Electrical transcriptions are special phonograph recordings made exclusively for radio broadcasting , which were widely used during the " Golden Age of Radio ". They provided material—from station-identification jingles and commercials to full-length programs—for use by local stations, which were affiliates of one of the radio networks.
153-468: RCA Records is an American record label owned by Sony Music Entertainment , a subsidiary of Sony Group Corporation . RCA Records is one of Sony Music's four flagship labels, alongside RCA 's former long-time rival Columbia Records ; also Arista Records , and Epic Records . The label has released multiple genres of music, including pop , classical , rock , hip hop , afrobeat , electronic , R&B , blues , jazz , and country . The label's name
306-551: A "record group" which is, in turn, controlled by a music group. The constituent companies in a music group or record group are sometimes marketed as being "divisions" of the group. From 1929 to 1998, there were six major record labels, known as the Big Six: PolyGram was merged into Universal Music Group (UMG) in 1999, leaving the remaining record labels to be known as the Big Five. In 2004, Sony and BMG agreed to
459-420: A 16-inch disc. These later discs can be played with an ordinary modern stylus or a vintage "LP" stylus. The earlier discs used a larger groove, nearer in size to the groove of a typical 78 rpm shellac record. Using a "78" stylus to play these "standard groove" discs usually produces much better results, and also insures against the groove damage that can be caused by the point of a too-small stylus skating around in
612-405: A 50% profit-share agreement, aka 50–50 deal, not uncommon. In addition, independent labels are often artist-owned (although not always), with a stated intent often being to control the quality of the artist's output. Independent labels usually do not enjoy the resources available to the "big three" and as such will often lag behind them in market shares. However, frequently independent artists manage
765-576: A British punk rock label, and Jive Records , whose roster included Schooly D , Kool Moe Dee , and DJ Jazzy Jeff & the Fresh Prince . By the end of the fiscal year 1988, RCA Records had gross revenue of $ 236 million in the United States, the most profitable year in the label's history. The album The Way It Is by Bruce Hornsby and the Range , sold more than three million copies, and
918-562: A US Senate committee, that the Byrds never received any of the royalties they had been promised for their biggest hits, " Mr. Tambourine Man " and " Turn! Turn!, Turn! ". A contract either provides for the artist to deliver completed recordings to the label, or for the label to undertake the recording with the artist. For artists without a recording history, the label is often involved in selecting producers, recording studios , additional musicians, and songs to be recorded, and may supervise
1071-479: A bigger company. If this is the case it can sometimes give the artist greater freedom than if they were signed directly to the big label. There are many examples of this kind of label, such as Nothing Records , owned by Trent Reznor of Nine Inch Nails ; and Morning Records, owned by the Cooper Temple Clause , who were releasing EPs for years before the company was bought by RCA . If an artist and
1224-436: A brief excerpt and reproduced at a speed which differs significantly from the original recording speed, causing Morrison's voice to sound unnaturally high-pitched and excessively frantic. When heard in its entirety and at the correct speed, the report is still powerful. Transcription recordings from major American radio networks became commonplace during World War II as pressed vinyl copies of them were distributed worldwide by
1377-551: A collection at the Library of Congress . Transcriptions "were often used for ... government-issued programs which were sent to the individual stations for broadcast on designated dates. Recruiting shows for the branches of military service arrived on such discs ... the United States Government shipped many programs during wartime as transcriptions." During the war, the federal government, in conjunction with
1530-481: A conventional 3-mil standard-groove stylus, which carried a maximum of 6 minutes per side, the format gave way very quickly to the 33 + 1 ⁄ 3 rpm speed that would come to be used for Vitaphone talking pictures two years later, which could carry a maximum of 15 minutes per side. Later ETs would have their groove size reduced first to 2.7 mil and then to the then-standard 1-mil monaural groove used in LPs of
1683-408: A conventional cash advance to sign the artist, who would receive a royalty for sales after expenses were recouped. With the release of the artist's first album, however, the label has an option to pay an additional $ 200,000 in exchange for 30 percent of the net income from all touring, merchandise, endorsements, and fan-club fees. Atlantic would also have the right to approve the act's tour schedule, and
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#17327810926811836-678: A deal with a proper label. In 2002, ArtistShare was founded as the Internet's first record label where the releases were directly funded by the artist's fans. Electrical transcriptions Physically, electrical transcriptions look much like long-playing records , but differ from consumer-oriented recordings in two major respects which gave longer playing time and reduced likelihood of diversion to private use: they are usually larger than 12 inches (300 mm) diameter (often 16 or 17 + 1 ⁄ 4 inches [410 or 440 mm]) so did not fit on consumer playback equipment, and were recorded in
1989-455: A different supporting cast. They also issued two studio cast versions of Show Boat , one with Robert Merrill, Patrice Munsel , and Rise Stevens in 1956, and the other with Howard Keel , Anne Jeffreys , and Gogi Grant in 1958. Contrary to the way the show is written, both of these Show Boat albums featured all-white casts, reflecting the era of racial segregation. In 2006, Sony BMG merged its Broadway music labels, including RCA Victor, to
2142-496: A former division of the Muzak Corporation (Muzak sold its Manhattan studios, but not transcription service, to RCA Victor in 1951) Subscribing to a major transcription service meant a station received an initial group of transcriptions plus periodically issued new discs and a license, which allowed use of the material on-air. Typically, a station did not own the discs; "they were leased for as long as [the] station paid
2295-438: A groove into the surface of a bare aluminum disc . The sound quality of these discs was inadequate for broadcast purposes, but they were made for sponsors and performers who wanted to have recordings of their broadcasts, a luxury which was impractically expensive to provide by the wax mastering, plating and pressing procedure. Only a very few pre-1930 live broadcasts were deemed important enough to preserve as pressings, and many of
2448-444: A hill-and-dale, or vertical cutting action, as distinct from lateral modulation as in ordinary monophonic discs. They were distributed only to radio stations for the purpose of broadcast, and not for sale to the public. The ET had higher quality audio than was available on consumer records, largely because they had less surface noise than commercial recordings. Electrical transcriptions were often pressed on vinylite , instead of
2601-558: A joint venture and merged their recorded music division to create the Sony BMG label (which would be renamed Sony Music Entertainment after a 2008 merger); BMG kept its music publishing division separate from Sony BMG and later sold BMG Music Publishing to UMG. In 2007, the remaining record labels—then known as the Big Four—controlled about 70% of the world music market , and about 80% of the United States music market. In 2012,
2754-636: A joint venture called RCA/Ariola International. In December 1985, the RCA Corporation was purchased by General Electric (GE), with the acquisition completed in June, 1986. GE sold its 50% interest in RCA Records to its partner Bertelsmann and the company was renamed BMG Music for Bertelsmann Music Group. BMG revived the RCA "lightning bolt" logo that was retired in 1968 to differentiate RCA Records from
2907-476: A label want to work together, whether an artist has contacted a label directly, usually by sending their team a demo, or the Artists & Repertoire team of the label has scouted the artist and reached out directly, they will usually enter in to a contractual relationship. A label typically enters into an exclusive recording contract with an artist to market the artist's recordings in return for royalties on
3060-462: A large international media group , or somewhere in between. The Association of Independent Music (AIM) defines a 'major' as "a multinational company which (together with the companies in its group) has more than 5% of the world market(s) for the sale of records or music videos." As of 2012 , there are only three labels that can be referred to as "major labels": Universal Music Group , Sony Music , and Warner Music Group . In 2014, AIM estimated that
3213-833: A number of recordings with the RCA Victor Symphony Orchestra , which was usually drawn from either Philadelphia or New York musicians, as well as members of the Symphony of the Air, and the orchestra of the Metropolitan Opera . By the late 1950s, RCA Victor had fewer high prestige orchestras under contract than Columbia had: RCA Victor recorded the Chicago Symphony Orchestra , the Boston Symphony Orchestra , and
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#17327810926813366-430: A percentage of gross sales to replace the flat fee. By late 1959, at least two transcription service companies had gone out of business, selling their libraries to a company that provided recorded background music on tapes and discs. The purchaser acquired a total of approximately 12,000 selections from the two companies. Magnetic tape and tape recorders became popular at radio stations after World War II, taking over
3519-521: A period during which RCA Records had notable success in the pop genre, with Christina Aguilera, Kesha , Pink , Kelly Clarkson and Pitbull scoring multiple #1 hits on the Billboard Hot 100 charts. In May 2011, former Universal Music Group CEO Doug Morris was appointed chairman of Sony Music Entertainment . Focused on A&R, Morris named Peter Edge , president of A&R at RCA and J Records, chairman and CEO of RCA Music Group. Tom Corson
3672-887: A practice of simultaneously recording orchestras with both stereophonic and monaural equipment. Other early stereo recordings were made of Toscanini's final NBC concerts (never officially issued) and Guido Cantelli respectively, with the NBC Symphony Orchestra; the Boston Pops Orchestra under Arthur Fiedler; and the Chicago Symphony Orchestra under Fritz Reiner . Initially, RCA used RT-21 quarter-inch tape recorders (which ran at 30 inches per second), wired to mono mixers, with Neumann U-47 cardioid and M-49/50 omnidirectional microphones. Then they switched to an Ampex 300–3 one-half inch machine, running at 15 inches per second (which
3825-616: A recording studio until 1935. Beginning in 1928, Victor built a new recording studio in New York City and in the 1950s and '60s RCA Victor built and operated recording studio facilities in Nashville, Hollywood, and Chicago. In 1977, RCA closed the studios in Nashville and Hollywood; the remaining New York City recording studios were closed in 1993. Record label [REDACTED] [REDACTED] [REDACTED] "Big Three" music labels A record label or record company
3978-605: A return by recording for a much smaller production cost of a typical big label release. Sometimes they are able to recoup their initial advance even with much lower sales numbers. On occasion, established artists, once their record contract has finished, move to an independent label. This often gives the combined advantage of name recognition and more control over one's music along with a larger portion of royalty profits. Artists such as Dolly Parton , Aimee Mann , Prince , Public Enemy , among others, have done this. Historically, companies started in this manner have been re-absorbed into
4131-431: A shallower and more closely spaced implementation of the large "standard groove" found on contemporary 78 rpm records, rather than the "microgroove" used for post-World War II 33 1 ⁄ 3 rpm " LP " (long play) records. The format was a commercial failure, partly because the new Victrolas with two-speed turntables designed to play these records were exorbitantly priced, the least expensive model retailing for $ 395.00 in
4284-489: A similarly controversial reputation, derided by some record collectors as "Dynawarp". RCA gradually phased out Dynaflex records and by the end of the 1970s had returned to manufacturing thicker vinyl records. In April 1970, RCA Records announced the first quadraphonic 4-channel 8-track tape cartridges ("Quad-8", later called just Q8). RCA began releasing quadraphonic vinyl recordings in the United States in February 1973, in
4437-509: A transcription company, as saying, "Most stations could not afford the orchestras and productions that went into the network radio shows, and so we supplied nearly 300 stations with transcriptions that frequently – but not always – featured the most popular bands and vocalists." A slogan used in an advertisement for one transcription service might well have been applied to the industry as a whole, "TRANSCRIBED ... so that advertisers everywhere may have 'radio at its commercial best.'" A 1948 ad for
4590-544: Is a brand or trademark of music recordings and music videos , or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture , distribution , marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists , artist financing and maintaining contracts with recording artists and their managers. The term "record label" derives from
4743-444: Is a special phonograph record intended for, or recorded from, a radio broadcast. Sometimes called a broadcast transcription or radio transcription or nicknamed a platter , it is also sometimes just referred to as an electrical transcription , usually abbreviated to E.T. among radio professionals. Transcription discs are most commonly 16 inches (40 cm) in diameter and recorded at 33 + 1 ⁄ 3 rpm . That format
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4896-399: Is backed by Side 2, Side 3 is backed by Side 4, Side 5 is backed by Side 6 etc. B) Automatic Sequence – Side 1 is backed by Side 6, Side 2 is backed by Side 5 and Side 3 remains unchanged backed by Side 4 C) Radio Sequence – Side 1 is backed by Side 4, Side 2 remains unchanged backed by Side 5 and Side 3 is backed by Side 6 to avoid having to turn a record over in
5049-498: Is derived from the initials of its now defunct parent company, the Radio Corporation of America (RCA). RCA Records was fully acquired by Bertelsmann in 1987, making it a part of Bertelsmann Music Group (BMG) and became a part of Sony BMG Music Entertainment after the 2004 merger of BMG and Sony; it was acquired by the latter in 2008, after the dissolution of Sony/BMG and the restructuring of Sony Music. RCA Records
5202-454: Is often marketed as a "unit" or "division" of the parent label, though in most cases, they operate as pseudonym for it and do not exist as a distinct business operation or separate business structure (although trademarks are sometimes registered). A record label may give a musical act an imprint as part of their branding, while other imprints serve to house other activities, such as side ventures of that label. Music collectors often use
5355-684: Is owned by Sony Group Corporation ). Record labels and music publishers that are not under the control of the big three are generally considered to be independent ( indie ), even if they are large corporations with complex structures. The term indie label is sometimes used to refer to only those independent labels that adhere to independent criteria of corporate structure and size, and some consider an indie label to be almost any label that releases non-mainstream music, regardless of its corporate structure. Independent labels are often considered more artist-friendly. Though they may have less sales power, indie labels typically offer larger artist royalty with
5508-467: Is recorded ..." The network ban on prerecorded material was temporarily lifted on the occasion of the crash of the airship Hindenburg in Lakehurst, New Jersey , on 6 May 1937. A recording of the crash made for Chicago radio station WLS by announcer Herbert Morrison was allowed to be broadcast over the network by NBC . This is the well-known "oh, the humanity!" recording, usually heard only as
5661-656: Is said to have begun in the 1930s. "The spot announcements were easily produced and distributed throughout the country via electrical transcription" as an alternative to network advertising. In 1944, the spot jingle segment of transcriptions was estimated to have an annual value of $ 10 million. Transcriptions proved advantageous for performers, especially musicians in the Big-Band Era . Using transcriptions helped them reach one audience via radio while making personal appearances in front of other audiences. Additionally, if more stations used their transcriptions, that increased
5814-678: Is the corporate successor of the Victor Talking Machine Company . In 1929, the Radio Corporation of America (RCA) purchased the Victor Talking Machine Company , then the world's largest manufacturer of phonographs (including the famous " Victrola ") and phonograph records . The company then became the RCA Victor Division of RCA. In absorbing Victor, RCA acquired the New World rights to
5967-519: The Boston Pops Orchestra disc featuring Tchaikovsky 's Marche Slave and Ketèlbey 's In a Persian Market . RCA Victor issued boxed sets of four to six 45s, each set providing about the same amount of music as one LP (an extreme example of these 45 rpm boxed sets was the complete 1951 recording of the opera Carmen , featuring Risë Stevens and Jan Peerce , conducted by Fritz Reiner , which consisted of sixteen 45 rpm discs). In
6120-793: The Intercollegiate Broadcasting System , provided "approximately eight 15-minute transcribed programs every week to each of ... 35 college stations." The United States Department of War , United States Department of the Navy , United States Department of the Treasury and United States Office of Education contributed to production of programs related to the war effort, such as The Treasury Star Parade and You Can't Do Business with Hitler . The Voice of America also used transcriptions, with one disc manufacturer noting in an ad, "A substantial part of these daily programs
6273-823: The National Philharmonic Orchestra and recorded in London's Kingsway Hall . In order to publish music in Japan, RCA collaborated with the Victor Company of Japan's publishing wing Victor Musical Industries Inc. in 1975 to found Japanese record label RVC. In October 1976, the RCA Corporation announced the revival of the Nipper/His Master's Voice trademark. RCA Records reinstated Nipper to most (Victor, Victrola , Red Seal and Special Products) record labels (in addition to returning to
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6426-711: The Nipper / His Master's Voice trademark for use in Japan. From 1942 to 1944, RCA Victor was seriously impacted by the American Federation of Musicians recording ban . Virtually all union musicians in the US and Canada were forbidden from making recordings during the period. One of the few exceptions was the eventual release of recorded radio broadcast performances from the NBC Symphony Orchestra conducted by Arturo Toscanini . However, RCA Victor lost
6579-687: The Philadelphia Orchestra during this period; the orchestra's contract with RCA Victor expired during the strike and when Columbia Records settled with the union before RCA Victor, Eugene Ormandy and the Philadelphians signed a new contract with Columbia and began recording in 1944. Ormandy and the Philadelphia Orchestra would not return to RCA until 1968. In the spring of 1946, "RCA Victor" replaced "Victor" on its record labels. In 1949, RCA Victor introduced
6732-631: The RCA Thesaurus label at its RCA Recorded Program Services studio in New York City. These recordings were not offered for sale to the general public and were intended solely for use in broadcasts carried over leading radio networks. By 1936, RCA's extensive musical library of recordings was eventually consolidated with NBC's own transcription division. During the 1950s, it included popular music by noted musicians, such as Sammy Kaye , Freddie Martin , Lawrence Welk and John Serry Sr. Besides manufacturing its own records, RCA's Custom Record Division
6885-463: The free software and open source movements and the success of Linux . In the mid-2000s, some music publishing companies began undertaking the work traditionally done by labels. The publisher Sony/ATV Music, for example, leveraged its connections within the Sony family to produce, record, distribute, and promote Elliott Yamin 's debut album under a dormant Sony-owned imprint , rather than waiting for
7038-442: The live transmissions." WOR in New York City was one of the first radio stations to broadcast transcriptions, starting in 1929. Other stations followed, until more than 100 were doing so, largely because "this new kind of recording made programming more flexible and improved sound." John R. Brinkley is generally credited with being the first performer to provide electrical transcriptions to radio stations. Brinkley's use of
7191-595: The soundtrack album from the film Dirty Dancing , which cost RCA $ 200,000 to produce, sold 15.6 million copies in less than two years. Its follow-up, More Dirty Dancing , composed of song tracks which had been left off of the first album, was produced for $ 80,000 and went on to sell more than 5.6 million. RCA's most successful artists during the 1980s included the Eurythmics , Love and Rockets , Joshua Perahia , Rick Astley , Hall & Oates , Dolly Parton , Juice Newton , and Bucks Fizz . In August 1990, Buziak
7344-510: The "parent" of any sublabels. Vanity labels are labels that bear an imprint that gives the impression of an artist's ownership or control, but in fact represent a standard artist/label relationship. In such an arrangement, the artist will control nothing more than the usage of the name on the label, but may enjoy a greater say in the packaging of their work. An example of such a label is the Neutron label owned by ABC while at Phonogram Inc. in
7497-464: The 45 became the preferred speed for pop music singles, overtaking U.S. sales of the same material on 78s by 1954, but Columbia's LP prevailed as the favored format for classical music and convenient one-disc "album" collections of eight or more pop songs. RCA Victor finally bowed to the inevitable and announced its intention to issue LPs in January, 1950. Among the first RCA Victor LPs released in 1950
7650-472: The 47-xxxx series), rhythm and blues on orange or cerise (50-xxxx series), and international on light blue (51-xxxx series). This array of colors complicated the production process, and the practice was soon discontinued, all records becoming black. Yellow and red Red Seal records held on until about 1952. The first 45 rpm record manufactured was "PeeWee the Piccolo" RCA Victor 47-0147 pressed December 7, 1948 at
7803-411: The 7-inch 45 rpm micro-grooved vinylite record, marketed simply as the "45". The new format, which had been under development for over a decade, was originally intended to replace 78 rpm discs. By the time RCA Victor unveiled it, the 45 was now competing with the 10-inch and 12-inch 33 1 ⁄ 3 rpm microgroove vinyl " LP " (Long Play) discs introduced by arch-rival Columbia Records in
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#17327810926817956-617: The Boston Pops, whereas Columbia had the Cleveland Orchestra , the Philadelphia Orchestra , and the New York Philharmonic Orchestra under contracts. On October 6, 1953, RCA Victor held experimental stereophonic sessions in New York City's Manhattan Center with Leopold Stokowski conducting a group of New York City musicians in performances of George Enescu 's Roumanian Rhapsody No. 1 and
8109-527: The CD-4 format developed by its former subsidiary, the Victor Company of Japan (JVC), and made commercially practical by Quadracast Systems Inc. (QSI). RCA's trade name became "Quadradisc". The CD-4 format required a special cartridge that had a ±1 db frequency response out to 50 kHz, a CD-4 demodulator which decoded the difference between the front and rear channels from a 30 kHz subcarrier, four separate amplifier channels, and four separate speakers for
8262-684: The Nipper/His Master's Voice trademark for which EMI held the rights to in the U.K. and Europe. RCA set up its own British manufacturing and distribution in 1969. RCA Victor issued several spoken word albums in the 1950s and 60s, notably the soundtracks of the films Richard III , A Man for All Seasons and The Taming of the Shrew , as well as complete versions of the National Theatre of Great Britain stage productions of Othello (starring Laurence Olivier ) and Much Ado About Nothing (starring Maggie Smith , who also played Desdemona in
8415-607: The Olivier Othello ). None of these albums have appeared on compact disc, but the films of Richard III , A Man For All Seasons , The Taming of the Shrew and the filmed version of Olivier's Othello have all been issued on DVD. In 1960, RCA Victor announced the Compact 33 double extended play and singles; these were 7 inch records, which played at 33 1/3 rpm. In January 1961, the Compact 33 discs were released simultaneously with their 45 rpm counterparts. The long-term goal
8568-544: The RCA Nashville division and in March, 1995 was replaced by Bob Jamieson, the president of RCA's Canadian division. Jamieson overhauled RCA, streamlining middle management and retooling the label's marketing department. The A&R department was again restructured and the roster of artists further reduced. By the close of the decade, RCA Records had undergone what Billboard described as a "remarkable turnaround" with
8721-586: The RCA/NBC Thesaurus Library ) the company sought "to make available to stations associated with NBC our extensive programming resources to help in the sale of their facilities to local advertisers." He added: "each program series ... will be as completely programmed as if it were to be for a network client. In other words they will be designed to sell a sponsor's product or service." A 1948 ad for NBC's service touted: "now 25 better shows tailored for better programming at lower cost," adding that
8874-606: The Reggae Album of the Year Grammy. In June 2020, the label partnered with the Human Rights Campaign to present the 2020 Pride Benefit Concert, a livestream supporting LGBTQ equality in June. RCA artists including Isaac Dunbar, Cam, and Citizen Queen performed. SZA released the single " Good Days " on December 25. In January 2021, Mark Pitts was appointed president of RCA Records and John Fleckenstein
9027-868: The Sherman Drive plant in Indianapolis. The use of vinyl, which was much more expensive than the gritty shellac compound normally used for 78s, was actually cheaper because of the smaller diameter and greatly reduced bulk of the new records, which required very little raw material. The smaller, lightweight discs were also more economical to store and ship. RCA Victor marketed the 45 as a direct replacement for 10-inch and 12-inch 78 rpm records, which typically played for about three and four minutes per side respectively. The company also released some " extended play " (EP) 45s with playing times up to 7 minutes per side, primarily for vocal collections and light classical selections, as typified by an Arthur Fiedler and
9180-568: The U.S. Armed Forces Radio Service for rebroadcast to troops in the field. Disc-to-disc editing procedures were used to delete the commercials included in the original broadcasts, and when a sponsor's name was attached to the name of the program, it was removed as well— Lux Radio Theater , for example, became Your Radio Theater . Although the discs were government property and were supposed to be destroyed after they had served their purpose, some were saved as souvenirs and countless thousands of them were simply dumped rather than actually destroyed. Many of
9333-420: The U.S., NBC Symphony Orchestra concert broadcasts were preserved on transcription discs. After its conductor Arturo Toscanini retired, he transferred many of these recordings to tape, with the assistance of his son Walter, and most were eventually released on LP or CD. In the United States, NBC Radio continued to use the 16-inch disc format for archiving purposes into the early 1970s. A transcription disc
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#17327810926819486-655: The UK and its territories on the HMV label until 1957. RCA also manufactured and distributed HMV recordings on the RCA Victor and special HMV labels in North America. Due to hostilities between Japan and the United States during World War II , ties between RCA Victor and its Japanese subsidiary Victor Company of Japan (Nippon Victor) were severed. JVC's record company is known today as Victor Entertainment and still retains
9639-456: The UK. At one point artist Lizzie Tear (under contract with ABC themselves) appeared on the imprint, but it was devoted almost entirely to ABC's offerings and is still used for their re-releases (though Phonogram owns the masters of all the work issued on the label). However, not all labels dedicated to particular artists are completely superficial in origin. Many artists, early in their careers, create their own labels which are later bought out by
9792-546: The United States would typically bear a 4th & B'way logo and would state in the fine print, "4th & B'way™, an Island Records, Inc. company". Collectors discussing labels as brands would say that 4th & B'way is a sublabel or imprint of just "Island" or "Island Records". Similarly, collectors who choose to treat corporations and trademarks as equivalent might say 4th & B'way is an imprint and/or sublabel of both Island Records, Ltd. and that company's sublabel, Island Records, Inc. However, such definitions are complicated by
9945-460: The Vik label was discontinued the following year. From the label's beginnings in 1902, and intensifying through the 1940s and 1950s, RCA Victor was in direct competition with Columbia Records . A number of recordings were made with the NBC Symphony Orchestra , conducted by Arturo Toscanini ; sometimes RCA Victor utilized recordings of broadcast concerts (Toscanini had been recording for the label since
10098-535: The advent of magnetic tape recording because it was cheaper to cut and plate a master disc and press 100 identical high-quality discs than to make 100 equally high-quality tape dubs. Instantaneous discs are so called because they can be played immediately after recording without any further processing, unlike the delicate wax master discs which had to be plated and replicated as pressings before they could be played non-destructively. By late 1929, instantaneous recordings were being made by indenting, as opposed to engraving,
10251-407: The album will sell better if the artist complies with the label's desired requests or changes. At times, the record label's decisions are prudent ones from a commercial perspective, but these decisions may frustrate artists who feel that their art is being diminished or misrepresented by such actions. In other instances, record labels have shelved artists' albums with no intention of any promotion for
10404-411: The artist from their contract, leaving the artist in a state of limbo. Artists who have had disputes with their labels over ownership and control of their music have included Taylor Swift , Tinashe , Megan Thee Stallion , Kelly Clarkson , Thirty Seconds to Mars , Clipse , Ciara , JoJo , Michelle Branch , Kesha , Kanye West , Lupe Fiasco , Paul McCartney , and Johnny Cash . In
10557-415: The artist in question. Reasons for shelving can include the label deciding to focus its resources on other artists on its roster, or the label undergoing a restructure where the person that signed the artist and supports the artist's vision is no longer present to advocate for the artist. In extreme cases, record labels can prevent the release of an artist's music for years, while also declining to release
10710-425: The artist is established and has a loyal fan base. For that reason, labels now have to be more relaxed with the development of artists because longevity is the key to these types of pact. Several artists such as Paramore , Maino , and even Madonna have signed such types of deals. A look at an actual 360 deal offered by Atlantic Records to an artist shows a variation of the structure. Atlantic's document offers
10863-484: The artists may be downloaded free of charge or for a fee that is paid via PayPal or other online payment system. Some of these labels also offer hard copy CDs in addition to direct download. Digital Labels are the latest version of a 'net' label. Whereas 'net' labels were started as a free site, digital labels represent more competition for the major record labels. The new century brought the phenomenon of open-source or open-content record labels. These are inspired by
11016-402: The audience for their music even more. An item in a 1946 issue of Radio Mirror magazine noted: " Bing Crosby 's transcription deal with Philco has started a rush of other sought-after radio performers for deals of a similar nature. Their advantages from such a setup include more free time and corporate setups to relieve their tax costs." Recording commercial jingles for spot announcements
11169-612: The bare aluminum discs perished in the scrap metal drives of World War II, so that these early years of radio are mostly known today by the syndicated programs on pressed discs, typically recorded in a small studio without an audience, rather than by recordings of live network and local broadcasts. In late 1934, a new type of instantaneous disc was commercially introduced. It consisted of an aluminum core disc coated with black cellulose nitrate lacquer, although for reasons which are unclear it soon came to be called an "acetate" disc by radio professionals. Later, during World War II, when aluminum
11322-518: The case of operas, symphonies and other complete recordings of classical music, there was an interruption every four minutes as one record side ended and another side began. These disruptive "side breaks", a nuisance long familiar to listeners of album sets of classical and operatic 78 rpm records, were minimized by an extremely fast automatic record-changing mechanism that was a core feature of RCA Victor's 45 players. Thanks in large degree to RCA Victor's massive five million dollar advertising campaign,
11475-558: The cases where the beginning of an even side or the end of an odd side or vice-versa had been damaged during the recording process or subsequent handling. This is why on some CD reissues of this material, a noticeable difference in quality can be ascertained between the two sections. This practice is preserved for hours-long radio shows up until the 90s when multiple disc sets would be pressed in Radio Format to allow for rapid changing of sides. A) Manual Sequence – Side 1
11628-489: The center and edge of a record are thicker than the playing area, reducing scuff marks during handling and when stacked on a turntable with an automatic record changer. Most competitors quickly adopted the raised label and edges. In 1955, RCA Victor purchased the recording contract of Elvis Presley from Sun Records for the then-exorbitant sum of $ 40,000. His first single for RCA Victor was " Heartbreak Hotel ", recorded in January 1956. Ten million Presley singles were sold by
11781-650: The circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry , recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists , who assist performers in gaining positive media coverage, and arrange for their merchandise to be available via stores and other media outlets. Record labels may be small, localized and " independent " ("indie"), or they may be part of
11934-590: The company's material was "programmed and proven over 1000 radio stations." CBS also had a transcription division, called Columbia Recording Corporation. Capitol Records , better known for its popular recordings, also had a transcription service. An ad in the trade publication Broadcasting asked in a headline if the reader was "finding it tough to sell time?" The ad's text promoted 3,000 selections – with more added monthly – from Peggy Lee , Jan Garber , Johnny Mercer and other "top stars", adding, "more than 300 stations already use it." One source estimated: "by
12087-403: The company. Some independent labels become successful enough that major record companies negotiate contracts to either distribute music for the label or in some cases, purchase the label completely, to the point where it functions as an imprint or sublabel. A label used as a trademark or brand and not a company is called an imprint , a term used for a similar concept in publishing . An imprint
12240-400: The corporate mergers that occurred in 1989 (when Island was sold to PolyGram) and 1998 (when PolyGram merged with Universal). PolyGram held sublabels including Mercury, Island and Motown. Island remained registered as corporations in both the United States and UK , but control of its brands changed hands multiple times as new companies were formed, diminishing the corporation's distinction as
12393-533: The days of acoustic recordings , and RCA Victor had been recording the NBC Symphony since its creation in 1937). After Toscanini retired in the spring of 1954, the NBC Symphony was reorganized later that year as the Symphony of the Air . The orchestra, while no longer connected to NBC, continued to record for RCA Victor, as well as other labels, usually conducted by Leopold Stokowski . RCA Victor also released
12546-619: The depths of the Great Depression . By 1933, the format was abandoned and two-speed turntables were no longer offered, but some Program Transcriptions lingered in the Victor record catalog until the end of the 1930s. During the early days of the Depression, RCA Victor made a number of attempts to create a successful low-priced label to compete with " dime store labels" such as Perfect , Oriole , Banner , and Melotone . The first
12699-490: The dumped discs ended up in the hands of scavengers and collectors. Often, these discs are the only form in which the broadcasts on them have survived, and they are one of the reasons why recordings of entertainment broadcasts from the 1940s still exist in abundance. Many long classical works performed live onstage were captured in a succession of transcription discs. With only 15 minutes per side at 33 + 1 ⁄ 3 rpm not only did it become necessary to change discs in
12852-417: The early 1930s. Despite their suggestive name, they were not recorded from broadcasts or intended for broadcast use, but were an early and unsuccessful attempt to introduce longer-playing records at the 33 + 1 ⁄ 3 rpm speed for home use. Transcription discs are of two basic types: pressings and instantaneous discs. Pressings were created in the same way as ordinary records. A master recording
13005-416: The early days of the recording industry, recording labels were absolutely necessary for the success of any artist. The first goal of any new artist or band was to get signed to a contract as soon as possible. In the 1940s, 1950s, and 1960s, many artists were so desperate to sign a contract with a record company that they sometimes ended up signing agreements in which they sold the rights to their recordings to
13158-512: The early summer of 1948. In heavy promotion, RCA Victor sold compact, inexpensive add-on and stand-alone units that played the 45 rpm format exclusively. At first, RCA Victor's 45s were issued on colored vinyl according to the musical genre: contemporary pop music on black vinyl (47-xxxx series), prestigious Broadway musicals and operettas on "midnight blue" vinyl (52-xxxx series), classical music on red vinyl (49-xxxx series), country and polka on green (48-xxxx series), children's fare on yellow (also in
13311-722: The end of the 1930s, [transcription] services had built up a market of $ 10 million." Transcription services' programming was not limited to music. Mystery, drama and other genres of programming were distributed via transcription. At least two transcribed dramas, I Was a Communist for the FBI and Bold Venture , were distributed to more than 500 stations each. NBC's transcription offerings included Aunt Mary (a soap opera), The Haunting Hour (a psychological mystery), The Playhouse of Favorites (a drama) and Modern Romances . Advertisers found electrical transcriptions useful for distributing their messages to local stations. Spot advertising
13464-538: The end of the decade, the use of old phonograph music had largely been replaced by the new electrical transcription ... with the fidelity available, it was difficult to tell a transcription from the original artist." A 1948 ad for a disc manufacturer touted the use of transcriptions on the Voice of America , saying; "a substantial part of these daily programs is recorded and, due to the excellent quality of these transcriptions, such recorded portions cannot be distinguished from
13617-512: The end of their contract with EMI when their album In Rainbows was released as a " pay what you want " sales model as an online download, but they also returned to a label for a conventional release. Research shows that record labels still control most access to distribution. Computers and internet technology led to an increase in file sharing and direct-to-fan digital distribution, causing music sales to plummet in recent years. Labels and organizations have had to change their strategies and
13770-429: The even-sided discs (2, 4, 6 etc.) were recorded inside-out. Producers would often work with engineers to ensure that loud, active, bombastic or selections requiring a wide dynamic range in order to be reproduced faithfully would always be either near the beginning of odd sides or near the ends of even sides. Often a small amount of overlap occurred which upon transfer to tape years later would have to be discarded except in
13923-601: The famous Nipper /" His Master's Voice " trademark . In 1931, RCA Victor's British affiliate the Gramophone Company merged with the Columbia Graphophone Company to form EMI . This gave RCA head David Sarnoff a seat on the EMI board. In September 1931, RCA Victor introduced the first 33 1 ⁄ 3 rpm records sold to the public, calling them "Program Transcription" records. These used
14076-593: The first half of the decade, RCA released platinum and multi-platinum records by artists including A$ AP Rocky , Cage the Elephant , Chris Brown , Kelly Clarkson , Miley Cyrus , D'Angelo , Dave Matthews Band , Foo Fighters , G-Eazy , Jennifer Hudson , R. Kelly , Kesha , Khalid , Alicia Keys , Kings of Leon , Miguel , Pentatonix , P!nk , Pitbull , Shakira , Sia , Britney Spears , Bryson Tiller , Justin Timberlake , T-Pain , and Tinashe . Since 2012,
14229-466: The first stereo 8-track tape music Cartridges ( Stereo 8 ) which were first used in the 1966 line of Ford automobiles and were popular throughout the late 1960s and 1970s. (The initial release comprised 175 titles from RCA Victor and RCA Camden's catalog of artists.) In late 1968, the Radio Corporation of America, wishing to modernize its image, introduced what was then a futuristic-looking new logo (the letters 'RCA' in block, modernized form), replacing
14382-485: The format never became popular, and both RCA and CBS/Columbia abandoned quadraphonic recording in 1976; some of the RCA sessions were later remastered for Dolby encoding (same as Peter Scheiber 's original matrix system) and released on compact disc This included Charles Gerhardt 's acclaimed series of RCA Red Seal albums devoted to classic film scores by Erich Wolfgang Korngold , Alfred Newman , Dimitri Tiomkin , Max Steiner , Franz Waxman , and others, performed by
14535-536: The groove and scoring its surface. Some specialist audio transfer engineers keep a series of custom-ground styli of intermediate sizes and briefly test-play the disc with each in order to find the one that produces the best possible results. Beginning in the 1940s, two factors caused radio stations' use of transcriptions to diminish. After World War II , use of transcriptions diminished as disc jockeys became more popular. That increased popularity meant that stations began to use commercial recordings more than they had in
14688-506: The label bought back $ 25 million in unsold albums and lost $ 35 million during the fiscal year 1987. As a partial corrective, a decentralized style of management which allowed RCA Records to function as a free-standing entrepreneurial business was implemented for 1988. Buziak drastically cut the RCA roster from around 40 artists to 11, and began to rebuild it with a focus on developing new artists, including artists acquired through marketing and distribution agreements with Beggars Banquet Records ,
14841-552: The label during 1956; Presley went on to become RCA Victor's biggest selling artist. Effective in 1957, EMI/HMV ended its 55-year association with RCA Victor, after EMI's acquisition of Capitol Records in 1955. Capitol then became the main distributor for EMI recordings in the Americas; Decca Records became the manufacturer and distributor for RCA Victor in the United Kingdom, using the RCA lightning bolt logo, instead of
14994-676: The label had signed Thai rapper Lisa , a member of the South Korean girl group Blackpink , for her venture into American solo endeavors. RCA Victor has produced several notable Broadway cast albums, among them the original Broadway recordings of Brigadoon , Paint Your Wagon , the Mary Martin Peter Pan , Damn Yankees , Hello, Dolly! , Oliver! , and Fiddler on the Roof . RCA has also recorded and released recordings of revival stagings of musicals. These include
15147-520: The label has released music by artists including: Kevin Abstract , A$ AP Ferg , Becky G , Bleachers , Brockhampton , Bryson Tiller , Cam , G-Eazy , Childish Gambino , Martin Garrix , H.E.R. , Normani , Kaytranada , Khalid , Kygo , Tate McRae , Mark Ronson , Sasha Sloan , Jazmine Sullivan , SZA , ZAYN . In 2015, RCA Records reinstated its 1968 space-age 'RCA' styled logo after utilizing
15300-468: The left and right front and left and right rear. Both the CD-4 Quadradisc and Quad-8 tape cartridge systems were true discrete 4–4–4 quadraphonic systems. Columbia Records introduced a quadraphonic matrix system, SQ, which required a decoder, 4-channel amplifier and the four speakers. The SQ system was referred to as a 4–2–4 matrix system. The Warner Music Group labels also adopted Quadradisc, but
15453-603: The lightning bolt logo since 1987. The lightning bolt logo is still used by RCA's Nashville division. John Fleckenstein and Joe Riccitelli were appointed as co-presidents of RCA Records in January 2018. Later that year, RCA named Keith Naftaly president of A&R, and Tunji Balogun executive VP of A&R. In addition to releasing successful albums by Bryson Tiller, Alicia Keys, Fousheé' and Pentatonix in 2020, RCA had #1 records with Doja Cat 's "Say So" feat. Nicki Minaj ; Miley Cyrus' " Plastic Hearts " and Chris Brown & Young Thug's " Go Crazy ". Brockhampton's single "Sugar"
15606-734: The major divisions of EMI were sold off separately by owner Citigroup : most of EMI's recorded music division was absorbed into UMG; EMI Music Publishing was absorbed into Sony/ATV Music Publishing; finally, EMI's Parlophone and Virgin Classics labels were absorbed into Warner Music Group (WMG) in July 2013. This left the so-called Big Three labels. In 2020 and 2021, both WMG and UMG had their IPO with WMG starting trading at Nasdaq and UMG starting trading at Euronext Amsterdam and leaving only Sony Music as wholly-owned subsidiary of an international conglomerate ( Sony Entertainment which in turn
15759-433: The major labels (two examples are American singer Frank Sinatra 's Reprise Records , which has been owned by Warner Music Group for some time now, and musician Herb Alpert 's A&M Records , now owned by Universal Music Group). Similarly, Madonna 's Maverick Records (started by Madonna with her manager and another partner) was to come under control of Warner Music when Madonna divested herself of controlling shares in
15912-537: The majors had a collective global market share of some 65–70%. Record labels are often under the control of a corporate umbrella organization called a "music group ". A music group is usually affiliated to an international conglomerate " holding company ", which often has non-music divisions as well. A music group controls and consists of music-publishing companies, record (sound recording) manufacturers, record distributors, and record labels. Record companies (manufacturers, distributors, and labels) may also constitute
16065-589: The middle instead of being able to cue up the next side next to the one playing to be ready to go. Well-known live broadcasts which were preserved on lacquer transcription discs include The War of the Worlds dramatized as breaking news by the Orson Welles anthology program The Mercury Theatre on the Air , heard over the CBS radio network on 30 October 1938. Before magnetic tape recorders became available in
16218-459: The middle of a performance, but a careful track needed to be kept of whether sides were recorded in the conventional outside-in format or the reverse style of inside-out, starting near the label and finishing near the edge. This was due to the large fidelity difference from the variation in circumference on revolutions near the edge of a disc compared to those in the center. Therefore, odd sided discs (1, 3, 5 etc.) were always recorded outside-in with
16371-514: The more common shellac . Electrical transcriptions were made practical by the development of electrical recording , which superseded Thomas Edison 's original purely mechanical recording method in the mid-1920s. Marsh Laboratories in Chicago began issuing electrical recordings on its obscure Autograph label in 1924, but it was Western Electric 's superior technology, adopted by the leading labels Victor and Columbia in 1925, which launched
16524-452: The musical productions staged at Lincoln Center , such as the 1966 revivals of Show Boat and Annie Get Your Gun , the 1987 revival of Anything Goes and the 1998 Broadway revivals of Cabaret and The Sound of Music . Call Me Madam was recorded by RCA Victor with all of its original cast except for its star Ethel Merman , who, due to contractual obligations, could not be released from her American Decca Records contract. She
16677-463: The necessary fees." Those fees typically ranged from $ 40 to $ 150 per week for eight 15-minute programs. Customers for transcriptions were primarily smaller stations. Brewster and Broughton, in their book Last Night a DJ Saved My Life, wrote; (transcriptions) "lessened the reliance on the announcer/disc jockey and, because [a transcription] was made specifically for broadcast, it avoided record company litigation." They quoted Ben Selvin, who worked for
16830-592: The new Masterworks Broadway Records . All of these recordings are now on Masterworks Broadway Records , which has remastered and reissued many of these albums. Victor's early recording studios were established in Philadelphia in 1901 and then at its headquarters in Camden, New Jersey and also in New York. In 1917, Victor acquired the abandoned Trinity Church located at 114 North 5th Street in Camden and used it as
16983-557: The original lightning bolt logo, and the virtual retirement of both the Victor and Nipper/His Master's Voice trademarks. The Radio Corporation of America officially changed its name to the RCA Corporation; the RCA Victor Division was now known as RCA Records. The 'Victor' trademark was restricted to the labels and album covers of RCA's regular popular record releases. RCA Victor record labels were changed to bright orange or yellow (becoming tan briefly late in 1975–76), replacing
17136-468: The other RCA divisions, which GE either liquidated, sold, or closed. BMG also revived the "RCA Victor" label for Red Seal, Broadway and soundtrack releases and other musical genres outside of rock, pop and country music. In 1986, Bob Buziak, formerly an artist manager, was appointed president of the label. During the mid-1980s, RCA Records operated at a deficit, due in part to "overpriced deals" with pop stars including Kenny Rogers and Diana Ross . In 1986,
17289-507: The output of recording sessions. For established artists, a label is usually less involved in the recording process. The relationship between record labels and artists can be a difficult one. Many artists have had conflicts with their labels over the type of sound or songs they want to make, which can result in the artist's artwork or titles being changed before release. Other artists have had their music prevented from release, or shelved. Record labels generally do this because they believe that
17442-451: The past. The trade magazine Billboard reported in a November 22, 1952, article, "Transcription libraries have come upon rough times, owing to the fact that records have largely taken the place of the old-fashioned E.T.'s." In the 1940s, decreased demand caused transcription services to reduce the royalty they paid copyright owners from $ 15 per track per year to $ 10 per track per year. By 1952, still less demand resulted in negotiations for
17595-578: The period to squeeze 30 minutes per side onto a transcription. Freeman Gosden and Charles Correll are credited with being the first to produce electrical transcriptions. In 1928, they began distributing their Amos 'n' Andy program to stations other than their 'home' station, WMAQ in Chicago, by using 12-inch 78 rpm discs that provided two five-minute segments with a commercial break between. One audio historian wrote: "new methods of electronic reproduction and improved record material that produced very little background noise were developed ... by
17748-430: The prefix "LSP". RCA utilized these catalog prefixes until 1973, when they were changed to "ARL1" and "APL1" for stereo classical and stereo non-classical single LPs, respectively. During the 1950s, RCA Victor had three subsidiary or specialty labels: Groove , Vik and "X". The edition of Billboard magazine dated April 11, 1953, announced a new RCA Victor subsidiary label, its first to use independent distribution and
17901-548: The record label in perpetuity. Entertainment lawyers are usually employed by artists to discuss contract terms. Due to advancing technology such as the Internet , the role of labels is rapidly changing, as artists are able to freely distribute their own material through online radio , peer-to-peer file sharing such as BitTorrent , and other services, at little to no cost, but with correspondingly low financial returns. Established artists, such as Nine Inch Nails , whose career
18054-418: The salaries of certain tour and merchandise sales employees hired by the artist. In addition, the label also offers the artist a 30 percent cut of the label's album profits—if any—which represents an improvement from the typical industry royalty of 15 percent. With the Internet now being the dominant source for obtaining music, netlabels have emerged. Depending on the ideals of the net label, music files from
18207-419: The selling price of the recordings. Contracts may extend over short or long durations, and may or may not refer to specific recordings. Established, successful artists tend to be able to renegotiate their contracts to get terms more favorable to them, but Prince 's much-publicized 1994–1996 feud with Warner Bros. Records provides a strong counterexample, as does Roger McGuinn 's claim, made in July 2000 before
18360-534: The so-called acetate recording blanks used for broadcast transcriptions or share some other physical characteristic with them. Transcription discs should not be confused with the 16-inch 33 + 1 ⁄ 3 rpm shellac soundtrack discs used from 1926 into the early 1930s to provide the audio for some motion picture sound systems. Also a potential source of confusion are RCA Victor 's "Program Transcription" discs, 10- or 12-inch 33 + 1 ⁄ 3 rpm records pressed in shellac and "Victrolac" vinyl in
18513-499: The start of the recording near the label and the end near the edge of the disc. The label usually noted whether the disc was "outside start" or "inside start". If there was no such notation, an outside start was assumed. Beginning in the mid-1950s, some transcription discs started employing the "microgroove" groove dimensions used by the 12- and 10-inch 33 + 1 ⁄ 3 rpm vinyl LP records introduced for home use in 1948. This allowed 30 minutes to fit comfortably on each side of
18666-652: The station repeated episodes of Glenn Miller's and Kay Kyser's orchestras, The Goldbergs and Sherlock Holmes . "Electrical transcriptions were indispensable from the mid '30s to the late '40s," wrote Walter J. Beaupre, who worked in radio before moving into academia. As radio stations' demand for transcriptions grew, companies specializing in transcriptions grew to meet those demands. In October 1933, 33 companies competed in producing transcriptions. Such companies included Langlois & Wentworth, Inc. , RCA Thesaurus , SESAC , World Broadcasting System and Ziv Company . Associated Broadcasting Company transcription service,
18819-564: The success of artists including Britney Spears , the Dave Matthews Band , Natalie Imbruglia , the Verve Pipe , Robyn , SWV , Christina Aguilera , NSYNC , and Foo Fighters . A distribution deal with Loud Records yielded hit records from urban artists including Big Punisher , Wu-Tang Clan and Mobb Deep . In 2002, BMG fully acquired J Records , which it had founded in 2000 as a joint venture with Clive Davis . Davis
18972-400: The term sublabel to refer to either an imprint or a subordinate label company (such as those within a group). For example, in the 1980s and 1990s, 4th & B'way Records (pronounced as "Broadway") was a trademarked brand owned by Island Records Ltd. in the UK and by a subordinate branch, Island Records, Inc., in the United States. The center label on a 4th & Broadway record marketed in
19125-409: The then-new microphone-based method into general use in the recording industry. Electrical transcriptions were often used for recording programs of genres which would come to be known later as old-time radio. Although the earliest transcriptions ran at 78.26 rpm or 80 rpm if it was recorded on a three-phase power lathe, some of which were also 12 inches across and laterally recorded with
19278-417: The then-new technology arose out of necessity when agencies of the federal government prevented him from crossing from Mexico into the United States to use telephone lines to connect to U.S. stations remotely. "Brinkley began recording ... onto electrical transcription discs and sending them across the border for later broadcast." WOR used transcriptions for repeat broadcasts of programs. In 1940, for example,
19431-592: The traditional black label color for popular releases) in countries where RCA held the rights to the Nipper/His Master's Voice trademark. Nipper was once again widely used in RCA newspaper and magazine advertisements and sales literature, as well as store displays and promotional items such as T-shirts caps, posters, coin banks, keychains, watches, coffee mugs and stuffed toys. The trademark was also restored to RCA stationery, shipping cartons and company vehicles. In 1983, Arista Records owner Bertelsmann sold 50% of Arista to RCA. In 1985, Bertelsmann and RCA Records formed
19584-424: The traditional black label color in use since 1901. The Nipper/His Master's Voice trademark was seen only on the album covers of RCA Red Seal Records . RCA Records introduced a thin, pliable, lightweight vinyl LP record known as Dynaflex in late 1969. This very thin, flexible record claimed to overcome warping and other problems encountered with conventional thicker LP records and like Dynagroove, it soon developed
19737-930: The transcription service World Broadcasting System contained a letter which praised the company. S.A. Vetter, assistant to the owner of WWPB, AM and FM stations in Miami, Florida, wrote: "you will be interested in knowing that I consider the purchase of the World Feature Library as the best 'buy' I have made in my twenty-one years in Miami radio." The popularity of at least one library was indicated in another 1948 ad. One for Standard Radio Transcription Services, Inc. ad boasted of its Standard Program Library as: "now serving over 700 stations." That same year, an ad for another transcription service, World Broadcasting System, said, "over 640 stations now use this great world library." Another supply company, Associated Program Service, advertised its transcription library as being "not
19890-544: The usual one-shot recording date ... not the routine disc or two ... but real continuity of performance ... a dependable, steady supply of fresh music ... great depth of titles." Among the companies providing transcription services were radio networks. NBC began its electrical transcription service in 1934. Lloyd C. Egner, manager of electrical transcriptions at NBC wrote that with the NBC Syndicated Recorded Program Service (later named
20043-644: The waltz from Tchaikovsky 's opera Eugene Onegin . There were additional stereo tests in December, again in the Manhattan Center, this time with Pierre Monteux conducting members of the Boston Symphony Orchestra. In February 1954, RCA Victor made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles Münch , in a performance of The Damnation of Faust by Hector Berlioz. This began
20196-433: The way they work with artists. New types of deals called "multiple rights" or "360" deals are being made with artists, where labels are given rights and percentages to artist's touring, merchandising, and endorsements . In exchange for these rights, labels usually give higher advance payments to artists, have more patience with artist development, and pay higher percentages of CD sales. These 360 deals are most effective when
20349-496: Was Gaîté Parisienne by Jacques Offenbach , performed by Arthur Fiedler and the Boston Pops Orchestra , which had been recorded in Boston 's Symphony Hall on June 20, 1947; the record was given the catalogue number LM-1001. Non-classical LP record albums were issued with the prefix "LPM". When RCA Victor began issuing classical LPs in stereophonic sound in 1958, the prefix "LSC" was used. Non-classical stereo LPs were issued with
20502-451: Was a critical war material, glass core discs were used. A recording lathe and chisel-like cutting stylus like those used to record in wax would be used to engrave the groove into this lacquer surface instead. Given a top-quality blank disc, cutting stylus, lathe, electronics and recording engineer, the result was a broadcast-quality recording which could be played several times before the effects of wear started to become apparent. The new medium
20655-435: Was a source of income for performers and writers. In 1944, Cliff Edwards received $ 1,500 for recording a 30-second gum jingle. World War II brought a new use for electrical transcriptions—storage of audio material for broadcasting to people in the military. The American Forces Network began using ETs during that war and continued using them through 1998. More than 300,000 AFRTS electrical transcription discs are stored in
20808-792: Was appointed chairman of the BMG Label Group, and Davis was named chief creative officer of Sony BMG worldwide. In October, Sony acquired BMG's 50% ownership and the BMG Label Group was merged with the Jive Label Group to establish the RCA/Jive Label Group . It included RCA, Jive, J, Arista, Polo Grounds, LaFace Records , Volcano Entertainment , Hitz Committee , Battery Records , and the Verity Gospel Music Group . The decade marked
20961-469: Was certified platinum, and singles by Flo Milli and Latto (formerly known as "Mulatto") were certified gold. Both Doja Cat and Kaytranada received multiple Grammy nominations, including Best New Artist, H.E.R. received her 13th Grammy nomination, and the Strokes album The New Abnormal won for Best Rock Album. Koffee signed with RCA just after she became the first woman and the youngest person to win
21114-452: Was cut into a blank wax or acetate disc . This was electroplated to produce a metal stamper from which a number of identical discs were pressed in shellac or vinyl in a record press. Although the earliest transcription discs were pressed in shellac , in the mid-1930s quieter vinyl compounds were substituted. These discs were used to distribute syndicated programming to individual radio stations. Their use for this purpose persisted long after
21267-455: Was developed with major label backing, announced an end to their major label contracts, citing that the uncooperative nature of the recording industry with these new trends is hurting musicians, fans and the industry as a whole. However, Nine Inch Nails later returned to working with a major label, admitting that they needed the international marketing and promotional reach that a major label can provide. Radiohead also cited similar motives with
21420-517: Was distributed by RCA, which had released the Broadway cast album. RCA Victor also released the original American cast album of Hair . Similarly, RCA Victor also made several studio cast recording albums, including a Lerner and Loewe series with Jan Peerce , Jane Powell , and Robert Merrill , as well as a 1963 album of excerpts from George Gershwin 's Porgy and Bess , with its 1952 revival leads, Leontyne Price and William Warfield , but
21573-605: Was later increased to 30 inches per second). These recordings were initially issued in 1955 on special stereophonic reel-to-reel tapes and then, beginning in 1958, on vinyl LPs with the "Living Stereo" logo. RCA has continued to reissue many of these "Living Stereo" recordings on CD. Another 1953 project for RCA was converting the acoustically superior building Webster Hall into its main East Coast recording studio. RCA Victor operated this studio venue from 1953 to 1968. In September 1954, RCA Victor introduced "Gruve-Gard" where
21726-761: Was named chief operating officer. Jazmine Sullivan's Heaux Tales hit #1 on the Billboard R&;B albums chart. Tate McRae's " You Broke Me First " (stylized as "you broke me first") was quadruple platinum in Ireland, double platinum in Canada, Mexico and New Zealand, and platinum in the US, UK, Australia, Finland, France, Malaysia, the Netherlands, Norway, and Sweden. She was #1 on the Billboard emerging artist chart. In April 2024, Variety announced that
21879-625: Was named president and COO. On the seventh of October of that year, the Jive, Arista and J imprints were altogether permanently merged into RCA. As a result, the RCA Music Group was then disbanded and RCA was reinstated as a standalone label under the Sony Music umbrella. Following the shutdown of the three labels, a majority of various artists from the rosters of Jive, Arista and/or J were shifted to release future material under RCA. During
22032-416: Was nameless when it was first revealed. For the lack of any better designation, Billboard chose to refer to the new, unnamed label in the story as Label "X"; the new label began to hire staffers and decide on a direction, and the name stuck until 1955. RCA Victor officially announced the formation of label "X" on April 20, 1953. Groove was an R&B specialty label founded in 1954 and folded into Vik in 1957;
22185-522: Was redesigned, and it became known as the 'buff' label). Another discount label, Sunrise, was produced (although it is not known for whom it was produced, as Sunrise records are exceptionally rare today). The same musical couplings were issued on all three labels and the Bluebird label is still in existence today, nine decades after Electradisk and Sunrise were discontinued. During this time, RCA Victor also produced electrical transcriptions of music under
22338-456: Was replaced by Joe Galante , who had been the president of RCA Records Nashville division. The roster was cut once again and the A&;R department was restructured. Along with the launch of BNA Records and the expansion of the urban music division, these initiatives would prove to be positive, but RCA was unsuccessful under Galante, ranking 10th in market share in 1995. Galante returned to head
22491-405: Was replaced on the RCA Victor album by Dinah Shore . RCA Victor was also responsible for the film soundtrack albums of Damn Yankees , South Pacific , Bye Bye Birdie , Half a Sixpence , and The Sound of Music . The album made from the 1965 hit Julie Andrews film was (and is) one of the best selling soundtracks of all time. The film soundtrack of Oliver! , made by Colgems Records ,
22644-464: Was soon applied to a number of purposes by local stations, but not by the networks, which had a policy against broadcasting prerecorded material and mainly used the discs for archiving "reference recordings" of their broadcasts. Standard 16-inch transcription discs of the 1930s and 1940s usually held about 15 minutes of audio on each side, but this was occasionally pushed to as much as 20 minutes. Unlike ordinary records, some were recorded inside out, with
22797-756: Was standard from approximately 1930 to 1960 and physically distinguishes most transcriptions from records intended for home use, which were rarely more than 12 inches (30 cm) in diameter and until 1948 were nearly all recorded at approximately 78 rpm. However, some very early (c. 1928–1931) radio programs were on sets of 12-inch or even 10-inch (25 cm) 78 rpm discs, and some later (circa 1960–1990) syndicated radio programs were distributed on 12-inch 33 + 1 ⁄ 3 rpm microgroove vinyl discs visually indistinguishable from ordinary records except by their label information. Some unusual records which are not broadcast-related are sometimes mistakenly described as "transcription discs" because they were recorded on
22950-459: Was the leading record manufacturer for independent labels . RCA's Midwestern plant in Indianapolis , at 501 North LaSalle Street (the site is now part of a Demolition and Blight Reduction Project). The Custom Division notably pressed many record compilations for The Reader's Digest Association . RCA sold its interest in EMI in 1938, but EMI continued to distribute RCA Victor recordings in
23103-410: Was the short-lived Timely Tunes label in 1931, sold exclusively by Montgomery Ward . Bluebird Records was created in 1932 as a sub-label of Victor. It was originally an 8-inch record with a dark blue label, alongside the 8-inch Electradisk label (sold by F.W. Woolworth ). Neither label was a success. In 1933, RCA Victor reintroduced Bluebird and Electradisk as a standard 10-inch label (Bluebird's label
23256-677: Was then named chairman of RCA Records and J Records under the auspices of a new entity, the RCA Music Group , which included RCA Records, J, and Arista Records . In 2004, Sony and BMG merged their music divisions to create Sony BMG , and in 2007, the RCA Music Group was rebranded as the BMG Label Group . In 2006, Sony BMG merged its former Broadway music and classical labels, including Red Seal and Gold Seal, to Sony Masterworks . Legacy Recordings , Sony Music Entertainment's catalog division, reissued classic albums from RCA. In April 2008, former Zomba Label Group president and CEO Barry Weiss
23409-544: Was to phase out the 45 rpm disc, but sales of the new records were poor and by early 1962 the campaign had failed. In 1963, RCA Victor introduced Dynagroove which added computer technology to the disc cutting process, ostensibly to improve sound reproduction. Whether or not the complex process was actually an improvement is still debated among audiophiles. RCA quietly phased out the Dynagroove process by 1970. In September 1965, RCA and Lear Jet Corp. teamed up to release
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