The Robert Shaw Chorale was a renowned professional choir founded in New York City in 1948 by Robert Shaw , a Californian who had been drafted out of college a decade earlier by Fred Waring to conduct his glee club in radio broadcasts.
157-517: The Chorale enjoyed an intermittent existence, being formed and re-formed on an ad hoc basis for national and international tours and several RCA Victor recordings, its personnel count ranging from around thirty to around sixty voices depending on repertoire requirements. The Chorale ceased operations permanently in 1965, shortly before Shaw assumed the post of Music Director of the Atlanta Symphony Orchestra . During its existence
314-630: A brand name only; the various RCA trademarks are currently owned by Sony Music Entertainment and Vantiva , which in turn license the RCA brand name and trademarks to several other companies, including Voxx International , Curtis International, AVC Multimedia, TCL Corporation and Express LUCK International, Ltd. for their various products. RCA originated as a reorganization of the Marconi Wireless Telegraph Company of America (commonly called "American Marconi"). In 1897,
471-554: A "remarkable turnaround" with the success of artists including Britney Spears , the Dave Matthews Band , Natalie Imbruglia , the Verve Pipe , Robyn , SWV , Christina Aguilera , NSYNC , and Foo Fighters . A distribution deal with Loud Records yielded hit records from urban artists including Big Punisher , Wu-Tang Clan and Mobb Deep . In 2002, BMG fully acquired J Records , which it had founded in 2000 as
628-511: A $ 490 million company loss. Sperry Rand 's UNIVAC division took over the RCA computer division in January 1972. Univac did not want the Spectra computers because they were similar to its own 9000 series; instead, they wanted RCA's computer customer base. On January 1, 1965, Robert Sarnoff succeeded his father as RCA's president, although the elder Sarnoff remained in control as chairman of
785-400: A 60%–40% ratio in output between the two companies. Although the patent cross-licensing agreements had been intended to give the participants domination of equipment sales, the tremendous growth of the market led to fierce competition, and in 1925 RCA fell behind Atwater Kent as the leader in receiver sales. RCA was particularly hamstrung by the need to coordinate its sales within the limits of
942-576: A British punk rock label, and Jive Records , whose roster included Schooly D , Kool Moe Dee , and DJ Jazzy Jeff & the Fresh Prince . By the end of the fiscal year 1988, RCA Records had gross revenue of $ 236 million in the United States, the most profitable year in the label's history. The album The Way It Is by Bruce Hornsby and the Range , sold more than three million copies, and
1099-607: A commercial version of his prototype system could be produced in a relatively short time for $ 100,000. Following what would actually be many years of additional research and millions of dollars, RCA demonstrated an all-electronic black-and-white television system at the 1939 New York World's Fair . RCA began regular experimental television broadcasting from the NBC studios to the New York metropolitan area on April 30, 1939, via station W2XBS, channel 1 (which evolved into WNBC channel 4) from
1256-535: A company whose holdings included motion picture theaters. The theaters in which RKO had an interest provided a potential market for the RCA Photophone sound systems. RCA ownership of RKO stock expanded from about one quarter in 1930 to about 61% in 1932. RKO encountered severe financial problems, going into receivership from early 1933 until 1940. RCA sold its holdings in the studio to raise funds for its basic operations. After years of industry complaints that
1413-406: A cross-licensing agreement, effective July 1, 1921, that included a concession that 40% of RCA's equipment purchases would be from Westinghouse. Following these transactions, GE owned 30.1% of RCA's stock, Westinghouse 20.6%, AT&T 10.3%, and United Fruit 4.1%, with the remaining 34.9% owned by individual shareholders. In 1930, RCA agreed to occupy the yet-to-be-constructed landmark skyscraper of
1570-455: A different supporting cast. They also issued two studio cast versions of Show Boat , one with Robert Merrill, Patrice Munsel , and Rise Stevens in 1956, and the other with Howard Keel , Anne Jeffreys , and Gogi Grant in 1958. Contrary to the way the show is written, both of these Show Boat albums featured all-white casts, reflecting the era of racial segregation. In 2006, Sony BMG merged its Broadway music labels, including RCA Victor, to
1727-434: A fully independent company. As a result, GE and Westinghouse gave up their ownership interests in RCA, while RCA was allowed to keep its factories. To give RCA a chance to establish itself, GE and Westinghouse were required to refrain from competing in the radio business for the next two and one-half years. RCA began television development in early 1929, after an overly optimistic Vladimir K. Zworykin convinced Sarnoff that
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#17327798926321884-859: A high-powered Alexanderson alternator , built by General Electric (GE), at the American Marconi transmitter site in New Brunswick, New Jersey. It proved to be superior for transatlantic transmissions to the Spark-gap transmitters that had been traditionally used by the Marconi companies. Marconi officials were so impressed by the capabilities of the Alexanderson alternators that they began making preparations to adopt them as their standard transmitters for international communication. A tentative plan made with General Electric proposed that over
2041-522: A joint new company, RCA initially had little true interest in the phonograph record business. The management of RCA was interested essentially in Victor's superior sales capabilities through the record company's large network of authorized distributors and dealers, as well as the extensive, efficient manufacturing facilities in Camden, New Jersey . Immediately following the purchase of Victor, RCA began planning
2198-589: A joint venture called RCA/Ariola International. In December 1985, the RCA Corporation was purchased by General Electric (GE), with the acquisition completed in June, 1986. GE sold its 50% interest in RCA Records to its partner Bertelsmann and the company was renamed BMG Music for Bertelsmann Music Group. BMG revived the RCA "lightning bolt" logo that was retired in 1968 to differentiate RCA Records from
2355-850: A joint venture with Clive Davis . Davis was then named chairman of RCA Records and J Records under the auspices of a new entity, the RCA Music Group , which included RCA Records, J, and Arista Records . In 2004, Sony and BMG merged their music divisions to create Sony BMG , and in 2007, the RCA Music Group was rebranded as the BMG Label Group . In 2006, Sony BMG merged its former Broadway music and classical labels, including Red Seal and Gold Seal, to Sony Masterworks . Legacy Recordings , Sony Music Entertainment's catalog division, reissued classic albums from RCA. In April 2008, former Zomba Label Group president and CEO Barry Weiss
2512-471: A limited market of amateur radio enthusiasts. By 1922, the rise of broadcasting had dramatically increased the demand for radio equipment by the general public, and this development was reflected in the title of RCA's June 1, 1922, catalog, "Radio Enters the Home". RCA began selling receivers under the "Radiola" name, marketing equipment produced by GE and Westinghouse under the production agreement that allocated
2669-471: A major producer of vacuum tubes, which were branded Radiotron in the United States. Especially after the rise of broadcasting, they were a major profit source for the company. RCA's strong patent position meant that the company effectively set the selling prices for vacuum tubes in the U.S., which were significantly higher than in Europe, where Lee de Forest had allowed a key patent issued to him to lapse. RCA
2826-406: A major proponent of the 8-track tape cartridge , which it launched in 1965. Initially, the 8-track made a huge and profitable impact on consumers of recorded music. Sales of the 8-track tape format began to decline during the late 1970s when consumers increasingly favored the 4-track compact cassette tape format developed by Philips . RCA was one of a number of companies in the 1960s that entered
2983-833: A number of recordings with the RCA Victor Symphony Orchestra , which was usually drawn from either Philadelphia or New York musicians, as well as members of the Symphony of the Air, and the orchestra of the Metropolitan Opera . By the late 1950s, RCA Victor had fewer high prestige orchestras under contract than Columbia had: RCA Victor recorded the Chicago Symphony Orchestra , the Boston Symphony Orchestra , and
3140-522: A period during which RCA Records had notable success in the pop genre, with Christina Aguilera, Kesha , Pink , Kelly Clarkson and Pitbull scoring multiple #1 hits on the Billboard Hot 100 charts. In May 2011, former Universal Music Group CEO Doug Morris was appointed chairman of Sony Music Entertainment . Focused on A&R, Morris named Peter Edge , president of A&R at RCA and J Records, chairman and CEO of RCA Music Group. Tom Corson
3297-887: A practice of simultaneously recording orchestras with both stereophonic and monaural equipment. Other early stereo recordings were made of Toscanini's final NBC concerts (never officially issued) and Guido Cantelli respectively, with the NBC Symphony Orchestra; the Boston Pops Orchestra under Arthur Fiedler; and the Chicago Symphony Orchestra under Fritz Reiner . Initially, RCA used RT-21 quarter-inch tape recorders (which ran at 30 inches per second), wired to mono mixers, with Neumann U-47 cardioid and M-49/50 omnidirectional microphones. Then they switched to an Ampex 300–3 one-half inch machine, running at 15 inches per second (which
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#17327798926323454-535: A recording studio until 1935. Beginning in 1928, Victor built a new recording studio in New York City and in the 1950s and '60s RCA Victor built and operated recording studio facilities in Nashville, Hollywood, and Chicago. In 1977, RCA closed the studios in Nashville and Hollywood; the remaining New York City recording studios were closed in 1993. Radio Corporation of America The RCA Corporation
3611-431: A shallower and more closely spaced implementation of the large "standard groove" found on contemporary 78 rpm records, rather than the "microgroove" used for post-World War II 33 1 ⁄ 3 rpm " LP " (long play) records. The format was a commercial failure, partly because the new Victrolas with two-speed turntables designed to play these records were exorbitantly priced, the least expensive model retailing for $ 395.00 in
3768-475: A short distance from the match site, and operating under the call letters WJY . For the broadcast White and Sarnoff telephoned commentary from ringside, which was typed up and then read over the air by J. Owen Smith. The demonstration was a technical success, with a claimed audience of 300,000 listeners throughout the northeast. RCA quickly moved to expand its broadcasting activities. In the fall of 1921, it set up its first full-time broadcasting station, WDY , at
3925-547: A similar agreement with China in 1932. RCA claimed this was breach of contract on the grounds that its 1928 agreement had given it exclusive rights. The dispute went to arbitration, and in 1935 a decision, issued in Radio Corporation of America v China , concluded the Mackay concession was valid, because the earlier RCA concession had not granted exclusive rights. The introduction of organized radio broadcasting in
4082-490: A similarly controversial reputation, derided by some record collectors as "Dynawarp". RCA gradually phased out Dynaflex records and by the end of the 1970s had returned to manufacturing thicker vinyl records. In April 1970, RCA Records announced the first quadraphonic 4-channel 8-track tape cartridges ("Quad-8", later called just Q8). RCA began releasing quadraphonic vinyl recordings in the United States in February 1973, in
4239-776: A simple receiver using a curtain rod as an antenna, matching, at a small fraction of the cost, the performance of the massive alternator transmitters. In 1926, Harold H. Beverage further reported that a shortwave signal, transmitted on a 15-meter wavelength (approximately 20 MHz), was received in South America more readily during the daytime than the 200-kilowatt alternator transmissions. The Alexanderson alternators, control of which had led to RCA's formation, were now considered obsolete, and international radio communication would be primarily conducted using vacuum tube transmitters operating on shortwave bands. RCA would continue to operate international telecommunications services for
4396-612: A station's normal transmission frequency – Westinghouse's Frank Conrad unexpectedly found that in some cases the harmonics could be heard farther than the primary signal, something previously thought impossible, as high-frequency shortwave signals, which had poor groundwave coverage, were thought to have a very limited transmission range. In 1924, Conrad demonstrated to Sarnoff that a low-powered shortwave station in East Pittsburgh, Pennsylvania could be readily received in London by
4553-447: A transmission rate of a billion or more bits of information a second ... Eventually, a global communications network handling voice, data and facsimile will instantly link man to machine—or machine to machine—by land, air, underwater, and space circuits. [The computer] will affect man's ways of thinking, his means of education, his relationship to his physical and social environment, and it will alter his ways of living. ... [Before
4710-401: A two-year period the Marconi companies would purchase most of GE's alternator production. However, the U.S. Navy objected to the plan, fearing British domination in international radio communications and the national security concerns this raised. The Navy, claiming support from U.S. President Woodrow Wilson , looked for an alternative that would result in an "all-American" company taking over
4867-455: Is an American record label owned by Sony Music Entertainment , a subsidiary of Sony Group Corporation . RCA Records is one of Sony Music's four flagship labels, alongside RCA 's former long-time rival Columbia Records ; also Arista Records , and Epic Records . The label has released multiple genres of music, including pop , classical , rock , hip hop , afrobeat , electronic , R&B , blues , jazz , and country . The label's name
Robert Shaw Chorale - Misplaced Pages Continue
5024-499: Is derived from the initials of its now defunct parent company, the Radio Corporation of America (RCA). RCA Records was fully acquired by Bertelsmann in 1987, making it a part of Bertelsmann Music Group (BMG) and became a part of Sony BMG Music Entertainment after the 2004 merger of BMG and Sony; it was acquired by the latter in 2008, after the dissolution of Sony/BMG and the restructuring of Sony Music. RCA Records
5181-678: Is the corporate successor of the Victor Talking Machine Company . In 1929, the Radio Corporation of America (RCA) purchased the Victor Talking Machine Company , then the world's largest manufacturer of phonographs (including the famous " Victrola ") and phonograph records . The company then became the RCA Victor Division of RCA. In absorbing Victor, RCA acquired the New World rights to
5338-519: The Boston Pops Orchestra disc featuring Tchaikovsky 's Marche Slave and Ketèlbey 's In a Persian Market . RCA Victor issued boxed sets of four to six 45s, each set providing about the same amount of music as one LP (an extreme example of these 45 rpm boxed sets was the complete 1951 recording of the opera Carmen , featuring Risë Stevens and Jan Peerce , conducted by Fritz Reiner , which consisted of sixteen 45 rpm discs). In
5495-770: The National Philharmonic Orchestra and recorded in London's Kingsway Hall . In order to publish music in Japan, RCA collaborated with the Victor Company of Japan's publishing wing Victor Musical Industries Inc. in 1975 to found Japanese record label RVC. In October 1976, the RCA Corporation announced the revival of the Nipper/His Master's Voice trademark. RCA Records reinstated Nipper to most (Victor, Victrola , Red Seal and Special Products) record labels (in addition to returning to
5652-711: The Nipper / His Master's Voice trademark for use in Japan. From 1942 to 1944, RCA Victor was seriously impacted by the American Federation of Musicians recording ban . Virtually all union musicians in the US and Canada were forbidden from making recordings during the period. One of the few exceptions was the eventual release of recorded radio broadcast performances from the NBC Symphony Orchestra conducted by Arturo Toscanini . However, RCA Victor lost
5809-687: The Philadelphia Orchestra during this period; the orchestra's contract with RCA Victor expired during the strike and when Columbia Records settled with the union before RCA Victor, Eugene Ormandy and the Philadelphians signed a new contract with Columbia and began recording in 1944. Ormandy and the Philadelphia Orchestra would not return to RCA until 1968. In the spring of 1946, "RCA Victor" replaced "Victor" on its record labels. In 1949, RCA Victor introduced
5966-638: The RCA Thesaurus label at its RCA Recorded Program Services studio in New York City. These recordings were not offered for sale to the general public and were intended solely for use in broadcasts carried over leading radio networks. By 1936, RCA's extensive musical library of recordings was eventually consolidated with NBC's own transcription division. During the 1950s, it included popular music by noted musicians, such as Sammy Kaye , Freddie Martin , Lawrence Welk and John Serry Sr. Besides manufacturing its own records, RCA's Custom Record Division
6123-897: The Rockefeller Center complex, 30 Rockefeller Plaza , which in 1933 became known as the RCA Building (renamed the GE Building in 1988 and currently known as the Comcast Building after Comcast acquired NBC). This lease was critical for enabling the massive project to proceed as a commercially viable venture—David Rockefeller cited RCA's action as being responsible for "the salvation of the project". RCA's primary business objectives at its founding were to provide equipment and services for seagoing vessels, and "worldwide wireless" communication in competition with existing international undersea telegraph cables. To provide
6280-441: The U.S. State Department as part of a cultural exchange program, including 21 European and Mid-eastern countries in 1956; South America; and in 1962, a seven-week tour of Russia. The Robert Shaw Chorale was notable for its homogeneity of tone, finely wrought balances between vocal sections, elegance of phrasing, and rhythmic vitality. Many of its members were recruited from Juilliard and other NYC-area conservatories, sometimes to
6437-509: The cathode ray-tube (CRT) picture tube itself. The rapid rise of radio broadcasting during the early 1920s, which provided unlimited free entertainment in the home, had a detrimental effect on the American phonograph record industry. The Victor Talking Machine Company in Camden, New Jersey , was then the world's largest manufacturer of records and phonographs , including its popular showcase "Victrola" line. In January 1929, RCA purchased
Robert Shaw Chorale - Misplaced Pages Continue
6594-597: The soundtrack album from the film Dirty Dancing , which cost RCA $ 200,000 to produce, sold 15.6 million copies in less than two years. Its follow-up, More Dirty Dancing , composed of song tracks which had been left off of the first album, was produced for $ 80,000 and went on to sell more than 5.6 million. RCA's most successful artists during the 1980s included the Eurythmics , Love and Rockets , Joshua Perahia , Rick Astley , Hall & Oates , Dolly Parton , Juice Newton , and Bucks Fizz . In August 1990, Buziak
6751-504: The 1970s, RCA's seemingly impregnable stature as a leader in technology, innovation and home entertainment began to weaken as the company attempted to expand beyond its main focus of the development and marketing of consumer electronics and communications into a diversified multinational conglomerate. Additionally, RCA began to face increasing domestic competition from international electronics firms such as Sony , Philips , Matsushita and Mitsubishi . RCA suffered enormous financial losses in
6908-409: The 45 became the preferred speed for pop music singles, overtaking U.S. sales of the same material on 78s by 1954, but Columbia's LP prevailed as the favored format for classical music and convenient one-disc "album" collections of eight or more pop songs. RCA Victor finally bowed to the inevitable and announced its intention to issue LPs in January, 1950. Among the first RCA Victor LPs released in 1950
7065-472: The 47-xxxx series), rhythm and blues on orange or cerise (50-xxxx series), and international on light blue (51-xxxx series). This array of colors complicated the production process, and the practice was soon discontinued, all records becoming black. Yellow and red Red Seal records held on until about 1952. The first 45 rpm record manufactured was "PeeWee the Piccolo" RCA Victor 47-0147 pressed December 7, 1948 at
7222-412: The 7-inch 45 rpm micro-grooved vinylite record, marketed simply as the "45". The new format, which had been under development for over a decade, was originally intended to replace 78 rpm discs. By the time RCA Victor unveiled it, the 45 was now competing with the 10-inch and 12-inch 33 1 ⁄ 3 rpm microgroove vinyl " LP " (Long Play) discs introduced by arch-rival Columbia Records in
7379-545: The American Marconi assets. In April 1919, two naval officers, Admiral H. G. Bullard and Commander S. C. Hooper , met with GE president, Owen D. Young and requested a suspension of the pending alternator sales to the Marconi companies. This would leave General Electric without a buyer for its transmitters, so the officers proposed that GE purchase American Marconi, and use the assets to form its own radio communications subsidiary. Young consented to this proposal, which, effective November 20, 1919, transformed American Marconi into
7536-799: The Atlanta Symphony Orchestra and Chorus, were the Robert Shaw Festival Singers, a group which operated mainly around Shaw's summer home in France after his retirement as the Atlanta Symphony Orchestra's Music Director; and the Robert Shaw Chamber Singers, an Atlanta-based group composed chiefly of members of the Atlanta Symphony Chamber Chorus. This article is based on interviews with Florence Kopleff , who
7693-617: The Boston Pops, whereas Columbia had the Cleveland Orchestra , the Philadelphia Orchestra , and the New York Philharmonic Orchestra under contracts. On October 6, 1953, RCA Victor held experimental stereophonic sessions in New York City's Manhattan Center with Leopold Stokowski conducting a group of New York City musicians in performances of George Enescu 's Roumanian Rhapsody No. 1 and
7850-527: The CD-4 format developed by its former subsidiary, the Victor Company of Japan (JVC), and made commercially practical by Quadracast Systems Inc. (QSI). RCA's trade name became "Quadradisc". The CD-4 format required a special cartridge that had a ±1 db frequency response out to 50 kHz, a CD-4 demodulator which decoded the difference between the front and rear channels from a 30 kHz subcarrier, four separate amplifier channels, and four separate speakers for
8007-590: The FCC adopted a standard for color television that had been promoted by CBS, but the effort soon failed, primarily because the color broadcasts could not be received by existing black-and-white sets. As the result of a major research push, RCA engineers developed a method of "compatible" color transmissions that, through the use of interlacing, simultaneously broadcast color and black-and-white images, which could be picked up by both color and existing black-and-white sets. In 1953, RCA's all-electronic color television technology
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#17327798926328164-425: The FCC stepped in to limit its broadcasts. Following the adoption of National Television System Committee (NTSC) recommended standards, the FCC authorized the start of commercial television broadcasts on July 1, 1941. The entry of the United States into World War II a few months later greatly slowed its deployment, but RCA resumed selling television receivers almost immediately after the war ended in 1945. In 1950,
8321-655: The GE/Westinghouse production quotas, and often had difficulty keeping up with industry trends. However, the company made a key advance in early 1924 when it began selling the first superheterodyne receivers, whose high level of performance increased the brand's reputation and popularity. RCA was the exclusive manufacturer of superheterodyne radio sets until 1930. All RCA receivers were battery powered until late 1927 when plug-in AC sets were introduced, providing another boost in sales. RCA inherited American Marconi's status as
8478-536: The NBC name and remained under RCA ownership until 1986. For two decades the NBC radio network's roster of stars provided ratings consistently surpassing those of its main competitor, the Columbia Broadcasting System (CBS). But in 1948, as the transition from radio to television was beginning, NBC's leadership came under attack due to what became known as the "Paley raids", named after the president of CBS, William S. Paley . After World War II
8635-688: The Nipper/His Master's Voice trademark for which EMI held the rights to in the U.K. and Europe. RCA set up its own British manufacturing and distribution in 1969. RCA Victor issued several spoken word albums in the 1950s and 60s, notably the soundtracks of the films Richard III , A Man for All Seasons and The Taming of the Shrew , as well as complete versions of the National Theatre of Great Britain stage productions of Othello (starring Laurence Olivier ) and Much Ado About Nothing (starring Maggie Smith , who also played Desdemona in
8792-607: The Olivier Othello ). None of these albums have appeared on compact disc, but the films of Richard III , A Man For All Seasons , The Taming of the Shrew and the filmed version of Olivier's Othello have all been issued on DVD. In 1960, RCA Victor announced the Compact 33 double extended play and singles; these were 7 inch records, which played at 33 1/3 rpm. In January 1961, the Compact 33 discs were released simultaneously with their 45 rpm counterparts. The long-term goal
8949-514: The RCA Nashville division and in March, 1995 was replaced by Bob Jamieson, the president of RCA's Canadian division. Jamieson overhauled RCA, streamlining middle management and retooling the label's marketing department. The A&R department was again restructured and the roster of artists further reduced. By the close of the decade, RCA Records had undergone what Billboard described as
9106-425: The Radio Corporation of America. The decision to form the new company was promoted as a patriotic gesture. The corporate officers were required to be citizens of the United States, with a majority of the company stock to be held by U.S. citizens. Upon its founding, RCA was the largest radio communications firm in the United States. Most of the former American Marconi staff continued to work for RCA. Owen Young became
9263-610: The Reggae Album of the Year Grammy. In June 2020, the label partnered with the Human Rights Campaign to present the 2020 Pride Benefit Concert, a livestream supporting LGBTQ equality in June. RCA artists including Isaac Dunbar, Cam, and Citizen Queen performed. SZA released the single " Good Days " on December 25. In January 2021, Mark Pitts was appointed president of RCA Records and John Fleckenstein
9420-772: The Robert Shaw Chorale became arguably the best-known and most widely respected professional choral organization in the United States, with repertoire ranging from J.S. Bach to folk music and Broadway theatre tunes. The group's album recording "Christmas Hymns And Carols" released in November 1957 was certified gold in August 1964 by the Recording Industry Association of America (RIAA). This recording peaked at #5 on Billboard's Top Pop Album Chart. The group made several tours sponsored by
9577-593: The Roselle Park, New Jersey company plant. By 1923, RCA was operating three stations—WJZ (now WABC ) and WJY in New York City, and WRC (now WTEM ) in Washington, D.C. A restriction imposed by AT&T's interpretation of the patent cross-licensing agreements required that the RCA stations remain commercial free, and they were financed by profits from radio equipment sales. Beginning in 1922, AT&T became heavily involved in radio broadcasting, and soon became
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#17327798926329734-869: The Sherman Drive plant in Indianapolis. The use of vinyl, which was much more expensive than the gritty shellac compound normally used for 78s, was actually cheaper because of the smaller diameter and greatly reduced bulk of the new records, which required very little raw material. The smaller, lightweight discs were also more economical to store and ship. RCA Victor marketed the 45 as a direct replacement for 10-inch and 12-inch 78 rpm records, which typically played for about three and four minutes per side respectively. The company also released some " extended play " (EP) 45s with playing times up to 7 minutes per side, primarily for vocal collections and light classical selections, as typified by an Arthur Fiedler and
9891-434: The U.S. entered the war in December 1941. During World War II, RCA was involved in radar and radio development in support of the war effort, and ranked 43rd among United States corporations in the value of wartime military production contracts. One such contract was to outfit the battleship USS Texas with a 400-megahertz pulse radar set, using technology developed by RCA acoustics scientist, Irving Wolff . During and after
10048-438: The UK and its territories on the HMV label until 1957. RCA also manufactured and distributed HMV recordings on the RCA Victor and special HMV labels in North America. Due to hostilities between Japan and the United States during World War II , ties between RCA Victor and its Japanese subsidiary Victor Company of Japan (Nippon Victor) were severed. JVC's record company is known today as Victor Entertainment and still retains
10205-595: The United States entered World War II, the cornerstone was laid for a research and development facility in Princeton, New Jersey called RCA Laboratories. Led for many years by Elmer Engstrom , it was used to develop many innovations, including color television , the electron microscope , CMOS -based technology, heterojunction physics, optoelectronic emitting devices , liquid crystal displays (LCDs), videocassette recorders , direct broadcast television, direct broadcast satellite systems and high-definition television . RCA plants switched to war production shortly after
10362-428: The United States; JVC retained the 'Victor' and "His Master's Voice" trademarks for use in Japan only. In 1955, RCA sold its Estate brand of large appliance operations to Whirlpool Corporation . As part of this transaction, Whirlpool was given the right to market "RCA Whirlpool" appliances through the mid-1960s. RCA manufactured equipment for repairing radios, such as oscilloscopes. RCA Graphic Systems Division (GSD)
10519-416: The Victor Talking Machine Company; this acquisition became known as the RCA Victor Division of the Radio Corporation of America, and included ownership of Victor's Japanese subsidiary, the Victor Company of Japan (JVC), formed in 1927 and controlling interest in The Gramophone Company Ltd. (later EMI Records ) in England. RCA's acquisition of the Victor company included the western hemisphere rights to
10676-411: The Vik label was discontinued the following year. From the label's beginnings in 1902, and intensifying through the 1940s and 1950s, RCA Victor was in direct competition with Columbia Records . A number of recordings were made with the NBC Symphony Orchestra , conducted by Arturo Toscanini ; sometimes RCA Victor utilized recordings of broadcast concerts (Toscanini had been recording for the label since
10833-464: The Wireless Telegraph and Signal Company, Limited, was founded in London to promote the radio (then known as "wireless telegraphy") inventions of Guglielmo Marconi . As part of worldwide expansion, in 1899 American Marconi was organized as a subsidiary company, holding the rights to use the Marconi patents in the United States and Cuba. In 1912 it took over the assets of the bankrupt United Wireless Telegraph Company , and from that point forward it became
10990-418: The acting president of the National Amateur Wireless Association (NAWA), an organization originally formed by American Marconi which had been inherited by RCA. White agreed to recruit the NAWA membership for volunteers to provide assistance at the listening sites, and also enlisted David Sarnoff for financial and technical support. RCA was authorized to set up a temporary longwave radio station, located in Hoboken
11147-437: The area of vacuum tube technology and GE needed access to additional patents before its new subsidiary could be fully competitive. During this time American Marconi had been steadily falling behind others in the industry. The two companies entered into negotiations which resulted in a series of mutually beneficial cross-licensing agreements between themselves and various other companies in the industry. On July 1, 1920, an agreement
11304-549: The attic or basement. RCA Victor began selling the first all-electric Victrola in 1930 and in 1931 the company attempted to revitalize record sales with the introduction of 33 1 ⁄ 3 revolutions-per-minute (rpm) long play records, which were a commercial failure during the Great Depression, partly because the Victrolas with two speed turntables required to play them were exorbitantly expensive, and also because
11461-399: The audio performance of the new records was generally poor; the new format used the same groove size as existing 78 rpm records, and it would require the smaller-radius stylus of the later microgroove systems to achieve acceptable slower-speed performance. Additionally, the new long-play records were pressed in a pliable, vinyl-based material called "Victrolac" which wore out rapidly under
11618-471: The board. The younger Sarnoff sought to modernize RCA's image with the introduction in late 1968 of what was then a futuristic-looking new logo (the letters 'RCA' in block, modernized form), replacing the original lightning bolt logo, and the virtual retirement of both the Victor and Nipper/"His Master's Voice" trademarks. The RCA Victor Division was renamed RCA Records; the 'Victor' and 'Victrola' trademarks were no longer used on RCA consumer electronics. 'Victor'
11775-518: The case of operas, symphonies and other complete recordings of classical music, there was an interruption every four minutes as one record side ended and another side began. These disruptive "side breaks", a nuisance long familiar to listeners of album sets of classical and operatic 78 rpm records, were minimized by an extremely fast automatic record-changing mechanism that was a core feature of RCA Victor's 45 players. Thanks in large degree to RCA Victor's massive five million dollar advertising campaign,
11932-490: The center and edge of a record are thicker than the playing area, reducing scuff marks during handling and when stacked on a turntable with an automatic record changer. Most competitors quickly adopted the raised label and edges. In 1955, RCA Victor purchased the recording contract of Elvis Presley from Sun Records for the then-exorbitant sum of $ 40,000. His first single for RCA Victor was " Heartbreak Hotel ", recorded in January 1956. Ten million Presley singles were sold by
12089-429: The chairman of the board of the new company. Former American Marconi vice president and general manager E. J. Nally become RCA's first president. Nally was succeeded by Major General James G. Harbord , who served from 1922 until January 3, 1930, when Harbord replaced Owen Young as chairman of the board. David Sarnoff, who was RCA's founding general manager, became its third president on the same day. RCA worked closely with
12246-476: The consternation of those singers’ voice teachers: Shaw was fond in later years of relating that when he was preparing to take the Chorale on a grueling U.S. tour of 36 one-night stands performing Bach’s lengthy Mass in B Minor , several teachers protested that he would ruin their students’ voices. At the end of the tour, when teachers remarked with astonishment that the voices had actually improved, Shaw replied to
12403-675: The costs of providing programming threatened to exceed the funds available from equipment profits. The problem was resolved in 1926 when AT&T unexpectedly decided to exit the radio broadcasting field. RCA purchased, for $ 1,000,000, AT&Ts two radio stations, WEAF and WCAP in Washington, D.C., as well as its network operations. These assets formed the basis for the creation of the National Broadcasting Company (NBC), with ownership divided between RCA (50%), General Electric (30%), and Westinghouse (20%) until 1930, when RCA assumed 100% ownership. This purchase also included
12560-524: The cross-licensing agreements between RCA, GE, and Westinghouse had in effect created illegal monopolies, the U.S. Department of Justice brought antitrust charges against the three companies in May 1930. After much negotiation, in 1932 the Justice Department accepted a consent agreement that removed the restrictions established by the cross-licensing agreements, and also provided that RCA would become
12717-533: The days of acoustic recordings , and RCA Victor had been recording the NBC Symphony since its creation in 1937). After Toscanini retired in the spring of 1954, the NBC Symphony was reorganized later that year as the Symphony of the Air . The orchestra, while no longer connected to NBC, continued to record for RCA Victor, as well as other labels, usually conducted by Leopold Stokowski . RCA Victor also released
12874-567: The depths of the Great Depression . By 1933, the format was abandoned and two-speed turntables were no longer offered, but some Program Transcriptions lingered in the Victor record catalog until the end of the 1930s. During the early days of the Depression, RCA Victor made a number of attempts to create a successful low-priced label to compete with " dime store labels" such as Perfect , Oriole , Banner , and Melotone . The first
13031-478: The dominant radio communications company in the United States. When the United States entered World War I in April 1917, the federal government took control of most civilian radio stations to use them for the war effort. Although the government planned to restore civilian ownership of the radio stations once the war ended, many United States Navy officials hoped to retain a monopoly on radio communication even after
13188-450: The early 1920s resulted in a dramatic reorientation and expansion of RCA's business activities. The development of vacuum tube radio transmitters made audio transmissions practical, in contrast with the earlier transmitters which were limited to sending the dits-and-dahs of Morse code . Since at least 1916, when he was still at American Marconi, David Sarnoff had proposed establishing broadcasting stations, but his memos to management promoting
13345-512: The early summer of 1948. In heavy promotion, RCA Victor sold compact, inexpensive add-on and stand-alone units that played the 45 rpm format exclusively. At first, RCA Victor's 45s were issued on colored vinyl according to the musical genre: contemporary pop music on black vinyl (47-xxxx series), prestigious Broadway musicals and operettas on "midnight blue" vinyl (52-xxxx series), classical music on red vinyl (49-xxxx series), country and polka on green (48-xxxx series), children's fare on yellow (also in
13502-608: The effect that “Bach has been teaching singing.” Alumni of the Chorale include a number of singers who had significant careers as solo artists, including sopranos Yvonne Ciannella and Shirlee Emmons , alto Florence Kopleff , tenors Seth McCoy and Jon Humphrey, and baritone Thomas Pyle; and several others who have worked with distinction as directors of their own choruses, such as Clayton Krehbiel, Donald Craig, and Maurice Casey. The Robert Shaw Chorale ceased operations with Robert Shaw's move to Atlanta . Subsequent groups with which Shaw gave concerts and made recordings, apart from
13659-474: The end of that same year, David Sarnoff, after being incapacitated by a long-term illness, was removed as the company's chairman of the board. He died in December 1971. RCA's exit from the mainframe computer market in 1971 marked a milestone in its transition from electronics and technology toward Robert Sarnoff's goal to diversify RCA as a multinational business conglomerate . During the late 1960s and 1970s,
13816-701: The end of this century, these forces] will coalesce into what unquestionably will become the greatest adventure of the human mind." RCA marketed a Spectra 70 computer line that was hardware, but not software, compatible with IBM's System/360 series. It also produced the RCA Series, which competed against the IBM System/370 . This technology was leased to the English Electric company, which used it for their System 4 series, which were essentially RCA Spectra 70 clones. RCA's TSOS operating system
13973-602: The famous Nipper /" His Master's Voice " trademark . In 1931, RCA Victor's British affiliate the Gramophone Company merged with the Columbia Graphophone Company to form EMI . This gave RCA head David Sarnoff a seat on the EMI board. In September 1931, RCA Victor introduced the first 33 1 ⁄ 3 rpm records sold to the public, calling them "Program Transcription" records. These used
14130-467: The federal government and felt it deserved to maintain its predominant role in U.S. radio communications. At the company's recommendation, President Wilson appointed Rear Admiral Bullard "to attend the stockholders' and director's meetings... in order that he may present and discuss informally the Government's views and interests". The radio industry had been making technical advances, particularly in
14287-593: The first half of the decade, RCA released platinum and multi-platinum records by artists including A$ AP Rocky , Cage the Elephant , Chris Brown , Kelly Clarkson , Miley Cyrus , D'Angelo , Dave Matthews Band , Foo Fighters , G-Eazy , Jennifer Hudson , R. Kelly , Kesha , Khalid , Alicia Keys , Kings of Leon , Miguel , Pentatonix , P!nk , Pitbull , Shakira , Sia , Britney Spears , Bryson Tiller , Justin Timberlake , T-Pain , and Tinashe . Since 2012,
14444-454: The first of five RCA plants to produce Madame X vacuum tubes, which included a proximity fuse used to electronically detonate its payload when it was in range of its target, as opposed to relying on a direct hit. James V. Forrestal, former secretary of the Navy said, "The proximity fuse had helped blaze the trail to Japan. Without the protection this ingenious device has given the surface ships of
14601-466: The first stereo 8-track tape music Cartridges ( Stereo 8 ) which were first used in the 1966 line of Ford automobiles and were popular throughout the late 1960s and 1970s. (The initial release comprised 175 titles from RCA Victor and RCA Camden's catalog of artists.) In late 1968, the Radio Corporation of America, wishing to modernize its image, introduced what was then a futuristic-looking new logo (the letters 'RCA' in block, modernized form), replacing
14758-425: The fleet, our westward push could not have been so swift and the cost in men and ships would have been immeasurably greater." Greatly miniaturized Nuvistor tubes were a last major vacuum tube innovation, along with General Electric's Compactron , and were meant to compete with the newly introduced transistor. By 1975, RCA had completely switched from tubes to solid-state devices in their television sets, except for
14915-485: The format never became popular, and both RCA and CBS/Columbia abandoned quadraphonic recording in 1976; some of the RCA sessions were later remastered for Dolby encoding (same as Peter Scheiber 's original matrix system) and released on compact disc This included Charles Gerhardt 's acclaimed series of RCA Red Seal albums devoted to classic film scores by Erich Wolfgang Korngold , Alfred Newman , Dimitri Tiomkin , Max Steiner , Franz Waxman , and others, performed by
15072-550: The heavy tonearms then in use. In 1934, following the debacle of its long-play record, RCA Victor introduced the Duo Jr., an inexpensive, small, basic electric turntable designed to be plugged into radio sets. The Duo Jr. was sold at cost, but was practically given away with the purchase of a certain number of Victor records. The Duo Jr.'s rock-bottom price helped to overcome the national apathy to phonographs, and record sales gradually began to recover. Around 1935, RCA began marketing
15229-405: The iconic Nipper /" His Master's Voice " trademark. RCA Victor popularized combined radio receiver-phonographs, and also created RCA Photophone , a movie sound-on-film system that competed with William Fox 's sound-on-film Movietone and Warner Bros. ' sound-on-disc Vitaphone . Although early announcements of the RCA and Victor merger stressed that the two firms were linking equally to form
15386-745: The idea for sales of a "Radio Music Box" had not been followed up at the time. Around 1920, a small number of broadcasting stations began operating, and soon interest in the innovation was spreading nationwide. In the summer of 1921, a Madison Square Garden employee, Julius Hopp, devised a plan to raise charitable funds by broadcasting, from ringside, the July 2, 1921 Dempsey-Carpentier heavyweight championship fight to be held in Jersey City, New Jersey. Hopp recruited theaters and halls as listening locations that would charge admission fees to be used as charitable donations. He also contacted RCA's J. Andrew White,
15543-653: The industry, in 1941 the Federal Communications Commission (FCC) promulgated a rule designed to force NBC to divest one of them. This order was upheld by the U.S. Supreme Court, and on October 12, 1943, the NBC-Blue network was sold to candy magnate Edward J. Noble for $ 8,000,000, and renamed "The Blue Network, Inc." In 1946 the name was changed to the American Broadcasting Company (ABC). The "Red" network retained
15700-419: The international service, the company soon undertook a massive project to build a "Radio Central" communications hub at Rocky Point, Long Island , New York, designed to achieve "the realization of the vision of communication engineers to transmit messages to all points of the world from a single centrally located source". Construction began in July 1920, and the site was dedicated on November 5, 1921, after two of
15857-506: The label bought back $ 25 million in unsold albums and lost $ 35 million during the fiscal year 1987. As a partial corrective, a decentralized style of management which allowed RCA Records to function as a free-standing entrepreneurial business was implemented for 1988. Buziak drastically cut the RCA roster from around 40 artists to 11, and began to rebuild it with a focus on developing new artists, including artists acquired through marketing and distribution agreements with Beggars Banquet Records ,
16014-554: The label during 1956; Presley went on to become RCA Victor's biggest selling artist. Effective in 1957, EMI/HMV ended its 55-year association with RCA Victor, after EMI's acquisition of Capitol Records in 1955. Capitol then became the main distributor for EMI recordings in the Americas; Decca Records became the manufacturer and distributor for RCA Victor in the United Kingdom, using the RCA lightning bolt logo, instead of
16171-677: The label had signed Thai rapper Lisa , a member of the South Korean girl group Blackpink , for her venture into American solo endeavors. RCA Victor has produced several notable Broadway cast albums, among them the original Broadway recordings of Brigadoon , Paint Your Wagon , the Mary Martin Peter Pan , Damn Yankees , Hello, Dolly! , Oliver! , and Fiddler on the Roof . RCA has also recorded and released recordings of revival stagings of musicals. These include
16328-521: The label has released music by artists including: Kevin Abstract , A$ AP Ferg , Becky G , Bleachers , Brockhampton , Bryson Tiller , Cam , G-Eazy , Childish Gambino , Martin Garrix , H.E.R. , Normani , Kaytranada , Khalid , Kygo , Tate McRae , Mark Ronson , Sasha Sloan , Jazmine Sullivan , SZA , ZAYN . In 2015, RCA Records reinstated its 1968 space-age 'RCA' styled logo after utilizing
16485-468: The left and right front and left and right rear. Both the CD-4 Quadradisc and Quad-8 tape cartridge systems were true discrete 4–4–4 quadraphonic systems. Columbia Records introduced a quadraphonic matrix system, SQ, which required a decoder, 4-channel amplifier and the four speakers. The SQ system was referred to as a 4–2–4 matrix system. The Warner Music Group labels also adopted Quadradisc, but
16642-607: The lightning bolt logo since 1987. The lightning bolt logo is still used by RCA's Nashville division. John Fleckenstein and Joe Riccitelli were appointed as co-presidents of RCA Records in January 2018. Later that year, RCA named Keith Naftaly president of A&R, and Tunji Balogun executive VP of A&R. In addition to releasing successful albums by Bryson Tiller, Alicia Keys, Fousheé' and Pentatonix in 2020, RCA had #1 records with Doja Cat 's "Say So" feat. Nicki Minaj ; Miley Cyrus' " Plastic Hearts " and Chris Brown & Young Thug's " Go Crazy ". Brockhampton's single "Sugar"
16799-408: The mainframe computer field to challenge the market leader International Business Machines (IBM). Although at this time computers were almost universally used for routine data processing and scientific research, in 1964 Sarnoff, who prided himself as a visionary, predicted that "The computer will become the hub of a vast network of remote data stations and information banks feeding into the machine at
16956-519: The mainframe computer industry and other failed projects including the CED videodisc system. Although the company was rebounding by the mid-1980s, RCA never regained its former eminence and was reacquired by General Electric in 1986. This was during the Jack Welch era of GE and Welch began selling off or liquidating most of RCA's assets, retaining only NBC and government services. Today, RCA exists as
17113-674: The majority of its stock was in foreign hands, and the British already largely controlled the international undersea telegraph cables. This concern was increased by the announcement in late 1918 of the formation of the Pan-American Wireless Telegraph and Telephone Company, a joint venture between American Marconi and the Federal Telegraph Company , with plans to set up service between the United States and South America. The Navy had installed
17270-528: The manufacture of radio sets and components on Victor's Camden assembly lines, while decreasing the production of Victrolas and records. The entire phonograph record industry in America nearly foundered after the stock market crash of 1929 and subsequent Great Depression . During the nadir of the record business in the early 1930s, the manufacture of phonographs and records all but ceased; extant older phonographs were now obsolete and many had been relegated to
17427-538: The modernistic RCA Victor M Special, a polished aluminum portable record player designed by John Vassos that has become an icon of 1930s American industrial design. In 1949, RCA Victor released the first 45 rpm "single" records, as a response to Columbia Records successful introduction of its microgroove 33 1 ⁄ 3 rpm " LP " format in 1948. As RCA Victor adopted Columbia's 33 1 ⁄ 3 rpm LP records in 1950, Columbia then adopted RCA Victor's 45 rpm records. RCA also made investments in
17584-586: The movie industry, but they performed poorly. In April 1928, RCA Photophone, Inc., was organized by a group of companies including RCA to develop sound-movie technology. In the fall of 1927, RCA had purchased stock in Film Booking Office (FBO), and on October 25, 1928, with the help of Joseph P. Kennedy , the Radio-Keith-Orpheum Corporation (RKO) studio was formed by merging FBO with Keith-Albee-Orpheum Corporation (KAO),
17741-452: The musical productions staged at Lincoln Center , such as the 1966 revivals of Show Boat and Annie Get Your Gun , the 1987 revival of Anything Goes and the 1998 Broadway revivals of Cabaret and The Sound of Music . Call Me Madam was recorded by RCA Victor with all of its original cast except for its star Ethel Merman , who, due to contractual obligations, could not be released from her American Decca Records contract. She
17898-519: The new Empire State Building transmitter on top of the structure. Around this time, RCA began selling its first television set models, including the TRK-5 and TRK-9, in various New York stores. However, the FCC had not approved the start of commercial television operations, because technical standards had not yet been finalized. Concerned that RCA's broadcasts were an attempt to flood the market with sets that would force it to adopt RCA's current technology,
18055-536: The new Masterworks Broadway Records . All of these recordings are now on Masterworks Broadway Records , which has remastered and reissued many of these albums. Victor's early recording studios were established in Philadelphia in 1901 and then at its headquarters in Camden, New Jersey and also in New York. In 1917, Victor acquired the abandoned Trinity Church located at 114 North 5th Street in Camden and used it as
18212-464: The new industry's most important participant. From the beginning, AT&T's policy was to finance stations by commercial sponsorship of the programs. The company also created the first radio network, centered on its New York City station WEAF (now WFAN ), using its long-distance telephone lines to interconnect stations. This allowed them to economize by having multiple stations carry the same program. RCA and its partners soon faced an economic crisis, as
18369-557: The original lightning bolt logo, and the virtual retirement of both the Victor and Nipper/His Master's Voice trademarks. The Radio Corporation of America officially changed its name to the RCA Corporation; the RCA Victor Division was now known as RCA Records. The 'Victor' trademark was restricted to the labels and album covers of RCA's regular popular record releases. RCA Victor record labels were changed to bright orange or yellow (becoming tan briefly late in 1975–76), replacing
18526-468: The other RCA divisions, which GE either liquidated, sold, or closed. BMG also revived the "RCA Victor" label for Red Seal, Broadway and soundtrack releases and other musical genres outside of rock, pop and country music. In 1986, Bob Buziak, formerly an artist manager, was appointed president of the label. During the mid-1980s, RCA Records operated at a deficit, due in part to "overpriced deals" with pop stars including Kenny Rogers and Diana Ross . In 1986,
18683-423: The performers, while Sarnoff professed his indifference to the defections, stating at an annual meeting that "Leadership built over the years on a foundation of solid service cannot be snatched overnight by buying a few high-priced comedians. Leadership is not a laughing matter." RCA acted as the sales agent for a small line of Westinghouse and GE branded receivers and parts used by home constructors, originally for
18840-432: The prefix "LSP". RCA utilized these catalog prefixes until 1973, when they were changed to "ARL1" and "APL1" for stereo classical and stereo non-classical single LPs, respectively. During the 1950s, RCA Victor had three subsidiary or specialty labels: Groove , Vik and "X". The edition of Billboard magazine dated April 11, 1953, announced a new RCA Victor subsidiary label, its first to use independent distribution and
18997-497: The proposed twelve antenna spokes had been completed, and two of the 200-kilowatt alternators installed. The debut transmissions received replies from stations in 17 countries. Although the initial installation would remain in operation, the additional antenna spokes and alternator installations would not be completed, due to a major discovery about radio signal propagation. While investigating transmitter "harmonics" – unwanted additional radio signals produced at higher frequencies than
19154-525: The remainder of its existence, through its subsidiary RCA Communications, Inc., and later the RCA Global Communications Company. In 1975, the company formed RCA American Communications , which operated its Satcom series of geostationary communications satellites . International shortwave links were in turn largely supplanted by communications satellites, especially for distributing network radio and television programming. At
19311-599: The right to begin commercial operations. NBC formed two radio networks that eventually expanded nationwide: the NBC-Red Network , with flagship station WEAF, and NBC-Blue , centered on WJZ. Although NBC was originally promoted as expecting to just break even economically, it soon became extremely profitable, which would be an important factor in helping RCA survive the economic pressures of the Great Depression that began in late 1929. Concerned that NBC's control of two national radio networks gave it too much power over
19468-434: The tax rate for annual incomes above $ 70,000 was 77%, while capital gains were taxed at 25%. Paley worked out an accounting technique whereby individual performers could set up corporations that allowed their earnings to be taxed at the significantly lower rate. Instead of NBC responding with a similar package, Sarnoff decided that this accounting method was legally and ethically wrong. NBC's performers did not agree, and most of
19625-460: The time RCA was founded in 1919, all radio and telegraphic communication between China and the US, including official messages, were sent through either German radio or British cable links. The U.S. Navy lobbied RCA to seek a concession for a radio link to China, however the company was reluctant because its other concessions were already operating at a loss. This link began operation in 1928. The Mackay Radio and Telegraph Company of California signed
19782-428: The top stars, including Amos and Andy , Jack Benny , Red Skelton , Edgar Bergen , Burns and Allen , Ed Wynn , Fred Waring , Al Jolson , Groucho Marx and Frank Sinatra moved from NBC to CBS. As a result, CBS boasted of having sixteen of the twenty top-rated programs in 1949. The consequences would carry over to television, where CBS maintained its newfound dominance for decades. Paley had personally worked to woo
19939-592: The traditional black label color for popular releases) in countries where RCA held the rights to the Nipper/His Master's Voice trademark. Nipper was once again widely used in RCA newspaper and magazine advertisements and sales literature, as well as store displays and promotional items such as T-shirts caps, posters, coin banks, keychains, watches, coffee mugs and stuffed toys. The trademark was also restored to RCA stationery, shipping cartons and company vehicles. In 1983, Arista Records owner Bertelsmann sold 50% of Arista to RCA. In 1985, Bertelsmann and RCA Records formed
20096-424: The traditional black label color in use since 1901. The Nipper/His Master's Voice trademark was seen only on the album covers of RCA Red Seal Records . RCA Records introduced a thin, pliable, lightweight vinyl LP record known as Dynaflex in late 1969. This very thin, flexible record claimed to overcome warping and other problems encountered with conventional thicker LP records and like Dynagroove, it soon developed
20253-479: The upper dozen or so top-rated programs" and "The popular programs, to put the matter bluntly, have very little appeal for him." RCA professional video cameras and studio gear, particularly of the TK-40/41 series, became standard equipment at many American television network affiliates, as RCA CT-100 ("RCA Merrill" to dealers) television sets introduced color television to the public. In 1941, shortly before
20410-588: The waltz from Tchaikovsky 's opera Eugene Onegin . There were additional stereo tests in December, again in the Manhattan Center, this time with Pierre Monteux conducting members of the Boston Symphony Orchestra. In February 1954, RCA Victor made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles Münch , in a performance of The Damnation of Faust by Hector Berlioz. This began
20567-582: The war, RCA set up several new divisions for defense, space exploration and other activities. The RCA Service Corporation provided large numbers of staff for the Distant Early Warning (DEW) Line . RCA units won five Army–Navy "E" Awards for Excellence in production. Due to the hostilities between Japan and the United States during World War II , the Victor Company of Japan became an independent company after seceding from RCA Victor in
20724-470: The war. Contrary to instructions it had received, the Navy began purchasing large numbers of radio stations. When the war ended, Congress rejected the Navy's efforts to have peacetime control of the radio industry and instructed that the Navy return the stations it had taken control of to the original owners. Due to national security considerations, the Navy was particularly concerned about returning high-powered international stations to American Marconi, since
20881-496: Was Gaîté Parisienne by Jacques Offenbach , performed by Arthur Fiedler and the Boston Pops Orchestra , which had been recorded in Boston 's Symphony Hall on June 20, 1947; the record was given the catalogue number LM-1001. Non-classical LP record albums were issued with the prefix "LPM". When RCA Victor began issuing classical LPs in stereophonic sound in 1958, the prefix "LSC" was used. Non-classical stereo LPs were issued with
21038-448: Was a major American electronics company, which was founded in 1919 as the Radio Corporation of America . It was initially a patent trust owned by General Electric (GE), Westinghouse , AT&T Corporation and United Fruit Company . In 1932, RCA became an independent company after the partners were required to divest their ownership as part of the settlement of a government antitrust suit. An innovative and progressive company, RCA
21195-542: Was a member of the Robert Shaw Chorale throughout its existence and served as administrative assistant to Mr. Shaw; and on recollections of John W. Cooledge, a member of the Atlanta Symphony Orchestra Chorus and Chamber Chorus, and of the Robert Shaw Chamber Singers throughout the existence of that group. The Billboard Book of Gold & Platinum Records first published 1990. Complete catalogue at Discogs. RCA Victor RCA Records
21352-403: Was adopted as the standard for the United States. At that time, Sarnoff predicted annual color television sales would reach 1.78 million in 1956, but the receivers were expensive and difficult to adjust, and there was initially a lack of color programming, so sales lagged badly and the actual 1956 total would only be 120,000. RCA's ownership of NBC proved to be a major benefit, as that network
21509-406: Was also a pioneer in the introduction and development of television, both black and white and especially color television . Throughout most of the company's existence, RCA was closely identified with the leadership of David Sarnoff . He became general manager at the company's founding, served as president from 1930 to 1965, and remained active as chairman of the board until the end of 1969. During
21666-682: Was an early supplier of electronics designed for the printing and publishing industries. It contracted with German company Rudolf Hell to market adaptations of the Digiset photocomposition system as the Videocomp, and a Laser Color Scanner. The Videocomp was supported by a Spectra computer that ran the Page-1 and, later the Page-II and FileComp composition systems. RCA later sold the Videocomp rights to Information International Inc. RCA Victor became
21823-731: Was appointed chairman of the BMG Label Group, and Davis was named chief creative officer of Sony BMG worldwide. In October, Sony acquired BMG's 50% ownership and the BMG Label Group was merged with the Jive Label Group to establish the RCA/Jive Label Group . It included RCA, Jive, J, Arista, Polo Grounds, LaFace Records , Volcano Entertainment , Hitz Committee , Battery Records , and the Verity Gospel Music Group . The decade marked
21980-472: Was certified platinum, and singles by Flo Milli and Latto (formerly known as "Mulatto") were certified gold. Both Doja Cat and Kaytranada received multiple Grammy nominations, including Best New Artist, H.E.R. received her 13th Grammy nomination, and the Strokes album The New Abnormal won for Best Rock Album. Koffee signed with RCA just after she became the first woman and the youngest person to win
22137-517: Was distributed by RCA, which had released the Broadway cast album. RCA Victor also released the original American cast album of Hair . Similarly, RCA Victor also made several studio cast recording albums, including a Lerner and Loewe series with Jan Peerce , Jane Powell , and Robert Merrill , as well as a 1963 album of excerpts from George Gershwin 's Porgy and Bess , with its 1952 revival leads, Leontyne Price and William Warfield , but
22294-497: Was instructed to promote its color program offerings; even so, it was not until 1968 that color television sales in the United States surpassed those of black-and-white sets. While lauding the technical prowess of his RCA engineers who had developed color television, David Sarnoff, in marked contrast to William Paley, president of CBS, did not disguise his dislike for popular television programs. His authorized biography even boasted that "no one has yet caught him in communion with one of
22451-606: Was later increased to 30 inches per second). These recordings were initially issued in 1955 on special stereophonic reel-to-reel tapes and then, beginning in 1958, on vinyl LPs with the "Living Stereo" logo. RCA has continued to reissue many of these "Living Stereo" recordings on CD. Another 1953 project for RCA was converting the acoustically superior building Webster Hall into its main East Coast recording studio. RCA Victor operated this studio venue from 1953 to 1968. In September 1954, RCA Victor introduced "Gruve-Gard" where
22608-842: Was made with the American Telephone & Telegraph Company (AT&T), which purchased 500,000 shares of RCA, although it would divest these shares in early 1923. The United Fruit Company held a small portfolio of radio patents and signed two agreements in 1921. GE's traditional electric company rival, the Westinghouse Electric & Manufacturing Corporation , had also purchased rights to some critical patents, including one for heterodyne receiving originally issued to Reginald Fessenden , plus regenerative circuit and superheterodyne receiver patents issued to Edwin Armstrong . Westinghouse used this position to negotiate
22765-764: Was named chief operating officer. Jazmine Sullivan's Heaux Tales hit #1 on the Billboard R&;B albums chart. Tate McRae's " You Broke Me First " (stylized as "you broke me first") was quadruple platinum in Ireland, double platinum in Canada, Mexico and New Zealand, and platinum in the US, UK, Australia, Finland, France, Malaysia, the Netherlands, Norway, and Sweden. She was #1 on the Billboard emerging artist chart. In April 2024, Variety announced that
22922-565: Was named president and COO. On the seventh of October of that year, the Jive, Arista and J imprints were altogether permanently merged into RCA. As a result, the RCA Music Group was then disbanded and RCA was reinstated as a standalone label under the Sony Music umbrella. Following the shutdown of the three labels, a majority of various artists from the rosters of Jive, Arista and/or J were shifted to release future material under RCA. During
23079-416: Was nameless when it was first revealed. For the lack of any better designation, Billboard chose to refer to the new, unnamed label in the story as Label "X"; the new label began to hire staffers and decide on a direction, and the name stuck until 1955. RCA Victor officially announced the formation of label "X" on April 20, 1953. Groove was an R&B specialty label founded in 1954 and folded into Vik in 1957;
23236-516: Was now restricted to the labels and album covers of RCA's regular popular record releases, while the Nipper/"His Master's Voice" trademark was seen only on the album covers of Red Seal records. In 1969, the company name was officially changed from Radio Corporation of America to the RCA Corporation , to reflect its broader range of corporate activities and expansion into other countries. At
23393-522: Was redesigned, and it became known as the 'buff' label). Another discount label, Sunrise, was produced (although it is not known for whom it was produced, as Sunrise records are exceptionally rare today). The same musical couplings were issued on all three labels and the Bluebird label is still in existence today, nine decades after Electradisk and Sunrise were discontinued. During this time, RCA Victor also produced electrical transcriptions of music under
23550-460: Was replaced by Joe Galante , who had been the president of RCA Records Nashville division. The roster was cut once again and the A&;R department was restructured. Along with the launch of BNA Records and the expansion of the urban music division, these initiatives would prove to be positive, but RCA was unsuccessful under Galante, ranking 10th in market share in 1995. Galante returned to head
23707-464: Was replaced on the RCA Victor album by Dinah Shore . RCA Victor was also responsible for the film soundtrack albums of Damn Yankees , South Pacific , Bye Bye Birdie , Half a Sixpence , and The Sound of Music . The album made from the 1965 hit Julie Andrews film was (and is) one of the best selling soundtracks of all time. The film soundtrack of Oliver! , made by Colgems Records ,
23864-513: Was responsible for creating a series of innovative products, ranging from octal base metal tubes co-developed with General Electric before World War II, to miniaturized Nuvistor tubes used in the tuners of the New Vista series of television receivers. The company began work on a secret project for the U.S. Navy called Madame X in September 1942. The Bloomington, Indiana, plant was one of
24021-489: Was the dominant electronics and communications firm in the United States for over five decades. In the early 1920s, RCA was at the forefront of the mushrooming radio industry as a major manufacturer of radio receivers , and the exclusive manufacturer of the first superheterodyne sets. The company also created the first nationwide American radio network, the National Broadcasting Company (NBC). RCA
24178-506: Was the first mainframe, demand paging, virtual memory operating system on the market. By 1971, despite a significant investment, RCA had only a 4% market share, and it was estimated that it would cost around $ 500 million over the next five years to remain competitive with the IBM/370 series. On September 17, 1971, the RCA board of directors announced its decision to close its computer systems division (RCA-CSD), which would be written off as
24335-462: Was the leading record manufacturer for independent labels . RCA's Midwestern plant in Indianapolis , at 501 North LaSalle Street (the site is now part of a Demolition and Blight Reduction Project). The Custom Division notably pressed many record compilations for The Reader's Digest Association . RCA sold its interest in EMI in 1938, but EMI continued to distribute RCA Victor recordings in
24492-410: Was the short-lived Timely Tunes label in 1931, sold exclusively by Montgomery Ward . Bluebird Records was created in 1932 as a sub-label of Victor. It was originally an 8-inch record with a dark blue label, alongside the 8-inch Electradisk label (sold by F.W. Woolworth ). Neither label was a success. In 1933, RCA Victor reintroduced Bluebird and Electradisk as a standard 10-inch label (Bluebird's label
24649-545: Was to phase out the 45 rpm disc, but sales of the new records were poor and by early 1962 the campaign had failed. In 1963, RCA Victor introduced Dynagroove which added computer technology to the disc cutting process, ostensibly to improve sound reproduction. Whether or not the complex process was actually an improvement is still debated among audiophiles. RCA quietly phased out the Dynagroove process by 1970. In September 1965, RCA and Lear Jet Corp. teamed up to release
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