216-405: Good-Time Girl is a 1948 British film noir - crime drama film directed by David MacDonald and starring Jean Kent , Dennis Price and Herbert Lom . A homeless girl is asked to explain her bad behaviour in the juvenile court, and says she’s run away from home because she’s unhappy there. They explain in detail what happened to the last girl who thought she could cope on her own, and this becomes
432-533: A New York University professor to determine that dropping the period saved the paper US$ 41.28 (equivalent to $ 377.21 in 2023). As of December 2023, The New York Times has printed sixty thousand issues, a statistic represented in the paper's masthead to the right of the volume number, the Times ' s years in publication written in Roman numerals . The volume and issues are separated by four dots representing
648-409: A "hammer headline" reading, "Biden Beats Trump", in all caps and bolded. A dozen journalists discussed several potential headlines, such as "It's Biden" or "Biden's Moment", and prepared for a Donald Trump victory, in which they would use "Trump Prevails". During Trump's first impeachment , the Times drafted the hammer headline, "Trump Impeached". The New York Times altered the ligatures between
864-473: A "pathway" in his screenwriters taxonomy; explaining that a pathway has two parts: 1) the way the audience connects with the protagonist and 2) the trajectory the audience expects the story to follow. Other critics treat film noir as a "mood," a "series", or simply a chosen set of films they regard as belonging to the noir "canon." There is no consensus on the matter. The aesthetics of film noir were influenced by German Expressionism , an artistic movement of
1080-519: A "sign of civility". The Times ' s use of courtesy titles led to an apocryphal rumor that the paper had referred to singer Meat Loaf as "Mr. Loaf". Several exceptions have been made; the former sports section and The New York Times Book Review do not use honorifics. A leaked memo following the killing of Osama bin Laden in May 2011 revealed that editors were given a last-minute instruction to omit
1296-584: A B-movie soul. Perhaps no director better displayed that spirit than the German-born Robert Siodmak , who had already made a score of films before his 1940 arrival in Hollywood. Working mostly on A features, he made eight films now regarded as classic-era noir (a figure matched only by Lang and Mann). In addition to The Killers , Burt Lancaster 's debut and a Hellinger/Universal co-production, Siodmak's other important contributions to
1512-405: A Dark Shadow (1955), directed by Lewis Gilbert . Terence Fisher directed several low-budget thrillers in a noir mode for Hammer Film Productions , including The Last Page (a.k.a. Man Bait ; 1952), Stolen Face (1952), and Murder by Proxy (a.k.a. Blackout ; 1954). Before leaving for France, Jules Dassin had been obliged by political pressure to shoot his last English-language film of
1728-679: A Lonely Place (1950) was Nicholas Ray 's breakthrough; his other noirs include his debut, They Live by Night (1948) and On Dangerous Ground (1952), noted for their unusually sympathetic treatment of characters alienated from the social mainstream. Orson Welles had notorious problems with financing but his three film noirs were well-budgeted: The Lady from Shanghai (1947) received top-level, "prestige" backing, while The Stranger (1946), his most conventional film, and Touch of Evil (1958), an unmistakably personal work, were funded at levels lower but still commensurate with headlining releases. Like The Stranger , Fritz Lang's The Woman in
1944-399: A brooch from his shop. Although Gwen had only borrowed it to wear at a dance and had every intention of returning it, she is fired. When she arrives home and informs her father, he beats her. The next day Gwen packs her things and moves into a boarding house. There she meets Jimmy Rosso, a sharply-dressed man who immediately takes a liking to her good looks, telling her he could get her a job at
2160-558: A changing newspaper industry and introducing radical changes. The New York Times was involved in the landmark 1964 U.S. Supreme Court case New York Times Co. v. Sullivan , which restricted the ability of public officials to sue the media for defamation . In 1971, The New York Times published the Pentagon Papers , an internal Department of Defense document detailing the United States's historical involvement in
2376-432: A chase film as might have been imagined by Jean-Pierre Melville in an especially abstract mood. Hill was already a central figure in 1970s noir of a more straightforward manner, having written the script for director Sam Peckinpah 's The Getaway (1972), adapting a novel by pulp master Jim Thompson , as well as for two tough private eye films: an original screenplay for Hickey & Boggs (1972) and an adaptation of
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#17327797043862592-421: A column, often six words. Additionally, headlines must "break" properly, containing a complete thought on each line without splitting up prepositions and adverbs. Writers may edit a headline to fit an article more aptly if further developments occur. The Times uses A/B testing for articles on the front page, placing two headlines against each other. At the end of the test, the headlines that receives more traffic
2808-626: A compendium of recipes from The New York Times . The Innovation Report in 2014 revealed that the Times had attempted to establish a cooking website since 1998, but faced difficulties with the absence of a defined data structure. In September 2014, The New York Times introduced NYT Cooking, an application and website. Edited by food editor Sam Sifton , the Times ' s cooking website features 21,000 recipes as of 2022. NYT Cooking features videos as part of an effort by Sifton to hire two former Tasty employees from BuzzFeed . In August 2023, NYT Cooking added personalized recommendations through
3024-626: A copyreader who had pleaded the Fifth Amendment drew ire from within the Times and from external organizations. In April 1961, Sulzberger resigned, appointing his son-in-law, The New York Times Company president Orvil Dryfoos . Under Dryfoos, The New York Times established a newspaper based in Los Angeles . In 1962, the implementation of automated printing presses in response to increasing costs mounted fears over technological unemployment . The New York Typographical Union staged
3240-602: A cover for its criticism and New York wrote that the Times was engaging in "middle-class self-absorption". The New York Times , the Daily News , and the New York Post were the subject of a strike in 1978, allowing emerging newspapers to leverage halted coverage. The Times deliberately avoided coverage of the AIDS epidemic , running its first front-page article in May 1983. Max Frankel 's editorial coverage of
3456-501: A film noir, it has largely disappeared from considerations of the field. Director Jules Dassin of The Naked City (1948) pointed to the neorealists as inspiring his use of location photography with non-professional extras. This semidocumentary approach characterized a substantial number of noirs in the late 1940s and early 1950s. Along with neorealism, the style had an American precedent cited by Dassin, in director Henry Hathaway 's The House on 92nd Street (1945), which demonstrated
3672-662: A financial newsletter edited by Andrew Ross Sorkin . The Times had intended to publish the newsletter in September, but delayed its debut following the September 11 attacks . A website for DealBook was established in March 2006. The New York Times began shifting towards DealBook as part of the newspaper's financial coverage in November 2010 with a renewed website and a presence in the Times ' s print edition. In 2011,
3888-399: A genre as determined by "conventions of narrative structure, characterization, theme, and visual design." Hirsch, as one who has taken the position that film noir is a genre, argues that these elements are present "in abundance." Hirsch notes that there are unifying features of tone, visual style and narrative sufficient to classify noir as a distinct genre. Others argue that film noir is not
4104-480: A genre. It is often associated with an urban setting, but many classic noirs take place in small towns, suburbia, rural areas, or on the open road; setting is not a determinant, as with the Western . Similarly, while the private eye and the femme fatale are stock character types conventionally identified with noir, the majority of films in the genre feature neither. Nor does film noir rely on anything as evident as
4320-466: A greater debt to French poetic realism than to the expressionistic American mode of noir. Examples of British noir (sometimes described as "Brit noir") from the classic period include Brighton Rock (1947), directed by John Boulting ; They Made Me a Fugitive (1947), directed by Alberto Cavalcanti ; The Small Back Room (1948), directed by Michael Powell and Emeric Pressburger ; The October Man (1950), directed by Roy Ward Baker ; and Cast
4536-403: A half hours in 1981 and in 2017, when copy editors and reporters walked out at lunchtime in response to the elimination of the copy desk. On December 7, 2022, the union held a one-day strike, the first interruption to The New York Times since 1978. The New York Times Guild reached an agreement in May 2023 to increase minimum salaries for employees and a retroactive bonus. The Times Tech Guild
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#17327797043864752-454: A hapless grifter ( Night and the City ), a law-abiding citizen lured into a life of crime ( Gun Crazy ), a femme fatale ( Gilda ) or simply a victim of circumstance ( D.O.A. ). Although film noir was originally associated with American productions, the term has been used to describe films from around the world. Many films released from the 1960s onward share attributes with films noir of
4968-600: A humid, erotically charged Florida setting. Its success confirmed the commercial viability of neo-noir at a time when the major Hollywood studios were becoming increasingly risk averse. The mainstreaming of neo-noir is evident in such films as Black Widow (1987), Shattered (1991), and Final Analysis (1992). Few neo-noirs have made more money or more wittily updated the tradition of the noir double entendre than Basic Instinct (1992), directed by Paul Verhoeven and written by Joe Eszterhas . The film also demonstrates how neo-noir's polychrome palette can reproduce many of
5184-502: A line on a preposition, article, or adjective, and chiefly, not to pun. The New York Times Manual of Style and Usage states that wordplay, such as "Rubber Industry Bounces Back", is to be tested on a colleague as a canary is to be tested in a coal mine ; "when no song bursts forth, start rewriting". The New York Times has amended headlines due to controversy. In 2019, following two back-to-back mass shootings in El Paso and Dayton ,
5400-528: A line. The term dates back to August 8, 1959, when it was revealed that the United States was monitoring Soviet missile firings and when Explorer 6 — shaped like a paddle wheel — launched. Since then, the paddle wheel has been used several times, including on January 21, 1981, when Ronald Reagan was sworn in minutes before Iran released fifty-two American hostages, ending the Iran hostage crisis . At
5616-599: A live election system using the Associated Press 's File Transfer Protocol (FTP) service and a Ruby on Rails application; nytimes.com experienced its largest traffic on Super Tuesday and the day after. The NYTimes application debuted with the introduction of the App Store on July 10, 2008. Engadget ' s Scott McNulty wrote critically of the app, negatively comparing it to The New York Times ' s mobile website. An iPad version with select articles
5832-565: A management imbroglio in which his children had insufficient business acumen to inherit the company and his will prevented an acquisition of the Times . Editor-in-chief Charles Ransom Miller , editorial editor Edward Cary, and correspondent George F. Spinney established a company to manage The New-York Times , but faced financial difficulties during the Panic of 1893 . In August 1896, Chattanooga Times publisher Adolph Ochs acquired The New-York Times , implementing significant alterations to
6048-410: A monstrous scale. The work of other directors in this tier of the industry, such as Felix E. Feist ( The Devil Thumbs a Ride [1947], Tomorrow Is Another Day [1951]), has become obscure. Edgar G. Ulmer spent most of his Hollywood career working at B studios and once in a while on projects that achieved intermediate status; for the most part, on unmistakable Bs. In 1945, while at PRC, he directed
6264-578: A noir cult classic, Detour . Ulmer's other noirs include Strange Illusion (1945), also for PRC; Ruthless (1948), for Eagle-Lion, which had acquired PRC the previous year and Murder Is My Beat (1955), for Allied Artists. A number of low- and modestly-budgeted noirs were made by independent, often actor-owned, companies contracting with larger studios for distribution. Serving as producer, writer, director and top-billed performer, Hugo Haas made films like Pickup (1951), The Other Woman (1954) and Jacques Tourneur, The Fearmakers (1958) . It
6480-532: A noir mode than Preminger; his other noirs include Fallen Angel (1945), Whirlpool (1949), Where the Sidewalk Ends (1950) (all for Fox) and Angel Face (1952). A half-decade after Double Indemnity and The Lost Weekend , Billy Wilder made Sunset Boulevard (1950) and Ace in the Hole (1951), noirs that were not so much crime dramas as satires on Hollywood and the news media respectively. In
6696-617: A novel by Ross Macdonald , the leading literary descendant of Hammett and Chandler, for The Drowning Pool (1975). Some of the strongest 1970s noirs, in fact, were unwinking remakes of the classics, "neo" mostly by default: the heartbreaking Thieves Like Us (1974), directed by Altman from the same source as Ray's They Live by Night , and Farewell, My Lovely (1975), the Chandler tale made classically as Murder, My Sweet , remade here with Robert Mitchum in his last notable noir role. Detective series, prevalent on American television during
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6912-430: A paywall in March 2011. Abramson succeeded Keller, continuing her characteristic investigations into corporate and government malfeasance into the Times ' s coverage. Following conflicts with newly appointed chief executive Mark Thompson 's ambitions, Abramson was dismissed by Sulzberger Jr., who named Dean Baquet as her replacement. Leading up to the 2016 presidential election , The New York Times elevated
7128-488: A period. With the change to The New-York Times on September 14, 1857, the nameplate followed. Under George Jones , the terminals of the "N", "r", and "s" were intentionally exaggerated into swashes. The nameplate in the January 15, 1894, issue trimmed the terminals once more, smoothed the edges, and turned the stem supporting the "T" into an ornament. The hyphen was dropped on December 1, 1896, after Adolph Ochs purchased
7344-821: A politically charged response to economic policy", citing its informal and neutral tone. The Upshot developed "the needle" for the 2016 presidential election and 2020 presidential elections , a thermometer dial displaying the probability of a candidate winning. In January 2016, Cox was named editor of The Upshot . Kevin Quealy was named editor in June 2022. According to an internal readership poll conducted by The New York Times in 2019, eighty-four percent of readers identified as liberal. In February 1942, The New York Times crossword debuted in The New York Times Magazine ; according to Richard Shepard,
7560-433: A revision tracking tool for WordPress and TinyMCE . ICE is integrated within the Times ' s workflow by providing a unified text editor for print and online editors, reducing the divide between print and online operations. By 2017, The New York Times began developing a new authoring tool to its content management system known as Oak, in an attempt to further the Times ' s visual efforts in articles and reduce
7776-532: A roll of newsprint and several rollers ensure ink can be printed on paper. The final newspapers are wrapped in plastic and shipped out. As of 2018, the College Point facility accounted for 41 percent of production. Other copies are printed at 26 other publications, such as The Atlanta Journal-Constitution , The Dallas Morning News , The Santa Fe New Mexican , and the Courier Journal . With
7992-531: A screenplay by Graham Greene . Set in Vienna immediately after World War II, it also stars two American actors, Joseph Cotten and Orson Welles , who had appeared together in Citizen Kane . Elsewhere, Italian director Luchino Visconti adapted Cain's The Postman Always Rings Twice as Ossessione (1943), regarded both as one of the great noirs and a seminal film in the development of neorealism. (This
8208-438: A second term. Other press stoppages include May 19, 1994, for the death of former first lady Jacqueline Kennedy Onassis , and July 17, 1996, for Trans World Airlines Flight 800 . The 2000 presidential election necessitated two press stoppages. Al Gore appeared to concede on November 8, forcing then-executive editor Joseph Lelyveld to stop the Times ' s presses to print a new headline, "Bush Appears to Defeat Gore", with
8424-399: A specialist in what James Naremore called "hypnotic moments of light-in-darkness". He Walked by Night (1948), shot by Alton though credited solely to Alfred Werker, directed in large part by Mann, demonstrates their technical mastery and exemplifies the late 1940s trend of " police procedural " crime dramas. It was released, like other Mann-Alton noirs, by the small Eagle-Lion company; it
8640-550: A step up the ladder, known as "intermediates" by the industry, might be treated as A or B pictures depending on the circumstances. Monogram created Allied Artists in the late 1940s to focus on this sort of production. Robert Wise ( Born to Kill [1947], The Set-Up [1949]) and Anthony Mann ( T-Men [1947] and Raw Deal [1948]) each made a series of impressive intermediates, many of them noirs, before graduating to steady work on big-budget productions. Mann did some of his most celebrated work with cinematographer John Alton ,
8856-486: A story that stated George W. Bush was elected president. However, Gore held off his concession speech over doubts over Florida . Lelyveld reran the headline, "Bush and Gore Vie for an Edge". Since 2000, three printing stoppages have been issued for the death of William Rehnquist on September 3, 2005, for the killing of Osama bin Laden on May 1, 2011, and for the passage of the Marriage Equality Act in
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9072-608: A strike in December, altering the media consumption of New Yorkers. The strike left New York with three remaining newspapers — the Times , the Daily News , and the New York Post — by its conclusion in March 1963. In May, Dryfoos died of a heart ailment. Following weeks of ambiguity, Arthur Ochs Sulzberger became The New York Times ' s publisher. Technological advancements leveraged by newspapers such as
9288-658: A subject has expressed a preference, such as Donald Trump . The New York Times maintains a strict but not absolute obscenity policy, including phrases. In a review of the Canadian hardcore punk band Fucked Up , music critic Kelefa Sanneh wrote that the band's name — entirely rendered in asterisks — would not be printed in the Times "unless an American president, or someone similar, says it by mistake"; The New York Times did not repeat then-vice president Dick Cheney 's use of "fuck" against then-senator Patrick Leahy in 2004 or then-vice president Joe Biden 's remarks that
9504-533: A trend, let alone a new genre, for many decades. Whoever went to the movies with any regularity during 1946 was caught in the midst of Hollywood's profound postwar affection for morbid drama. From January through December deep shadows, clutching hands, exploding revolvers, sadistic villains and heroines tormented with deeply rooted diseases of the mind flashed across the screen in a panting display of psychoneurosis, unsublimated sex and murder most foul. Donald Marshman, Life (August 25, 1947) Most film noirs of
9720-469: A venture started by managing editor Carr Van Anda in 1907. The morgue comprises news clippings, a pictures library, and the Times ' s book and periodicals library. As of 2014, it is the largest library of any media company, dating back to 1851. In November 2018, The New York Times partnered with Google to digitize the Archival Library. Additionally, The New York Times has maintained
9936-524: A vibrant film noir period from roughly 1946 to 1952, which was around the same time film noir was blossoming in the United States. During the classic period, there were many films produced in Europe, particularly in France, that share elements of style, theme, and sensibility with American films noir and may themselves be included in the genre's canon. In certain cases, the interrelationship with Hollywood noir
10152-509: A virtual microfilm reader known as TimesMachine since 2014. The service launched with archives from 1851 to 1980; in 2016, TimesMachine expanded to include archives from 1981 to 2002. The Times built a pipeline to take in TIFF images, article metadata in XML and an INI file of Cartesian geometry describing the boundaries of the page, and convert it into a PNG of image tiles and JSON containing
10368-554: A wholly American film style." However, although the term "film noir" was originally coined to describe Hollywood movies, it was an international phenomenon. Even before the beginning of the generally accepted classic period, there were films made far from Hollywood that can be seen in retrospect as films noir, for example, the French productions Pépé le Moko (1937), directed by Julien Duvivier , and Le Jour se lève (1939), directed by Marcel Carné . In addition, Mexico experienced
10584-489: Is Kiss Me Deadly (1955); based on a novel by Mickey Spillane , the best-selling of all the hardboiled authors, here the protagonist is a private eye, Mike Hammer . As described by Paul Schrader , " Robert Aldrich 's teasing direction carries noir to its sleaziest and most perversely erotic. Hammer overturns the underworld in search of the 'great whatsit' [which] turns out to be—joke of jokes—an exploding atomic bomb." Orson Welles's baroquely styled Touch of Evil (1958)
10800-580: Is The Invisible Man (1933), directed by Englishman James Whale and photographed by American Arthur Edeson . Edeson later photographed The Maltese Falcon (1941), widely regarded as the first major film noir of the classic era. Josef von Sternberg was directing in Hollywood during the same period. Films of his such as Shanghai Express (1932) and The Devil Is a Woman (1935), with their hothouse eroticism and baroque visual style anticipated central elements of classic noir. The commercial and critical success of Sternberg's silent Underworld (1927)
11016-504: Is A. G. Sulzberger , Sulzberger Jr.'s son. As of 2023, the Times ' s executive editor is Joseph Kahn and the paper's managing editors are Marc Lacey and Carolyn Ryan , having been appointed in June 2022. The New York Times ' s deputy managing editors are Sam Dolnick , Monica Drake , and Steve Duenes , and the paper's assistant managing editors are Matthew Ericson, Jonathan Galinsky, Hannah Poferl, Sam Sifton , Karron Skog, and Michael Slackman . The New York Times
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#173277970438611232-497: Is Meredith Kopit Levien , the company's former chief operating officer who was appointed in September 2020. As of March 2023, The New York Times Company employs 5,800 individuals, including 1,700 journalists according to deputy managing editor Sam Dolnick . Journalists for The New York Times may not run for public office, provide financial support to political candidates or causes, endorse candidates, or demonstrate public support for causes or movements. Journalists are subject to
11448-535: Is "arbitrary". Expressionism-orientated filmmakers had free stylistic rein in Universal horror pictures such as Dracula (1931), The Mummy (1932)—the former photographed and the latter directed by the Berlin-trained Karl Freund —and The Black Cat (1934), directed by Austrian émigré Edgar G. Ulmer . The Universal horror film that comes closest to noir, in story and sensibility,
11664-717: Is "fundamentally useless", comparing him to Billy Beane , who implemented sabermetrics in baseball. According to Sullivan, his work was criticized by several notable political journalists. The New Republic obtained a memo in November 2013 revealing then-Washington bureau chief David Leonhardt 's ambitions to establish a data-driven newsletter with presidential historian Michael Beschloss , graphic designer Amanda Cox , economist Justin Wolfers , and The New Republic journalist Nate Cohn . By March, Leonhardt had amassed fifteen employees from within The New York Times ;
11880-461: Is among the first crime films of the sound era to join a characteristically noirish visual style with a noir-type plot, in which the protagonist is a criminal (as are his most successful pursuers). Directors such as Lang, Jacques Tourneur , Robert Siodmak and Michael Curtiz brought a dramatically shadowed lighting style and a psychologically expressive approach to visual composition ( mise-en-scène ) with them to Hollywood, where they made some of
12096-477: Is an American daily newspaper based in New York City . The New York Times covers domestic, national, and international news, and publishes opinion pieces, investigative reports, and reviews. As one of the longest-running newspapers in the United States, the Times serves as one of the country's newspapers of record . As of 2023 , The New York Times is the second-largest newspaper by print circulation in
12312-455: Is chosen. The alteration of a headline regarding intercepted Russian data used in the Mueller special counsel investigation was noted by Trump in a March 2017 interview with Time , in which he claimed that the headline used the word "wiretapped" in the print version of the paper on January 20, while the digital article on January 19 omitted the word. The headline was intentionally changed in
12528-452: Is frequently cited as the last noir of the classic period. Some scholars believe film noir never really ended, but continued to transform even as the characteristic noir visual style began to seem dated and changing production conditions led Hollywood in different directions—in this view, post-1950s films in the noir tradition are seen as part of a continuity with classic noir. A majority of critics, however, regard comparable films made outside
12744-520: Is majority-owned by the Ochs-Sulzberger family through elevated shares in the company's dual-class stock structure held largely in a trust, in effect since the 1950s; as of 2022, the family holds ninety-five percent of The New York Times Company's Class B shares , allowing it to elect seventy percent of the company's board of directors. Class A shareholders have restrictive voting rights. As of 2023, The New York Times Company's chief executive
12960-512: Is mirrored in the Warner Bros. drama I Am a Fugitive from a Chain Gang (1932), a forerunner of noir. Among films not considered noir, perhaps none had a greater effect on the development of the genre than Citizen Kane (1941), directed by Orson Welles . Its visual intricacy and complex, voiceover narrative structure are echoed in dozens of classic films noir. Italian neorealism of
13176-636: Is obvious: American-born director Jules Dassin moved to France in the early 1950s as a result of the Hollywood blacklist , and made one of the most famous French film noirs, Rififi (1955). Other well-known French films often classified as noir include Quai des Orfèvres (1947) and Les Diaboliques (1955), both directed by Henri-Georges Clouzot . Casque d'Or (1952), Touchez pas au grisbi (1954), and Le Trou (1960) directed by Jacques Becker ; and Ascenseur pour l'échafaud (1958), directed by Louis Malle . French director Jean-Pierre Melville
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#173277970438613392-470: Is owned by The New York Times Company , a publicly traded company. The New York Times Company, in addition to the Times , owns Wirecutter , The Athletic , The New York Times Cooking, and The New York Times Games, and acquired Serial Productions and Audm. The New York Times Company holds undisclosed minority investments in multiple other businesses, and formerly owned The Boston Globe and several radio and television stations. The New York Times Company
13608-552: Is set in 1930s Los Angeles, an accustomed noir locale nudged back some few years in a way that makes the pivotal loss of innocence in the story even crueler. Where Polanski and Towne raised noir to a black apogee by turning rearward, director Martin Scorsese and screenwriter Paul Schrader brought the noir attitude crashing into the present day with Taxi Driver (1976), a crackling, bloody-minded gloss on bicentennial America. In 1978, Walter Hill wrote and directed The Driver ,
13824-479: Is taken and they steal a passionate kiss. During a school fight Gwen runs away and finds Max, who has opened another club, in Brighton. Max is reluctant to take her back but as she’s clearly desperate, he gives her a job. Gwen soon becomes close to Danny Martin, a regular at the club. One drunken night both are out for a drive when they accidentally hit and kill a police officer. Danny forbids anyone from speaking to
14040-443: Is the largest technology union with collective bargaining rights in the United States. The guild held a second strike beginning on November 4, 2024, threatening the Times ' s coverage of the 2024 United States presidential election . As of August 2024, The New York Times has 10.8 million subscribers, with 10.2 million online subscribers and 600,000 print subscribers, the second-largest newspaper by print circulation in
14256-453: Is the pursuer rather than the pursued. A woman invariably joins him at a critical juncture, when he is most vulnerable. [Her] eventual betrayal of him (or herself) is as ambiguous as her feelings about him. Nicholas Christopher , Somewhere in the Night (1997) While many critics refer to film noir as a genre itself, others argue that it can be no such thing. Foster Hirsch defines
14472-536: Is widely recognized for his tragic, minimalist films noir— Bob le flambeur (1955), from the classic period, was followed by Le Doulos (1962), Le deuxième souffle 1966), Le Samouraï (1967), and Le Cercle rouge (1970). In the 1960s, Greek films noir " The Secret of the Red Mantle " and " The Fear " allowed audience for an anti-ableist reading which challenged stereotypes of disability. . Scholar Andrew Spicer argues that British film noir evidences
14688-846: The Detroit Free Press , The Patriot-News , The Arizona Republic , and The Indianapolis Star , The New York Times ran an editorial on its front page on December 5, 2015, following a terrorist attack in San Bernardino, California , in which fourteen people were killed. The editorial advocates for the prohibition of "slightly modified combat rifles" used in the San Bernardino shooting and "certain kinds of ammunition". Conservative figures, including Texas senator Ted Cruz , The Weekly Standard editor Bill Kristol , Fox & Friends co-anchor Steve Doocy , and then- New Jersey governor Chris Christie criticized
14904-653: The Frankfurter Zeitung . The international edition would develop into a separate newspaper . Journalist William L. Laurence publicized the atomic bomb race between the United States and Germany, resulting in the Federal Bureau of Investigation seizing copies of the Times . The United States government recruited Laurence to document the Manhattan Project in April 1945. Laurence became
15120-660: The Los Angeles Times and improvements in coverage from The Washington Post and The Wall Street Journal necessitated adaptations to nascent computing. The New York Times published " Heed Their Rising Voices " in 1960, a full-page advertisement purchased by supporters of Martin Luther King Jr. criticizing law enforcement in Montgomery, Alabama for their response to the civil rights movement . Montgomery Public Safety commissioner L. B. Sullivan sued
15336-539: The Nouvelle vague' s deeper waters), and Alan J. Pakula (1971's Klute ) directed films that knowingly related themselves to the original films noir, inviting audiences in on the game. A manifest affiliation with noir traditions—which, by its nature, allows different sorts of commentary on them to be inferred—can also provide the basis for explicit critiques of those traditions. In 1973, director Robert Altman flipped off noir piety with The Long Goodbye . Based on
15552-526: The Pentagon Papers , facing opposition from then-president Richard Nixon . The Supreme Court ruled in The New York Times ' s favor in New York Times Co. v. United States (1971), allowing the Times and The Washington Post to publish the papers. The New York Times remained cautious in its initial coverage of the Watergate scandal . As Congress began investigating the scandal,
15768-498: The American Film Institute ranked it as the greatest American film of the 1980s and the fourth greatest of all time—it tells the story of a boxer's moral self-destruction that recalls in both theme and visual ambiance noir dramas such as Body and Soul (1947) and Champion (1949). From 1981, Body Heat , written and directed by Lawrence Kasdan , invokes a different set of classic noir elements, this time in
15984-462: The Associated Press . Through managing editor Carr Van Anda , the Times focused on scientific advancements, reporting on Albert Einstein 's then-unknown theory of general relativity and becoming involved in the discovery of the tomb of Tutankhamun . In April 1935, Ochs died, leaving his son-in-law Arthur Hays Sulzberger as publisher. The Great Depression forced Sulzberger to reduce The New York Times ' s operations, and developments in
16200-473: The Great Recession , The New York Times suffered significant fiscal difficulties as a consequence of the subprime mortgage crisis and a decline in classified advertising . Exacerbated by Rupert Murdoch 's revitalization of The Wall Street Journal through his acquisition of Dow Jones & Company , The New York Times Company began enacting measures to reduce the newsroom budget. The company
16416-580: The Hillary Clinton email controversy and the Uranium One controversy ; national security correspondent Michael S. Schmidt initially wrote an article in March 2015 stating that Hillary Clinton had used a private email server as secretary of state. Donald Trump 's upset victory contributed to an increase in subscriptions to the Times . The New York Times experienced unprecedented indignation from Trump, who referred to publications such as
16632-626: The Microsoft Word -based content management system CCI for its print content. Scoop was developed in 2008 to serve as a secondary content management system for editors working in CCI to publish their content on the Times ' s website; as part of The New York Times ' s online endeavors, editors now write their content in Scoop and send their work to CCI for print publication. Since its introduction, Scoop has superseded several processes within
16848-546: The New York State Assembly and subsequent signage by then-governor Andrew Cuomo on June 24, 2011. The New York Times website is hosted at nytimes.com. It has undergone several major redesigns and infrastructure developments since its debut. In April 2006, The New York Times redesigned its website with an emphasis on multimedia. In preparation for Super Tuesday in February 2008, the Times developed
17064-857: The New York Times Guild . The Times Guild, along with the Times Tech Guild, are represented by the NewsGuild-CWA . In 1940, Arthur Hays Sulzberger was called upon by the National Labor Relations Board amid accusations that he had discouraged Guild membership in the Times . Over the next few years, the Guild would ratify several contracts, expanding to editorial and news staff in 1942 and maintenance workers in 1943. The New York Times Guild has walked out several times in its history, including for six and
17280-556: The Obama administration over its portrayal of terrorism. In presidential elections, The New York Times has endorsed a total of twelve Republican candidates and thirty-two Democratic candidates, and has endorsed the Democrat in every election since 1960. With the exception of Wendell Willkie , Republicans endorsed by the Times have won the presidency. In 2016, the editorial board issued an anti-endorsement against Donald Trump for
17496-523: The Supreme Court deadlocked in United States v. Texas . The New York Times has run editorials from its editorial board on the front page twice. On June 13, 1920, the Times ran an editorial opposing Warren G. Harding , who was nominated during that year's Republican Party presidential primaries . Amid growing acceptance to run editorials on the front pages from publications such as
17712-821: The Times ' s operations further, acquiring WQXR-FM in 1944 — the first non- Times investment since the Jones era — and established a fashion show in Times Hall. Despite reductions as a result of conscription, The New York Times retained the largest journalism staff of any newspaper. The Times ' s print edition became available internationally during the war through the Army & Air Force Exchange Service ; The New York Times Overseas Weekly later became available in Japan through The Asahi Shimbun and in Germany through
17928-684: The Times as " enemies of the people " at the Conservative Political Action Conference and tweeting his disdain for the newspaper and CNN . In October 2017, The New York Times published an article by journalists Jodi Kantor and Megan Twohey alleging that dozens of women had accused film producer and The Weinstein Company co-chairman Harvey Weinstein of sexual misconduct. The investigation resulted in Weinstein's resignation and conviction, precipitated
18144-912: The Times began hosting the DealBook Summit, an annual conference hosted by Sorkin. During the COVID-19 pandemic , The New York Times hosted the DealBook Online Summit in 2020 and 2021. The 2022 DealBook Summit featured — among other speakers — former vice president Mike Pence and Israeli prime minister Benjamin Netanyahu , culminating in an interview with former FTX chief executive Sam Bankman-Fried ; FTX had filed for bankruptcy several weeks prior. The 2023 DealBook Summit's speakers included vice president Kamala Harris , Israeli president Isaac Herzog , and businessman Elon Musk . In June 2010, The New York Times licensed
18360-739: The Times for defamation. In New York Times Co. v. Sullivan (1964), the U.S. Supreme Court ruled that the verdict in Alabama county court and the Supreme Court of Alabama violated the First Amendment . The decision is considered to be landmark . After financial losses, The New York Times ended its international edition , acquiring a stake in the Paris Herald Tribune , forming the International Herald Tribune . The Times initially published
18576-716: The Times furthered its coverage, publishing details on the Huston Plan , alleged wiretapping of reporters and officials, and testimony from James W. McCord Jr. that the Committee for the Re-Election of the President paid the conspirators off. The exodus of readers to suburban New York newspapers, such as Newsday and Gannett papers, adversely affected The New York Times ' s circulation. Contemporary newspapers balked at additional sections; Time devoted
18792-966: The Times over its coverage of missing explosives from the Al Qa'qaa weapons facility. An article in December 2005 disclosing warrantless surveillance by the National Security Agency contributed to further criticism from the George W. Bush administration and the Senate 's refusal to renew the Patriot Act . In the Plame affair , a Central Intelligence Agency inquiry found that Miller had become aware of Valerie Plame 's identity through then-vice president Dick Cheney 's chief of staff Scooter Libby , resulting in Miller's resignation. During
19008-415: The Times used the headline, "Trump Urges Unity vs. Racism", to describe then-president Donald Trump 's words after the shootings. After criticism from FiveThirtyEight founder Nate Silver , the headline was changed to, "Assailing Hate But Not Guns". Online, The New York Times ' s headlines do not face the same length restrictions as headlines that appear in print; print headlines must fit within
19224-459: The Times would expand its delivery options to US$ 95 cooking kits curated by chefs such as Nina Compton , Chintan Pandya, and Naoko Takei Moore. That month, the staff of NYT Cooking went on tour with Compton, Pandya, and Moore in Los Angeles, New Orleans , and New York City, culminating in a food festival. In addition, The New York Times offered its own wine club originally operated by
19440-432: The Times , including print edition planning and collaboration, and features tools such as multimedia integration, notifications, content tagging, and drafts. The New York Times uses private articles for high-profile opinion pieces, such as those written by Russian president Vladimir Putin and actress Angelina Jolie , and for high-level investigations. In January 2012, the Times released Integrated Content Editor (ICE),
19656-595: The Times . Talk radio host Erick Erickson acquired an issue of The New York Times to fire several rounds into the paper, posting a picture online. Since 1997, The New York Times ' s primary distribution center is located in College Point, Queens . The facility is 300,000 sq ft (28,000 m ) and employs 170 people as of 2017. The College Point distribution center prints 300,000 to 800,000 newspapers daily. On most occasions, presses start before 11 p.m. and finish before 3 a.m. A robotic crane grabs
19872-483: The Times ; Sulzberger, who negotiated The New York Times Company's acquisition of The Boston Globe in 1993, derided the Internet, while his son expressed antithetical views. @times appeared on America Online 's website in May 1994 as an extension of The New York Times , featuring news articles, film reviews, sports news, and business articles. Despite opposition, several employees of the Times had begun to access
20088-632: The Vietnam War , despite pushback from then-president Richard Nixon . In the landmark decision New York Times Co. v. United States (1971), the Supreme Court ruled that the First Amendment guaranteed the right to publish the Pentagon Papers . In the 1980s, the Times began a two-decade progression to digital technology and launched nytimes.com in 1996. In the 21st century, The New York Times has shifted its publication online amid
20304-506: The Weinstein effect , and served as a catalyst for the #MeToo movement . The New York Times Company vacated the public editor position and eliminated the copy desk in November. Sulzberger Jr. announced his resignation in December 2017, appointing his son, A. G. Sulzberger , as publisher. Trump's relationship — equally diplomatic and negative — marked Sulzberger's tenure. In September 2018, The New York Times published " I Am Part of
20520-505: The attack on Pearl Harbor in December 1941 convinced then-publisher Arthur Hays Sulzberger of the necessity of a crossword. The New York Times has published recipes since the 1850s and has had a separate food section since the 1940s. In 1961, restaurant critic Craig Claiborne published The New York Times Cookbook , an unauthorized cookbook that drew from the Times ' s recipes. Since 2010, former food editor Amanda Hesser has published The Essential New York Times Cookbook ,
20736-538: The cosine similarity of text embeddings of recipe titles. The website also features no-recipe recipes, a concept proposed by Sifton. In May 2016, The New York Times Company announced a partnership with startup Chef'd to form a meal delivery service that would deliver ingredients from The New York Times Cooking recipes to subscribers; Chef'd shut down in July 2018 after failing to accrue capital and secure financing. The Hollywood Reporter reported in September 2022 that
20952-737: The decline of newspapers , particularly regional publications, the Times must travel further; for example, newspapers for Hawaii are flown from San Francisco on United Airlines , and Sunday papers are flown from Los Angeles on Hawaiian Airlines . Computer glitches, mechanical issues, and weather phenomena affect circulation but do not stop the paper from reaching customers. The College Point facility prints over two dozen other papers, including The Wall Street Journal and USA Today . The New York Times has halted its printing process several times to account for major developments. The first printing stoppage occurred on March 31, 1968, when then-president Lyndon B. Johnson announced that he would not seek
21168-399: The gangster film to the police procedural to the gothic romance to the social problem picture —any example of which from the 1940s and 1950s, now seen as noir's classical era, was likely to be described as a melodrama at the time. It is night, always. The hero enters a labyrinth on a quest. He is alone and off balance. He may be desperate, in flight, or coldly calculating, imagining he
21384-536: The major studios or by one of the smaller Poverty Row outfits, from the relatively well-off Monogram to shakier ventures such as Producers Releasing Corporation (PRC) . Jacques Tourneur had made over thirty Hollywood Bs (a few now highly regarded, most forgotten) before directing the A-level Out of the Past , described by scholar Robert Ottoson as "the ne plus ultra of forties film noir". Movies with budgets
21600-616: The "classic period" of American film noir . Film noir of this era is associated with a low-key , black-and-white visual style that has roots in German expressionist cinematography . Many of the prototypical stories and attitudes expressed in classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression , known as noir fiction . The term film noir , French for "black film" (literal) or "dark film" (closer meaning),
21816-520: The 1910s and 1920s that involved theater, music, photography, painting, sculpture and architecture, as well as cinema. The opportunities offered by the booming Hollywood film industry and then the threat of Nazism led to the emigration of many film artists working in Germany who had been involved in the Expressionist movement or studied with its practitioners. M (1931), shot only a few years before director Fritz Lang 's departure from Germany,
22032-476: The 1940s, with its emphasis on quasi-documentary authenticity, was an acknowledged influence on trends that emerged in American noir. The Lost Weekend (1945), directed by Billy Wilder , another Vienna-born, Berlin-trained American auteur , tells the story of an alcoholic in a manner evocative of neorealism. It also exemplifies the problem of classification: one of the first American films to be described as
22248-560: The Cain approach has come to be identified with a subset of the hardboiled genre dubbed " noir fiction ". For much of the 1940s, one of the most prolific and successful authors of this often downbeat brand of suspense tale was Cornell Woolrich (sometimes under the pseudonym George Hopley or William Irish). No writer's published work provided the basis for more noir films of the classic period than Woolrich's: thirteen in all, including Black Angel (1946), Deadline at Dawn (1946), and Fear in
22464-466: The Cold War. This cinematological trend reflected much of the cynicism and the possibility of nuclear annihilation of the era. This new genre introduced innovations that were not available to earlier noir films. The violence was also more potent. While it is hard to draw a line between some of the noir films of the early 1960s such as Blast of Silence (1961) and Cape Fear (1962) and the noirs of
22680-430: The E and the A, as not doing so would leave a noticeable gap due to the stem of the A sloping away from the E. The Times reused the tight kerning for "Biden Beats Trump" and Trump's second impeachment , which simply read, "Impeached". In cases where two major events occur on the same day or immediately after each other, The New York Times has used a "paddle wheel" headline, where both headlines are used but split by
22896-627: The Global Wine Company. The New York Times Wine Club was established in August 2009, during a dramatic decrease in advertising revenue. By 2021, the wine club was managed by Lot18 , a company that provides proprietary labels. Lot18 managed the Williams Sonoma Wine Club and its own wine club Tasting Room. The New York Times archives its articles in a basement annex beneath its building known as "the morgue",
23112-589: The Internet. The online success of publications that traditionally co-existed with the Times — such as America Online, Yahoo , and CNN — and the expansion of websites such as Monster.com and Craigslist that threatened The New York Times ' s classified advertisement model increased efforts to develop a website. nytimes.com debuted on January 19 and was formally announced three days later. The Times published domestic terrorist Ted Kaczynski 's essay Industrial Society and Its Future in 1995, contributing to his arrest after his brother David recognized
23328-450: The Lake (1947)—he was an important screenwriter in the genre as well, producing the scripts for Double Indemnity , The Blue Dahlia (1946), and Strangers on a Train (1951). Where Chandler, like Hammett, centered most of his novels and stories on the character of the private eye, Cain featured less heroic protagonists and focused more on psychological exposition than on crime solving;
23544-601: The Museum at The Times. From February 7, 1898, to December 31, 1999, the Times ' s issue number was incorrect by five hundred issues, an error suspected by The Atlantic to be the result of a careless front page type editor. The misreporting was noticed by news editor Aaron Donovan, who was calculating the number of issues in a spreadsheet and noticed the discrepancy. The New York Times celebrated fifty thousand issues on March 14, 1995, an observance that should have occurred on July 26, 1996. The New York Times has reduced
23760-673: The New York newspaper landscape resulted in the formation of larger newspapers, such as the New York Herald Tribune and the New York World-Telegram . In contrast to Ochs, Sulzberger encouraged wirephotography . The New York Times extensively covered World War II through large headlines, reporting on exclusive stories such as the Yugoslav coup d'état . Amid the war, Sulzberger began expanding
23976-403: The Night (1947). Another crucial literary source for film noir was W. R. Burnett , whose first novel to be published was Little Caesar , in 1929. It was turned into a hit for Warner Bros. in 1931; the following year, Burnett was hired to write dialogue for Scarface , while The Beast of the City (1932) was adapted from one of his stories. At least one important reference work identifies
24192-599: The Ochs-Sulzberger family, having previously been published by Henry Jarvis Raymond until 1869 and by George Jones until 1896. Adolph Ochs published the Times until his death in 1935, when he was succeeded by his son-in-law, Arthur Hays Sulzberger . Sulzberger was publisher until 1961 and was succeeded by Orvil Dryfoos , his son-in-law, who served in the position until his death in 1963. Arthur Ochs Sulzberger succeeded Dryfoos until his resignation in 1992. His son, Arthur Ochs Sulzberger Jr. , served as publisher until 2018. The New York Times ' s current publisher
24408-433: The Ochs-Sulzberger family, of which Oakes was a member as Adolph Ochs 's nephew; in 1976, Oakes publicly disagreed with Sulzberger's endorsement of Daniel Patrick Moynihan over Bella Abzug in the 1976 Senate Democratic primaries in a letter sent from Martha's Vineyard . Under Rosenthal, the editorial board took positions supporting assault weapons legislation and the legalization of marijuana , but publicly criticized
24624-745: The Resistance Inside the Trump Administration ", an anonymous essay by a self-described Trump administration official later revealed to be Department of Homeland Security chief of staff Miles Taylor . The animosity — which extended to nearly three hundred instances of Trump disparaging the Times by May 2019 — culminated in Trump ordering federal agencies to cancel their subscriptions to The New York Times and The Washington Post in October 2019. Trump's tax returns have been
24840-470: The Third Floor still lost its studio, RKO , US$ 56,000 (equivalent to $ 1,217,900 in 2023), almost a third of its total cost. Variety magazine found Ingster's work: "...too studied and when original, lacks the flare [ sic ] to hold attention. It's a film too arty for average audiences, and too humdrum for others." Stranger on the Third Floor was not recognized as the beginning of
25056-525: The United States , with 296,330 print subscribers. The Times has 8.83 million online subscribers, the most of any newspaper in the United States. The New York Times is published by The New York Times Company ; since 1896, the company has been chaired by the Ochs-Sulzberger family, whose current chairman and the paper's publisher is A. G. Sulzberger . The Times is headquartered at The New York Times Building in Midtown Manhattan . The Times
25272-521: The United States behind The Wall Street Journal . The New York Times Company intends to have fifteen million subscribers by 2027. The Times ' s shift towards subscription-based revenue with the debut of an online paywall in 2011 contributed to subscription revenue exceeding advertising revenue the following year, furthered by the 2016 presidential election and Donald Trump . In 2022, Vox wrote that The New York Times ' s subscribers skew "older, richer, whiter, and more liberal"; to reflect
25488-535: The Window (1944) was a production of the independent International Pictures. Lang's follow-up, Scarlet Street (1945), was one of the few classic noirs to be officially censored: filled with erotic innuendo, it was temporarily banned in Milwaukee, Atlanta and New York State. Scarlet Street was a semi-independent, cosponsored by Universal and Lang's Diana Productions, of which the film's co-star, Joan Bennett ,
25704-491: The acquirer, comparing himself to Groucho Marx . According to The New Republic , FiveThirtyEight drew as much as a fifth of the traffic to nytimes.com during the 2012 presidential election . In July 2013, FiveThirtyEight was sold to ESPN . In an article following Silver's exit, public editor Margaret Sullivan wrote that he was disruptive to the Times ' s culture for his perspective on probability-based predictions and scorn for polling — having stated that punditry
25920-417: The basis for Double Indemnity (1944), Mildred Pierce (1945), The Postman Always Rings Twice (1946), and Slightly Scarlet (1956; adapted from Love's Lovely Counterfeit ). A decade before the classic era, a story by Hammett was the source for the gangster melodrama City Streets (1931), directed by Rouben Mamoulian and photographed by Lee Garmes , who worked regularly with Sternberg. Released
26136-468: The car is Red. When her companions see the two know each other, they shoot Red dead. All three are eventually caught and tried for their crimes, and Gwen is sentenced to serve fifteen years in prison. At the end of the film, a chastened Lyla thanks Miss Thorpe and decides to head home. The film was originally known as Bad Girl . It was based on Arthur La Bern 's 1947 novel Night Darkens the Street . It
26352-408: The classic era to be something other than genuine film noir. They regard true film noir as belonging to a temporally and geographically limited cycle or period, treating subsequent films that evoke the classics as fundamentally different due to general shifts in filmmaking style and latter-day awareness of noir as a historical source for allusion . These later films are often called neo-noir . While
26568-437: The classic films noir were referred to as " melodramas ". Whether film noir qualifies as a distinct genre or whether it should be considered a filmmaking style is a matter of ongoing and heavy debate among film scholars. Film noir encompasses a range of plots; common archetypical protagonists include a private investigator ( The Big Sleep ), a plainclothes police officer ( The Big Heat ), an aging boxer ( The Set-Up ),
26784-489: The classic noir period in Great Britain: Night and the City (1950). Though it was conceived in the United States and was not only directed by an American but also stars two American actors— Richard Widmark and Gene Tierney —it is technically a UK production, financed by 20th Century-Fox 's British subsidiary. The most famous of classic British noirs is director Carol Reed 's The Third Man (1949), from
27000-473: The classic period were similarly low- and modestly-budgeted features without major stars— B movies either literally or in spirit. In this production context, writers, directors, cinematographers, and other craftsmen were relatively free from typical big-picture constraints. There was more visual experimentation than in Hollywood filmmaking as a whole: the Expressionism now closely associated with noir and
27216-452: The classical period, and often treat its conventions self-referentially . Latter-day works are typically referred to as neo-noir . The clichés of film noir have inspired parody since the mid-1940s. The question of what defines film noir and what sort of category it is, provokes continuing debate. "We'd be oversimplifying things in calling film noir oneiric , strange, erotic, ambivalent, and cruel ..."—this set of attributes constitutes
27432-717: The club where he works. Jimmy tells her to go to the Blue Angel night club, where she meets his employer Max Vine, the boss. Having checked out her shapely legs he employs her as a hat-check girl. While working she meets "Red" Farrell, a member of the club’s band, who feels the need to look after her well-being. Jimmy attempts to pursue Gwen but is rejected. He grows angry about the growing relationship between Red and Gwen and beats her. Max discovers what Jimmy has done and fires him. Angry at Gwen, who he feels has lost him his job, Jimmy plots to betray her. He steals their landlady's jewellery and tells Gwen to pawn it for him. Believing that
27648-434: The conventions of classic film noir as historical archetypes to be revived, rejected, or reimagined. These efforts typify what came to be known as neo-noir. Though several late classic noirs, Kiss Me Deadly (1955) in particular, were deeply self-knowing and post-traditional in conception, none tipped its hand so evidently as to be remarked on by American critics at the time. The first major film to overtly work this angle
27864-459: The discrepancy between the mediums in print and online articles. The system reduces the input of editors and supports additional visual mediums in an editor that resembles the appearance of the article. Oak is based on ProseMirror, a JavaScript rich-text editor toolkit, and retains the revision tracking and commenting functionalities of The New York Times ' s previous systems. Additionally, Oak supports predefined article headers. In 2019, Oak
28080-441: The edition number of that issue; on the day of the 2000 presidential election, the Times was revised four separate times, necessitating the use of an em dash in place of an ellipsis. The em dash issue was printed hundreds times over before being replaced by the one-dot issue. Despite efforts by newsroom employees to recycle copies sent to The New York Times ' s office, several copies were kept, including one put on display at
28296-413: The epidemic, with mentions of anal intercourse , contrasted with then-executive editor A. M. Rosenthal 's puritan approach, intentionally avoiding descriptions of the luridity of gay venues. Following years of waning interest in The New York Times , Sulzberger resigned in January 1992, appointing his son, Arthur Ochs Sulzberger Jr. , as publisher. The Internet represented a generational shift within
28512-406: The era; at least four qualify by consensus: Shadow of a Doubt (1943), Notorious (1946), Strangers on a Train (1951) and The Wrong Man (1956), Otto Preminger 's success with Laura (1944) made his name and helped demonstrate noir's adaptability to a high-gloss 20th Century-Fox presentation. Among Hollywood's most celebrated directors of the era, arguably none worked more often in
28728-461: The essay's penmanship. Following the establishment of nytimes.com , The New York Times retained its journalistic hesitancy under executive editor Joseph Lelyveld , refusing to publish an article reporting on the Clinton–Lewinsky scandal from Drudge Report . nytimes.com editors conflicted with print editors on several occasions, including wrongfully naming security guard Richard Jewell as
28944-494: The expressionistic effects of classic black-and-white noir. Like Chinatown , its more complex predecessor, Curtis Hanson 's Oscar-winning L.A. Confidential (1997), based on the James Ellroy novel, demonstrates the opposite tendency—the deliberately retro film noir; its tale of corrupt cops and femmes fatale is seemingly lifted straight from a film of 1953, the year in which it is set. Director David Fincher followed
29160-458: The femme fatale, the private eye, came to the fore in films such as The Maltese Falcon (1941), with Humphrey Bogart as Sam Spade , and Murder, My Sweet (1944), with Dick Powell as Philip Marlowe . The prevalence of the private eye as a lead character declined in film noir of the 1950s, a period during which several critics describe the form as becoming more focused on extreme psychologies and more exaggerated in general. A prime example
29376-647: The film's commercial success and seven Oscar nominations made it probably the most influential of the early noirs. A slew of now-renowned noir "bad girls" followed, such as those played by Rita Hayworth in Gilda (1946), Lana Turner in The Postman Always Rings Twice (1946), Ava Gardner in The Killers (1946), and Jane Greer in Out of the Past (1947). The iconic noir counterpart to
29592-461: The first "true" film noir is Stranger on the Third Floor (1940), directed by Latvian-born, Soviet-trained Boris Ingster . Hungarian émigré Peter Lorre —who had starred in Lang's M —was top-billed, although he did not play the primary lead. (He later played secondary roles in several other formative American noirs.) Although modestly budgeted, at the high end of the B movie scale, Stranger on
29808-559: The first of many attempts to define film noir made by French critics Raymond Borde [ fr ] and Étienne Chaumeton in their 1955 book Panorama du film noir américain 1941–1953 ( A Panorama of American Film Noir ), the original and seminal extended treatment of the subject. They emphasize that not every noir film embodies all five attributes in equal measure—one might be more dreamlike; another, particularly brutal. The authors' caveats and repeated efforts at alternative definition have been echoed in subsequent scholarship, but in
30024-401: The first time in its history. In February 2020, the editorial board reduced its presence from several editorials each day to occasional editorials for events deemed particularly significant. Since August 2024, the board no longer endorses candidates in local or congressional races in New York. Since 1940, editorial, media, and technology workers of The New York Times have been represented by
30240-464: The general population of the United States, the Times has attempted to alter its audience by acquiring The Athletic , investing in verticals such as The New York Times Games , and beginning a marketing campaign showing diverse subscribers to the Times . The New York Times Company chief executive Meredith Kopit Levien stated that the average age of subscribers has remained constant. In October 2001, The New York Times began publishing DealBook ,
30456-490: The genre include 1944's Phantom Lady (a top-of-the-line B and Woolrich adaptation), the ironically titled Christmas Holiday (1944), and Cry of the City (1948). Criss Cross (1949), with Lancaster again the lead, exemplifies how Siodmak brought the virtues of the B-movie to the A noir. In addition to the relatively looser constraints on character and message at lower budgets, the nature of B production lent itself to
30672-588: The genre's films. Because of the diversity of noir (much greater than that of the screwball comedy), certain scholars in the field, such as film historian Thomas Schatz, treat it as not a genre but a "style". Alain Silver , the most widely published American critic specializing in film noir studies, refers to film noir as a "cycle" and a "phenomenon", even as he argues that it has—like certain genres—a consistent set of visual and thematic codes. Screenwriter Eric R. Williams labels both film noir and screwball comedy
30888-600: The global decline of newspapers . The Times has expanded to several other publications, including The New York Times Magazine , The New York Times International Edition , and The New York Times Book Review . In addition, the paper has produced several television series, podcasts — including The Daily — and games through The New York Times Games . The New York Times has been involved in several controversies in its history. The Times maintains several regional bureaus staffed with journalists across six continents, and has received 137 Pulitzer Prizes as of 2023,
31104-502: The guidelines established in "Ethical Journalism" and "Guidelines on Integrity". According to the former, Times journalists must abstain from using sources with a personal relationship to them and must not accept reimbursements or inducements from individuals who may be written about in The New York Times , with exceptions for gifts of nominal value. The latter requires attribution and exact quotations, though exceptions are made for linguistic anomalies. Staff writers are expected to ensure
31320-409: The honorific from Osama bin Laden 's name, consistent with deceased figures of historic significance, such as Adolf Hitler , Napoleon , and Vladimir Lenin . The New York Times uses academic and military titles for individuals prominently serving in that position. In 1986, the Times began to use Ms , and introduced the gender-neutral title Mx. in 2015. The New York Times uses initials when
31536-483: The immensely successful neo-noir Seven (1995) with a film that developed into a cult favorite after its original, disappointing release: Fight Club (1999), a sui generis mix of noir aesthetic, perverse comedy, speculative content, and satiric intent. Working generally with much smaller budgets, brothers Joel and Ethan Coen have created one of the most extensive oeuvres influenced by classic noir, with films such as Blood Simple (1984) and Fargo (1996),
31752-414: The inceptive noir, Stranger on the Third Floor , was a B picture directed by a virtual unknown, many of the films noir still remembered were A-list productions by well-known film makers. Debuting as a director with The Maltese Falcon (1941), John Huston followed with Key Largo (1948) and The Asphalt Jungle (1950). Opinion is divided on the noir status of several Alfred Hitchcock thrillers from
31968-409: The industry blacklist—as well as Henry Hathaway ( The Dark Corner (1946), Kiss of Death (1947)) and John Farrow ( The Big Clock (1948), Night Has a Thousand Eyes (1948)). Most of the Hollywood films considered to be classic noirs fall into the category of the B movie. Some were Bs in the most precise sense, produced to run on the bottom of double bills by a low-budget unit of one of
32184-460: The information in the XML and INI files. The image tiles are generated using GDAL and displayed using Leaflet , using data from a content delivery network . The Times ran optical character recognition on the articles using Tesseract and shingled and fuzzy string matched the result. The New York Times uses a proprietary content management system known as Scoop for its online content and
32400-455: The jewellery belonged to his mother, Gwen follows his instructions. Later, after learning that Max had been attacked by a gang, Gwen doesn't want to go back to her lodgings because of Jimmy. Neither does she want to go to her parents because of her father, so Red takes her back to his place. Red lets her have a bath and allows her a night's stay but insists that she leave the following day when they will search for new lodgings for her. When watching
32616-427: The late 1950s, new trends emerged in the post-classic era. The Manchurian Candidate (1962), directed by John Frankenheimer , Shock Corridor (1963), directed by Samuel Fuller , and Brainstorm (1965), directed by experienced noir character actor William Conrad , all treat the theme of mental dispossession within stylistic and tonal frameworks derived from classic film noir. The Manchurian Candidate examined
32832-440: The latter as a film noir despite its early date. Burnett's characteristic narrative approach fell somewhere between that of the quintessential hardboiled writers and their noir fiction compatriots—his protagonists were often heroic in their own way, which happened to be that of the gangster. During the classic era, his work, either as author or screenwriter, was the basis for seven films now widely regarded as noir, including three of
33048-562: The latter considered by some a supreme work in the neo-noir mode. The Coens cross noir with other generic traditions in the gangster drama Miller's Crossing (1990)—loosely based on the Dashiell Hammett novels Red Harvest and The Glass Key —and the comedy The Big Lebowski (1998), a tribute to Chandler and an homage to Altman's version of The Long Goodbye . The characteristic work of David Lynch combines film noir tropes with scenarios driven by disturbed characters such as
33264-497: The main plot. The film opens with Miss Thorpe, chairwoman of the Juvenile Court, giving advice to troubled teenager Lyla Lawrence. Miss Thorpe tells Lyla that her life has a similar beginning to that of Gwen Rawlings. She then recounts Gwen's story in a series of flashbacks. Gwen is a 16-year-old girl who repeatedly falls in with the wrong crowd. Her troubles begin with her employer, a pawnbroker, who catches her "borrowing"
33480-492: The major studios that have been chosen for the United States National Film Registry . Of the others, one was a small-studio release: Detour . Four were independent productions distributed by United Artists , the "studio without a studio": Gun Crazy ; Kiss Me Deadly ; D.O.A. (1950), directed by Rudolph Maté and Sweet Smell of Success (1957), directed by Alexander Mackendrick . One
33696-475: The minor melodrama class"; whereas The Monthly Film Bulletin found the film "Tensely gripping in its seamiest situations, it holds the interest to the end and makes the heart beat faster...Apart from perfect direction, fine photography, and good acting, the story makes one think and argue"; and in The Spectator , Virginia Graham wrote "Good Time Girl makes a shot at dealing seriously and honestly with
33912-455: The monstrous or supernatural elements of the horror film , the speculative leaps of the science fiction film , or the song-and-dance routines of the musical . An analogous case is that of the screwball comedy , widely accepted by film historians as constituting a "genre": screwball is defined not by a fundamental attribute, but by a general disposition and a group of elements, some—but rarely and perhaps never all—of which are found in each of
34128-452: The month before Lang's M , City Streets has a claim to being the first major film noir; both its style and story had many noir characteristics. Raymond Chandler , who debuted as a novelist with The Big Sleep in 1939, soon became the most famous author of the hardboiled school. Not only were Chandler's novels turned into major noirs— Murder, My Sweet (1944; adapted from Farewell, My Lovely ), The Big Sleep (1946), and Lady in
34344-474: The most famous classic noirs. By 1931, Curtiz had already been in Hollywood for half a decade, making as many as six films a year. Movies of his such as 20,000 Years in Sing Sing (1932) and Private Detective 62 (1933) are among the early Hollywood sound films arguably classifiable as noir—scholar Marc Vernet offers the latter as evidence that dating the initiation of film noir to 1940 or any other year
34560-612: The most famous: High Sierra (1941), This Gun for Hire (1942), and The Asphalt Jungle (1950). The 1940s and 1950s are generally regarded as the classic period of American film noir. While City Streets and other pre-WWII crime melodramas such as Fury (1936) and You Only Live Once (1937), both directed by Fritz Lang, are categorized as full-fledged noir in Alain Silver and Elizabeth Ward's film noir encyclopedia, other critics tend to describe them as "proto-noir" or in similar terms. The film now most commonly cited as
34776-483: The most of any publication, among other accolades. The New York Times was established in 1851 by New-York Tribune journalists Henry Jarvis Raymond and George Jones . The Times experienced significant circulation, particularly among conservatives; New-York Tribune publisher Horace Greeley praised the New-York Daily Times . During the American Civil War , Times correspondents gathered information directly from Confederate states. In 1869, Jones inherited
34992-426: The most understandable of femme fatales; Dan Duryea , in one of his many charismatic villain roles; and Lancaster as an ordinary laborer turned armed robber, doomed by a romantic obsession. Some critics regard classic film noir as a cycle exclusive to the United States; Alain Silver and Elizabeth Ward, for example, argue, "With the Western, film noir shares the distinction of being an indigenous American form ...
35208-478: The movie, the name of the night club is articulated as being something similar sounding to Swan's Down, rather than Blue Angel. However, the police soon find Gwen and she is sent to court where she is accused of having stolen jewellery. Believing Jimmy's lies and discounting Red's evidence that Gwen is innocent, Miss Thorpe, presiding over the hearing, decides to send her to an approved school for three years. The child welfare officer allows Red to see Gwen before she
35424-401: The newsletter's staff included individuals who had created the Times ' s dialect quiz, fourth down analyzer, and a calculator for determining buying or renting a home. The Upshot debuted in April 2014. Fast Company reviewed an article about Illinois Secure Choice — a state-funded retirement saving system — as "neither a terse news item, nor a formal financial advice column, nor
35640-453: The newspaper's structure. Ochs established the Times as a merchant's newspaper and removed the hyphen from the newspaper's name. In 1905, The New York Times opened Times Tower , marking expansion. The Times experienced a political realignment in the 1910s amid several disagreements within the Republican Party . The New York Times reported on the sinking of the Titanic , as other newspapers were cautious about bulletins circulated by
35856-501: The noir style for economic reasons: dim lighting saved on electricity and helped cloak cheap sets (mist and smoke also served the cause). Night shooting was often compelled by hurried production schedules. Plots with obscure motivations and intriguingly elliptical transitions were sometimes the consequence of hastily written scripts. There was not always enough time or money to shoot every scene. In Criss Cross , Siodmak achieved these effects, wrapping them around Yvonne De Carlo , who played
36072-416: The novel by Raymond Chandler, it features one of Bogart's most famous characters, but in iconoclastic fashion: Philip Marlowe, the prototypical hardboiled detective, is replayed as a hapless misfit, almost laughably out of touch with contemporary mores and morality. Where Altman's subversion of the film noir mythos was so irreverent as to outrage some contemporary critics, around the same time Woody Allen
36288-452: The only witness of the Manhattan Project, a detail realized by employees of The New York Times following the atomic bombing of Hiroshima . Following World War II , The New York Times continued to expand. The Times was subject to investigations from the Senate Internal Security Subcommittee , a McCarthyist subcommittee that investigated purported communism from within press institutions. Arthur Hays Sulzberger 's decision to dismiss
36504-442: The pages were reduced to 15.5 inches (390 mm). On February 14, 1955, a further reduction to 15 inches (380 mm) occurred, followed by 14.5 and 13.5 inches (370 and 340 mm). On August 6, 2007, the largest cut occurred when the pages were reduced to 12 inches (300 mm), a decision that other broadsheets had previously considered. Then-executive editor Bill Keller stated that a narrower paper would be more beneficial to
36720-497: The paper from Raymond, who had changed its name to The New-York Times . Under Jones, the Times began to publish a series of articles criticizing Tammany Hall political boss William M. Tweed , despite vehement opposition from other New York newspapers. In 1871, The New-York Times published Tammany Hall's accounting books; Tweed was tried in 1873 and sentenced to twelve years in prison. The Times earned national recognition for its coverage of Tweed. In 1891, Jones died, creating
36936-496: The paper. The descender of the "h" was shortened on December 30, 1914. The largest change to the nameplate was introduced on February 21, 1967, when type designer Ed Benguiat redesigned the logo, most prominently turning the arrow ornament into a diamond. Notoriously, the new logo dropped the period that remained with the Times up until that point; one reader compared the omission of the period to "performing plastic surgery on Helen of Troy ." Picture editor John Radosta worked with
37152-578: The parallel influence of the cinematic newsreel. The primary literary influence on film noir was the hardboiled school of American detective and crime fiction , led in its early years by such writers as Dashiell Hammett (whose first novel, Red Harvest , was published in 1929) and James M. Cain (whose The Postman Always Rings Twice appeared five years later), and popularized in pulp magazines such as Black Mask . The classic film noirs The Maltese Falcon (1941) and The Glass Key (1942) were based on novels by Hammett; Cain's novels provided
37368-561: The passage of the Affordable Care Act in 2010 was a "big fucking deal". The Times ' s profanity policy has been tested by former president Donald Trump . The New York Times published Trump's Access Hollywood tape in October 2016, containing the words "fuck", "pussy", "bitch", and "tits", the first time the publication had published an expletive on its front page, and repeated an explicit phrase for fellatio stated by then- White House communications director Anthony Scaramucci in July 2017. The New York Times omitted Trump's use of
37584-459: The period, updated the hardboiled tradition in different ways, but the show conjuring the most noir tone was a horror crossover touched with shaggy, Long Goodbye -style humor: Kolchak: The Night Stalker (1974–75), featuring a Chicago newspaper reporter investigating strange, usually supernatural occurrences. The turn of the decade brought Scorsese's black-and-white Raging Bull (1980, cowritten by Schrader). An acknowledged masterpiece—in 2007
37800-554: The phrase " shithole countries " from its headline in favor of "vulgar language" in January 2018. The Times banned certain words, such as "bitch", "whore", and "sluts", from Wordle in 2022. Journalists for The New York Times do not write their own headlines, but rather copy editors who specifically write headlines. The Times ' s guidelines insist headline editors get to the main point of an article but avoid giving away endings, if present. Other guidelines include using slang "sparingly", avoiding tabloid headlines , not ending
38016-430: The physical size of its print edition while retaining its broadsheet format. The New-York Daily Times debuted at 18 inches (460 mm) across. By the 1950s, the Times was being printed at 16 inches (410 mm) across. In 1953, an increase in paper costs to US$ 10 (equivalent to $ 113.88 in 2023) a ton increased newsprint costs to US$ 21.7 million (equivalent to $ 308,616,417.91 in 2023) On December 28, 1953,
38232-406: The police. However, once Danny is questioned Gwen flees. Danny later finds Gwen and beats her. Gwen is found and helped by two American soldiers who are AWOL . They decide to band together and become petty criminals in London. After becoming too well known in the city for their crimes, they decide to head to Manchester. As they flag down a car to steal, Gwen immediately recognises that the driver of
38448-434: The political blog FiveThirtyEight in a three-year agreement. The blog, written by Nate Silver , had garnered attention during the 2008 presidential election for predicting the elections in forty-nine of fifty states. FiveThirtyEight appeared on nytimes.com in August. According to Silver, several offers were made for the blog; Silver wrote that a merger of unequals must allow for editorial sovereignty and resources from
38664-511: The position until his retirement in 1961. John Bertram Oakes served as opinion editor from 1961 to 1976, when then-publisher Arthur Ochs Sulzberger appointed Max Frankel . Frankel served in the position until 1986, when he was appointed as executive editor. Jack Rosenthal was the opinion editor from 1986 to 1993. Howell Raines succeeded Rosenthal until 2001, when he was made executive editor. Gail Collins succeeded Raines until her resignation in 2006. From 2007 to 2016, Andrew Rosenthal
38880-542: The post-classic area. Some of these are quintessentially self-aware neo-noirs—for example, Il Conformista (1969; Italy), Der Amerikanische Freund (1977; Germany), The Element of Crime (1984; Denmark), and El Aura (2005; Argentina). Others simply share narrative elements and a version of the hardboiled sensibility associated with classic noir, such as Castle of Sand (1974; Japan), Insomnia (1997; Norway), Croupier (1998; UK), and Blind Shaft (2003; China). The neo-noir film genre developed mid-way into
39096-418: The print version of the Times , these headlines are written by one copy editor, reviewed by two other copy editors, approved by the masthead editors, and polished by other print editors. The process is completed before 8 p.m., but it may be repeated if further development occur, as did take place during the 2020 presidential election . On the day Joe Biden was declared the winner, The New York Times utilized
39312-419: The print version to use "wiretapped" in order to fit within the print guidelines. The nameplate of The New York Times has been unaltered since 1967. In creating the initial nameplate, Henry Jarvis Raymond sought to model The London Times , which used a Blackletter style called Textura , popularized following the fall of the Western Roman Empire and regional variations of Alcuin 's script, as well as
39528-514: The problem of juvenile delinquency, and it does not fall too short of the mark." Financially, the film was not a great success with box office takings (£177,000 at 1953) slightly under its production costs of £180,000. Film noir Film noir ( / n w ɑːr / ; French: [film nwaʁ] ) is a cinematic term used primarily to describe stylized Hollywood crime dramas , particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as
39744-566: The proto-noirs They Drive by Night (1940), Manpower (1941) and High Sierra (1941), now regarded as a seminal work in noir's development. Walsh had no great name during his half-century as a director but his noirs The Man I Love (1947), White Heat (1949) and The Enforcer (1951) had A-list stars and are seen as important examples of the cycle. Other directors associated with top-of-the-bill Hollywood films noir include Edward Dmytryk ( Murder, My Sweet (1944), Crossfire (1947))—the first important noir director to fall prey to
39960-417: The reader but acknowledged a net loss in article space of five percent. In 1985, The New York Times Company established a minority stake in a US$ 21.7 million (equivalent to $ 308,616,417.91 in 2023) newsprint plant in Clermont, Quebec through Donahue Malbaie . The company sold its equity interest in Donahue Malbaie in 2017. The New York Times often uses large, bolded headlines for major events. For
40176-551: The scandal, culminating in a town hall in which a deputy editor criticized Raines for failing to question Blair's sources in article he wrote on the D.C. sniper attacks . In June 2003, Raines and Boyd resigned. Arthur Ochs Sulzberger Jr. appointed Bill Keller as executive editor. Miller continued to report on the Iraq War as a journalistic embed covering the country's weapons of mass destruction program. Keller and then-Washington bureau chief Jill Abramson unsuccessfully attempted to subside criticism. Conservative media criticized
40392-495: The semi-documentary style that later emerged represent two very different tendencies. Narrative structures sometimes involved convoluted flashbacks uncommon in non-noir commercial productions. In terms of content, enforcement of the Production Code ensured that no film character could literally get away with murder or be seen sharing a bed with anyone but a spouse; within those bounds, however, many films now identified as noir feature plot elements and dialogue that were very risqué for
40608-412: The situation of American prisoners of war (POWs) during the Korean War . Incidents that occurred during the war as well as those post-war functioned as an inspiration for a "Cold War Noir" subgenre. The television series The Fugitive (1963–67) brought classic noir themes and mood to the small screen for an extended run. In a different vein, films began to appear that self-consciously acknowledged
40824-480: The sociopathic criminal played by Dennis Hopper in Blue Velvet (1986) and the delusionary protagonist of Lost Highway (1997). The Twin Peaks cycle, both the TV series (1990–91) and a film, Fire Walk with Me (1992), puts a detective plot through a succession of bizarre spasms. David Cronenberg also mixes surrealism and noir in Naked Lunch (1991), inspired by William S. Burroughs ' novel . The New York Times The New York Times ( NYT )
41040-688: The subject of three separate investigations. During the COVID-19 pandemic , the Times began implementing data services and graphs. On May 23, 2020, The New York Times ' s front page solely featured U.S. Deaths Near 100,000, An Incalculable Loss , a subset of the 100,000 people in the United States who died of COVID-19, the first time that the Times ' s front page lacked images since they were introduced. Since 2020, The New York Times has focused on broader diversification, developing online games and producing television series. The New York Times Company acquired The Athletic in January 2022. Since 1896, The New York Times has been published by
41256-443: The suspect in the Centennial Olympic Park bombing and covering the death of Diana, Princess of Wales in greater detail than the print edition. The New York Times Electronic Media Company was adversely affected by the dot-com crash . The Times extensively covered the September 11 attacks . The following day's print issue contained sixty-six articles, the work of over three hundred dispatched reporters. Journalist Judith Miller
41472-411: The theoretical use of aluminum tubes to produce nuclear material was speculation. In March 2003, the United States invaded Iraq , beginning the Iraq War . The New York Times attracted controversy after thirty-six articles from journalist Jayson Blair were discovered to be plagiarized. Criticism over then-executive editor Howell Raines and then-managing editor Gerald M. Boyd mounted following
41688-443: The time, most newspapers favored the end of the hostage crisis, but the Times placed the inauguration above the crisis. Since 1981, the paddle wheel has been used twice; on July 26, 2000, when the 2000 Camp David Summit ended without an agreement and when Bush announced that Dick Cheney would be his running mate, and on June 24, 2016, when the United Kingdom European Union membership referendum passed, beginning Brexit , and when
41904-558: The time. Thematically, films noir were most exceptional for the relative frequency with which they centered on portrayals of women of questionable virtue—a focus that had become rare in Hollywood films after the mid-1930s and the end of the pre-Code era. The signal film in this vein was Double Indemnity , directed by Billy Wilder; setting the mold was Barbara Stanwyck 's femme fatale , Phyllis Dietrichson—an apparent nod to Marlene Dietrich , who had built her extraordinary career playing such characters for Sternberg. An A-level feature,
42120-406: The veracity of all written claims, but may delegate researching obscure facts to the research desk. In March 2021, the Times established a committee to avoid journalistic conflicts of interest with work written for The New York Times , following columnist David Brooks 's resignation from the Aspen Institute for his undisclosed work on the initiative Weave. The New York Times editorial board
42336-411: The words of cinema historian Mark Bould, film noir remains an "elusive phenomenon." Though film noir is often identified with a visual style that emphasizes low-key lighting and unbalanced compositions , films commonly identified as noir evidence a variety of visual approaches, including ones that fit comfortably within the Hollywood mainstream. Film noir similarly embraces a variety of genres, from
42552-425: Was French director Jean-Luc Godard 's À bout de souffle ( Breathless ; 1960), which pays its literal respects to Bogart and his crime films while brandishing a bold new style for a new day. In the United States, Arthur Penn (1965's Mickey One , drawing inspiration from Truffaut's Tirez sur le pianiste and other French New Wave films), John Boorman (1967's Point Blank , similarly caught up, though in
42768-403: Was adapted into film in 1960. Among the first major neo-noir films—the term often applied to films that consciously refer back to the classic noir tradition—was the French Tirez sur le pianiste (1960), directed by François Truffaut from a novel by one of the gloomiest of American noir fiction writers, David Goodis . Noir crime films and melodramas have been produced in many countries in
42984-436: Was an independent distributed by MGM , the industry leader: Force of Evil (1948), directed by Abraham Polonsky and starring John Garfield , both of whom were blacklisted in the 1950s. Independent production usually meant restricted circumstances but Sweet Smell of Success , despite the plans of the production team, was clearly not made on the cheap, though like many other cherished A-budget noirs, it might be said to have
43200-424: Was established in 1896 by Adolph Ochs . With the opinion department, the editorial board is independent of the newsroom. Then-editor-in-chief Charles Ransom Miller served as opinion editor from 1883 until his death in 1922. Rollo Ogden succeeded Miller until his death in 1937. From 1937 to 1938, John Huston Finley served as opinion editor; in a prearranged plan, Charles Merz succeeded Finley. Merz served in
43416-400: Was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire , founded in 1945. Cinema historians and critics defined the category retrospectively. Before the notion was widely adopted in the 1970s, many of
43632-490: Was forced to borrow $ 250 million (equivalent to $ 353.79 million in 2023) from Mexican billionaire Carlos Slim and fired over one hundred employees by 2010. nytimes.com's coverage of the Eliot Spitzer prostitution scandal , resulting in the resignation of then-New York governor Eliot Spitzer , furthered the legitimacy of the website as a journalistic medium. The Times ' s economic downturn renewed discussions of an online paywall; The New York Times implemented
43848-489: Was founded as the conservative New-York Daily Times in 1851, and came to national recognition in the 1870s with its aggressive coverage of corrupt politician William M. Tweed . Following the Panic of 1893 , Chattanooga Times publisher Adolph Ochs gained a controlling interest in the company. In 1935, Ochs was succeeded by his son-in-law, Arthur Hays Sulzberger , who began a push into European news. Sulzberger's son-in-law Arthur Ochs became publisher in 1963, adapting to
44064-400: Was in this way that accomplished noir actress Ida Lupino established herself as the sole female director in Hollywood during the late 1940s and much of the 1950s. She does not appear in the best-known film she directed, The Hitch-Hiker (1953), developed by her company, The Filmakers, with support and distribution by RKO. It is one of the seven classic film noirs produced largely outside of
44280-501: Was largely responsible for spurring a trend of Hollywood gangster films. Successful films in that genre such as Little Caesar (1931), The Public Enemy (1931) and Scarface (1932) demonstrated that there was an audience for crime dramas with morally reprehensible protagonists. An important, possibly influential, cinematic antecedent to classic noir was 1930s French poetic realism , with its romantic, fatalistic attitude and celebration of doomed heroes. The movement's sensibility
44496-414: Was not even the first screen version of Cain's novel, having been preceded by the French Le Dernier Tournant in 1939.) In Japan, the celebrated Akira Kurosawa directed several films recognizable as films noir, including Drunken Angel (1948), Stray Dog (1949), The Bad Sleep Well (1960), and High and Low (1963). Spanish author Mercedes Formica's novel La ciudad perdida (The Lost City)
44712-413: Was paying affectionate, at points idolatrous homage to the classic mode with Play It Again, Sam (1972). The " blaxploitation " film Shaft (1971), wherein Richard Roundtree plays the titular African-American private eye, John Shaft , takes conventions from classic noir. The most acclaimed of the neo-noirs of the era was director Roman Polanski 's 1974 Chinatown . Written by Robert Towne , it
44928-452: Was published on the Times ' s intranet in 1999. The New York Times uses honorifics when referring to individuals. With the AP Stylebook ' s removal of honorifics in 2000 and The Wall Street Journal ' s omission of courtesy titles in May 2023, the Times is the only national newspaper that continues to use honorifics. According to former copy editor Merrill Perlman, The New York Times continues to use honorifics as
45144-436: Was released on April 3, 2010, with the release of the first-generation iPad . In October, The New York Times expanded NYT Editors' Choice to include the paper's full articles. NYT for iPad was free until 2011. The Times applications on iPhone and iPad began offering in-app subscriptions in July 2011. The Times released a web application for iPad — featuring a format summarizing trending headlines on Twitter — and
45360-437: Was shot at Islington Studios and on location around London . The film's sets were designed by the art directors Maurice Carter and George Provis . The film was originally banned by the British censor for its dialogue. Trade papers called the film a "notable box office attraction" in British cinemas in 1948. The New York Times concluded that "even the commendable acting in Good Time Girl does not bring it out of
45576-559: Was the inspiration for the Dragnet series, which debuted on radio in 1949 and television in 1951. Several directors associated with noir built well-respected oeuvres largely at the B-movie/intermediate level. Samuel Fuller 's brutal, visually energetic films such as Pickup on South Street (1953) and Underworld U.S.A. (1961) earned him a unique reputation; his advocates praise him as "primitive" and "barbarous". Joseph H. Lewis directed noirs as diverse as Gun Crazy (1950) and The Big Combo (1955). The former—whose screenplay
45792-520: Was the opinion editor. James Bennet succeeded Rosenthal until his resignation in 2020. As of July 2024 , the editorial board comprises thirteen opinion writers. The New York Times ' s opinion editor is Kathleen Kingsbury and the deputy opinion editor is Patrick Healy. The New York Times ' s editorial board was initially opposed to liberal beliefs, opposing women's suffrage in 1900 and 1914. The editorial board began to espouse progressive beliefs during Oakes' tenure, conflicting with
46008-421: Was the recipient of a package containing a white powder during the 2001 anthrax attacks , furthering anxiety within The New York Times . In September 2002, Miller and military correspondent Michael R. Gordon wrote an article for the Times claiming that Iraq had purchased aluminum tubes . The article was cited by then-president George W. Bush to claim that Iraq was constructing weapons of mass destruction ;
46224-654: Was the second biggest shareholder. Lang, Bennett and her husband, the Universal veteran and Diana production head Walter Wanger , made Secret Beyond the Door (1948) in similar fashion. Before leaving the United States while subject to the Hollywood blacklist , Jules Dassin made two classic noirs that also straddled the major/independent line: Brute Force (1947) and the influential documentary-style The Naked City (1948) were developed by producer Mark Hellinger , who had an "inside/outside" contract with Universal similar to Wanger's. Years earlier, working at Warner Bros., Hellinger had produced three films for Raoul Walsh ,
46440-452: Was updated to support collaborative editing using Firebase to update editors's cursor status. Several Google Cloud Functions and Google Cloud Tasks allow articles to be previewed as they will be printed, and the Times ' s primary MySQL database is regularly updated to update editors on the article status. Since 1895, The New York Times has maintained a manual of style in several forms. The New York Times Manual of Style and Usage
46656-412: Was written by the blacklisted Dalton Trumbo , disguised by a front—features a bank hold-up sequence shown in an unbroken take of over three minutes that was influential. The Big Combo was shot by John Alton and took the shadowy noir style to its outer limits. The most distinctive films of Phil Karlson ( The Phenix City Story [1955] and The Brothers Rico [1957]) tell stories of vice organized on
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