134-630: Bournemouth War Memorial is a First World War memorial built in 1921, located in the central gardens in Bournemouth , United Kingdom . The memorial is guarded by two stone lions made by WA Hoare . It was designed by Bournemouth's deputy architect Albert Edward Shervey, who copied the two lions (one sleeping, the other awake and roaring) from Antonio Canova 's lions which guarded the tomb of Pope Clement XIII . The war memorial stands near Bournemouth Town Hall and St. Andrew's Church, Richmond Hill . First World War memorial World War I
268-450: A Lancashire company invented an automated engraving process. In Britain, voluntary subscription, rather than funding from local or central government, was considered the only correct way to pay for a war memorial, although it was disputed whether active proactive fundraising was appropriate. Raising the sums required could be quite difficult, and many committees tried various means, including moral blackmail , to exhort larger sums out of
402-559: A medievalist theme instead, looking backwards to a more secure past, while others used emerging realist and Art Deco architectural styles to communicate the themes of the war. The establishment of memorials was overseen by various national and regional bodies, reflecting diverse political landscapes. Funding sources were similarly varied, often relying on local donations to finance construction expenses. However, state authorities typically centrally managed and funded war cemeteries and memorials commemorating pivotal battles. The war encouraged
536-542: A bronze memorial plaque, inscribed with the name of the deceased alongside Britannia and a lion, and a scroll, sent to the next of kin of those had died in the service of the British Empire. Honour rolls in Canada were very popular, particularly immediately after the end of the war, although the decision on which names to include on them proved contentious: should accidental deaths, for example, be included? Where it
670-612: A collaborative extranet . By November 2011, 330 national and international organisations had become partners. The museum also opened a new permanent First World War gallery at its London branch on 19 July 2014, as part of a £35 million redevelopment of the building. In November 2011, it was announced that Prime Minister David Cameron had appointed Andrew Murrison MP as his special representative for First World War centenary commemorations. On 11 October 2012, Cameron announced £50 million to fund national centenary commemorations. The anniversaries of Britain's declaration of war on Germany,
804-808: A concept initiated by Justin Vaïsse and Pascal Lamy and endorsed by President Emmanuel Macron , opened to mark the centenary of the 1918 armistice. Since then, the forum is held annually in November, opening on or around Armistice Day. The centenary of the First World War was marked in Ireland. A cross of sacrifice was erected in Glasnevin in Dublin , which also included a joint Irish-British commemoration ceremony. A season of First World War programmes
938-580: A distinction between utilitarian and non-utilitarian, symbolic designs; in the US, utilitarian memorials were termed "living memorials". Utilitarian memorials were intended to commemorate the dead by having a practical function and typically include projects such as libraries, small hospitals, cottages for nursing staff, parks, clock towers or bowling greens, although in Britain and Canada, large-scale urban redevelopment projects were also proposed, including rebuilding
1072-405: A key part of these designs. The graves proved controversial: initially they were marked by wooden crosses but, after some argument, it was agreed to replace these with Portland stone markers; the original wooden memorials were in some cases returned to the soldier's next of kin. Each marker was identical in shape and individualised only through the inscription of the name, regiment, date of death,
1206-478: A major cultural shift in how nations commemorated conflicts. Interest in World War I and its memorials faded after World War II , and did not increase again until the 1980s and 1990s, which saw the renovation of many existing memorials and the opening of new sites. Visitor numbers at many memorials increased significantly, while major national and civic memorials continue to be used for annual ceremonies remembering
1340-447: A memorial committee. These committees might then bring in a wider cross-section of local community leaders, including Christian clergy, Jewish leaders, voluntary organisations, rifle clubs and volunteer police, although sometimes committees were more tightly controlled by local government officials. Former servicemen occasionally felt that their opinions were excluded from the formal processes, while in other cases complaints were made that
1474-1065: A memorial. It was proposed to leave the fortifications of Douaumont in ruins as a memorial to the dead of Verdun, and the issue of whether or not to replant the region with trees in the 1930s proved controversial with veterans. Some parts of the trench systems were preserved intact as memorials, however, including the Beaumont-Hamel Newfoundland Memorial and the trench system at the Canadian National Vimy Memorial . In other theatres, such as Iraq and Palestine, reconstruction took much longer and bodies remained unburied at least until 1929. Resources and funds were needed to construct most memorials, particular larger monuments or building projects; sometimes professional services could be acquired for nothing, but normally designers, workmen and suppliers had to be paid. Different countries approached this problem in various ways, depending on local culture and
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#17327980730561608-459: A military presentation. The British phrase, adopted by IWGC, " their name liveth for evermore ", was popularised by Rudyard Kipling , who had lost a son during the war. British lists often omitted the soldier's rank, creating an impression of equality in death. Long lists of names – up to 6,000 – incorporated into churches in England and Germany. In Australia, where
1742-811: A national response, and many towns and villages did not erect memorials at all. A new organisation, the Souvenir Français , was established in the 1880s to protect French war memorials and encourage young French people to engage in military activities; the organisation grew to have many contacts in local government by 1914. Britain and Australia had both sent forces to participate in the Second Boer War of 1899 to 1902, which spurred an increased focus on war memorials. The Boer War had involved 200,000 British volunteers alone, and attracted considerable press coverage. Numerous war memorials were erected on their return, either by local community leaders or by
1876-426: A national response. The local processes and committees could result in multiple memorials being created for the same community or event: the site of Verdun was commemorated by three different memorials, for example, while some British towns saw rival memorials created by competing groups in the community. In contrast, the construction of war cemeteries, graves and their associated memorials were typically placed under
2010-528: A program of exhibition, lectures and academic research focusing on the theme of Belgian involvement in the conflict and the occupation. The Royal Museum of the Armed Forces and Military History in Brussels hosted an exhibition titled "Expo 14–18: It's Our History" from 2014 to 2015. The city of Sarajevo , where the assassination of Archduke Franz Ferdinand took place, organized a commemoration in
2144-418: A religious symbol and a short text agreed by the next of kin. Public debate ensued about these graves throughout the 1920s. British officials were concerned about families erecting their own memorials on the sites and detracting from the appearance of the cemeteries; critics complained about the secular nature of the memorials, the limited options for families to individualise the graves and the excessive role of
2278-442: A result of all these processes, large numbers of memorials, more than for any other conflict, were built across the world during the inter-war period. It is estimated that France built around 176,000 war memorials, including around 36,000 in the local communes. Most of the local commune memorials were built by 1922, but those in the towns and cities typically required more protracted negotiations, and their construction stretched into
2412-573: A result, many memorial projects had to be cut back or altered due to lack of money. The final size of Douaumont had to be cut in size by a third when fund-raising slowed. Proposals to turn the planned Imperial War Museum into a grand memorial for the war dead were shelved due to lack of funds. The construction of memorials produced a lot of business in all the countries involved in the war. In Britain and Australia, stone masons provided large quantities of mass-produced design, often advertising through catalogues, while professional architects acquired
2546-498: A similar mausoleum at Mărăşeşti, explicitly likened to the use French ossuary at Verdun. Amidst some concerns about denigrating the importance of other battlefields, the CBMC focused on producing a single major memorial at Vimy. In Turkey, the entire battlefield of Gallipoli was ceded to Britain and her imperial allies in 1923, and the area was turned into an extended memorial to the war dead. There were no settlements to reconstruct, so
2680-455: A stronger role in the process of commissioning memorials. France, for example, mostly relied on local communities to organise and commission most war memorials, but the state played a comparatively larger role than in Britain and similar countries. A law was passed in 1919 establishing an official role for local government officials in the process of commissioning memorials; many towns then formed committees to take this process forward, typically at
2814-472: A temporary cenotaph, an empty sarcophagus monument, which would be saluted by the marching troops. The British Prime Minister David Lloyd George decided that a similar but non-denominational memorial should be built in London, despite ministerial concerns that a cenotaph was an inappropriate, Catholic form of monument, and that it might be desecrated. The victory marches went ahead; French political leaders had
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#17327980730562948-450: A walled area, intended to resemble an English garden; almost all were constructed around a War Stone and a Cross of Sacrifice , described in more detail below. The style varied slightly by architect and location, but typically the cemeteries followed classical influences in buildings and monuments, sometimes adapted slightly to appeal to the style of a particular Dominion. The buildings at the cemeteries were important symbolically and formed
3082-467: Is remembered and commemorated by various war memorials , including civic memorials, larger national monuments, war cemeteries, private memorials and a range of utilitarian designs such as halls and parks, dedicated to remembering those involved in the conflict. Huge numbers of memorials were built in the 1920s and 1930s, with around 176,000 erected in France alone. This was a new social phenomenon and marked
3216-601: The Canadian Legion or local authorities. There was considerable discussion in the US during 1919 about the need to construct a suitably grand, national monument to commemorate the war dead, but the discussions failed to produce a consensus and no project was undertaken; monuments such as the Liberty Memorial in Kansas City, Missouri were built by local citizens. In other countries, the state played
3350-593: The First World War centenary . On the eve of World War I there were no traditions of nationally commemorating mass casualties in war. France and Germany had been relatively recently involved in the Franco-Prussian War of 1870 to 1871. Germany had built a number of national war memorials commemorating their victory, usually focusing on celebrating their military leaders. In France, memorials to their losses were relatively common, but far from being
3484-459: The Fêtes de la Victoire , while pilgrimages to the sites of the conflict and the memorials there were common in the inter-war years. Much of the symbolism included in memorials was political in tone, and politics played an important part in their construction. Many memorials were embroiled in local ethnic and religious tensions, with memorials either reflecting the contribution of particular groups to
3618-708: The National Archives released a first batch of digitised British Army war diaries . The same day, the National Archives, together with Imperial War Museums and Zooniverse launched 'Operation War Diary', a crowdsourcing project to tag data on each diary page. The installation Blood Swept Lands and Seas of Red at the Tower of London , by Paul Cummins and Tom Piper , was especially popular — over five million people visited it before it closed in November 2014, with calls for it to be extended. Most of
3752-771: The Royal Opera of Versailles and again performed by the Vienna Philharmonic Orchestra, for the purpose of commemorating the centenary of the end of the war. The European Union marked the occasion with a gathering of leaders of the 28 EU member states in Ypres , during which they stood together at the Menin Gate while the Last Post was played. A minute of silence was also held for the fallen. Europeana had three digital projects to commemorate
3886-647: The Schleswig Plebiscites Northern Schleswig (Sønderjylland) was recovered by Denmark in 1920. The reunion day ( Genforeningsdag ) is celebrated every 15 June on Valdemarsdag . In France, the government carried out a policy of national remembrance . An early start was made in 2011 with the opening of Le Musée de la Grande Guerre ("The Museum of the Great War") in Meaux on Armistice Day . France set up an official board for
4020-608: The Vienna Philharmonic Orchestra . It took place in a library that had recently been renovated following the destruction wrought by the Yugoslav conflict , and which is adjacent to the site of the assassination of Archduke Franz Ferdinand , which triggered the war. In 2018, the EBU oversaw a 'Concert for Peace' produced by two of its members, France Télévisions and Zweites Deutsches Fernsehen (ZDF), held at
4154-486: The commune level. Members of the Souvenir Français organisation played an important role in many of the resulting local committees. In other cases, governments increased their role in commissioning memorials during the inter-war period. In Romania, most memorials in the early 1920s were initially erected by local communities; in 1919 the royal family created the "Societatea Cultul Eroilor Morţi" (The Cult of
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4288-459: The events of Gallipoli . In the same way, Romania regarded the battles of Mărăşeşti and Mărăşti as hugely significant sites, worth of special remembrance. In the inter-war years, these battlefields were frequently described as forming "sacred" ground because of the number deaths that had occurred there. National governmental bodies and charities were rapidly formed to produce memorials for these sites. The British government, for example, set up
4422-427: The innovative deployment of aircraft, submarines and poison gas . In many theatres of operation, mobile campaigns degenerated into static trench warfare , depending on the slow attrition of the enemy over many years for victory. The battles spread across larger areas than ever before, with key engagements, such as that at Verdun , etched on the memories of the nations involved. One result of this style of warfare
4556-747: The 100th anniversary of the Gallipoli landing. The commemoration was attended by the following leaders: A service was held during the dawn of 25 April to remember fallen soldiers. In the United Kingdom, the Imperial War Museum (IWM) led a national programme of commemorative events and planned new galleries for the occasion (www.1914.org). In May 2010 the museum launched its First World War Centenary Partnership Programme. Partner organisations receive access to IWM collections objects and expertise, and to digital resources, branding and
4690-443: The 1930s. The 1920s were particularly busy for construction of memorials in Britain, although the trend tailed off in 1930s, with the last inter-war memorial unveiled at the town of Mumbles in 1939. The commissioning of Australian war memorials similarly reduced after the mid-1920s. Over 3,500 Romanian memorials were erected. Many German memorials were built during the 1930s. Russia was unusual in building very few war memorials to
4824-437: The 1930s. While few memorials embraced a pacifist perspective, some anti-war campaigners used the memorials for rallies and meetings. Many of the political tensions of the inter-war period had diminished by the end of the 20th century, allowing some countries to commemorate the events of the war through memorials for the first time since the end of the war. The memory of the war became a major theme for scholars and museums during
4958-480: The 19th century, towards depicting ordinary soldiers, annual ceremonies surrounding the memorials were not common and no official memorial day emerged. Boer War memorials in both countries were widely felt to lack a suitable quality of design and execution, echoing contemporary concerns in the US about the statues erected to commemorate the American Civil War . The new European states that had formed in
5092-608: The 54,896 names inscribed on the Menin Gate and the 73,357 on the Thiepval Memorial. Civic memorials in Britain and France typically had names inscribed; in Britain, these were often combined with other mottos or script, in France, where the significance of the name took even greater importance, just the names were used with a simple introduction. In France the names were usually listed in alphabetical order, resembling
5226-731: The Australian Government committed a further $ 100M to the Anzac Centenary for the creation of the Sir John Monash Centre , unveiled on Anzac Day 2018. It is the Western Front's most expensive visitor centre. During the centenary of the First World War, Australia is said to have spent more than any other country put together to celebrate the Anzacs . The centenary of World War I was marked by
5360-606: The Battle Exploits Committee in 1919 to create national battlefield memorials, alongside the work of the IWGC. Initially their intent was to celebrate the more heroic aspects of the fighting, and to avoid the flavour of memorials to the fallen that were being built elsewhere; by 1921, however, the committee had entered into a partnership with IWGC and adopted the same focus on the sacrifice of the fallen soldiers. The Canadian Battlefields Memorials Commission (CBMC)
5494-723: The British Britannia, to the Gallic rooster to the Romanian vulture . Postcards of war memorials were widely produced in Britain and Italy, and ceramic models of the more famous ones, such as the Cenotaph, were sold as souvenirs. The World War I war cemeteries represented important memorials sites to the conflict and typically incorporated specific monuments commemorating the dead. Under the Treaty of Versailles , each country
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5628-851: The British from using the Voi-Taveta Railway. Major battle sites and commemoration locations include: Commemorations also took place at the Voi, Maktau and Taveta Commonwealth War Graves. The commemorations were held in conjunction with the National Museums of Kenya , the Commonwealth War Graves Commission and the Kenya Wildlife Service . New Zealand government agencies and other organisations worked together on commemorations to mark
5762-527: The European theatre of the conflict. Many of the deaths occurred within a short period of time, or affected particular groups: half of France's casualties occurred during the first 17 months of the war, for example, while the French middle and upper classes suffered disproportionate losses. Many of those who survived were injured in the course of the fighting; some injuries, such as facial traumas , resulted in
5896-781: The Fallen Heroes Society) to oversee commemoration of the war more generally; the organisation was headed by the Patriarch of the Romanian Orthodox Church . By the 1930s official concern over the diverse range of designs led to increased central control over the process. Other memorials were commissioned by international veteran organizations, like FIDAC (Interallied Federation of War Veterans Organisations). After its foundation in 1920, FIDAC organised its first congress in Paris in 1921, where it launched
6030-474: The Fascist revolution, this process became more centralised; veteran groups were assimilated by the Fascist government in 1926, and a systematic attempt to construct suitable national and local memorials followed. In Germany, the political and economic chaos of the immediate post-war years discouraged the construction of civic war memorials and comparatively few civic memorials in their larger towns, mainly due to
6164-806: The Flemish elements of the population were increasingly forming a disproportionate percentage of the army, the language on the memorial headstone gradually became an issue, leading to calls for the creation of heldenhuldezerkjes , headstones inscribed in Flemish, rather than the usual French. In Imperial Russia, the Moscow City Fraternal Cemetery was constructed for the war dead in 1915 by the Imperial royal family and senior Moscow political leaders, who hoped that its inspiring architecture would ensure patriotism in future generations of Russians. Various different mechanisms for commissioning
6298-614: The Gateway to Modern Europe". Denmark remained neutral during World War I and did not take part in the warfare. The biggest event from a Danish perspective is the reunification with Northern Schleswig (Sønderjylland) in 1920. After the Second War of Schleswig in 1864, Denmark was forced to cede Schleswig and Holstein to Prussia . In 1918, the Versailles powers offered to return the region of Schleswig-Holstein to Denmark. After
6432-414: The IWGC and Australian government around £40,000. The French approach to funding memorials also relied mainly on voluntary fundraising, but featured a greater role for the state. A law passed in 1919 provided for a subsidy from central government to local authorities to assist in building memorials; the money was distributed in proportion to the number of local citizens who had died in the war. Nonetheless
6566-410: The IWGC in determining how the soldiers were buried. The construction of the French cemeteries was complicated by even more heated arguments over how the bodies of the war dead should be dealt with. During the conflict the French war dead had ended up being split between special war cemeteries, local civilian cemeteries and some had been returned to their original villages. Catholic traditionalists in
6700-983: The National Commission on the Commemoration of the Anzac Centenary and the Anzac Centenary Advisory Board. The government had budgeted $ 83.5M for a seven-year programme which included commemorative events in Australia and overseas; educational activities and resources; and refurbishments of galleries and war graves. The Brisbane City Council has spent $ 13.4 million to refurbish the Shrine of Remembrance, Brisbane located in ANZAC Square and $ 1 million revitalising 31 suburban war memorials. Many commemorative events were organised by governments and other organisations. In 2015
6834-559: The Ngā Tapuwae New Zealand First World War Trails in Gallipoli and along the Western Front. A First World War Centenary Panel was established, chaired by Brian Roche of New Zealand Post . The Panel's role was to advocate for the centenary, attract sponsorship or philanthropic support for centenary projects, coordinate with any equivalent bodies overseas, particularly Australia; and provide advice to
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#17327980730566968-462: The Somme, for example, either because their bodies had been lost, destroyed or were unrecognisable, more than one in ten of the losses in the battle. One of the key developments in memorials to the war, the cenotaph , used an empty tomb to symbolise these aspects of the war. In 1919, Britain and France planned victory marches through their respective capitals and as part of this France decided to erect
7102-460: The US, memorial halls – some of which were large, grand structures – were popular. Australia also created the idea of an Avenue of Honour, involving lines of trees, with memorial plaques, along a road. Canadians often brought back various material from Europe for their memorials, including pieces of local European churches and soil from the relevant battlefields. Individual countries also had typical national symbols that were widely incorporated, from
7236-444: The US, there was sufficient interest that a specialist magazine, Monumental News , was created to support the trade in war memorials. The deaths caused by World War I were difficult for post-war societies to cope with: their unprecedented scale challenged existing methods of grieving. Furthermore, an expectation had arisen during the war that individual soldiers would expect to be commemorated, even if they were low ranking members of
7370-518: The allied nations: France, Italy, United Kingdom, Romania, Greece, Poland, Russia and Spain. These monuments were located both outside (on the esplanade) and inside the votive tower. The rise of fascism in particular frequently encouraged greater state involvement. In Italy, between the end of the war and 1923 local groups and organisations had established their own local memorials in villages and towns. Not all villages agreed that memorials were appropriate, either for political or religious reasons. With
7504-492: The assassination of Ferdinand by Princip was "a political murder, but definitely not high treason. If Princip was convicted of murder, it wouldn't have been possible to sentence him to lifetime imprisonment". Furthermore, he planned to exhibit letters written by Oskar Potiorek , arguing that they proved that a war was planned long before the Sarajevo assassination. National commemorations were organized on 4 August 2014 to mark
7638-485: The beginning of the war, and on 11 November 2018 to mark its ending. The Czech Radio ran several social media accounts commemorating events during World War I day-by-day. That was accompanied by a special website with an archive of radio programmes with stories from World War I. The Czech Republic was part of Austria-Hungary . The cultural network "Golden Days" planned a commemoration in September 2014, "1914,
7772-489: The bulk of the specialised commissions for war memorials, making use of their professional organisations. Professional sculptors argued that their work was superior and more appropriate than that of architects, but they received far fewer commissions. British stone masons provided cheap products through catalogues. In France, funeral directors played a large part in the business of producing designs, producing catalogues of their designs for local communities to choose from. In
7906-418: The cemeteries and the decision was taken that the cemeteries would be controlled by the state, and that a uniform design would be applied to the memorials at the graves. French cemeteries were used for as memorial sites for ceremonies by injured soldiers during the war and many towns began to name streets and squares after Verdun . In Belgium, where the movement of the war and losses of territory had meant that
8040-576: The cemeteries tended to be smaller and more scattered. There was much discussion across the British empire about how the IWGC should commemorate the war dead. The construction of war cemeteries was a clear priority, but there was an ambition to produce a ground-breaking series of memorials to the fallen soldiers and the key battles along the Western front, while in the east there was an urgent political requirement to construct memorials to reinforce Britain's inter-war claims to influence and territories across
8174-679: The centenary, which was entitled as WW100. The commemorations were led by the Minister for Arts, Culture and Heritage, Maggie Barry . A WW100 Programme Office was established by the Ministry for Culture and Heritage along with the Ministry of Foreign Affairs and Trade , the New Zealand Defence Force and the Department of Internal Affairs . New Zealand's centenary commemorations honoured those who fought, but also told
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#17327980730568308-488: The centre of Westminster , to form a huge war memorial complex and building a subway under the Detroit River. In contrast non-utilitarian memorials, such as monuments, remembered the dead purely through their symbolism or design. Locations could be also contentious: in France, some arguments as to whether market places, for example, were suitable locations: was it good to choose a central location, or did this cheapen
8442-674: The ceramic poppies were sold to the public and special features from it have been preserved to go on tour and then be displayed in the Imperial War Museum. Artistic reception was mixed but the Queen praised the exhibit in her Christmas message and the artists were honoured in the new year. A similar tribute, Beyond the Deepening Shadow , in which 10,000 flames were lit, again at the Tower of London, and designed by Piper,
8576-404: The commemoration of the centenary under the name of Mission du Centenaire . A war memorial, entitled L'Anneau de la mémoire ("Ring of Memory"), was opened on 11 November 2014 in Ablain-Saint-Nazaire . It is the first major memorial to list casualties in alphabetical order without regards to nationality or rank. At the end of the commemorations, the first edition of the Paris Peace Forum ,
8710-475: The conflict or being rejected entirely by others. In several countries it proved difficult to produce memorials that appealed to and included the religious and political views of all of a community. The Fascist governments that came to power in Italy and Germany during the inter-war period made the construction of memorials a key part of their political programme, resulting in a number of larger memorial projects with strong national overtones being constructed in
8844-425: The conflict resulted in revolution and civil war between 1917 and 1923, and the rise to power of the Communist Bolshevik government. The German Empire had seen revolution break out at the end of the war, with vicious street fighting in the major cities, including Berlin ; some Germans felt that this experience was too quickly forgotten in the post-war years. Romania almost descended into revolution as well. There
8978-496: The construction of war memorials emerged during the inter-war period. In most of the nations involved in the conflict, the memorials erected in towns and cities were usually commissioned by local community leaders and other civic groups, with relatively little or no central state involvement. Some national organisations emerged, including the British War Memorials Committee and the Canadian War Memorials Fund, but these focused on narrow, limited projects, rather than trying to coordinate
9112-433: The control of a central state authority. The Imperial War Graves Commission (IWGC) took on this role for Britain and her empire. The Commissione nazionale per la onoranze ai caduti di guerra in Italy coordinated the military repatriation of bodies and the construction of cemeteries. The German war graves commission, the Volksbund Deutsche Kriegsgräberfürsorge (VDK), was established in 1919, and took strict control over
9246-507: The country become increasingly apparent, with conscription becoming a major political issue. In the years after the war, veterans, the bereaved and the rest of society focused, to the point of obsession, with the problem of death. There was tremendous interest in creating war memorials that celebrated the themes of glory, heroism and loss. In part, there was a rupture or dislocation with the pre-war norms of how memorials should look and feel; communities sought to find new, radical ways to mourn
9380-403: The creation and style of German war cemeteries. The American Battle Monuments Commission oversaw US military graves in a similar fashion. In Britain and Australia, local community leaders were expected to organise local committees to create war memorials. Britain had a strong tradition of local government, and mayors, council chairmen or similar leaders would usually step forward to establish
9514-437: The creation of new forms of memorial. Lists of memorial names, reflecting the huge scale of the losses, were a common feature, while Tombs of the Unknown Soldier containing a selected, unidentified body , and empty cenotaph monuments commemorated the numerous unidentifiable corpses and those servicemen whose bodies were never found. Ceremonies were often held at the memorials, including those on Armistice Day , Anzac Day and
9648-401: The damage caused by the war and the detritus of the fighting, but post-war reconstruction meant that by the 1930s most of this damage along the Western front had been restored. In several cases, veterans felt that the battlefields should be maintained in their immediate post-war condition as memorials; the reconstruction of the town of Ypres was opposed by some who favoured keeping the ruins as
9782-827: The dead and to hold donations of flowers. They were criticised, however, as promoting Catholic ritualism. Official support for the shrines only came after a national newspaper campaign, efforts by the Lord Mayor of London and a well-publicised visit from Queen Mary to a shrine, and standardised stone shrines then began to replace the earlier, temporary versions. Across the German Empire nagelfiguren , war memorials made from iron nails embedded in wood, became popular, particularly in Austria . These took various forms, including knights, shields, eagles and crosses, as well as submarines. This practice had medieval origins, and
9916-406: The deceased and personal objects sent back from the front. In Britain and Australia, early memorials were closely linked to the need to promote military recruitment and the state had an ambivalent attitude towards the informal memorials that emerged during the conflict. In Britain, stone memorials to the war began to be erected in towns and villages from 1915 onwards; some of these were given out by
10050-439: The different nations varied considerably, but common themes emerged. The war required a mass call to arms , with a significant percentage of the population mobilised to fight, either as volunteers or through conscription . Campaigns were conducted on multiple fronts across Europe and beyond. The fighting was mechanised and conducted on an industrial scale; existing weapons, such as machine guns and artillery , were combined with
10184-575: The edges of towns. In Serbia, Niś Commonwealth Military Cemetery includes memorials to nurses from the Scottish Women's Hospitals for Foreign Service . The situation was somewhat different in Russia, however, where the Moscow City Fraternal Cemetery was used not just for the war dead of World War I, but also for the casualties of the Civil War, and then the victims of the secret police . It
10318-458: The events of World War I, mainly as a result of the devastation of the Civil War and the political views of the subsequent Bolshevik government. Civic and private memorials in response to the war took many forms, from monuments, sculpture, buildings, gardens, artistic works or special funds to support particular activities. One of the major distinctions between proposed war memorials involved
10452-485: The events of the war also began to be commissioned; governmentally: the Imperial War Museum in Britain in 1917, Australia began a War Museum in 1917; privately, the repository of wartime records in France, Germany the Kriegsbibliothek . During the conflict itself, monuments were erected near the battlefields and the temporary cemeteries being used to store the dead. It had been hoped in Britain to repatriate
10586-458: The failure to repatriate British war dead from Europe early in the war had proved domestically controversial, and when the US joined the war in 1917 their government had promised relatives that bodies would be repatriated to the US; around 70 percent of the US war dead were sent back. Along the Western front, the cemeteries were typically concentrated in specific locations, with the bodies brought in some distances to form larger cemeteries; elsewhere,
10720-485: The forces were solely volunteers, all those who served were typically recorded on memorials, while in New Zealand, where conscription applied, only the fallen were recorded on memorials. Touching the names of the dead on memorials was common gesture of grieving in the inter-war period; sometimes mourners would also kiss the names. Visitors to the memorials on the Western front would often photograph or trace on paper
10854-575: The form of memorials. Most memorials in Australia were monumental rather than utilitarian, but practical memorials such as hospitals, schools or new roads were increasingly popular in the post war period, although some concerns were raised that these memorials might be later demolished as Australia's towns expanded. In America, utilitarian memorials were more popular, and the establishment of the National Committee on Memorial Buildings supported this trend. The American "living memorial" movement
10988-513: The government called for the bodies to be buried together in special cemeteries along the Western front, while others campaigned for them to be returned to local cemeteries. In 1919, the decision was taken to use special war cemeteries and to ban the repatriation of bodies, but by 1920 this decision had been reversed and 300,000 French bodies were repatriated to their original homes. The French war cemeteries were typically much larger than their IWGC equivalents and used concrete Catholic crosses for all
11122-607: The government on the centenary commemorations. Dame Anne Salmond , Bob Harvey , Dr Monty Soutar, Matthew Te Pou and Sir Peter Jackson were all involved. Several media commentators have criticized different aspects of the official Centenary commemorations. Professor Bryce Edwards noted on 24 April 2015: "As the nation moves into commemorating the Anzac Day centenary, there are growing signs of WWI overload and fatigue." Official Anzac Day commemorations were held in Gallipoli, Turkey, over two days beginning on 25 April 2015 to mark
11256-539: The government that a permanent memorial might be vandalised, while the popular press criticised any suggestion of dismantling the existing structure. A new, permanent cenotaph designed by Sir Edwin Lutyens was commissioned and unveiled on Whitehall on Armistice Day 1920, effectively turning this part of London into a memorial to the war; over a million people visited the site during November that year. The memorial style became very popular and spread to other countries in
11390-413: The graves were largely left scattered in individual graves or small cemeteries, and the slopes were planted with Australian vegetation . Obelisks were particularly popular memorials at Gallipoli along the ridges, including one obelisk 100 ft high. There was uncertainty as to how to treat the wider battlefields surrounding these monuments. At the end of the war, visitors and tourists could easily see
11524-691: The graves, with the exception of the Islamic and Chinese war dead. German war cemeteries are somewhat different from French and British ones, being more austere and simple in design. They were built around lawns, without flowers or other decorations, intended to highlight acceptance of the tragedy and avoid the expensive and pretentious sentimentality that the German VDK felt Allied cemeteries invoked. German war cemeteries also included heldenhaine , heroes' groves populated with oak trees and large boulders, dolmen . Both symbolising nature; this landscaping
11658-652: The idea of raising a memorial to celebrate the allied forces. At their congress in Rome in 1925, Cointe Hill in Liège, Belgium was chosen as the site of this memorial. The construction began in 1928 and was completed in 1937. The Memorial included the Sacré-Cœur Church (Basilica of the Sacred Heart of Jesus) as a religious building and a tower as a civil memorial. The civil memorial contained numerous monuments offered by
11792-528: The largest French projects, such as the Ossuary of Douaumont, were still paid for mostly through private fund raising across France and the international community: it could take many years to raise the sums required. The Ossuary cost 15 m francs to build; at the other end of the scale, more modest urban memorials cost around 300,000 francs. Much of the inter-war period saw economic recession or stagnant growth, making fund-raising more challenging. Partially as
11926-512: The local Lord Lieutenant , acting on behalf of the county regiments; these were often situated in quiet locations to allow for peaceful reflection by visitors. Australia had honoured its volunteers by placing individual plaques inside buildings, creating outdoor memorial tablets and erecting obelisks in public places. Although the Boer War encouraged a shift away from memorials portraying heroic commanding officers, as had been popular earlier in
12060-402: The memorial in Paris removed immediately after the parade, on the basis that it was too Germanic in appearance, but the London cenotaph proved very popular and hundreds of thousands flocked to see it. The popularity of the temporary Cenotaph resulted in it remaining open until the following year, when the decision had to be taken about what to do with the decaying structure: there was concern from
12194-406: The memorials were reinforced by the promotion of burgfrieden during the war, a medieval pact in which disparate German communities would put aside their differences during a conflict. In some cases, relatives of the deceased were encouraged to hammer memorial nails in as part of the ceremonies, while children might be encouraged to read out poems in a medieval style. At some nagelfiguren a charge
12328-420: The military. One method used to address this was the inclusion of lists of names. In part, this was a response to the practical problem of commemorating such large numbers of dead, but it carried additional symbolic importance; in some ways, the physical presence of a name acted to compensate for an absent body. The lists could vary in size from the 21 names listed in a small English village like East Ilsley , to
12462-528: The millions of dead, killed in an essentially modern conflict. In other ways, the building of memorials drew on traditional forms and ideas, drawing on existing religious and architectural themes to explore loss and grief. As the war progressed, memorials began to be created in most countries, either in civic centres, personal homes or on the battlefields themselves. Memorials took various names across Europe; amongst English-speaking countries, such memorials had previously been called fallen soldiers' monuments, but
12596-616: The more wealthy members of the community. The amount of money successfully raised varied considerably: the city of Glasgow , with a million inhabitants, raised approximately £104,000 for memorials; Leeds, with around half a million inhabitants, only £6,000. A typical memorial monument in Britain costed between £1,000 and £2,000, but some could be cheaper still; larger pieces, such as the Royal Artillery Memorial , could cost as much as £25,000. Australian communities raised funds in similar ways to their British equivalents, but
12730-588: The national losses that had been incurred there, and took steps to erect special memorials to them, alongside the cemeteries that held their war dead. The French regarded the battles around Verdun as symbolic of the entire war, while for the British the battle of Ypres in Belgium and the battle of the Somme in France ;– in particular Thiepval hill – had similar resonances. Australian and New Zealand forces placed special significance on
12864-499: The occasional modest local monuments. Bulgaria and Serbia constructed many war memorials after the end of the First Balkan War in 1913. The public played little role in these eastern European memorials, however, which were typically constructed by the central state authorities. The memorials to World War I were shaped by the traumatic nature of the conflict and its impact on individuals and communities. The experience of
12998-577: The opening of the Battle of the Somme , the Battle of Jutland , and the November 1918 Armistice were planned to be marked by national commemorations. The redevelopment of the Imperial War Museum, where Cameron delivered his speech, will be supported by an additional £5 million. A further £5.3 million will fund visits to Western Front battlefields by pupils from English schools. The Heritage Lottery Fund will provide £15 million to community projects, led by young people, to conserve local heritage associated with
13132-440: The period 21–28 June 2014. The event was named "Sarajevo, heart of Europe". Filmmaker Emir Kusturica announced an initiative to hold a ceremony on 28 June 2014, in which a re-trial of Gavrilo Princip would be started. The motivation behind the initiative was that Austria-Hungary never ratified the annexation of Bosnia and Herzegovina , and that a verdict of high treason therefore should be considered illegal. Kusturica said
13266-498: The process of fund-raising was much more open, and included directly canvassing for donations. Typical Australian projects cost between £100 and £1,000, with the larger memorials costing up to £5,000; bank-loans were also sometimes used. Memorials along the Western front, being larger, cost rather more than their civic equivalents; the Villers–Bretonneux Australian National Memorial , for example, cost
13400-469: The region. The Dominions also wanted to have their own national monuments as part of the programme of work. Initially twelve major memorials were planned, each of which would combine a memorial to a key battlefield, a cemetery and a monument to a specific Dominion, but the French government raised concerns over the considerable number and size of these memorials, leading to the plans being halved in scale. IWGC war cemeteries featured grass and flowers within
13534-458: The relevant names on the memorials, taking these reminders back with them to their homes. By contrast, the naming of the dead played a less significant role in Italy, where formal lists of the war dead were not established until the mid-1920s; local communities compiled their own lists, used to produce local memorial plaques, but the national lists remained inaccurate for many years. After the war,
13668-493: The role of the state. Despite the special nature of the memorials, contractual arguments and issues over costs, timings and specifications were common, from smaller works in villages through to major works, such as the Vimy Memorial. The sheer volume of work encouraged industrial innovation: carving the inscriptions into the many thousands of British memorial stones had to originally be undertaken by hand, for example, until
13802-417: The same decade saw the completion of totenburgen , fortresses of the dead, used as war cemeteries and memorials. These were in some senses an extension of the cemetery designs of the 1920s, celebrating a natural German landscape, but included extensive modernist , monumental features, intending to highlight German artistic skill. Most nations considered certain battlefields particularly important because of
13936-583: The second half of the 19th century typically had traditions of war memorials, but nothing on the scale that would later emerge from World War I. Italy built various war memorials after unification in the 1860s, but there was little agreement about who should be responsible for these within the new Italian state. Romania erected a number of heroically styled memorials after the Romanian War of Independence in 1877 and 1878, usually celebrating famous leaders associated with Romanian independence, but also including
14070-495: The shortage of funds in the inter-war German economy and political disagreements between local groups as to what to commemorate and how. Those memorials that were constructed were often built instead by local movements, representing particular factional interests. It was only after the rise of the German Nazi party to power in 1933 that substantial funding began to flow into construction programmes, controlled from Berlin. As
14204-550: The state as rewards to communities for meeting military recruitment targets. In Australia, the existing memorials to mark the Boer War were used initially for commemorative ceremonies intended to increase military recruitment. As casualties increased, rolls of honour listing the dead began to be displayed in Britain and honour tablets with the names of those who had enlisted were put up inside Australian buildings: Australia used these lists to apply moral pressure on those who were not yet joined up. Informal memorials began to multiply as
14338-574: The statue and hammer nails in. By the end of the war, architects in Germany were already considering how to commemorate the dead. A large, temporary memorial shrine was built in Hyde Park in August 1918, with over 100,000 visitors in its first week: it lasted over a year. The Hyde Park shrine encouraged debate in Britain about permanent war memorials in the major cities and towns. Museums to remember
14472-781: The stories of the people who remained at home. $ 17 million in lottery funding has been allocated by the Lottery Grants Board to commemorate the First World War Centenary. The New Zealand Government's key centenary projects included the development of the Pukeahu National War Memorial Park in Wellington, an education/interpretation centre at the National War Memorial , a series of new histories, and
14606-407: The subsequent years. First World War centenary The First World War centenary was the four-year period marking the centenary of the First World War , which began in mid-2014 with the centenary of the outbreak of the war , and ended in late 2018 with the centenary of the 1918 armistice . In Australia, the occasion is known as the Anzac Centenary. Committees planning the event included
14740-547: The symbolism? In Britain, in a shift from 19th century practices, memorials were typically placed in busy public places. In some countries, such as France and Germany, utilitarian memorials were considered totally unsuitable; the Germans, for example, thought them unpatriotic and disrespectful to the dead. In other, particularly more Protestant countries, however, a vigorous debate raged as to whether utilitarian or symbolic memorials were more appropriate. In Britain, this debate
14874-511: The term "war memorial" became popularised by the conflict, drawing attention to the role of society as a whole in the events. Germany followed suit, terming the memorials Kriegerdenkmal , warrior monument. By contrast France and Italy termed them monuments aux morts and monumenti ai caduti : monuments to the dead, an explicit reference to the deceased. Many of these memorials were in private homes rather than in public places, as bereaved families often made domestic memorials, using photographs of
15008-635: The trend pre-dated the First World War, very few Western war memorials portrayed heroic commanding officers, as had been popular earlier in the 19th century; if soldiers were depicted, they were invariably ordinary soldiers, usually infantrymen. After the unveiling of the Cenotaph in London, it became a popular design in many other locations in Britain and Australia too. In other respects, individual countries had different preferences for styles of memorial. French communities usually chose simple monuments, located in public spaces, and deliberately avoided political or religious imagery and rhetoric. In Australia and
15142-429: The victim being shunned by wider society and banned from public events. These losses also left large numbers of widows and orphans – 1.36 million in France alone – and affected most families in some way: in Australia, every second family had lost a relative. Even those left at home had suffered extensively from stress, anxiety and grief. The war had also led to political tensions, revolution and turmoil. In Russia,
15276-423: The war day by day as it happens, family history , the preservation of war memorials, and the conservation of historic artefacts. The BBC planned a First World War centenary season of around 2,500 hours of television, radio and online programming over four years. The programming included documentaries, drama, arts and music, commemorative programmes and programmes for children and schools. On 14 January 2014,
15410-402: The war dead, but this rapidly proved entirely impractical, leading to haphazard, improvised arrangements around the battlefields. By 1916 over 200 war cemeteries had been commissioned in France and Belgium, prompting debate about what longer term memorials might be appropriate at these sites. The government was concerned that unsuitable, even distasteful memorials might be erected by relatives at
15544-506: The war progressed. Local Australian groups erected small monuments, such as drinking fountains and stone pillars, to the point where the government became concerned about the expenditure on them and passed a law in 1916 to control their numbers. In Britain, some Anglican church leaders began to create street war shrines to the dead. These cheap, local memorials were mainly constructed in working class districts, often built from wood and paper, and were used for holding short services in honour of
15678-551: The war. Architecturally, most war memorials were relatively conservative in design, aiming to use established styles to produce a tragic but comforting, noble and enduring commemoration of the war dead. Classical themes were particularly common, taking the prevailing styles of the late 19th century and typically simplifying them to produce cleaner, more abstract memorials. Allegorical and symbolic features, frequently drawing on Christian imagery, were used to communicate themes of self-sacrifice, victory and death. Some memorials adopted
15812-529: The war. In addition the preservation of the former Royal Navy light cruiser HMS Caroline , which served at the Battle of Jutland, will be supported by a grant of up to £1 million. The Heritage Lottery Fund provided funding to educational projects in fields such as local history, online access to museums and archives, youth heritage projects – such as the Great War Live archive site, which showcases
15946-442: The wealthier members of the community were given a disproportionate role in decision-making. In both Britain and Australia, local memorials were also supplemented by other memorials that reflected wider groups in society, such as military units or particular sports, hobbies or even animals. North America largely followed a similar process. In Canada, the early memorials to the war were typically organised by groups of former soldiers,
16080-433: The work comprises 72,396 small human figurines, each separately wrapped in a calico shroud which was cut and sewn by hand. All of them were held in the presence of about 2,000 invited guests. The United States World War One Centennial Commission was established in 2013. The Commission planned, developed, and executed programs, projects, and activities to commemorate the centennial of World War One. A large part of its mandate
16214-468: Was a level of casualties unknown in previous conflicts. Approximately 2 million Germans and 1.3 million Frenchmen died during the war; 720,000 British soldiers died, 117,000 American soldiers were killed, and 61,000 Canadian, 60,000 Australian, and 18,000 New Zealand servicemen also died. On the Eastern front, 300,000 Romanians died. The war had a global impact, and at least 2,000 Chinese died in
16348-514: Was aided by widespread criticism of the war monuments to the American Civil War, which many felt to have been poorly executed. For symbolic memorials, numerous designs were possible, from simple monuments through to much more complex pieces of sculpture. Obelisks had been a popular memorial form in the 19th century and remained so in the inter-war years, including in Britain, France, Australia and Romania. One factor in this popularity
16482-680: Was also broadcast on RTÉ . The Centenary commemorations were marked primarily in Taita Taveta County , with events starting from 16 August 2014 and going on for another five years. Kenya, known as British East Africa during World War I, borders Tanzania , then known as German East Africa . Taita Taveta County was therefore the site of several important battles in what was known as the East African Campaign of World War I. The German Schutztruppe occupied Taveta and built fortified outposts with an intention of blocking
16616-507: Was considered to be particularly important for German war cemeteries. The cemeteries used slate grave markers, less individualised than British or French equivalents, and felt to better symbolise the importance of the German nation as a whole. In eastern Europe, Romania built what were termed heroes' war grave cemeteries, either in existing heroes' cemeteries, on the sites of the World War I battles, or in new cemeteries symbolically placed on
16750-794: Was finally closed by the Bolsheviks in 1925 and turned into a park; subsequently, possibly on the orders of Joseph Stalin , the Eastern Orthodox church building and the headstones were systematically destroyed until almost no trace of the cemetery remained. A final wave of war cemetery memorials were completed in the 1930s under the Fascist governments of Germany and Italy. The main Italian war cemeteries were not finished until 1938, and their positioning in some cases carried special political meaning, emphasising Italy's right to claim important, but ethnically diverse, border regions. In Germany,
16884-417: Was impractical to inscribe names in churches, usually due to the number of casualties and available space, books of names were often recorded instead. A large number of soldiers who died in the war were never found, and similarly bodies were recovered that could not be identified; once again, this required new forms of memorial. The scale of the issue was once again huge: 73,000 Allied dead were never found at
17018-475: Was installed to mark the centenary of the end of the war. It ran nightly, ending on Armistice Day (11 November) 2018. The Shrouds of the Somme was laid out at Queen Elizabeth Olympic Park from 8 to 18 November 2018 to commemorate the 72,396 servicemen from the British Commonwealth with no known grave recorded at Thiepval Memorial as missing presumed dead in the Battle of the Somme ;
17152-614: Was made for each nail used, with the revenues donated to charities supporting soldiers, orphans and others affected by the conflict. Some relatively large memorials were constructed during the war. The largest nagelfiguren was a statue of General Hindenburg , famous for his victory over the Russians in Prussia at the battle of Tannenberg ; the 12 m tall statue was put up in Berlin , complete with scaffolding to allow participants to reach
17286-460: Was made officially responsible for maintaining the military graves inside their territories, but the relevant countries of the fallen soldiers were typically granted the freedom to design and build the military cemeteries themselves. Some countries' cemeteries would naturally be on their own soil, but in other cases, such as for Britain and the Dominions, the cemeteries could be relatively distant;
17420-480: Was similarly established in 1920 to produce war memorials for the major battlefields involving Canadian forces. A range of battlefield memorials emerged. The huge Douaumont ossuary was built to remember Verdun through a private French charity, organised by the Bishop of Verdun . The ossuary was deliberately multi-faith, however, with Catholic, Protestant, Jewish and Islamic facilities. The Romanian authorities built
17554-425: Was spurred on by the formation of various national societies to promote particular perspectives. Some felt that practical memorials failed to remember the war dead properly; others argued that these memorials helped support the survivors of the war and society as a whole. Although these arguments frequently became embroiled in local politics, there was little correlation between national political views and opinions on
17688-492: Was that obelisks were relatively cheap to build, while they also fitted well with the existing civic architecture in many towns. Memorial plaques were another popular memorial style around the world. Soldiers, either individually or in groups, were a popular sculptural feature in most countries, portrayed in various stances; typically these were allegorical, although in France the style of the soldier could also carry political meaning and reflect local political sympathies. Although
17822-409: Was to encourage private organizations and State and local governments to organize and participate in activities that commemorate the centennial of World War I and to facilitate and coordinate activities throughout the U.S. The Commission also served as a "clearinghouse" for information about events and plans for commemoration. The European Broadcasting Union (EBU) organised a concert in Sarajevo with
17956-586: Was turmoil in Ireland; 210,000 Irish served in the war as part of the British forces, but the Easter Rising in Dublin in 1916 led in turn to the Irish War of Independence and the later civil war . Elsewhere the war exposed simmering ethnic and religious divisions. In Canada, for example, the distinctions between the English, largely Protestant , and French speaking, predominantly Catholic , parts of
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