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111-483: In Greek mythology , Talos , also spelled Talus ( / ˈ t eɪ l ɒ s / ; Greek : Τάλως , Tálōs ) or Talon ( / ˈ t eɪ l ɒ n , ən / ; Greek : Τάλων , Tálōn ), was a man of bronze who protected Crete from pirates and invaders . Despite the popular idea that he was a giant, no ancient source states this explicitly. Different literary sources provide a wide variety of accounts of in relation to Talos' role and genealogy. The most popular variant of

222-579: A pederastic light . Alexandrian poets at first, then more generally literary mythographers in the early Roman Empire, often re-adapted stories of Greek mythological characters in this fashion. The achievement of epic poetry was to create story-cycles and, as a result, to develop a new sense of mythological chronology. Thus, Greek mythology unfolds as a phase in the development of the world and of humans. While self-contradictions in these stories make an absolute timeline impossible, an approximate chronology may be discerned. The resulting mythological "history of

333-677: A Christian moralizing perspective. The discovery of the Mycenaean civilization by the German amateur archaeologist Heinrich Schliemann in the nineteenth century, and the discovery of the Minoan civilization in Crete by the British archaeologist Arthur Evans in the twentieth century, helped to explain many existing questions about Homer's epics and provided archaeological evidence for many of

444-507: A bowl, and looking across at Talos. Behind her is the Argo, with two more seated figures, inscribed as Zetes and Calais , whilst a third, unnamed figure, disembarks. To the right, the seated figures of Poseidon and Amphitrite look on. Below them a woman, identified by some as a representation of Crete, and by others as Europa, is shown fleeing from the scene. Another vase, from Caudium (modern Montesarchio ), has been identified as depicting

555-408: A bowl. Behind her stands another unnamed woman. Suggestions as to her identity include a representation of Crete as a nymph or an attendant of Medea's. A small, winged, and bearded figure hovers next to Talos's ankle, gesturing closely to the site with the circular object. This figure is probably Thanatos . A third, fragmentary vase from Spina shows the same scene, with a very similar composition to

666-585: A collection of epic poems , starts with the events leading up to the war: Eris and the golden apple of Kallisti , the Judgement of Paris , the abduction of Helen , the sacrifice of Iphigenia at Aulis . To recover Helen, the Greeks launched a great expedition under the overall command of Menelaus 's brother, Agamemnon, king of Argos, or Mycenae , but the Trojans refused to return Helen. The Iliad , which

777-492: A combination of their name and epithets , that identify them by these distinctions from other manifestations of themselves (e.g., Apollo Musagetes is " Apollo , [as] leader of the Muses "). Alternatively, the epithet may identify a particular and localized aspect of the god, sometimes thought to be already ancient during the classical epoch of Greece. Most gods were associated with specific aspects of life. For example, Aphrodite

888-525: A convenient framework into which to fit their own courtly and chivalric ideals. Twelfth-century authors, such as Benoît de Sainte-Maure ( Roman de Troie [Romance of Troy, 1154–60]) and Joseph of Exeter ( De Bello Troiano [On the Trojan War, 1183]) describe the war while rewriting the standard version they found in Dictys and Dares . They thus follow Horace 's advice and Virgil's example: they rewrite

999-489: A flat disk afloat on the river of Oceanus and overlooked by a hemispherical sky with sun, moon, and stars. The Sun ( Helios ) traversed the heavens as a charioteer and sailed around the Earth in a golden bowl at night. Sun, earth, heaven, rivers, and winds could be addressed in prayers and called to witness oaths. Natural fissures were popularly regarded as entrances to the subterranean house of Hades and his predecessors, home of

1110-558: A god "greater than he", Zeus swallowed her. She was already pregnant with Athena , however, and she burst forth from his head—fully-grown and dressed for war. The earliest Greek thought about poetry considered the theogonies to be the prototypical poetic genre—the prototypical mythos —and imputed almost magical powers to it. Orpheus , the archetypal poet, also was the archetypal singer of theogonies, which he uses to calm seas and storms in Apollonius' Argonautica , and to move

1221-513: A limited number of gods, who were the focus of large pan-Hellenic cults. It was, however, common for individual regions and villages to devote their own cults to minor gods. Many cities also honored the more well-known gods with unusual local rites and associated strange myths with them that were unknown elsewhere. During the heroic age, the cult of heroes (or demigods) supplemented that of the gods. "The origins of humanity [were] ascribed to various figures, including Zeus and Prometheus ." Bridging

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1332-405: A musical contest with Apollo . Ian Morris considers Prometheus' adventures as "a place between the history of the gods and that of man." An anonymous papyrus fragment, dated to the third century, vividly portrays Dionysus ' punishment of the king of Thrace , Lycurgus , whose recognition of the new god came too late, resulting in horrific penalties that extended into the afterlife. The story of

1443-407: A number of local legends became attached. The story of Medea , in particular, caught the imagination of the tragic poets. In between the Argo and the Trojan War, there was a generation known chiefly for its horrific crimes. This includes the doings of Atreus and Thyestes at Argos. Behind the myth of the house of Atreus (one of the two principal heroic dynasties with the house of Labdacus ) lies

1554-537: A poem of Troy instead of telling something completely new. Thanatos His name is transliterated in Latin as Thanatus , but his counterpart in Roman mythology is Mors or Letum. The Greek poet Hesiod established in his Theogony that Thánatos has no father, but is the son of Nyx (Night) and brother of Hypnos (Sleep). Homer earlier described Hypnos and Thanatos as twin brothers in his epic poem,

1665-507: A spirit to every aspect of nature. Eventually, these vague spirits assumed human forms and entered the local mythology as gods. When tribes from the north of the Balkan Peninsula invaded, they brought with them a new pantheon of gods, based on conquest, force, prowess in battle, and violent heroism. Other older gods of the agricultural world fused with those of the more powerful invaders or else faded into insignificance. After

1776-533: A story which involves Talos. Photius's summary of the account by Simonides is that some Sardinans refused to take Talos to king Minos of Crete , in response to which Talos grabbed them and jumped into some flames whilst holding them tight, killing them. Zenobius's summary states that Talos lived in Sardinia before going to Crete, and killed many of the inhabitants without mentioning how or why. Not enough remains to establish whether Simonides associated Talos with

1887-496: A winged boy, very much akin to Cupid : "Eros with crossed legs and torch reversed became the commonest of all symbols for Death", observes Arthur Bernard Cook . Thanatos has also been portrayed as a slumbering infant in the arms of his mother Nyx, or as a youth carrying a butterfly (the ancient Greek word "ψυχή" can mean soul or butterfly, or life, amongst other things) or a wreath of poppies (poppies were associated with Hypnos and Thanatos because of their hypnogogic traits and

1998-503: Is absolved alone. No suppliant arts thy dreadful rage controul, no vows revoke the purpose of thy soul. O blessed power, regard my ardent prayer, and human life to age abundant spare. In later eras, as the transition from life to death in Elysium became a more attractive option, Thanatos came to be seen as a beautiful Ephebe . He became associated more with a gentle passing than a woeful demise. Many Roman sarcophagi depict him as

2109-757: Is also famously shown on the Euphronios Krator where he and his brother Hypnos are shown carrying the body of Sarpedon to his home for burial. Here he is pictured as a full-grown and bearded man with wings, as is his brother. According to Sigmund Freud , humans have a life instinct—which he named " Eros "—and a death drive, which is commonly called (though not by Freud himself) "Thanatos". This postulated death drive allegedly compels humans to engage in risky and self-destructive acts that could lead to their own death. Behaviors such as thrill-seeking and aggression are viewed as actions which stem from this Thanatos instinct. However, some scientists argue that there

2220-417: Is his son, and Rhadamanthus – a mythical king of Crete – his grandson. This tradition is reported by Pausanias , who cites the poet Cinaethon of Sparta as his source. Pausanias states at another point that Talos was one of the sons of Oenopion , without giving a source. Pausanias gives no details of Talos outside of his genealogy. According to Athenaeus the lyric poet Ibycus wrote of Rhadamanthus as

2331-443: Is little evidence that most people have a specific drive toward self-destruction. According to them, the behaviors Freud studied can be explained by simpler, known processes, such as salience biases (e.g., a person abuses drugs because the promise of immediate pleasure is more compelling than the intellectual knowledge of harm sometime in the future) and risk calculations (e.g., a person drives recklessly or plays dangerous sports because

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2442-676: Is pitiless as bronze: whomsoever of men he has once seized he holds fast: and he is hateful even to the deathless gods. Thanatos was thus regarded as merciless and indiscriminate, hated by – and hateful towards — mortals and gods alike. But in myths which feature him, Thanatos could occasionally be outwitted, a feat that the sly King Sisyphus of Korinth twice accomplished. When it came time for Sisyphus to die, Zeus ordered Thanatos to chain Sisyphus up in Tartarus . Sisyphus cheated death by tricking Thanatos into his own shackles, thereby preventing

2553-461: Is portrayed as a sacrificer, mentioned as a founder of altars, and imagined as a voracious eater himself; it is in this role that he appears in comedy. While his tragic end provided much material for tragedy— Heracles is regarded by Thalia Papadopoulou as "a play of great significance in examination of other Euripidean dramas." In art and literature, Heracles was represented as an enormously strong man of moderate height; his characteristic weapon

2664-445: Is rationalised as a man who guards the laws of Crete by travelling around the villages of the island three times per year at the behest of Minos, in order to show the inhabitants the laws of the city, which were inscribed of tablets of bronze. Greek mythology Greek mythology is the body of myths originally told by the ancient Greeks , and a genre of ancient Greek folklore , today absorbed alongside Roman mythology into

2775-619: Is set in the tenth year of the war, tells of the quarrel between Agamemnon and Achilles, who was the finest Greek warrior, and the consequent deaths in battle of Achilles' beloved comrade Patroclus and Priam 's eldest son, Hector . After Hector's death, the Trojans were joined by two exotic allies, Penthesilea , queen of the Amazons , and Memnon , king of the Ethiopians and son of the dawn-goddess, Eos . Achilles killed both of these, but Paris then managed to kill Achilles with an arrow in

2886-528: Is that "the Greek gods are persons, not abstractions, ideas or concepts." Regardless of their underlying forms, the Ancient Greek gods have many fantastic abilities; most significantly, the gods are not affected by disease and can be wounded only under highly unusual circumstances. The Greeks considered immortality as the distinctive characteristic of their gods; this immortality, as well as unfading youth,

2997-680: The Iliad and the Odyssey . Other poets completed the Epic Cycle , but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no direct connection with Homer. The oldest are choral hymns from the earlier part of the so-called Lyric age . Hesiod , a possible contemporary with Homer, offers in his Theogony ( Origin of the Gods )

3108-587: The Iliad , where they were charged by Zeus via Apollo with the swift delivery of the slain hero Sarpedon to his homeland of Lycia . Then [Apollon] gave him (Sarpedon) into the charge of swift messengers to carry him, of Hypnos and Thanatos, who are twin brothers, and these two presently laid him down within the rich countryside of broad Lycia. Counted among Thanatos' siblings were other negative personifications such as Geras (Old Age), Oizys (Suffering), Moros (Doom), Apate (Deception), Momus (Blame), Eris (Strife), and Nemesis (Retribution). Thanatos

3219-559: The Theogony and the Works and Days , contain accounts of the genesis of the world, the succession of divine rulers, the succession of human ages, the origin of human woes, and the origin of sacrificial practices. Myths are also preserved in the Homeric Hymns , in fragments of epic poems of the Epic Cycle , in lyric poems , in the works of the tragedians and comedians of the fifth century BC, in writings of scholars and poets of

3330-589: The Chimera and Medusa . Bellerophon's adventures are commonplace types, similar to the adventures of Heracles and Theseus. Sending a hero to his presumed death is also a recurrent theme of this early heroic tradition, used in the cases of Perseus and Bellerophon. The only surviving Hellenistic epic, the Argonautica of Apollonius of Rhodes (epic poet, scholar, and director of the Library of Alexandria ) tells

3441-476: The Derveni Papyrus now proves that at least in the fifth-century BC a theogonic-cosmogonic poem of Orpheus was in existence. The first philosophical cosmologists reacted against, or sometimes built upon, popular mythical conceptions that had existed in the Greek world for some time. Some of these popular conceptions can be gleaned from the poetry of Homer and Hesiod. In Homer, the Earth was viewed as

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3552-539: The Hellenistic and Roman ages was primarily composed as a literary rather than cultic exercise. Nevertheless, it contains many important details that would otherwise be lost. This category includes the works of: Prose writers from the same periods who make reference to myths include Apuleius , Petronius , Lollianus , and Heliodorus . Two other important non-poetical sources are the Fabulae and Astronomica of

3663-562: The Hellenistic Age , and in texts from the time of the Roman Empire by writers such as Plutarch and Pausanias . Aside from this narrative deposit in ancient Greek literature , pictorial representations of gods, heroes, and mythic episodes featured prominently in ancient vase paintings and the decoration of votive gifts and many other artifacts. Geometric designs on pottery of the eighth century BC depict scenes from

3774-598: The Parthenon depicting the sack of Troy); this artistic preference for themes deriving from the Trojan Cycle indicates its importance to the Ancient Greek civilization. The same mythological cycle also inspired a series of posterior European literary writings. For instance, Trojan Medieval European writers, unacquainted with Homer at first hand, found in the Troy legend a rich source of heroic and romantic storytelling and

3885-692: The Peloponnesian kingdoms of Mycenae , Sparta and Argos , claiming, according to legend, a right to rule them through their ancestor. Their rise to dominance is frequently called the " Dorian invasion ". The Lydian and later the Macedonian kings, as rulers of the same rank, also became Heracleidae. Other members of this earliest generation of heroes such as Perseus, Deucalion , Theseus and Bellerophon , have many traits in common with Heracles. Like him, their exploits are solitary, fantastic and border on fairy tale , as they slay monsters such as

3996-542: The Race of Bronze , or he had been given to Minos by Hephaestus (no reason is given). Another two theories are provided regarding his form: he was either a bull or a bronze man. Pseudo-Apollodorus further states that Talos guarded Crete by running around the island three times daily and that he had a single vein running from his neck to his ankles, which was stopped with a bronze nail at the end. Pseudo-Apollodorus also gives three variants regarding his death. The first two are at

4107-538: The Roman culture because of the story of Aeneas , a Trojan hero whose journey from Troy led to the founding of the city that would one day become Rome, as recounted in Virgil's Aeneid (Book II of Virgil's Aeneid contains the best-known account of the sack of Troy). Finally there are two pseudo-chronicles written in Latin that passed under the names of Dictys Cretensis and Dares Phrygius . The Trojan War cycle ,

4218-428: The ichor draining from his body, and thus killing him. In describing his death Apollonius employs a metaphor comparing Talos to 'monstrous pine tree' (πελωρίη πεύκη, pelōriē peukē ) being felled, which could be taken to imply a larger-that-human size. Pseudo-Apollodorus collected several traditions regarding the origin, form, and death of Talos. In relation to his origin, two theories are given: either he belonged to

4329-473: The Ancient Greek pantheon, poets composed the Homeric Hymns (a group of thirty-three songs). Gregory Nagy (1992) regards "the larger Homeric Hymns as simple preludes (compared with Theogony ), each of which invokes one god." The gods of Greek mythology are described as having essentially corporeal but ideal bodies. According to Walter Burkert , the defining characteristic of Greek anthropomorphism

4440-484: The Argonauts. Talos is also mentioned in two fragments relating to a lost Sophoclean drama, Daidalos , the plot of which in unknown. The fragments indicate that in this source, too, Talos killed his victims by burning them. Outside of Simonides and Sophocles, no other surviving source mentions this method of execution. In a different tradition, Talos is the son of Kres , the personification of Crete. Hephaestus

4551-487: The Epic Cycle as well as the adventures of Heracles . In the succeeding Archaic , Classical , and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an extensive influence on the culture, arts, and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to

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4662-610: The Greek leaders (including the wanderings of Odysseus and Aeneas (the Aeneid ), and the murder of Agamemnon) were told in two epics, the Returns (the lost Nostoi ) and Homer's Odyssey . The Trojan cycle also includes the adventures of the children of the Trojan generation (e.g., Orestes and Telemachus ). The Trojan War provided a variety of themes and became a main source of inspiration for Ancient Greek artists (e.g. metopes on

4773-472: The Greek world and noted the stories they heard, supplied numerous local myths and legends, often giving little-known alternative versions. Herodotus in particular, searched the various traditions he encountered and found the historical or mythological roots in the confrontation between Greece and the East. Herodotus attempted to reconcile origins and the blending of differing cultural concepts. The poetry of

4884-620: The Motesarchio vase. Talos whose head and feet have not been preserved, is depicted in white, and is falling backwards into the arms of two men, most probably the Dioskouroi. To his left a crouching female figure, mostly lost but labelled by an inscription as Medea, holds a blade in one hand and a box resting on her knee in the other. To the right of Talos's lower leg is a small, winged, male figure, stretching his arms as if gesturing to Talos's ankle. An unnamed female figure stands further to

4995-553: The Olympians, the Greeks worshipped various gods of the countryside, the satyr-god Pan , Nymphs (spirits of rivers), Naiads (who dwelled in springs), Dryads (who were spirits of the trees), Nereids (who inhabited the sea), river gods, Satyrs , and others. In addition, there were the dark powers of the underworld, such as the Erinyes (or Furies), said to pursue those guilty of crimes against blood-relatives. In order to honor

5106-764: The Roman writer styled as Pseudo- Hyginus , the Imagines of Philostratus the Elder and Philostratus the Younger , and the Descriptions of Callistratus . Finally, several Byzantine Greek writers provide important details of myth, much derived from earlier now lost Greek works. These preservers of myth include Arnobius , Hesychius , the author of the Suda , John Tzetzes , and Eustathius . They often treat mythology from

5217-519: The Trojan cycle, as well as the adventures of Heracles. These visual representations of myths are important for two reasons. Firstly, many Greek myths are attested on vases earlier than in literary sources: of the twelve labors of Heracles, for example, only the Cerberus adventure occurs in a contemporary literary text. Secondly, visual sources sometimes represent myths or mythical scenes that are not attested in any extant literary source. In some cases,

5328-449: The act of throwing a stone; on one coin there is a hound between his legs. The wings have been interpreted by Richard Buxton as a visual representation of the speed which Talos would have to possess in order to rapidly circuit the island of Crete. Discussing the origin of the phrase sardonios gelos (σαρδόνιος γέλως) — ' sardonic laugh ' — both Photius in his Lexicon , and Zenobius in his Proverbs cite Simonides (c. 556-468 BCE) for

5439-494: The after-death period. Thanatophoric dysplasia , so named because of its lethality at birth, is the most common lethal congenital skeletal dysplasia with an estimated prevalence of one in 6,400 to one in 16,700 births. Its name Thanatophoros , means "death-bearing" in Greek. Euthanasia , "good death" in Greek, is the act or practice of ending the life of an individual who would otherwise experience severe, incurable suffering or disability. It typically involves lethal injection or

5550-456: The age when gods lived alone and the age when divine interference in human affairs was limited was a transitional age in which gods and mortals moved together. These were the early days of the world when the groups mingled more freely than they did later. Most of these tales were later told by Ovid's Metamorphoses and they are often divided into two thematic groups: tales of love, and tales of punishment. Tales of love often involve incest, or

5661-481: The appropriation or invention of some important cultural artifact, as when Prometheus steals fire from the gods, when Tantalus steals nectar and ambrosia from Zeus' table and gives it to his subjects—revealing to them the secrets of the gods, when Prometheus or Lycaon invents sacrifice, when Demeter teaches agriculture and the Mysteries to Triptolemus , or when Marsyas invents the aulos and enters into

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5772-681: The army of the dead." Another important difference between the hero cult and the cult of gods is that the hero becomes the centre of local group identity. The monumental events of Heracles are regarded as the dawn of the age of heroes. To the Heroic Age are also ascribed three great events: the Argonautic expedition, the Theban Cycle , and the Trojan War . Some scholars believe that behind Heracles' complicated mythology there

5883-454: The arrival of Dionysus to establish his cult in Thrace was also the subject of an Aeschylean trilogy. In another tragedy, Euripides' The Bacchae , the king of Thebes , Pentheus , is punished by Dionysus, because he disrespected the god and spied on his Maenads , the female worshippers of the god. In another story, based on an old folktale-motif, and echoing a similar theme, Demeter

5994-409: The beginnings of the universe in human language. The most widely accepted version at the time, although a philosophical account of the beginning of things, is reported by Hesiod , in his Theogony . He begins with Chaos , a yawning nothingness. Next comes Gaia (Earth), "the ever-sure foundation of all", and then Tartarus , "in the depth of the wide-pathed Earth", and Eros (Love), "fairest among

6105-452: The broader designation of classical mythology . These stories concern the ancient Greek religion 's view of the origin and nature of the world ; the lives and activities of deities , heroes , and mythological creatures ; and the origins and significance of the ancient Greeks' cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand

6216-401: The circumstances surrounding a person's death, the grief experienced by the deceased's loved ones, and larger social attitudes towards death such as ritual and memorialization. It is primarily an interdisciplinary study, frequently undertaken by professionals in nursing, psychology, sociology, psychiatry, social work and veterinary science. It also describes bodily changes that accompany death and

6327-455: The composition of the story of the Argonauts is earlier than Odyssey , which shows familiarity with the exploits of Jason (the wandering of Odysseus may have been partly founded on it). In ancient times, the expedition was regarded as a historical fact, an incident in the opening up of the Black Sea to Greek commerce and colonization. It was also extremely popular, forming a cycle to which

6438-451: The concept and ritual. The age in which the heroes lived is known as the Heroic age . The epic and genealogical poetry created cycles of stories clustered around particular heroes or events and established the family relationships between the heroes of different stories; they thus arranged the stories in sequence. According to Ken Dowden (1992), "there is even a saga effect: We can follow

6549-612: The continued life of her husband, King Admetos of Pherai . Heracles was an honored guest in the House of Admetos at the time and offered to repay the king's hospitality by contending with Death itself for Alkestis' life. When Thanatos ascended from Hades to claim Alkestis, Heracles sprung upon the god and overpowered him, winning the right to have Alkestis remain, while Thanatos fled, cheated of his quarry. Euripides , in Alcestis : Thanatos: Much talk. Talking will win you nothing. All

6660-461: The dead. Influences from other cultures always afforded new themes. According to Classical-era mythology, after the overthrow of the Titans, the new pantheon of gods and goddesses was confirmed. Among the principal Greek gods were the Olympians, residing on Mount Olympus under the eye of Zeus. (The limitation of their number to twelve seems to have been a comparatively modern idea.) Besides

6771-411: The death of Talos. A bearded Talos, slightly larger than the other figures, falls to the right, into the arms of the Dioskouroi. An unnamed youth kneels to the left, tightly holding an implement of some sort with which he is manipulating a small, circular object — potentially a nail — on Talos's ankle. A woman stands behind the youth, bending down towards him. One arm is obscured, but in the other she holds

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6882-514: The deathless gods". Without male assistance, Gaia gave birth to Uranus (the Sky) who then fertilized her. From that union were born first the Titans —six males: Coeus , Crius , Cronus , Hyperion , Iapetus , and Oceanus ; and six females: Mnemosyne , Phoebe , Rhea , Theia , Themis , and Tethys . After Cronus was born, Gaia and Uranus decreed no more Titans were to be born. They were followed by

6993-433: The demise of any mortal while Thanatos was so enchained. Eventually Ares , the bloodthirsty god of war, grew frustrated with the battles he incited, since neither side could suffer any casualties. He released Thanatos and handed his captor over to the god. Sisyphus would evade Death a second time by convincing Persephone to allow him to return to his wife stating that she never gave him a proper funeral. This time, Sisyphus

7104-624: The divine-focused Theogony and Homeric Hymns in both size and popularity. Under the influence of Homer the "hero cult" leads to a restructuring in spiritual life, expressed in the separation of the realm of the gods from the realm of the dead (heroes), of the Chthonic from the Olympian. In the Works and Days , Hesiod makes use of a scheme of Four Ages of Man (or Races): Golden, Silver, Bronze, and Iron. These races or ages are separate creations of

7215-423: The eventual death engendered by overexposure to them). He is often shown carrying an inverted torch (holding it upside down in his hands), representing a life extinguished. He is usually described as winged and with a sword sheathed at his belt. In Euripides ' Alcestis (438 BCE), he is depicted dressed in black and carrying a sword. Thanatos was rarely portrayed in art without his twin brother Hypnos. Thanatos

7326-476: The evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued. The earlier inhabitants of the Balkan Peninsula were an agricultural people who, using animism , assigned

7437-464: The existence of this corpus of data is an indication that many elements of Greek mythology have strong factual and historical roots. Mythical narration plays an important role in nearly every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus. This work attempts to reconcile the contradictory tales of

7548-405: The fates of some families in successive generations." After the rise of the hero cult, gods and heroes constitute the sacral sphere and are invoked together in oaths and prayers which are addressed to them. Burkert (2002) notes that "the roster of heroes, again in contrast to the gods, is never given fixed and final form. Great gods are no longer born, but new heroes can always be raised up from

7659-509: The first known representation of a myth in geometric art predates its first known representation in late archaic poetry, by several centuries. In the Archaic ( c.  750  – c.  500 BC ), Classical ( c.  480 –323 BC), and Hellenistic (323–146 BC) periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has changed over time to accommodate

7770-476: The following passage of the Theogony: And there the children of dark Night have their dwellings, Sleep and Death, awful gods. The glowing Sun never looks upon them with his beams, neither as he goes up into heaven, nor as he comes down from heaven. And the former of them roam peacefully over the earth and the sea's broad back and is kindly to men; but the other has a heart of iron, and his spirit within him

7881-815: The fullest account of the earliest Greek myths, dealing with the creation of the world, the origin of the gods, Titans , and Giants , as well as elaborate genealogies, folktales, and aetiological myths. Hesiod's Works and Days , a didactic poem about farming life, also includes the myths of Prometheus , Pandora , and the Five Ages . The poet advises on the best way to succeed in a dangerous world, rendered yet more dangerous by its gods. Lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar , Bacchylides and Simonides , and bucolic poets such as Theocritus and Bion , relate individual mythological incidents. Additionally, myth

7992-472: The gods, the Golden Age belonging to the reign of Cronos, the subsequent races to the creation of Zeus . The presence of evil was explained by the myth of Pandora , when all of the best of human capabilities, save hope, had been spilled out of her overturned jar. In Metamorphoses , Ovid follows Hesiod's concept of the four ages. "Myths of origin" or " creation myths " represent an attempt to explain

8103-483: The hands of Medea: either she drove him mad with drugs, or, promising to making him immortal, she pulled the nail from his ankle, which caused the ichor to flow out. The final variant is that he was killed by the Argonaut Poeas , who shot an arrow into his ankle. Artistic sources linking Talos with the Argonauts significantly predate the account of Apollonius. On three kraters from around 400 BCE, his death at

8214-616: The hands of the Argonauts is depicted. One red-figure vase , now in the Jatta National Archaeological Museum , is the name vase of the Talos Painter. It shows Talos falling backwards, into the arms of the Dioskouroi . In order to distinguish his form from that of the other figures on the vase, Talos is painted in white, with details painted in brown and yellow. To the left stands Medea, holding

8325-541: The heel. Achilles' heel was the only part of his body which was not invulnerable to damage by human weaponry. Before they could take Troy, the Greeks had to steal from the citadel the wooden image of Pallas Athena (the Palladium ). Finally, with Athena's help, they built the Trojan Horse . Despite the warnings of Priam's daughter Cassandra , the Trojans were persuaded by Sinon , a Greek who feigned desertion, to take

8436-729: The highest social prestige through his appointment as official ancestor of the Dorian kings. This probably served as a legitimation for the Dorian migrations into the Peloponnese . Hyllus , the eponymous hero of one Dorian phyle , became the son of Heracles and one of the Heracleidae or Heraclids (the numerous descendants of Heracles, especially the descendants of Hyllus —other Heracleidae included Macaria , Lamos, Manto , Bianor , Tlepolemus , and Telephus ). These Heraclids conquered

8547-420: The horse inside the walls of Troy as an offering to Athena; the priest Laocoon, who tried to have the horse destroyed, was killed by sea-serpents. At night the Greek fleet returned, and the Greeks from the horse opened the gates of Troy. In the total sack that followed, Priam and his remaining sons were slaughtered; the Trojan women passed into slavery in various cities of Greece. The adventurous homeward voyages of

8658-463: The increases in status and reproductive success outweigh the risk of injury or death). Thanatophobia is the fear of things associated with or reminiscent of death and mortality, such as corpses or graveyards. It is related to necrophobia , although the latter term typically refers to a specific fear of dead bodies rather than a fear of death in general. Thanatology is the academic and scientific study of death among human beings. It investigates

8769-597: The island three times. The Argonauts encounter him on their return voyage after obtaining the Golden Fleece . As the Argo approached Crete, Talos kept them at bay by hurling great boulders at the ship. Medea then declares that only she will be able to defeat Talos, which she does by performing a feat of magic from the Argo . Summoning the keres (female death-spirits), Medea causing Talos to graze his ankle, leading to

8880-491: The lover of Talos, rather than grandson. The Suda , a Byzantine encyclopedia from the tenth-century CE, adds to this that Talos and Rhadamanthus introduced homosexuality to Crete. A euhemeristic interpretation of Talos is provided – along with many others – in the Minos , a dialogue which was attributed to Plato in antiquity, but which is regarded by most scholars today as being written by someone else. In this source, Talos

8991-576: The middle of the Archaic period, myths about relationships between male gods and male heroes became more and more frequent, indicating the parallel development of pedagogic pederasty ( παιδικὸς ἔρως , eros paidikos ), thought to have been introduced around 630 BC. By the end of the fifth-century  BC, poets had assigned at least one eromenos , an adolescent boy who was their sexual companion, to every important god except Ares and many legendary figures. Previously existing myths, such as those of Achilles and Patroclus , also then were cast in

9102-482: The myth of Talos is that found in the Argonautica of Apollonius of Rhodes (fl. first half of 3rd century BCE). In this account, Talos is described as being a descendant of the bronze race (χαλκοῦ γένους) who sprang from ash-trees. He is described as being bronze and also invulnerable with the exception of a vein in his ankle which was protected by only a thin layer of skin. He was given to Europa by Zeus in order to protect Crete, which he does by running around

9213-515: The myth of the voyage of Jason and the Argonauts to retrieve the Golden Fleece from the mythical land of Colchis . In the Argonautica , Jason is impelled on his quest by king Pelias , who receives a prophecy that a man with one sandal would be his nemesis . Jason loses a sandal in a river, arrives at the court of Pelias, and the epic is set in motion. Nearly every member of the next generation of heroes, as well as Heracles, went with Jason in

9324-479: The mythological details about gods and heroes. The evidence about myths and rituals at Mycenaean and Minoan sites is entirely monumental, as the Linear B script (an ancient form of Greek found in both Crete and mainland Greece) was used mainly to record inventories, although certain names of gods and heroes have been tentatively identified. Geometric designs on pottery of the eighth-century  BC depict scenes from

9435-412: The nature of mythmaking itself. The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer 's epic poems , the Iliad and the Odyssey . Two poems by Homer's near contemporary Hesiod ,

9546-492: The one-eyed Cyclopes and the Hecatoncheires or Hundred-Handed Ones, who were both thrown into Tartarus by Uranus. This made Gaia furious. Cronus ("the wily, youngest and most terrible of Gaia 's children") was convinced by Gaia to castrate his father. He did this and became the ruler of the Titans with his sister-wife, Rhea, as his consort, and the other Titans became his court. A motif of father-against-son conflict

9657-454: The poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c.  180 BC to c.  125 BC and wrote on many of these topics. His writings may have formed the basis for the collection; however, the "Library" discusses events that occurred long after his death, hence the name Pseudo-Apollodorus. Among the earliest literary sources are Homer 's two epic poems,

9768-422: The portion of our time depends, whose absence lengthens life, whose presence ends. Thy sleep perpetual bursts the vivid folds by which the soul, attracting body holds: common to all, of ev'ry sex and age, for nought escapes thy all-destructive rage. Not youth itself thy clemency can gain, vigorous and strong, by thee untimely slain. In thee the end of nature's works is known, in thee all judgment

9879-533: The present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes. Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c.  900 BC to c.  800 BC onward. In fact, literary and archaeological sources integrate, sometimes mutually supportive and sometimes in conflict; however, in many cases,

9990-459: The problem of the devolution of power and of the mode of accession to sovereignty. The twins Atreus and Thyestes with their descendants played the leading role in the tragedy of the devolution of power in Mycenae. The Theban Cycle deals with events associated especially with Cadmus , the city's founder, and later with the doings of Laius and Oedipus at Thebes; a series of stories that lead to

10101-461: The right, but the head and torso are not preserved. The small figure and the unnamed female figure have sometimes been interpreted as Eros and Aphrodite but the winged figure is more probably Thanatos and the identification of Aphrodite is unlikely. Talos also appears on three coins from Phaistos dated to the Classical and early Hellenistic periods. He is depicted as a naked winged figure in

10212-417: The same, the woman goes with me to Hades' house. I go to take her now and dedicate her with my sword, for all whose hair is cut in consecration by this blade's edge are devoted to the gods below. An Orphic Hymn that invoked Thanatos, here given in late 18th century translation: To Death, Fumigation from Manna. Hear me, O Death, whose empire unconfin'd extends to mortal tribes of ev'ry kind. On thee,

10323-510: The seduction or rape of a mortal woman by a male god, resulting in heroic offspring. The stories generally suggest that relationships between gods and mortals are something to avoid; even consenting relationships rarely have happy endings. In a few cases, a female divinity mates with a mortal man, as in the Homeric Hymn to Aphrodite , where the goddess lies with Anchises to produce Aeneas . The second type (tales of punishment) involves

10434-593: The ship Argo to fetch the Golden Fleece. This generation also included Theseus , who went to Crete to slay the Minotaur ; Atalanta , the female heroine, and Meleager , who once had an epic cycle of his own to rival the Iliad and Odyssey . Pindar , Apollonius and the Bibliotheca endeavor to give full lists of the Argonauts. Although Apollonius wrote his poem in the 3rd century BC,

10545-483: The society while the beliefs were held. After they ceased to become religious beliefs, few would have known the rites and rituals. Allusions often existed, however, to aspects that were quite public. Images existed on pottery and religious artwork that were interpreted and more likely, misinterpreted in many diverse myths and tales. A few fragments of these works survive in quotations by Neoplatonist philosophers and recently unearthed papyrus scraps. One of these scraps,

10656-485: The son of Aeolus (and thus a descendant of the Titan Prometheus ), Sisyphus was a more-than-mortal figure: when it came to ordinary humans, Thanatos was usually thought of as inexorable. The sole time he was successfully prevented from claiming a mortal life was by the intervention of the hero Heracles , a son of Zeus . Thanatos had come to take the soul of Alkestis , who had offered her life in exchange for

10767-560: The stone, which had been sitting in Cronus's stomach all this time. Zeus then challenged Cronus to war for the kingship of the gods. At last, with the help of the Cyclopes (whom Zeus freed from Tartarus), Zeus and his siblings were victorious, while Cronus and the Titans were hurled down to imprisonment in Tartarus . Zeus was plagued by the same concern, and after a prophecy that the offspring of his first wife, Metis , would give birth to

10878-406: The stony hearts of the underworld gods in his descent to Hades . When Hermes invents the lyre in the Homeric Hymn to Hermes , the first thing he does is sing about the birth of the gods. Hesiod's Theogony is not only the fullest surviving account of the gods but also the fullest surviving account of the archaic poet's function, with its long preliminary invocation to the Muses . Theogony also

10989-473: The tale known to us through tragedy (e.g. Sophocles' Oedipus Rex ) and later mythological accounts. Greek mythology culminates in the Trojan War, fought between Greece and Troy , and its aftermath. In Homer's works, such as the Iliad , the chief stories have already taken shape and substance, and individual themes were elaborated later, especially in Greek drama. The Trojan War also elicited great interest in

11100-577: The war of the Seven against Thebes and the eventual pillage of that city at the hands of the Epigoni . (It is not known whether the Seven figured in early epic.) As far as Oedipus is concerned, early epic accounts seem to have him continuing to rule at Thebes after the revelation that Iokaste was his mother, and subsequently marrying a second wife who becomes the mother of his children—markedly different from

11211-434: The world" may be divided into three or four broader periods: While the age of gods often has been of more interest to contemporary students of myth, the Greek authors of the archaic and classical eras had a clear preference for the age of heroes, establishing a chronology and record of human accomplishments after the questions of how the world came into being were explained. For example, the heroic Iliad and Odyssey dwarfed

11322-598: Was central to classical Athenian drama . The tragic playwrights Aeschylus , Sophocles , and Euripides took most of their plots from myths of the age of heroes and the Trojan War. Many of the great tragic stories (e.g. Agamemnon and his children, Oedipus , Jason , Medea , etc.) took on their classic form in these tragedies. The comic playwright Aristophanes also used myths, in The Birds and The Frogs . Historians Herodotus and Diodorus Siculus , and geographers Pausanias and Strabo , who traveled throughout

11433-595: Was forcefully dragged back to the Underworld by Hermes , where he was sentenced to an eternity of frustration in Tartarus, rolling a boulder up a hill only to have it roll back down when he got close to the top. A fragment of Alcaeus , a Greek lyric poet of the 6th century BC, refers to this episode: King Sisyphos, son of Aiolos , wisest of men, supposed that he was master of Thanatos; but despite his cunning he crossed eddying Akheron twice at fate's command. As

11544-478: Was insured by the constant use of nectar and ambrosia , by which the divine blood was renewed in their veins. Each god descends from his or her own genealogy, pursues differing interests, has a certain area of expertise, and is governed by a unique personality; however, these descriptions arise from a multiplicity of archaic local variants, which do not always agree with one another. When these gods are called upon in poetry, prayer, or cult, they are referred to by

11655-473: Was loosely associated with the three Moirai (for Hesiod, also daughters of Night), particularly Atropos , who was a goddess of death in her own right. He is also, at times, specified as being exclusive to a peaceful death, while the bloodthirsty Keres embodied violent death. His duties as a Guide of the Dead were sometimes superseded by Hermes Psychopompos. The god's character is established by Hesiod in

11766-592: Was probably a real man, perhaps a chieftain-vassal of the kingdom of Argos . Some scholars suggest the story of Heracles is an allegory for the sun's yearly passage through the twelve constellations of the zodiac. Others point to earlier myths from other cultures, showing the story of Heracles as a local adaptation of hero myths already well established. Traditionally, Heracles was the son of Zeus and Alcmene , granddaughter of Perseus . His fantastic solitary exploits, with their many folk-tale themes, provided much material for popular legend. According to Burkert (2002), "He

11877-511: Was repeated when Cronus was confronted by his son, Zeus . Because Cronus had betrayed his father, he feared that his offspring would do the same, and so each time Rhea gave birth, he snatched up the child and ate it. Rhea hated this and tricked him by hiding Zeus and wrapping a stone in a baby's blanket, which Cronus ate. When Zeus was full-grown, he fed Cronus a drugged drink which caused him to vomit, throwing up Rhea's other children, including Poseidon , Hades , Hestia , Demeter , and Hera , and

11988-591: Was searching for her daughter, Persephone , having taken the form of an old woman called Doso, and received a hospitable welcome from Celeus , the King of Eleusis in Attica . As a gift to Celeus, because of his hospitality, Demeter planned to make his son Demophon a god, but she was unable to complete the ritual because his mother Metanira walked in and saw her son in the fire and screamed in fright, which angered Demeter, who lamented that foolish mortals do not understand

12099-575: Was the bow but frequently also the club. Vase paintings demonstrate the unparalleled popularity of Heracles, his fight with the lion being depicted many hundreds of times. Heracles also entered Etruscan and Roman mythology and cult, and the exclamation "mehercule" became as familiar to the Romans as "Herakleis" was to the Greeks. In Italy he was worshipped as a god of merchants and traders, although others also prayed to him for his characteristic gifts of good luck or rescue from danger. Heracles attained

12210-431: Was the goddess of love and beauty, Ares was the god of war, Hades the ruler of the underworld, and Athena the goddess of wisdom and courage. Some gods, such as Apollo and Dionysus , revealed complex personalities and mixtures of functions, while others, such as Hestia (literally "hearth") and Helios (literally "sun"), were little more than personifications. The most impressive temples tended to be dedicated to

12321-503: Was the subject of many lost poems, including those attributed to Orpheus, Musaeus , Epimenides , Abaris , and other legendary seers, which were used in private ritual purifications and mystery-rites . There are indications that Plato was familiar with some version of the Orphic theogony. A silence would have been expected about religious rites and beliefs, however, and that nature of the culture would not have been reported by members of

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