptable" release. Bradley did, however, credit the album for having some "very metal" songs, singling out "What Doesn't Die" and "Black Dahlia" in particular. Chris Ayers from Exclaim! opined that We've Come for You All was the band's strongest release since Sound of White Noise (1993) and easily the best of the John Bush era: "Grittier and more confident,
4251-418: The album artwork and the band's live performances marked the first appearances in rock music of the sign of the horns , which would later become an important gesture in heavy metal culture. Coven's lyrical and thematic influences on heavy metal were quickly overshadowed by the darker and heavier sounds of Black Sabbath . Critics disagree over who can be thought of as the first heavy metal band. Most credit
4360-526: The album's most successful single, " Purple Haze ", is identified by some as the first heavy metal hit. Vanilla Fudge , whose first album also came out in 1967, has been called "one of the few American links between psychedelia and what soon became heavy metal," and the band has been cited as an early American heavy metal group. On their self-titled debut album, Vanilla Fudge created "loud, heavy, slowed-down arrangements" of contemporary hit songs, blowing these songs up to "epic proportions" and "bathing them in
4469-434: The audience for whom they're playing – engage in headbanging , which involves rhythmically beating time with the head, often emphasized by long hair. The il cornuto , or "devil horns", hand gesture was popularized by vocalist Ronnie James Dio during his time with the bands Black Sabbath and Dio . Although Gene Simmons of Kiss claims to have been the first to make the gesture on the 1977 Love Gun album cover, there
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4578-401: The band was honored to work with Ross, who also did the artwork for their previous pair of recordings. Bush explained that the band gave Ross a complete freedom over the concept of the artwork. Apart from suggesting the album's title as an idea, Bush said that the other members had not participated much in creating the cover art. The release date of the album was delayed several times. The album
4687-426: The band's impact". Weinstein makes the case that in the same way that melody is the main element of pop and rhythm is the main focus of house music , powerful sound, timbre and volume are the key elements of metal. She argues that the loudness is designed to "sweep the listener into the sound" and to provide a "shot of youthful vitality". Heavy metal performers tended to be almost exclusively male until at least
4796-572: The bass as a lead instrument, an approach popularized by Metallica 's Cliff Burton with his heavy emphasis on bass solos and use of chords while playing the bass in the early 1980s. Lemmy of Motörhead often played overdriven power chords in his bass lines. The essence of heavy metal drumming is creating a loud, constant beat for the band using the "trifecta of speed, power, and precision". Heavy metal drumming "requires an exceptional amount of endurance", and drummers have to develop "considerable speed, coordination, and dexterity ... to play
4905-466: The blues rock drumming style started out largely as simple shuffle beats on small kits, drummers began using a more muscular, complex and amplified approach to match and be heard against the increasingly loud guitar. Vocalists similarly modified their technique and increased their reliance on amplification, often becoming more stylized and dramatic. In terms of sheer volume, especially in live performance, The Who's "bigger-louder-wall-of- Marshalls " approach
5014-455: The company announced that one quarter of its staff, representing 175 positions, would be eliminated. One such layoff was John Kalodner , senior vice-president of A&R , with over thirty years of industry experience. The company partly blamed the loss increase on record release delays, while announcing, in early 2006, a £110m rescue deal. These events, plus pressure from the UK financial and business leaders led to Smallwood becoming merely
5123-572: The company diversified. Amongst the new media interests included a joint venture with screenwriter and producer, Raymond Thompson, which evolved into the Cloud9 Screen Entertainment Group. Iron Maiden's catalogue was re-issued by Sanctuary in conjunction with Columbia/SME Records in the US in 2002. Kenny Rogers ' 1980s catalogue (originally released on RCA Records ) was re-issued by Sanctuary's Castle Music label in conjunction with Kenny Rogers' Dreamcatcher Records in
5232-429: The components of the term mean in " hippiespeak ": "heavy" is roughly synonymous with "potent" or "profound", and "metal" designates a certain type of mood, grinding and weighted as with metal. The word "heavy" in this sense was a basic element of beatnik and later countercultural hippie slang , and references to "heavy music" – typically slower, more amplified variations of standard pop fare – were already common by
5341-536: The emergence of an intense, exclusionary and strongly masculine subculture. While the metal fan base is largely young, white, male and blue-collar, the group is "tolerant of those outside its core demographic base who follow its codes of dress, appearance, and behavior". Identification with the subculture is strengthened not only by the group experience of concert-going and shared elements of fashion, but also by contributing to metal magazines and, more recently, websites. Attending live concerts in particular has been called
5450-651: The era. Bands like The Rolling Stones and The Yardbirds developed blues rock by recording covers of classic blues songs, often speeding up the tempos . As they experimented with the music, the U.K. blues-based bands – and in turn the U.S. acts they influenced – developed what would become the hallmarks of heavy metal (in particular, the loud, distorted guitar sound). The Kinks played a major role in popularising this sound with their 1964 hit " You Really Got Me ". In addition to The Kinks' Dave Davies , other guitarists such as The Who 's Pete Townshend and The Yardbirds' Jeff Beck were experimenting with feedback. Where
5559-449: The extra time to put more time into the promotion. One day all this crap will be over, you'll be rocking out to some killer shit." It was later announced that the release date for Europe would be also pushed back to March 3, 2003, eventually setting it on May 6. The problems occurred after a breakdown in negotiations between Beyond Records and Sanctuary Records over a buy-out of the band's contract. According to Blabbermouth , Beyond Records
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#17327943710155668-418: The fans themselves, the code promotes "opposition to established authority, and separateness from the rest of society". Musician and filmmaker Rob Zombie observed, "Most of the kids who come to my shows seem like really imaginative kids with a lot of creative energy they don't know what to do with" and that metal is "outsider music for outsiders. Nobody wants to be the weird kid; you just somehow end up being
5777-881: The first true heavy metal recording. The same month, Steppenwolf released their self-titled debut album , on which the track " Born to Be Wild " refers to "heavy metal thunder" in describing a motorcycle. In July, the Jeff Beck Group , whose leader had preceded Page as The Yardbirds' guitarist, released its debut record, Truth , which featured some of the "most molten, barbed, downright funny noises of all time", breaking ground for generations of metal ax-slingers. In September, Page's new band, Led Zeppelin , made its live debut in Denmark (but were billed as The New Yardbirds). The Beatles ' self-titled double album , released in November, included " Helter Skelter ", then one of
5886-418: The foundation of heavy metal and greatly influential in the transformation of acid rock into heavy metal. Sanctuary Records Sanctuary Records Group Limited was a record label based in the United Kingdom and is, as of 2013, a subsidiary of BMG Rights Management solely for reissues. Until June 2007, it was the largest independent record label in the UK and the largest music management company in
5995-413: The general population. For many artists and bands, visual imagery plays a large role in heavy metal. In addition to its sound and lyrics, a heavy metal band's image is expressed in album cover art, logos, stage sets, clothing, design of instruments and music videos . Down-the-back long hair is the "most crucial distinguishing feature of metal fashion". Originally adopted from the hippie subculture, by
6104-517: The ground opening up and little dwarves coming out riding dragons! You know, like bad Dio records." Heavy metal's quintessential guitar style, which is built around distortion-heavy riffs and power chords, traces its roots to early 1950s Memphis blues guitarists such as Joe Hill Louis , Willie Johnson and particularly Pat Hare , who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton 's " Cotton Crop Blues " (1954). Other early influences include
6213-429: The grounds that the "band's lyrics could be interpreted as being religiously insensitive" and blasphemous. Some people consider heavy metal music to be a leading factor for mental health disorders, and that heavy metal fans are more likely to suffer poor mental health, but a study from 2009 suggests that this is not true and that fans of heavy metal music suffer from poor mental health at a similar or lower rate compared to
6322-522: The group. This proved unsuccessful, further depressing the share value of the company. In late 2006, Rod Smallwood left the company, taking with him Iron Maiden's management interests. In April 2007, Billboard reported that Sanctuary Records would cease to exist as a new release label in the US that summer, though catalogue, licensing, and new media operations would continue. On 15 June 2007 Universal Music Group announced it had reached an agreement to buy Sanctuary Records for £44.5 million. The agreement
6431-413: The harmonic analysis done by metal players and teachers is "often very sophisticated". In the study of heavy metal chord structures, it has been concluded that "heavy metal music has proved to be far more complicated" than other music researchers had realized. Robert Walser stated that, alongside blues and R&B, the "assemblage of disparate musical styles known ... as ' classical music '" has been
6540-610: The heaviest-sounding songs ever released by a major band. The Pretty Things ' rock opera S.F. Sorrow , released in December, featured "proto heavy metal" songs such as "Old Man Going" and "I See You". Iron Butterfly 's 1968 song " In-A-Gadda-Da-Vida " is sometimes described as an example of the transition between acid rock and heavy metal or the turning point in which acid rock became "heavy metal", and both Iron Butterfly's 1968 album In-A-Gadda-Da-Vida and Blue Cheer's 1968 album Vincebus Eruptum have been described as laying
6649-403: The influence of 'art traditions.' An example is Walser's linkage of heavy metal music with the ideologies and even some of the performance practices of nineteenth-century Romanticism . However, it would be clearly wrong to claim that traditions such as blues, rock, heavy metal, rap or dance music derive primarily from "art music.'" According to David Hatch and Stephen Millward, Black Sabbath and
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#17327943710156758-605: The intricate patterns" used in heavy metal. A characteristic metal drumming technique is the cymbal choke , which consists of striking a cymbal and then immediately silencing it by grabbing it with the other hand (or, in some cases, the same striking hand), producing a burst of sound. The metal drum setup is generally much larger than those employed in other forms of rock music. Black metal, death metal and some "mainstream metal" bands "all depend upon double-kicks and blast beats ". In live performance, loudness – an "onslaught of sound", in sociologist Deena Weinstein 's description –
6867-423: The late 1950s instrumentals of Link Wray , particularly " Rumble " (1958); the early 1960s surf rock of Dick Dale , including " Let's Go Trippin' " (1961) and " Misirlou " (1962); and The Kingsmen 's version of " Louie Louie " (1963), which became a garage rock standard. However, the genre's direct lineage begins in the mid-1960s. American blues music was a major influence on the early British rockers of
6976-580: The late 1970s, bands in the new wave of British heavy metal such as Iron Maiden and Saxon followed in a similar vein. By the end of the decade, heavy metal fans became known as " metalheads " or " headbangers ". The lyrics of some metal genres became associated with aggression and machismo , an issue that has at times led to accusations of misogyny. During the 1980s, glam metal became popular with groups such as Bon Jovi , Mötley Crüe and Poison . Meanwhile, however, underground scenes produced an array of more aggressive styles: thrash metal broke into
7085-438: The late 1970s, however, metal bands were employing a wide variety of tempos, and as recently as the 2000s, metal tempos range from slow ballad tempos (quarter note = 60 beats per minute ) to extremely fast blast beat tempos (quarter note = 350 beats per minute). One of the signatures of the genre is the guitar power chord. In technical terms, the power chord is relatively simple: it involves just one main interval , generally
7194-471: The logos or other visual representations of favorite metal bands." In the 1980s, a range of sources – from punk rock and goth music to horror films – influenced metal fashion. Many metal performers of the 1970s and 1980s used radically shaped and brightly colored instruments to enhance their stage appearance. Fashion and personal style was especially important for glam metal bands of the era. Performers typically wore long, dyed, hairspray-teased hair (hence
7303-414: The mainstream with bands such as Metallica , Slayer , Megadeth and Anthrax , while other extreme subgenres such as death metal and black metal became – and remain – subcultural phenomena. Since the mid-1990s, popular styles have expanded the definition of the genre. These include groove metal and nu metal , the latter of which often incorporates elements of grunge and hip-hop . Heavy metal
7412-432: The metal sound, and the interplay of bass and guitar is a central element. The bass provides the low-end sound crucial to making the music "heavy". The bass plays a "more important role in heavy metal than in any other genre of rock". Metal basslines vary widely in complexity, from holding down a low pedal point as a foundation to doubling complex riffs and licks along with the lead or rhythm guitars. Some bands feature
7521-491: The mid-1960s, such as in reference to Vanilla Fudge . Iron Butterfly 's debut album, which was released in early 1968, was titled Heavy . The first use of "heavy metal" in a song lyric is in reference to a motorcycle in the Steppenwolf song " Born to Be Wild ", also released that year: "I like smoke and lightning / Heavy metal thunder / Racin' with the wind / And the feelin' that I'm under". An early documented use of
7630-468: The mid-1980s, with some exceptions such as Girlschool . However, by the 2010s, women were making more of an impact, and PopMatters' Craig Hayes argues that metal "clearly empowers women". In the power metal and symphonic metal subgenres, there has been a sizable number of bands that have had women as the lead singers, such as Nightwish , Delain and Within Temptation . The rhythm in metal songs
7739-456: The mid-Seventies". "The term 'heavy metal' is self-defeating," remarked Kiss bassist Gene Simmons . "When I think of heavy metal, I've always thought of elves and evil dwarves and evil princes and princesses. A lot of the Maiden and Priest records were real metal records. I sure as hell don't think Metallica 's metal, or Guns N' Roses is metal, or Kiss is metal. It just doesn't deal with
7848-502: The more extreme side of the psychedelic rock genre, frequently containing a loud, improvised, and heavily distorted, guitar-centered sound. Acid rock has been described as psychedelic rock at its "rawest and most intense", emphasizing the heavier qualities associated with both the positive and negative extremes of the psychedelic experience rather than only the idyllic side of psychedelia. In contrast to more idyllic or whimsical pop psychedelic rock, American acid rock garage bands such as
7957-420: The music as a strained fusion of thrash and traditional heavy metal , accompanied by the harsh vocals of Bush. He noted the record for using modern production techniques, as well as displaying melodies and instrumentation that have always been Anthrax's trademark. Magazine Rock Hard observed that the record was a combination of "tradition and modernity", with strong vocals and "thrashy" tunes. They pointed that
8066-535: The nickname "hair metal"); makeup such as lipstick and eyeliner; gaudy clothing, including leopard-skin-printed shirts or vests and tight denim, leather or spandex pants; and accessories such as headbands and jewelry. Pioneered by the heavy metal act X Japan in the late 1980s, bands in the Japanese movement known as visual kei , which includes many non-metal groups, emphasize elaborate costumes, hair and makeup. When performing live, many metal musicians – as well as
8175-456: The numerous heavy metal bands that they inspired have concentrated lyrically "on dark and depressing subject matter to an extent hitherto unprecedented in any form of pop music." They take as an example Black Sabbath's second album, Paranoid (1970), which "included songs dealing with personal trauma—' Paranoid ' and ' Fairies Wear Boots ' (which described the unsavoury side effects of drug-taking)—as well as those confronting wider issues, such as
8284-431: The other metal genres: moshing and stage diving , which "were imported from the punk/hardcore subculture ". Weinstein states that moshing participants bump and jostle each other as they move in a circle in an area called the "pit" near the stage. Stage divers climb onto the stage with the band and then jump "back into the audience". It has been argued that heavy metal has outlasted many other rock genres largely due to
8393-430: The overwhelming evidence that suggests otherwise". Music critic Robert Christgau called metal "an expressive mode [that] it sometimes seems will be with us for as long as ordinary white boys fear girls, pity themselves, and are permitted to rage against a world they'll never beat". Heavy metal artists have had to defend their lyrics in front of the U.S. Senate and in court. In 1985, Twisted Sister frontman Dee Snider
8502-727: The periodic table organizes elements of both light and heavy metals (e.g., uranium). An early use of the term in modern popular culture was by countercultural writer William S. Burroughs . His 1961 novel The Soft Machine includes a character known as "Uranian Willy, the Heavy Metal Kid". Burroughs' next novel, Nova Express (1964), develops the theme, using "heavy metal" as a metaphor for addictive drugs: "With their diseases and orgasm drugs and their sexless parasite life forms—Heavy Metal People of Uranus wrapped in cool blue mist of vaporized bank notes—And The Insect People of Minraud with metal music." Inspired by Burroughs' novels,
8611-592: The phrase in rock criticism appears in Sandy Pearlman's February 1967 Crawdaddy review of the Rolling Stones ' Got Live If You Want It (1966), albeit as a description of the sound rather than as a genre: "On this album the Stones go metal. Technology is in the saddle—as an ideal and as a method." Another appears in the 11 May 1968 issue of Rolling Stone , in which Barry Gifford wrote about
8720-487: The recording sessions, except for the song "Ghost", which was released as a B-side on the single "Taking the Music Back". The Who vocalist Roger Daltrey and Pantera guitarist Dimebag Darrell made guest appearances on the album, as well as E-Town Concrete vocalist Anthony Martini. Daltrey was featured in the song "Taking the Music Back", Martini provided vocals on “Refuse to be Denied”, while Darrell contributed to
8829-442: The release of their upcoming album. Asked if changing the record company will affect the songwriting, guitarist Scott Ian replied: "To be honest, I don't care about that at all. You know, business is business and the creative side is the creative side. Creatively, there was no big challenge. We just wanted to try to make the best record we can." The band started writing new material during the months of May and June 2001, and entered
8938-473: The same 27th-rate heavy metal crap". In a review of Sir Lord Baltimore 's Kingdom Come in the May 1971 edition of Creem , Saunders wrote, "Sir Lord Baltimore seems to have down pat most all the best heavy metal tricks in the book." Creem critic Lester Bangs is credited with popularizing the term via his early 1970s essays on bands such as Led Zeppelin and Black Sabbath. Through the decade, "heavy metal"
9047-499: The self-explanatory ' War Pigs ' and ' Hand of Doom .'" Deriving from the genre's roots in blues music, sex is another important topic – a thread running from Led Zeppelin's suggestive lyrics to the more explicit references of glam metal and nu metal bands. The thematic content of heavy metal has long been a target of criticism. According to Jon Pareles , "Heavy metal's main subject matter is simple and virtually universal. With grunts, moans and subliterary lyrics, it celebrates ...
9156-400: The self-produced We've Come for You All is a certified classic that proves the ageless Anthrax are still a viable metal option." Vik Bansal, of MusicOMH , summarized the album as "a bold, sleek and raucous slab of modern metal", containing elements that were absent from many heavy metal albums at the time. Bansal cited "What Doesn't Die" for particular praise, noting the "razor-sharp" riffs on
9265-465: The song. He noted "Cadillac Rock Box" for sounding similar to bands like Lynyrd Skynyrd and Black Sabbath . Bansal summed up his review by stating that We've Come for You All is a "mighty album from a still mighty band". All tracks are written by John Bush , Rob Caggiano , Scott Ian , Frank Bello and Charlie Benante , except where noted Credits are adapted from AllMusic . position Heavy metal music Heavy metal (or simply metal )
9374-445: The songs "Cadillac Rock Box" and "Strap It On". The band explained their appearances by saying they "felt the need to invite some friends to make something special for the album and the result is simply fantastic." The album was produced by Scrap 60 Productions team, consisted of Anthrax guitarist Rob Caggiano , Eddie Wohl , and Steve Regina. The front cover was designed by comic book artist Alex Ross . Vocalist John Bush stated that
9483-421: The sonic power that it projects through amplification has historically been the key element in heavy metal. The heavy metal guitar sound comes from a combined use of high volumes and heavy fuzz . For classic heavy metal guitar tone, guitarists maintain gain at moderate levels, without excessive preamp or pedal distortion, to retain open spaces and air in the music; the guitar amplifier is turned up loud to produce
9592-488: The sound was extremely complex with "super fat" production, having nothing similar with the nu metal sound of the early 2000s. Exclaim! wrote that the songs had rock-based structures, unlike the band's earlier releases which featured "brutal beats and razor riffs". Gregory Bradley also noted that a couple of songs had "distinct hard-rock vibe", while others demonstrated "very metal" sound. In their guide to Anthrax discography, Kerrang! wrote that We've Come for You All
9701-451: The studio in November the same year. The recording process was shortly interrupted because the band went on a tour with Judas Priest early in 2002. They returned to the studio in March and in the next few months worked on the record and successfully finished it. According to Ian, the whole process of making the album took the band a year. Ian also said that there is no leftover material out of
9810-714: The term was used in the title of the 1967 album Featuring the Human Host and the Heavy Metal Kids by Hapshash and the Coloured Coat , which has been claimed to be its first use in the context of music. The phrase was later lifted by Sandy Pearlman , who used the term to describe the Byrds for their supposed "aluminium style of context and effect", particularly on their album The Notorious Byrd Brothers (1968). Metal historian Ian Christe describes what
9919-478: The terms "heavy metal" and "hard rock" have often been used interchangeably, particularly in discussing bands of the 1970s, a period when the terms were largely synonymous. For example, the 1983 edition of the Rolling Stone Encyclopedia of Rock & Roll includes the following passage: "Known for its aggressive blues-based hard-rock style, Aerosmith was the top American heavy-metal band of
10028-434: The two genres that have the most in common when it comes to feel, texture, creativity." Although a number of metal musicians cite classical composers as inspiration, classical and metal are rooted in different cultural traditions and practices – classical in the art music tradition, metal in the popular music tradition. As musicologists Nicolas Cook and Nicola Dibben note: "Analyses of popular music also sometimes reveal
10137-475: The weird kid. It's kind of like that, but with metal you have all the weird kids in one place." Scholars of metal have noted the tendency of fans to classify and reject some performers (and some other fans) as " poseurs " "who pretended to be part of the subculture, but who were deemed to lack authenticity and sincerity". The origin of the term "heavy metal" in a musical context is uncertain. The phrase has been used for centuries in chemistry and metallurgy, where
10246-421: The world. It was also the world's largest independent owner of music intellectual property rights , with over 160,000 songs. The company was formed in 1979 by Rod Smallwood and Andy Taylor , who met as undergraduates at Trinity College, Cambridge . In 1979, they discovered Iron Maiden in a London pub and went on to manage the group. They named the record company after the band's song " Sanctuary ," which
10355-416: Was "leaning towards a groove -orientated hard rock sound" with several slower and radio friendly efforts. We've Come for You All received positive reviews upon release, with About.com crediting it for "getting the band back on track". AllMusic 's Johnny Loftus noted the album for its "pile-driving thrash" sound, which reminded him of the group's earlier days. Loftus concluded that We've Come for You All
10464-406: Was applied to a pounding, hard rock variant that evolved out of the mid-1960s garage-punk movement. ... When rock began turning back to softer, roots-oriented sounds in late 1968, acid-rock bands mutated into heavy metal acts." One of the most influential bands in forging the merger of psychedelic rock and acid rock with the blues rock genre was the British power trio Cream , who derived
10573-586: Was asked to defend his song " Under the Blade " at a U.S. Senate hearing. At the hearing, the PMRC alleged that the song was about sadomasochism and rape ; Snider stated that the song was about his bandmate's throat surgery. In 1986, Ozzy Osbourne was sued over the lyrics of his song " Suicide Solution ". A lawsuit against Osbourne was filed by the parents of John McCollum, a depressed teenager who committed suicide allegedly after listening to Osbourne's song. Osbourne
10682-797: Was completed in October 2007. By December 2007, it appeared that the Sanctuary name had begun to be phased out, with both Morrissey and Robert Plant being transferred to the Universal-owned Decca Music Group and Iron Maiden to Universal Music Enterprises (with distribution by Sony Music Entertainment, a successor to Sanctuary and Columbia's distribution partnership for the band's releases) for future releases. On 21 September 2012, regulators approved Universal Music Group 's planned acquisition of EMI from Citibank for £1.2 billion. However, due to conditions imposed by
10791-493: Was considered extremely dissonant and unstable by medieval and Renaissance music theorists. It was nicknamed the diabolus in musica – "the devil in music". Heavy metal songs often make extensive use of pedal point as a harmonic basis. A pedal point is a sustained tone, typically in the bass range, during which at least one foreign (i.e., dissonant) harmony is sounded in the other parts. According to Robert Walser, heavy metal harmonic relationships are "often quite complex" and
10900-411: Was designed by comic book artist Alex Ross , while the production was handled by Scrap 60 Productions team. The Who vocalist Roger Daltrey and Pantera guitarist Dimebag Darrell made guest appearances on the album. The album received positive reviews by contemporary music critics, with About.com crediting it for "getting the band back on track". Despite this, the album only reached number 122 on
11009-446: Was in the process of selling their entire catalog to Sanctuary, but the arrangement had fallen through. However, the problems were resolved and the record was successfully distributed through Sanctuary in North America and Nuclear Blast in Europe. The album debuted at No. 122 on the Billboard 200 chart with first week sales of just under 10,000 units. Since its release in May 2003, We've Come for You All sold about 62,000 copies in
11118-501: Was not found to be responsible for the teen's death. In 1990, Judas Priest was sued in American court by the parents of two young men who had shot themselves five years earlier, allegedly after hearing the subliminal statement "do it" in the band's cover of the song " Better by You, Better than Me ". While the case attracted a great deal of media attention, it was ultimately dismissed. In 1991, U.K. police seized death metal records from
11227-410: Was often used interchangeably with "heavy metal" and " hard rock ". "Acid rock" generally describes heavy, hard or raw psychedelic rock. Musicologist Steve Waksman stated that "the distinction between acid rock, hard rock, and heavy metal can at some point never be more than tenuous", while percussionist John Beck defined "acid rock" as synonymous with hard rock and heavy metal. Apart from "acid rock",
11336-419: Was one of the earliest terms used to describe this style of music and was applied to acts such as Sabbath and Bloodrock . Classic Rock magazine described the downer rock culture revolving around the use of Quaaludes and the drinking of wine. The term would later be replaced by "heavy metal". Earlier on, as "heavy metal" emerged partially from heavy psychedelic rock, also known as acid rock , "acid rock"
11445-466: Was originally set for a release on February 4, 2003 in Europe and Japan, and on February 24 in the US and Canada. After the prolongation of the release date for territories outside Japan and Europe, drummer Charlie Benante posted an explanation on the band's official website: "I hate to tell you this but ... the record got pushed back to April 15. It's only been 73 years since Vol. 8 [was released], what's another week or two? The record company needed
11554-484: Was released as a single in 1980, and later included on American pressings as well as the reissued CD version of their 1980 eponymous debut album . Sanctuary Records has historically signed artists with long-term appeal that have had a long career and steady fan base. Between 1989 and 1991, Sanctuary was co-owned by the Zomba Group , whose music publishing arm still held the music of Iron Maiden in 2001. In 1994,
11663-435: Was seminal to the development of the later heavy metal sound. The combination of this loud and heavy blues rock with psychedelic rock and acid rock formed much of the original basis for heavy metal. The variant or subgenre of psychedelic rock often known as "acid rock" was particularly influential on heavy metal and its development; acid rock is often defined as a heavier, louder, or harder variant of psychedelic rock, or
11772-480: Was the definitive thrash metal album, released in a period when albums from that genre were not common. In a review for Raidió Teilifís Éireann , Harry Guerin wrote that the band has preserved their sense of melody and aggression. He praised the fast blast beat percussion on "Black Dahlia", and finished the review by saying that the album would likely exceed the expectations of their most devoted fans. Writing for Metal Review , Gregory Bradley stopped short of calling
11881-413: Was used by certain critics as a virtually automatic putdown. In 1979, lead New York Times popular music critic John Rockwell described what he called "heavy-metal rock" as "brutally aggressive music played mostly for minds clouded by drugs" and, in a different article, as "a crude exaggeration of rock basics that appeals to white teenagers". Coined by Black Sabbath drummer Bill Ward , "downer rock"
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