85-422: In Norse mythology , Ragnarök ( / ˈ r æ ɡ n ə r ɒ k / RAG -nə-rok or / ˈ r ɑː ɡ -/ RAHG - ; Old Norse : Ragnarǫk [ˈrɑɣnɑˌrɒk] ) is a foretold series of impending events, including a great battle in which numerous great Norse mythological figures will perish (including the gods Odin , Thor , Týr , Freyr , Heimdall , and Loki ); it will entail
170-458: A shepherd who lives inside a tree, whose descendants repopulate the land after life there has been wiped out by plague (citing a retelling by F. R. Schröder). In addition, Simek points to an Old Norse parallel in the figure of Örvar-Oddr , "who is rejuvenated after living as a tree-man ( Ǫrvar-Odds saga 24–27)." Theories have been proposed about the relation between Ragnarök and the 9th-century Old High German epic poem Muspilli about
255-497: A catastrophic series of natural disasters, including the burning of the world, and culminate in the submersion of the world underwater. After these events, the world will rise again, cleansed and fertile, the surviving and returning gods will meet, and the world will be repopulated by two human survivors, Líf and Lífþrasir . Ragnarök is an important event in Norse mythology and has been the subject of scholarly discourse and theory in
340-785: A cosmic winter motif between the Norse Fimbulwinter , the Iranian Bundahishn and Yima . Víðarr's stride has been compared to the Vedic god Vishnu in that both have a "cosmic stride" with a special shoe used to tear apart a beastly wolf. Larger patterns have also been drawn between "final battle" events in Indo-European cultures, including the occurrence of a blind or semi-blind figure in "final battle" themes, and figures appearing suddenly with surprising skills. Hilda Ellis Davidson theorizes that
425-529: A daughter at least as beautiful as she, and this daughter will follow the same path as her mother. Vafþrúðnismál stanza 47 is quoted, and so ends the foretelling of Ragnarök in Gylfaginning . Various objects have been identified as depicting events from Ragnarök . Thorwald's Cross , a partially surviving runestone erected at Kirk Andreas on the Isle of Man , depicts a bearded human holding
510-455: A female being of the same name , may be ferried away by valkyries to Odin's martial hall Valhalla , or may be chosen by the goddess Freyja to dwell in her field Fólkvangr . The goddess Rán may claim those that die at sea, and the goddess Gefjon is said to be attended by virgins upon their death. Texts also make reference to reincarnation . Time itself is presented between cyclic and linear, and some scholars have argued that cyclic time
595-471: A figure with his foot at the mouth of a four-legged beast, and this may also be a depiction of Odin being devoured by Fenrir at Ragnarök . Below the beast and the man is a depiction of a legless, helmeted man, with his arms in a prostrate position. The Younger Futhark inscription on the stone bears a commonly seen memorial dedication, but is followed by an encoded runic sequence that has been described as "mysterious," and "an interesting magic formula which
680-676: A quote from Völuspá to highlight that the dragon Níðhöggr harasses the corpses of the dead there. Chapter 53 begins with Gangleri asking if any of the gods will survive and if there will be anything left of the earth or the sky. High responds that the earth will appear once more from the sea, beautiful and green, where self-sown crops grow. The field Iðavöllr exists where Asgard once was, and, there, untouched by Surtr's flames, Víðarr and Váli reside. Now possessing their father's hammer Mjölnir , Thor's sons Móði and Magni will meet them there, and, coming from Hel , Baldr and Höðr also arrive. Together, they all sit and recount memories, later finding
765-463: A region in the center of the cosmos. Outside of the gods, humanity, and the jötnar, these Nine Worlds are inhabited by beings, such as elves and dwarfs . Travel between the worlds is frequently recounted in the myths, where the gods and other beings may interact directly with humanity. Numerous creatures live on Yggdrasil, such as the insulting messenger squirrel Ratatoskr and the perching hawk Veðrfölnir . The tree itself has three major roots, and at
850-605: A religious context among adherents of Germanic Neopaganism . The historical religion of the Norse people is commonly referred to as Norse mythology . Other terms are Scandinavian mythology , North Germanic mythology or Nordic mythology . Norse mythology is primarily attested in dialects of Old Norse , a North Germanic language spoken by the Scandinavian people during the European Middle Ages and
935-553: A spear downward at a wolf, his right foot in its mouth, while a large bird sits at his shoulder. Rundata dates it to 940, while Pluskowski dates it to the 11th century. This depiction has been interpreted as Odin, with a raven or eagle at his shoulder, being consumed by Fenrir at Ragnarök . On the other side of the stone is a depiction of a large cross and another image parallel to the Odin figure that has been described as Christ triumphing over Satan. These combined elements have led to
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#17327798261441020-519: A wood or even a forest in which the two keep themselves hidden, but rather as an alternative name for the world-tree Yggdrasill . Thus, the creation of mankind from tree trunks ( Askr, Embla ) is repeated after the Ragnarök as well." Simek says that in Germanic regions , the concept of mankind originating from trees is ancient, and additionally points out legendary parallels in a Bavarian legend of
1105-504: Is Njörðr's unnamed sister (her name is unprovided in the source material). However, there is more information about his pairing with the skiing and hunting goddess Skaði . Their relationship is ill-fated, as Skaði cannot stand to be away from her beloved mountains, nor Njörðr from the seashore. Together, Freyja, Freyr, and Njörðr form a portion of gods known as the Vanir . While the Aesir and
1190-504: Is aroar, and that the Æsir are in council. The dwarfs groan by their stone doors. Surtr advances from the south, his sword brighter than the sun. Rocky cliffs open and the jötnar women sink. The gods then do battle with the invaders: Odin is swallowed whole and alive fighting the wolf Fenrir , causing his wife Frigg her second great sorrow (the first being the death of her son, the god Baldr ). Odin's son Víðarr avenges his father by rending Fenrir's jaws apart and stabbing it in
1275-477: Is built from the spines of snakes, and resembles "a house with walls woven from branches"; the heads of the snakes face the inside of the house and spew so much venom that rivers of it flow throughout the hall, in which oath breakers and murderers must wade. Third here quotes Völuspá stanzas 38 to 39, with the insertion of original prose stating that the worst place of all to be is in Hvergelmir , followed by
1360-434: Is dealing with none other than Odin, whom he refers to as "the wisest of beings," adding that Odin alone could know this. Odin's message has been interpreted as a promise of resurrection to Baldr after Ragnarök . Ragnarök is briefly referenced in stanza 40 of the poem Helgakviða Hundingsbana II . Here, the valkyrie Sigrún 's unnamed maid is passing the deceased hero Helgi Hundingsbane 's burial mound . Helgi
1445-526: Is engineered by Loki , and Baldr thereafter resides in Hel , a realm ruled over by an entity of the same name . Odin must share half of his share of the dead with a powerful goddess, Freyja . She is beautiful, sensual, wears a feathered cloak, and practices seiðr . She rides to battle to choose among the slain and brings her chosen to her afterlife field Fólkvangr . Freyja weeps for her missing husband Óðr and seeks after him in faraway lands. Freyja's brother,
1530-470: Is known from all over the ancient Norse world." On the early 11th-century Skarpåker Stone , from Södermanland , Sweden, a father grieving his dead son used the same verse form, fornyrðislag , as in the Poetic Edda in the following engraving: Iarð skal rifna ok upphiminn Earth shall be riven and the over-heaven. Jansson (1987) notes that at the time of the inscription, everyone who read
1615-535: Is poisoned by the serpent, and manages to walk only nine steps before falling to the earth dead. Fenrir swallows Odin, though immediately afterwards his son Víðarr kicks his foot into Fenrir's lower jaw, grips the upper jaw, and rips apart Fenrir's mouth, killing the great wolf. Loki fights Heimdallr and the two kill each other. Surtr covers the earth in fire, causing the entire world to burn. High quotes stanzas 46 to 47 of Völuspá , and additionally stanza 18 of Vafþrúðnismál (the latter relating information about
1700-615: Is the body of myths belonging to the North Germanic peoples , stemming from Old Norse religion and continuing after the Christianization of Scandinavia as the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore , Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after
1785-475: Is there with a retinue of men, surprising the maid. The maid asks if she is witnessing a delusion since she sees dead men riding, or if Ragnarök has occurred. In stanza 41, Helgi responds that it is neither. Snorri Sturluson's Prose Edda quotes heavily from Völuspá and elaborates extensively in prose on the information there, though some of this information conflicts with that provided in Völuspá . In
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#17327798261441870-408: Is unable to assist Odin because he has engaged Jörmungandr in combat. According to High, Freyr fights fiercely with Surtr, but falls because he lacks the sword he once gave to his messenger, Skírnir . The hound Garmr (described here as the "worst of monsters") breaks free from his bonds in front of Gnipahellir , and fights the god Týr, resulting in both of their deaths. Thor kills Jörmungandr but
1955-635: The Ragnarök story, even by a scholar as cautious of such interpretations as David M. Wilson . The Ragnarök battle itself may be depicted on the north side. The cross features various figures depicted in Borre style , including a man with a spear facing a monstrous head, with one foot thrust into the beast's forked tongue and on its lower jaw, and the other is against its upper jaw, a scene interpreted as Víðarr fighting Fenrir. The 11th-century Ledberg stone in Sweden , similarly to Thorwald's Cross, features
2040-419: The völva ends her account with a description of the dragon Níðhöggr , corpses in his jaws, flying through the air. The völva then "sinks down." It is unclear if stanza 66 indicates that the völva is referring to the present time or if this is an element of the post- Ragnarök world. The Vanir god Njörðr is mentioned in relation to Ragnarök in stanza 39 of the poem Vafþrúðnismál . In
2125-534: The Poetic Edda , a collection of poems from earlier traditional material anonymously compiled in the 13th century. The Prose Edda was composed as a prose manual for producing skaldic poetry—traditional Old Norse poetry composed by skalds . Originally composed and transmitted orally, skaldic poetry utilizes alliterative verse , kennings , and several metrical forms. The Prose Edda presents numerous examples of works by various skalds from before and after
2210-452: The Poetic Edda poem Völuspá , references to Ragnarök begin from stanza 40 until 58, with the rest of the poem describing the aftermath. In the poem, a völva (a female seer) recites information to Odin . In stanza 41, the völva says: Fylliz fiǫrvi feigra manna, rýðr ragna siǫt rauðom dreyra. Svǫrt verða sólskin of sumor eptir, veðr ǫll válynd. Vitoð ér enn, eða hvat? It sates itself on
2295-458: The Prose Edda book Gylfaginning , various references are made to Ragnarök . Ragnarök is first mentioned in chapter 26, where the throned figure of High , king of the hall, tells Gangleri (King Gylfi in disguise) some basic information about the goddess Iðunn , including that her apples will keep the gods young until Ragnarök . In chapter 34, High describes the binding of
2380-555: The calque Götterdämmerung 'Twilight of the Gods' in the German reception of Norse mythology). Other terms used to refer to the events surrounding Ragnarök in the Poetic Edda include aldar rök ( aldar means age, 'end of an age') from a stanza of Vafþrúðnismál , tíva rök from two stanzas of Vafþrúðnismál , þá er regin deyja ('when the gods die') from Vafþrúðnismál , unz um rjúfask regin ('when
2465-626: The 13th century by Snorri and Gesta Danorum , composed in Latin by Saxo Grammaticus in Denmark in the 12th century, are the results of heavy amounts of euhemerization. Numerous additional texts, such as the sagas , provide further information. The saga corpus consists of thousands of tales recorded in Old Norse ranging from Icelandic family histories ( Sagas of Icelanders ) to Migration period tales mentioning historic figures such as Attila
2550-518: The Christian Last Judgment , where the word Muspille appears, and the 9th-century Old Saxon epic poem Heliand about the life of Christ , where various other forms of the word appear. In both sources, the word is used to signify the end of the world through fire. Old Norse forms of the term also appear throughout accounts of Ragnarök , where the world is also consumed in flames, and, though various theories exist about
2635-695: The Christianization process and also frequently refers back to the poems found in the Poetic Edda . The Poetic Edda consists almost entirely of poems, with some prose narrative added, and this poetry— Eddic poetry—utilizes fewer kennings . In comparison to skaldic poetry, Eddic poetry is relatively unadorned. The Prose Edda features layers of euhemerization , a process in which deities and supernatural beings are presented as having been either actual, magic-wielding human beings who have been deified in time or beings demonized by way of Christian mythology . Texts such as Heimskringla , composed in
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2720-562: The Hun ( legendary sagas ). Objects and monuments such as the Rök runestone and the Kvinneby amulet feature runic inscriptions —texts written in the runic alphabet , the indigenous alphabet of the Germanic peoples —that mention figures and events from Norse mythology. Objects from the archaeological record may also be interpreted as depictions of subjects from Norse mythology, such as amulets of
2805-656: The Norwegian woman Ragnhild Tregagås —convicted of witchcraft in Norway in the 14th century—and spells found in the 17th century Icelandic Galdrabók grimoire also sometimes make references to Norse mythology. Other traces, such as place names bearing the names of gods may provide further information about deities, such as a potential association between deities based on the placement of locations bearing their names, their local popularity, and associations with geological features. Central to accounts of Norse mythology are
2890-546: The Vanir retain distinct identification, they came together as the result of the Aesir–Vanir War . While they receive less mention, numerous other gods and goddesses appear in the source material. (For a list of these deities, see List of Germanic deities .) Some of the gods heard less of include the apple-bearing goddess Iðunn and her husband, the skaldic god Bragi ; the gold-toothed god Heimdallr , born of nine mothers ;
2975-599: The ancestor of modern Scandinavian languages . The majority of these Old Norse texts were created in Iceland , where the oral tradition stemming from the pre-Christian inhabitants of the island was collected and recorded in manuscripts. This occurred primarily in the 13th century. These texts include the Prose Edda , composed in the 13th century by the Icelandic scholar, lawspeaker , and historian Snorri Sturluson , and
3060-717: The ancient god Týr , who lost his right hand while binding the great wolf Fenrir ; and the goddess Gefjon , who formed modern-day Zealand , Denmark . Various beings outside of the gods are mentioned. Elves and dwarfs are commonly mentioned and appear to be connected, but their attributes are vague and the relation between the two is ambiguous. Elves are described as radiant and beautiful, whereas dwarfs often act as earthen smiths. A group of beings variously described as jötnar , thursar , and trolls (in English these are all often glossed as " giants ") frequently appear. These beings may either aid, deter, or take their place among
3145-578: The base of one of these roots live the Norns , female entities associated with fate. Elements of the cosmos are personified, such as the Sun ( Sól , a goddess), the Moon ( Máni , a god), and Earth ( Jörð , a goddess), as well as units of time, such as day ( Dagr , a god) and night ( Nótt , a jötunn). The afterlife is a complex matter in Norse mythology. The dead may go to the murky realm of Hel —a realm ruled over by
3230-527: The battlefield Vígríðr). At the beginning of chapter 52, Gangleri asks "what will be after heaven and earth and the whole world are burned? All the gods will be dead, together with the Einherjar and the whole of mankind. Didn't you say earlier that each person will live in some world throughout all ages?" The figure of Third, seated on the highest throne in the hall, responds that there will be many good places to live, but also many bad ones. Third states that
3315-530: The best place to be is Gimlé in the heavens, where a place exists called Okolnir that houses a hall called Brimir —where one can find plenty to drink. Third describes a hall made of red gold located in Niðafjöll called Sindri , where "good and virtuous men will live." Third further relates an unnamed hall in Náströnd , the beaches of the dead, that he describes as a large repugnant hall facing north that
3400-471: The bridge will then break. The sons of Muspell (and their shining battle troop) advance to the field of Vígríðr , described as an expanse that reaches "a hundred leagues in each direction," where Fenrir, Jörmungandr, Loki (followed by "Hel's own"), and Hrym (accompanied by all frost jötnar ) join them. While this occurs, Heimdallr stands and blows the Gjallarhorn with all his might. The gods awaken at
3485-490: The cosmological tree Yggdrasil to gain knowledge of the runic alphabet, which he passed on to humanity, and is associated closely with death, wisdom, and poetry. Odin is portrayed as the ruler of Asgard , and leader of the Aesir . Odin's wife is the powerful goddess Frigg who can see the future but tells no one, and together they have a beloved son, Baldr . After a series of dreams had by Baldr of his impending death, his death
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3570-569: The cross as being described as " syncretic art ," a mixture of pagan and Christian beliefs. The Gosforth Cross (920–950), in Cumbria , England, is a standing cross of a typical Anglo-Saxon form, carved on all sides of the long shaft, which is nearly square in section. Apart from panels of ornament, the scenes include a Christian crucifixion , and possibly another scene in Hell, but the other scenes are generally interpreted as narrative incidents from
3655-409: The early 20th century, philologist Geir Zoëga treats the two forms as two separate compounds, glossing ragnarök as 'the doom or destruction of the gods' and ragnarøkkr as 'the twilight of the gods.' The plural noun rök has several meanings, including 'development', 'origin', 'cause', 'relation', 'fate.' The word ragnarök as a whole is then usually interpreted as the 'final destiny of
3740-709: The earth will move, men will be scoured by hot water and burned by fire"). Surtr's fire receives a mention in stanza 10. John Lindow says that the poem may describe "a mix of the destruction of the race of giants and of humans, as in Ragnarök " but that "many of the predictions of disruption on earth could also fit the volcanic activity that is so common in Iceland." The events of Ragnarok are dramatized, albeit briefly, in Hans Christian Andersen's fairy tale "The Marsh King's Daughter". Norse mythology Norse , Nordic , or Scandinavian mythology ,
3825-409: The east, his shield before him. The Midgard serpent Jörmungandr furiously writhes, causing waves to crash. "The eagle shrieks, pale-beaked he tears the corpse," and the ship Naglfar breaks free thanks to the waves made by Jormungandr and sets sail from the east. The fire jötnar inhabitants of Muspelheim come forth. The völva continues that Jötunheimr , the land of the jötnar ,
3910-413: The events in Völuspá occurring after the death of the gods (the sun turning black, steam rising, flames touching the heavens, etc.) may be inspired by the volcanic eruptions on Iceland. Records of eruptions in Iceland bear strong similarities to the sequence of events described in Völuspá , especially the eruption at Laki that occurred in 1783. Bertha Phillpotts theorizes that the figure of Surtr
3995-399: The events of Ragnarök when an immense battle occurs between the gods and their enemies, and the world is enveloped in flames, only to be reborn anew. There the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world. Norse mythology has been the subject of scholarly discourse since the 17th century when key texts attracted the attention of
4080-483: The first sign of Ragnarök will be Fimbulwinter , during which time three winters will arrive without a summer, and the sun will be useless. High details that, before these winters, three earlier winters will have occurred, marked with great battles throughout the world. During this time, greed will cause brothers to kill brothers, and fathers and sons will suffer from the collapse of kinship bonds. High then quotes stanza 45 of Völuspá . Next, High describes that
4165-456: The forest Gálgviðr . The golden rooster Gullinkambi crows to the Æsir in Valhalla , and the third, unnamed soot-red rooster crows in the halls of the underworld location of Hel in stanza 43. After these stanzas, the völva further relates that the hound Garmr produces deep howls in front of the cave of Gnipahellir . Garmr's bindings break and he runs free. The völva describes
4250-499: The forest of Hoddmímis holt , that they will consume the morning dew, and will produce generations of offspring. In stanza 46, Odin asks what sun will come into the sky after Fenrir has consumed the sun that exists. Vafþrúðnir responds that Sól will bear a daughter before Fenrir assails her and that after Ragnarök this daughter will continue her mother's path. In stanza 51, Vafþrúðnir states that, after Surtr's flames have been sated, Odin's sons Víðarr and Váli will live in
4335-486: The god Freyr , is also frequently mentioned in surviving texts, and in his association with the weather, royalty, human sexuality, and agriculture brings peace and pleasure to humanity. Deeply lovesick after catching sight of the beautiful jötunn Gerðr , Freyr seeks and wins her love, yet at the price of his future doom. Their father is the powerful god Njörðr . Njörðr is strongly associated with ships and seafaring, and so also wealth and prosperity. Freyja and Freyr's mother
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#17327798261444420-503: The god Thor's hammer Mjölnir found among pagan burials and small silver female figures interpreted as valkyries or dísir , beings associated with war, fate or ancestor cults. By way of historical linguistics and comparative mythology , comparisons to other attested branches of Germanic mythology (such as the Old High German Merseburg Incantations ) may also lend insight. Wider comparisons to
4505-474: The gods will be destroyed') from Vafþrúðnismál , Lokasenna , and Sigrdrífumál , aldar rof ('destruction of the age') from Helgakviða Hundingsbana II , regin þrjóta ('end of the gods') from Hyndluljóð , and, in the Prose Edda , þá er Muspellz-synir herja ('when the sons of Muspell move into battle') can be found in chapters 18 and 36 of Gylfaginning . The Poetic Edda contains various references to Ragnarök : In
4590-459: The gods. The Norns , dísir , and aforementioned valkyries also receive frequent mention. While their functions and roles may overlap and differ, all are collective female beings associated with fate. In Norse cosmology , all beings live in Nine Worlds that center around the cosmological tree Yggdrasil . The gods inhabit the heavenly realm of Asgard whereas humanity inhabits Midgard ,
4675-411: The gods. The cosmos in Norse mythology consists of Nine Worlds that flank a central sacred tree , Yggdrasil . Units of time and elements of the cosmology are personified as deities or beings. Various forms of a creation myth are recounted, where the world is created from the flesh of the primordial being Ymir , and the first two humans are Ask and Embla . These worlds are foretold to be reborn after
4760-583: The gods.' The singular form ragnarøk(k)r is found in a stanza of the Poetic Edda poem Lokasenna , and in the Prose Edda . The noun røk(k)r means 'twilight' (from the verb røkkva 'to grow dark'), suggesting a translation 'twilight of the gods.' This reading was widely considered a result of folk etymology , or a learned reinterpretation of the original term due to the merger of / ɔ / (spelled ǫ) and / ø / (spelled ø) in Old Icelandic after c. 1200 (nevertheless giving rise to
4845-415: The gold game pieces the Æsir once owned. Völuspá stanza 51 is then quoted. High reveals that two humans, Líf and Lífþrasir , will have also survived the destruction by hiding in the wood Hoddmímis holt . These two survivors consume the morning dew for sustenance, and from their descendants, the world will be repopulated. Vafþrúðnismál stanza 45 is then quoted. The personified sun, Sól, will have
4930-404: The golden game pieces that the gods are described as having once happily enjoyed playing games with long ago (attested earlier in the same poem). The reemerged fields grow without needing to be sown. The gods Höðr and Baldr return from Hel and live happily together. The völva says that the god Hœnir chooses wooden slips for divination and that the sons of two brothers will widely inhabit
5015-471: The great serpent Jörmungandr , also described as a child of Loki in the same source, will breach land as the sea violently swells onto it. The ship Naglfar, described in the Prose Edda as being made from the human nails of the dead, is released from its mooring and sets sail on the surging sea, steered by a jötunn named Hrym . At the same time, Fenrir, eyes and nostrils spraying flames, charges forward with his mouth wide open, his upper jaw reaching to
5100-509: The heart with his spear, thus killing the wolf. The serpent Jörmungandr opens its gaping maw, yawning widely in the air, and is met in combat by Thor . Thor, also a son of Odin and described here as protector of the earth, furiously fights the serpent, defeating it, but Thor is only able to take nine steps afterwards before collapsing dead from the Serpent's venom. The god Freyr fights Surtr and loses. After this, people flee their homes, and
5185-421: The heavens, and his lower jaw touching the earth. At Fenrir's side, Jörmungandr sprays venom throughout the air and the sea. During all of this, the sky splits into two. From the split, the "sons of Muspell " ride forth. Surtr rides first, surrounded by flames, his sword brighter than the sun. High says that "Muspell's sons" will ride across Bifröst , described in Gylfaginning as a rainbow bridge, and that
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#17327798261445270-512: The history of Germanic studies . The event is attested primarily in the Poetic Edda , compiled in the 13th century from earlier traditional sources, and the Prose Edda , written in the 13th century by Snorri Sturluson . In the Prose Edda and in a single poem in the Poetic Edda , the event is referred to as Ragnarøkkr ( Old Norse for 'Twilight of the Gods';), a usage popularised by 19th-century composer Richard Wagner with
5355-512: The intellectual circles of Europe. By way of comparative mythology and historical linguistics , scholars have identified elements of Germanic mythology reaching as far back as Proto-Indo-European mythology . During the modern period, the Romanticist Viking revival re-awoke an interest in the subject matter, and references to Norse mythology may now be found throughout modern popular culture . The myths have further been revived in
5440-465: The life-blood of fated men, paints red the powers' homes with crimson gore. Black become the sun's beams in the summers that follow, weathers all treacherous. Do you still seek to know? And what? The völva then describes three roosters crowing: In stanza 42, the jötunn herdsman Eggthér sits on a mound and cheerfully plays his harp while the crimson rooster Fjalar ( Old Norse "hider, deceiver") crows in
5525-460: The lines would have thought of Ragnarök and the allusion that the father found fitting as an expression of his grief. Rudolf Simek theorizes that the survival of Líf and Lífþrasir at the end of Ragnarök is "a case of reduplication of the anthropogeny , understandable from the cyclic nature of the Eddic eschatology ." Simek says that Hoddmímis holt "should not be understood literally as
5610-513: The meaning and origins of the term, its etymology has not been solved. Parallels have been pointed out between the Ragnarök of Norse religion and the beliefs of other related Indo-European peoples . Subsequently, theories have been put forth that Ragnarök represents a later evolution of a Proto-Indo-European belief along with other cultures descending from the Proto-Indo-Europeans. These parallels include comparisons of
5695-463: The mythology of other Indo-European peoples by scholars has resulted in the potential reconstruction of far earlier myths. Only a tiny amount of poems and tales survive of the many mythical tales and poems that are presumed to have existed during the Middle Ages, Viking Age, Migration Period, and before. Later sources reaching into the modern period, such as a medieval charm recorded as used by
5780-436: The mythology, Thor lays waste to numerous jötnar who are foes to the gods or humanity, and is wed to the beautiful, golden-haired goddess Sif . The god Odin is also frequently mentioned in surviving texts. One-eyed, wolf - and raven -flanked, with a spear in hand, Odin pursues knowledge throughout the nine realms. In an act of self-sacrifice, Odin is described as having hanged himself upside-down for nine days and nights on
5865-471: The pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor , the raven -flanked god Odin , the goddess Freyja , and numerous other deities . Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar , beings who may be friends, lovers, foes, or family members of
5950-605: The plights of the gods and their interaction with various other beings, such as with the jötnar , who may be friends, lovers, foes, or family members of the gods. Numerous gods are mentioned in the source texts. As evidenced by records of personal names and place names, the most popular god among the Scandinavians during the Viking Age was Thor the thunder god , who is portrayed as unrelentingly pursuing his foes, his mountain-crushing, thunderous hammer Mjölnir in hand. In
6035-527: The poem, Odin, disguised as Gagnráðr , faces off with the wise jötunn Vafþrúðnir in a battle of wits. Vafþrúðnismál references Njörðr's status as a hostage during the earlier Æsir–Vanir War , and that he will "come back home among the wise Vanir" at "the doom of men." In stanza 44, Odin poses the question to Vafþrúðnir as to who of mankind will survive the "famous" Fimbulwinter ("Mighty Winter"). Vafþrúðnir responds in stanza 45 that those survivors will be Líf and Lífþrasir and that they will hide in
6120-406: The prophecies foretold that he would be the death of Odin." As a consequence of his role in the death of the god Baldr, Loki (described as father of Fenrir) is bound on top of three stones with the internal organs of his son Narfi (which are turned into iron) in three places. There, venom drops onto his face periodically from a snake placed by the jötunn Skaði . Loki's wife Sigyn collects
6205-464: The sound, and they meet. Odin rides to Mímisbrunnr in search of counsel from Mímir. Yggdrasil shakes, and everything, everywhere fears. High relates that the Æsir and the Einherjar dress for war and head to the field. Odin, wearing a gold helmet and an intricate coat of mail , carries his spear Gungnir and rides before them. Odin advances against Fenrir, while Thor moves at his side, though Thor
6290-401: The state of humanity: Brœðr muno beriaz ok at bǫnom verða[z] muno systrungar sifiom spilla. Hart er í heimi, hórdómr mikill —skeggǫld, skálmǫld —skildir ro klofnir— vindǫld, vargǫld— áðr verǫld steypiz. Mun engi maðr ǫðrom þyrma. Brothers will fight and kill each other, sisters' children will defile kinship. It is harsh in
6375-412: The sun becomes black while the earth sinks into the sea, the stars vanish, steam rises, and flames touch the heavens. The völva sees the earth reappearing from the water and an eagle over a waterfall hunting fish on a mountain. The surviving Æsir meet together at the field of Iðavöllr . They discuss Jörmungandr, great events of the past, and the runic alphabet . In stanza 61, in the grass, they find
6460-424: The tale, Thórd and his servant get lost while travelling to church in winter, and so take shelter for the night within a cave. Inside the cave they hear noises, witness a pair of immense burning eyes, and then the being with burning eyes recites a poem of 12 stanzas. The poem the being recites contains references to Norse mythology (including a mention of Thor) and also prophecies (including that "mountains will tumble,
6545-439: The temples of the gods, and that Thor's sons Móði and Magni will possess the hammer Mjolnir. In stanza 52, the disguised Odin asks the jötunn about his fate. Vafþrúðnir responds that "the wolf" will consume Odin, and that Víðarr will avenge him by sundering its cold jaws in battle. Odin ends the duel with one final question: what did Odin say to his son before preparing his funeral pyre? With this, Vafþrúðnir realizes that he
6630-442: The title of the last of his Der Ring des Nibelungen operas, Götterdämmerung (1876), which is "Twilight of the Gods" in German. The Old Norse compound word ragnarok has a long history of interpretation. Its first element is clear: ragna , the genitive plural of regin (n. pl.) 'the ruling powers, gods.' The second element is more problematic, as it occurs in two variants, -rök and -røkkr . Writing in
6715-457: The venom into a bucket, but whenever she leaves to empty it, the drops reach Loki's face, and the pain he experiences causes convulsions, resulting in earthquakes . Loki is further described as being bound this way until the onset of Ragnarök . Chapter 51 provides a detailed account of Ragnarök interspersed with various quotes from Völuspá , while chapters 52 and 53 describe the aftermath of these events. In Chapter 51, High states that
6800-515: The windy world. She sees a hall thatched with gold in Gimlé , where nobility will live and spend their lives pleasurably. Stanzas 65, found in the Hauksbók version of the poem, refers to a "powerful, mighty one" that "rules over everything" and who will arrive from above at the court of the gods (Old Norse regindómr ), which has been interpreted as a Christian addition to the poem. In stanza 66,
6885-401: The wolf will swallow the sun, then his brother will swallow the moon, and mankind will consider the occurrence as a great disaster resulting in much ruin. The stars will disappear. The earth and mountains will shake so violently that the trees will come loose from the soil, the mountains will topple, and all restraints will break, causing Fenrir to break free from his bonds. High relates that
6970-414: The wolf Fenrir by the gods, causing the god Týr to lose his right hand, and that Fenrir remains there until Ragnarök . Gangleri asks High why, since the gods could only expect destruction from Fenrir, they did not simply kill Fenrir once he was bound. High responds that "the gods hold their sacred places and sanctuaries in such respect that they chose not to defile them with the wolf's blood, even though
7055-510: The world, whoredom rife —an axe age, a sword age —shields are riven— a wind age, a wolf age— before the world goes headlong. No man will have mercy on another. The "sons of Mím " are described as being "at play," though this reference is not further explained in surviving sources. Heimdall raises the Gjallarhorn into the air and blows deeply into it, and Odin converses with Mím's head. The world tree Yggdrasil shudders and groans. The jötunn Hrym comes from
7140-405: Was inspired by Icelandic eruptions and that he was a volcano demon. Surtr's name occurs in some Icelandic place names, among them the lava tube Surtshellir , a number of dark caverns in the volcanic central region of Iceland. Parallels have been pointed out between a poem spoken by a jötunn found in the 13th-century þáttr Bergbúa þáttr ("the tale of the mountain dweller"). In
7225-425: Was the original format for the mythology. Various forms of a cosmological creation story are provided in Icelandic sources, and references to a future destruction and rebirth of the world— Ragnarok —are frequently mentioned in some texts. According to the Prose Edda and the Poetic Edda poem, Völuspá , the first human couple consisted of Ask and Embla ; driftwood found by a trio of gods and imbued with life in
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