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116-471: Hayden was a cousin of Don Van Vliet , better known as Captain Beefheart. Hayden joined Beefheart's Magic Band as guest bass clarinet player in 1968, but is heard only on the 1969 album Trout Mask Replica . He can also be heard on one of the sections of dialogue interpolated between the album's tracks, in which he and Beefheart agree that some unknown thing is "fast and bulbous". He appeared on stage with

232-543: A Pepsi . His parents tolerated such behavior under the belief that their child was truly gifted. Vliet's "Pepsi-moods" were ever a source of amusement to band members, leading Zappa to later write the wry tune "Why Doesn't Someone Give Him a Pepsi?", that featured on the Bongo Fury tour. After Zappa began regular occupation at Paul Buff's PAL Studio in Cucamonga he and Van Vliet began collaborating, tentatively as

348-693: A child prodigy . Van Vliet said that he was a lecturer at the Barnsdall Art Institute in Los Angeles at the age of eleven, although it is likely he simply gave a form of artistic dissertation. Accounts of Van Vliet's precocious achievement in art often include his statement that he sculpted on a weekly television show. He said that his parents discouraged his interest in sculpture, based upon their perception of artists as "queer". According to one of Van Vliet's versions of this story, they declined several scholarship offers, including one from

464-587: A 28-track double album in June 1969 on Frank Zappa 's newly formed Straight Records label. First issues, in the US, were auto-coupled and housed in the black "Straight" liners along with a 6-page lyric sheet illustrated by the Mascara Snake . A school-age portrait of Van Vliet appears on the front of this sheet, while the cover of the gatefold shows Beefheart in a modified Pilgrim hat , obscuring his face with

580-431: A Pepsi. —Frank Zappa Van Vliet said that he never attended public school, alleging "half a day of kindergarten" to be the extent of his formal education and saying that "if you want to be a different fish, you've got to jump out of the school". His associates said that he only dropped out during his senior year of high school to help support the family after his father's heart attack. His graduation picture appears in

696-476: A Plain Brown Wrapper (which has two tracks that are missing from the former release). Both Blue Thumb and the stamps on the cover of Strictly Personal have LSD connotations, as does the track "Ah Feel Like Ahcid", although Beefheart himself refuted this (claiming that this is a rendering of "I feel like I said"). Critically acclaimed as Van Vliet's magnum opus , Trout Mask Replica was released as

812-531: A completely different, almost soft rock sound from any other Beefheart record. Neither was well received; drummer Art Tripp recalled that when he and the original Magic Band listened to Unconditionally Guaranteed , they "...   were horrified. As we listened, it was as though each song was worse than the one which preceded it". Beefheart later disowned both albums, calling them "horrible and vulgar", asking that they not be considered part of his musical output and urging fans who bought them to "take copies back for

928-593: A factory in Van Nuys, California, to support their love of rock music (especially the Rolling Stones , whom they eventually met). Des Barres described Hayden as "living among the Redwoods", dropping out of mainstream society completely, while also citing him as an important influence on her life. Hayden co-founded Alchemy Records in 1986 with Mark Deutrom , and worked there through 1991. From 2007 to 2018, he

1044-518: A few days, press coverage and public outcry resulted in the band being permitted to re-enter the UK, where they recorded material for John Peel 's radio show and on Friday January 19 appeared at the Middle Earth venue, introduced by Peel, where they played tracks from Safe as Milk and some of the experimental blues tracks from Mirror Man . The band was met by an enthusiastic audience; French recalled

1160-616: A few weeks later. After their Euro tour and the Cannes beach performance the band returned to the US. Moves were already in the air for them to leave Buddah and sign to MGM and, prior to their May tour – mainly in the UK – they re-recorded some Buddah material of the partial Mirror Man sessions at Sunset Sound with Bruce Botnick . Beefheart had also been conceptualizing new band names, including 25th Century Quaker and Blue Thumb , while making suggestions to other musicians that they might get involved. The thought-process of 25th Century Quaker

1276-407: A girl in the audience turn into a fish, with bubbles coming from her mouth. This aborted any opportunity of breakthrough success at Monterey, as Cooder immediately decided he could no longer work with Van Vliet, effectively quitting both the event and the band on the spot. With such complex guitar parts there was no means for the band to find a competent replacement in time for Monterey. Cooder's spot

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1392-802: A gravelly voice, and a wide vocal range . Renowned as an enigmatic persona, Beefheart frequently constructed myths about his life and was known to exercise an almost dictatorial control over his supporting musicians. Although he achieved little commercial success, he sustained a cult following as an influence on an array of experimental rock and punk -era artists. A sculpting prodigy in his childhood, Van Vliet developed an interest in blues, R&B , and jazz during his teen years in Lancaster, California , and formed "a mutually useful but volatile" friendship with musician Frank Zappa , with whom he sporadically competed and collaborated. He began performing in his Captain Beefheart persona in 1964 and joined

1508-414: A great deal to surreal poetry. Try as they might, his fans had a difficult time analyzing such lines as these from "Abba Zabba" on the 1966 album Safe as Milk : For some time, the involvement of Herb Bermann as co-writer on eight of the tracks was a point of confusion, as Vliet did not employ him, or indeed any regular co-writer at any other time in his career, and never discussed or clarified his role in

1624-441: A lack of commercial success, he pursued a more conventional rock sound, but the ensuing albums were critically panned; this move, combined with not having been paid for a European tour, and years of enduring Beefheart's abusive behavior, led the entire band to quit. Beefheart eventually formed a new Magic Band with a group of younger musicians and regained critical approval through three final albums: Shiny Beast (1978), Doc at

1740-558: A mask by Schenkel. Trout Mask Replica incorporated a wide variety of musical styles, including blues, avant garde/experimental, and rock. The relentless practice prior to recording blended the music into an iconoclastic whole of contrapuntal tempos , featuring slide guitar , polyrhythmic drumming (with French's drums and cymbals covered in cardboard), honking saxophone and bass clarinet . Van Vliet's vocals range from his signature Howlin' Wolf -inspired growl to frenzied falsetto to laconic, casual ramblings. The instrumental backing

1856-457: A playful undertone, repulsive and engrossing and slapstick funny." Due to licensing disputes, Lick My Decals Off, Baby was unavailable on CD for many years, though it remained in print on vinyl . It was ranked second in Uncut magazine's May 2010 list of The 50 Greatest Lost Albums . In 2011, the album became available for download on the iTunes Store . He toured in 1970 with Ry Cooder on

1972-449: A profound effect on the quality of the Safe as Milk work, as the former studio was 8-track and the subsequent studio a 4-track. To support the album's release the group had been scheduled to play at the 1967 Monterey Pop Festival . During this period, Vliet had severe anxiety attacks that made him convinced that he was having a heart attack, possibly exacerbated by his heavy LSD use and

2088-476: A refund". By the fall of 1975 the band had completed their European tour, with further US dates in the New Year of 1976, supporting Zappa along with Dr. John . Van Vliet now found himself stuck in a web of contractual hang-ups. At this point Zappa had begun to extend a helping hand, with Vliet already having performed incognito as "Rollin' Red" on Zappa's One Size Fits All (1975) and then joining with him on

2204-411: A sharp broomstick . Eventually Beefheart, French says, threatened to throw him out an upper floor window. He admits complicity in similarly attacking his bandmates during "talks" aimed at them. In the end, after the album's recording, Beefheart ejected French from the band by throwing him down a set of stairs, telling him to "Take a walk, man" after not responding in a desired manner to a request to "play

2320-406: A single 8 + 1 ⁄ 2 -hour session at the piano, an instrument he had no skill in playing, an approach Mike Barnes compared to John Cage 's "maverick irreverence toward classical tradition", though band members have stated that the songs were written over the course of about a year, beginning around December 1967. (The band did watch Federico Fellini 's 1963 film 8½ during the creation of

2436-477: A strawberry" on the drums. Beefheart replaced French with drummer Jeff Bruschel, an acquaintance of Hayden. Referred to as "Fake Drumbo" (playing on French's drumset) this final act resulted in French's name not appearing on the album credits, either as a player or arranger. Bruschel toured with the band to Europe but was replaced by the next recording. According to Van Vliet, the 28 songs on the album were written in

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2552-438: A strong influence on young Vliet, as it was a short distance from his home on Waverly Drive. The track "Observatory Crest" on Bluejeans & Moonbeams reflects this continued interest. A portrait photo of school-age Vliet can be seen on the front of the lyric sheet within the first issue of the US release of Trout Mask Replica . For some time during the 1950s, Van Vliet worked as an apprentice with Rodrigues, who considered him

2668-415: A towering achievement: an avant-garde pop masterpiece from the time when they had only just started to make them. Along with the first couple of Love and Mothers ' albums and The Velvet Underground and Nico , Safe as Milk had a huge impact in the UK, largely thanks to radio play by John Peel; don't forget that it was hardly possible to get any actual San Franciscan albums until the end of 1967." It

2784-424: A truncated version of the original Beefheart vision of a double album. Thus "25th Century Quaker" became a track and a potential band-name became a label . In overview, the works for the double album in this period were intended to be packaged in a plain brown wrapper, with a "strictly personal" over-stamp and addressed in a manner that could have connotations of drug content, pornographic or illicit material; as per

2900-698: A van. The Magic Band (2003–2017) Captain Beefheart Don Van Vliet ( / v æ n ˈ v l iː t / ; born Don Glen Vliet ; January 15, 1941 – December 17, 2010) was an American singer, songwriter, multi-instrumentalist, and visual artist best known by the stage name Captain Beefheart . Conducting a rotating ensemble known as the Magic Band , he recorded 13 studio albums between 1967 and 1982. His music blended elements of blues , free jazz , rock , and avant-garde composition with idiosyncratic rhythms, absurdist wordplay,

3016-492: Is likely to have "passed through" the studio with a weapon.) Moon was present during the early demo sessions at Original Sound studio , above the Kama Sutra /Buddah offices. The works Moon laid down did not see the light of day, as he was replaced by Cooder when they continued on material at Sunset Sound with Marker. Marker then fell by the wayside when recording was moved by Krasnow and Perry to RCA Studio. This would have

3132-695: Is probably that work." It was inducted into the United States National Recording Registry in 2011. Lick My Decals Off, Baby (1970) continued in a similarly experimental vein. An album with "a very coherent structure" in the Magic Band's "most experimental and visionary stage", it was Van Vliet's most commercially successful in the United Kingdom, spending twenty weeks on the UK Albums Chart and peaking at number 20. An early promotional music video

3248-509: Is simpler and slower than on the group's two previous releases, the uncompromisingly original Trout Mask Replica and the frenetic Lick My Decals Off, Baby . This was in part an attempt by Van Vliet to become a more appealing commercial proposition as the band had made virtually no money during the previous two years—at the time of recording, the band members were subsisting on welfare food handouts and remittances from their parents. Van Vliet offered that he "got tired of scaring people with what I

3364-891: The Bongo Fury album and its later support tour. Two Vliet-penned numbers on the Bongo Fury album are "Sam with the Showing Scalp Flat Top" and "Man with the Woman Head". The form, texture and imagery of this album's first track, "Debra Kadabra", sung by Vliet, has 'angular similarities' to the work he would later produce in his next three albums. On the Bongo Fury album Vliet also sings "Poofter's Froth Wyoming Plans Ahead", harmonizes on "200 Years Old" and "Muffin Man", and plays harmonica and soprano saxophone. In early 1976 Zappa put on his producer hat and, once again, opened up his studio facilities and finance to Vliet. This

3480-727: The Delta blues of Son House and Robert Johnson , jazz artists such as Ornette Coleman , John Coltrane , Thelonious Monk and Cecil Taylor , and the Chicago blues of Howlin' Wolf and Muddy Waters . During his early teenage years, Vliet would sometimes socialize with members of local bands such as the Omens and the Blackouts, although his interests were still focused upon an art career. The Omens' guitarists Alexis Snouffer and Jerry Handley would later become founders of "the Magic Band" and

3596-692: The Safe as Milk material was honed and arranged by the arrival of 20-year–old guitar prodigy Ry Cooder, who had been brought into the group after much pressure from Vliet. The band began recording in spring 1967, with Richard Perry cutting his teeth in his first job as producer. The album was released in September 1967. Richie Unterberger of Allmusic called the album "blues–rock gone slightly askew, with jagged, fractured rhythms, soulful, twisting vocals from Van Vliet, and more doo wop, soul, straight blues, and folk–rock influences than he would employ on his more avant garde outings". John Lennon displayed two of

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3712-539: The Woodland Hills suburb of Los Angeles. With only two bedrooms in the house, band members would find sleep in various corners of one, while Vliet occupied the other, and rehearsals were accomplished in the main living area. Van Vliet implemented his vision by completely dominating his musicians, artistically and emotionally. At various times, one or another of the group members was "put in the barrel", with Van Vliet berating him continually, sometimes for days, until

3828-715: The Blackouts was considered, the role was filled by Bill Harkleroad . Bassist Jerry Handley had also departed, with Gary Marker stepping in. Thus the long rehearsals for the album began in the house on Ensenada Drive in Woodland Hills, L.A. that would become the Magic Band House. The Magic Band began recordings for Trout Mask Replica with bassist Gary "Magic" Marker at T.T.G. (on "Moonlight on Vermont" and "Veteran's Day Poppy"), but later enlisted bassist Mark Boston after his departure. The remainder of

3944-493: The Blackouts' drummer, Frank Zappa, would later capture Vliet's vocal capabilities on record for the first time. This first known recording, when he was simply "Don Vliet", is "Lost in a Whirlpool" – one of Zappa's early "field recordings" made in his college classroom with brother Bobby on guitar. It is featured on Zappa's posthumously released The Lost Episodes (1996). He had dropped out of school by that time, and spent most of his time staying at home. His girlfriend lived in

4060-614: The Buddah label, it was released later in pieces in 1971 and 1995. After rejection from Buddah, Bob Krasnow encouraged the band to re-record four of the shorter numbers, add two more, and make shorter versions of "Mirror Man" and "Kandy Korn". Krasnow created a strange mix full of "phasing" that, by most accounts (including Beefheart's), diminished the music's strength. This was released in October 1968 as Strictly Personal on Krasnow's Blue Thumb label. Stewart Mason in his Allmusic review of

4176-457: The Eyes of Magic describes some of the "talks", which were initiated by his doing such things as playing a Frank Zappa drum part ("The Blimp (mousetrapreplica)") in his drumming shed and not having finished drum parts as quickly as Beefheart wanted. French writes of being punched by band members, thrown into walls, kicked, punched in the face by Beefheart hard enough to draw blood, being attacked with

4292-567: The Grunt People , the first appearances of the Beefheart name. It has been suggested this name came from a term used by Vliet's uncle Alan, who had a habit of exposing himself to Don's girlfriend, Laurie Stone. He would urinate with the bathroom door open and, if she was walking by, would mumble about his penis, saying "Ahh, what a beauty! It looks just like a big, fine beef heart ". In a 1970 interview with Rolling Stone , Van Vliet requests "don't ask me why or how" he and Zappa came up with

4408-601: The Life " to be ridiculous and conceited. Tiring of their "lullabies", he lampooned them with the Strictly Personal song "Beatle Bones 'n' Smokin' Stones", that featured the sardonic refrain of "strawberry fields, all the winged eels slither on the heels of today's children, strawberry fields forever ". Vliet spoke badly of Lennon after getting no response when he sent a telegram of support to him and wife Yoko Ono during their 1969 " Bed-in for peace". Doug Moon left

4524-433: The Magic Band as the "Tragic Band", a term that has stuck over the years. Mike Barnes said that the description of the new band "grooving along pleasantly", was "...   an appropriately banal description of the music of a man who only a few years ago had composed with the express intent of shaking listeners out of their torpor." The one album they recorded, Bluejeans & Moonbeams (1974) has, like its predecessor,

4640-401: The Magic Band simply letting go and cutting loose." The album's "miss-credit errors" also state band members as "Alex St. Clare Snouffer" (Alex St. Clare/Alexis Snouffer), "Antennae Jimmy Simmons" (Semens/Jeff Cotton) and "Jerry Handsley" (Handley). First vinyl was issued in both a die-cut gatefold (revealing a "cracked" mirror) and a single sleeve with same image. The UK Buddah issue was part of

4756-493: The Mascara Snake , performed as a bass clarinetist later in the proceedings. Vliet's girlfriend Laurie Stone, who can be heard laughing at the beginning of "Fallin' Ditch", became an audio typist at the Magic Band house. Van Vliet wanted the whole band to "live" the Trout Mask Replica album. The group rehearsed Van Vliet's difficult compositions for eight months, living communally in their small rented house in

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4872-601: The Mothers of Invention , played drums and marimba, along with a returning John French. Lick My Decals Off, Baby was the first record on which the band was credited as " The " Magic Band, rather than " His " Magic Band. Journalist Irwin Chusid interprets this change as "a grudging concession of its members' at least semiautonomous humanity". Robert Christgau gave the album an A−, commenting, "Beefheart's famous five-octave range and covert totalitarian structures have taken on

4988-597: The Polydor-manufactured "Select" series. During his first trip to England in January 1968, Captain Beefheart was briefly represented in the UK by mod icon Peter Meaden , an early manager of the Who . The Captain and his band members were initially denied entry to the United Kingdom, because Meaden had illegally booked them for gigs without applying for appropriate work permits . After returning to Germany for

5104-493: The Radar Station (1980) and Ice Cream for Crow (1982). Van Vliet made few public appearances after his retirement from music in 1982. He pursued a career in art, an interest that originated in his childhood talent for sculpture, and a venture that proved to be his most financially secure. His abstract expressionist paintings and drawings command high prices, and have been exhibited in art galleries and museums across

5220-524: The Soots (pronounced "suits"). By the time Zappa had turned the venue into Studio Z the duo had completed some songs. These were "Cheryl's Canon", "Metal Man Has Won His Wings" and a Howlin' Wolf -styled rendition of Little Richard 's " Slippin' and Slidin' ". Further songs on Zappa's Mystery Disc (1996), "I Was a Teen-Age Malt Shop" and "The Birth of Captain Beefheart", also provide an insight to Zappa's "teenage movie" script titled Captain Beefheart vs.

5336-582: The Tubes ' album Now , playing saxophone on the song "Cathy's Clone", and the album also featured a cover of the Clear Spot song "My Head Is My Only House Unless It Rains". In 1978 he appeared on Jack Nitzsche 's soundtrack to the film Blue Collar . Safe as Milk Safe as Milk is the debut studio album by American music group Captain Beefheart and his Magic Band , released in June 1967 by Buddah Records . A heavily blues -influenced work,

5452-661: The age of nine, he won a children's sculpting competition organized for the Los Angeles Zoo in Griffith Park by a local tutor, Agostinho Rodrigues. Local newspaper cuttings of his junior sculpting achievements can be found reproduced in the Splinters book, included in the Riding Some Kind of Unusual Skull Sleigh boxed CD work, released in 2004. The sprawling park, with its zoo and observatory , had

5568-674: The album "failed by lapsing into dull commercial rock on the order of Love 's early efforts." The album made a greater impact in Europe than in the U.S., with the British underground DJ John Peel being a noted admirer from the start, though the original British release was in mono only. The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die . In 1999, Jon Savage reflected in Mojo : " Safe as Milk remains

5684-486: The album a B+, saying, "I find it impossible to give this record an A because it is just too weird. But I'd like to. Very great played at high volume when you're feeling shitty, because you'll never feel as shitty as this record." BBC disc jockey John Peel said of the album: "If there has been anything in the history of popular music which could be described as a work of art in a way that people who are involved in other areas of art would understand, then Trout Mask Replica

5800-540: The album after the confection, but the bar's manufacturer, the Cardinet Candy Co., refused permission for use of the name, and the album was retitled. The black and yellow checkerboard pattern on the album's back sleeve, designed by Tom Wilkes , is a relic of this idea—echoing the black and yellow colors of the candy bar wrapper. Writing an obituary for Beefheart in 2010, for The Washington Post , Matt Schudel said: "Mr. Van Vliet's lyrics and song titles owed

5916-517: The album described it as a "terrific album" and a "fascinating, underrated release ... every bit the equal of Safe as Milk and Trout Mask Replica ". Langdon Winner of Rolling Stone called Strictly Personal "an excellent album. The guitars of the Magic Band mercilessly bend and stretch notes in a way that suggests that the world of music has wobbled clear off its axis", with the lyrics demonstrating "Beefheart's ability to juxtapose delightful humor with frightening insights". In 1971 some of

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6032-415: The album features a 20-year-old Ry Cooder , who played guitar and wrote some of the arrangements. Before recording Safe as Milk , the band had released a few singles through A&M Records , and it was to this company that the group first proposed their début album in 1966. They presented the label with a set of R&B -influenced demos, which the label felt were too unconventional and decided to drop

6148-496: The album was recorded at Whitney Studios, with some field recordings made at the house. Boston was acquainted with French and Harkleroad via past bands. Van Vliet had also begun assigning nicknames to his band members, so Harkleroad became Zoot Horn Rollo , and Boston became Rockette Morton , while John French assumed the name Drumbo , and Jeff Cotton became Antennae Jimmy Semens . Van Vliet's cousin Victor Hayden,

6264-480: The album's mostly blues rock sound, songs such as "Electricity" illustrated the band's unconventional instrumentation and Van Vliet's unusual vocals. When guitarist Doug Moon complained that the band was "losing its soul", he was fired. In a 1995 interview Moon said that the songs on the album "had evolved to become a little bit more avant-garde and a little bit more hinting at things to come in Don's later albums". Much of

6380-406: The album's promotional "baby bumper stickers" in the sunroom at his home. The Beatles planned to sign Beefheart to their experimental Zapple label (plans that were scrapped after Allen Klein took over the group's management). Vliet claimed to have met Paul McCartney in a Cannes hotel nightclub during their tour of Europe on January 27, 1968, urinated together on a statue outside the hotel at

6496-436: The album). It took the band about eight months to mold the songs into shape, with French bearing primary responsibility for transposing and shaping Vliet's piano fragments into guitar and bass lines, which were mostly notated on paper. Harkleroad in 1998 said in retrospect: "We're dealing with a strange person, coming from a place of being a sculptor/painter, using music as his idiom . He was getting more into that part of who he

6612-537: The album. There was little record of his existence, though his name incidentally also appeared in a reference to an unproduced screenplay for After the Gold Rush on the 1971 Neil Young album of the same name . Various Magic Band members had in fact indicated that the name may have been nothing other than a publishing-related pseudonym. It was only in 2003 that Bermann himself was finally located and interviewed, and his involvement as co-writer confirmed. Safe As Milk

6728-630: The band at the Amougies Festival in Mont-de-l'Enclus , Belgium, in October 1969, where they were recorded playing two compositions in the film Music Power . In Pamela Des Barres ' memoir I'm with the Band , she mentions that Hayden befriended her while she was in high school, introducing her to his cousin Beefheart and asking her to be the president of the local chapter of the Beefheart fan club. Also, Des Barres and Hayden worked together at

6844-438: The band because of his dislike of the band's increasing experimentation outside his preferred blues genre. Ry Cooder told of Moon's becoming so angered by Van Vliet's unrelenting criticism that he walked into the room pointing a loaded crossbow at him, only to have Van Vliet tell him, "Get that fucking thing out of here, get out of here and get back in your room", which he did. (Other band members dispute this account, though Moon

6960-402: The band. Beefheart later said the label dropped them after hearing the song " Electricity " and declaring it "too negative". A&M's Jerry Moss thought the content too risqué for his daughter's ears. This, plus Leonard Grant's severance as manager, added to the discontent. The band instead turned to Bob Krasnow , who was then working for Kama Sutra Records ; he recruited them to record for

7076-499: The bill to promote the album. The next two records, The Spotlight Kid (simply credited to "Captain Beefheart") and Clear Spot (credited to "Captain Beefheart and the Magic Band"), were both released in 1972. The atmosphere of The Spotlight Kid is, according to one critic, "definitely relaxed and fun, maybe one step up from a jam". And though "things do sound maybe just a little too blasé", "Beefheart at his worst still has something more than most groups at their best." The music

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7192-432: The company's new subsidiary label, Buddah . Meanwhile, Beefheart had been secretly planning changes to the Magic Band's line-up—a practice common throughout the group's existence. The group that recorded the two A&M singles had consisted of Doug Moon and Richard Hepner on guitars, Jerry Handley on bass, and Alex St. Clair on drums. Hepner had already left, and Beefheart was keen to replace Moon with Ry Cooder , who

7308-647: The core of Art Tripp III , Harkleroad and Boston, with the formation of Mallard , helped by finance and UK recording facilities from Jethro Tull's Ian Anderson . Some of French's compositions were used in the band's work, but the group's singer was Sam Galpin and the role of keyboardist was eventually taken by John Thomas, who had shared a house with French in Eureka at the time. At this time Vliet attempted to recruit both French and Harkleroad as producers for his next album, but his pleas fell on deaf ears. Andy Di Martino produced both of these Virgin label albums. Vliet

7424-402: The demo by Doug Moon are therefore taken up by Ry Cooder 's work in the release, as Moon had departed over "musical differences" at this juncture. Drummer John French had now joined the group and it would later (notably on Trout Mask Replica ) be his patience that was required to transcribe Van Vliet's creative ideas (often expressed by whistling or banging on the piano) into musical form for

7540-519: The demo recording was accomplished at Art Laboe 's Original Sound Studio, then with Gary Marker on the controls at Sunset Sound on 8-track. By the end of 1966 they were signed to Buddah Records and much of the demo work was transferred to 4-track, at the behest of Krasnow and Perry , in the RCA Studio in Hollywood, where the recording was finalized. Tracks that were originally laid down in

7656-649: The door in the room where he sculpted. When he was thirteen the family moved from the Los Angeles area to the more remote farming town of Lancaster , in the Mojave Desert , where there was a growing aerospace industry supported by nearby Edwards Air Force Base . It was an environment that would greatly influence him creatively from then on. Van Vliet remained interested in art; several of his paintings, often reminiscent of Franz Kline were later used as front covers for his music albums. Meanwhile, he developed his taste and interest in music, listening "intensively" to

7772-538: The end result not fully up to snuff as a result, but those less concerned with pushing back all borders all the time will enjoy his unexpected blend of everything tempered with a new accessibility". The review called the song "Big Eyed Beans from Venus" "a fantastically strange piece of aggression". A Clear Spot song, "Her Eyes Are A Blue Million Miles", appeared on the soundtrack of the Coen brothers ' cult comedy film The Big Lebowski (1998). In 1974, immediately after

7888-448: The event as a rare high moment for the band: "After the show, we were taken to the dressing room where we sat for hours as a line of what seemed like hundreds of people walked in one by one to shake our hand or get an autograph. Many brought imports of Safe as Milk with them for us to autograph ... It seemed like we had finally gained some reward ... Suddenly all the criticizing and intimidation and eccentricities seemed very unimportant. It

8004-554: The fact that his father had died of heart failure a few years earlier. At a vital "warm-up" performance at the Fantasy Fair and Magic Mountain Music Festival (June 10–11) shortly before the scheduled Monterey Festival (June 16–18), the band began to play "Electricity" and Van Vliet froze, straightened his tie, then walked off the 10 ft (3.0 m) stage and landed on manager Bob Krasnow . He later claimed he had seen

8120-406: The first Magic Band and changed his name to Don Van Vliet, while Snouffer became Alex St. Clair (sometimes spelled Claire ). Captain Beefheart and his Magic Band signed to A&M and released two singles in 1966. The first was a version of Bo Diddley 's " Diddy Wah Diddy " that became a regional hit in Los Angeles. The followup, "Moonchild" (written by David Gates , later of the band Bread )

8236-464: The following year. He once worked as a door-to-door vacuum cleaner salesman, and sold a vacuum cleaner to the writer Aldous Huxley at his home in Llano , pointing to it and declaring, "Well, I assure you sir, this thing sucks." After managing a Kinney's shoe store, Van Vliet relocated to Rancho Cucamonga, California , to reconnect with Zappa, who inspired his entry into musical performance. Van Vliet

8352-485: The gear worn by the band on the Strictly Personal cover stamps. In August 1967, guitarist Jeff Cotton filled the guitar spot vacated, in turn, by Cooder and McGee. In October and November 1967 the Snouffer/Cotton/Handley/French line–up recorded material for what was planned to be the second album. Originally intended to be a double album called It Comes to You in a Plain Brown Wrapper for

8468-409: The group barely survived and were even arrested for shoplifting food (Zappa bailed them out). French has recalled living on no more than a small cup of beans a day for a month. A visitor described their appearance as "cadaverous" and said that "they all looked in poor health". Band members were restricted from leaving the house and practiced for 14 or more hours a day. John French's 2010 book Through

8584-411: The group. In the period leading up to the recording the band lived communally, first at a compound near Ben Lomond, California and then in northern California near Trinidad . The situation saw a return to the physical violence and psychological manipulation that had taken place during the band's previous communal residence while composing and rehearsing Trout Mask Replica . According to John French,

8700-408: The head of a fish. The fish is a carp – arguably a "replica" for a trout, photographed by Cal Schenkel . The inner spread " infra-red " photography is by Ed Caraeff , whose Beefheart vacuum cleaner images from this session also appear on Zappa's Hot Rats release (a month earlier) to accompany "Willie The Pimp" lyrics sung by Vliet. Alex St. Clair had now left the band and, after Junior Madeo from

8816-404: The house, and his grandmother lived in the house, and his aunt and his uncle lived across the street. And his father had had a heart attack; his father drove a Helms bread truck, part of the time Don was helping out by taking over the bread truck route [and] driving up to Mojave. The rest of the time he would just sit at home and listen to rhythm and blues records, and scream at his mother to get him

8932-470: The local Knudsen Creamery to travel to Europe with six years' paid tuition to study marble sculpture . Van Vliet was deeply disappointed by their denial of this opportunity for him to realize his potential as an artist. He later claimed that the experience made him so bitter that he never listened to music and abandoned his art until he was twenty-three. Van Vliet's artistic enthusiasm became so fervent, he said that his parents were forced to feed him through

9048-454: The musician collapsed in tears or in total submission. Guitarist Bill Harkleroad complained that his fingers were a "bloody mess" as a result of Beefheart's orders that he use heavy strings. Drummer John French described the situation as "cultlike" and a visiting friend said "the environment in that house was positively Mansonesque ". Their material circumstances were dire. With no income other than welfare and contributions from relatives,

9164-549: The name referred to "a beef in my heart against this society". In the "Grunt People" draft script Beefheart and his mother play themselves, with his father played by Howlin' Wolf. Moreover, the young Van Vliet used to go out with wet hair to catch a cold so that he could get a lower tone of voice as Howlin' Wolf. Grace Slick is penned in as a "celestial seductress" and there are also roles for future Magic Band members Bill Harkleroad and Mark Boston. Van Vliet enrolled at Antelope Valley College as an art major, but decided to leave

9280-433: The name. Johnny Carson also asked him the same question to which Van Vliet replied that one day he was standing on the pier and saw fishermen cutting the bills off pelicans . He said it made him sad and put "a beef in his heart". Carson appeared nervous and uncomfortable interviewing Van Vliet and after the next commercial break Van Vliet was gone. He would later say in an appearance on Late Night with David Letterman that

9396-510: The original Magic Band line-up, initiated by Alexis Snouffer , the same year. The group released their debut album Safe as Milk in 1967 on Buddah Records . After being dropped by two consecutive record labels they signed to Zappa's Straight Records , where they released 1969's Trout Mask Replica ; the album would later rank 58th in Rolling Stone magazine's 2003 list of the 500 greatest albums of all time . In 1974, frustrated by

9512-508: The other group members. On French's departure this role was taken over by Bill Harkleroad for Lick My Decals Off, Baby . Many of the lyrics on the Safe as Milk album were written by Van Vliet in collaboration with the writer Herb Bermann , who befriended Van Vliet after seeing him perform at a bar-gig in Lancaster in 1966. The song " Electricity " was a poem written by Bermann, who gave Van Vliet permission to adapt it to music. Unlike

9628-596: The painting that was used as cover art for the 1974 Beefheart album Bluejeans & Moonbeams . After designing an advertisement for Absolut Vodka in 1991, Hayden exhibited his paintings periodically. His most notable shows were in New York City, New York in 2001; Seattle, Washington in 2004; Austin, Texas in 2011 (as part of the SXSW festival); and 2019 at Lisa Derrick Fine Arts in Los Angeles. Hayden died on December 7, 2018, from complications after being struck by

9744-481: The pair bonding through their interest in Chicago blues and R&B . Van Vliet is portrayed in both The Real Frank Zappa Book and Barry Miles ' biography Zappa as fairly spoiled at this stage of his life, the center of attention as an only child. He spent most of his time locked in his room listening to records, often with Zappa, into the early hours in the morning, eating leftover food from his father's Helms bread truck and demanding that his mother bring him

9860-445: The pair were already accomplished young musicians before joining the band. Lastly, Van Vliet claimed to have gone a year and half without sleeping. When asked how this was possible, he claimed to have only eaten fruit. Critic Steve Huey of AllMusic writes that the album's influence "was felt more in spirit than in direct copycatting, as a catalyst rather than a literal musical starting point. However, its inspiring reimagining of what

9976-498: The prodding of journalists and photographers,and participated in a jam session together with McCartney and Penny Nichols . Producer attempts to convince McCartney to switch labels to Kama Sutra obstructed the possibility of a pleasant evening. McCartney later said he had no recollection of this meeting. Van Vliet was often critical of the Beatles, however. He considered the lyric "I'd love to turn you on" from their song " A Day in

10092-420: The recording of Unconditionally Guaranteed , which markedly continued the trend towards a more commercial sound heard on some of the Clear Spot tracks, the Magic Band's original members departed. The disgruntled former members worked together for a period, gigging at Blue Lake and putting together their own ideas and demos, with John French earmarked as the vocalist. These concepts eventually coalesced around

10208-613: The recordings done for Buddah were released as Mirror Man , bearing a liner note stating that the material had been recorded in "one night in Los Angeles in 1965". This was a ruse to circumvent possible copyright issues. The material was recorded in November and December 1967. Essentially a " jam " album, described as pushing "the boundaries of conventional blues–rock, with a Beefheart vocal tossed in here and there. Some may miss Beefheart's surreal poetry, gruff vocals, and/or free jazz influence, while others may find it fascinating to hear

10324-503: The school's yearbook. His statements that he never attended school – and his general disavowals of education – may have been related to his experience of dyslexia which, although never officially diagnosed, was obvious to sidemen such as John French and Denny Walley , who observed his difficulty reading cue-cards on stage, and his frequent need to be read aloud to. While attending Antelope Valley High School in Lancaster, Van Vliet became close friends with fellow teenager Frank Zappa ,

10440-588: The seeming sonic chaos is an illusion—to construct the songs, the Magic Band rehearsed twelve hours a day for months on end in a house with the windows blacked out. (Producer Frank Zappa was then able to record most of the album in less than five hours.) Tracks such as 'Ella Guru' and 'My Human Gets Me Blues' are the direct predecessors of modern musical primitives such as Tom Waits and PJ Harvey ." Guitarist Fred Frith noted that during this process "forces that usually emerge in improvisation are harnessed and made constant, repeatable". Critic Robert Christgau gave

10556-468: The small ads of the time: "It comes to you in a plain brown wrapper." Given that Krasnow had effectively poached the band from Buddah there were limitations on what material could be released. Strictly Personal was the result, contained in its enigmatically addressed parcel sleeve. The raft of material left behind eventually emerged, firstly on CD as I May Be Hungry, But I Sure Ain't Weird and later on vinyl, implemented by John French, as It Comes To You in

10672-422: The title "Safe as Milk" is a sarcastic reference to the contamination in women's breast milk , either with the pesticide DDT or radioactive strontium-90 in different published interviews. The album is heavily influenced by the Delta blues , and this is apparent from the opening bars of the first track, "Sure 'Nuff 'n Yes I Do", based on Muddy Waters ' " Rollin' and Tumblin ' " . The opening lyric, "Well I

10788-471: The track listing of this release matched the Marble Arch version, but the missing tracks were quickly restored. This 99 series release was also the first appearance in the UK of a stereo mix of the album. In 1999, the now-correctly spelled Buddha Records , owned by Sony BMG who had acquired Buddah's back catalogue, remastered the album onto CD. They added seven bonus tracks, taken from the sessions for

10904-489: The track states, "Although not directly blues influenced 'Abba Zaba' contains peripheral elements of the wiry delta sound that informed much of the album", noting that Cooder's influence is heard here in the "chiming, intricate guitar lines" and "up front and biting bass work". The track is named after the Abba-Zaba candy bar, which was supposedly a favorite of the young Beefheart. The band had, at one point, planned to name

11020-410: The unreleased Brown Wrapper follow-up album. These tracks had been recorded around November 1967 (two months after Safe as Milk' s release), and were from the same sessions that yielded the songs on Mirror Man (1971). BMG's Buddha also released The Mirror Man Sessions on CD in 1999, effectively an official issue of the unphased versions of Mirror Man , with five further bonus tracks taken from

11136-490: The world. Van Vliet died in 2010, having had multiple sclerosis for many years. Van Vliet was born Don Glen Vliet in Glendale, California , on January 15, 1941, to Glen Alonzo Vliet, a service station owner of Dutch ancestry from Kansas , and Willie Sue Vliet (née Warfield), who was from Arkansas . He said that he was descended from Peter van Vliet, a Dutch painter who knew Rembrandt . Van Vliet also said that he

11252-417: The worst of this was directed toward Harkleroad. In his autobiography Harkleroad recalls being thrown into a dumpster, an act he interpreted as having metaphorical intent. Clear Spot 's production credit of Ted Templeman made AllMusic 's Ned Raggett consider "why in the world [it] wasn't more of a commercial success than it was", and that while fans "of the fully all-out side of Beefheart might find

11368-470: Was a glorious moment, one of the very few I ever experienced". By this time, they had terminated their association with Meaden. On January 27, 1968, Beefheart performed in the MIDEM Music Festival on the beach at Cannes , France. Alex St. Claire left the band in June 1968 after their return from a second European tour and was replaced by teenager Bill Harkleroad; bassist Jerry Handley left

11484-407: Was born in the desert ...", quotes "New Minglewood Blues" by Cannon's Jug Stompers , an early version of "Rollin' and Tumblin". Elsewhere, the album features a version of Robert Pete Williams ' "Grown So Ugly" arranged by Cooder. Another of the more distinctive songs on the album is "Abba Zaba", one of three compositions credited solely to Beefheart using his real name. An AllMusic review of

11600-432: Was doing ... I realized that I had to give them something to hang their hat on, so I started working more of a beat into the music. It's more human that way". Magic Band members have also said that the slower performances were due in part to Van Vliet's inability to fit his lyrics with the instrumental backing of the faster material on the earlier albums, a problem that was exacerbated in that he almost never rehearsed with

11716-510: Was effectively recorded live in the studio, while Van Vliet overdubbed most of the vocals in only partial sync with the music by hearing the slight sound leakage through the studio window. Zappa said of Van Vliet's approach, "[it was] impossible to tell him why things should be such and such a way. It seemed to me that if he was going to create a unique object, that the best thing for me to do was to keep my mouth shut as much as possible and just let him do whatever he wanted to do whether I thought it

11832-521: Was eventually filled for a short spell by Gerry McGee, who had played with the Monkees . According to French the band did two gigs with McGee, one of which was at The Peppermint Twist near Long Beach. The other was at Santa Monica Civic Auditorium , August 7, 1967, as opening act for the Yardbirds . McGee was in the group long enough to have an outfit made by a Santa Monica boutique that also created

11948-906: Was for the production of an album provisionally titled Bat Chain Puller . The band were John French (drums), John Thomas (keyboards) and Jeff Moris Tepper and Denny Walley (guitars). Much of the work on this album had been finalized and some demos had been circulated when fate once again struck the Beefheart camp. In May 1976 the long association between Zappa and his manager/business partner Herb Cohen ceased. This resulted in Zappa's finances and ongoing works becoming part of protracted legal negotiations. The Bat Chain Puller project went "on ice" and did not see an official release until 2012. After this recording John Thomas joined ex-Magic Band members in Mallard . Prior to his next album Beefheart appeared in 1977 on

12064-423: Was forced to quickly form a new Magic Band to complete support-tour dates, with studio musicians who had no experience with his music and in fact had never heard it. Having no knowledge of the previous Magic Band style, they simply improvised what they thought would go with each song, playing much slicker versions that have been described as "bar band" versions of Beefheart songs. A review described this incarnation of

12180-432: Was instead of this blues singer. The band had rehearsed the songs so thoroughly that the instrumental tracks for 21 of the songs were recorded in a single four-and-a-half-hour recording session. Van Vliet spent the next few days overdubbing the vocals. The album's cover artwork was photographed and designed by Cal Schenkel and shows Van Vliet wearing the raw head of a carp, bought from a local fish market and fashioned into

12296-613: Was less well received. That year the band began to play some larger west coast venues, such as the Avalon Ballroom in San Francisco. After fulfilling their deal for two singles the band presented demos to A&M during 1966 for what would become the Safe as Milk album. A&M's Jerry Moss reportedly described this new direction as "too negative" and dropped the band from the label, although still under contract. Much of

12412-566: Was made of its title song, and a bizarre television commercial was also filmed that included excerpts from "Woe-Is-uh-Me-Bop", silent footage of masked Magic Band members using kitchen utensils as musical instruments, and Beefheart kicking over a bowl of what appears to be porridge onto a dividing stripe in the middle of a road. The video was rarely played but was accepted into the Museum of Modern Art , where it has been used in several programs related to music. On this LP Art Tripp III , formerly of

12528-431: Was possible in a rock context laid the groundwork for countless experiments in rock surrealism to follow, especially during the punk and new wave era." In 2003, the album was ranked sixtieth by Rolling Stone in their list of the 500 Greatest Albums of All Time : "On first listen, Trout Mask Replica sounds like raw Delta blues ", with Beefheart "singing and ranting and reciting poetry over fractured guitar licks. But

12644-797: Was prominently advertised in Billboard and World Countdown in June 1967. However, the band's planned appearance at the Monterey Festival that month fell through, and the record did not achieve popular success, failing to chart in either the United States, where none of Beefheart's albums would ever enter the top 100, or in the United Kingdom, where the band would enjoy modest success with later works such as Trout Mask Replica (1969). John Lennon had two Safe As Milk promotional stickers on cupboard doors at his home. In 1968, Rolling Stone praised Beefheart's voice, but stated that

12760-490: Was quite shy but was eventually able to imitate the deep voice of Howlin' Wolf with his wide vocal range. He eventually grew comfortable with public performance and, after learning to play the harmonica, began playing at dances and small clubs in Southern California. In early 1965 Alex Snouffer , a Lancaster rhythm and blues guitarist, invited Vliet to sing with a group that he was assembling. Vliet joined

12876-438: Was related to adventurer and author Richard Halliburton and cowboy actor Slim Pickens , and he said that he remembered being born. Van Vliet began painting and sculpting at age three. His subjects reflected his "obsession" with animals, particularly dinosaurs , fish, African mammals and lemurs . Considered a child prodigy, at age four he was featured with his animal sculptures on a weekly Los Angeles television program. At

12992-600: Was that it would be a "blues band" alias for the more avant-garde work of the Magic Band. Photographer Guy Webster photographed the band in Quaker-style outfits, and the picture appears in The Mirror Man Sessions CD insert. It would later transpire that much of this situation was transient and that Buddah's Bob Krasnow was to set up his own label. The label that was unsurprisingly named Blue Thumb launched with its first release Strictly Personal ,

13108-549: Was the A&;R Director for PIG Records. He produced records for Ever Rat Records, Subcore Records, and PIG records. While holding these positions, Hayden also created cover art for Melvins , Poison Idea , Potbelly, and the Senseless Death Compilation . After having met the Mascara Snake, John Frusciante named a track "Mascara" on his first album, Niandra LaDes and Usually Just a T-Shirt . Hayden produced

13224-521: Was then playing with Gary Marker and Taj Mahal in the Rising Sons . These and other changes resulted in a Magic Band with Handley on bass, St. Clair on guitar, and John French on drums, with Cooder providing additional guitar parts. Cooder's arrival had been swayed by Marker, who had spent time with Beefheart and had been given to believe he would produce the album; in fact, Marker was only engaged in demo recording . Don Van Vliet has said that

13340-662: Was voted number 172 in Colin Larkin 's All Time Top 1000 Albums 3rd Edition (2000). The album was released in the UK on Pye International , and subsequently reissued in Pye 's budget Marble Arch series (albeit bearing Pye International labels on the disc itself) as a 10-track, omitting "I'm Glad" and "Grown So Ugly". When Buddah's UK distribution passed to Polydor in 1970 it was again reissued, this time on Buddah in Polydor's budget 99 series and retitled Dropout Boogie . Initially

13456-466: Was wrong or not." Van Vliet used the ensuing publicity, particularly with a 1970 Rolling Stone interview with Langdon Winner , to promulgate a number of myths that were subsequently quoted as fact. Winner's article stated, for instance, that neither Van Vliet nor the members of the Magic Band ever took drugs, but Harkleroad later contradicted this. Van Vliet claimed to have taught both Harkleroad and Boston to play their instruments from scratch; in fact,

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