142-553: Ramcharitmanas ( Devanagari : रामचरितमानस rāmacaritamānasa ), is an epic poem in the Awadhi language , composed by the 16th-century Indian bhakti poet Tulsidas (c. 1511–1623). It has many inspirations, the primary being the Ramayana of Valmiki . This work is also called, in popular parlance, Tulsi Ramayana , Tulsikrit Ramayana , Tulsidas Ramayana or simply Manas . The word Ramcharitmanas literally means "Lake of
284-544: A Rigvedic deity with fearsome powers, was the god of the roaring storm . He is usually portrayed in accordance with the element he represents as a fierce, destructive deity. In RV 2.33, he is described as the "Father of the Rudras ", a group of storm gods. Flood notes that Rudra is an ambiguous god, peripheral in the Vedic pantheon, possibly indicating non-Vedic origins. Nevertheless, both Rudra and Shiva are akin to Wodan ,
426-604: A German Indologist and professor of philosophy, describes the self-realized man as who "feels himself only as the one divine essence that lives in all", who feels identity of his and everyone's consciousness with Shiva (highest Atman), who has found this highest Atman within, in the depths of his heart. Rudra's evolution from a minor Vedic deity to a supreme being is first evidenced in the Shvetashvatara Upanishad (400–200 BCE), according to Gavin Flood, presenting
568-523: A bow & arrow in His hands, mounted on the aerial car named Puşpakā, accompanied by a host of monkeys & waited upon by His own brother Lakşmaņa. Tulsidas ends every chapter in a similar manner describing the ending in the Sanskrit language. Every Kānd is formally concluded by Goswami Tulsidas. The following is an example of the ending of Kiśkindhā Kāṇḍ: Translation: "Thus ends the fourth descent into
710-448: A couple of his specialties of this figure does not match with Rudra. Writing in 1997, Srinivasan interprets what John Marshall interpreted as facial as not human but more bovine, possibly a divine buffalo-man. The interpretation of the seal continues to be disputed. McEvilley , for example, states that it is not possible to "account for this posture outside the yogic account". Asko Parpola states that other archaeological finds such as
852-645: A fusing of the two deities. Agni is said to be a bull, and Shiva possesses a bull as his vehicle, Nandi . The horns of Agni , who is sometimes characterized as a bull, are mentioned. In medieval sculpture, both Agni and the form of Shiva known as Bhairava have flaming hair as a special feature. According to Wendy Doniger , the Saivite fertility myths and some of the phallic characteristics of Shiva are inherited from Indra . Doniger gives several reasons for her hypothesis. Both are associated with mountains, rivers, male fertility, fierceness, fearlessness, warfare,
994-434: A householder with his wife Parvati and his two children, Ganesha and Kartikeya . In his fierce aspects, he is often depicted slaying demons. Shiva is also known as Adiyogi (the first Yogi ), regarded as the patron god of yoga , meditation and the arts. The iconographical attributes of Shiva are the serpent king Vasuki around his neck, the adorning crescent moon, the holy river Ganga flowing from his matted hair,
1136-471: A large party to the forest. He assumes that Bharata has some sinister motive. Bharata shows his love for Rama and Guha is moved to tears by his love for his brother. The royal procession then moves forward to Chitrakoot . Lakshman sees the huge army of people with Bharata and immediately begins to chastise Bharata. Rama counters this by praising the greatness of Bharata, leaving Lakshman feeling sorry for his harsh words. Bharata finally arrives at Chitrakoot where
1278-475: A manner similar to Shiva Nataraja. The similarities in the dance iconography suggests that there may be a link between ancient Indra and Shiva. A few texts such as Atharvashiras Upanishad mention Rudra , and assert all gods are Rudra, everyone and everything is Rudra, and Rudra is the principle found in all things, their highest goal, the innermost essence of all reality that is visible or invisible. The Kaivalya Upanishad similarly, states Paul Deussen –
1420-647: A part of ritual. In contrast, the esoteric tradition within Kashmir Shaivism has featured the Krama and Trika sub-traditions. The Krama sub-tradition focussed on esoteric rituals around Shiva-Kali pair. The Trika sub-tradition developed a theology of triads involving Shiva, combined it with an ascetic lifestyle focusing on personal Shiva in the pursuit of monistic self-liberation. The Vaishnava (Vishnu-oriented) literature acknowledges and discusses Shiva. Like Shaiva literature that presents Shiva as supreme,
1562-460: A prospective bride selects her groom from among a group of suitors who attend the ceremony. Sita falls in love with Rama at first sight in Janaka's garden and prays to Parvati that she may get Rama as her husband. King Janaka sends a messenger to invite Rama, Laksman and Sage Vishvamitra to attend the swayamvara. Janaka puts a condition to identify the right groom for Sita. The great bow of Shiva by
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#17327721582931704-505: A proto-Shiva would "go too far". The Vedic beliefs and practices of the pre-classical era were closely related to the hypothesised Proto-Indo-European religion , and the pre-Islamic Indo-Iranian religion. The similarities between the iconography and theologies of Shiva with Greek and European deities have led to proposals for an Indo-European link for Shiva, or lateral exchanges with ancient central Asian cultures. His contrasting aspects such as being terrifying or blissful depending on
1846-551: A request to meet his father. Queen Kaikeyi speaks to Rama and explains to him the boons that she had asked of his father. Rama is actually the Supreme Personality of Godhead incarnated on earth, yet he accepts his stepmother's request and decides to leave the kingdom as it serves his purpose as well. The people of Ayodhya remonstrate against Queen Kaikeyi who firmly believes that she is doing the right thing. Rama attempts to dissuade Lakshman and Sita from joining him but
1988-399: A sentence or half-verse may be marked with the " । " symbol (called a daṇḍa , meaning "bar", or called a pūrṇa virām , meaning "full stop/pause"). The end of a full verse may be marked with a double- daṇḍa , a " ॥ " symbol. A comma (called an alpa virām , meaning "short stop/pause") is used to denote a natural pause in speech. Punctuation marks of Western origin, such as
2130-773: A single major deity. Shiva is a pan-Hindu deity, revered widely by Hindus in India , Nepal , Bangladesh , Sri Lanka and Indonesia (especially in Java and Bali ). Saiddhantika Non - Saiddhantika According to the Monier-Williams Sanskrit dictionary, the word " śiva " ( Devanagari : शिव , also transliterated as shiva ) means "auspicious, propitious, gracious, benign, kind, benevolent, friendly". The root words of śiva in folk etymology are śī which means "in whom all things lie, pervasiveness" and va which means "embodiment of grace". The word Shiva
2272-945: A work belonging to the Saguna school of the Bhakti movement in Hindi literature . In May 2024, during the tenth meeting of the Memory of the World Committee for Asia and the Pacific, the Ramcharitamanas manuscripts were added to UNESCO's Memory of the World Asia-Pacific Regional Register. One manuscript was authored by Tulsidas, and the other was written in Arabic in the 18th century, showcasing
2414-493: Is a left-to-right abugida (a type of segmental writing system ), based on the ancient Brāhmi script. It is one of the official scripts of the Republic of India and Nepal . It was developed and in regular use by the 8th century CE and achieved its modern form by 1000 CE. The Devanāgari script, composed of 48 primary characters, including 14 vowels and 34 consonants, is the fourth most widely adopted writing system in
2556-592: Is a patron deity of farming and herding castes . The foremost center of worship of Khandoba in Maharashtra is in Jejuri . Khandoba has been assimilated as a form of Shiva himself, in which case he is worshipped in the form of a lingam. Khandoba's varied associations also include an identification with Surya and Karttikeya . Myths about Shiva that were "roughly contemporary with early Christianity " existed that portrayed Shiva with many differences than how he
2698-518: Is a table for Hindi, one for Sanskrit and Prakrit, etc. WX is a Roman transliteration scheme for Indian languages, widely used among the natural language processing community in India. It originated at IIT Kanpur for computational processing of Indian languages. The salient features of this transliteration scheme are as follows. ISCII is an 8-bit encoding. The lower 128 codepoints are plain ASCII ,
2840-658: Is associated with an application of the same name that enables typesetting in Indic scripts . The user inputs in Roman letters and the ITRANS pre-processor translates the Roman letters into Devanāgarī (or other Indic languages). The latest version of ITRANS is version 5.30 released in July 2001. It is similar to Velthuis system and was created by Avinash Chopde to help print various Indic scripts with personal computers. The disadvantage of
2982-566: Is closely related to the Nandināgarī script commonly found in numerous ancient manuscripts of South India , and it is distantly related to a number of southeast Asian scripts. Devanāgarī is formed by the addition of the word deva ( देव ) to the word nāgarī ( नागरी ). Nāgarī is an adjective derived from nagara ( नगर ), a Sanskrit word meaning "town" or "city," and literally means "urban" or "urbane". The word Nāgarī (implicitly modifying lipi , "script")
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#17327721582933124-853: Is everything and everywhere. Shiva is the primal Self, the pure consciousness and Absolute Reality in the Shaiva traditions. Shiva is also Part of 'Om' (ॐ) as a 'U' (उ). The Shaivism theology is broadly grouped into two: the popular theology influenced by Shiva-Rudra in the Vedas, Epics and the Puranas; and the esoteric theology influenced by the Shiva and Shakti-related Tantra texts. The Vedic-Brahmanic Shiva theology includes both monist ( Advaita ) and devotional traditions ( Dvaita ), such as Tamil Shaiva Siddhanta and Lingayatism . Shiva temples feature items such as linga, Shiva-Parvati iconography, bull Nandi within
3266-415: Is finished unhindered. The first three or four verses of each Kānd are typically in the form of invocations. Bāl Kāṇḍ begins with a hymn honouring the goddess Saraswati and the god Ganesha , the deities related to knowledge, wisdom, speech and auspiciousness. The deities Lord Shiva, Lord Rama, and Goddess Sita are also honoured in succeeding verses. Ayodhyā Kāṇḍ begins with the famous verse dedicated to
3408-404: Is greatly happy and eagerly anticipating the coronation of Rama. Queen Kaikeyi reminds him of the two boons he promised her and to his bewilderment, asks him to install her son Bharata as Prince Regent and send Rama into the forest for fourteen years. Queen Kaikeyi is unmoved by Dasharatha's lamentations and finally the king emotionally breaks down. The king's assistant Sumantra sends for Rama with
3550-474: Is greatly pained and blames himself for Rama leaving Ayodhya. He accuses her of bringing ruin to the family. Shatrughna comes across Manthara and beats her in rage. They approach Queen Kaushalya and see her in a sorry state. Bharata begs for her forgiveness and loudly laments while the Queen attempts to pacify him. She asks him to carry out his duty and rule Ayodhya, but Bharata cannot bear the thought of sitting on
3692-409: Is indicated by diacritics . The vowel अ ( a ) combines with the consonant क् ( k ) to form क ( ka ) with halant removed. But the diacritic series of क , ख , ग , घ ( ka, kha, ga, gha , respectively) is without any added vowel sign, as the vowel अ ( a ) is inherent . The combinations of all Sanskrit consonants and vowels, each in alphabetical order, are laid out in
3834-467: Is kind and tranquil (Shiva). The term Shiva also appears simply as an epithet, that means "kind, auspicious", one of the adjectives used to describe many different Vedic deities. While fierce ruthless natural phenomenon and storm-related Rudra is feared in the hymns of the Rigveda, the beneficial rains he brings are welcomed as Shiva aspect of him. This healing, nurturing, life-enabling aspect emerges in
3976-535: Is known today is an amalgamation of various older deities into a single figure, due to the process of Sanskritization and the emergence of the Hindu synthesis in post-Vedic times. How the persona of Shiva converged as a composite deity is not well documented, a challenge to trace and has attracted much speculation. According to Vijay Nath: Vishnu and Siva [...] began to absorb countless local cults and deities within their folds. The latter were either taken to represent
4118-476: Is not affected by three Guṇas of Prakṛti (Sattva, Rajas, and Tamas)". Shiva is known by many names such as Viswanatha (lord of the universe), Mahadeva, Mahandeo, Mahasu, Mahesha, Maheshvara, Shankara, Shambhu, Rudra, Hara, Trilochana, Devendra (chief of the gods), Neelakanta, Subhankara, Trilokinatha (lord of the three realms), and Ghrneshwar (lord of compassion). The highest reverence for Shiva in Shaivism
4260-453: Is not clear from the seal that the figure has three faces, is seated in a yoga posture, or even that the shape is intended to represent a human figure. He characterizes these views as "speculative", but adds that it is nevertheless possible that there are echoes of Shaiva iconographic themes, such as half-moon shapes resembling the horns of a bull . John Keay writes that "he may indeed be an early manifestation of Lord Shiva as Pashu-pati", but
4402-756: Is one of the principal deities of Hinduism . He is the Supreme Being in Shaivism , one of the major traditions within Hinduism. Shiva is known as The Destroyer within the Trimurti , the Hindu trinity which also includes Brahma and Vishnu . In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition,
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4544-537: Is one of the four major sects of Hinduism , the others being Vaishnavism , Shaktism and the Smarta Tradition . Followers of Shaivism, called "Shaivas", revere Shiva as the Supreme Being. Shaivas believe that Shiva is All and in all, the creator, preserver, destroyer, revealer and concealer of all that is. He is not only the creator in Shaivism, but he is also the creation that results from him, he
4686-476: Is overcome by great emotion as he is able to sense the true nature of their mission. The brothers then set out to discover the beautiful city and visit Janaka's garden. This is an important section of the Ramcharitmanas as it portrays the first meeting of Rama and Sita. In the meanwhile, King Janaka arranges a swayamvara ceremony for his daughter Sita . A swayamvara ceremony is a Vedic ritual in which
4828-555: Is part of the Brahmic family of scripts of India , Nepal , Tibet , and Southeast Asia . It is a descendant of the 3rd century BCE Brāhmī script , which evolved into the Nagari script which in turn gave birth to Devanāgarī and Nandināgarī . Devanāgarī has been widely adopted across India and Nepal to write Sanskrit , Marathi , Hindi , Central Indo-Aryan languages , Konkani , Boro , and various Nepalese languages. Some of
4970-622: Is primarily composed in the Chaupai metre (four-line quatrains), separated by the Doha metre (two-line couplets), with occasional Soratha and various Chhand metres. Every chapter of the Ramcharitmanas begins with an invocation or Mangalācharaņ . It is customary in the Indian tradition of writing for the author to begin a new book with invocation to the gods to ensure that the sankalpa
5112-652: Is reflected in his epithets Mahādeva ("Great god"; mahā "Great" and deva "god"), Maheśvara ("Great Lord"; mahā "great" and īśvara "lord"), and Parameśvara ("Supreme Lord"). Sahasranama are medieval Indian texts that list a thousand names derived from aspects and epithets of a deity. There are at least eight different versions of the Shiva Sahasranama , devotional hymns ( stotras ) listing many names of Shiva. The version appearing in Book 13 ( Anuśāsanaparvan ) of
5254-473: Is said to have some spiritual powers to see the events occurred till Tretayuga that he used to narrate Ramcharitmanas . He calls the epic Ramcharitmanas as the story of Rama, which was narrated by Shiva to his wife, Parvati . Tulsidas claims to have received the story through his guru, Narharidas as a child until he wrote it down as the Ramcharitmanas . His guru graciously repeated it again and again so that he could understand and remember it. Then he narrated
5396-935: Is similar to the Krutidev typing method, popular in Rajasthan. The 'itrans' method is useful for those who know English (and the English keyboard) well but are not familiar with typing in Devanāgarī. Thousands of manuscripts of ancient and medieval era Sanskrit texts in Devanāgarī have been discovered since the 19th century. Major catalogues and census include: Shiva Shiva ( / ˈ ʃ ɪ v ə / ; Sanskrit : शिव , lit. 'The Auspicious One', IAST : Śiva [ɕɪʋɐ] ), also known as Mahadeva ( / m ə ˈ h ɑː ˈ d eɪ v ə / ; Sanskrit : महादेव: , lit. 'The Great God', IAST : Mahādevaḥ , [mɐɦaːd̪eːʋɐh ) or Hara ,
5538-479: Is the "creator, reproducer and dissolver". Sharma presents another etymology with the Sanskrit root śarv - , which means "to injure" or "to kill", interpreting the name to connote "one who can kill the forces of darkness". The Sanskrit word śaiva means "relating to the god Shiva", and this term is the Sanskrit name both for one of the principal sects of Hinduism and for a member of that sect. It
5680-450: Is the best in terms of ligatures but, because it is designed for Vedic as well, requires so much vertical space that it is not well suited for the "user interface font" (though an excellent choice for the "original field" font). Santipur OT is a beautiful font reflecting a very early [medieval era] typesetting style for Devanagari. Sanskrit 2003 is a good all-around font and has more ligatures than most fonts, though students will probably find
5822-682: Is the standard keyboard layout for Devanāgarī as standardized by the Government of India. It is inbuilt in all modern major operating systems . Microsoft Windows supports the InScript layout, which can be used to input unicode Devanāgarī characters. InScript is also available in some touchscreen mobile phones. This layout was used on manual typewriters when computers were not available or were uncommon. For backward compatibility some typing tools like Indic IME still provide this layout. Such tools work on phonetic transliteration. The user writes in
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5964-406: Is thought of now, and these mythical portrayals of Shiva were incorporated into later versions of him. For instance, he and the other gods , from the highest gods to the least powerful gods, were thought of as somewhat human in nature, creating emotions they had limited control over and having the ability to get in touch with their inner natures through asceticism like humans. In that era, Shiva
6106-407: Is unable to do so. The scene becomes very emotional as Rama, Sita and Lakshman greet their mothers before finally going to Dashratha to take leave of him. Dasharatha attempts, in vain, to try to talk Sita out of joining Rama in the forest. The residents of Ayodhya can't spare the thought of being away from Rama and decide to join him in the forest. Rama, Sita, Lakshman and Sumantra go incognito and in
6248-522: Is unaware of what is happening in Ayodhya. Slowly, Queen Kaikeyi becomes influenced. Manthara reminds Queen Kaikeyi of the two boons that the King had promised her. Kaikeyi enters the private room in the royal palace, where the King gives audience to his queens and awaits Dasharatha. Dasharatha is greatly alarmed and concerned that Kaikeyi is sitting in the sulking chamber, while the entire population of Ayodhya
6390-599: Is used as an adjective in the Rig Veda ( c. 1700–1100 BCE ), as an epithet for several Rigvedic deities , including Rudra . The term Shiva also connotes "liberation, final emancipation" and "the auspicious one"; this adjectival usage is addressed to many deities in Vedic literature. The term evolved from the Vedic Rudra-Shiva to the noun Shiva in the Epics and the Puranas, as an auspicious deity who
6532-683: Is used as an adjective to characterize certain beliefs and practices, such as Shaivism. Some authors associate the name with the Tamil word śivappu meaning "red", noting that Shiva is linked to the Sun ( śivan , "the Red one", in Tamil) and that Rudra is also called Babhru (brown, or red) in the Rigveda. The Vishnu sahasranama interprets Shiva to have multiple meanings: "The Pure One", and "the One who
6674-460: Is used for writing languages other than Sanskrit, conjuncts are used mostly with Sanskrit words and loan words. Native words typically use the basic consonant and native speakers know to suppress the vowel when it is conventional to do so. For example, the native Hindi word karnā is written करना ( ka-ra-nā ). The government of these clusters ranges from widely to narrowly applicable rules, with special exceptions within. While standardised for
6816-489: Is visible in the Kutila inscription of Bareilly dated to VS 1049 (992 CE), which demonstrates the emergence of the horizontal bar to group letters belonging to a word. One of the oldest surviving Sanskrit texts from the early post- Maurya period consists of 1,413 Nāgarī pages of a commentary by Patanjali , with a composition date of about 150 BCE, the surviving copy transcribed about 14th century CE. In
6958-768: The Siddhaṃ matrika script (considered as the closest precursor to Nāgarī) was in use by Buddhists . Nāgarī has been the primus inter pares of the Indic scripts. It has long been used traditionally by religiously educated people in South Asia to record and transmit information, existing throughout the land in parallel with a wide variety of local scripts (such as Moḍī , Kaithi , and Mahajani ) used for administration, commerce, and other daily uses. Sharada remained in parallel use in Kashmir . An early version of Devanāgarī
7100-487: The bārākhaḍī ( बाराखडी ) or bārahkhaṛī ( बारहखड़ी ) table. In the following barakhadi table, the IAST transliteration of each combination will appear on mouseover: The following letter variants are also in use, particularly in older texts and in specific regions: As mentioned, successive consonants lacking a vowel in between them may physically join as a conjunct consonant or ligature . When Devanāgarī
7242-728: The Mahabharata provides one such list. Shiva also has Dasha-Sahasranamas (10,000 names) that are found in the Mahanyasa . The Shri Rudram Chamakam , also known as the Śatarudriya , is a devotional hymn to Shiva hailing him by many names. The Shiva-related tradition is a major part of Hinduism, found all over the Indian subcontinent , such as India, Nepal , Sri Lanka , and Southeast Asia , such as Bali, Indonesia . Shiva has pre-Vedic tribal roots, having "his origins in primitive tribes, signs and symbols." The figure of Shiva as he
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#17327721582937384-547: The Nirukta , an important early text on etymology, which says, "Agni is also called Rudra." The interconnections between the two deities are complex, and according to Stella Kramrisch: The fire myth of Rudra-Śiva plays on the whole gamut of fire, valuing all its potentialities and phases, from conflagration to illumination. In the Śatarudrīya , some epithets of Rudra, such as Sasipañjara ("Of golden red hue as of flame") and Tivaṣīmati ("Flaming bright"), suggest
7526-503: The Bactria–Margiana Culture . According to Anthony, Many of the qualities of Indo-Iranian god of might/victory, Verethraghna , were transferred to the adopted god Indra, who became the central deity of the developing Old Indic culture. Indra was the subject of 250 hymns, a quarter of the Rig Veda . He was associated more than any other deity with Soma , a stimulant drug (perhaps derived from Ephedra ) probably borrowed from
7668-559: The Government of India . A standard transliteration convention was codified in the ISO 15919 standard of 2001. It uses diacritics to map the much larger set of Brāhmic graphemes to the Latin script. The Devanāgarī-specific portion is nearly identical to the academic standard for Sanskrit, IAST . The International Alphabet of Sanskrit Transliteration (IAST) is the academic standard for
7810-464: The Linga Purana , present the various aspects of Shiva, mythologies, cosmology and pilgrimage ( Tirtha ) associated with him. The Shiva-related Tantra literature, composed between the 8th and 11th centuries, are regarded in devotional dualistic Shaivism as Sruti . Dualistic Shaiva Agamas which consider Self within each living being and Shiva as two separate realities (dualism, dvaita ), are
7952-463: The Ramayana to the devotees of Rama . Next, the various characters of the Ramayana are introduced and praised beginning with the birthplace of Rama, the holy city of Ayodhya. Praises are bestowed on Dasharatha , the king of Ayodhya and Rama's father and his queens Kausalya , Kaikeyi and Sumitra . Tulsidas then praises King Janaka (the father-in-law of Rama), and his family. He goes on to praise
8094-586: The Vedas , the Upanishads and the Puranas to the common people. Subsequently, his work was widely accepted. Ramcharitmanas made available the story of Rama to the common man to sing, meditate and perform on. The writing of Ramcharitmanas also heralded many a cultural tradition, most significantly that of the tradition of Ramlila , the dramatic enactment of the text. Ramcharitmanas is considered by many as
8236-688: The colon , semicolon , exclamation mark , dash , and question mark have been in use in Devanāgarī script since at least the 1900s, matching their use in European languages. A variety of Unicode fonts are in use for Devanāgarī. These include Akshar, Annapurna, Arial , CDAC-Gist Surekh, CDAC-Gist Yogesh, Chandas, Gargi, Gurumaa, Jaipur, Jana, Kalimati, Kanjirowa, Lohit Devanagari, Mangal, Kokila, ,Preeti, Raghu, Sanskrit2003, Santipur OT, Siddhanta, and Thyaka. The form of Devanāgarī fonts vary with function. According to Harvard College for Sanskrit studies: Uttara [companion to Chandas ]
8378-492: The third eye on his forehead (the eye that turns everything in front of it into ashes when opened), the trishula or trident as his weapon, and the damaru . He is usually worshiped in the aniconic form of lingam . Shiva has pre-Vedic roots, and the figure of Shiva evolved as an amalgamation of various older non-Vedic and Vedic deities, including the Rigvedic storm god Rudra who may also have non-Vedic origins, into
8520-522: The 1st millennium CE and through the 13th century, particularly in Kashmir and Tamil Shaiva traditions. Shaivism gained immense popularity in Tamilakam as early as the 7th century CE, with poets such as Appar and Sambandar composing rich poetry that is replete with present features associated with the deity, such as his tandava dance, the mulavam (dumru), the aspect of holding fire, and restraining
8662-496: The 7th century, under the rule of Songtsen Gampo of the Tibetan Empire , Thonmi Sambhota was sent to Nepal to open marriage negotiations with a Nepali princess and to find a writing system suitable for the Tibetan language. He then invented the Tibetan script based on the Nāgarī used in Kashmir. He added 6 new characters for sounds that did not exist in Sanskrit. Other scripts closely related to Nāgarī (such as Siddhaṃ ) were introduced throughout East and Southeast Asia from
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#17327721582938804-441: The 7th to the 10th centuries CE: notably in Indonesia, Vietnam, and Japan. Most of the Southeast Asian scripts have roots in Dravidian scripts, but a few found in south-central regions of Java and isolated parts of southeast Asia resemble Devanāgarī or its prototypes. The Kawi script in particular is similar to the Devanāgarī in many respects, though the morphology of the script has local changes. The earliest inscriptions in
8946-422: The 9th century copper plate inscription of Devapaladeva (Bengal) which is also in early Devanāgarī script. The term kawi in Kawi script is a loan word from kāvya (poetry). According to anthropologists and Asian studies scholars John Norman Miksic and Goh Geok Yian, the 8th century version of early Nāgarī or Devanāgarī script was adopted in Java, Bali , and Khmer around the 8th–9th centuries, as evidenced by
9088-403: The BMAC religion. His rise to prominence was a peculiar trait of the Old Indic speakers. The texts and artwork of Jainism show Indra as a dancer, although not identical generally resembling the dancing Shiva artwork found in Hinduism, particularly in their respective mudras. For example, in the Jain caves at Ellora , extensive carvings show dancing Indra next to the images of Tirthankaras in
9230-458: The Devanāgarī-like scripts are from around the 10th century CE, with many more between the 11th and 14th centuries. Some of the old-Devanāgarī inscriptions are found in Hindu temples of Java, such as the Prambanan temple. The Ligor and the Kalasan inscriptions of central Java, dated to the 8th century, are also in the Nāgarī script of north India. According to the epigraphist and Asian Studies scholar Lawrence Briggs, these may be related to
9372-469: The Dispeller of the fear of rebirth, the lion to quell the mad elephant in the form of Death, the Master of Yogīs, attainable through knowledge, the repository of good qualities, unconquerable, attributeless, immutable, beyond the realm of Māyā, the Lord of celestials, intent on killing the evil-doers, the only protector of the Brāhmaņas, beautiful & dark complexioned as a cloud laden with moisture, who has lotus-like eyes & Supreme Brahma, who appeared in
9514-464: The Germanic God of rage ("wütte") and the wild hunt . According to Sadasivan, during the development of the Hindu synthesis attributes of the Buddha were transferred by Brahmins to Shiva, who was also linked with Rudra . The Rigveda has 3 out of 1,028 hymns dedicated to Rudra, and he finds occasional mention in other hymns of the same text. Hymn 10.92 of the Rigveda states that deity Rudra has two natures, one wild and cruel (Rudra), another that
9656-890: The Indic language Misplaced Pages and other wikiprojects, including Hindi, Bhojpuri, Marathi, and Nepali Misplaced Pages. While some people use InScript , the majority uses either Google phonetic transliteration or the input facility Universal Language Selector provided on Misplaced Pages. On Indic language wikiprojects, the phonetic facility provided initially was java-based, and was later supported by Narayam extension for phonetic input facility. Currently Indic language Wiki projects are supported by Universal Language Selector (ULS) , that offers both phonetic keyboard (Aksharantaran, Marathi: अक्षरांतरण , Hindi: लिप्यंतरण, बोलनागरी ) and InScript keyboard (Marathi: मराठी लिपी ). The Ubuntu Linux operating system supports several keyboard layouts for Devanāgarī, including Harvard-Kyoto, WX notation , Bolanagari and phonetic. The 'remington' typing method in Ubuntu IBUS
9798-405: The Latin alphabet and the IME automatically converts it into Devanāgarī. Some popular phonetic typing tools are Akruti, Baraha IME and Google IME . The Mac OS X operating system includes two different keyboard layouts for Devanāgarī: one resembles the INSCRIPT/KDE Linux, while the other is a phonetic layout called "Devanāgarī QWERTY". Any one of the Unicode fonts input systems is fine for
9940-411: The Mānasa lake of Sri Rama's exploits, that eradicate all the impurities of the Kali age." All the other Kāndas are concluded in the same way where the word caturthah is substituted, according to the Kānd being concluded. Ramcharitmanas is structured around three separate conversations. The conversations happen between Shiva and Parvati, Sages Bharadwaj and Yajnavalkya and finally Kakbhushundi and
10082-401: The Nandi bull, the Indian zebu , in particular, as the vehicle of Rudra and of Shiva, thereby unmistakably linking them as same. Rudra and Agni have a close relationship. The identification between Agni and Rudra in the Vedic literature was an important factor in the process of Rudra's gradual transformation into Rudra-Shiva. The identification of Agni with Rudra is explicitly noted in
10224-548: The Putrakām yajna (vedic yajna for the birth of sons). Tulsidas states that the birth of Rama and his brothers took place on the ninth day of the Chaitra month. It was the fortnight of the moon, known as the shukla period. The story then moves on and Rama and his brothers are now grown-up boys. The sage Vishvamitra arrives at Dasharatha's royal court where the King receives his eminent guest with great honour. Vishvamitra lived in
10366-527: The Sun Dynasty to save the Devas and his devotees from the demons. The story then moves to Ayodhya. One fine day, Dasharatha, the king of Ayodhya, realizes that he has become old and still without children. He conveys his distress to sage Vasistha , the family guru , and seeks the way forward. Vasistha comforts Dasharatha and tells him that he will have four sons. Vasistha requests Rishyasringa to perform
10508-432: The Sun Dynasty. Rama gently nudges him to keep calm as Vishwamitra asks him to break the bow and make Janaka happy once again. Rama steps in and effortlessly lifts and strings the divine bow. In a swift move, he breaks the bow. The breaking of Pinaka causes a great noise that disturbs the great sage Parashurama in his meditation and he storms into the swayamvara arena in great anger vowing to kill whoever had dared to break
10650-591: The Supreme Goddess ( Devi ) is regarded as the energy and creative power ( Shakti ) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Kailasa as well as
10792-681: The Vaishnava literature presents Vishnu as supreme. However, both traditions are pluralistic and revere both Shiva and Vishnu (along with Devi), their texts do not show exclusivism, and Vaishnava texts such as the Bhagavata Purana while praising Krishna as the Ultimate Reality, also present Shiva and Shakti as a personalized form an equivalent to the same Ultimate Reality. The texts of Shaivism tradition similarly praise Vishnu. The Skanda Purana, for example, states: Vishnu
10934-464: The Vedas as Rudra-Shiva, and in post-Vedic literature ultimately as Shiva who combines the destructive and constructive powers, the terrific and the gentle, as the ultimate recycler and rejuvenator of all existence. The Vedic texts do not mention bull or any animal as the transport vehicle ( vahana ) of Rudra or other deities. However, post-Vedic texts such as the Mahabharata and the Puranas state
11076-675: The above ASCII schemes is case-sensitivity, implying that transliterated names may not be capitalised. This difficulty is avoided with the system developed in 1996 by Frans Velthuis for TeX , loosely based on IAST, in which case is irrelevant. ALA-LC romanisation is a transliteration scheme approved by the Library of Congress and the American Library Association, and widely used in North American libraries. Transliteration tables are based on languages, so there
11218-594: The adoption of Nāgarī scripts. For example, the mid 8th-century Pattadakal pillar in Karnataka has text in both Siddha Matrika script, and an early Telugu-Kannada script; while, the Kangra Jawalamukhi inscription in Himachal Pradesh is written in both Sharada and Devanāgarī scripts. The Nāgarī script was in regular use by the 7th century CE, and it was fully developed by about
11360-463: The author of the Ramayan at Chitrakoot dham . Valmiki recognises the true opulence of Rama and sings his praises. At this point Tulsidas takes great care to describe the beauty of the land of Chitrakoot with some inspiring poetry. Rama asks Sumantra to return to Ayodhya which saddens Sumantra. He not only wants to stay with Rama, he is also afraid of going back only to face the anger and wrath of
11502-506: The beginning of the Shaiva tradition focused on the worship of Shiva as evidenced in other literature of this period. Other scholars such as Robert Hume and Doris Srinivasan state that the Shvetashvatara Upanishad presents pluralism, pantheism , or henotheism , rather than being a text just on Shiva theism. Self-realization and Shaiva Upanishads He who sees himself in all beings, And all beings in him, attains
11644-409: The bow of lord Shiva. Lakshman enters into an argument with Parashurama, paying scant respect to the sage who was known for his bursts of anger and was known to slay whoever dared to oppose him. Ultimately, Rama brings him around. Parashurama discovers the real nature of Lord Rama as the ultimate Brahman, pays his respects and leaves for the forests for meditation. Sita places the wreath of victory around
11786-408: The brothers are all reunited once again. They collectively mourn the passing of their father and perform his Shraddha (obsequies) along with Sage Vashistha leading the ceremony. Despite all of Bharata's convincing, Rama is true to the word given to his father and step mother Kaikeyi, and vows that he will fulfill her wish. Bharata says that he simply cannot sit on the throne while Rama wanders in
11928-416: The brothers of Rama - Bharata , Lakshman and Shatrughna and sings the glories of Hanuman , the constant companion to Rama, Sugriva , the monkey king and Jambavan , the leader of bears. Next, the characters of Sita and Rama are introduced. The story of Ramcharitmanas is then underway. It begins with the meeting of two sages - Bharadwaj and Yajnavalkya. Bharadwaj asks Yajnavalkya to narrate in detail
12070-446: The citizens of Ayodhya. Rama persuades him to go back. On returning to Ayodhya, Sumantra meets Dasharatha, who asks him of the whereabouts of Rama. Unable to bear the pain of separation from Rama Dasharatha dies. Sage Vashishtha knows that Rama will not return to the kingdom and so immediately sends an envoy to call Bharata and Shatrughna back to Ayodhya. Bharata learns of all that has happened and chastises his mother, Queen Kaikeyi. He
12212-664: The dead of the night leave the city and head for the forest. They leave for a place called Sringaverapur after which they meet Guha, the Nishad king. They arrive at Prayag , the holy city where the Rivers Ganges , Yamuna and Saraswati meet. Rama meets with the Sage Bharadwaj at his ashram. Rama is overwhelmed with the reception and love shown by the people inhabiting the banks of the Yamuna . Rama then meets Sage Valmiki,
12354-517: The deeds of Rama ". It is considered one of the greatest works of Hindu literature. The work has variously been acclaimed as "the living sum of Indian culture", "the tallest tree in the magic garden of medieval Indian poetry", "the greatest book of all devotional literature" and "the best and most trustworthy guide to the popular living faith of the Indian people". Divisions Sama vedic Yajur vedic Atharva vedic Vaishnava puranas Shaiva puranas Shakta puranas Tulsidas
12496-611: The earliest epigraphic evidence attesting to the developing Sanskrit Nāgarī script in ancient India is from the 1st to 4th century CE inscriptions discovered in Gujarat . Variants of script called nāgarī , recognisably close to Devanāgarī, are first attested from the 1st century CE Rudradaman inscriptions in Sanskrit, while the modern standardised form of Devanāgarī was in use by about 1000 CE. Medieval inscriptions suggest widespread diffusion of Nāgarī-related scripts, with biscripts presenting local script along with
12638-441: The earliest seeds of theistic devotion to Rudra-Shiva. Here Rudra-Shiva is identified as the creator of the cosmos and liberator of Selfs from the birth-rebirth cycle. The Svetasvatara Upanishad set the tone for early Shaivite thought, especially in chapter 3 verse 2 where Shiva is equated with Brahman: "Rudra is truly one; for the knowers of Brahman do not admit the existence of a second". The period of 200 BC to 100 AD also marks
12780-400: The early Elamite seals dated to 3000–2750 BCE show similar figures and these have been interpreted as "seated bull" and not a yogi, and the bovine interpretation is likely more accurate. Gregory L. Possehl in 2002, associated it with the water buffalo, and concluded that while it would be appropriate to recognize the figure as a deity, and its posture as one of ritual discipline, regarding it as
12922-753: The end of first millennium. The use of Sanskrit in Nāgarī script in medieval India is attested by numerous pillar and cave-temple inscriptions, including the 11th-century Udayagiri inscriptions in Madhya Pradesh , and an inscribed brick found in Uttar Pradesh , dated to be from 1217 CE, which is now held at the British Museum . The script's prototypes and related versions have been discovered with ancient relics outside India, in places such as Sri Lanka , Myanmar and Indonesia . In East Asia,
13064-537: The figures in a group dance can be interpreted in many different ways. Of several Indus valley seals that show animals, one seal that has attracted attention shows a large central figure, either horned or wearing a horned headdress and possibly ithyphallic , seated in a posture reminiscent of the Lotus position , surrounded by animals. This figure was named by early excavators of Mohenjo-daro as Pashupati (Lord of Animals, Sanskrit paśupati ), an epithet of
13206-460: The forest and was performing great sacrifices. However, the demons Maricha and Subahu would always desecrate the ceremonial offerings. He knew that Rama had taken birth on earth to protect his devotees and so he decided to visit Dasharatha to ask him a favor. The sage asks the king to let his sons accompany him to the forest. Reluctantly the king agrees. Rama knew beforehand the intention of Vishvamitra in asking him to come along with him. He assures
13348-494: The forest. He asks Rama for his sandals, which he would place at the throne and would only act as Rama's representative and not as a full-fledged king. Devanagari Devanagari ( / ˌ d eɪ v ə ˈ n ɑː ɡ ə r i / DAY -və- NAH -gə-ree ; देवनागरी , IAST : Devanāgarī , Sanskrit pronunciation: [deːʋɐˈnaːɡɐriː] ) is an Indic script used in the Indian subcontinent . Also simply called Nāgari ( Sanskrit : नागरि , Nāgari ), it
13490-413: The form of an earthly king. Uttar Kāṇḍ begins with the following hymn: I unceasingly adore Śri Ramā, the praiseworthy lord of Jānakī, the chief of Raghu's lineage, possessed of a form greenish blue as the neck of a peacock & adorned with a print of Brahmāna's lotus-foot, which testifies to His being the greatest of all gods, rich in splendour, clad in yellow robes, lotus-eyed, ever-propitious, holding
13632-475: The foundational texts for Shaiva Siddhanta . Other Shaiva Agamas teach that these are one reality (monism, advaita ), and that Shiva is the Self, the perfection and truth within each living being. In Shiva related sub-traditions, there are ten dualistic Agama texts, eighteen qualified monism-cum-dualism Agama texts and sixty-four monism Agama texts. Shiva-related literature developed extensively across India in
13774-512: The god Shiva: May He in whose lap shines forth Parvati, the daughter of the mountain-king, who carries the celestial stream Ganga on His head, on whose brow rests the crescent moon, whose throat holds deadly poison & whose breast is graced by serpent-king, & who is adorned by the ashes on His body, may that chief of gods, the Lord of all, the Destroyer of the universe, the omnipresent Shiva,
13916-501: The greatest of all gods, knowable through Vedānta (the Upanishads ), constantly worshiped by Brahmā (the Creator), Śhambhu (Śivā), & Śeşa (the serpent-god), the bestower of supreme peace in the form of final beatitude, placid, eternal, beyond the ordinary means of cognition, sinless & all-pervading. Laṅkā Kāṇḍ begins with this hymn: I adore Śri Rama, the supreme Deity, the object of worship even of Śivā (the destroyer of Cupid),
14058-504: The highest Brahman , not by any other means. — Kaivalya Upanishad 10 Shaiva devotees and ascetics are mentioned in Patanjali 's Mahābhāṣya (2nd-century BCE) and in the Mahabharata . The earliest iconic artworks of Shiva may be from Gandhara and northwest parts of ancient India. There is some uncertainty as the artwork that has survived is damaged and they show some overlap with meditative Buddha-related artwork, but
14200-532: The keyboard. This makes typing in Harvard-Kyoto much easier than IAST. Harvard-Kyoto uses capital letters that can be difficult to read in the middle of words. ITRANS is a lossless transliteration scheme of Devanāgarī into ASCII that is widely used on Usenet . It is an extension of the Harvard-Kyoto scheme. In ITRANS, the word devanāgarī is written "devanaagarii" or "devanAgarI". ITRANS
14342-407: The king of birds, Garuda . Some scholars are of the opinion that there is also an underlying personal conversation between Tulsidas and Lord Rama all through the text of Ramcharitmanas . The Child Episode Tulsidas begins the story with an invocation to various deities, his guru and saints who have preceded him and those who will succeed him in the future. Homage is paid to Valmiki for bringing
14484-423: The later Hindu deities Shiva and Rudra. Sir John Marshall and others suggested that this figure is a prototype of Shiva, with three faces, seated in a " yoga posture" with the knees out and feet joined. Semi-circular shapes on the head were interpreted as two horns. Scholars such as Gavin Flood , John Keay and Doris Meth Srinivasan have expressed doubts about this suggestion. Gavin Flood states that it
14626-811: The main character of the epic, the Hindu god Rama ; carita means "acts or deeds" and manas loosely refers to the "mind or heart." Manas is also a proper noun, referring to a Himalayan lake, thus rendering Hill's entire translation of "The Holy Lake of the Acts of Ram." A manuscript of the Ramcharitatmanas dated to 1648 CE is kept at a Hanuman temple in Tulsi Ghat, Varanasi. Ramcharitmanas consists of seven Kānds (literally "books" or "episodes", cognate with cantos ) and composed of approximately 12,800 lines, divided into 1,073 stanzas. Tulsidas compared
14768-399: The many contemporaneous inscriptions of this period. The letter order of Devanāgarī, like nearly all Brāhmic scripts, is based on phonetic principles that consider both the manner and place of articulation of the consonants and vowels they represent. This arrangement is usually referred to as the varṇamālā (" garland of letters"). The format of Devanāgarī for Sanskrit serves as
14910-487: The marriage ceremony. Dasharatha starts with a great marriage procession, consisting of Rama's family, friends and well wishers in addition to Shiva, Brahma and all Devas arrive in Mithila . Along with Rama-Sita, Bharat-Mandavi, Lakshman-Urmila and Shatrughna-Shrutakirti's marriages are also arranged. After a grand wedding, the kind of which had never been witnessed in the universe, Rama and Sita return to Ayodhya where there
15052-408: The mind of one of Queen Kaikeyi's maid servants named Manthara . Manthara's mind harbors evil intentions and she begins to talk to Queen Kaikeyi in harsh and conceited tones. She finds fault with Kaikeyi for being supportive of the king's plan of installing Rama as Prince Regent when her own mind tells her that Bharata would clearly be a greater king. At that time Bharata is visiting his uncle and so he
15194-427: The moon-like Shankar, ever protect me. Araṇya Kāṇḍ 's first verse again extols Shiva: I reverence Bhagavan Śańkara, the progeny of Brahmā, the very root of the tree of piety, the beloved, devotee of King Śri Rama, the full moon that brings joy to the ocean of wisdom, the sun that opens the lotus of dispassion, the wind that disperses the clouds of ignorance, who dispels the thick darkness of sin & eradicates
15336-532: The most part, there are certain variations in clustering, of which the Unicode used on this page is just one scheme. The following are a number of rules: The pitch accent of Vedic Sanskrit is written with various symbols depending on shakha . In the Rigveda , anudātta is written with a bar below the line ( ◌॒ ), svarita with a stroke above the line ( ◌॑ ) while udātta is unmarked. The end of
15478-483: The multiple facets of the same god or else were supposed to denote different forms and appellations by which the god came to be known and worshipped. [...] Siva became identified with countless local cults by the sheer suffixing of Isa or Isvara to the name of the local deity, e.g., Bhutesvara, Hatakesvara, Chandesvara." An example of assimilation took place in Maharashtra , where a regional deity named Khandoba
15620-424: The name of Pinaka was kept in the arena. Any suitor who would be able to string Pinaka would be married to Sita. Many princes tried but failed to even nudge the bow. This caused great distress to Janaka who wonders aloud if the earth has become devoid of brave men. This statement of Janaka angers Lakshman who retorts that no one should talk in this vain manner, when a gathering like this, has the presence of scions of
15762-420: The neck of Rama in accordance with the rules of the swayamvara and is thus wedded to him. However, Sita being his beloved daughter, Janaka desired to conduct a grand marriage of Sita and Rama in accordance with both Vedic and laukik (traditional) customs. Janaka dispatches messengers to Ayodhya to inform Dasharatha and his family about the marriage of Rama and Sita and invites them for the formal consummation of
15904-506: The premises, and relief artwork showing aspects of Shiva. The Tantric Shiva ( "शिव ") tradition ignored the mythologies and Puranas related to Shiva, and depending on the sub-school developed a variety of practices. For example, historical records suggest the tantric Kapalikas (literally, the 'skull-men') co-existed with and shared many Vajrayana Buddhist rituals, engaged in esoteric practices that revered Shiva and Shakti wearing skulls, begged with empty skulls, and sometimes used meat as
16046-511: The presence of Shiva's trident and phallic symbolism in this art suggests it was likely Shiva. Numismatics research suggests that numerous coins of the ancient Kushan Empire (30–375 CE) that have survived, were images of a god who is probably Shiva. The Shiva in Kushan coins is referred to as Oesho of unclear etymology and origins, but the simultaneous presence of Indra and Shiva in the Kushan era artwork suggest that they were revered deities by
16188-425: The primary message being that Rama incarnated on earth to protect the righteous who followed the path of Dharma . The story then moves to the birth of Ravana and his brothers. Following this, the narration is done at different times by Shiva, Yajnavalkya, Kakbhushundi and Tulsidas. The story now moves to the abode of Brahma where Brahma and the other Hindu Devas ( transl. deities ) are found mulling on
16330-572: The prototype for its application, with minor variations or additions, to other languages. The vowels and their arrangement are: The table below shows the consonant letters (in combination with inherent vowel a ) and their arrangement. To the right of the Devanāgarī letter it shows the Latin script transliteration using International Alphabet of Sanskrit Transliteration , and the phonetic value ( IPA ) in Hindi . The table below shows consonants with common vowel diacritics and their ISO 15919 transliteration. Vowels in their independent form on
16472-733: The proud flow of the Ganga upon his braid. The monist Shiva literature posit absolute oneness, that is Shiva is within every man and woman, Shiva is within every living being, Shiva is present everywhere in the world including all non-living being, and there is no spiritual difference between life, matter, man and Shiva. The various dualistic and monist Shiva-related ideas were welcomed in medieval southeast Asia, inspiring numerous Shiva-related temples, artwork and texts in Indonesia, Myanmar, Cambodia, Laos, Vietnam, Thailand and Malaysia, with syncretic integration of local pre-existing theologies. Shaivism
16614-502: The romanisation of Sanskrit. IAST is the de facto standard used in printed publications, like books, magazines, and electronic texts with Unicode fonts. It is based on a standard established by the Congress of Orientalists at Athens in 1912. The ISO 15919 standard of 2001 codified the transliteration convention to include an expanded standard for sister scripts of Devanāgarī. The National Library at Kolkata romanisation , intended for
16756-400: The romanisation of all Indic scripts, is an extension of IAST. Compared to IAST, Harvard-Kyoto looks much simpler. It does not contain all the diacritic marks that IAST contains. It was designed to simplify the task of putting large amount of Sanskrit textual material into machine readable form, and the inventors stated that it reduces the effort needed in transliteration of Sanskrit texts on
16898-464: The sage that he would obey his commands. Lakshman kills Subahu and Rama kills Tataka and defeats Maricha, the dreaded demons. The story then moves to the deliverance of Ahalya . Rama, Lakshman and Vishvamitra venture on a journey and reach the beautiful kingdom of the Videhas , Mithila . The king of Mithila, Janaka , welcomes the great sage and asks him who are the two boys accompanying him. Janaka
17040-455: The seven Kāndas of the epic to seven steps leading into the holy waters of Lake Manasarovar "which purifies the body and the soul at once". The first two parts, Bāl Kāṇḍ (Childhood Episode) and Ayodhyā Kāṇḍ (Ayodhya Episode), make up more than half of the work. The other parts are Araṇya Kāṇḍ (Forest Episode), Kiśkindhā Kāṇḍ (Kishkindha Episode), Sundar Kāṇḍ (Pleasant Episode), Laṅkā Kāṇḍ (Lanka Episode), and Uttar Kāṇḍ (Later Episode). The work
17182-595: The situation, are similar to those of the Greek god Dionysus , as are their iconic associations with bull, snakes, anger, bravery, dancing and carefree life. The ancient Greek texts of the time of Alexander the Great call Shiva "Indian Dionysus", or alternatively call Dionysus "god of the Orient" . Similarly, the use of phallic symbol as an icon for Shiva is also found for Irish, Nordic, Greek (Dionysus ) and Roman deities, as
17324-564: The spacing of the CDAC-Gist Surekh font makes for quicker comprehension and reading. The Google Fonts project has a number of Unicode fonts for Devanāgarī in a variety of typefaces in serif, sans-serif, display and handwriting categories. There are several methods of Romanisation or transliteration from Devanāgarī to the Roman script . The Hunterian system is the national system of romanisation in India , officially adopted by
17466-592: The start of the Kushan Empire. The Shaiva Upanishads are a group of 14 minor Upanishads of Hinduism variously dated from the last centuries of the 1st millennium BCE through the 17th century. These extol Shiva as the metaphysical unchanging reality Brahman and the Atman (Self), and include sections about rites and symbolisms related to Shiva. The Shaiva Puranas , particularly the Shiva Purana and
17608-427: The story and named it Ramcharitmanas as Shiva himself called it. The epic poem is, therefore, also referred to as Tulsikrit Ramayana (literally, The Ramayana composed by Tulsidas ). The word Ramcharitmanas literally means "Lake of the deeds of Rama ". Additionally, Phillip Lutgendorf uses W.D.P Hill's English translation of the Ramcharitmanas titled "The Holy Lake of the Acts of Ram." The word Ram refers to
17750-422: The story of Rama. Yajnavalkya begins with how Shiva came about retelling the story of Rama to his wife Parvati. (The story of Sati's self-immolation, the destruction of her father Daksha 's sacrifice, the rebirth of Sati as Parvati and her marriage to Shiva). Shiva explains five different reasons as to why Rama incarnated on earth in different ages or Kalpa (aeon) . Each of these stories is discussed in detail, with
17892-622: The text's appeal in West Asia and other parts of the world. Tulsidas began writing the Ramcharitmanas in Ayodhya in Vikram Samvat 1631 (1574 CE). The exact date is stated within the poem as being the ninth day of the month of Chaitra , which is the birthday of Rama or Rama Navami . Ramcharitmanas was composed at Ayodhya , Varanasi and Chitrakoot . The Ramcharitmanas is written in vernacular Awadhi language. The core of
18034-413: The threefold agony & who wipes off all calumny and obloquy. Kiśkindhā Kāṇḍ commences with the following verse: Lovely as a jasmine & a blue lotus, of surpassing strength, repositories of wisdom, endowed with natural grace, excellent bowmen, hymned by the Vedas , & lovers of the cow & the host of Brāhmaņas, who appeared in the form of mortal men through their own Māyā (deluding potency) as
18176-489: The throne with his father dead and his brothers in exile in the forest. The cremation of King Dasharatha takes place. Bharata and Shatrughna decide to go into the forest and ask Rama to return to Ayodhya and take the throne. Many citizens as well as the royal family, who have been grieving ever since Rama had left them, decide to join the brothers. The Nishads see the approaching royal party and become suspicious. Guha approaches Bharata to understand his motive for bringing such
18318-449: The top and in their corresponding dependent form (vowel sign) combined with the consonant ' k ' on the bottom. ' ka ' is without any added vowel sign, where the vowel ' a ' is inherent . A vowel combines with a consonant in their diacritic form. For example, the vowel आ ( ā ) combines with the consonant क् ( k ) to form the syllabic letter का ( kā ), with halant (cancel sign) removed and added vowel sign which
18460-679: The top of full letters. In a cursory look, the Devanāgarī script appears different from other Indic scripts , such as Bengali-Assamese or Gurmukhi , but a closer examination reveals they are very similar except for angles and structural emphasis. Among the languages using it as a primary or secondary script are Marathi , Pāḷi , Sanskrit , Hindi , Boro , Nepali , Sherpa , Prakrit , Apabhramsha , Awadhi , Bhojpuri , Braj Bhasha , Chhattisgarhi , Haryanvi , Magahi , Nagpuri , Rajasthani , Khandeshi , Bhili , Dogri , Kashmiri , Maithili , Konkani , Sindhi , Nepal Bhasa , Mundari , Angika , Bajjika and Santali . The Devanāgarī script
18602-680: The transgression of established mores, the Aum sound, the Supreme Self. In the Rig Veda the term śiva is used to refer to Indra. (2.20.3, 6.45.17, and 8.93.3. ) Indra, like Shiva, is likened to a bull. In the Rig Veda, Rudra is the father of the Maruts , but he is never associated with their warlike exploits as is Indra. Indra himself may have been adopted by the Vedic Aryans from
18744-522: The two noble scions of Raghu's lineage, the armours of true dharma , friendly to all & journeying in quest for Sita, may they Sri Rama & Laksmana both grant us Devotion. Sundar Kāṇḍ begins with a hymn in the praise of Rama: I adore the Lord of the universe bearing the name of Rama, the chief of the Raghu's line & the crest-jewel of kings, the mine of compassion, the dispeller of all sins, appearing in human form through His Māyā (deluding potency),
18886-646: The upper 128 codepoints are ISCII-specific. It has been designed for representing not only Devanāgarī but also various other Indic scripts as well as a Latin-based script with diacritic marks used for transliteration of the Indic scripts. ISCII has largely been superseded by Unicode, which has, however, attempted to preserve the ISCII layout for its Indic language blocks. The Unicode Standard defines four blocks for Devanāgarī: Devanagari (U+0900–U+097F), Devanagari Extended (U+A8E0–U+A8FF), Devanagari Extended-A (U+11B00–11B5F), and Vedic Extensions (U+1CD0–U+1CFF). InScript
19028-643: The ways to rid the earth of Ravana and his excesses. Unable to find a solution, they pray to Shiva and ask him for his guidance on where to find the supreme God who will come to their rescue. Shiva tells them that they don't need to go anywhere to find the Supreme God for he resides in the hearts of his devotees. All the Devas then pray to the supreme Brahman/Vishnu to rid the earth of the demons wreaking havoc on men as well as Devas. Brahman shows compassion to all and announces in an Akashvani that he will be born in
19170-404: The wicked Ravana, and vanquishing him. Something had to happen if Rama was to embark on his mission to rid the world of Ravana. They approached Goddess Saraswati for help. King Dasharatha had three wives. Queen Kaushalya is the principal queen and the mother of Rama. Queen Kaikeyi is the mother of Bharata and Queen Sumitra is the mother of Lakshman and Shatrughna. Saraswati decides to influence
19312-695: The work is considered by some to be a poetic retelling of the events of the Sanskrit epic Ramayana by Valmiki . The Valmiki Ramayana is centered on the narrative of Rama. Rama was the crown prince of Ayodhya and is considered in Hindu tradition as the seventh avatar of Vishnu . However, the Ramacharitmanas is by no means a replica of the Valmiki Ramayana nor an abridged re-telling of it. Ramcharitmanas has elements from many other Ramayanas written earlier in Sanskrit, and other Indian dialects as well as stories from Puranas . Tulsidas
19454-411: The world, being used for over 120 languages. The orthography of this script reflects the pronunciation of the language. Unlike the Latin alphabet, the script has no concept of letter case . It is written from left to right, has a strong preference for symmetrical rounded shapes within squared outlines, and is recognisable by a horizontal line, known as a शिरोरेखा śirorekhā , that runs along
19596-435: Was a great celebration and much rejoicing. The Ayodhya Episode Ayodhya was described as being like a heaven on earth ever since Rama and Sita came back from Mithila. As King Dasharatha was getting old, he wanted to install his son Rama as Prince Regent. He decided to start the ceremonies for his coronation the very next day. The Devas however became very concerned at the prospect of Rama remaining in Ayodhya and not pursuing
19738-408: Was a great scholar of Sanskrit , but due to limited accessibility of the language, he chose to write it in the vernacular , Awadhi, making his work more accessible to the general public. Tradition has it that Tulsidas had to face much criticism from the Sanskrit scholars of Varanasi for being a vernacular poet. However, Tulsidas remained steadfast in his resolve to simplify the knowledge contained in
19880-424: Was the idea of this aniconic column linking heaven and earth among early Indo-Aryans, states Roger Woodward. Others contest such proposals, and suggest Shiva to have emerged from indigenous pre-Aryan tribal origins. Shiva as we know him today shares many features with the Vedic god Rudra , and both Shiva and Rudra are viewed as the same personality in Hindu scriptures . The two names are used synonymously. Rudra,
20022-409: Was used on its own to refer to a North Indian script, or perhaps a number of such scripts, as Al-Biruni attests in the 11th century; the form Devanāgarī is attested later, at least by the 18th century. The name of the Nandināgarī script is also formed by adding a prefix to the generic script name nāgarī . The precise origin and significance of the prefix deva remains unclear. Devanāgarī
20164-582: Was widely viewed as both the god of lust and of asceticism. In one story, he was seduced by a prostitute sent by the other gods, who were jealous of Shiva's ascetic lifestyle he had lived for 1000 years. Prehistoric rock paintings dating to the Mesolithic from Bhimbetka rock shelters have been interpreted by some authors as depictions of Shiva. However, Howard Morphy states that these prehistoric rock paintings of India, when seen in their context, are likely those of hunting party with animals, and that
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