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75-651: It was nominated for the Writers Guild of America screen Award for Best Written American Comedy (Joseph L. Mankiewicz). Dr. Noah Praetorius is a physician who teaches in a medical school and founded a clinic dedicated to treating patients humanely and holistically. A colleague who dislikes Praetorius's unorthodox but effective methods, Dr. Rodney Elwell, has hired a detective to investigate Praetorius. A housekeeper who once worked for Praetorius reacts visibly when Elwell asks her about Praetorius's mysterious friend Mr. Shunderson, who rarely leaves Praetorius's side and has

150-595: A compound that is vastly entertaining and rewarding." A review at the Films de France website postulates that the movie is a reaction to "Mankiewicz’s own experiences during the McCarthyist Communist witch hunts of the late 1940s and early 1950s, while he was president of the Directors Guild of America (1950-51)". The film's investigative trial parallels hearings by anti-Communist crusaders in

225-507: A concert tour with Reményi, visiting the violinist and composer Joseph Joachim at Hanover in May. Brahms had earlier heard Joachim playing the solo part in Beethoven's violin concerto and been deeply impressed. Brahms played some of his own solo piano pieces for Joachim, who remembered fifty years later: "Never in the course of my artist's life have I been more completely overwhelmed". This

300-467: A deep, intuitive understanding of human and animal nature. Meanwhile, student Deborah Higgins enters Praetorius's life, displaying signs of emotional distress. After she faints during a lecture, Praetorius examines her and informs her that she's pregnant. Upset by this news, "Mrs. Higgins" admits that she's not really married. She will not reveal who the unborn child’s father is, and says knowing about her condition would be too much for her father to bear. In

375-554: A fantasy by Sigismund Thalberg . His first full piano recital, in 1848, included a fugue by Bach as well as works by Marxsen and contemporary virtuosi such as Jacob Rosenhain . A second recital in April 1849 included Beethoven's Waldstein sonata and a waltz fantasia of his own composition and garnered favourable newspaper reviews. Persistent stories of the impoverished adolescent Brahms playing in bars and brothels have only anecdotal provenance, and many modern scholars dismiss them;

450-457: A farm owned by Arthur's brother, John. Arthur thinks that his daughter's injury occurred when she burned herself with a curling iron. Deborah and Praetorius hide Deborah's shooting incident from her father, who is a failure in life and lives unhappily as a dependent of his stingy brother. Deborah is his only pride in life, which might become intolerable for him with a baby to take care of and his daughter's reputation ruined. While showing Praetorius

525-513: A friend that Agathe was his "last love". Brahms had hoped to be given the conductorship of the Hamburg Philharmonic, but in 1862 this post was given to baritone Julius Stockhausen . Brahms continued to hope for the post. But he demurred when he was finally offered the directorship in 1893, as he had "got used to the idea of having to go along other paths". In autumn 1862 Brahms made his first visit to Vienna, staying there over

600-775: A growing circle of supporters, friends, and musicians. Eduard Hanslick celebrated them polemically as absolute music , and Hans von Bülow even cast Brahms as Beethoven's musical heir, an idea Richard Wagner mocked. Settling in Vienna , Brahms conducted the Singakademie and Gesellschaft der Musikfreunde , programming the early and often "serious" music of his personal studies. He considered retiring from composition late in life but continued to write chamber music, especially for Richard Mühlfeld . His contributions and craftsmanship were admired by his contemporaries like Antonín Dvořák , whose music he enthusiastically supported, and

675-480: A hallway near Praetorius's office, she shoots herself but is not seriously injured. After successfully operating on Deborah, Praetorius tries to calm her by telling her there was a mistake in her pregnancy test. But she has fallen in love with him, and becomes upset at her own embarrassing behavior. She runs away from the clinic, forcing him to find her so he can tell her she really is pregnant. Praetorius and Shunderson drive to where Deborah and her father Arthur live,

750-651: A keen interest in Wagner's music, helping with preparations for Wagner's Vienna concerts in 1862/63, and being rewarded by Tausig with a manuscript of part of Wagner's Tannhäuser (which Wagner demanded back in 1875). The Handel Variations also featured, together with the first Piano Quartet, in his first Viennese recitals, in which his performances were better received by the public and critics than his music. In February 1865 Brahms's mother died, and he began to compose his large choral work A German Requiem , Op. 45, of which six movements were completed by 1866. Premieres of

825-702: A letter of introduction from Joachim, was welcomed by the Schumanns. Robert, greatly impressed and delighted by the 20-year-old's talent, published an article entitled "Neue Bahnen" ("New Paths") in the 28 October issue of the journal Neue Zeitschrift für Musik nominating Brahms as one who was "fated to give expression to the times in the highest and most ideal manner". This praise may have aggravated Brahms's self-critical standards of perfection and dented his confidence. He wrote to Schumann in November 1853 that his praise "will arouse such extraordinary expectations by

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900-418: A performer in a private concert including Beethoven 's quintet for piano and winds Op. 16 and a piano quartet by Mozart . He also played as a solo work an étude of Henri Herz . By 1845 he had written a piano sonata in G minor. His parents disapproved of his early efforts as a composer, feeling that he had better career prospects as a performer. From 1845 to 1848 Brahms studied with Cossel's teacher,

975-540: A pianist in his adulthood, premiering many of his own works. He worked with Ede Reményi and Joseph Joachim and met Franz Liszt in Weimar . With Joachim's assistance, Brahms sought Robert Schumann 's approval, receiving both his and Clara Schumann 's vigorous support and guidance. Amid Robert's insanity and institutionalization, Brahms stayed with Clara in Düsseldorf , to whom he became devoted. After Robert's death,

1050-465: A position as musician to the tiny court of Detmold , the capital of the Principality of Lippe , where he spent the winters of 1857 to 1860 and for which he wrote his two Serenades (1858 and 1859, Opp. 11 and 16). In Hamburg he established a women's choir for which he wrote music and conducted. To this period also belong his first two Piano Quartets ( Op. 25 and Op. 26 ) and the first movement of

1125-620: A putative tenth symphony of Beethoven). Brahms was now recognised as a major figure in the world of music. He had been on the jury which awarded the Vienna State Prize to the (then little-known) composer Antonín Dvořák three times, first in February 1875, and later in 1876 and 1877, and had successfully recommended Dvořák to his publisher, Simrock. The two men met for the first time in 1877, and Dvořák dedicated to Brahms his String Quartet, Op. 34 of that year. He also began to be

1200-545: A representative of the American inventor Thomas Edison , visited the composer in Vienna and invited him to make an experimental recording. Brahms played an abbreviated version of his first Hungarian Dance and of Josef Strauss 's Die Libelle on the piano. Although the spoken introduction to the short piece of music is quite clear, the piano playing is largely inaudible due to heavy surface noise . In that same year, Brahms

1275-600: A staple of the concert repertoire, continuing to influence composers into the 21st century. Brahms's father, Johann Jakob Brahms, was from the town of Heide in Holstein. Against his family's will, Johann Jakob pursued a career in music, arriving in Hamburg at age 19. He found work playing double bass for jobs; he also played in a sextet in the Alster-pavilion in Hamburg's Jungfernstieg . In 1830, Johann Jakob

1350-437: A variety of later composers. Max Reger and Alexander Zemlinsky reconciled Brahms's and Wagner's often contrasted styles. So did Arnold Schoenberg , who emphasized Brahms's "progressive" side. He and Anton Webern were inspired by the intricate structural coherence of Brahms's music, including what Schoenberg termed its developing variation . Brahms saw his music became internationally important in his own lifetime. It remains

1425-500: A version of the first movement had been announced by Brahms to Clara and to Albert Dietrich) in the early 1860s. During the decade it evolved very gradually; the finale may not have begun its conception until 1868. Brahms was cautious and typically self-deprecating about the symphony during its creation, writing to his friends that it was "long and difficult", "not exactly charming" and, significantly, "long and in C Minor ", which, as Richard Taruskin points out, made it clear "that Brahms

1500-410: A visit. Instead Deborah answers the door. The professor congratulates Deborah on her being newly married. He requests to meet with her husband concerning confidential information. Deborah confronts him about the vicious gossip concerning her husband. Elwell gives her a document laying the charges against her husband, which she takes to him. A hearing is held regarding charges against Dr. Praetorius. At

1575-527: Is preserved as a museum. In Vienna Brahms became an associate of two close members of Wagner's circle, his earlier friend Peter Cornelius and Karl Tausig , and of Joseph Hellmesberger Sr. and Julius Epstein , respectively the Director and head of violin studies, and the head of piano studies, at the Vienna Conservatoire . Brahms's circle grew to include the notable critic (and opponent of

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1650-408: Is relating the story of a strange, handsome medico a doctor who is not content to diagnose and cure but one who knows there is a vast difference between that concept and his duty which is ‘to make sick people well’….But a synopsis is merely a bare and unflattering skeleton. It does not reveal that Mr. Mankiewicz and crew are railing against callousness in medicine, that ‘the human body is not necessarily

1725-570: Is reported to have responded, "As far as the text is concerned, I confess that I would gladly omit even the word German and instead use Human; also with my best knowledge and will I would dispense with passages like John 3:16 . On the other hand, I have chosen one thing or another because I am a musician, because I needed it, and because with my venerable authors I can't delete or dispute anything. But I had better stop before I say too much." Brahms also experienced at this period popular success with works such as his first set of Hungarian Dances (1869),

1800-639: The Academic Festival Overture (written following the conferring of an honorary degree by the University of Breslau ) and Tragic Overture of 1880. In May 1876, Cambridge University offered to grant honorary degrees of Doctor of Music to both Brahms and Joachim, provided that they composed new pieces as "theses" and were present in Cambridge to receive their degrees. Brahms was averse to traveling to England and requested to receive

1875-588: The Liebeslieder Waltzes , Op. 52 , (1868/69), and his collections of lieder (Opp. 43 and 46–49). Following such successes he finally completed a number of works that he had wrestled with over many years such as the cantata Rinaldo (1863–1868), his first two string quartets Op. 51 nos. 1 and 2 (1865–1873), the third piano quartet (1855–1875), and most notably his first symphony which appeared in 1876, but which had been begun as early as 1855. During 1869, Brahms felt himself falling in love with

1950-718: The Vier ernste Gesänge (Four Serious Songs), Op. 121 (1896), which were prompted by the death of Clara Schumann and dedicated to the artist Max Klinger , who was his great admirer. The last of the Eleven Chorale Preludes for organ, Op. 122 (1896) is a setting of "O Welt ich muss dich lassen" ("O world I must leave thee") and the last notes that Brahms wrote. Many of these works were written in his house in Bad Ischl , where Brahms had first visited in 1882 and where he spent every summer from 1889 onwards. In

2025-425: The csardas , which was later to prove the foundation of his most lucrative and popular compositions, the two sets of Hungarian Dances (1869 and 1880). 1850 also marked Brahms's first contact (albeit a failed one) with Robert Schumann; during Schumann's visit to Hamburg that year, friends persuaded Brahms to send the former some of his compositions, but the package was returned unopened. In 1853 Brahms went on

2100-533: The German Requiem , the Alto Rhapsody , and the patriotic Triumphlied , Op. 55, which celebrated Prussia's victory in the 1870/71 Franco-Prussian War ). 1873 saw the premiere of his orchestral Variations on a Theme by Haydn , originally conceived for two pianos, which has become one of his most popular works. Brahms's First Symphony , Op. 68, appeared in 1876, though it had been begun (and

2175-675: The Gängeviertel  [ de ] quarter of Hamburg and struggled economically. (Johann Jakob even considered emigrating to the United States when an impresario , recognizing Johannes's talent, promised them fortune there.) Eventually Johann Jakob became a musician in the Philharmonisches Staatsorchester Hamburg playing double bass , horn, and flute . For enjoyment, he played first violin in string quartets . The family moved over

2250-588: The Variations on a Theme of Schumann . Clara continued to support Brahms's career by programming his music in her recitals. After the publication of his Op. 10 Ballades for piano, Brahms published no further works until 1860. His major project of this period was the Piano Concerto in D minor , which he had begun as a work for two pianos in 1854 but soon realized needed a larger-scale format. Based in Hamburg at this time, he gained, with Clara's support,

2325-504: The third Piano Quartet , which eventually appeared in 1875. The end of the decade brought professional setbacks for Brahms. The premiere of the First Piano Concerto in Hamburg on 22 January 1859, with the composer as soloist, was poorly received. Brahms wrote to Joachim that the performance was "a brilliant and decisive – failure ... [I]t forces one to concentrate one's thoughts and increases one's courage ... But

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2400-433: The ' Three Bs '; in a letter to his wife he wrote: "You know what I think of Brahms: after Bach and Beethoven the greatest, the most sublime of all composers." The following years saw the premieres of his Third Symphony , Op. 90 (1883) and his Fourth Symphony , Op. 98 (1885). Richard Strauss , who had been appointed assistant to von Bülow at Meiningen, and had been uncertain about Brahms's music, found himself converted by

2475-492: The 'New German School') Eduard Hanslick , the conductor Hermann Levi and the surgeon Theodor Billroth , who were to become among his greatest advocates. In January 1863 Brahms met Richard Wagner for the first time, for whom he played his Handel Variations Op. 24, which he had completed the previous year. The meeting was cordial, although Wagner was in later years to make critical, and even insulting, comments on Brahms's music. Brahms however retained at this time and later

2550-491: The Brahms family was relatively prosperous, and Hamburg legislation very strictly forbade music in, or the admittance of minors to, brothels. Brahms's juvenilia comprised piano music, chamber music and works for male voice choir. Under the pseudonym 'G. W. Marks', some piano arrangements and fantasies were published by the Hamburg firm of Cranz in 1849. The earliest of Brahms's works which he acknowledged (his Scherzo Op. 4 and

2625-400: The Schumanns' daughter Julie (then aged 24 to his 36). He did not declare himself. When later that year Julie's engagement to Count Marmorito was announced, he wrote and gave to Clara the manuscript of his Alto Rhapsody (Op. 53). Clara wrote in her diary that "he called it his wedding song" and noted "the profound pain in the text and the music". From 1872 to 1875, Brahms was director of

2700-470: The Shunderson file. Praetorius categorically refuses to answer questions about his friend, but Shunderson intervenes and explains that he served 15 years in prison for the alleged death of a man who had tried to murder him, then somehow survived being hanged after actually murdering the man, who had gone into hiding during the first trial. When he woke up, he was lying on a table in front of Praetorius, who

2775-755: The Six Songs Op. 3, and the Scherzo Op. 4), whilst Bartholf Senff published the Third Piano Sonata Op. 5 and the Six Songs Op. 6. In Leipzig, he gave recitals including his own first two piano sonatas, and met with Ferdinand David , Ignaz Moscheles , and Hector Berlioz , among others. After Schumann's attempted suicide and subsequent confinement in a mental sanatorium near Bonn in February 1854 (where he died of pneumonia in 1856), Brahms based himself in Düsseldorf, where he supported

2850-610: The Third Symphony and was enthusiastic about the Fourth: "a giant work, great in concept and invention". Another, but more cautious, supporter from the younger generation was Gustav Mahler , who first met Brahms in 1884 and remained a close acquaintance. He considered Brahms a conservative master who was more turned toward the past than the future. He rated Brahms as technically superior to Anton Bruckner , but more earth-bound than Wagner and Beethoven. In 1889, Theo Wangemann ,

2925-738: The U.S. Congress. Just as some there refused to name names, Cary Grant's lead character declines to clear his own name by revealing the private business of another person, in this case a convicted murderer. The review further advanced that the movie deals with many other issues, including the pregnancy of a single woman, the "corrosive effect of unfettered capitalism, the human cost of the Korean war , among others." The film's score consists of two classical pieces: Johannes Brahms ' Academic Festival Overture and Richard Wagner 's Prize Song , adapted and conducted by Alfred Newman. Writers Guild of America Too Many Requests If you report this error to

3000-538: The Wikimedia System Administrators, please include the details below. Request from 172.68.168.226 via cp1108 cp1108, Varnish XID 208259423 Upstream caches: cp1108 int Error: 429, Too Many Requests at Thu, 28 Nov 2024 07:44:46 GMT Johannes Brahms Johannes Brahms ( / b r ɑː m z / ; German: [joˈhanəs ˈbʁaːms] ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of

3075-511: The art of serious music in Germany today" led to a bilious comment from Wagner in his essay "On Poetry and Composition": "I know of some famous composers who in their concert masquerades don the disguise of a street-singer one day, the hallelujah periwig of Handel the next, the dress of a Jewish Czardas -fiddler another time, and then again the guise of a highly respectable symphony dressed up as Number Ten" (referring to Brahms's First Symphony as

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3150-647: The concerts of the Vienna Gesellschaft der Musikfreunde , where he ensured that the orchestra was staffed only by professionals. He conducted a repertoire noted and criticized for its emphasis on early and often "serious" music, running from Isaac , Bach, Handel, and Cherubini to the nineteenth century composers who were not of the New German School. Among these were Beethoven, Schubert, Mendelssohn, Schumann, Joachim, Ferdinand Hiller , Max Bruch and himself (notably his large scale choral works,

3225-412: The conductor Bernhard Scholz : "I am coming with a large beard! Prepare your wife for a most awful sight." The singer George Henschel recalled that after a concert "I saw a man unknown to me, rather stout, of middle height, with long hair and a full beard. In a very deep and hoarse voice he introduced himself as 'Musikdirektor Müller' ... an instant later, we all found ourselves laughing heartily at

3300-489: The debate on the future of German music which seriously misfired. Together with Joachim and others, he prepared an attack on Liszt's followers, the so-called " New German School " (although Brahms himself was sympathetic to the music of Richard Wagner , the School's leading light). In particular they objected to the rejection of traditional musical forms and to the "rank, miserable weeds growing from Liszt-like fantasias". A draft

3375-412: The degree 'in absentia', offering as his thesis the previously performed (November 1876) symphony. But of the two, only Joachim went to England and was granted a degree. Brahms "acknowledged the invitation" by giving the manuscript score and parts of his First Symphony to Joachim, who led the performance at Cambridge 8 March 1877 (English premiere). The commendation of Brahms by Breslau as "the leader in

3450-537: The effort, three weeks before his death, to attend the premiere of Johann Strauss's operetta Die Göttin der Vernunft (The Goddess of Reason) in March 1897. After the successful Vienna premiere of his Second String Quintet , Op. 111 in 1890, the 57-year-old Brahms came to think that he might retire from composition, telling a friend that he "had achieved enough; here I had before me a carefree old age and could enjoy it in peace." He also began to find solace in escorting

3525-456: The farm, Deborah admits her love for him. She also wonders why he is visiting and begins to suspect that he is attracted to her. After she seductively interrogates him, they share a passionate kiss. They soon get married, and Arthur comes to live with them. Deborah goes to the store in order to buy her husband an electric train set and a cake for his birthday. A few weeks later, Deborah suggests to Noah that she may be pregnant, and he admits that she

3600-475: The film in a long review, predicting the kind of acclaim received by the producers' previous hit, All About Eve . “For this merry melange of medicine, mystery and what must be the Mankiewicz philosophical code takes itself seriously but not so seriously as to avoid injecting as many chuckles as possible within the framework of an adult story… Using a script which is as sharp as a scalpel… the scenarist-director

3675-527: The first three movements were given in Vienna, but the complete work was first given in Bremen in 1868 to great acclaim. A seventh movement (the soprano solo "Ihr habt nun Traurigkeit") was added for the equally successful Leipzig premiere (February 1869). The work went on to receive concert and critical acclaim throughout Germany and also in England, Switzerland and Russia, marking effectively Brahms's arrival on

3750-450: The hearing, Praetorius explains that he started his career in a small town by opening a butcher shop as a front for his undeclared medical practice, because the people of the town didn't trust doctors. Elwell accuses Praetorius of " quackery ", but Praetorius defends himself with the fact that he was a licensed practitioner, describing how he was forced to leave town after his maid discovered his medical degree. Disappointed, Elwell then opens

3825-484: The hissing was too much of a good thing ..." At a second performance, audience reaction was so hostile that Brahms had to be restrained from leaving the stage after the first movement. As a consequence of these reactions Breitkopf and Härtel declined to take on his new compositions. Brahms consequently established a relationship with other publishers, including Simrock , who eventually became his major publishing partner. Brahms further made an intervention in 1860 in

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3900-562: The household and dealt with business matters on Clara's behalf. Clara was not allowed to visit Robert until two days before his death, but Brahms was able to visit him and acted as a go-between. Brahms began to feel deeply for Clara, who to him represented an ideal of womanhood. But he was conflicted about their romantic association and resisted it, choosing the life of a bachelor in an apparent effort to focus on his craft. Nonetheless, their intensely emotional relationship lasted until Clara's death. In June 1854 Brahms dedicated to Clara his Op. 9,

3975-424: The human being.’ …Cary Grant.. is obviously having the time of his life playing Dr. Prateorius…his portrayal is an effective mixture of medicine and merriment. …Despite the fact that Mr. Mankiewicz' script is in error sometimes—atomic scientists are using atomic energy to make people well—it does make its points clearly and with humor. …(the film) does have something to say and it does so with erudition and high comedy,

4050-561: The mezzo-soprano Alice Barbi and may have proposed to her (she was only 28). His admiration for Richard Mühlfeld , clarinettist with the Meiningen orchestra, revived his interest in composing and led him to write the Clarinet Trio , Op. 114 (1891); Clarinet Quintet , Op. 115 (1891); and the two Clarinet Sonatas , Op. 120 (1894). Brahms also wrote at this time his final cycles of piano pieces, Opp. 116–119 and

4125-547: The mid- Romantic period . His music is rooted in the structures and compositional techniques of his Classical (and earlier) forebears, including Ludwig van Beethoven and Johann Sebastian Bach . It includes four symphonies , four concertos , a Requiem , and many songs, among other music for symphony orchestra, piano, organ, voices, and chamber ensembles. Born to a musical family in Hamburg , he began composing and concertizing locally in his youth. He toured Central Europe as

4200-603: The next few years included "dance pieces, preludes and fugues for organ, and neo- Renaissance and neo- Baroque choral works". After meeting Joachim, Brahms and Reményi visited Weimar , where Brahms met Franz Liszt , Peter Cornelius , and Joachim Raff , and where Liszt performed Brahms's Op. 4 Scherzo at sight . Reményi claimed that Brahms then slept during Liszt's performance of his own Sonata in B minor ; this and other disagreements led Reményi and Brahms to part company. Brahms visited Düsseldorf in October 1853, and, with

4275-505: The perfect success of Brahms's disguise." The incident also displays Brahms's love of practical jokes. In 1882 Brahms completed his Piano Concerto No. 2 , Op. 83, dedicated to his teacher Marxsen. Brahms was invited by Hans von Bülow to undertake a premiere of the work with the Meiningen Court Orchestra . This was the beginning of his collaboration with Meiningen and with von Bülow, who was to rank Brahms as one of

4350-426: The pianist and composer Eduard Marxsen . Marxsen had been a personal acquaintance of Beethoven and Schubert , admired the works of Mozart and Haydn , and was a devotee of the music of J. S. Bach . Marxsen conveyed to Brahms the tradition of these composers and ensured that Brahms's own compositions were grounded in that tradition. In 1847 Brahms made his first public appearance as a solo pianist in Hamburg, playing

4425-614: The public that I don't know how I can begin to fulfil them". While in Düsseldorf, Brahms participated with Schumann and Schumann's pupil Albert Dietrich in writing a movement each of a violin sonata for Joachim, the " F-A-E Sonata ", the letters representing the initials of Joachim's personal motto Frei aber einsam ("Free but lonely"). Schumann's accolade led to the first publication of Brahms's works under his own name. Brahms went to Leipzig where Breitkopf & Härtel published his Opp. 1–4 (the Piano Sonatas nos. 1 and 2 ,

4500-704: The recipient of a variety of honours: Ludwig II of Bavaria awarded him the Maximilian Order for Science and Art in 1874, and the music-loving Duke George of Meiningen awarded him the Commander's Cross of the Order of the House of Meiningen in 1881. At this time Brahms also chose to change his image. Having been always clean-shaven, in 1878 he surprised his friends by growing a beard, writing in September to

4575-499: The song Heimkehr Op. 7 no. 6) date from 1851. However, Brahms was later assiduous in eliminating all his juvenilia. Even as late as 1880, he wrote to his friend Elise Giesemann to send him his manuscripts of choral music so that they could be destroyed. In 1850 Brahms met the Hungarian violinist Ede Reményi and accompanied him in a number of recitals over the next few years. This was his introduction to "gypsy-style" music such as

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4650-422: The student/faculty orchestra's concert. After the hearing and Praetorius' acquittal, the film ends with Deborah, her father, and Shunderson in the audience watching Praetorius' good friend and confidant, physics professor Lyonel Barker, play in the orchestra while Praetorius conducts it in the finale of Brahms 's Academic Festival Overture , " Gaudeamus Igitur ". On August 30, 1951, The New York Times praised

4725-432: The summer of 1896 Brahms was diagnosed with jaundice and pancreatic cancer , and later in the year his Viennese doctor diagnosed him with liver cancer , from which his father Jakob had died. His last public appearance was on 7 March 1897, when he saw Hans Richter conduct his Symphony No. 4 ; there was an ovation after each of the four movements. His condition gradually worsened and he died on 3 April 1897, in Vienna at

4800-548: The two remained close, lifelong friends. Brahms never married, perhaps in an effort to focus on his work as a musician and scholar. He was a self-conscious, sometimes severely self-critical composer. Though innovative, his music was considered relatively conservative within the polarized context of the War of the Romantics , an affair in which Brahms regretted his public involvement. His compositions were largely successful, attracting

4875-488: The winter. Although Brahms entertained the idea of taking up conducting posts elsewhere, he based himself increasingly in Vienna and soon made it his home. In 1863, he was appointed conductor of the Wiener Singakademie . He surprised his audiences by programming many works by the early German masters such as Heinrich Schütz and J. S. Bach, and other early composers such as Giovanni Gabrieli ; more recent music

4950-546: The world stage. Baptised into the Lutheran church as an infant and confirmed at age fifteen in St. Michael's Church , Brahms has been described as an agnostic and a humanist. The devout Catholic Antonín Dvořák wrote in a letter: "Such a man, such a fine soul – and he believes in nothing! He believes in nothing!" When asked by conductor Karl Reinthaler to add additional explicitly religious text to his German Requiem , Brahms

5025-412: The years to ever better accommodation in Hamburg. Johann Jakob gave his son his first musical training; Johannes also learnt to play the violin and the basics of playing the cello. From 1840 he studied piano with Otto Friedrich Willibald Cossel. Cossel complained in 1842 that Brahms "could be such a good player, but he will not stop his never-ending composing." At the age of 10, Brahms made his debut as

5100-436: Was appointed as a horn player in the Hamburg militia. He married Johanna Henrika Christiane Nissen the same year. A middle-class seamstress 17 years his senior, she enjoyed writing letters and reading despite an apparently limited education. Johannes Brahms was born in 1833. His sister Elisabeth (Elise) had been born in 1831 and a younger brother Fritz Friedrich was born in 1835. The family then lived in poor apartments in

5175-473: Was at that time a medical student examining what he believed was a cadaver . Praetorius kept Shunderson's survival a secret, and Shunderson became Praetorius's devoted friend. After this story is told, the chairman concludes the hearing in Praetorius's favor, and Elwell walks away alone and discredited. Elwell had purposefully arranged for Praetorius's misconduct hearing to be scheduled for the same time as

5250-704: Was leaked to the press, and the Neue Zeitschrift für Musik published a parody which ridiculed Brahms and his associates as backward-looking. Brahms never again ventured into public musical polemics. Brahms's personal life was also troubled. In 1859 he became engaged to Agathe von Siebold. The engagement was soon broken off, but even after this Brahms wrote to her: "I love you! I must see you again, but I am incapable of bearing fetters. Please write me ... whether ... I may come again to clasp you in my arms, to kiss you, and tell you that I love you." They never saw one another again, and Brahms later confirmed to

5325-449: Was named an honorary citizen of Hamburg . Brahms and Johann Strauss II were acquainted in the 1870s, but their close friendship belongs to the years 1889 and after. Brahms admired much of Strauss's music and encouraged the composer to sign with his publisher Simrock. In autographing a fan for Strauss's wife Adele, Brahms wrote the opening notes of The Blue Danube waltz, adding the words "unfortunately not by Johannes Brahms". He made

5400-494: Was pregnant all along. They debate over the due date of the baby, Noah says September and she says December. She ruefully concludes that he married her out of pity, but Noah convinces her that he really did fall in love with her. Elwell's detective discovers that Shunderson was once convicted of murder, and Elwell calls for a misconduct hearing against Praetorius. A photographer takes a picture of Shunderson who confides with doctor Praetorius about it. Dr Elwell pays doctor Praetorius

5475-685: Was represented by works of Beethoven and Felix Mendelssohn . Brahms also wrote works for the choir, including his Motet, Op. 29. Finding however that the post encroached too much of the time he needed for composing, he left the choir in June 1864. From 1864 to 1876 he spent many of his summers in Lichtental , where Clara Schumann and her family also spent some time. His house in Lichtental, where he worked on many of his major compositions including A German Requiem and his middle-period chamber works,

5550-649: Was taking on the model of models [for a symphony]: Beethoven's Fifth ." Despite the warm reception the First Symphony received, Brahms remained dissatisfied and extensively revised the second movement before the work was published. There followed a succession of well-received orchestral works: the Second Symphony Op. 73 (1877), the Violin Concerto Op. 77 (1878; dedicated to Joachim, who was consulted closely during its composition), and

5625-465: Was the beginning of a friendship which was lifelong, albeit temporarily derailed when Brahms took the side of Joachim's wife in their divorce proceedings of 1883. Brahms admired Joachim as a composer, and in 1856 they were to embark on a mutual training exercise to improve their skills in (in Brahms's words) "double counterpoint , canons , fugues , preludes or whatever". Bozarth notes that "products of Brahms's study of counterpoint and early music over

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