A mandala ( Sanskrit : मण्डल , romanized : maṇḍala , lit. 'circle', [ˈmɐɳɖɐlɐ] ) is a geometric configuration of symbols. In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space and as an aid to meditation and trance induction. In the Eastern religions of Hinduism , Buddhism , Jainism and Shinto it is used as a map representing deities, or especially in the case of Shinto, paradises, kami or actual shrines.
110-450: In Hinduism, a basic mandala, also called a yantra , takes the form of a square with four gates containing a circle with a center point . Each gate is in the general shape of a T. Mandalas often have radial balance . A yantra is similar to a mandala, usually smaller and using a more limited colour palette. It may be a two- or three-dimensional geometric composition used in sadhanas , puja or meditative rituals, and may incorporate
220-583: A mantra into its design. It is considered to represent the abode of the deity. Each yantra is unique and calls the deity into the presence of the practitioner through the elaborate symbolic geometric designs. According to one scholar, "Yantras function as revelatory symbols of cosmic truths and as instructional charts of the spiritual aspect of human experience" Many situate yantras as central focus points for Hindu tantric practice. Yantras are not representations, but are lived, experiential, nondual realities. As Khanna describes: Despite its cosmic meanings
330-599: A silk tapestry from the Yuan dynasty that serves as a diagram of the Tibetan cosmology, which was given to China from Nepal and Tibet. In the mandala, the outer circle of fire usually symbolises wisdom. The ring of eight charnel grounds represents the Buddhist exhortation to be always mindful of death, and the impermanence with which samsara is suffused: "such locations were utilized in order to confront and to realize
440-554: A yantra is a reality lived. Because of the relationship that exists in the Tantras between the outer world (the macrocosm) and man's inner world (the microcosm), every symbol in a yantra is ambivalently resonant in inner–outer synthesis, and is associated with the subtle body and aspects of human consciousness. The term 'mandala' appears in the Rigveda as the name of the sections of the work, and Vedic rituals use mandalas such as
550-508: A 2016 review, that combine Vedic, yogic and meditative traditions from 5th-century Hinduism as well as rival Buddhist and Jain traditions. it is a neologism of western scholars and does not reflect the self-understanding of any particular tantric tradition. While Goudriaan's description is useful, adds Gray, there is no single defining universal characteristic common to all Tantra traditions, being an open evolving system. Tantrism, whether Buddhist or Hindu, can best be characterized as practices,
660-456: A central feature of tantric practice. According to Geoffrey Samuel, sramana groups like the Buddhists and Jains were associated with the dead. Samuel notes that they "frequently settled at sites associated with the dead and seem to have taken over a significant role in relation to the spirits of the dead." To step into this realm required entering a dangerous and impure supernatural realm from
770-486: A child which are concerned with the loss of male virility and power. David Gordon White views Yogini cults as foundational to early tantra but disagrees with scholars who maintain that the roots of such cults lie in an "autochthonous non-Vedic source" such as indigenous tribes or the Indus Valley civilization . Instead, White suggests Vedic Srauta texts mention offerings to goddesses Rākā, Sinīvālī, and Kuhū in
880-458: A clear and vivid visualized image. With every mandala comes what Tucci calls "its associated liturgy ... contained in texts known as tantras ", instructing practitioners on how the mandala should be drawn, built and visualised, and indicating the mantras to be recited during its ritual use. By visualizing "pure lands", one learns to understand experience itself as pure, and as the abode of enlightenment. The protection that we need, in this view,
990-708: A deity who can be called on at will by the user. They are traditionally consecrated and energized by a priest, including the use of mantras closely associated with the specific deity and yantra. Practitioners believe that a yantra that is not energized with a mantra is lifeless. In Sri Lankan Buddhism , practitioners are required to have the yantra of the deity with them, once the deity has shown acceptance of their prayer. Gudrun Bühnemann classifies three general types of yantras based on their usage: A yantra comprises geometric shapes, images, and written mantra. Triangles and hexagrams are common, as are circles and lotuses of 4 to 1,000 petals. Saiva and Shakti yantras often feature
1100-409: A greater length, in 18 instances, stating that its metaphorical definition of "warp (weaving), extended cloth" is relevant to many contexts. The word tantra , states Patanjali, means "principal, main". He uses the same example of svatantra as a composite word of "sva" (self) and tantra, then stating "svatantra" means "one who is self-dependent, one who is his own master, the principal thing for whom
1210-801: A manner similar to a tantric ritual. Frederick Smith – a professor of Sanskrit and Classical Indian Religions, considers Tantra to be a religious movement parallel to the Bhakti movement of the 1st millennium AD. Tantra along with Ayurveda , states Smith, has traditionally been attributed to Atharvaveda , but this attribution is one of respect not of historicity. Ayurveda has primarily been an empirical practice with Vedic roots, but Tantra has been an esoteric, folk movement without grounding that can be traced to anything in Atharvaveda or any other vedic text. Pre-tantric Buddhism contains elements which could be seen as proto-tantric, and which may have influenced
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#17327809873211320-538: A monastery. These sand mandalas are made to be destroyed to symbolize impermanence, the Buddhist belief that death is not the end, and that one's essence will always return to the elements. It is also related to the belief that one should not become attached to anything. To create these mandalas, the monks first create a sketch, then take colorful sand traditionally made from powdered stones and gems into copper funnels called Cornetts and gently tap sand out of them to create
1430-459: A notebook a small circular drawing, [...] which seemed to correspond to my inner situation at the time. [...] Only gradually did I discover what the mandala really is: [...] the Self, the wholeness of the personality, which if all goes well is harmonious. When I began drawing the mandalas, however, I saw that everything, all the paths I had been following, all the steps I had taken, were leading back to
1540-551: A parallel part of the Hindu tradition, independent of the Vedic corpus. The Vedic and non-Vedic (Tantric) paths are seen as two different approaches to ultimate reality , the Vedic approach based on Brahman , and Tantrika being based on the non-Vedic Āgama texts. Despite Bhatta attempt to clarify, states Padoux, in reality Hindus and Buddhists have historically felt free to borrow and blend ideas from all sources, Vedic, non-Vedic and in
1650-585: A prime tool in certain sadhanas performed by the sadhaka, the spiritual seeker. Yantras hold great importance in Hinduism , Jainism , and Buddhism . Representations of the yantra in India have been considered to date back to 11,000–10,000 BCE. The Baghor stone , found in an upper- Paleolithic context in the Son River Valley, is considered the earliest example by G. R. Sharma, who was involved in
1760-536: A serious impediment to spiritual liberation ( moksha , nirvana , kaivalya ). These orthodox traditions teach renunciation of householder life, a mendicant's life of simplicity and leaving all attachments to become a monk or nun. In contrast, the Tantrika traditions hold, states Robert Brown, that "both enlightenment and worldly success" are achievable, and that "this world need not be shunned to achieve enlightenment". Yet, even this supposed categorical divergence
1870-423: A set of techniques, with a strong focus on rituals and meditation, by those who believe that it is a path to liberation that is characterized by both knowledge and freedom. According to Padoux, the term "Tantrika" is based on a comment by Kulluka Bhatta on Manava Dharmasastra 2.1 , who contrasted vaidika and tantrika forms of Śruti (canonical texts). The Tantrika, to Bhatta, is that literature which forms
1980-527: A single point—namely, to the mid-point. It became increasingly plain to me that the mandala is the center. It is the exponent of all paths. It is the path to the center, to individuation....I saw that here the goal had been revealed. One could not go beyond the center. The center is the goal, and everything is directed toward that center. Through this dream I understood that the self is the principle and archetype of orientation and meaning. Therein lies its healing function. For me, this insight signified an approach to
2090-702: A spiritualized sexuality are mentioned in the late Upanishads. According to Samuel, "late Vedic texts treat sexual intercourse as symbolically equivalent to the Vedic sacrifice , and ejaculation of semen as the offering." This theme can be found in the Jaiminiya Brahmana , the Chandogya Upanisad , and the Brhadaranyaka Upanisad . The Brhadaranyaka contains various sexual rituals and practices which are mostly aimed at obtaining
2200-493: A standard part of Yoga, but Tantric practices do not appear in it. Likewise, the Taittiriya Upanishad discusses a central channel running through the body and various Vedic texts mention the bodily pranas (vital breaths) that move around in the body and animate it. However, the idea of consciously moving the bodily pranas through yoga is not found in these sources. According to Lorenzen, Vedic ideas related to
2310-624: A territorially defined state with fixed borders and a bureaucratic apparatus, but they diverged considerably in the opposite direction: the polity was defined by its centre rather than its boundaries, and it could be composed of numerous other tributary polities without undergoing administrative integration. Empires such as Bagan , Ayutthaya , Champa , Khmer , Srivijaya and Majapahit are known as "mandala" in this sense. Fashion designer Mandali Mendrilla designed an interactive art installation called Mandala of Desires (Blue Lotus Wish Tree) made in peace silk and eco friendly textile ink, displayed at
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#17327809873212420-561: A way to create easily accessible objects of reverence for the lower-classes of Japanese society. Shinran designed a mandala using a hanging scroll, and the words of the nembutsu ( 念仏 ) written vertically. This style of mandala is still used by some Jodo Shinshu Buddhists in home altars, or butsudan . Bodhimaṇḍala is a term in Buddhism that means "circle of awakening ". Sand mandalas are colorful mandalas made from sand that are ritualistically destroyed. They originated in India in
2530-470: Is Vajrabhairava mandala a silk tapestry woven with gilded paper depicting lavish elements like crowns and jewelry, which gives a three-dimensional effect to the piece. A mandala can also represent the entire universe, which is traditionally depicted with Mount Meru as the axis mundi in the center, surrounded by the continents. One example is the Cosmological Mandala with Mount Meru ,
2640-517: Is a 19th-century European invention not present in any Asian language; compare " Sufism ", of similar Orientalist origin. According to Padoux, Tantrism is a Western term and notion, not a category that is used by Tantrikas themselves. The term was introduced by 19th-century Indologists, with limited knowledge of India and in whose view Tantrism was a particular, unusual and minority practice in contrast to Indian traditions they believed to be mainstream. Robert Brown similarly notes that "tantrism"
2750-513: Is a bibliographic category, just like the word Sutra (which means "sewing together", mirroring the metaphor of "weaving together" in Tantra ). The same Buddhist texts are sometimes referred to as tantra or sutra; for example, Vairocabhisambodhi-tantra is also referred to as Vairocabhisambodhi-sutra . The various contextual meanings of the word Tantra vary with the Indian text and are summarized in
2860-411: Is a construct of Western scholarship , not a concept of the religious system itself. He defines Tantrism as an apologetic label of Westerners for a system that they little understand that is "not coherent" and which is "an accumulated set of practices and ideas from various sources, that has varied between its practitioners within a group, varied across groups, across geography and over its history". It
2970-400: Is a symbolic offering of the entire universe. Every intricate detail of these mandalas is fixed in the tradition and has specific symbolic meanings, often on more than one level. Whereas the above mandala represents the pure surroundings of a Buddha, this mandala represents the universe. This type of mandala is used for the mandala-offerings, during which one symbolically offers the universe to
3080-435: Is a system, adds Brown, that gives each follower the freedom to mix Tantric elements with non-Tantric aspects, to challenge and transgress any and all norms, experiment with "the mundane to reach the supramundane". Teun Goudriaan in his 1981 review of Hindu Tantrism, states that Tantrism usually means a "systematic quest for salvation or spiritual excellence" by realizing and fostering the divine within one's own body, one that
3190-427: Is a wide gap between what Tantra means to its followers, and the way Tantra has been represented or perceived since colonial era writers began commenting on it. Many definitions of Tantra have been proposed since, and there is no universally accepted definition. André Padoux, in his review of Tantra definitions offers two, then rejects both. One definition, according to Padoux, is found among Tantra practitioners – it
3300-723: Is also mention of fierce demon like deities called rākṣasa and rākṣasī, like the children-eating Hārītī . They are also present in Mahayana texts, such as in Chapter 26 of the Lotus Sutra which includes a dialogue between the Buddha and a group of rākṣasīs, who swear to uphold and protect the sutra. These figures also teach magical dhāraṇīs to protect followers of the Lotus Sutra . A key element of Buddhist Tantric practice
3410-739: Is an esoteric yogic tradition that developed on the Indian subcontinent from the middle of the 1st millennium CE onwards in both Hinduism and Buddhism . The term tantra , in the Indian traditions, also means any systematic broadly applicable "text, theory, system, method, instrument, technique or practice". A key feature of these traditions is the use of mantras , and thus they are commonly referred to as Mantramārga ("Path of Mantra") in Hinduism or Mantrayāna ("Mantra Vehicle") and Guhyamantra ("Secret Mantra") in Buddhism. In Buddhism,
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3520-470: Is any "system of observances" about the vision of man and the cosmos where correspondences between the inner world of the person and the macrocosmic reality play an essential role. Another definition, more common among observers and non-practitioners, is some "set of mechanistic rituals, omitting entirely the ideological side". Tantric traditions have been studied mostly from textual and historical perspectives. Anthropological work on living Tantric tradition
3630-403: Is called Āvāpa , such as massaging with oil. (...) Medieval texts present their own definitions of Tantra. Kāmikā-tantra , for example, gives the following explanation of the term tantra : Because it elaborates ( tan ) copious and profound matters, especially relating to the principles of reality ( tattva ) and sacred mantras, and because it provides liberation ( tra ), it
3740-563: Is called a tantra . The occultist and businessman Pierre Bernard (1875–1955) is widely credited with introducing the philosophy and practices of tantra to the American people, at the same time creating a somewhat misleading impression of its connection to sex. That popular sexualization is more accurately regarded as the western Neo-Tantra movement. In modern scholarship, Tantra has been studied as an esoteric practice and ritualistic religion, sometimes referred to as Tantrism. There
3850-401: Is compounded by the fact that it has been a historically significant part of major Indian religions, including Buddhism, Hinduism and Jainism, both in and outside South Asia and East Asia. To its practitioners, Tantra is defined as a combination of texts, techniques, rituals, monastic practices, meditation, yoga, and ideology. According to Georg Feuerstein , The scope of topics discussed in
3960-529: Is debatable, e.g. Bhagavad Gita v.2:48–53, including: "Yoga is skill in [the performance of] actions." The Keśin hymn of the Rig Veda (10.136) describes the "wild loner" who, states Karel Werner, "carrying within oneself fire and poison, heaven and earth, ranging from enthusiasm and creativity to depression and agony, from the heights of spiritual bliss to the heaviness of earth-bound labor". The Rigveda uses words of admiration for these loners, and whether it
4070-475: Is far from the diverse and complex understanding of what Tantra means to those Buddhists, Hindu and Jains who practice it. David Gray disagrees with broad generalizations and states that defining Tantra is a difficult task because "Tantra traditions are manifold, spanning several religious traditions and cultural worlds. As a result they are also diverse, which makes it a significant challenge to come up with an adequate definition". The challenge of defining Tantra
4180-402: Is from our own minds, as much as from external sources of confusion. In many tantric mandalas, this aspect of separation and protection from the outer samsaric world is depicted by "the four outer circles: the purifying fire of wisdom, the vajra circle, the circle with the eight tombs, the lotus circle". The ring of vajras forms a connected fence-like arrangement running around the perimeter of
4290-451: Is himself", thereby interpreting the definition of tantra. Patanjali also offers a semantic definition of Tantra, stating that it is structural rules, standard procedures, centralized guide or knowledge in any field that applies to many elements. Starting in the early centuries of the common era, newly revealed Tantras centering on Vishnu , Shiva or Shakti emerged. There are tantric lineages in all main forms of modern Hinduism, such as
4400-486: Is now protected and announced as historical monument and site by the government of Manipur in the same year. The site is situated 12 km aerial distance from Kangla with the GPS coordinates of 24° 48' N and 93° 49' E. It covers a total area of around 224,161.45 square meters. This square mandala has four similar protruding rectangular ‘gates’ in the cardinal directions guarded each by similar but smaller rectangular ‘gates’ on
4510-495: Is related to Tantra or not, has been variously interpreted. According to David Lorenzen, it describes munis (sages) experiencing Tantra-like "ecstatic, altered states of consciousness" and gaining the ability "to fly on the wind". In contrast, Werner suggests that these are early Yoga pioneers and accomplished yogis of the ancient pre-Buddhist Indian tradition, and that this Vedic hymn is speaking of those "lost in thoughts" whose "personalities are not bound to earth, for they follow
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4620-519: Is scarce, and ethnography has rarely engaged with the study of Tantra. This is arguably a result of the modern construction of Tantrism as occult, esoteric and secret. Some scholars have tried to demystify the myth of secrecy in contemporary Tantric traditions, suggesting new methodological avenues to overcome the ethical and epistemological problems in the study of living Tantric traditions. According to David N. Lorenzen, two different kinds of definitions of Tantra exist, narrow and broad. According to
4730-418: Is simultaneous union of the masculine-feminine and spirit-matter, and has the ultimate goal of realizing the "primal blissful state of non-duality". It is typically a methodically striven system, consisting of voluntarily chosen specific practices which may include Tantric items such as mantras ( bijas ), geometric patterns and symbols ( mandala ), gestures ( mudra ), mapping of the microcosm within one's body to
4840-491: Is still evident in the medical terminology of Sushruta , where the term refers to blunt surgical instruments such as tweezers or a vice. The meaning of "mystical or occult diagram" arises in the medieval period ( Kathasaritsagara , Pancharatra ). Yantras are usually associated with a particular deity and are used for specific benefits, such as: for meditation; protection from harmful influences; development of particular powers; attraction of wealth or success, etc. For instance,
4950-402: Is synonymous with physical stretching and little more. The Yoga Sutras of Patanjali define yoga as "the stilling of the disturbances of the mind". Richard Payne states that Tantra has been commonly but incorrectly associated with sex, given popular culture's prurient obsession with intimacy. Tantra has been labelled as the "yoga of ecstasy", driven by senseless ritualistic libertinism . This
5060-771: Is the Taima mandala , dated to about 763 CE. The Taima mandala is based on the Contemplation Sutra , but other similar mandalas have been made subsequently. Unlike mandalas used in Vajrayana Buddhism, it is not used as an object of meditation or for esoteric ritual. Instead, it provides a visual representation of the Pure Land texts, and is used as a teaching aid. Also in Jodo Shinshu Buddhism, Shinran and his descendant, Rennyo , sought
5170-698: Is the 9th century Borobudur in Central Java, Indonesia. It is built as a large stupa surrounded by smaller ones arranged on terraces formed as a stepped pyramid , and when viewed from above, takes the form of a giant tantric Buddhist mandala, simultaneously representing the Buddhist cosmology and the nature of mind. Other temples from the same period that also have mandala plans include Sewu , Plaosan and Prambanan . Similar mandala designs are also observable in Cambodia, Thailand and Myanmar. Circular diagrams are often used in phylogenetics , especially for
5280-637: Is the visualization of deities in meditation. This practice is actually found in pre-tantric Buddhist texts as well. In Mahayana sutras like the Pratyutpanna Samādhi and the three Amitabha Pure land sutras . There are other Mahāyāna sutras which contain what may be called "proto-tantric" material such as the Gandavyuha and the Dasabhumika which might have served as a source for the imagery found in later Tantric texts. According to Samuel,
5390-633: The Golden Light Sutra (c. 5th century at the latest) contains what could be seen as a proto-mandala. In the second chapter, a bodhisattva has a vision of "a vast building made of beryl and with divine jewels and celestial perfumes. Four lotus-seats appear in the four directions, with four Buddhas seated upon them: Aksobhya in the East, Ratnaketu in the South, Amitayus in the West and Dundubhīśvara in
5500-660: The China Art Museum in Shanghai in November 2015. The pattern of the dress was based on the Goloka Yantra mandala, shaped as a lotus with eight petals. Visitors were invited to place a wish on the sculpture dress, which will be taken to India and offered to a genuine living Wish Tree . Yantra Traditional Yantra ( यन्त्र ; lit. 'machine'/'contraption' ) is a geometrical diagram, mainly from
5610-590: The Five Wisdom Kings , this forms the Mandala of the Two Realms . Mandalas are commonly used by tantric Buddhists as an aid to meditation. The mandala is "a support for the meditating person", something to be repeatedly contemplated to the point of saturation, such that the image of the mandala becomes fully internalised in even the minutest detail and can then be summoned and contemplated at will as
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#17327809873215720-728: The Kapalikas ("skull men", also called Somasiddhatins or Mahavartins ). Besides the shocking fact that they frequented cremation grounds and carried human skulls, little is known about them, and there is a paucity of primary sources on the Kapalikas. Samuel also states that the sources depict them as using alcohol and sex freely, that they were associated with terrfying female spirit-deities called yoginis and dakinis , and that they were believed to possess magical powers, such as flight. Kapalikas are depicted in fictional works and also widely disparaged in Buddhist, Hindu and Jain texts of
5830-596: The Kaulas Tantric practices are rare. Reference is made in the early 9th century to vama (left-hand) Tantras of the Kaulas. Literary evidence suggests Tantric Buddhism was probably flourishing by the 7th century. Matrikas, or fierce mother goddesses that later are closely linked to Tantra practices, appear both in Buddhist and Hindu arts and literature between the 7th and 10th centuries. According to Gavin Flood ,
5940-601: The Mandala of the Womb Realm and the Mandala of the Diamond Realm . These two mandalas are engaged in the abhiseka initiation rituals for new Shingon students, more commonly known as the Kechien Kanjō ( 結縁灌頂 ). A common feature of this ritual is to blindfold the new initiate and to have them throw a flower upon either mandala. Where the flower lands assists in the determination of which tutelary deity
6050-515: The Navagraha mandala to this day. In Vajrayana Buddhism, mandalas have been developed also into sandpainting . They are also a key part of Anuttarayoga Tantra meditation practices. The man mandala can be shown to represent in visual form the core essence of the Vajrayana teachings. The mandala represents the nature of the Pure Land, Enlightened mind. An example of this type of mandala
6160-650: The Shaiva Siddhanta tradition, the Shakta sect of Shri Vidya , the Kaula , and Kashmir Shaivism . The ancient Mimamsa school of Hinduism uses the term tantra extensively, and its scholars offer various definitions. For example: When an action or a thing, once complete, becomes beneficial in several matters to one person, or to many people, that is known as Tantra . For example, a lamp placed amidst many priests. In contrast, that which benefits by its repetition
6270-595: The Sivali yantra, used mainly in Southeast Asian Buddhism, is used for the attraction of wealth and good luck. They are often used in daily ritual worship at home or in temples, and sometimes worn as a talisman. As an aid to meditation (meditative painting), yantras represent the deity that is the object of meditation. These yantras emanate from the central point, the bindu . A yantra typically has several geometric shapes radiating concentrically from
6380-628: The Tantric traditions of the Indian religions . Yantras are used for the worship of deities in temples or at home; as an aid in meditation; and for the benefits believed given by their occult powers based on Hindu astrology and tantric texts. They are also used for adornment of temple floors, due mainly to their aesthetic and symmetric qualities. Specific yantras are traditionally associated with specific deities and/or certain types of energies used for accomplishment of certain tasks or vows that may be either materialistic or spiritual in nature. They become
6490-501: The Vajrayana traditions are known for tantric ideas and practices, which are based on Indian Buddhist Tantras . They include Indo-Tibetan Buddhism , Chinese Esoteric Buddhism , Japanese Shingon Buddhism and Nepalese Newar Buddhism . Although Southern Esoteric Buddhism does not directly reference the tantras, its practices and ideas parallel them. In Buddhism, tantra has influenced the art and iconography of Tibetan and East Asian Buddhism, as well as historic cave temples of India and
6600-655: The invocation that believers chant, are written down the center of all Nichiren-sect Gohonzons , whose appearance may otherwise vary depending on the particular school and other factors. Mandalas have sometimes been used in Pure Land Buddhism to graphically represent Pure Lands , based on descriptions found in the Larger Sutra and the Contemplation Sutra . The most famous mandala in Japan
6710-556: The "Five Buddhas", archetypal Buddha forms embodying various aspects of enlightenment. Such Buddhas are depicted depending on the school of Buddhism , and even the specific purpose of the mandala. A common mandala of this type is that of the Five Wisdom Buddhas (a.k.a. Five Jinas ), the Buddhas Vairocana , Aksobhya , Ratnasambhava , Amitabha and Amoghasiddhi . When paired with another mandala depicting
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#17327809873216820-776: The 1st century CE. The Mahabharata , the Harivamsa , and the Devi Mahatmya in the Markandeya Purana all mention the fierce, demon-killing manifestations of the Great Goddess, Mahishamardini , identified with Durga - Parvati . These suggest that Shaktism , reverence and worship for the Goddess in Indian culture, was an established tradition by the early centuries of the 1st millennium. Padoux mentions an inscription from 423 to 424 CE which mentions
6930-796: The 1st millennium CE. In Hāla 's Gatha-saptasati (composed by the 5th century AD), for example, the story calls a female character Kapalika, whose lover dies, he is cremated, she takes his cremation ashes and smears her body with it. The 6th-century Varāhamihira mentions Kapalikas in his literary works. Some of the Kāpālika practices mentioned in these texts are those found in Shaiva Hinduism and Vajrayana Buddhism, and scholars disagree on who influenced whom. These early historical mentions are in passing and appear to be Tantra-like practices, they are not detailed nor comprehensive presentation of Tantric beliefs and practices. Epigraphic references to
7040-540: The 8th–12th century but are now practiced in Tibetan Buddhism. Each mandala is dedicated to specific deities. In Buddhism Deities represent states of the mind to be obtained on the path to enlightenment, the mandala itself is representative of the deity's palace which also represents the mind of the deity. Each mandala is a pictorial representation of a tantra . for the process of making Sand mandalas they are created by monks who have trained for three–five years in
7150-676: The Buddhas or to one's teacher. Within Vajrayana practice, 100,000 of these mandala offerings (to create merit) can be part of the preliminary practices before a student even begins actual tantric practices. This mandala is generally structured according to the model of the universe as taught in a Buddhist classic text the Abhidharma-kośa , with Mount Meru at the centre, surrounded by the continents, oceans and mountains, etc. Various Mandalas are described in many Pali Buddhist texts . Some of
7260-431: The Indian perspective. This association with death remains a feature of modern Buddhism, and in Buddhist countries today, Buddhist monks and other ritual specialists are in charge of the dead. Thus, the association of tantric practitioners with charnel grounds and death imagery is preceded by early Buddhist contact with these sites of the dead. Some scholars think that the development of tantra may have been influenced by
7370-587: The North." A series of artwork discovered in Gandhara , in modern-day Pakistan , dating from about the 1st century CE, show Buddhist and Hindu monks holding skulls. The legend corresponding to these artworks is found in Buddhist texts, and describes monks "who tap skulls and forecast the future rebirths of the person to whom that skull belonged". According to Robert Brown, these Buddhist skull-tapping reliefs suggest that tantric practices may have been in vogue by
7480-596: The Sanskrit root tan means the warping of threads on a loom. It implies "interweaving of traditions and teachings as threads" into a text, technique or practice. The word appears in the hymns of the Rigveda such as in 10.71, with the meaning of " warp (weaving) ". It is found in many other Vedic era texts, such as in section 10.7.42 of the Atharvaveda and many Brahmanas . In these and post-Vedic texts,
7590-427: The Sanskrit syllables inscribed on yantras, are essentially " thought forms " representing divinities or cosmic powers that exert their influence by means of sound-vibrations. In Rigvedic Sanskrit , yantra meant an instrument for restraining or fastening, a prop, support, or barrier, etymologically deriving from the root yam, "to sustain, support" and the -tra suffix, expressing instrumentation. The literal meaning
7700-498: The Tantras is considerable. They deal with the creation and history of the world; the names and functions of a great variety of male and female deities and other higher beings; the types of ritual worship (especially of Goddesses); magic, sorcery, and divination; esoteric "physiology" (the mapping of the subtle or psychic body); the awakening of the mysterious serpent power (kundalinî-shakti); techniques of bodily and mental purification;
7810-408: The appended table. The 5th-century BCE scholar Pāṇini in his Sutra 1.4.54–55 of Sanskrit grammar, cryptically explains tantra through the example of "Sva-tantra" (Sanskrit: स्वतन्त्र), which he states means "independent" or a person who is his own "warp, cloth, weaver, promoter, karta (actor)". Patanjali in his Mahābhāṣya quotes and accepts Panini's definition, then discusses or mentions it at
7920-713: The art of Southeast Asia . Tantric Hindu and Buddhist traditions have also influenced other Eastern religious traditions such as Jainism , the Tibetan Bön tradition, Daoism , and the Japanese Shintō tradition. Certain modes of non- Vedic worship such as Puja are considered tantric in their conception and rituals. Hindu temple building also generally conforms to the iconography of tantra. Hindu texts describing these topics are called Tantras, Āgamas or Samhitās . Tantra ( Sanskrit : तन्त्र ) literally means "loom, warp, weave". According to Padoux,
8030-585: The bearer. Sak yant designs are normally tattooed by ruesi , wicha practitioners, and Buddhist monks or Brahmin priests, traditionally with a metal rod sharpened to a point (called a khem sak ). The world’s largest Sri Chakra , measuring 67,400 sq ft was drawn on ground in Cranbury, New Jersey under the guidance of Guru Karunamaya. Tantra Traditional Tantra ( / ˈ t ʌ n t r ə / ; Sanskrit : तन्त्र , lit. 'expansion-device, salvation-spreader; loom, weave, warp')
8140-577: The body later diversified into the "mystical anatomy" of nadis and chakras found in Tantra. The yogic component of Tantrism appears clearly in Bāṇabhaṭṭa 's Harshacharita and Daṇḍin 's Dashakumaracharita . In contrast to this theory of Lorenzen, other scholars such as Mircea Eliade consider Yoga and the evolution of Yogic practices to be separate and distinct from the evolution of Tantra and Tantric practices. According to Geoffrey Samuel ,
8250-474: The case of Buddhism, its own canonical works. One of the key differences between the Tantric and non-Tantric traditions – whether it be orthodox Buddhism, Hinduism or Jainism – is their assumptions about the need for monastic or ascetic life. Non-Tantrika, or orthodox traditions in all three major ancient Indian religions, hold that the worldly life of a householder is one driven by desires and greeds which are
8360-445: The center and therefore to the goal. Jung claimed that the urge to make mandalas emerges during moments of intense personal growth. He further hypothesized their appearance indicated a "profound re-balancing process" is underway in the psyche; the result of the process would be a more complex and better integrated personality. The mandala serves a conservative purpose – namely, to restore a previously existing order. But it also serves
8470-489: The center, including triangles, circles, hexagons, octagons, and symbolic lotus petals. The outside often includes a square representing the four cardinal directions, with doors to each. A popular form is the Sri Chakra, or Sri Yantra , which represents the goddess in her form as Tripura Sundari . Sri Chakra also includes a representation of Shiva , and is designed to show the totality of creation and existence, along with
8580-462: The common appearance of a circle motif across religions and cultures. He hypothesized that the circle drawings reflected the mind's inner state at the moment of creation and were a kind of symbolic archetype in the collective unconscious. Familiarity with the philosophical writings of India prompted Jung to adopt the word "mandala" to describe these drawings created by himself and his patients. In his autobiography, Jung wrote: I sketched every morning in
8690-517: The commonest use of the term "yoga" refers to "a dying warrior transferring himself at death to the sphere of the sun through yoga, a practice that links up with Upanisadic references to the channel to the crown of the head as the pathway by which one can travel through the solar orb to the World of Brahman." This practice of transferring one's consciousness at death is still an important practice in Tibetan Buddhism. Samuel also notes that sexual rituals and
8800-523: The contextual meaning of Tantra is that which is "principal or essential part, main point, model, framework, feature". In the Smritis and epics of Hinduism (and Jainism), the term means "doctrine, rule, theory, method, technique or chapter" and the word appears both as a separate word and as a common suffix, such as atma-tantra meaning "doctrine or theory of Atman (Self)". The term "Tantra" after about 500 BCE, in Buddhism, Hinduism and Jainism
8910-480: The creative purpose of giving expression and form to something that does not yet exist, something new and unique. [...] The process is that of the ascending spiral, which grows upward while simultaneously returning again and again to the same point. American art therapist Joan Kellogg later created the MARI card test, a free response measure , based on Jung's work. Transpersonal psychologist David Fontana proposed that
9020-480: The cremation places. Samuel states that transgressive and antinomian tantric practices developed in both Buddhist and Brahmanical (mainly Śaiva ascetics like the Kapalikas) contexts and that "Śaivas and Buddhists borrowed extensively from each other, with varying degrees of acknowledgement." According to Samuel, these deliberately transgressive practices included, "night time orgies in charnel grounds, involving
9130-559: The cults of nature spirit-deities like Yakṣas and Nagas . Yakṣa cults were an important part of early Buddhism . Yakṣas are powerful nature spirits which were sometimes seen as guardians or protectors. Yakṣas like Kubera are also associated with magical incantations. Kubera is said to have provided the Buddhist sangha with protection spells in the Āṭānāṭiya Sutta . These spirit deities also included numerous female deities (yakṣiṇī) that can be found depicted in major Buddhist sites like Sanchi and Bharhut . In early Buddhist texts there
9240-472: The development of the Buddhist Tantric tradition. The use of magical chants or incantations can be found in the early Buddhist texts as well as in some Mahayana sutras. These magical spells or chants were used for various reasons, such as for protection , and for the generation of auspiciousness . Mahayana incantations are called dhāraṇīs . Some Mahayana sutras incorporate the use of mantras ,
9350-535: The earliest date for the Tantra texts related to Tantric practices is 600 CE, though most of them were probably composed after the 8th century onwards. According to Flood, very little is known about who created the Tantras, nor much is known about the social status of these and medieval era Tantrikas. Flood states that the pioneers of Tantra may have been ascetics who lived at the cremation grounds, possibly from "above low-caste groups", and were probably non-Brahmanical and possibly part of an ancient tradition. By
9460-415: The early medieval times, their practices may have included the imitation of deities such as Kali and Bhairava, with offerings of non-vegetarian food, alcohol and sexual substances. According to this theory, these practitioners would have invited their deities to enter them, then reverted the role in order to control that deity and gain its power. These ascetics would have been supported by low castes living at
9570-639: The examples of the Theravada Buddhist Mandalas are: In Sigālovāda Sutta , Buddha describes the relationships of a common lay persons in Mandala style. One Japanese branch of Mahayana Buddhism – Shingon Buddhism – makes frequent use of mandalas in its rituals as well, though the actual mandalas differ. When Shingon's founder, Kūkai , returned from his training in China, he brought back two mandalas that became central to Shingon ritual:
9680-510: The excavation of the stone (it was dated to 25,000–20,000 BCE). The triangular stone, which includes triangular engravings on one side, was found daubed in ochre in what was considered a site related to worship. Worship of goddesses in that region was found to be practiced in a similar manner to the present day. Kenoyer , who was also involved in the excavation, considered it to be associated with Shakti . This triangular shape looks very much similar to Kali Yantra and Muladhara Chakra. Mantras,
9790-517: The form of the mandala, the sacred enclosure consisting of concentric squares and circles drawn on the ground and representing that adamant plane of being on which the aspirant to Buddha hood wishes to establish himself. The unfolding of the tantric ritual depends on the mandala; and where a material mandala is not employed, the adept proceeds to construct one mentally in the course of his meditation." A "mandala offering" in Tibetan Buddhism
9900-421: The founder of this branch of Japanese Buddhism , during the late 13th Century. The Gohonzon is the primary object of veneration in some Nichiren schools and the only one in others, which consider it to be the supreme object of worship as the embodiment of the supreme Dharma and Nichiren's inner enlightenment. The seven characters Namu Myōhō Renge Kyō , considered to be the name of the supreme Dharma, as well as
10010-526: The founding of a temple to terrifying deities called "the mothers". However, this does not mean Tantric rituals and practices were as yet a part of either Hindu or Buddhist traditions. "Apart from the somewhat dubious reference to Tantra in the Gangadhar inscription of 423 CE", states David Lorenzen, it is only 7th-century Banabhatta's Kadambari which provide convincing proof of Tantra and Tantric texts. Shaivite ascetics seem to have been involved in
10120-521: The graphical representation of phylogenetic relationships. Evolutionary trees often encompass numerous species that are conveniently shown on a circular tree, with images of the species shown on the periphery of a tree. Such diagrams have been called phylogenetic mandalas. Mandala as an art form first appeared in Buddhist art that were produced in India during the first century B.C.E. These can also be seen in Rangoli designs in Indian households. One of
10230-509: The initial development of Tantra, particularly the transgressive elements dealing with the charnel ground. According to Samuel, one group of Shaiva ascetics, the Pasupatas , practiced a form of spirituality that made use of shocking and disreputable behavior later found in a tantric context, such as dancing, singing, and smearing themselves with ashes. Early Tantric practices are sometimes attributed to Shaiva ascetics associated with Bhairava,
10340-536: The initiate should follow. The mandala in Nichiren Buddhism is a moji-mandala ( 文字曼陀羅 ), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment , protective Buddhist deities, and certain Buddhist concepts. Called the Gohonzon , it was originally inscribed by Nichiren ,
10450-518: The inner development of a spiritual energy called tapas becomes a central element of Vedic religion in the Brahmanas and Srauta texts. In these texts, ascetic practices allow a holy man to build up tapas, a kind of magical inner heat, which allows them to perform all sorts of magical feats as well as granting visions and divine revelations. Samuel also notes that in the Mahabharata , one of
10560-454: The king's state. In historical, social and political sense, the term "mandala" is also employed to denote traditional Southeast Asian political formations (such as federation of kingdoms or vassalized states). It was adopted by 20th century Western historians from ancient Indian political discourse as a means of avoiding the term 'state' in the conventional sense. Not only did Southeast Asian polities not conform to Chinese and European views of
10670-438: The left and right. Within the square there is an eight petalled flower or rayed-star, recently called as Maklang ‘Star fort’ by the locals, in the centre covering a total area of around 50,836.66 square meters. The discovery of other five giant mandalas in the valley of Manipur is also made with Google Earth. The five giant mandalas, viz., Sekmai mandala, Heikakmapal mandala, Phurju twin mandalas and Sangolmang mandala are located on
10780-454: The macrocosmic elements outside as the subtle body ( kundalini yoga ), assignments of icons and sounds ( nyasa ), meditation ( dhyana ), ritual worship ( puja ), initiation ( diksha ) and others. Tantrism, adds Goudriaan, is a living system that is decidedly monistic , but with wide variations, and it is impossible to be dogmatic about a simple or fixed definition. Tantrism is an overarching term for "Tantric traditions", states David Gray in
10890-630: The most intense archaeological discoveries in recent years that could redefine the history of eastern thought and tradition of mandala is the discovery of five giant mandalas in the valley of Manipur , India, made with Google Earth imagery. Located in the paddy field in the west of Imphal , the capital of Manipur, the Maklang geoglyph is perhaps the world's largest mandala built entirely of mud. The site wasn't discovered until 2013 as its whole structure could only be visible via Google Earth satellite imagery. The whole paddy field, locally known as Bihu Loukon ,
11000-416: The narrow definition, Tantrism, or "Tantric religion", is the elite traditions directly based on the Sanskrit texts called the Tantras, Samhitas, and Agamas. Lorenzen's "broad definition" extends this by including a broad range of "magical beliefs and practices" such as Yoga and Shaktism . The term "yoga" is broadly attributed to many traditions and practices, including the western assumption that yoga
11110-409: The nature of enlightenment; and not least, sacred sexuality. Hindu puja , temples and iconography all show tantric influence. These texts, states Gavin Flood, contain representation of "the body in philosophy, in ritual and in art", which are linked to "techniques of the body, methods or technologies developed within the tantric traditions intended to transform body and self". The term tantrism
11220-568: The outer mandala circle. As a meditation on impermanence (a central teaching of Buddhism ), after days or weeks of creating the intricate pattern of a sand mandala , the sand is brushed together into a pile and spilled into a body of running water to spread the blessings of the mandala. Kværne in his extended discussion of sahaja , discusses the relationship of sadhana interiority and exteriority in relation to mandala thus: ...external ritual and internal sadhana form an indistinguishable whole, and this unity finds its most pregnant expression in
11330-632: The path of the mysterious wind". The two oldest Upanishadic scriptures of Hinduism, the Brihadaranyaka Upanishad in section 4.2 and Chandogya Upanishad in section 8.6, refer to nadis ( hati ) in presenting their theory on how the Atman (Self) and the body are connected and interdependent through energy carrying arteries when one is awake or sleeping, but they do not mention anything related to Tantric practices. The Shvetashvatara Upanishad describes breath control that became
11440-558: The prongs of a trishula . Yantra designs in modern times have deviated from the traditional patterns given in ancient texts and traditions. Designers in the west may copy design elements from Nepali/tantric imitations of yantras. Yantra Tattooing or Sak Yuant ( Thai : สักยันต์ RTGS : sak yan ) is a form of tattooing using yantra designs in Buddhism. It consists of sacred geometrical, animal and deity designs accompanied by Pali phrases that are said to offer power, protection, fortune, charisma and other benefits for
11550-424: The sand mandala. Each color represents attributes of deities. While making the mandalas the monks will pray and meditate, each grain of sand represents a blessing. Monks will travel to demonstrate this art form to people, often in museums. The re-introduction of mandalas into modern Western thought is largely credited to psychologist Carl Gustav Jung . In his exploration of the unconscious through art, Jung observed
11660-450: The symbolic nature of a mandala may help one "to access progressively deeper levels of the unconscious, ultimately assisting the meditator to experience a mystical sense of oneness with the ultimate unity from which the cosmos in all its manifold forms arises." Buddhist architecture often applied mandala as the blueprint or plan to design Buddhist structures, including temple complex and stupas. A notable example of mandala in architecture
11770-410: The transient nature of life". Described elsewhere: "within a flaming rainbow nimbus and encircled by a black ring of dorjes , the major outer ring depicts the eight great charnel grounds, to emphasize the dangerous nature of human life". Inside these rings lie the walls of the mandala palace itself, specifically a place populated by deities and Buddhas . One well-known type of mandala is the mandala of
11880-464: The user's own unity with the cosmos. Yantras can be on a flat surface or three-dimensional. They can be drawn or painted on paper, engraved on metal, or any flat surface. They tend to be smaller in size than the similar mandala , traditionally with less color. Occult yantras are used as good luck charms, to ward off evil, as preventative medicine, in exorcism, etc., by virtue of magical power. When used as talismans, yantras are viewed as representing
11990-402: The verbal root Tan means: "to extend", "to spread", "to spin out", "weave", "display", "put forth", and "compose". Therefore, by extension, it can also mean "system", "doctrine", or "work". The connotation of the word tantra to mean an esoteric practice or religious ritualism is a colonial era European invention. This term is based on the metaphor of weaving , states Ron Barrett, where
12100-606: The western bank of the Iril River. Another two fairly large mandala shaped geoglyph at Nongren and Keinou are also reported from Manipur valley, India, in 2019. They are named as Nongren mandala and Keinou mandala. The Rajamandala (or Raja-mandala ; circle of states) was formulated by the Indian author Kautilya in his work on politics, the Arthashastra (written between 4th century BCE and 2nd century BCE). It describes circles of friendly and enemy states surrounding
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