174-636: Shriekback are an English rock band formed in 1981 in Kentish Town by Barry Andrews , formerly of XTC and the League of Gentlemen (keyboards/synthesizers/vocals), and Dave Allen , formerly of Gang of Four (bass guitar), with Carl Marsh, formerly of Out on Blue Six (guitars/vocals) soon added to the line-up. The band's early music was a funk -influenced version of new wave and post-punk , later moving towards art rock and always featuring "insidiously weird vocals". The band enjoyed some success on
348-484: A banjo or guitar. Regional styles of country blues varied widely in the early 20th century. The (Mississippi) Delta blues was a rootsy sparse style with passionate vocals accompanied by slide guitar. The little-recorded Robert Johnson combined elements of urban and rural blues. In addition to Robert Johnson, influential performers of this style included his predecessors Charley Patton and Son House . Singers such as Blind Willie McTell and Blind Boy Fuller performed in
522-415: A break; the harmony of this two-bar break, the turnaround, can be extremely complex, sometimes consisting of single notes that defy analysis in terms of chords. Much of the time, some or all of these chords are played in the harmonic seventh (7th) form. The use of the harmonic seventh interval is characteristic of blues and is popularly called the "blues seven". Blues seven chords add to the harmonic chord
696-586: A center for electric blues from 1948 on, when Muddy Waters recorded his first success, "I Can't Be Satisfied". Chicago blues is influenced to a large extent by Delta blues , because many performers had migrated from the Mississippi region. Howlin' Wolf , Muddy Waters, Willie Dixon and Jimmy Reed were all born in Mississippi and moved to Chicago during the Great Migration. Their style
870-514: A certain degree doesn't care if it's popular. — Bill Wyman in Vulture (2016) The sound of rock is traditionally centered on the amplified electric guitar, which emerged in its modern form in the 1950s with the popularity of rock and roll. It was also greatly influenced by the sounds of electric blues guitarists. The sound of an electric guitar in rock music is typically supported by an electric bass guitar, which pioneered jazz music in
1044-399: A component of R&B. After World War II, new styles of electric blues became popular in cities such as Chicago , Memphis , Detroit and St. Louis . Electric blues used electric guitars , double bass (gradually replaced by bass guitar ), drums , and harmonica (or "blues harp") played through a microphone and a PA system or an overdriven guitar amplifier . Chicago became
1218-519: A fondness for a good beat, a meaningful lyric with some wit, and the theme of youth, which holds an "eternal attraction" so objective "that all youth music partakes of sociology and the field report ." Writing in Christgau's Record Guide: The '80s (1990), he said this sensibility is evident in the music of folk singer-songwriter Michelle Shocked , rapper LL Cool J , and synth-pop duo Pet Shop Boys —"all kids working out their identities"—as much as it
1392-481: A foundation of simple syncopated rhythms in a 4 meter , with a repetitive snare drum back beat on beats two and four. Melodies often originate from older musical modes such as the Dorian and Mixolydian , as well as major and minor modes. Harmonies range from the common triad to parallel perfect fourths and fifths and dissonant harmonic progressions. Since the late 1950s, and particularly from
1566-628: A frequent addition to the established rock format of guitars, bass, and drums in subsequent progressive rock. Instrumentals were common, while songs with lyrics were sometimes conceptual, abstract, or based in fantasy and science fiction. The Pretty Things ' SF Sorrow (1968), the Kinks' Arthur (Or the Decline and Fall of the British Empire) (1969), and the Who 's Tommy (1969) introduced
1740-694: A ground bass overlaid with complex treble patterns, while vocal supplies a third rhythmic layer. Similar techniques can be found in hundreds of blues records". The lyrics often relate troubles experienced within African American society. For instance Blind Lemon Jefferson 's "Rising High Water Blues" (1927) tells of the Great Mississippi Flood of 1927 : Backwater rising, Southern peoples can't make no time I said, backwater rising, Southern peoples can't make no time And I can't get no hearing from that Memphis girl of mine Although
1914-630: A key feature of psychedelia. Psychedelic rock reached its apogee in the last years of the decade. 1967 saw the Beatles release their definitive psychedelic statement in Sgt. Pepper's Lonely Hearts Club Band , including the controversial track " Lucy in the Sky with Diamonds ", the Rolling Stones responded later that year with Their Satanic Majesties Request , and Pink Floyd debuted with The Piper at
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#17328016100072088-573: A loud amplified sound, often centered on the electric guitar, based on the Chicago blues , particularly after the tour of Britain by Muddy Waters in 1958, which prompted Cyril Davies and guitarist Alexis Korner to form the band Blues Incorporated . The band involved and inspired many of the figures of the subsequent British blues boom, including members of the Rolling Stones and Cream , combining blues standards and forms with rock instrumentation and emphasis. The other key focus for British blues
2262-587: A mainstream audience with hits including " Blowin' in the Wind " (1963) and " Masters of War " (1963), which brought " protest songs " to a wider public, but, although beginning to influence each other, rock and folk music had remained largely separate genres, often with mutually exclusive audiences. Early attempts to combine elements of folk and rock included the Animals' " House of the Rising Sun " (1964), which
2436-495: A major element of progressive rock. From about 1967 bands like Cream and the Jimi Hendrix Experience had moved away from purely blues-based music into psychedelia . By the 1970s, blues rock had become heavier and more riff-based, exemplified by the work of Led Zeppelin and Deep Purple , and the lines between blues rock and hard rock "were barely visible", as bands began recording rock-style albums. The genre
2610-429: A major influence on subsequent electronic rock . With the advent of punk rock and technological changes in the late 1970s, progressive rock was increasingly dismissed as pretentious and overblown. Many bands broke up, but some, including Genesis, ELP, Yes, and Pink Floyd, regularly scored top ten albums with successful accompanying worldwide tours. Some bands which emerged in the aftermath of punk, such as Siouxsie and
2784-410: A more basic form of rock and roll that incorporated its original influences, particularly blues, country and folk music, leading to the creation of country rock and Southern rock. In 1966 Bob Dylan went to Nashville to record the album Blonde on Blonde . This, and subsequent more clearly country-influenced albums, such as Nashville Skyline , have been seen as creating the genre of country folk ,
2958-635: A movement known as the Great Migration . The long boom following World War II induced another massive migration of the African-American population, the Second Great Migration , which was accompanied by a significant increase of the real income of the urban blacks. The new migrants constituted a new market for the music industry. The term race record , initially used by the music industry for African-American music,
3132-486: A multibillion-dollar industry and doubling its market while, as Christgau noted, suffering a significant "loss of cultural prestige". "Maybe the Bee Gees became more popular than the Beatles, but they were never more popular than Jesus ", he said. "Insofar as the music retained any mythic power, the myth was self-referential – there were lots of songs about the rock and roll life but very few about how rock could change
3306-589: A national phenomenon. It is often argued that the surf music craze and the careers of almost all surf acts was effectively ended by the arrival of the British Invasion from 1964, because most surf music hits were recorded and released between 1960 and 1965. By the end of 1962, what would become the British rock scene had started with beat groups like the Beatles , Gerry & the Pacemakers and
3480-456: A note with a frequency in a 7:4 ratio to the fundamental note. At a 7:4 ratio, it is not close to any interval on the conventional Western diatonic scale . For convenience or by necessity it is often approximated by a minor seventh interval or a dominant seventh chord . In melody , blues is distinguished by the use of the flattened third , fifth and seventh of the associated major scale . Blues shuffles or walking bass reinforce
3654-456: A number of songs, such as "Poor Rosy", that were popular among the slaves. Although she admitted being unable to describe the manner of singing she heard, Forten wrote that the songs "can't be sung without a full heart and a troubled spirit", conditions that have inspired countless blues songs. Though the use of the phrase in African-American music may be older, it has been attested to in print since 1912, when Hart Wand 's " Dallas Blues " became
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#17328016100073828-599: A part in early blues, citing Robert Johnson 's " Cross Road Blues " as a "thinly veiled reference to Eleggua , the orisha in charge of the crossroads". However, the Christian influence was far more obvious. The repertoires of many seminal blues artists, such as Charley Patton and Skip James , included religious songs or spirituals. Reverend Gary Davis and Blind Willie Johnson are examples of artists often categorized as blues musicians for their music, although their lyrics clearly belong to spirituals. The blues form
4002-569: A part of ragtime; Handy's signature work was the " Saint Louis Blues ". In the 1920s, the blues became a major element of African American and American popular music, also reaching white audiences via Handy's arrangements and the classic female blues performers. These female performers became perhaps the first African American "superstars", and their recording sales demonstrated "a huge appetite for records made by and for black people." The blues evolved from informal performances in bars to entertainment in theaters. Blues performances were organized by
4176-459: A preacher, prosecutions of Jerry Lee Lewis and Chuck Berry and the breaking of the payola scandal (which implicated major figures, including Alan Freed, in bribery and corruption in promoting individual acts or songs), gave a sense that the rock and roll era established at that point had come to an end. Rock quickly spread out from its origins in the US, associated with the rapid Americanization that
4350-444: A prog rock influence and while ranking among the most commercially successful acts of the 1970s, heralding the era of pomp or arena rock , which would last until the costs of complex shows (often with theatrical staging and special effects), would be replaced by more economical rock festivals as major live venues in the 1990s. The instrumental strand of the genre resulted in albums like Mike Oldfield 's Tubular Bells (1973),
4524-419: A recording career that began in 1926 and spanned forty years. These recordings were typically labeled " race records " to distinguish them from records sold to white audiences. Nonetheless, the recordings of some of the classic female blues singers were purchased by white buyers as well. These blueswomen's contributions to the genre included "increased improvisation on melodic lines, unusual phrasing which altered
4698-446: A rigidly delineated musical definition." In the opinion of music journalist Robert Christgau , "the best rock jolts folk-art virtues—directness, utility, natural audience—into the present with shots of modern technology and modernist dissociation ". Rock and roll was conceived as an outlet for adolescent yearnings ... To make rock and roll is also an ideal way to explore intersections of sex, love, violence, and fun, to broadcast
4872-625: A rock-informed album era in the music industry for the next several decades. By the late 1960s " classic rock " period, a few distinct rock music subgenres had emerged, including hybrids like blues rock , folk rock , country rock , Southern rock , raga rock , and jazz rock , which contributed to the development of psychedelic rock , influenced by the countercultural psychedelic and hippie scene . New genres that emerged included progressive rock , which extended artistic elements, heavy metal , which emphasized an aggressive thick sound, and glam rock , which highlighted showmanship and visual style. In
5046-721: A route pursued by a number of largely acoustic folk musicians. Other acts that followed the back-to-basics trend were the Canadian group the Band and the California-based Creedence Clearwater Revival , both of which mixed basic rock and roll with folk, country and blues, to be among the most successful and influential bands of the late 1960s. The same movement saw the beginning of the recording careers of Californian solo artists like Ry Cooder , Bonnie Raitt and Lowell George , and influenced
5220-406: A separate genre arose during the black migration from the countryside to urban areas in the 1920s and the simultaneous development of the recording industry. Blues became a code word for a record designed to sell to black listeners. The origins of the blues are closely related to the religious music of Afro-American community, the spirituals . The origins of spirituals go back much further than
5394-481: A slogan one only began to hear in 1972 or so, mobilized all those eager to believe that idealism had become passe, and once they were mobilized, it had. In popular music, embracing the '70s meant both an elitist withdrawal from the messy concert and counterculture scene and a profiteering pursuit of the lowest common denominator in FM radio and album rock . Rock saw greater commodification during this decade, turning into
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5568-464: A variety of directions, including Dylan and the Byrds, who began to develop country rock . However, the hybridization of folk and rock has been seen as having a major influence on the development of rock music, bringing in elements of psychedelia, and helping to develop the ideas of the singer-songwriter, the protest song, and concepts of "authenticity". Psychedelic music's LSD -inspired vibe began in
5742-529: A variety of sources such as the Tin Pan Alley pop tradition, folk music , and rhythm and blues . Christgau characterizes rock lyrics as a "cool medium" with simple diction and repeated refrains, and asserts that rock's primary "function" "pertains to music, or, more generally, noise ." The predominance of white, male, and often middle class musicians in rock music has often been noted, and rock has been seen as an appropriation of Black musical forms for
5916-581: A wide variety of styles and subgenres. Blues subgenres include country blues , Delta blues and Piedmont blues , as well as urban blues styles such as Chicago blues and West Coast blues . World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues rock developed, which blended blues styles with rock music . The term 'Blues' may have originated from "blue devils", meaning melancholy and sadness. An early use of
6090-501: A young, white and largely male audience. As a result, it has also been seen to articulate the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, "rock and roll usually implies an identification of male sexuality and aggression". Since the term "rock" started being used in preference to "rock and roll" from the late-1960s, it has usually been contrasted with pop music, with which it has shared many characteristics, but from which it
6264-454: Is a cyclic musical form in which a repeating progression of chords mirrors the call and response scheme commonly found in African and African-American music. During the first decades of the 20th century blues music was not clearly defined in terms of a particular chord progression. With the popularity of early performers, such as Bessie Smith , use of the twelve-bar blues spread across
6438-675: Is a broad genre of popular music that originated as " rock and roll " in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew directly from the genres of blues , rhythm and blues , and country music . Rock also drew strongly from genres such as electric blues and folk , and incorporated influences from jazz and other musical styles. For instrumentation, rock
6612-560: Is a sly wordplay with the double meaning of being " tight " with someone, coupled with a more salacious physical familiarity. Blues songs with sexually explicit lyrics were known as dirty blues . The lyrical content became slightly simpler in postwar blues, which tended to focus on relationship woes or sexual worries. Lyrical themes that frequently appeared in prewar blues, such as economic depression, farming, devils, gambling, magic, floods and drought, were less common in postwar blues. The writer Ed Morales claimed that Yoruba mythology played
6786-423: Is centered on the electric guitar , usually as part of a rock group with electric bass guitar , drums , and one or more singers. Usually, rock is song-based music with a 4 time signature using a verse–chorus form , but the genre has become extremely diverse. Like pop music , lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock
6960-453: Is characterized by its lyrics , bass lines , and instrumentation . Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern , consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over
7134-425: Is characterized by the call-and-response pattern, the blues scale , and specific chord progressions , of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch , are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove . Blues music
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7308-540: Is credited with first using the phrase "rock and roll" to describe the music. Four years later, Bill Haley 's " Rock Around the Clock " (1954) became the first rock and roll song to top Billboard magazine's main sales and airplay charts, and opened the door worldwide for this new wave of popular culture. Other artists with early rock and roll hits included Chuck Berry , Bo Diddley , Fats Domino , Little Richard , Jerry Lee Lewis , and Gene Vincent . Soon rock and roll
7482-472: Is generally agreed that garage rock peaked both commercially and artistically around 1966. By 1968 the style largely disappeared from the national charts and at the local level as amateur musicians faced college, work or the draft . New styles had evolved to replace garage rock. Although the first impact of the British Invasion on American popular music was through beat and R&B based acts,
7656-555: Is in the music of Chuck Berry , the Ramones , and the Replacements . The foundations of rock music are in rock and roll, which originated in the United States during the late 1940s and early 1950s, and quickly spread to much of the rest of the world. Its immediate origins lay in a melding of various black musical genres of the time, including rhythm and blues and gospel music , with country and western . Debate surrounds
7830-418: Is little evidence of Sub-Sahelian influence in the blues as "elaborate polyrhythm, percussion on African drums (as opposed to European drums), [and] collective participation" which are characteristic of West-Central African music below the savannah, are conspicuously absent. According to the historian Paul Oliver , "the roots of the blues were not to be found in the coastal and forest regions of Africa. Rather...
8004-728: Is often associated with solo piano, boogie-woogie was also used to accompany singers and, as a solo part, in bands and small combos. Boogie-woogie style was characterized by a regular bass figure, an ostinato or riff and shifts of level in the left hand, elaborating each chord and trills and decorations in the right hand. Boogie-woogie was pioneered by the Chicago-based Jimmy Yancey and the Boogie-Woogie Trio ( Albert Ammons , Pete Johnson and Meade Lux Lewis ). Chicago boogie-woogie performers included Clarence "Pine Top" Smith and Earl Hines , who "linked
8178-497: Is often associated with the California blues style, performed a successful transition from the early urban blues à la Lonnie Johnson and Leroy Carr to the jump blues style and dominated the blues-jazz scene at Los Angeles during the 1940s. The transition from country blues to urban blues that began in the 1920s was driven by the successive waves of economic crisis and booms that led many rural blacks to move to urban areas, in
8352-411: Is often distanced by an emphasis on musicianship, live performance, and a focus on serious and progressive themes as part of an ideology of authenticity that is frequently combined with an awareness of the genre's history and development. According to Simon Frith , rock was "something more than pop, something more than rock and roll" and "[r]ock musicians combined an emphasis on skill and technique with
8526-399: Is termed as a rock band or a rock group. Furthermore, it typically consists of between three (the power trio ) and five members. Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist, drummer, and often keyboard player or another instrumentalist. Rock music is traditionally built on
8700-553: Is the Band." Blues Blues is a music genre and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. Blues has incorporated spirituals , work songs , field hollers , shouts , chants , and rhymed simple narrative ballads from the African-American culture . The blues form is ubiquitous in jazz , rhythm and blues , and rock and roll , and
8874-535: The Billboard Hot 100 . The British Invasion greatly influenced garage bands, providing them with a national audience, leading many (often surf or hot rod groups) to adopt a British influence, and encouraging many more groups to form. Thousands of garage bands were extant in the United States and Canada during the era and hundreds produced regional hits. Despite scores of bands being signed to major or large regional labels, most were commercial failures. It
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#17328016100079048-482: The American South sometimes referred to as a jitterbug or a one-string in the early twentieth century) and the banjo are African-derived instruments that may have helped in the transfer of African performance techniques into the early blues instrumental vocabulary. The banjo seems to be directly imported from West African music. It is similar to the musical instrument that griots and other Africans such as
9222-524: The American folk music revival had grown to a major movement, using traditional music and new compositions in a traditional style, usually on acoustic instruments. In America the genre was pioneered by figures such as Woody Guthrie and Pete Seeger and often identified with progressive or labor politics . In the early sixties figures such as Joan Baez and Bob Dylan had come to the fore in this movement as singer-songwriters. Dylan had begun to reach
9396-608: The Count Basie Orchestra were also concentrating on the blues, with 12-bar blues instrumentals such as Basie's " One O'Clock Jump " and " Jumpin' at the Woodside " and boisterous " blues shouting " by Jimmy Rushing on songs such as "Going to Chicago" and " Sent for You Yesterday ". A well-known big band blues tune is Glenn Miller 's " In the Mood ". In the 1940s, the jump blues style developed. Jump blues grew up from
9570-587: The Igbo played (called halam or akonting by African peoples such as the Wolof , Fula and Mandinka ). However, in the 1920s, when country blues began to be recorded, the use of the banjo in blues music was quite marginal and limited to individuals such as Papa Charlie Jackson and later Gus Cannon . Blues music also adopted elements from the "Ethiopian airs", minstrel shows and Negro spirituals , including instrumental and harmonic accompaniment. The style also
9744-777: The Theater Owners Booking Association in nightclubs such as the Cotton Club and juke joints such as the bars along Beale Street in Memphis. Several record companies, such as the American Record Corporation , Okeh Records , and Paramount Records , began to record African-American music. As the recording industry grew, country blues performers like Bo Carter , Jimmie Rodgers , Blind Lemon Jefferson , Lonnie Johnson , Tampa Red and Blind Blake became more popular in
9918-409: The degrees of the progression. For instance, for a blues in the key of C, C is the tonic chord (I) and F is the subdominant (IV). The last chord is the dominant (V) turnaround , marking the transition to the beginning of the next progression. The lyrics generally end on the last beat of the tenth bar or the first beat of the 11th bar, and the final two bars are given to the instrumentalist as
10092-422: The garage rock / post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. Rock has also embodied and served as
10266-417: The protest song , rock music has been associated with political activism , as well as changes in social attitudes to race, sex, and drug use, and is often seen as an expression of youth revolt against adult consumerism and conformity . At the same time, it has been commercially highly successful, leading to accusations of selling out . A good definition of rock, in fact, is that it's popular music that to
10440-451: The spirituals . The first appearance of the blues is often dated to after the ending of slavery , with the development of juke joints occurring later. It is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century. The first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into
10614-438: The 1920s, among them "the big three"— Gertrude "Ma" Rainey , Bessie Smith , and Lucille Bogan . Mamie Smith , more a vaudeville performer than a blues artist, was the first African American to record a blues song, in 1920; her second record, "Crazy Blues", sold 75,000 copies in its first month. Ma Rainey, the "Mother of Blues", and Bessie Smith each "[sang] around center tones, perhaps in order to project her voice more easily to
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#173280161000710788-428: The 1920s, when the record industry created the marketing categories " race music " and " hillbilly music " to sell music by blacks for blacks and by whites for whites, respectively. At the time, there was no clear musical division between "blues" and "country", except for the ethnicity of the performer, and even that was sometimes documented incorrectly by record companies. Though musicologists can now attempt to define
10962-454: The 1950s saw the growth in popularity of the electric guitar, and the development of a specifically rock and roll style of playing through such exponents as Chuck Berry, Link Wray , and Scotty Moore . The use of distortion , pioneered by Western swing guitarists such as Junior Barnard and Eldon Shamblin was popularized by Chuck Berry in the mid-1950s. The use of power chords , pioneered by Francisco Tárrega and Heitor Villa-Lobos in
11136-467: The 19th century and later on by Willie Johnson and Pat Hare in the early 1950s, was popularized by Link Wray in the late 1950s. Commentators have traditionally perceived a decline of rock and roll in the late 1950s and early 1960s. By 1959, the death of Buddy Holly, the Big Bopper and Ritchie Valens in a plane crash, the departure of Elvis for the army, the retirement of Little Richard to become
11310-939: The 2003 release Having a Moment . After Having a Moment , Andrews recorded three albums for Malicious Damage ( Killing Joke 's original label) under the Shriekback name. Shriekback are still actively producing music and released the studio album, Why Anything? Why This? , in May 2018. The same line-up of Andrews, Barker and Marsh self-released a 15th studio album, Some Kinds of Light , on 6 December 2019. 1000 Books and Bowlahoola followed in 2021 and 2022. Other than those listed above, Shriekback members or contributors have included Luc van Acker , Linda Nevill, Emma Burnham, Brian Nevill, Pedro Ortiz, Clare Hirst, Lu Edmonds , Wendy and Sarah Partridge (from Electric Guitars ), Steve Halliwell, Eve Moon, Ivan Julian , Mike Cozzi and Jessica Palin/Jose Fina Cupido. The film director Michael Mann
11484-455: The 9-bar progression in " Sitting on Top of the World ", by Walter Vinson . The basic 12-bar lyric framework of many blues compositions is reflected by a standard harmonic progression of 12 bars in a 4/4 time signature . The blues chords associated to a twelve-bar blues are typically a set of three different chords played over a 12-bar scheme. They are labeled by Roman numbers referring to
11658-546: The African American community. Kentucky-born Sylvester Weaver was in 1923 the first to record the slide guitar style, in which a guitar is fretted with a knife blade or the sawed-off neck of a bottle. The slide guitar became an important part of the Delta blues . The first blues recordings from the 1920s are categorized as a traditional, rural country blues and a more polished city or urban blues. Country blues performers often improvised, either without accompaniment or with only
11832-533: The African call-and-response tradition that transformed into an interplay of voice and guitar, the blues form itself bears no resemblance to the melodic styles of the West African griots . Additionally, there are theories that the four-beats-per-measure structure of the blues might have its origins in the Native American tradition of pow wow drumming. Some scholars identify strong influences on
12006-477: The Banshees , Ultravox , and Simple Minds , showed the influence of progressive rock, as well as their more usually recognized punk influences. In the late 1960s, jazz-rock emerged as a distinct subgenre out of the blues-rock, psychedelic, and progressive rock scenes, mixing the power of rock with the musical complexity and improvisational elements of jazz. AllMusic states that the term jazz-rock "may refer to
12180-628: The Beatles, demonstrating "to the rock generation in general that an album could be a major standalone statement without hit singles", such as on The Freewheelin' Bob Dylan (1963). Folk rock particularly took off in California, where it led acts like the Mamas & the Papas and Crosby, Stills, and Nash to move to electric instrumentation, and in New York, where it spawned performers including
12354-617: The Byrds ' shift from folk to folk rock from 1965. The psychedelic lifestyle, which revolved around hallucinogenic drugs, had already developed in San Francisco and particularly prominent products of the scene were Big Brother and the Holding Company , the Grateful Dead and Jefferson Airplane . The Jimi Hendrix Experience 's lead guitarist, Jimi Hendrix did extended distorted, feedback-filled jams which became
12528-431: The Byrds adopted rock instrumentation, including drums and 12-string Rickenbacker guitars, which became a major element in the sound of the genre. Later that year Dylan adopted electric instruments, much to the outrage of many folk purists, with his " Like a Rolling Stone " becoming a US hit single. According to Ritchie Unterberger , Dylan (even before his adoption of electric instruments) influenced rock musicians like
12702-594: The Dominos , followed by an extensive solo career that helped bring blues rock into the mainstream. Green, along with the Bluesbreaker's rhythm section Mick Fleetwood and John McVie , formed Peter Green's Fleetwood Mac , who enjoyed some of the greatest commercial success in the genre. In the late 1960s Jeff Beck , also an alumnus of the Yardbirds, moved blues rock in the direction of heavy rock with his band,
12876-507: The Gates of Dawn . Key recordings included Jefferson Airplane's Surrealistic Pillow and the Doors ' self-titled debut album . These trends peaked in the 1969 Woodstock festival , which saw performances by most of the major psychedelic acts. Sgt. Pepper was later regarded as the greatest album of all time and a starting point for the album era , during which rock music transitioned from
13050-471: The Jeff Beck Group . The last Yardbirds guitarist was Jimmy Page , who went on to form The New Yardbirds which rapidly became Led Zeppelin . Many of the songs on their first three albums, and occasionally later in their careers, were expansions on traditional blues songs. In America, blues rock had been pioneered in the early 1960s by guitarist Lonnie Mack , but the genre began to take off in
13224-506: The Joint " (1949), also covered by Bill Haley & His Comets in 1952; and " Rocket 88 " by Jackie Brenston and his Delta Cats (in fact, Ike Turner and his band the Kings of Rhythm ), recorded by Sam Phillips for Chess Records in 1951. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music (then termed " race music ") for a multi-racial audience, and
13398-503: The Lovin' Spoonful and Simon and Garfunkel , with the latter's acoustic " The Sounds of Silence " (1965) being remixed with rock instruments to be the first of many hits. These acts directly influenced British performers like Donovan and Fairport Convention . In 1969 Fairport Convention abandoned their mixture of American covers and Dylan-influenced songs to play traditional English folk music on electric instruments. This British folk-rock
13572-476: The Rolling Stones and the Yardbirds , were much more directly influenced by rhythm and blues and later blues music. Soon these groups were composing their own material, combining US forms of music and infusing it with a high energy beat. Beat bands tended towards "bouncy, irresistible melodies", while early British blues acts tended towards less sexually innocent, more aggressive songs, often adopting an anti-establishment stance. There was, however, particularly in
13746-588: The Searchers from Liverpool and Freddie and the Dreamers , Herman's Hermits and the Hollies from Manchester. They drew on a wide range of American influences including 1950s rock and roll, soul, rhythm and blues, and surf music, initially reinterpreting standard American tunes and playing for dancers. Bands like the Animals from Newcastle and Them from Belfast , and particularly those from London like
13920-672: The Seeds ) to near-studio musician quality (including the Knickerbockers , the Remains , and the Fifth Estate ). There were also regional variations in many parts of the country with flourishing scenes particularly in California and Texas. The Pacific Northwest states of Washington and Oregon had perhaps the most defined regional sound. The style had been evolving from regional scenes as early as 1958. "Tall Cool One" (1959) by
14094-676: The US was becoming dominated by lightweight pop and ballads, British rock groups at clubs and local dances were developing a style more strongly influenced by blues-rock pioneers, and were starting to play with an intensity and drive seldom found in white American acts; this influence would go on to shape the future of rock music through the British Invasion . The first four years of the 1960s has traditionally been seen as an era of hiatus for rock and roll. More recently some authors have emphasised important innovations and trends in this period without which future developments would not have been possible. While early rock and roll, particularly through
14268-619: The USSR and South Africa from 1955 to 1957, influencing the globalisation of rock. Johnny O'Keefe 's 1958 record " Wild One " was one of the earliest Australian rock and roll hits. By the late 1950s, as well as in the American-influenced Western world, rock was popular in communist states such as Yugoslavia, and the USSR, as well as in regions such as South America. In the late 1950s and early 1960s, American blues music and blues rock artists, who had been surpassed by
14442-751: The Wailers and " Louie Louie " by the Kingsmen (1963) are mainstream examples of the genre in its formative stages. By 1963, garage band singles were creeping into the national charts in greater numbers, including Paul Revere and the Raiders (Boise), the Trashmen (Minneapolis) and the Rivieras (South Bend, Indiana). Other influential garage bands, such as the Sonics (Tacoma, Washington), never reached
14616-527: The advent of rockabilly, saw the greatest commercial success for male and white performers, in this era, the genre was dominated by black and female artists. Rock and roll had not disappeared entirely from music at the end of the 1950s and some of its energy can be seen in the various dance crazes of the early 1960s, started by Chubby Checker 's record " The Twist " (1960). Some music historians have also pointed to important and innovative technical developments that built on rock and roll in this period, including
14790-420: The back of a room". Smith would "sing a song in an unusual key, and her artistry in bending and stretching notes with her beautiful, powerful contralto to accommodate her own interpretation was unsurpassed". In 1920, the vaudeville singer Lucille Hegamin became the second black woman to record blues when she recorded "The Jazz Me Blues", and Victoria Spivey , sometimes called Queen Victoria or Za Zu Girl, had
14964-554: The beginning of the 20th century. They are now lost. Other recordings that are still available were made in 1924 by Lawrence Gellert . Later, several recordings were made by Robert W. Gordon , who became head of the Archive of American Folk Songs of the Library of Congress . Gordon's successor at the library was John Lomax . In the 1930s, Lomax and his son Alan made a large number of non-commercial blues recordings that testify to
15138-585: The biggest selling rock band of all time and they were followed into the US charts by numerous British bands. During the next two years British acts dominated their own and the US charts with Peter and Gordon , the Animals, Manfred Mann , Petula Clark , Freddie and the Dreamers, Wayne Fontana and the Mindbenders , Herman's Hermits, the Rolling Stones, the Troggs , and Donovan all having one or more number one singles. Other major acts that were part of
15312-662: The blues from the melodic structures of certain West African musical styles of the savanna and sahel. Lucy Durran finds similarities with the melodies of the Bambara people , and to a lesser degree, the Soninke people and Wolof people , but not as much of the Mandinka people . Gerard Kubik finds similarities to the melodic styles of both the west African savanna and central Africa, both of which were sources of enslaved people. No specific African musical form can be identified as
15486-443: The blues gained an association with misery and oppression, the lyrics could also be humorous and raunchy: Rebecca, Rebecca, get your big legs off of me, Rebecca, Rebecca, get your big legs off of me, It may be sending you baby, but it's worrying the hell out of me. Hokum blues celebrated both comedic lyrical content and a boisterous, farcical performance style. Tampa Red and Georgia Tom 's " It's Tight Like That " (1928)
15660-578: The blues in the same year in Missouri ; and W.C. Handy , who first heard the blues in Tutwiler, Mississippi , in 1903. The first extensive research in the field was performed by Howard W. Odum , who published an anthology of folk songs from Lafayette County, Mississippi , and Newton County, Georgia , between 1905 and 1908. The first non-commercial recordings of blues music, termed proto-blues by Paul Oliver , were made by Odum for research purposes at
15834-468: The blues is usually dated after the Emancipation Act of 1863 , between 1860s and 1890s, a period that coincides with post- emancipation and later, the establishment of juke joints as places where African-Americans went to listen to music, dance, or gamble after a hard day's work. This period corresponds to the transition from slavery to sharecropping, small-scale agricultural production, and
16008-530: The blues narrowly in terms of certain chord structures and lyric forms thought to have originated in West Africa, audiences originally heard the music in a far more general way: it was simply the music of the rural south, notably the Mississippi Delta . Black and white musicians shared the same repertoire and thought of themselves as " songsters " rather than blues musicians. The notion of blues as
16182-459: The blues was rooted in ... the savanna hinterland, from Senegambia through Mali, Burkina Faso, Northern Ghana, Niger, and northern Nigeria". Additionally, ethnomusicologist John Storm Roberts has argued that "The parallels between African savanna-belt string-playing and the techniques of many blues guitarists are remarkable. The big kora of Senegal and Guinea are played in a rhythmic-melodic style that uses constantly changing rhythms, often providing
16356-411: The blues, usually dating back to the middle of the 18th century, when the slaves were Christianized and began to sing and play Christian hymns , in particular those of Isaac Watts , which were very popular. Before the blues gained its formal definition in terms of chord progressions, it was defined as the secular counterpart of spirituals. It was the low-down music played by rural blacks. Depending on
16530-485: The boogie-woogie wave and was strongly influenced by big band music. It uses saxophone or other brass instruments and the guitar in the rhythm section to create a jazzy, up-tempo sound with declamatory vocals. Jump blues tunes by Louis Jordan and Big Joe Turner , based in Kansas City, Missouri , influenced the development of later styles such as rock and roll and rhythm and blues. Dallas-born T-Bone Walker , who
16704-461: The chart. Their first appearance on The Ed Sullivan Show on 9 February 1964, drawing an estimated 73 million viewers (at the time a record for an American television program) is considered a milestone in American pop culture. During the week of 4 April 1964, the Beatles held 12 positions on the Billboard Hot 100 singles chart, including the entire top five. The Beatles went on to become
16878-557: The dance chart on its original Y Records label and had a string of hits on the UK Indie Chart , while its first album, Care (1983), was picked up by Warner in the United States. The band left Y for Arista Records for Jam Science (1984), also recruiting the drummer Martyn Barker . The album reached number 85 on the UK Albums Chart and "Hand on my Heart" was a number 52 UK single. The 1985 album Oil and Gold
17052-424: The delights and limitations of the regional , and to deal with the depredations and benefits of mass culture itself. — Robert Christgau in Christgau's Record Guide (1981) Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes, including romantic love, sex, rebellion against " The Establishment ", social concerns, and life styles. These themes were inherited from
17226-455: The early 1970s among existing blues-rock and psychedelic bands, as well as newly formed acts. The vibrant Canterbury scene saw acts following Soft Machine from psychedelia, through jazz influences, toward more expansive hard rock, including Caravan , Hatfield and the North , Gong , and National Health . The French group Magma around drummer Christian Vander almost single-handedly created
17400-460: The early 1970s, Robert Christgau wrote in Christgau's Record Guide: Rock Albums of the Seventies (1981): The decade is, of course, an arbitrary schema itself—time doesn't just execute a neat turn toward the future every ten years. But like a lot of artificial concepts—money, say—the category does take on a reality of its own once people figure out how to put it to work. "The '60s are over,"
17574-462: The early stages, considerable musical crossover between the two tendencies. By 1963, led by the Beatles, beat groups had begun to achieve national success in Britain, soon to be followed into the charts by the more rhythm and blues focused acts. " I Want to Hold Your Hand " was the Beatles' first number one hit on the Billboard Hot 100 , spending seven weeks at the top and a total of 15 weeks on
17748-519: The electronic treatment of sound by such innovators as Joe Meek , and the elaborate production methods of the Wall of Sound pursued by Phil Spector . The instrumental rock and roll of performers such as Duane Eddy , Link Wray and the Ventures was further developed by Dick Dale , who added distinctive "wet" reverb , rapid alternate picking, and Middle Eastern and Mexican influences. He produced
17922-479: The emphasis and impact of the lyrics, and vocal dramatics using shouts, groans, moans, and wails. The blues women thus effected changes in other types of popular singing that had spin-offs in jazz, Broadway musicals , torch songs of the 1930s and 1940s, gospel , rhythm and blues , and eventually rock and roll ." Urban male performers included popular black musicians of the era, such as Tampa Red , Big Bill Broonzy and Leroy Carr . An important label of this era
18096-581: The example set by the Beatles ' 1965 LP Rubber Soul in particular, other British rock acts released rock albums intended as artistic statements in 1966, including the Rolling Stones ' Aftermath , the Beatles' own Revolver , and the Who 's A Quick One , as well as American acts in the Beach Boys ( Pet Sounds ) and Bob Dylan ( Blonde on Blonde ). Garage rock was a raw form of rock music, particularly prevalent in North America in
18270-429: The expansion of railroads in the southern United States. Several scholars characterize the development of blues music in the early 1900s as a move from group performance to individualized performance. They argue that the development of the blues is associated with the newly acquired freedom of the enslaved people. According to Lawrence Levine, "there was a direct relationship between the national ideological emphasis upon
18444-430: The first copyrighted blues composition. In lyrics, the phrase is often used to describe a depressed mood. Early traditional blues verses often consisted of a single line repeated four times. However, the most common structure of blues lyrics today was established in the first few decades of the 20th century, known as the "AAB" pattern. This structure consists of a line sung over the first four bars, its repetition over
18618-498: The first record, and worldwide hit, for the Virgin Records label, which became a mainstay of the genre. Instrumental rock was particularly significant in continental Europe, allowing bands like Kraftwerk , Tangerine Dream , Can , Focus (band) and Faust to circumvent the language barrier. Their synthesiser-heavy " krautrock ", along with the work of Brian Eno (for a time the keyboard player with Roxy Music ), would be
18792-455: The folk scene. The first group to advertise themselves as psychedelic rock were the 13th Floor Elevators from Texas. The Beatles introduced many of the major elements of the psychedelic sound to audiences in this period, such as guitar feedback , the Indian sitar and backmasking sound effects . Psychedelic rock particularly took off in California's emerging music scene as groups followed
18966-540: The form of a loose narrative. African-American singers voiced their "personal woes in a world of harsh reality: a lost love, the cruelty of police officers, oppression at the hands of white folk, [and] hard times". This melancholy has led to the suggestion of an Igbo origin for blues, because of the reputation the Igbo had throughout plantations in the Americas for their melancholic music and outlook on life when they were enslaved. Other historians have argued that there
19140-513: The format of rock operas and opened the door to concept albums , often telling an epic story or tackling a grand overarching theme. King Crimson 's 1969 début album, In the Court of the Crimson King , which mixed powerful guitar riffs and mellotron , with jazz and symphonic music , is often taken as the key recording in progressive rock, helping the widespread adoption of the genre in
19314-417: The genre took its shape from the idiosyncrasies of individual performers. However, there are some characteristics that were present long before the creation of the modern blues. Call-and-response shouts were an early form of blues-like music; they were a "functional expression ... style without accompaniment or harmony and unbounded by the formality of any particular musical structure". A form of this pre-blues
19488-454: The huge variety of proto-blues styles, such as field hollers and ring shouts . A record of blues music as it existed before 1920 can also be found in the recordings of artists such as Lead Belly and Henry Thomas . All these sources show the existence of many different structures distinct from twelve- , eight- , or sixteen-bar . The social and economic reasons for the appearance of the blues are not fully known. The first appearance of
19662-458: The impetus was soon taken up by a second wave of bands that drew their inspiration more directly from American blues , including the Rolling Stones and the Yardbirds . British blues musicians of the late 1950s and early 1960s had been inspired by the acoustic playing of figures such as Lead Belly , who was a major influence on the Skiffle craze, and Robert Johnson . Increasingly they adopted
19836-434: The individual, the popularity of Booker T. Washington's teachings, and the rise of the blues." Levine stated that "psychologically, socially, and economically, African-Americans were being acculturated in a way that would have been impossible during slavery, and it is hardly surprising that their secular music reflected this as much as their religious music did." There are few characteristics common to all blues music, because
20010-467: The invasion included the Kinks and the Dave Clark Five . The British Invasion helped internationalize the production of rock and roll, opening the door for subsequent British (and Irish) performers to achieve international success. In America it arguably spelled the end of instrumental surf music, vocal girl groups and (for a time) the teen idols , that had dominated the American charts in
20184-517: The label were R&B oriented white rock bands that made use of jazzy horn sections, like Electric Flag , Blood, Sweat & Tears and Chicago , to become some of the most commercially successful acts of the later 1960s and the early 1970s. British acts to emerge in the same period from the blues scene, to make use of the tonal and improvisational aspects of jazz, included Nucleus and the Graham Bond and John Mayall spin-off Colosseum . From
20358-408: The last bars. Early blues frequently took the form of a loose narrative, often relating the racial discrimination and other challenges experienced by African-Americans. Many elements, such as the call-and-response format and the use of blue notes, can be traced back to the music of Africa . The origins of the blues are also closely related to the religious music of the African-American community,
20532-446: The late 1950s and 1960s. It dented the careers of established R&B acts like Fats Domino and Chubby Checker and even temporarily derailed the chart success of surviving rock and roll acts, including Elvis. The British Invasion also played a major part in the rise of a distinct genre of rock music, and cemented the primacy of the rock group, based on guitars and drums and producing their own material as singer-songwriters. Following
20706-410: The loudest, wildest, most electrified fusion bands from the jazz camp, but most often it describes performers coming from the rock side of the equation." Jazz-rock "...generally grew out of the most artistically ambitious rock subgenres of the late '60s and early '70s", including the singer-songwriter movement. Many early US rock and roll musicians had begun in jazz and carried some of these elements into
20880-592: The low rate of literacy among rural African Americans at the time. Reports of blues music in southern Texas and the Deep South were written at the dawn of the 20th century. Charles Peabody mentioned the appearance of blues music at Clarksdale, Mississippi , and Gate Thomas reported similar songs in southern Texas around 1901–1902. These observations coincide more or less with the recollections of Jelly Roll Morton , who said he first heard blues music in New Orleans in 1902; Ma Rainey , who remembered first hearing
21054-476: The many recordings which have been suggested as "the first rock and roll record ". Contenders include " Strange Things Happening Every Day " by Sister Rosetta Tharpe (1944); " That's All Right " by Arthur Crudup (1946), which was later covered by Elvis Presley in 1954; " The House of Blue Lights " by Ella Mae Morse and Freddie Slack (1946); Wynonie Harris ' " Good Rocking Tonight " (1948); Goree Carter 's "Rock Awhile" (1949); Jimmy Preston 's " Rock
21228-674: The mid-1950s by white singers such as Carl Perkins , Jerry Lee Lewis, Buddy Holly and with the greatest commercial success, Elvis Presley . Hispanic and Latino American movements in rock and roll, which would eventually lead to the success of Latin rock and Chicano rock within the US, began to rise in the Southwest ; with rock and roll standard musician Ritchie Valens and even those within other heritage genres, such as Al Hurricane along with his brothers Tiny Morrie and Baby Gaby as they began combining rock and roll with country- western within traditional New Mexico music . In addition,
21402-609: The mid-1960s the Left Banke , the Beatles, the Rolling Stones and the Beach Boys, had pioneered the inclusion of harpsichords , wind , and string sections on their recordings to produce a form of Baroque rock and can be heard in singles like Procol Harum 's " A Whiter Shade of Pale " (1967), with its Bach -inspired introduction. The Moody Blues used a full orchestra on their album Days of Future Passed (1967) and subsequently created orchestral sounds with synthesizers. Classical orchestration, keyboards, and synthesizers were
21576-479: The mid-1960s and so called because of the perception that it was rehearsed in the suburban family garage. Garage rock songs often revolved around the traumas of high school life, with songs about "lying girls" and unfair social circumstances being particularly common. The lyrics and delivery tended to be more aggressive than was common at the time, often with growled or shouted vocals that dissolved into incoherent screaming. They ranged from crude one-chord music (like
21750-435: The mid-1960s as acts developed a sound similar to British blues musicians. Key acts included Paul Butterfield (whose band acted like Mayall's Bluesbreakers in Britain as a starting point for many successful musicians), Canned Heat , the early Jefferson Airplane , Janis Joplin , Johnny Winter , the J. Geils Band and Jimi Hendrix with his power trios , the Jimi Hendrix Experience (which included two British members, and
21924-401: The mid-1960s onwards, rock music often used the verse–chorus structure derived from blues and folk music, but there has been considerable variation from this model. Critics have stressed the eclecticism and stylistic diversity of rock. Because of its complex history and its tendency to borrow from other musical and cultural forms, it has been argued that "it is impossible to bind rock music to
22098-525: The music industry during the 1920s and 1930s. Other chord progressions, such as 8-bar forms, are still considered blues; examples include " How Long Blues ", " Trouble in Mind ", and Big Bill Broonzy 's " Key to the Highway ". There are also 16-bar blues , such as Ray Charles 's instrumental "Sweet 16 Bars" and Herbie Hancock 's " Watermelon Man ". Idiosyncratic numbers of bars are occasionally used, such as
22272-465: The new music genre zeuhl with their first albums in the early 1970s. Greater commercial success was enjoyed by Pink Floyd, who also moved away from psychedelia after the departure of Syd Barrett in 1968, with The Dark Side of the Moon (1973), seen as a masterpiece of the genre, becoming one of the best-selling albums of all time. There was an emphasis on instrumental virtuosity, with Yes showcasing
22446-608: The new music. In Britain the subgenre of blues rock, and many of its leading figures, like Ginger Baker and Jack Bruce of the Eric Clapton -fronted band Cream , had emerged from the British jazz scene. Often highlighted as the first true jazz-rock recording is the only album by the relatively obscure New York–based the Free Spirits with Out of Sight and Sound (1966). The first group of bands to self-consciously use
22620-452: The next four, and a longer concluding line over the last bars. This pattern can be heard in some of the first published blues songs, such as " Dallas Blues " (1912) and " Saint Louis Blues " (1914). According to W.C. Handy , the "AAB" pattern was adopted to avoid the monotony of lines repeated three times. The lyrics are often sung in a rhythmic talk style rather than a melody, resembling a form of talking blues . Early blues frequently took
22794-495: The propulsive left-hand rhythms of the ragtime pianists with melodic figures similar to those of Armstrong's trumpet in the right hand". The smooth Louisiana style of Professor Longhair and, more recently, Dr. John blends classic rhythm and blues with blues styles. Another development in this period was big band blues. The " territory bands " operating out of Kansas City , the Bennie Moten orchestra, Jay McShann , and
22968-471: The psychedelic rock and the Canterbury scenes came Soft Machine, who, it has been suggested, produced one of the artistically successfully fusions of the two genres. Perhaps the most critically acclaimed fusion came from the jazz side of the equation, with Miles Davis , particularly influenced by the work of Hendrix, incorporating rock instrumentation into his sound for the album Bitches Brew (1970). It
23142-653: The regional hit " Let's Go Trippin ' " in 1961 and launched the surf music craze, following up with songs like " Misirlou " (1962). Like Dale and his Del-Tones , most early surf bands were formed in Southern California, including the Bel-Airs , the Challengers , and Eddie & the Showmen . The Chantays scored a top ten national hit with " Pipeline " in 1963 and probably the best-known surf tune
23316-458: The religious community a musician belonged to, it was more or less considered a sin to play this low-down music: blues was the devil's music. Musicians were therefore segregated into two categories: gospel singers and blues singers, guitar preachers and songsters. However, when rural black music began to be recorded in the 1920s, both categories of musicians used similar techniques: call-and-response patterns, blue notes, and slide guitars. Gospel music
23490-448: The rise of rock and roll in the US, found new popularity in the UK, visiting with successful tours. Lonnie Donegan 's 1955 hit " Rock Island Line " was a major influence and helped to develop the trend of skiffle music groups throughout the country, many of which, including John Lennon 's Quarrymen (later the Beatles ), moved on to play rock and roll. While former rock and roll market in
23664-475: The romantic concept of art as artistic expression, original and sincere". In the new millennium, the term rock has occasionally been used as a blanket term including forms like pop music, reggae music , soul music , and even hip hop , which it has been influenced with but often contrasted through much of its history. Christgau has used the term broadly to refer to popular and semipopular music that caters to his sensibility as "a rock-and-roller", including
23838-522: The same era, and by percussion produced from a drum kit that combines drums and cymbals. This trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, the Hammond organ , and the synthesizer. The basic rock instrumentation was derived from the basic blues band instrumentation (prominent lead guitar, second chordal instrument, bass, and drums). A group of musicians performing rock music
24012-555: The second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave , post-punk and eventually alternative rock . From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge , Britpop , and indie rock . Further fusion subgenres have since emerged, including pop-punk , electronic rock , rap rock , and rap metal . Some movements were conscious attempts to revisit rock's history, including
24186-515: The single direct ancestor of the blues. However the call-and-response format can be traced back to the music of Africa . That blue notes predate their use in blues and have an African origin is attested to by "A Negro Love Song", by the English composer Samuel Coleridge-Taylor , from his African Suite for Piano , written in 1898, which contains blue third and seventh notes . The Diddley bow (a homemade one-stringed instrument found in parts of
24360-546: The singles format to albums and achieved cultural legitimacy in the mainstream. Led by the Beatles in the mid-1960s, rock musicians advanced the LP as the dominant form of recorded music expression and consumption, initiating a rock-informed album era in the music industry for the next several decades. Progressive rock, a term sometimes used interchangeably with art rock , moved beyond established musical formulas by experimenting with different instruments, song types, and forms. From
24534-413: The skills of both guitarist Steve Howe and keyboard player Rick Wakeman , while Emerson, Lake & Palmer were a supergroup who produced some of the genre's most technically demanding work. Jethro Tull and Genesis both pursued very different, but distinctly English, brands of music. Renaissance , formed in 1969 by ex-Yardbirds Jim McCarty and Keith Relf, evolved into a high-concept band featuring
24708-406: The southeastern "delicate and lyrical" Piedmont blues tradition, which used an elaborate ragtime-based fingerpicking guitar technique. Georgia also had an early slide tradition, with Curley Weaver , Tampa Red , "Barbecue Bob" Hicks and James "Kokomo" Arnold as representatives of this style. The lively Memphis blues style, which developed in the 1920s and 1930s near Memphis, Tennessee ,
24882-466: The term "blues" was associated with drinking alcohol, a meaning which survives in the phrase ' blue law ', which prohibits the sale of alcohol on Sunday. In 1827, it was in the sense of a sad state of mind that John James Audubon wrote to his wife that he "had the blues". In Henry David Thoreau 's book Walden , he mentions "the blues" in the chapter reflecting on his time in solitude. He wrote his account of his personal quest in 1845, although it
25056-472: The term in this sense is in George Colman 's one-act farce Blue Devils (1798). The phrase 'blue devils' may also have been derived from a British usage of the 1600s referring to the "intense visual hallucinations that can accompany severe alcohol withdrawal". As time went on, the phrase lost the reference to devils and came to mean a state of agitation or depression. By the 1800s in the United States,
25230-615: The three-octave voice of Annie Haslam . Most British bands depended on a relatively small cult following, but a handful, including Pink Floyd, Genesis, and Jethro Tull, managed to produce top ten singles at home and break the American market. The American brand of progressive rock varied from the eclectic and innovative Frank Zappa , Captain Beefheart and Blood, Sweat & Tears , to more pop rock orientated bands like Boston , Foreigner , Kansas , Journey , and Styx . These, beside British bands Supertramp and ELO , all demonstrated
25404-450: The trance-like rhythm and call-and-response, and they form a repetitive effect called a groove . Characteristic of the blues since its Afro-American origins, the shuffles played a central role in swing music . The simplest shuffles, which were the clearest signature of the R&;B wave that started in the mid-1940s, were a three-note riff on the bass strings of the guitar. When this riff
25578-409: The vehicle for cultural and social movements, leading to major subcultures including mods and rockers in the U.K., the hippie movement and the wider Western counterculture movement that spread out from San Francisco in the U.S. in the 1960s, the latter of which continues to this day. Similarly, 1970s punk culture spawned the goth , punk, and emo subcultures. Inheriting the folk tradition of
25752-536: The work of the Beach Boys , formed in 1961 in Southern California. Their early albums included both instrumental surf rock (among them covers of music by Dick Dale) and vocal songs, drawing on rock and roll and doo wop and the close harmonies of vocal pop acts like the Four Freshmen . The Beach Boys first chart hit, " Surfin ' " in 1961 reached the Billboard top 100 and helped make the surf music craze
25926-533: The work of established performers such as the Rolling Stones' Beggar's Banquet (1968) and the Beatles' Let It Be (1970). Reflecting on this change of trends in rock music over the past few years, Christgau wrote in his June 1970 "Consumer Guide" column that this "new orthodoxy" and "cultural lag" abandoned improvisatory, studio-ornamented productions in favor of an emphasis on "tight, spare instrumentation" and song composition: "Its referents are '50s rock, country music, and rhythm-and-blues, and its key inspiration
26100-404: The world, except as a new brand of painkiller ... In the '70s the powerful took over, as rock industrialists capitalized on the national mood to reduce potent music to an often reactionary species of entertainment—and to transmute rock's popular base from the audience to market." Roots rock is the term now used to describe a move away from what some saw as the excesses of the psychedelic scene, to
26274-582: Was John Mayall ; his band, the Bluesbreakers , included Eric Clapton (after Clapton's departure from the Yardbirds) and later Peter Green . Particularly significant was the release of Blues Breakers with Eric Clapton (Beano) album (1966), considered one of the seminal British blues recordings and the sound of which was much emulated in both Britain and the United States. Eric Clapton went on to form supergroups Cream, Blind Faith , and Derek and
26448-681: Was 1963's " Wipe Out ", by the Surfaris , which hit number 2 and number 10 on the Billboard charts in 1965. Surf rock was also popular in Europe during this time, with the British group the Shadows scoring hits in the early 1960s with instrumentals such as " Apache " and " Kon-Tiki ", while Swedish surf group the Spotnicks saw success in both Sweden and Britain. Surf music achieved its greatest commercial success as vocal pop music, particularly
26622-614: Was a fan of the band and used several Shriekback songs in his films Manhunter and Band of the Hand and in his television series Miami Vice . Music composed by Shriekback is used as the theme song for the Squaring the Strange podcast hosted by Benjamin Radford and Pascual Romero . They selected it because of their fondness for music from the 1980s. Rock music Rock
26796-540: Was a formally trained musician, composer and arranger who helped to popularize the blues by transcribing and orchestrating blues in an almost symphonic style, with bands and singers. He became a popular and prolific composer, and billed himself as the "Father of the Blues"; however, his compositions can be described as a fusion of blues with ragtime and jazz, a merger facilitated using the Cuban habanera rhythm that had long been
26970-473: Was a major influence on subsequent rock-influenced jazz artists, including Herbie Hancock , Chick Corea and Weather Report . The genre began to fade in the late 1970s, as a mellower form of fusion began to take its audience, but acts like Steely Dan , Frank Zappa and Joni Mitchell recorded significant jazz-influenced albums in this period, and it has continued to be a major influence on rock music. Reflecting on developments that occurred in rock music in
27144-410: Was also in the band Happyhead. After another album in 1988, Go Bang! , the band split up. Andrews continued working on other projects before re-forming Shriekback in 1992, although after the single "The Bastard Sons of Enoch" and album Sacred City , there were no further releases until Naked Apes and Pond Life (2000). Both Allen and Marsh returned to the studio to contribute to the recording of
27318-399: Was closely related to ragtime , which developed at about the same time, though the blues better preserved "the original melodic patterns of African music". The musical forms and styles that are now considered the blues as well as modern country music arose in the same regions of the southern United States during the 19th century. Recorded blues and country music can be found as far back as
27492-424: Was continued in the 1970s by figures such as George Thorogood and Pat Travers , but, particularly on the British scene (except perhaps for the advent of groups such as Status Quo and Foghat who moved towards a form of high energy and repetitive boogie rock ), bands became focused on heavy metal innovation, and blues rock began to slip out of the mainstream. By the 1960s, the scene that had developed out of
27666-575: Was founded in Britain), and Band of Gypsys , whose guitar virtuosity and showmanship would be among the most emulated of the decade. Blues rock bands from the southern states, like the Allman Brothers Band , Lynyrd Skynyrd , and ZZ Top , incorporated country elements into their style to produce the distinctive genre Southern rock . Early blues rock bands often emulated jazz, playing long, involved improvisations, which would later be
27840-457: Was heard in slave ring shouts and field hollers , expanded into "simple solo songs laden with emotional content". Blues has evolved from the unaccompanied vocal music and oral traditions of slaves imported from West Africa and rural blacks into a wide variety of styles and subgenres, with regional variations across the United States. Although blues (as it is now known) can be seen as a musical style based on both European harmonic structure and
28014-581: Was influenced by jug bands such as the Memphis Jug Band or the Gus Cannon's Jug Stompers . Performers such as Frank Stokes , Sleepy John Estes , Robert Wilkins , Kansas Joe McCoy , Casey Bill Weldon and Memphis Minnie used a variety of unusual instruments such as washboard , fiddle , kazoo or mandolin . Memphis Minnie was famous for her virtuoso guitar style. Pianist Memphis Slim began his career in Memphis, but his distinct style
28188-608: Was nevertheless using musical forms that were compatible with Christian hymns and therefore less marked by the blues form than its secular counterpart. The American sheet music publishing industry produced a great deal of ragtime music. By 1912, the sheet music industry had published three popular blues-like compositions, precipitating the Tin Pan Alley adoption of blues elements: "Baby Seals' Blues", by Baby Franklin Seals (arranged by Artie Matthews ); "Dallas Blues", by Hart Wand ; and " The Memphis Blues ", by W.C. Handy . Handy
28362-481: Was not published until 1854. The phrase "the blues" was written by Charlotte Forten , then aged 25, in her diary on December 14, 1862. She was a free-born black woman from Pennsylvania who was working as a schoolteacher in South Carolina, instructing both slaves and freedmen, and wrote that she "came home with the blues" because she felt lonesome and pitied herself. She overcame her depression and later noted
28536-420: Was played over the bass and the drums, the groove "feel" was created. Shuffle rhythm is often vocalized as " dow , da dow , da dow , da" or " dump , da dump , da dump , da": it consists of uneven, or "swung", eighth notes. On a guitar this may be played as a simple steady bass or it may add to that stepwise quarter note motion from the fifth to the sixth of the chord and back. Hart Wand 's " Dallas Blues "
28710-430: Was published in 1912; W.C. Handy 's " The Memphis Blues " followed in the same year. The first recording by an African American singer was Mamie Smith 's 1920 rendition of Perry Bradford 's " Crazy Blues ". But the origins of the blues were some decades earlier, probably around 1890. This music is poorly documented, partly because of racial discrimination in U.S. society, including academic circles, and partly because of
28884-653: Was recorded on Arista (released by Island Records in the US). Marsh left Shriekback during the recording of Oil and Gold and was replaced on guitar by Mike Cozzi, with Andrews taking over lead vocals. Shriekback also left Arista and signed to Island Records for whom they recorded Big Night Music (1986), after which Allen left to rejoin Gang of Four, and Shriekback remained a collaborative centred on Andrews. Allen also went on to play in King Swamp and The Elastic Purejoy . Marsh
29058-507: Was replaced by the term rhythm and blues . This rapidly evolving market was mirrored by Billboard magazine's Rhythm & Blues chart . This marketing strategy reinforced trends in urban blues music such as the use of electric instruments and amplification and the generalization of the blues beat, the blues shuffle , which became ubiquitous in rhythm and blues (R&B). This commercial stream had important consequences for blues music, which, together with jazz and gospel music , became
29232-444: Was smoother and had some swing elements. Many blues musicians based in Memphis moved to Chicago in the late 1930s or early 1940s and became part of the urban blues movement. City or urban blues styles were more codified and elaborate, as a performer was no longer within their local, immediate community, and had to adapt to a larger, more varied audience's aesthetic. Classic female urban and vaudeville blues singers were popular in
29406-411: Was taken up by bands including Pentangle , Steeleye Span and the Albion Band , which in turn prompted Irish groups like Horslips and Scottish acts like the JSD Band , Spencer's Feat and later Five Hand Reel , to use their traditional music to create a brand of Celtic rock in the early 1970s. Folk-rock reached its peak of commercial popularity in the period 1967–68, before many acts moved off in
29580-548: Was taking place globally in the aftermath of the Second World War . Cliff Richard is credited with one of the first rock and roll hits outside of North America with " Move It " (1959), effectively ushering in the sound of British rock . Several artists, most prominently Tommy Steele from the UK, found success with covers of major American rock and roll hits before the recordings could spread internationally, often translating them into local languages where appropriate. Steele in particular toured Britain, Scandinavia, Australia,
29754-407: Was the Chicago-based Bluebird Records . Before World War II, Tampa Red was sometimes referred to as "the Guitar Wizard". Carr accompanied himself on the piano with Scrapper Blackwell on guitar, a format that continued well into the 1950s with artists such as Charles Brown and even Nat "King" Cole . Boogie-woogie was another important style of 1930s and early 1940s urban blues. While the style
29928-439: Was the first commercially successful folk song to be recorded with rock and roll instrumentation and the Beatles " I'm a Loser " (1964), arguably the first Beatles song to be influenced directly by Dylan. The folk rock movement is usually thought to have taken off with the Byrds ' recording of Dylan's " Mr. Tambourine Man " which topped the charts in 1965. With members who had been part of the café-based folk scene in Los Angeles,
30102-430: Was the major force in American record sales and crooners , such as Eddie Fisher , Perry Como , and Patti Page , who had dominated the previous decade of popular music, found their access to the pop charts significantly curtailed. Rock and roll has been seen as leading to a number of distinct subgenres, including rockabilly, combining rock and roll with "hillbilly" country music, which was usually played and recorded in
30276-400: Was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s. Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated
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