The Guinea Pig is a 1929 comedy in three acts by Preston Sturges , his first play to appear on Broadway .
134-423: Preston Sturges ( / ˈ s t ɜːr dʒ ɪ s / ; born Edmund Preston Biden ; August 29, 1898 – August 6, 1959) was an American playwright, screenwriter, and film director. He is credited as being the first screenwriter to find success as a director. Prior to Sturges, other Hollywood directors (such as Charlie Chaplin , D. W. Griffith and Frank Capra ) had directed films from their own scripts; however, Sturges
268-434: A Harold Lloyd vehicle entitled The Sin of Harold Diddlebock (1947), for which Sturges had coaxed the silent film star out of retirement, went over budget and far behind schedule, and was poorly received when released. Hughes, who had promised not to interfere in the film's production, stepped in and pulled the movie from distribution in order to re-edit it, taking almost four years to do so. Released in 1950 by RKO , which
402-521: A "pale, puny, sullen-looking youngster" who "looked much too shy to do any good in the theatre". However, the teenager made an impact on his first night at the London Coliseum and he was quickly signed to a contract. Chaplin began by playing a series of minor parts, eventually progressing to starring roles in 1909. In April 1910, he was given the lead in a new sketch, Jimmy the Fearless . It
536-463: A Sturges comedy does a happy family sit around being a happy family; you could read that as a psychotic reaction to his own precarious parentage, but I prefer to think that Sturges was so taken by the drama of his origins that he chose to milk it dry. James Agee called Sturges's films "uncontrollably, almost proudly corrupt, vengeful, fearful of intactness and self-commitment ... their mastering object, aside from success, seems to be to sail as deep into
670-558: A brave public face on the situation, writing, "I had so very much for so very long, it is quite natural for the pendulum to swing the other way for a while, and I really cannot and will not complain." However, his drinking became heavy, and his marriage and many of his relationships continued to deteriorate. Sturges began spending more time in Europe, as he had as a young man. His last directorial effort took place there when he wrote and directed Les Carnets du Major Thompson , an adaptation of
804-406: A comic genius". In January 1918, Chaplin was visited by leading British singer and comedian Harry Lauder , and the two acted in a short film together. Mutual was patient with Chaplin's decreased rate of output, and the contract ended amicably. With his aforementioned concern about the declining quality of his films because of contract scheduling stipulations, Chaplin's primary concern in finding
938-521: A depressing fear of being old-fashioned". In this state of uncertainty, early in 1931, the comedian decided to take a holiday and ended up travelling for 16 months. He spent months travelling Western Europe, including extended stays in France and Switzerland, and spontaneously decided to visit Japan. The day after he arrived in Japan, Prime Minister Inukai Tsuyoshi was assassinated by ultra-nationalists in
1072-525: A different nomination process, eleven screenplays were considered, including two by Bess Meredyth , two by Tom Barry , two by Hanns Kräly and four by Elliott J. Clawson .) F. Scott Fitzgerald , then in Hollywood, wrote that "They let a certain writer here direct his own picture here, and he's made such a go of it that there may be a different feeling about that soon." Though he had a thirty-year Hollywood career, Sturges's greatest comedies were filmed in
1206-477: A disastrous preview, Paramount allowed Sturges – who by that time had left the studio – to come back and fix the film. Sturges did some rewriting, shot some new scenes, and re-edited the film back to his original vision, all without pay. He was unable to similarly rescue The Great Moment , however. The historical biography about the dentist who discovered the use of ether for anesthesia ended up being Sturges's only flop during this period. More significantly, it marked
1340-423: A draw in my first fight, stupified everyone by winning the championship in my second, got a couple of wins with picture rights, then was knocked out three times in a row. Dragging my weary carcass to Hollywood, I was immediately knocked out again, won a big fight some six months later, then marked time for six years as an ordinary ham-and-beaner, picking up what I could. Suddenly I saw a chance and offered to fight for
1474-585: A furious five-year burst of activity from 1939 to 1944, during which he turned out The Great McGinty , Christmas in July , The Lady Eve , Sullivan's Travels , The Palm Beach Story , The Miracle of Morgan's Creek and Hail the Conquering Hero , for each of which he served as both writer and director. Half a century later, four of these – The Lady Eve , Sullivan's Travels , The Palm Beach Story and The Miracle of Morgan's Creek – were chosen by
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#17327810130371608-577: A gibberish song did, however, give the Tramp a voice for the only time on film. After recording the music, Chaplin released Modern Times in February 1936. It was his first feature in 15 years to adopt political references and social realism, a factor that attracted considerable press coverage despite Chaplin's attempts to downplay the issue. The film earned less at the box-office than his previous features and received mixed reviews, as some viewers disliked
1742-411: A head as the end of his contract approached. He had filmed The Great Moment and The Miracle of Morgan's Creek in 1942 and Hail the Conquering Hero in 1943, but Paramount was suffering from a surfeit of films. Indeed, some of the studio's finished movies were sold off to United Artists , which needed films to distribute. The studio held onto Sturges's three films, since he was their star filmmaker at
1876-777: A leading lady, Edna Purviance , whom Chaplin met in a café and hired on account of her beauty. She went on to appear in 35 films with Chaplin over eight years; the pair also formed a romantic relationship that lasted until 1917. Chaplin asserted a high level of control over his pictures and started to put more time and care into each film. There was a month-long interval between the release of his second production, A Night Out , and his third, The Champion . The final seven of Chaplin's 14 Essanay films were all produced at this slower pace. Chaplin also began to alter his screen persona, which had attracted some criticism at Keystone for its "mean, crude, and brutish" nature. The character became more gentle and romantic; The Tramp (April 1915)
2010-423: A mate. Most startling is The Palm Beach Story , in which Claudette Colbert runs out on her husband (Joel McCrea) even though her toes go all funny whenever he kisses her; she simply needs more money in her life, and that means somebody else. The movie starts and ends with the curlicued words "And they all lived happily ever" after filling the screen, followed at once by the jaunty rider " Or did they? " At no point in
2144-499: A neurotic state of wanting perfection". One advantage Chaplin found in sound technology was the opportunity to record a musical score for the film, which he composed himself. Chaplin finished editing City Lights in December 1930, by which time silent films were an anachronism. A preview before an unsuspecting public audience was not a success, but a showing for the press produced positive reviews. One journalist wrote: "Nobody in
2278-471: A new distribution company, United Artists , in January 1919. The arrangement was revolutionary in the film industry, as it enabled the four partners – all creative artists – to personally fund their pictures and have complete control. Chaplin was eager to start with the new company and offered to buy out his contract with First National. They refused and insisted that he complete
2412-504: A new distributor was independence; Sydney Chaplin, then his business manager, told the press: "Charlie [must] be allowed all the time he needs and all the money for producing [films] the way he wants ... It is quality, not quantity, we are after." In June 1917, Chaplin signed to complete eight films for First National Exhibitors' Circuit in return for $ 1 million. He chose to build his own studio, situated on five acres of land off Sunset Boulevard , with production facilities of
2546-528: A photograph of the 1898 Klondike Gold Rush , and later the story of the Donner Party of 1846–1847, he made what Geoffrey Macnab calls "an epic comedy out of grim subject matter". In The Gold Rush , the Tramp is a lonely prospector fighting adversity and looking for love. With Georgia Hale as his leading lady, Chaplin began filming the picture in February 1924. Its elaborate production, costing almost $ 1 million, included location shooting in
2680-606: A poll held by Pictures and the Picturegoer of the greatest British film actors, receiving 142,920 votes from readers. When the Essanay contract ended in December 1915, Chaplin, fully aware of his popularity, requested a $ 150,000 signing bonus from his next studio. He received several offers, including Universal , Fox and Vitagraph , the best of which came from the Mutual Film Corporation at $ 10,000
2814-478: A popular French novel. The film was released in France in 1955 and two years later in the U.S., under the title The French, They Are a Funny Race . It failed to register with critics or audiences. Sturges made four brief cameo appearances during his career: in his own Christmas in July and Sullivan's Travels ; in the Paramount all-star extravaganza Star Spangled Rhythm and, in the years of his decline, in
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#17327810130372948-459: A restless and impatient attempt to escape codified rules and narrative schemata, and to push the mechanisms and conventions of their genre to the extent of unveiling them to the spectator. See for example the disruption of standardized timelines in films such as The Power and the Glory and The Great McGinty or the way an apparently classical comedy such as Unfaithfully Yours (1948) shifts into
3082-580: A romantic affair with Aleister Crowley and collaborated with him on his magnum opus Magick . As a young man, Sturges bounced back and forth between Europe and the United States. As Sturges spent much of his youth in France, he became fluent in French and a Francophile who always considered France his "second home". In 1916, he worked as a runner for New York stock brokers, a position he obtained through Solomon Sturges. The next year, he enlisted in
3216-507: A romantic drama about ill-fated lovers. Chaplin intended it to be a star-making vehicle for Edna Purviance, and did not appear in the picture himself other than in a brief, uncredited cameo. He wished the film to have a realistic feel and directed his cast to give restrained performances. In real life, he explained, "men and women try to hide their emotions rather than seek to express them". A Woman of Paris premiered in September 1923 and
3350-442: A script from an author and not being able to make one change." Lasky paid Sturges $ 17,500 plus 7% of the profits above $ 1 million. It was a then-unprecedented deal for a screenwriter, which instantly elevated Sturges's reputation in Hollywood – although the lucrative deal irritated as many as it impressed. Sturges recalled, "The film made a lot of enemies. Writers at that time worked in teams, like piano movers. And my first solo script
3484-501: A short-lived play by Paul Osborn , and Sturges's The Guinea Pig opened in Massachusetts. The play was a success and Sturges moved it to Broadway the following year, a turning point in his career. That same year also saw the opening of Sturges's second play, the hit Strictly Dishonorable . Written in just six days, the play ran for sixteen months and earned Sturges over $ 300,000. It attracted interest from Hollywood, and Sturges
3618-534: A singing career in Paris, where she annulled her marriage with Preston's father. Returning to America, Dempsey met her third husband, the wealthy stockbroker Solomon Sturges, who adopted Preston in 1902. According to biographers, Solomon Sturges was "diametrically opposite to Mary and her bohemianism". This included her close friendship with Isadora Duncan , as the young Sturges would sometimes travel from country to country with Duncan's dance company. Mary also carried on
3752-564: A star of their Keystone Studios who intended to leave. Chaplin thought the Keystone comedies "a crude mélange of rough and rumble", but liked the idea of working in films and rationalised: "Besides, it would mean a new life." He met with the company and signed a $ 150-per-week contract in September 1913. Chaplin arrived in Los Angeles in early December, and began working for the Keystone studio on 5 January 1914. Chaplin's boss
3886-736: A theatrical agency in London's West End . The manager sensed potential in Chaplin, who was promptly given his first role as a newsboy in Harry Arthur Saintsbury 's Jim, a Romance of Cockayne . It opened in July 1903, but the show was unsuccessful and closed after two weeks. Chaplin's comic performance, however, was singled out for praise in many of the reviews. Saintsbury secured a role for Chaplin in Charles Frohman 's production of Sherlock Holmes , where he played Billy
4020-492: A third son, George Wheeler Dryden , fathered by the music hall entertainer Leo Dryden . The child was taken by Dryden at six months old, and did not re-enter Chaplin's life for thirty years. "I was hardly aware of a crisis because we lived in a continual crisis; and, being a boy, I dismissed our troubles with gracious forgetfulness." Chaplin, on his childhood Chaplin's childhood was fraught with poverty and hardship, making his eventual trajectory "the most dramatic of all
4154-403: A week. A contract was negotiated with Mutual that amounted to $ 670,000 a year, which Robinson says made Chaplin – at 26 years old – one of the highest-paid people in the world. The high salary shocked the public and was widely reported in the press. John R. Freuler, the studio president, explained: "We can afford to pay Mr. Chaplin this large sum annually because
Preston Sturges - Misplaced Pages Continue
4288-416: Is often regarded as the first Hollywood figure to establish success as a screenwriter and then move into directing his own scripts. He sold the story for The Great McGinty to Paramount Pictures for $ 10 in exchange for directing it. Anthony Lane writes that "To us, that seems old hat, one of the paths by which the ambitious get to run their own show, but back in 1940, when The Great McGinty came out, it
4422-476: Is that a good front or guise can easily bamboozle the public." McCarthy cites Sturges's screenplay for Diamond Jim (1935). The critic Ephraim Katz wrote that Sturges's films "... parodied with pungent wit various aspects of American life from politics and advertising to sex and hero worship. They were marked by their verbal wit, opportune comic timing, and eccentric, outrageously funny camo characterizations." Andrew Sarris wrote, "Sturges repeatedly suggested that
4556-658: The American Film Institute as being among the 100 funniest American films . Production on these films did not always go smoothly. The Miracle of Morgan's Creek was being written by Sturges at night even as the production was being filmed in the daytime, and Sturges the screenwriter was rarely more than 10 pages ahead of the cast and crew. Despite box office success of The Lady Eve and The Miracle of Morgan's Creek , conflict with Paramount's studio bosses increased. In particular, executive producer Buddy DeSylva never really trusted his star writer-director and
4690-459: The Bob Hope comedy Paris Holiday , filmed in France and the last film he worked on. Two decades earlier, Sturges had been a writer on one of Hope's earliest film successes, Never Say Die . In 1959, Sturges summed up his career: Between flops, it is true, I have come up with an occasional hit, but compared to a good boxer's record, for instance, my percentage has been lamentable. I fought
4824-671: The Marble Mountains and the Henri Parmentier Museum . In Hanoi (the capital city of French Indochina) they visited the popular tourist destination Hạ Long Bay , and the couple then left from Hải Phòng to Hong Kong on board of a ship the Canton . The couple had refused to comment on the nature of their relationship, and it was not known whether they were married or not. Sometime later, Chaplin revealed that they married in Canton during this trip. By 1938,
4958-546: The May 15 Incident . The group's original plan had been to provoke a war with the United States by assassinating Chaplin at a welcome reception organised by the prime minister, but the plan had been foiled due to delayed public announcement of the event's date. In his autobiography, Chaplin recalled that on his return to Los Angeles, "I was confused and without plan, restless and conscious of an extreme loneliness". He briefly considered retiring and moving to China. Chaplin's loneliness
5092-589: The Third Liberty Bond campaign, touring the United States for one month to raise money for the Allies of the First World War. He also produced a short propaganda film at his own expense, donated to the government for fund-raising, called The Bond . Chaplin's next release was war-based, placing the Tramp in the trenches for Shoulder Arms . Associates warned him against making a comedy about
5226-635: The Truckee mountains in Nevada with 600 extras, extravagant sets, and special effects . The last scene was shot in May 1925 after 15 months of filming. Chaplin felt The Gold Rush was the best film he had made. It opened in August 1925 and became one of the highest-grossing films of the silent era, with a U.S. box-office of $ 5 million. The comedy contains some of Chaplin's most famous sequences, such as
5360-766: The United States Army Air Service , and graduated as a lieutenant from Camp Dick in Texas without seeing action. While at camp, Sturges wrote an essay, "Three Hundred Words of Humor", which was printed in the camp newspaper, becoming his first published work. Returning from camp, in 1919 Sturges picked up a managing position at the Desti Emporium in New York, a store owned by his mother's fourth husband. He spent eight years there, until he married Estelle De Wolfe. Sturges's 1928 turn to playwriting
5494-695: The "Inebriate Swell", which drew him significant recognition. The tour lasted 21 months, and the troupe returned to England in June 1912. Chaplin recalled that he "had a disquieting feeling of sinking back into a depressing commonplaceness" and was, therefore, delighted when a new tour began in October. Six months into the second American tour, Chaplin was invited to join the New York Motion Picture Company. A representative who had seen his performances thought he could replace Fred Mace ,
Preston Sturges - Misplaced Pages Continue
5628-418: The 18-year-old had become an accomplished comedic performer. He struggled to find more work, however, and a brief attempt at a solo act was a failure. Meanwhile, Sydney Chaplin had joined Fred Karno 's prestigious comedy company in 1906 and, by 1908, he was one of their key performers. In February, he managed to secure a two-week trial for his younger brother. Karno was initially wary, and considered Chaplin
5762-504: The American draft, but he was not summoned by either country. Despite this criticism, Chaplin was a favourite with the troops, and his popularity continued to grow worldwide. Harper's Weekly reported that the name of Charlie Chaplin was "a part of the common language of almost every country", and that the Tramp image was "universally familiar". In 1917, professional Chaplin imitators were so widespread that he took legal action, and it
5896-406: The Conquering Hero (1944). He also wrote and directed The Lady Eve , Sullivan's Travels (both 1941) and The Palm Beach Story (1942), each considered classic comedies, appearing on the American Film Institute 's 100 Years...100 Laughs . Per the documentary Preston Sturges: The Rise and Fall of an American Dreamer , he opened the gates for generations of future filmmakers by becoming
6030-589: The Navy two years earlier – returned. Hannah was released from the asylum eight months later, but in March 1905, her illness returned, this time permanently. "There was nothing we could do but accept poor mother's fate", Chaplin later wrote, and she remained in care until her death in 1928. Between his time in the poor schools and his mother succumbing to mental illness, Chaplin began to perform on stage. He later recalled making his first amateur appearance at
6164-498: The President Theatre, and ran for 67 performances, closing in March of that year. Sturges conceived of the idea for the play from personal experience, after an actress he was dating explained her erratic behavior as the result of her trying out scenarios for the play she was writing. Sturges decided that if she could write a play, so could he, and began writing The Guinea Pig , completing the third act that night, although
6298-507: The Prevention of Cruelty to Children . Chaplin's father died two years later, at 38 years old, from cirrhosis of the liver. Hannah entered a period of remission but, in May 1903, became ill again. Chaplin, then 14, had the task of taking his mother to the infirmary, from where she was sent back to Cane Hill. He lived alone for several days, searching for food and occasionally sleeping rough, until Sydney – who had joined
6432-515: The Tramp eating his shoe and the "Dance of the Rolls". Macnab has called it "the quintessential Chaplin film". Chaplin stated at its release: "This is the picture that I want to be remembered by". While making The Gold Rush , Chaplin married for the second time. Mirroring the circumstances of his first union, Lita Grey was a teenage actress, originally set to star in the film, whose surprise announcement of pregnancy forced Chaplin into marriage. She
6566-477: The Tramp in his later films, which include Monsieur Verdoux (1947), Limelight (1952), A King in New York (1957), and A Countess from Hong Kong (1967). Chaplin wrote, directed, produced, edited, starred in, and composed the music for most of his films. He was a perfectionist, and his financial independence enabled him to spend years on the development and production of a picture. His films are characterised by slapstick combined with pathos , typified in
6700-480: The Tramp into the accidental star of a circus. Filming was suspended for ten months while he dealt with the divorce scandal, and it was generally a trouble-ridden production. Finally completed in October 1927, The Circus was released in January 1928 to a positive reception. At the 1st Academy Awards , Chaplin was given a special trophy "For versatility and genius in acting, writing, directing and producing The Circus ". Despite its success, he permanently associated
6834-460: The Tramp into the caretaker of a young boy. For this new venture, Chaplin also wished to do more than comedy and, according to Louvish, "make his mark on a changed world". Filming on The Kid began in August 1919, with four-year-old Jackie Coogan his co-star. The Kid was in production for nine months until May 1920 and, at 68 minutes, it was Chaplin's longest picture to date. Dealing with issues of poverty and parent–child separation, The Kid
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#17327810130376968-455: The Tramp's struggles against adversity. Many contain social and political themes, as well as autobiographical elements. He received an Honorary Academy Award for "the incalculable effect he has had in making motion pictures the art form of this century" in 1972, as part of a renewed appreciation for his work. He continues to be held in high regard, with The Gold Rush , City Lights , Modern Times, and The Great Dictator often ranked on lists of
7102-426: The Tramp's world". During 1915, Chaplin became a cultural phenomenon. Shops were stocked with Chaplin merchandise, he was featured in cartoons and comic strips , and several songs were written about him. In July, a journalist for Motion Picture wrote that "Chaplinitis" had spread across America. As his fame grew worldwide, he became the film industry's first international star. In September 1915, Chaplin topped
7236-502: The act was popular with audiences, but he was not satisfied with dancing and wished to form a comedy act. In the years Chaplin was touring with the Eight Lancashire Lads, his mother ensured that he still attended school but, by the age of 13, he had abandoned education. He supported himself with a range of jobs, while nursing his ambition to become an actor. At 14, shortly after his mother's relapse, he registered with
7370-635: The age of five years, when he took over from Hannah one night in Aldershot . This was an isolated occurrence, but by the time he was nine Chaplin had, with his mother's encouragement, grown interested in performing. He later wrote: "[she] imbued me with the feeling that I had some sort of talent". Through his father's connections, Chaplin became a member of the Eight Lancashire Lads clog-dancing troupe, with whom he toured English music halls throughout 1899 and 1900. Chaplin worked hard, and
7504-508: The chance to direct it. Paramount promoted the unusual deal as part of the film's publicity, saying that Sturges had received just ten dollars. Sturges's success quickly paved the way for similar deals for such writer–directors as Billy Wilder and John Huston . Sturges said, "It's taken me eight years to reach what I wanted. But now, if I don't run out of ideas – and I won't – we'll have some fun. There are some wonderful pictures to be made, and God willing, I will make some of them." Sturges won
7638-567: The character as his screen persona and attempted to make suggestions for the films he appeared in. These ideas were dismissed by his directors. During the filming of his 11th picture, Mabel at the Wheel , he clashed with director Mabel Normand and was almost released from his contract. Sennett kept him on, however, when he received orders from exhibitors for more Chaplin films. Sennett also allowed Chaplin to direct his next film himself after Chaplin promised to pay $ 1,500 ($ 46,000 in 2023 dollars) if
7772-528: The character. But the moment I was dressed, the clothes and the makeup made me feel the person he was. I began to know him, and by the time I walked on stage he was fully born. The film was Mabel's Strange Predicament , but " the Tramp " character, as it became known, debuted to audiences in Kid Auto Races at Venice – shot later than Mabel's Strange Predicament but released two days earlier on 7 February 1914. Chaplin adopted
7906-421: The company and he took over. So I left." Coming on the heels of the failure of The Great Moment , these further flops, disappointments and setbacks served to tarnish the once stellar reputation of the golden boy of Hollywood. Sturges was left professionally adrift. Accepting an offer from Darryl Zanuck , he landed at Fox where he wrote, directed, and produced two films. The first, Unfaithfully Yours (1948),
8040-474: The couple had drifted apart, as both focused heavily on their work, although Goddard was again his leading lady in his next feature film, The Great Dictator . She eventually divorced Chaplin in Mexico in 1942, citing incompatibility and separation for more than a year. The Guinea Pig (play) The Broadway production was directed by Walter Greenough and produced by Sturges. It opened on January 7, 1929, at
8174-416: The critic James Agee hails the closing scene as "the greatest piece of acting and the highest moment in movies". City Lights became Chaplin's personal favourite of his films and remained so throughout his life. City Lights had been a success, but Chaplin was unsure if he could make another picture without dialogue. He remained convinced that sound would not work in his films, but was also "obsessed by
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#17327810130378308-411: The direction himself. Seven weeks later, Sturges himself was fired or quit (accounts differ). The promising partnership between the two iconoclasts was dissolved after just one completed picture. As Sturges later recalled, "When Mr. Hughes made suggestions with which I disagreed, as he had a perfect right to do, I rejected them. When I rejected the last one, he remembered he had an option to take control of
8442-539: The farcical situations. It is not uncommon for a Sturges character to deliver an exquisitely turned phrase and take an elaborate pratfall within the same scene. Such versatility and dexterity can be seen in The Lady Eve , where a tender love scene takes place between Henry Fonda and Barbara Stanwyck , which is enlivened by a horse as it repeatedly pokes its nose into Fonda's head. Critic Andrew Dickos wrote that "the touchstone of Preston Sturges' screenwriting lies in
8576-451: The film was unsuccessful. Caught in the Rain , issued 4 May 1914, was Chaplin's directorial debut and was highly successful. Thereafter, he directed almost every short film in which he appeared for Keystone, at the rate of approximately one per week, a period which he later remembered as the most exciting time of his career. Chaplin's films introduced a slower form of comedy than
8710-431: The film with the stress of its production; Chaplin omitted The Circus from his autobiography, and struggled to work on it when he recorded the score in his later years. I was determined to continue making silent films ... I was a pantomimist and in that medium I was unique and, without false modesty, a master. By the time The Circus was released, Hollywood had witnessed the introduction of sound films . Chaplin
8844-402: The film's production. When filming began at the end of 1928, Chaplin had been working on the story for almost a year. City Lights followed the Tramp's love for a blind flower girl (played by Virginia Cherrill ) and his efforts to raise money for her sight-saving operation. It was a challenging production that lasted 21 months, with Chaplin later confessing that he "had worked himself into
8978-676: The film's theme of patriotism and duty. Sometimes this attitude could be conveyed in a single line of dialogue, such as in The Lady Eve when Jean Harrington (Stanwyck) vows revenge on Charles Pike (Fonda), declaring, "I need him like the axe needs the turkey." In recent years, film scholars such as Alessandro Pirolini have also argued that Sturges's cinema anticipated more experimental narratives by contemporary directors such as Joel and Ethan Coen , Robert Zemeckis and Woody Allen , along with prolific The Simpsons writer John Swartzwelder : "Many of [Sturges's] movies and screenplays reveal
9112-430: The final six films owed. Before the creation of United Artists, Chaplin married for the first time. The 16-year-old actress Mildred Harris had revealed that she was pregnant with his child, and in September 1918, he married her quietly in Los Angeles to avoid controversy. Soon after, the pregnancy was found to be false. Chaplin was unhappy with the union and, feeling that marriage stunted his creativity, struggled over
9246-413: The first movie star to be featured on a Time cover . It was an unhappy marriage, and Chaplin spent long hours at the studio to avoid seeing his wife. In November 1926, Grey took the children and left the family home. A bitter divorce followed, in which Grey's application – accusing Chaplin of infidelity, abuse and of harbouring "perverted sexual desires" – was leaked to
9380-406: The first screenwriter to establish himself as a film director. In the process, he made himself one of the most celebrated figures of the 1940s. But his star, which had burned so brightly, fell almost as quickly as it had risen. To this day, this man who introduced irony to American screen comedy remains an enigmatic and contradictory personality: a lowbrow aristocrat and a melancholy wiseguy, he reaped
9514-495: The first time in almost a decade. He wrote a book about his journey, titled My Wonderful Visit . He then worked to fulfil his First National contract, releasing Pay Day in February 1922. The Pilgrim , his final short film, was delayed by distribution disagreements with the studio and released a year later. Having fulfilled his First National contract, Chaplin was free to make his first picture as an independent producer. In November 1922, he began filming A Woman of Paris ,
9648-407: The first water". For his second appearance in front of the camera, Chaplin selected the costume with which he became identified. He described the process in his autobiography: I wanted everything to be a contradiction: the pants baggy, the coat tight, the hat small and the shoes large ... I added a small moustache, which, I reasoned, would add age without hiding my expression. I had no idea of
9782-429: The first-ever Academy Award for Writing Original Screenplay for The Great McGinty , at which time he was one of the highest paid men in Hollywood. He also received two screenwriting Academy Award nominations in the same year, for 1944's Hail the Conquering Hero and The Miracle of Morgan's Creek , a feat since matched by Frank Butler , Francis Ford Coppola , and Oliver Stone . (In the second Academy Awards, under
9916-642: The greatest films . Charles Spencer Chaplin Jr. was born on 16 April 1889 to Hannah Chaplin (née Hill) and Charles Chaplin Sr. His paternal grandmother came from the Smith family, who belonged to Romani people . There is no official record of his birth, although Chaplin believed he was born at East Street , Walworth , in South London . His parents had married four years previously, at which time Charles Sr. became
10050-528: The happiest period of his career. However, Chaplin also felt that those films became increasingly formulaic over the period of the contract, and he was increasingly dissatisfied with the working conditions encouraging that. Chaplin was attacked in the British media for not fighting in the First World War . He defended himself, claiming that he would fight for Britain if called and had registered for
10184-519: The highest order. Charlie Chaplin Studios was completed in January 1918, and Chaplin was given freedom over the making of his pictures. A Dog's Life , released April 1918, was the first film under the new contract. In it, Chaplin demonstrated his increasing concern with story construction and his treatment of the Tramp as "a sort of Pierrot ". The film was described by Louis Delluc as "cinema's first total work of art". Chaplin then embarked on
10318-434: The legal guardian of Hannah's first son, Sydney John Hill . At the time of his birth, Chaplin's parents were both music hall entertainers. Hannah, the daughter of a shoemaker, had a brief and unsuccessful career under the stage name Lily Harley, while Charles Sr., a butcher's son, was a popular singer. Although they never divorced, Chaplin's parents were estranged by around 1891. The following year, Hannah gave birth to
10452-408: The lowliest boob could rise to the top with the right degree of luck, bluff, and fraud." In 1942, in his review of The Palm Beach Story , critic Manny Farber wrote: He is essentially a satirist without any stable point of view from which to aim his satire. He is apt to turn his back on what he has been sniping at to demolish what he has just been defending. He is contemptuous of everybody except
10586-527: The onset of a downturn from which Sturges did not fully recover. Preston Sturges was a temperamental talent who fully recognized his own worth. He had invested in entrepreneurial projects, such as an engineering company, and The Players, a popular restaurant and nightclub at 8225 Sunset Boulevard , projects which were both net losses. At one point the third highest paid man in America – for writing, directing, producing, and numerous other Hollywood projects – he
10720-773: The opportunist and the unscrupulous little woman who, at some point in every picture, labels the hero a poor sap. That the invariable fairy godfather of each picture is not only expressive of his own cold-blooded cynicism but of typical Hollywood fantasy is an example of how this works. Another phase of his attack is shrouding in slapstick the fact that the godfather pays off not for perseverance or honesty or ability but merely from capriciousness. Anthony Lane writes that his films are peopled, to an alarming degree, by families that don't add up, and by couples who click together and them come apart like toys. The hero of The Great McGinty marries his secretary (who already has children of her own) purely because, as an aspirant political thug, he needs
10854-488: The pageboy in three nationwide tours. His performance was so well received that he was called to London to play the role alongside William Gillette , the original Holmes. "It was like tidings from heaven", Chaplin recalled. At 16 years old, Chaplin starred in the play's West End production at the Duke of York's Theatre from October to December 1905. He completed one final tour of Sherlock Holmes in early 1906, before leaving
10988-401: The play after more than two-and-a-half years. Chaplin soon found work with a new company and went on tour with his brother, who was also pursuing an acting career, in a comedy sketch called Repairs . In May 1906, Chaplin joined the juvenile act Casey's Circus, where he developed popular burlesque pieces and was soon the star of the show. By the time the act finished touring in July 1907,
11122-893: The politicising. Today, Modern Times is seen by the British Film Institute as one of Chaplin's "great features", while David Robinson says it shows the filmmaker at "his unrivalled peak as a creator of visual comedy". Following the release of Modern Times , Chaplin left with Goddard for a trip to the Far East. Chaplin, Goddard and a Japanese servant named Yonnemori arrived in Saigon in April 1936, and visited multiple locations in French Indochina . They then visited Phnom Penh to view Angkor Wat , and Da Lat , followed by Huế , arriving in Đà Nẵng where he visited
11256-416: The press. Chaplin was reported to be in a state of nervous breakdown, as the story became headline news and groups formed across America calling for his films to be banned. Eager to end the case without further scandal, Chaplin's lawyers agreed to a cash settlement of $ 600,000 – the largest awarded by American courts at that time. His fan base was strong enough to survive the incident, and it
11390-445: The production of his film Sunnyside . Harris was by then legitimately pregnant, and on 7 July 1919, gave birth to a son. Norman Spencer Chaplin was born malformed and died three days later. The marriage ended in April 1920, with Chaplin explaining in his autobiography that they were "irreconcilably mismated". Losing the child, plus his own childhood experiences, are thought to have influenced Chaplin's next film, which turned
11524-506: The projects were underfunded or stillborn, and those that emerged did not approach the same success as his earlier triumphs. His 1951 Broadway musical, Make a Wish , underwent extensive rewriting by Abe Burrows and ran for only a few months. His next Broadway project, Carnival in Flanders , a musical which Sturges wrote and directed in 1953, closed after six performances. Sturges was having no better luck in Hollywood, where his clout
11658-426: The public wants Chaplin and will pay for him." Mutual gave Chaplin his own Los Angeles studio to work in, which opened in March 1916. He added two key members to his stock company, Albert Austin and Eric Campbell , and produced a series of elaborate two-reelers: The Floorwalker , The Fireman , The Vagabond , One A.M. and The Count . For The Pawnshop , he recruited the actor Henry Bergman , who
11792-408: The rags to riches stories ever told" according to his authorised biographer David Robinson . Chaplin's early years were spent with his mother and brother Sydney in the London district of Kennington . Hannah had no means of income, other than occasional nursing and dressmaking, and Chaplin Sr. provided no financial support. As the situation deteriorated, Chaplin was sent to Lambeth Workhouse when he
11926-572: The realm of multiple and hypothetical narratives." Filmmakers who have acknowledged Sturges as an influence include the Coen brothers, Wes Anderson , James Mangold , John Hughes , Peter Bogdanovich and John Lasseter . Sturges married four times and had three sons: Sturges died of a heart attack at the Algonquin Hotel while writing his autobiography (which, ironically, he had intended to title The Events Leading Up to My Death ), and
12060-422: The respect paid to the play and density of verbal language" and "establishes the standard of eloquence as one of poetry, of a cacophony of Euro-American vernacularisms and utterances, peculiarly—and appropriately—spoken with scandalous indifference." His scripts were almost congenitally unable to deliver a single mood. In Hail the Conquering Hero , the series of lies, crimes, and embarrassments all somehow bolster
12194-527: The rest took somewhat longer. When he showed the result to the actress, she let on that she had never been writing a play at all, but when Sturges insisted she read some of his writing, she complimented the dialogue, saying that it was "like champagne." Sturges was unable to find a producer who wanted to mount the play, even though a production at the Wharf Theater in Provincetown, Massachusetts
12328-505: The rewards and paid the price for being a brilliant American dreamer. Sturges was born in Chicago , Illinois , the son of Mary Estelle Dempsey (later known as Mary Desti or Mary D'Este) and traveling salesman Edmund C. Biden. His maternal grandparents, Catherine Campbell Smyth and Dominick d'Este Dempsey, were immigrants from Ireland , and his father was of English descent. When Sturges was two years old, his mother left America to pursue
12462-420: The studio. By early June, however, Chaplin "suddenly decided he could scarcely stand to be in the same room" as Collins, but instead of breaking off the engagement directly, he "stopped coming in to work, sending word that he was suffering from a bad case of influenza, which May knew to be a lie." Ultimately work on the film resumed, and following its September 1921 release, Chaplin chose to return to England for
12596-471: The time, but did not immediately release them. Internally, studio heads expressed serious reservations about them, as did the censors at the Breen Office . Sturges managed to get The Miracle of Morgan's Creek released with only minor changes, but The Great Moment and Hail the Conquering Hero were taken out of his control and tinkered with by DeSylva. When the revamped Hail the Conquering Hero had
12730-435: The typical Keystone farce, and he developed a large fan base. In November 1914, he had a supporting role in the first feature length comedy film, Tillie's Punctured Romance , directed by Sennett and starring Marie Dressler , which was a commercial success and increased his popularity. When Chaplin's contract came up for renewal at the end of the year, he asked for $ 1,000 a week, an amount Sennett refused as he thought it
12864-522: The war but, as he later recalled: "Dangerous or not, the idea excited me." He spent four months filming the picture, which was released in October 1918 with great success. After the release of Shoulder Arms , Chaplin requested more money from First National, which was refused. Frustrated with their lack of concern for quality, and worried about rumours of a possible merger between the company and Famous Players–Lasky , Chaplin joined forces with Douglas Fairbanks , Mary Pickford and D. W. Griffith to form
12998-405: The wind as possible without for an instant incurring the disaster of becoming seriously wholly acceptable as art. They seem to be, indeed, in much of their twisting, the elaborately counterpointed image of a neurosis. Sturges took the screwball comedy format of the 1930s to another level, writing dialogue that, heard today, is often surprisingly naturalistic, mature, and ahead of its time, despite
13132-589: The workplace would increase unemployment levels. It was these concerns that stimulated Chaplin to develop his new film. Modern Times was announced by Chaplin as "a satire on certain phases of our industrial life". Featuring the Tramp and Goddard as they endure the Great Depression , it took ten and a half months to film. Chaplin intended to use spoken dialogue but changed his mind during rehearsals. Like its predecessor, Modern Times employed sound effects but almost no speaking. Chaplin's performance of
13266-429: The world but Charlie Chaplin could have done it. He is the only person that has that peculiar something called 'audience appeal' in sufficient quality to defy the popular penchant for movies that talk." Given its general release in January 1931, City Lights proved to be a popular and financial success, eventually grossing over $ 3 million. The British Film Institute called it Chaplin's finest accomplishment, and
13400-611: The world championship for a dollar. To everyone's astonishment, I won that championship and defended it successfully for a number of years, winning nine times by knockout, fighting three draws, losing twice and getting one no-decision in Europe. I have just come over to America for a fight, but it was called off at the last moment, one of the promoters having gone nuts and having to have been locked up. Why I'm not walking on my heels after all this, I don't know. Maybe I am walking on my heels. It would be surprising if I weren't. According to Todd McCarthy , "A continuing theme of Preston Sturges
13534-429: The world, along with England's Noël Coward and France's René Clair . The status led, again, to widespread admiration and envy among his Hollywood peers. However, this career peak also marked the beginning of Sturges's professional decline as Hughes proved an unstable and mercurial partner. While the startup California Pictures was being created and structured, it was three years until Sturges's next release. That film,
13668-515: Was The Great Dictator (1940), which satirised Adolf Hitler . The 1940s were marked with controversy for Chaplin, and his popularity declined rapidly. He was accused of communist sympathies , and some members of the press and public were scandalised by his involvement in a paternity suit and marriages to much younger women. An FBI investigation was opened, and Chaplin was forced to leave the U.S. in 1952 and settle in Switzerland. He abandoned
13802-412: Was Mack Sennett , who initially expressed concern that the 24-year-old looked too young. He was not used in a picture until late January, during which time Chaplin attempted to learn the processes of filmmaking. The one-reeler Making a Living marked his film acting debut and was released on 2 February 1914. Chaplin strongly disliked the picture, but one review picked him out as "a comedian of
13936-511: Was 16 and he was 35, meaning Chaplin could have been charged with statutory rape under California law. He therefore arranged a discreet marriage in Mexico on 25 November 1924. They originally met during her childhood and she had previously appeared in his works The Kid and The Idle Class . Their first son, Charles Spencer Chaplin III , was born on 5 May 1925, followed by Sydney Earl Chaplin on 30 March 1926. On 6 July 1925, Chaplin became
14070-408: Was a big success, and Chaplin received considerable press attention. Karno selected his new star to join the section of the company that toured North America's vaudeville circuit, a section which also included Stan Laurel . The young comedian headed the show and impressed reviewers, being described as "one of the best pantomime artists ever seen here". His most successful role was a drunk called
14204-436: Was a local hit, so he and his friends decided to produce it themselves, on a budget of $ 2,500, which was provided by a rich acquaintance. Sturges later wrote that The Guinea Pig contained the biggest laugh he ever received in the theatre, when the ingenue asks the young leading man what a man would say to a woman so that she would instantly give herself to him, and the young man replies, "I wish I knew." An original copy of
14338-408: Was accidental. While on a date with a young actress of certain renown, she informed Sturges that while she had pretended to find him witty and charming, she actually considered him a bore. "The only reason I'm going out with you, sir, is for the same reason that a scientist embraces a guinea pig; I just like to try my situations out on you to see how they turn out." She claimed that the dramatic research
14472-540: Was acclaimed for its innovative, subtle approach. The public, however, seemed to have little interest in a Chaplin film without Chaplin, and it was a box office disappointment . The filmmaker was hurt by this failure – he had long wanted to produce a dramatic film and was proud of the result – and soon withdrew A Woman of Paris from circulation. Chaplin returned to comedy for his next project. Setting his standards high, he told himself "This next film must be an epic! The Greatest!" Inspired by
14606-1326: Was adamant, stating, "[T]hese little players who had contributed so much to my first hits had a moral right to work in my subsequent pictures." The way Sturges wrote and directed these actors created a succession of what Andrew Sarris later called "self-expressive cameos of aggressive individualism." Members of the Preston Sturges Unofficial Stock Company Actors included: George Anderson , Al Bridge , Georgia Caine , Chester Conklin , Jimmy Conlin , William Demarest , Robert Dudley , Byron Foulger , Robert Greig , Harry Hayden , Esther Howard , Arthur Hoyt , J. Farrell MacDonald , George Melford , Torben Meyer , Charles R. Moore , Frank Moran , Jack Norton , Jane Buckingham , Franklin Pangborn , Emory Parnell , Victor Potel , Dewey Robinson , Harry Rosenthal , Julius Tannen , Max Wagner and Robert Warwick . Sturges re-used other actors, such as Sig Arno , Luis Alberni , Eric Blore , Porter Hall and Raymond Walburn , and even stars such as Joel McCrea and Rudy Vallee , who both made three films with Sturges, and Eddie Bracken , who did two. The prolonged clashes between Sturges and Paramount came to
14740-485: Was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film . He became a worldwide icon through his screen persona, the Tramp , and is considered one of the film industry's most important figures. His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, and encompassed both accolade and controversy. Chaplin's childhood in London
14874-440: Was by that time owned by Hughes, the retitled Mad Wednesday was no more successful than Sturges's original version. In the meantime, California Pictures had put another film into production, Vendetta . At Hughes's behest, Sturges had written the script as a vehicle for Hughes' protégé, Faith Domergue . Max Ophüls was hired to direct, but after only a few days of filming, Hughes demanded that Sturges fire Ophüls and take over
15008-471: Was committed to Cane Hill mental asylum; she had developed psychosis seemingly brought on by an infection of syphilis and malnutrition. For the two months she was there, Chaplin and his brother Sydney were sent to live with their father, whom the young boys scarcely knew. Charles Sr. was by then severely alcoholic, and life there was bad enough to provoke a visit from the National Society for
15142-579: Was considered a distinct menace to the profession." For the remainder of the 1930s, Sturges operated under the strict auspices of the studio system, working on a string of scripts, some of which were shelved, sometimes with screen credit and sometimes not. While he was highly paid, earning $ 2,500 a week, he was unhappy with the way directors were handling his dialogue, and he resolved to take creative control of his own projects. He accomplished this goal in 1939 by trading his screenplay for The Great McGinty (written six years earlier) to Paramount in exchange for
15276-408: Was considered a particular turning point in his development. The use of pathos was developed further with The Bank , in which Chaplin created a sad ending. Robinson notes that this was an innovation in comedy films, and marked the time when serious critics began to appreciate Chaplin's work. At Essanay, writes film scholar Simon Louvish , Chaplin "found the themes and the settings that would define
15410-464: Was cynical about this new medium and the technical shortcomings it presented, believing that "talkies" lacked the artistry of silent films. He was also hesitant to change the formula that had brought him such success, and feared that giving the Tramp a voice would limit his international appeal. He, therefore, rejected the new Hollywood craze and began work on a new silent film. Chaplin was nonetheless anxious about this decision and remained so throughout
15544-418: Was filmed as a vehicle for Spencer Tracy . The film told the story of a self-involved financier via a series of flashbacks and flash-forwards, and has been seen as a precursor to Citizen Kane (1941). Fox producer Jesse Lasky had been prepared to customarily pass Sturges's screenplay along to other writers for rewriting, but said, "It was the most perfect script I'd ever seen ... Imagine a producer accepting
15678-477: Was for a play she was writing. Outraged, Sturges told her that if she could write a play, he could write a play, but that his would be better and run longer. Within two months, he had written his first play, The Guinea Pig , only to find out that she wasn't writing a play at all, and that she was surprised and flattered that he had taken her ravings so seriously. In 1928, Sturges performed on Broadway in Hotbed ,
15812-612: Was gone. Katharine Hepburn , who had starred in the 1952 Broadway production of the George Bernard Shaw 's The Millionairess got Sturges to agree to adapt the script and direct. But she could not get a single Hollywood studio to back the project. A 1953 lien by the Internal Revenue Service , with whom he had been having tax problems, cost Sturges the Players nightclub and other assets. Sturges put
15946-943: Was interred in the Ferncliff Cemetery in Hartsdale, New York . His book, Preston Sturges by Preston Sturges: His Life in His Words , was published in 1990. In 1975, he became the first writer to be given the Screen Writers Guild 's Laurel Award posthumously. He has a star dedicated to him on the Hollywood Walk of Fame , at 1601 Vine Street . Informational notes Citations Bibliography Further reading Films: Charlie Chaplin Sir Charles Spencer Chaplin (16 April 1889 – 25 December 1977)
16080-443: Was not initially well received by either reviewers or the public, though its critical reputation has since improved. However, his second Fox film, The Beautiful Blonde from Bashful Bend (1949), was the first serious flop in star Betty Grable 's career, and Sturges was again on his own. He built a theater at his Players restaurant, but the project did not pan out. Over the next several years, Sturges continued to write, but many of
16214-470: Was often known to borrow money (from his stepfather and studio, amongst others). Millionaire Howard Hughes , who had formed a friendship with Sturges, offered to bankroll him as an independent filmmaker. In early 1944, Sturges and Hughes formed a partnership called California Pictures. The deal represented a major pay cut for Sturges, but it established him as a writer-producer-director, the only one in Hollywood besides Charles Chaplin and one of only four in
16348-467: Was one of poverty and hardship. His father was absent and his mother struggled financially—he was sent to a workhouse twice before age nine. When he was 14, his mother was committed to a mental asylum . Chaplin began performing at an early age, touring music halls and later working as a stage actor and comedian. At 19, he was signed to the Fred Karno company, which took him to the United States. He
16482-464: Was one of the earliest films to combine comedy and drama. It was released in January 1921 with instant success, and, by 1924, had been screened in over 50 countries. Chaplin spent five months on his next film, the two-reeler The Idle Class . Work on the picture was for a time delayed by more turmoil in his personal life. First National had on 12 April announced Chaplin's engagement to the actress May Collins , whom he had hired to be his secretary at
16616-492: Was one of the world's best-paid and best-known figures. In 1919, Chaplin co-founded the distribution company United Artists , which gave him complete control over his films. His first feature-length film was The Kid (1921), followed by A Woman of Paris (1923), The Gold Rush (1925), and The Circus (1928). He initially refused to move to sound films in the 1930s, instead producing City Lights (1931) and Modern Times (1936) without dialogue. His first sound film
16750-563: Was relieved when he met 21-year-old actress Paulette Goddard in July 1932, and the pair began a relationship. He was not ready to commit to a film, however, and focused on writing a serial about his travels (published in Woman's Home Companion ). The trip had been a stimulating experience for Chaplin, including meetings with several prominent thinkers, and he became increasingly interested in world affairs. The state of labour in America troubled him, and he feared that capitalism and machinery in
16884-495: Was reported that nine out of ten men who attended costume parties, did so dressed as the Tramp. The same year, a study by the Boston Society for Psychical Research concluded that Chaplin was "an American obsession". The actress Minnie Maddern Fiske wrote that "a constantly increasing body of cultured, artistic people are beginning to regard the young English buffoon, Charles Chaplin, as an extraordinary artist, as well as
17018-500: Was scouted for the film industry and began appearing in 1914 for Keystone Studios . He soon introduced and adopted the Tramp as his screen persona. He directed his own films and continued to hone his craft as he moved to Essanay Studios , where the Tramp persona was developed emotionally in The Tramp (1915). He then attracted a large fanbase and demanded more money as he moved to Mutual and First National corporations. By 1918, he
17152-490: Was seven years old. The council housed him at the Central London District School for paupers , which Chaplin remembered as "a forlorn existence". He was briefly reunited with his mother 18 months later, but Hannah was forced to readmit her family to the workhouse in July 1898. The boys were promptly sent to Norwood Schools, another institution for destitute children. In September 1898, Hannah
17286-472: Was soon forgotten, but Chaplin was deeply affected by it. Less than five months after the divorce, Grey's former butler Don Solovich was murdered in Utah, and articles speculated about connections between Chaplin and the murder. Before the divorce suit was filed, Chaplin had begun work on a new film, The Circus . He built a story around the idea of walking a tightrope while besieged by monkeys, and turned
17420-663: Was to work with Chaplin for 30 years. Behind the Screen and The Rink completed Chaplin's releases for 1916. The Mutual contract stipulated that he release a two-reel film every four weeks, which he had managed to achieve. With the new year, however, Chaplin began to demand more time. He made only four more films for Mutual over the first ten months of 1917: Easy Street , The Cure , The Immigrant and The Adventurer . With their careful construction, these films are considered by Chaplin scholars to be among his finest work. Later in life, Chaplin referred to his Mutual years as
17554-413: Was too large. The Essanay Film Manufacturing Company of Chicago sent Chaplin an offer of $ 1,250 a week, with a signing bonus of $ 10,000. He joined the studio in late December 1914, where he began forming a stock company of regular players, actors he worked with again and again, including Ben Turpin , Leo White , Bud Jamison , Paddy McGuire , Fred Goodwins and Billy Armstrong . He soon recruited
17688-524: Was very new hat indeed; the opening credits proclaimed 'Written and directed by Preston Sturges,' and it was the first time in the history of talkies that the two passive verbs had appeared together onscreen. From that conjunction sprang a whole tradition of filmmaking: literate, spiky, defensive, markedly personal, and almost always funny." For that film, Sturges won the first Oscar for Best Original Screenplay . Sturges went on to receive Oscar nominations for The Miracle of Morgan's Creek (1944) and Hail
17822-466: Was wary (and arguably jealous) of the independence Sturges enjoyed on his projects. One of the sources of conflict was that Sturges liked to reuse many of the same character actors in his films, thus creating what amounted to a regular troupe he could call upon within the studio system. Paramount feared that the audience would tire of repeatedly seeing the same faces in Sturges productions. But the director
17956-416: Was writing for Paramount by the end of the year. Three other Sturges stage plays were produced from 1930 to 1932, one of them a musical , but none were hits. By the end of the year, he was working more in Hollywood as a writer-for-hire, operating on short contracts, for Universal , MGM , and Columbia studios. He also sold his original screenplay for The Power and the Glory (1933) to Fox , where it
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