105-833: Carol Berg (born 1948) is the author of fantasy novels, including the books from the Rai-Kirah series, Song of the Beast , the books from The Bridge of D'Arnath series, the Lighthouse novels, and Collegia Magica . She also writes the Chimera series under the pen name Cate Glass . Berg holds a degree in mathematics from Rice University , and a degree in computer science from the University of Colorado . Before writing full-time, she designed software. She lives in Colorado , and
210-421: A temple prostitute , as the first step in taming him. After six days and seven nights (or two weeks, according to more recent scholarship ) of lovemaking, Enkidu is 'weakened'; his herd flees in horror into the steppe. Enkidu is shocked by his loneliness, but Shamhat tries to comfort him: Do not grieve, you now have knowledge, like the gods . She then takes him to a shepherd's camp, teaching him civilised: his hair
315-461: A city in the clouds with the birds and challenges Zeus 's authority. Ovid 's Metamorphoses and Apuleius 's The Golden Ass are both works that influenced the development of the fantasy genre by taking mythic elements and weaving them into personal accounts. Both works involve complex narratives in which humans beings are transformed into animals or inanimate objects. Platonic teachings and early Christian theology are major influences on
420-477: A crack in the earth, and Enkidu's ghost jumps out of it. The tablet ends with Gilgamesh questioning Enkidu about what he has seen in the underworld. This version of the epic, called in some fragments Surpassing all other kings , is composed of tablets and fragments from diverse origins and states of conservation. It remains incomplete in its majority, with several tablets missing, and those found having sizable lacunae . They are named after their current location or
525-486: A famous line from the epic, Gilgamesh clings to Enkidu's body and denies that he has died until a maggot drops from the nose of the corpse. Gilgamesh delivers a lament for Enkidu, in which he calls upon mountains, forests, fields, rivers, wild animals, and all of Uruk to mourn for his friend. Recalling their adventures together, Gilgamesh tears at his hair and clothes in grief. He commissions a funerary statue, and provides grave gifts from his treasury to ensure that Enkidu has
630-631: A favourable reception in the realm of the dead. A great banquet is held where the treasures are offered to the gods of the Netherworld. Just before a break in the text there is a suggestion that a river is being dammed, indicating a burial in a river bed, as in the corresponding Sumerian poem, The Death of Gilgamesh . Tablet nine opens with Gilgamesh roaming the wild wearing skins, grieving for Enkidu. Having now become fearful of his own death, he decides to seek Utnapishtim ("the Faraway"), and learn
735-690: A feudal society hindering the modernization of China. Stories of the supernatural continued to be denounced once the Communists rose to power, and mainland China experienced a revival in fantasy only after the Cultural Revolution had ended. Fantasy became a genre of pulp magazines published in the West. In 1923, the first all-fantasy fiction magazine, Weird Tales , was published. Many other similar magazines eventually followed, including The Magazine of Fantasy and Science Fiction ; when it
840-564: A large audience. Lord Dunsany established the genre's popularity in both the novel and the short story form. H. Rider Haggard , Rudyard Kipling , and Edgar Rice Burroughs began to write fantasy at this time. These authors, along with Abraham Merritt , established what was known as the "lost world" subgenre, which was the most popular form of fantasy in the early decades of the 20th century, although several classic children's fantasies, such as Peter Pan and The Wonderful Wizard of Oz , were also published around this time. Juvenile fantasy
945-729: A letter falsely stating that it had been inside a box of ancient bronze fragments purchased in a 1981 auction. In 2014, Hobby Lobby privately purchased the tablet for display at the Museum of the Bible in Washington, D.C. In 2019, the Gilgamesh Dream Tablet was seized by US officials and was returned to Iraq in September 2021. Recent developments in the use of Artificial Intelligence software have vastly accelerated
1050-501: A literary style that was used for literary purposes. This version was compiled by Sin-leqi-unninni sometime between 1300 and 1000 BC from earlier texts. One impact that Sin-leqi-unninni brought to the work was to bring the issue of mortality to the foreground, thus making it possible for the character to move from being an "adventurer to a wise man." The Brazilian scholar Lins Brandão saw the standard version can be seen in this sense as "sapiential literature," ("wisdom literature"), which
1155-403: A loaf of bread on each of the days he is asleep, so that he cannot deny his failure to keep awake. Gilgamesh, who is seeking to overcome death, cannot even conquer sleep. After instructing Urshanabi, the ferryman, to wash Gilgamesh and clothe him in royal robes, they depart for Uruk. As they are leaving, Utnapishtim's wife asks her husband to offer a parting gift. Utnapishtim tells Gilgamesh that at
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#17327726958831260-471: A main plot element, theme , or setting . Magic, magic practitioners ( sorcerers , witches and so on) and magical creatures are common in many of these worlds. An identifying trait of fantasy is the author's use of narrative elements that do not have to rely on history or nature to be coherent. This differs from realistic fiction in that realistic fiction has to attend to the history and natural laws of reality, where fantasy does not. In writing fantasy
1365-502: A mountain, and perform a dream ritual. Gilgamesh has five terrifying dreams about falling mountains, thunderstorms, wild bulls, and a thunderbird that breathes fire. Despite similarities between his dream figures and earlier descriptions of Humbaba, Enkidu interprets these dreams as good omens, and denies that the frightening images represent the forest guardian. As they approach the cedar mountain, they hear Humbaba bellowing, and have to encourage each other not to be afraid. The heroes enter
1470-412: A new style of "fuzzy" supernatural texts. The fantastic is on the dividing line between supernatural and not supernatural, Just as during this time period the women were not respecting the boundary of inequality that had always been set for them. At the time, women's roles in society were very uncertain, just as the rules of the fantastic are never straightforward. This climate allowed for a genre similar to
1575-563: A piece believed to have contained the first lines of the epic in the storeroom of the British Museum; the fragment, found in 1878 and dated to between 600 BC and 100 BC, had remained unexamined by experts for more than a century since its recovery. The fragment read "He who saw all, who was the foundation of the land, who knew (everything), was wise in all matters: Gilgamesh." The discovery of artifacts ( c. 2600 BC ) associated with Enmebaragesi of Kish , mentioned in
1680-558: A raft and return home along the Euphrates with the giant tree and (possibly) the head of Humbaba. Gilgamesh rejects the advances of the goddess Ishtar because of her mistreatment of previous lovers like Dumuzi . Ishtar becomes angry and denies Gilgamesh entry into E-Ana, interfering with his business. Ishtar asks her father Anu to send Gulaana- the Bull of Heaven to avenge her. When Anu rejects her complaints, Ishtar threatens to raise
1785-580: A short discussion, Sur-sunabu asks him to carve 300 oars so that they may cross the waters of death without needing the "stone ones". The rest of the tablet is missing. The text on the Old Babylonian Meissner fragment (the larger surviving fragment of the Sippar tablet) has been used to reconstruct possible earlier forms of the Epic of Gilgamesh , and it has been suggested that a "prior form of
1890-613: A single source. The Welsh tradition has been particularly influential, due to its connection to King Arthur and its collection in a single work, the epic Mabinogion . There are many works where the boundary between fantasy and other works is not clear; the question of whether the writers believed in the possibilities of the marvels in A Midsummer Night's Dream or Sir Gawain and the Green Knight makes it difficult to distinguish when fantasy, in its modern sense, first began. Although pre-dated by John Ruskin 's The King of
1995-407: A swallow, and a raven. When the raven fails to return, he opens the ark and frees its inhabitants. Utnapishtim offers a sacrifice to the gods, who smell the sweet savor and gather around. Ishtar vows that just as she will never forget the brilliant necklace that hangs around her neck, she will always remember this time. When Enlil arrives, angry that there are survivors, she condemns him for instigating
2100-451: A test of strength. Gilgamesh wins the contest; nonetheless, the two become friends. Together, they make a six-day journey to the legendary Cedar Forest , where they ultimately slay its Guardian, Humbaba , and cut down the sacred Cedar. The goddess Ishtar sends the Bull of Heaven to punish Gilgamesh for spurning her advances. Gilgamesh and Enkidu kill the Bull of Heaven, insulting Ishtar in
2205-674: A wide audience, with the success of Robert E. Howard 's Conan the Barbarian and Fritz Leiber 's Fafhrd and the Gray Mouser stories. However, it was the advent of high fantasy , and most of all J. R. R. Tolkien's The Hobbit and The Lord of the Rings , which reached new heights of popularity in the late 1960s, that allowed fantasy to truly enter the mainstream . Several other series, such as C. S. Lewis's Chronicles of Narnia and Ursula K. Le Guin 's Earthsea books, helped cement
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#17327726958832310-624: Is One Thousand and One Nights (Arabian Nights) , which is a compilation of many ancient and medieval folk tales. Various characters from this epic have become cultural icons in Western culture, such as Aladdin , Sinbad and Ali Baba . Hindu mythology was an evolution of the earlier Vedic mythology and had many more fantastical stories and characters, particularly in the Indian epics . The Panchatantra ( Fables of Bidpai ), for example, used various animal fables and magical tales to illustrate
2415-726: Is also often used to refer to this genre by the Anglophone literary critics. An archaic spelling for the term is phantasy . Fantasy is distinguished from the genres of science fiction and horror by the absence of scientific or macabre themes, although these can occur in fantasy. In popular culture , the fantasy genre predominantly features settings that emulate Earth, but with a sense of otherness. In its broadest sense, however, fantasy consists of works by many writers, artists, filmmakers, and musicians from ancient myths and legends to many recent and popular works. Many works of fantasy use magic or other supernatural elements as
2520-540: Is an epic from ancient Mesopotamia . The literary history of Gilgamesh begins with five Sumerian poems about Gilgamesh (formerly read as Sumerian "Bilgames" ), king of Uruk , some of which may date back to the Third Dynasty of Ur ( c. 2100 BC ). These independent stories were later used as source material for a combined epic in Akkadian . The first surviving version of this combined epic, known as
2625-603: Is common in the Middle East, but this idea has not been widely accepted. The Standard Babylonian version has different opening words, or incipit , from the older version. The older version begins with the words "Surpassing all other kings", while the Standard Babylonian version has "He who saw the deep" ( ša naqba īmuru ), "deep" referring to the mysteries of the information brought back by Gilgamesh from his meeting with Uta-Napishti ( Utnapishtim ) about Ea ,
2730-414: Is cut, he learns to eat human food and drink beer. Gilgamesh, meanwhile, has been having dreams about the imminent arrival of a beloved new companion and asks his mother, the goddess Ninsun , to help interpret these dreams. In the shepherds' camp, to whose way of life he has become accustomed, Enkidu is appointed night watchman. Learning from a passing stranger about Gilgamesh's treatment of new brides, he
2835-456: Is derived from an unknown version of that story. The contents of this last tablet are inconsistent with previous ones: Enkidu is still alive, despite having died earlier in the epic. Because of this, its lack of integration with the other tablets, and the fact that it is almost a copy of an earlier version, it has been referred to as an 'inorganic appendage' to the epic. Alternatively, it has been suggested that "its purpose, though crudely handled,
2940-600: Is in a sad mood. In order to cheer him up Gilgamesh suggests going to the Pine Forest to cut down trees and kill Humbaba (known here as Huwawa). Enkidu protests, as he knows Huwawa and is aware of his power. Gilgamesh talks Enkidu into it with some words of encouragement, but Enkidu remains reluctant. They prepare, and call for the elders. The elders also protest, but after Gilgamesh talks to them, they agree to let him go. After Gilgamesh asks his god (Shamash) for protection, and both he and Enkidu equip themselves, they leave with
3045-467: Is incensed and travels to Uruk to intervene at a wedding. When Gilgamesh attempts to visit the wedding chamber, Enkidu blocks his way, and they fight. After a fierce battle, Enkidu acknowledges Gilgamesh's superior strength and they become friends. Gilgamesh proposes a journey to the Cedar Forest to slay the monstrous demi-god Humbaba in order to gain fame and renown. Despite warnings from Enkidu and
3150-623: Is no "Sumerian or Akkadian word for myth or heroic narrative, just as there is no ancient recognition of poetic narrative as a genre." Lins Brandão 2019 suggested, though with little supporting evidence, that the prologue of "He who Saw the Abyss" recalls the inspiration of the Greek Muses, even though there is no assistance from the Sumerian gods here. In more popular treatments, Sir Jonathan Sacks , Neil McGregor , and BBC Radio 4 interpret
3255-414: Is oppressing his people, who cry out to the gods for help. For the young women of Uruk this oppression takes the form of a droit du seigneur , or "lord's right", to sleep with brides on their wedding night. For the young men (the tablet is damaged at this point) it is conjectured that Gilgamesh exhausts them through games, tests of strength, or perhaps forced labour on building projects. The gods respond to
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3360-406: Is regarded as a foundational work in religion and the tradition of heroic sagas, with Gilgamesh forming the prototype for later heroes like Heracles ( Hercules ) and the epic itself serving as an influence for Homeric epics . It has been translated into many languages and is featured in several works of popular fiction . ...this discovery is evidently destined to excite a lively controversy. For
3465-530: Is the mother of three boys. In the same setting as The Lighthouse Duet. Fantasy fiction Fantasy is a genre of speculative fiction which involves themes of the supernatural , magic , and imaginary worlds and creatures . Its roots are in oral traditions, which became fantasy literature and drama. From the twentieth century, it has expanded further into various media, including film , television , graphic novels , manga , animations , and video games . The expression fantastic literature
3570-645: Is to explain to Gilgamesh (and the reader) the various fates of the dead in the Afterlife" and in "an awkward attempt to bring closure", it both connects the Gilgamesh of the epic with the Gilgamesh who is the King of the Netherworld, and is "a dramatic capstone whereby the twelve-tablet epic ends on one and the same theme, that of "seeing" (= understanding, discovery, etc.), with which it began." Gilgamesh complains to Enkidu that various of his possessions (the tablet
3675-476: Is unclear exactly what – different translations include a drum and a ball) have fallen into the underworld. Enkidu offers to bring them back. Delighted, Gilgamesh tells Enkidu what he must and must not do in the underworld if he is to return. Enkidu does everything which he was told not to do. The underworld keeps him. Gilgamesh prays to the gods to give him back his friend. Enlil and Suen do not reply, but Enki and Shamash decide to help. Shamash makes
3780-632: The Epic of Gilgamesh . The ancient Babylonian creation epic, the Enûma Eliš , in which the god Marduk slays the goddess Tiamat , contains the theme of a cosmic battle between good and evil, which is characteristic of the modern fantasy genre. Genres of romantic and fantasy literature existed in ancient Egypt. The Tales of the Court of King Khufu , which is preserved in the Westcar Papyrus and
3885-521: The Elder Edda and the Younger Edda , includes such figures as Odin and his fellow Aesir , and dwarves , elves , dragons , and giants . These elements have been directly imported into various fantasy works. The separate folklore of Ireland, Wales, and Scotland has sometimes been used indiscriminately for "Celtic" fantasy, sometimes with great effect; other writers have specified the use of
3990-713: The Library of Ashurbanipal in Nineveh by Austen Henry Layard , his assistant Hormuzd Rassam , and W. K. Loftus in the early 1850s. Late in the following decade, the British Museum hired George Smith to study these; in 1872, Smith read translated fragments before the Society of Biblical Archaeology , and in 1875 and 1876 he published fuller translations, the latter of which was published as The Chaldaean Account of Genesis . The central character of Gilgamesh
4095-481: The "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit , Shūtur eli sharrī ("Surpassing All Other Kings"). Only a few tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates to somewhere between the 13th to the 10th centuries BC and bears the incipit Sha naqba īmuru ("He who Saw the Deep(s)", lit. ' "He who Sees
4200-460: The Bull lowers the level of the Euphrates river, and dries up the marshes. He opens up huge pits that swallow 300 men. Without any divine assistance, Enkidu and Gilgamesh kill him and offer up his heart to Shamash. When Ishtar cries out, Enkidu hurls one of the hindquarters of the bull at her. The city of Uruk celebrates, but Enkidu has an ominous dream about his future failure. In Enkidu's dream,
4305-462: The Epic of Gilgamesh's flood myth as having a pantheon of gods who are misanthropes willing to condemn humanity to death, with the exception of Ea. Such an interpretation is an unhelpful contemporary take on Mesopotamia's polytheistic religion (and on polytheistic systems more generally), in which the gods may be helpful or harmful in diverse situations. It is also made explicit that Gilgamesh rose to
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4410-498: The Gods, a paradise in which trees full of delicious jewels grow. Gilgamesh meets alewife Siduri in her pub. First she assumes that he would be a murderer or thief because of his disheveled appearance, but Gilgamesh tells her about the purpose of his journey. She attempts to dissuade him from his quest, but sends him to Urshanabi the ferryman, who will help him cross the sea to Utnapishtim. Gilgamesh, out of spontaneous rage, destroys
4515-600: The Golden River (1841), the history of modern fantasy literature is usually said to begin with George MacDonald , the Scottish author of such novels as Phantastes (1858) and The Princess and the Goblin (1872); the former is widely considered to be the first fantasy novel ever written for adults. MacDonald was a major influence on both J. R. R. Tolkien and C. S. Lewis . The other major fantasy author of this era
4620-524: The Old Babylonian version, or Surpassing all other kings . Five earlier Sumerian poems about Gilgamesh have been partially recovered, some with primitive versions of specific episodes in the Babylonian version, others with unrelated stories. The Standard Babylonian version was discovered by Hormuzd Rassam in the library of Ashurbanipal in Nineveh in 1853. "Standard Babylonian" refers to
4725-592: The RPG products sold in 2005. The science fantasy role-playing game series Final Fantasy has been an icon of the role-playing video game genre (as of 2012 it was still among the top ten best-selling video game franchises ). The first collectible card game , Magic: The Gathering , has a fantasy theme and is similarly dominant in the industry. Fantasy encompasses numerous subgenres characterized by particular themes or settings, or by an overlap with other literary genres or forms of speculative fiction. They include
4830-689: The Rings film trilogy directed by Peter Jackson , and the Harry Potter films, two of the highest-grossing film series in cinematic history. Fantasy role-playing games cross several different media. Dungeons & Dragons was the first tabletop role-playing game and remains the most successful and influential. According to a 1999 survey in the United States , 6% of 12- to 35-year-olds have played role-playing games. Of those who play regularly, two thirds play D&D . Products branded Dungeons & Dragons made up over fifty percent of
4935-476: The Supernatural in the 1890s and 1920s , Lizzie Harris McCormick, Jennifer Mitchell, and Rebecca Soares describe how the social climate in the 1890s and 1920s allowed for a new era of "fantastic" literature to grow. Women were finally exploring the new freedoms given to them and were quickly becoming equals in society. The fear of the new women in society, paired with their growing roles, allowed them to create
5040-572: The Unknown" ' ). Approximately two-thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BC Assyrian king Ashurbanipal . The first half of the story discusses Gilgamesh (who was king of Uruk) and Enkidu , a wild man created by the gods to stop Gilgamesh from oppressing the people of Uruk. After Enkidu becomes civilized through sexual initiation with Shamhat , he travels to Uruk, where he challenges Gilgamesh to
5145-505: The air of uncertainty in its narratives as described by Todorov. Jackson also introduces the idea of reading the fantastic through a psychoanalytical lens, referring primarily to Freud's theory of the unconscious, which she believes is integral to understanding the fantastic's connection to the human psyche. There are however additional ways to view the fantastic, and often these differing perspectives come from differing social climates. In their introduction to The Female Fantastic: Gender and
5250-448: The animals of the field". A violent storm then arose which caused the terrified gods to retreat to the heavens. Ishtar lamented the wholesale destruction of humanity, and the other gods wept beside her. The storm lasted six days and nights, after which "all the human beings turned to clay". Utnapishtim weeps when he sees the destruction. His boat lodges on the Mt. Nimush , and he releases a dove,
5355-545: The auras, they chop down part of the forest and discover the gods' secret abode. The rest of the tablet is broken. The auras are not referred to in the Standard Babylonian version, but are in one of the Sumerian poems as "sons". Partially overlapping the felling of the trees from the Ishchali tablet. Partially overlapping the Standard Babylonian version tablets IX–X. Gilgamesh mourns the death of Enkidu wandering in his quest for immortality. Gilgamesh argues with Shamash about
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#17327726958835460-438: The author uses worldbuilding to create characters, situations, and settings that may not be possible in reality. Many fantasy authors use real-world folklore and mythology as inspiration; and although another defining characteristic of the fantasy genre is the inclusion of supernatural elements, such as magic, this does not have to be the case. Fantasy has often been compared to science fiction and horror because they are
5565-445: The bottom of the sea there lives a boxthorn -like plant that will make him young again. Gilgamesh, by binding stones to his feet so he can walk on the bottom, manages to obtain the plant. Gilgamesh proposes to investigate if the plant has the hypothesized rejuvenation ability by testing it on an old man once he returns to Uruk. When Gilgamesh stops to bathe, it is stolen by a serpent , who sheds its skin as it departs. Gilgamesh weeps at
5670-496: The cedar forest. Humbaba , the guardian of the Cedar Forest, insults and threatens them. He accuses Enkidu of betrayal, and vows to disembowel Gilgamesh and feed his flesh to the birds. Gilgamesh is afraid, but with some encouraging words from Enkidu the battle commences. The mountains quake with the tumult and the sky turns black. The god Shamash sends 13 winds to bind Humbaba, and he is captured. Humbaba pleads for his life, and Gilgamesh pities him. He offers to make Gilgamesh king of
5775-591: The central Indian principles of political science . Chinese traditions have been particularly influential in the vein of fantasy known as Chinoiserie , including such writers as Ernest Bramah and Barry Hughart . Beowulf is among the best known of the Old English tales in the English speaking world, and has had deep influence on the fantasy genre; several fantasy works have retold the tale, such as John Gardner 's Grendel . Norse mythology , as found in
5880-644: The circular effect that all fantasy works, even the later The Lord of the Rings , were therefore classified as children's literature . Political and social trends can affect a society's reception towards fantasy. In the early 20th century, the New Culture Movement 's enthusiasm for Westernization and science in China compelled them to condemn the fantastical shenmo genre of traditional Chinese literature. The spells and magical creatures of these novels were viewed as superstitious and backward, products of
5985-453: The common fate of humans is futile and diminishes life's joys. Gilgamesh observes that Utnapishtim seems no different from himself, and asks him how he obtained his immortality. Utnapishtim explains that the gods decided to send a great flood. To save Utnapishtim the god Enki told him to build a boat. He gave him precise dimensions, and it was sealed with pitch and bitumen . His entire family went aboard together with his craftsmen and "all
6090-646: The convention. The first WFC was held in 1975 and it has occurred every year since. The convention is held at a different city each year. Additionally, many science fiction conventions, such as Florida's FX Show and MegaCon , cater to fantasy and horror fans. Anime conventions, such as Ohayocon or Anime Expo frequently feature showings of fantasy, science fantasy, and dark fantasy series and films, such as Majutsushi Orphen (fantasy), Sailor Moon (urban fantasy), Berserk (dark fantasy), and Spirited Away (fantasy). Many science fiction/fantasy and anime conventions also strongly feature or cater to one or more of
6195-473: The council of elders, Gilgamesh is not deterred. The elders give Gilgamesh advice for his journey. Gilgamesh visits his mother, Ninsun, who seeks the support and protection of the sun-god Shamash for their adventure. Ninsun adopts Enkidu as her son, and Gilgamesh leaves instructions for the governance of Uruk in his absence. Gilgamesh and Enkidu journey to the Cedar Forest . Every few days they camp on
6300-417: The dead who will "outnumber the living" and "devour them", as well as screaming loud enough to be heard by the heavens and earth. Anu states that if he gives her the Bull of Heaven, Uruk will face 7 years of famine. Ishtar provides him with provisions for 7 years in exchange for the bull. Ishtar leads the Bull of Heaven to Uruk, and he causes widespread devastation. Drinking continuously without being satisfied,
6405-469: The difference of critical traditions of each country have led to controversies such as the one led by Stanislaw Lem . Rosemary Jackson builds onto and challenges as well Todorov's definition of the fantastic in her 1981 nonfiction book Fantasy: The Literature of Subversion . Jackson rejects the notion of the fantastic genre as a simple vessel for wish fulfillment that transcends human reality in worlds presented as superior to our own, instead positing that
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#17327726958836510-468: The earliest surviving tablets for a single Epic of Gilgamesh narrative. The older Old Babylonian tablets and later Akkadian version are important sources for modern translations, with the earlier texts mainly used to fill in gaps ( lacunae ) in the later texts. Although several revised versions based on new discoveries have been published, the epic remains incomplete. Analysis of the Old Babylonian text has been used to reconstruct possible earlier forms of
6615-695: The elders' blessing and counsel. Possibly another version of the contents of the Yale Tablet, practically irrecoverable. In the journey to the cedar forest and Huwawa, Enkidu interprets one of Gilgamesh's dreams. Fragments from two different versions/tablets tell how Enkidu interprets one of Gilgamesh's dreams on the way to the Forest of Cedar, and their conversation when entering the forest. After defeating Huwawa, Gilgamesh refrains from slaying him, and urges Enkidu to hunt Huwawa's "seven auras". Enkidu convinces him to smite their enemy. After killing Huwawa and
6720-403: The epic. The most recent Akkadian version, also referred to as the Standard Babylonian version, consists of twelve tablets and was edited by Sîn-lēqi-unninni , who is thought to have lived sometime between 1300 BC and 1000 BC. From the diverse sources found, two main versions of the epic have been partially reconstructed: the Standard Babylonian version, or He who saw the deep , and
6825-514: The fantastic is a liminal space , characterized by the intrusion of supernatural elements into the realistic framework of a story, accompanied by uncertainty about their existence. However, this precise definition is not the predominant one in English critical literature, and the French term fantastique is used to differentiate the French concept from the broader English term of fantastic, synonym of fantasy. The restrictive definition of Todorov and
6930-429: The fantastic represents the unspoken desire for greater societal change. Jackson criticizes Todorov's theory as being too limited in scope, examining only the literary function of the fantastic, and expands his structuralist theory to fit a more cultural study of the genre—which, incidentally, she proposes is not a genre at all, but a mode that draws upon literary elements of both realistic and supernatural fiction to create
7035-554: The fantasy publisher Tor Books , men outnumber women by 67% to 33% among writers of historical, epic or high fantasy. But among writers of urban fantasy or paranormal romance, 57% are women and 43% are men. Fantasy is studied in a number of disciplines including English and other language studies, cultural studies , comparative literature , history and medieval studies . Some works make political, historical and literary connections between medievalism and popular culture. French literature theorists as Tzvetan Todorov argues that
7140-441: The first time, women started to possess more masculine or queer qualities without it becoming as much of an issue. The fantastic during this time period reflects these new ideas by breaking parallel boundaries in the supernatural. The fantastic breaks this boundary by having the readers never truly know whether or not the story is supernatural. Epic of Gilgamesh The Epic of Gilgamesh ( / ˈ ɡ ɪ l ɡ ə m ɛ ʃ / )
7245-512: The flood. Enki also castigates him for sending a disproportionate punishment. Enlil blesses Utnapishtim and his wife, and rewards them with eternal life. This account largely matches the flood story that concludes the Epic of Atra-Hasis . The main point seems to be that when Enlil granted eternal life it was a unique gift. As if to demonstrate this point, Utnapishtim challenges Gilgamesh to stay awake for six days and seven nights. Gilgamesh falls asleep, and Utnapishtim instructs his wife to bake
7350-536: The following: In her 2008 book Rhetorics of Fantasy , Farah Mendlesohn proposes the following taxonomy of fantasy, as "determined by the means by which the fantastic enters the narrated world", while noting that there are fantasies that fit none of the patterns: Publishers, editors, authors, artists, and scholars with interest in the fantasy genre get together yearly at the World Fantasy Convention . The World Fantasy Awards are presented at
7455-411: The forest, to cut the trees for him, and to be his slave. Enkidu, however, argues that Gilgamesh should kill Humbaba to establish his reputation forever. Humbaba curses them both and Gilgamesh dispatches him with a blow to the neck, as well as killing his seven sons. The two heroes cut down many cedars, including a gigantic tree that Enkidu plans to fashion into a gate for the temple of Enlil . They build
7560-526: The form of a spirit to relate the nature of the Underworld to Gilgamesh. In terms of form, the poetic conventions followed in the Standard Babylonian version appear to be inconsistent and are still controversial among scholars. There is, however, extensive use of parallelism across sets of two or three adjacent lines, much like in the Hebrew Psalms . When it was discovered in the 19th century,
7665-408: The fountain of wisdom. Gilgamesh was given knowledge of how to worship the gods, why death was ordained for human beings, what makes a good king, and how to live a good life. The story of Utnapishtim, the hero of the flood myth , can also be found in the Babylonian epic of Atra-Hasis . The Standard version is also known as iškar Gilgāmeš , "Series of Gilgamesh". The 12th tablet is a sequel to
7770-412: The futility of his efforts, because he has now lost all chance of immortality. He returns to Uruk, where the sight of its massive walls prompts him to praise this enduring work to Urshanabi. This tablet is mainly an Akkadian translation of an earlier Sumerian poem, "Gilgamesh and the Netherworld" (also known as " Gilgamesh, Enkidu, and the Netherworld " and variants), although it has been suggested that it
7875-407: The futility of his quest. After a lacuna, Gilgamesh talks to Siduri about his quest and his journey to meet Utnapishtim (here called Uta-na'ishtim). Siduri attempts to dissuade Gilgamesh in his quest for immortality, urging him to be content with the simple pleasures of life. After one more lacuna, Gilgamesh smashes the "stone ones" and talks to the ferryman Urshanabi (here called Sur-sunabu). After
7980-528: The genre is inseparable from real life, particularly the social and cultural contexts within which each work of the fantastic is produced. She writes that the "unreal" elements of fantastic literature are created only in direct contrast to the boundaries set by its time period's "cultural order", acting to illuminate the unseen limitations of said boundaries by undoing and recompiling the very structures which define society into something "strange" and "apparently new". In subverting these societal norms, Jackson claims,
8085-633: The genre's popularity. The popularity of the fantasy genre has continued to increase in the 21st century, as evidenced by the best-selling status of J. K. Rowling 's Harry Potter series, Robert Jordan 's The Wheel of Time series, George R. R. Martin 's Song of Ice and Fire series, Steven Erikson 's Malazan Book of the Fallen sweeping epic, Brandon Sanderson 's The Stormlight Archive series and Mistborn series, and A. Sapkowski 's The Witcher saga. Several fantasy film adaptations have achieved blockbuster status, most notably The Lord of
8190-498: The gods decide that one of the heroes must die because they killed Humbaba and the Bull of Heaven. Despite the protestations of Shamash, Enkidu is marked for death. Enkidu curses the great door he has fashioned for Enlil's temple. He also curses the trapper and Shamhat for removing him from the wild. Shamash reminds Enkidu of how Shamhat fed and clothed him, and introduced him to Gilgamesh. Shamash tells him that Gilgamesh will bestow great honors upon him at his funeral, and will wander into
8295-586: The legends as the father of one of Gilgamesh's adversaries, has lent credibility to the historical existence of Gilgamesh. In the early 2000s, the Gilgamesh Dream Tablet was imported illegally into the United States. According to the United States Department of Justice , the tablet was encrusted with dirt and unreadable when it was purchased by a US antiquities dealer in 2003. The tablet was sold by an unnamed antiques dealer in 2007 with
8400-415: The major categories of speculative fiction . Fantasy is distinguished from science fiction by the plausibility of the narrative elements. A science fiction narrative is unlikely, though seemingly possible through logical scientific or technological extrapolation, where fantasy narratives do not need to be scientifically possible. Authors have to rely on the readers' suspension of disbelief , an acceptance of
8505-510: The modern fantasy genre. Plato used allegories to convey many of his teachings, and early Christian writers interpreted both the Old and New Testaments as employing parables to relay spiritual truths. This ability to find meaning in a story that is not literally true became the foundation that allowed the modern fantasy genre to develop. The most well known fiction from the Islamic world
8610-447: The moon god Sin . Then, waking from an encouraging dream, he kills the lions and uses their skins for clothing. After a long and perilous journey, Gilgamesh arrives at the twin peaks of Mount Mashu at the western end of the earth. He comes across the tunnel of the sun god Shamash , which no man has ever entered, guarded by two scorpion monsters , who appear to be a married couple. The husband tries to dissuade Gilgamesh from passing, but
8715-414: The original 11, and was probably appended at a later date. It bears little relation to the well-crafted 11-tablet epic; the lines at the beginning of the first tablet are quoted at the end of the 11th tablet, giving it circularity and finality. Tablet 12 is a near copy of an earlier Sumerian tale, a prequel, in which Gilgamesh sends Enkidu to retrieve some objects of his from the Underworld, and he returns in
8820-432: The people's pleas by creating an equal to Gilgamesh who will be able to stop his oppression. This is the invincibly strong Enkidu , covered in hair, who lives in the wilderness with his herd of animal relatives. He is spotted by a trapper, whose livelihood is being ruined because Enkidu destroys all his traps. The trapper tells the sun god Shamash about the man, and it is arranged that Enkidu will be seduced by Shamhat ,
8925-401: The place where they were found. Surpassing all other kings Tablet II, greatly correlates with tablets I–II of the Standard Babylonian version. Gilgamesh tells his mother Ninsun about two dreams he had. His mother explains that they mean that a new companion will soon arrive at Uruk. In the meanwhile the wild Enkidu and the priestess (here called Shamkatum) have sex. She tames him in company of
9030-642: The present the orthodox people are in great delight, and are very much prepossessed by the corroboration which it affords to Biblical history. It is possible, however, as has been pointed out, that the Chaldean inscription, if genuine, may be regarded as a confirmation of the statement that there are various traditions of the deluge apart from the Biblical one, which is perhaps legendary like the rest. The New York Times , front page, 1872 About 15,000 fragments of Assyrian cuneiform tablets were discovered in
9135-441: The process of uncovering new fragments of the epic dispersed, and often unread, in museums around the world. Distinct sources exist from over a 2000-year timeframe. The earliest Sumerian poems are now generally considered to be distinct stories, rather than parts of a single epic. Some of these may date back to as early as the Third Dynasty of Ur ( c. 2100 BC ). The Old Babylonian tablets ( c. 1800 BC ) are
9240-565: The process, after which the gods decide to sentence Enkidu to death and kill him by giving him a fatal illness. In the second half of the epic, distress over Enkidu's death causes Gilgamesh to undertake a long and perilous journey to discover the secret of eternal life. Finally, he learns from the Babylonian Noah (cf. Atrahasis ) that "Life, which you look for, you will never find. For when the gods created man, they let death be his share, and life withheld in their own hands". The epic
9345-480: The rank of an "ancient wise man" (antediluvian). Lins Brandão continues, noting how the poem would have been "put on a stele" ("narû"), that at first "narû" could be seen as the genre of the poem, taking into consideration that the reader (or scribe) would have to pass the text on, without omitting or adding anything. This summary is based on Andrew George 's translation. The story introduces Gilgamesh , king of Uruk . Gilgamesh, two-thirds god and one-third man,
9450-532: The relationship to Nimrod was dropped, the view of "Greek epic" was retained. Martin Litchfield West , in 1966, in the preface to his edition of Hesiod , recognized the proximity of the Greeks to the middle eastern center of convergence: "Greek literature is a Near East literature." Considering how the text would be viewed from the standpoint of its time is tricky, as George Smith acknowledges that there
9555-439: The secret of eternal life. Utnapishtim and his wife are the only couple of humans artificially created by the gods who were allowed to survive the great flood and even endowed with divine immortality in gratitude for food sacrifices to the gods, so Utnapishtim seems to be identical to the pious priest Atra-Hasis . Gilgamesh crosses a mountain pass at night and encounters a pride of lions. Before sleeping he prays for protection to
9660-458: The several subcultures within the main subcultures, including the cosplay subculture (in which people make or wear costumes based on existing or self-created characters, sometimes also acting out skits or plays as well), the fan fiction subculture, and the fan video or AMV subculture, as well as the large internet subculture devoted to reading and writing prose fiction or doujinshi in or related to those genres. According to 2013 statistics by
9765-420: The shepherds by offering him bread and beer. Enkidu helps the shepherds by guarding the sheep. They travel to Uruk to confront Gilgamesh and stop his abuses. Enkidu and Gilgamesh battle but Gilgamesh breaks off the fight. Enkidu praises Gilgamesh. Surpassing all other kings Tablet III, partially matches tablets II–III of the Standard Babylonian version. For reasons unknown (the tablet is partially broken) Enkidu
9870-465: The social structure to emerge. The fantastic is never purely supernatural, nor can the supernatural be ruled out. Just as women were not equal yet, but they were not completely oppressed. The Female Fantastic seeks to enforce this idea that nothing is certain in the fantastic nor the gender roles of the 1920s. Many women in this time period began to blur the lines between the genders, removing the binary out of gender and allowing for many interpretations. For
9975-542: The stone charms that Urshanabi keeps with him. Gilgamesh tells his story, but when he asks for help, Urshanabi informs him that he has just destroyed the objects that can help them cross the Waters of Death, which are deadly to the touch. Urshanabi instructs Gilgamesh to cut down 120 trees and fashion them into punting poles. When they reach the island where Utnapishtim lives, Gilgamesh recounts his story, asking him for his help. Utnapishtim reprimands him, declaring that fighting
10080-521: The story of Gilgamesh was classified as a Greek epic, a genre known in Europe, even though it predates the Greek culture that spawned epics, specifically, when Herodotus referred to the works of Homer in this way. When Alfred Jeremias translated the text, he insisted on the relationship to Genesis by giving the title " Izdubar-Nimrod " and by recognizing the genre as that of Greek heroic poetry. Although
10185-552: The story – earlier even than that preserved on the Old Babylonian fragment – may well have ended with Siduri sending Gilgamesh back to Uruk..." and "Utnapistim was not originally part of the tale." There are five extant Gilgamesh stories in the form of older poems in Sumerian . These probably circulated independently, rather than being in the form of a unified epic. Some of the names of the main characters in these poems differ slightly from later Akkadian names; for example, "Bilgames"
10290-494: The unbelievable or impossible for the sake of enjoyment, in order to write effective fantasies. Despite both genres' heavy reliance on the supernatural, fantasy and horror are distinguishable from one another. Horror primarily evokes fear through the protagonists' weaknesses or inability to deal with the antagonists. While some elements of the supernatural and the fantastic were a part of literature from its beginning, fantasy elements occur throughout ancient religious texts such as
10395-454: The wife intervenes, expresses sympathy for Gilgamesh, and (according to the poem's editor Benjamin Foster) allows his passage. Entering the tunnel's gate, he follows the path of Shamash in total darkness and actually manages to reach the eastern exit within 12 ‘double hours’, just before he would have been caught up by the sun god, burning him alive. Astonished, he enters the marvellous Garden of
10500-486: The wild consumed with grief. Enkidu regrets his curses and blesses Shamhat instead. In a second dream, however, he sees himself being taken captive to the Netherworld , a "house of dust" and darkness whose inhabitants eat clay, and are clothed in bird feathers, supervised by terrifying beings. For 12 days, Enkidu's condition worsens. Finally, after a lament that he could not meet a heroic death in battle, he dies. In
10605-603: Was William Morris , an English poet who wrote several novels in the latter part of the century, including The Wood Beyond the World (1894) and The Well at the World's End (1896). Despite MacDonald's future influence with At the Back of the North Wind (1871), Morris's popularity with his contemporaries, and H. G. Wells 's The Wonderful Visit (1895), it was not until the 20th century that fantasy fiction began to reach
10710-483: Was considered more acceptable than fantasy intended for adults, with the effect that writers who wished to write fantasy had to fit their work into forms aimed at children. Nathaniel Hawthorne wrote fantasy in A Wonder-Book for Girls and Boys , intended for children, although his works for adults only verged on fantasy. For many years, this and successes such as Alice's Adventures in Wonderland (1865) created
10815-401: Was founded in 1949, the pulp magazine format was at the height of its popularity, and the magazine was instrumental in bringing fantasy fiction to a wide audience in both the U.S. and Britain. Such magazines were also instrumental in the rise of science fiction, and it was at this time the two genres began to be associated with each other. By 1950, " sword and sorcery " fiction had begun to find
10920-464: Was initially reintroduced to the world as " Izdubar ", before the cuneiform logographs in his name could be pronounced accurately. In 1891, Paul Haupt collected the cuneiform text, and nine years later, Peter Jensen provided a comprehensive edition; R. Campbell Thompson updated both of their work in 1930. Over the next two decades, Samuel Noah Kramer reassembled the Sumerian poems. In 1998, American Assyriologist Theodore Kwasman discovered
11025-548: Was probably written in the middle of the second half of the eighteenth century BC, preserves a mixture of stories with elements of historical fiction, fantasy, and satire. Egyptian funerary texts preserve mythological tales, the most significant of which are the myths of Osiris and his son Horus . Myth with fantastic elements intended for adults were a major genre of ancient Greek literature . The comedies of Aristophanes are filled with fantastic elements, particularly his play The Birds , in which an Athenian man builds
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