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Theatre of ancient Greece

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In classical antiquity , the Hellenistic period covers the time in Greek history after Classical Greece , between the death of Alexander the Great in 323 BC and the death of Cleopatra VII in 30 BC, which was followed by the ascendancy of the Roman Empire , as signified by the Battle of Actium in 31 BC and the Roman conquest of Ptolemaic Egypt the following year, which eliminated the last major Hellenistic kingdom. Its name stems from the Ancient Greek word Hellas ( Ἑλλάς , Hellás ), which was gradually recognized as the name for Greece , from which the early modern 19th century historiographical term Hellenistic was derived. The term "Hellenistic" is to be distinguished from "Hellenic" in that the latter refers to Greece itself, while the former encompasses all the ancient territories of the period that had come under significant Greek influence , particularly the Hellenized Middle East , after the conquests of Alexander the Great .

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188-455: A theatrical culture flourished in ancient Greece from 700 BC. At its centre was the city-state of Athens , which became a significant cultural, political, and religious place during this period, and the theatre was institutionalised there as part of a festival called the Dionysia , which honoured the god Dionysus . Tragedy (late 500 BC), comedy (490 BC), and the satyr play were

376-410: A collective form of reception. The structure of dramatic texts , unlike other forms of literature , is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus Rex ( c.  429 BCE ) by Sophocles are among the masterpieces of the art of drama. A modern example

564-545: A Carthaginian army there. This was the first time a European force had invaded the region. After this war he controlled most of south-east Sicily and had himself proclaimed king, in imitation of the Hellenistic monarchs of the east. Agathocles then invaded Italy ( c.  300 BC ) in defense of Tarentum against the Bruttians and Romans , but was unsuccessful. Greeks in pre-Roman Gaul were mostly limited to

752-406: A Hellenistic period is a 19th-century concept, and did not exist in ancient Greece . Although words related in form or meaning, e.g. Hellenist ( Ancient Greek : Ἑλληνιστής , Hellēnistēs ), have been attested since ancient times, it has been attributed to the 19th century German historian Johann Gustav Droysen , who in his classic work Geschichte des Hellenismus ( History of Hellenism ), coined

940-662: A carefully neutral posture and acting to preserve the balance of power between the major Hellenistic kingdoms. Initially, Rhodes had very close ties with the Ptolemaic kingdom. Rhodes later became a Roman ally against the Seleucids, receiving some territory in Caria for their role in the Roman–Seleucid War (192–188 BC). Rome eventually turned on Rhodes and annexed the island as a Roman province. The west Balkan coast

1128-578: A combined Theban and Athenian army at the Battle of Chaeronea after a decade of desultory conflict. In the aftermath, Philip formed the League of Corinth , effectively bringing the majority of Greece under his direct sway. He was elected Hegemon of the league, and a campaign against the Achaemenid Empire of Persia was planned. However in 336 BC, while this campaign was in its early stages, he

1316-482: A comedy. Aristotle claimed that Aeschylus added the second actor ( deuteragonist ), and that Sophocles introduced the third ( tritagonist ). Apparently, the Greek playwrights never used more than three actors based on what is known about Greek theatre. Tragedy and comedy were viewed as completely separate genres, and no plays ever merged aspects of the two. Satyr plays dealt with the mythological subject matter of

1504-477: A common Attic -based Greek dialect, known as Koine Greek , which became the lingua franca throughout the ancient world. During the Hellenistic period, Greek cultural influence reached its peak in the Mediterranean and beyond. Prosperity and progress in the arts , literature , theatre , architecture , music , mathematics , philosophy , and science characterize the era. The Hellenistic period saw

1692-406: A dancing floor (orchestra), dressing room and scene-building area (skene). Since the words were the most important part, good acoustics and clear delivery were paramount. The actors (always men) wore masks appropriate to the characters they represented, and each might play several parts. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance -drama that formed an important part of

1880-604: A fleet. Ptolemy invaded Syria and defeated Antigonus' son, Demetrius Poliorcetes , in the Battle of Gaza of 312 BC which allowed Seleucus to secure control of Babylonia , and the eastern satrapies. In 310 BC, Cassander had young King Alexander IV and his mother Roxana murdered, ending the Argead dynasty which had ruled Macedon for several centuries. Antigonus then sent his son Demetrius to regain control of Greece. In 307 BC he took Athens, expelling Demetrius of Phaleron , Cassander's governor, and proclaiming

2068-576: A hill, producing a natural viewing area known as the theatron (literally "seeing place"). In cities without suitable hills, banks of earth were piled up. At the foot of the hill was a flattened, generally circular performance space with an average diameter of 78 feet (24 m), known as the orchestra (literally "dancing place"), where a chorus of typically 12 to 15 people performed plays in verse accompanied by music. There were often tall, arched entrances called parodoi or eisodoi , through which actors and chorus members entered and exited

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2256-504: A league against Cassander's Macedon. The decisive engagement of the war came when Lysimachus invaded and overran much of western Anatolia, but was soon isolated by Antigonus and Demetrius near Ipsus in Phrygia . Seleucus arrived in time to save Lysimachus and utterly crushed Antigonus at the Battle of Ipsus in 301 BC. Seleucus' war elephants proved decisive; Antigonus was killed, and Demetrius fled back to Greece to attempt to preserve

2444-506: A liberator than a conqueror. In addition, much of the area conquered would continue to be ruled by the Diadochi , Alexander's generals and successors. Initially, the whole empire was divided among them; however, some territories were lost relatively quickly or only remained nominally under Macedonian rule. After 200 years, only much reduced and rather degenerate states remained, until the conquest of Ptolemaic Egypt by Rome. When Alexander

2632-626: A new agreement with Antipater at the Treaty of Triparadisus . Antipater was made regent of the Empire, and the two kings were moved to Macedon. Antigonus remained in charge of Asia Minor, Ptolemy retained Egypt, Lysimachus retained Thrace and Seleucus I controlled Babylon . The second Diadochi war began following the death of Antipater in 319 BC. Passing over his own son, Cassander , Antipater had declared Polyperchon his successor as Regent . Cassander rose in revolt against Polyperchon (who

2820-533: A particular type. Kālidāsa in the 1st century BCE, is arguably considered to be ancient India 's greatest Sanskrit dramatist. Three famous romantic plays written by Kālidāsa are the Mālavikāgnimitram ( Mālavikā and Agnimitra ), Vikramuurvashiiya ( Pertaining to Vikrama and Urvashi ), and Abhijñānaśākuntala ( The Recognition of Shakuntala ). The last was inspired by a story in the Mahabharata and

3008-522: A play entitled The Fall of Miletus and produced it, the whole theatre fell to weeping; they fined Phrynichus a thousand drachmas for bringing to mind a calamity that affected them so personally and forbade the performance of that play forever." He is also thought to be the first to use female characters (though not female performers). Until the Hellenistic period , all tragedies were unique pieces written in honour of Dionysus and played only once; what

3196-500: A play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). In Ancient Greece however, the word drama encompassed all theatrical plays, tragic, comic, or anything in between. Drama is often combined with music and dance : the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs ; and some forms of drama have incidental music or musical accompaniment underscoring

3384-563: A play, such as the Furies in Aeschylus ' Eumenides and Pentheus and Cadmus in Euripides ' The Bacchae . Worn by the chorus, the masks created a sense of unity and uniformity, while representing a multi-voiced persona or single organism and simultaneously encouraged interdependency and a heightened sensitivity between each individual of the group. Only 2 to 3 actors were allowed on

3572-435: A standing army of mercenaries and a small core of Greco-Macedonian settlers. Promotion of immigration from Greece was important in the establishment of this system. Hellenistic monarchs ran their kingdoms as royal estates and most of the heavy tax revenues went into the military and paramilitary forces which preserved their rule from any kind of revolution. Macedonian and Hellenistic monarchs were expected to lead their armies on

3760-535: A summary of Arrian 's Events after Alexander , by Photios I of Constantinople . Lesser supplementary sources include Curtius Rufus , Pausanias , Pliny , and the Byzantine encyclopedia the Suda . In the field of philosophy, Diogenes Laërtius ' Lives and Opinions of Eminent Philosophers is the main source; works such as Cicero 's De Natura Deorum also provide some further detail of philosophical schools in

3948-524: A tool for developing dramatic work or skills or as a form for situational comedy. Spolin also became interested in how the process of learning improvisation was applicable to the development of human potential. Spolin's son, Paul Sills popularized improvisational theatre as a theatrical art form when he founded, as its first director, The Second City in Chicago. Having been an important part of human culture for more than 2,500 years, theatre has evolved

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4136-421: A vehicle to tell a story qualify as comedies. This may include a modern farce such as Boeing Boeing or a classical play such as As You Like It . Theatre expressing bleak, controversial or taboo subject matter in a deliberately humorous way is referred to as black comedy . Black Comedy can have several genres like slapstick humour, dark and sarcastic comedy. Tragedy, then, is an imitation of an action that

4324-435: A very colourful shadow. The thin rods which controlled their movements were attached to a leather collar at the neck of the puppet. The rods ran parallel to the bodies of the puppet and then turned at a ninety degree angle to connect to the neck. While these rods were visible when the shadow was cast, they laid outside the shadow of the puppet; thus they did not interfere with the appearance of the figure. The rods are attached at

4512-645: A wide range of different theories and practices. Some are related to political or spiritual ideologies, while others are based purely on "artistic" concerns. Some processes focus on a story, some on theatre as event, and some on theatre as catalyst for social change. The classical Greek philosopher Aristotle , in his seminal treatise, Poetics ( c.  335 BCE ) is the earliest-surviving example and its arguments have influenced theories of theatre ever since. In it, he offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama — comedy , tragedy , and

4700-436: Is Long Day's Journey into Night by Eugene O'Neill (1956). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle 's Poetics ( c.  335 BCE ); the earliest work of dramatic theory . The use of "drama" in the narrow sense to designate a specific type of play dates from the 19th century . Drama in this sense refers to

4888-579: Is Athens , which had been decisively defeated by Antipater in the Lamian war (323–322 BC) and had its port in the Piraeus garrisoned by Macedonian troops who supported a conservative oligarchy . After Demetrius Poliorcetes captured Athens in 307 BC and restored the democracy , the Athenians honored him and his father Antigonus by placing gold statues of them on the agora and granting them

5076-410: Is a compound of two Greek words: τράγος , tragos or "goat" and ᾠδή , ode meaning "song", from ἀείδειν , aeidein , 'to sing'. This etymology indicates a link with the practices of the ancient Dionysian cults . It is impossible, however, to know with certainty how these fertility rituals became the basis for tragedy and comedy . The Ancient Greeks valued the power of

5264-663: Is an ancient form of storytelling that renowned for its elaborate puppet/human and complex musical styles. The earliest evidence is from the late 1st millennium CE, in medieval-era texts and archeological sites. The oldest known record that concerns wayang is from the 9th century. Around 840 AD an Old Javanese (Kawi) inscriptions called Jaha Inscriptions issued by Maharaja Sri Lokapala from Mataram Kingdom in Central Java mentions three sorts of performers: atapukan, aringgit, and abanol. Aringgit means Wayang puppet show, Atapukan means Mask dance show, and abanwal means joke art. Ringgit

5452-644: Is described in an 11th-century Javanese poem as a leather shadow figure. Theatre in the medieval Islamic world included puppet theatre (which included hand puppets, shadow plays and marionette productions) and live passion plays known as ta'ziyeh , where actors re-enact episodes from Muslim history . In particular, Shia Islamic plays revolved around the istishhād (martyrdom) of Ali 's sons Hasan ibn Ali and Husayn ibn Ali . Secular plays were known as akhraja , recorded in medieval adab literature, though they were less common than puppetry and ta'ziya theatre. Theatre took on many alternative forms in

5640-539: Is known primarily from the substantial papyrus fragments of Menander . Aristotle defined comedy as a representation of laughable people that involves some kind of blunder or ugliness that does not cause pain or disaster. In addition to the categories of comedy and tragedy at the City Dionysia, the festival also included the Satyr Play . Finding its origins in rural, agricultural rituals dedicated to Dionysus,

5828-522: Is normally regarded as the Golden Age of Greek drama. The center-piece of the annual Dionysia , which took place once in winter and once in spring, was a competition between three tragic playwrights at the Theatre of Dionysus . Each submitted three tragedies, plus a satyr play (a comic, burlesque version of a mythological subject). Beginning in a first competition in 486 BC each playwright submitted

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6016-541: Is presently known, was created in Athens around 532 BC, when Thespis was the earliest recorded actor. Being a winner of the first theatrical contest held in Athens, he was the exarchon , or leader, of the dithyrambs performed in and around Attica, especially at the Rural Dionysia . By Thespis' time, the dithyramb had evolved far away from its cult roots. Under the influence of heroic epic, Doric choral lyric and

6204-585: Is primarily extant today are the pieces that were still remembered well enough to have been repeated when the repetition of old tragedies became fashionable (the accidents of survival, as well as the subjective tastes of the Hellenistic librarians later in Greek history, also played a role in what survived from this period). After the Achaemenid destruction of Athens in 480 BC, the town and acropolis were rebuilt, and theatre became formalized and an even greater part of Athenian culture and civic pride. This century

6392-419: Is serious, complete, and of a certain magnitude: in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions. Aristotle's phrase "several kinds being found in separate parts of the play" is a reference to the structural origins of drama. In it

6580-538: Is the Pronomos Vase where actors are painted at a show's after party. Costuming would give off a sense of character, as in gender, age, social status, and class. For example, characters of higher class would be dressed in nicer clothing, although everyone was dressed fairly nicely. Contrary to popular belief, they did not dress in only rags and sandals, as they wanted to impress. Some examples of Greek theatre costuming include long robes called chiton that reached

6768-472: Is the most famous. It was the first to be translated into English and German . Śakuntalā (in English translation) influenced Goethe 's Faust (1808–1832). The next great Indian dramatist was Bhavabhuti ( c.  7th century CE ). He is said to have written the following three plays: Malati-Madhava , Mahaviracharita and Uttar Ramacharita . Among these three, the last two cover between them

6956-631: Is the oldest form of drama , though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from

7144-487: Is unclear at best, but his name has been given a longer life in English as a common term for performer—i.e., a "thespian." The dramatic performances were important to the Athenians – this is made clear by the creation of a tragedy competition and festival in the City Dionysia (or Great Dionysia). This was organized possibly to foster loyalty among the tribes of Attica (recently created by Cleisthenes ). The festival

7332-789: Is universally acknowledged in the Western critical tradition", Marvin Carlson explains, "almost every detail about his seminal work has aroused divergent opinions." Important theatre practitioners of the 20th century include Konstantin Stanislavski , Vsevolod Meyerhold , Jacques Copeau , Edward Gordon Craig , Bertolt Brecht , Antonin Artaud , Joan Littlewood , Peter Brook , Jerzy Grotowski , Augusto Boal , Eugenio Barba , Dario Fo , Viola Spolin , Keith Johnstone and Robert Wilson (director) . Hellenistic civilization After

7520-518: Is why actors are commonly called "Children of the Pear Garden". During the dynasty of Empress Ling, shadow puppetry first emerged as a recognized form of theatre in China. There were two distinct forms of shadow puppetry, Pekingese (northern) and Cantonese (southern). The two styles were differentiated by the method of making the puppets and the positioning of the rods on the puppets , as opposed to

7708-785: The Venus de Milo . A form of Hellenistic architecture arose which especially emphasized the building of grand monuments and ornate decorations, as exemplified by structures such as the Pergamon Altar . The religious sphere of Greek religion expanded through syncretic facets to include new gods such as the Greco-Egyptian Serapis , eastern deities such as Attis and Cybele , and a syncretism between Hellenistic culture and Buddhism in Bactria and Northwest India . Scholars and historians are divided as to which event signals

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7896-546: The 20th century in the realism of Stanislavski and Lee Strasberg , the political theatre of Erwin Piscator and Bertolt Brecht , the so-called Theatre of the Absurd of Samuel Beckett and Eugène Ionesco , American and British musicals, the collective creations of companies of actors and directors such as Joan Littlewood 's Theatre Workshop , experimental and postmodern theatre of Robert Wilson and Robert Lepage ,

8084-446: The City Dionysia as an audience member (or even as a participant in the theatrical productions) in particular—was an important part of citizenship . Civic participation also involved the evaluation of the rhetoric of orators evidenced in performances in the law-court or political assembly , both of which were understood as analogous to the theatre and increasingly came to absorb its dramatic vocabulary. The Greeks also developed

8272-582: The Golden Age such as the Danaids , Phoenician Women and Alcestis . He was the first poet we know of to use a historical subject – his Fall of Miletus , produced in 493–2, chronicled the fate of the town of Miletus after it was conquered by the Persians. Herodotus reports that "the Athenians made clear their deep grief for the taking of Miletus in many ways, but especially in this: when Phrynichus wrote

8460-648: The Greco-Bactrian kingdom ). It can be argued that some of the changes across the Macedonian Empire after Alexander's conquests and during the rule of the Diadochi would have occurred without the influence of Greek rule. As mentioned by Peter Green , numerous factors of conquest have been merged under the term Hellenistic period . Specific areas conquered by Alexander's invading army, including Egypt and areas of Asia Minor and Mesopotamia "fell" willingly to conquest and viewed Alexander as more of

8648-585: The Greek colonies in Illyria. Illyrians imported weapons and armor from the ancient Greeks (such as the Illyrian type helmet , originally a Greek type) and also adopted the ornamentation of ancient Macedon on their shields and their war belts (a single one has been found, dated 3rd century BC at modern Selcë e Poshtme , a part of Macedon at the time under Philip V of Macedon ). The Odrysian Kingdom

8836-601: The Lamian war ) invaded Anatolia . The rebels were supported by Lysimachus , the satrap of Thrace and Ptolemy, the satrap of Egypt. Although Eumenes , satrap of Cappadocia , defeated the rebels in Asia Minor, Perdiccas himself was murdered by his own generals Peithon , Seleucus , and Antigenes (possibly with Ptolemy's aid) during his invasion of Egypt ( c.  21 May to 19 June, 320 BC). Ptolemy came to terms with Perdiccas's murderers, making Peithon and Arrhidaeus regents in his place, but soon these came to

9024-610: The Macedonian conquest of the Achaemenid Empire in 330 BC and its disintegration shortly thereafter in the Partition of Babylon and subsequent Wars of the Diadochi , Hellenistic kingdoms were established throughout West Asia ( Seleucid Empire , Kingdom of Pergamon ), Northeast Africa ( Ptolemaic Kingdom ) and South Asia ( Greco-Bactrian Kingdom , Indo-Greek Kingdom ). This resulted in an influx of Greek colonists and

9212-469: The Mediterranean coast of Provence , France . The first Greek colony in the region was Massalia , which became one of the largest trading ports of Mediterranean by the 4th century BC with 6,000 inhabitants. Massalia was also the local hegemon , controlling various coastal Greek cities like Nice and Agde . The coins minted in Massalia have been found in all parts of Liguro-Celtic Gaul. Celtic coinage

9400-511: The Persian response to news of their military defeat at the Battle of Salamis in 480 BCE—is the notable exception in the surviving drama. When Aeschylus won first prize for it at the City Dionysia in 472 BCE, he had been writing tragedies for more than 25 years, yet its tragic treatment of recent history is the earliest example of drama to survive. More than 130 years later, the philosopher Aristotle analysed 5th-century Athenian tragedy in

9588-568: The Ptolemaic Kingdom , which might otherwise have been lost, has been preserved in papyrological documents. This is particularly noteworthy given the limited documentation available for their Seleucid counterparts. Ancient Greece had traditionally been a fractious collection of fiercely independent city-states. After the Peloponnesian War (431–404 BC), Greece had fallen under a Spartan hegemony , in which Sparta

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9776-707: The Roman Republic against the Carthaginian Empire during the Second Punic War (218–201 BC). However, Emporion lost its political independence around 195 BC with the establishment of the Roman province of Hispania Citerior and by the 1st century BC had become fully Romanized in culture. The Hellenistic states of Asia and Egypt were run by an occupying imperial elite of Greco-Macedonian administrators and governors propped up by

9964-569: The Sundanese and wayang kulit (leather shadow-puppet play) of the Javanese and Balinese —draw much of their repertoire from indigenized versions of the Ramayana and Mahabharata . These tales also provide source material for the wayang wong (human theatre) of Java and Bali , which uses actors. Some wayang golek performances, however, also present Muslim stories, called menak . Wayang

10152-559: The high-style , verbally elaborate tragedies of Seneca . Although Rome had a native tradition of performance, the Hellenization of Roman culture in the 3rd century BCE had a profound and energizing effect on Roman theatre and encouraged the development of Latin literature of the highest quality for the stage. The only surviving plays from the Roman Empire are ten dramas attributed to Lucius Annaeus Seneca (4 BCE–65 CE),

10340-516: The postcolonial theatre of August Wilson or Tomson Highway , and Augusto Boal 's Theatre of the Oppressed . Drama is the specific mode of fiction represented in performance . The term comes from a Greek word meaning " action ", which is derived from the verb δράω, dráō , "to do" or "to act". The enactment of drama in theatre, performed by actors on a stage before an audience , presupposes collaborative modes of production and

10528-514: The satyr play —as well as lyric poetry , epic poetry , and the dithyramb ). He examines its "first principles" and identifies its genres and basic elements; his analysis of tragedy constitutes the core of the discussion. Aristotle argues that tragedy consists of six qualitative parts, which are (in order of importance) mythos or "plot", ethos or "character", dianoia or "thought", lexis or "diction", melos or "song", and opsis or "spectacle". "Although Aristotle's Poetics

10716-400: The theatre of ancient Greece , from which it borrows technical terminology, classification into genres , and many of its themes , stock characters , and plot elements. Theatre artist Patrice Pavis defines theatricality, theatrical language , stage writing and the specificity of theatre as synonymous expressions that differentiate theatre from the other performing arts , literature and

10904-484: The well-made plays of Scribe and Sardou gave way to the problem plays of Naturalism and Realism ; the farces of Feydeau ; Wagner's operatic Gesamtkunstwerk ; musical theatre (including Gilbert and Sullivan 's operas); F. C. Burnand 's, W. S. Gilbert 's and Oscar Wilde 's drawing-room comedies; Symbolism ; proto- Expressionism in the late works of August Strindberg and Henrik Ibsen ; and Edwardian musical comedy . These trends continued through

11092-535: The " Nesiotic League " of the Cyclades . These federations involved a central government which controlled foreign policy and military affairs, while leaving most of the local governing to the city states , a system termed sympoliteia . In states such as the Achaean league, this also involved the admission of other ethnic groups into the federation with equal rights, in this case, non- Achaeans . The Achean league

11280-468: The 1960s. Greek mask-maker Thanos Vovolis suggests that the mask serves as a resonator for the head, thus enhancing vocal acoustics and altering its quality. This leads to increased energy and presence, allowing for the more complete metamorphosis of the actor into his character. In a large open-air theatre, like the Theatre of Dionysus in Athens , the classical masks were able to create a sense of dread in

11468-465: The 1st century CE. It began after the development of Greek and Roman theatre and before the development of theatre in other parts of Asia. It emerged sometime between the 2nd century BCE and the 1st century CE and flourished between the 1st century CE and the 10th, which was a period of relative peace in the history of India during which hundreds of plays were written. The wealth of archeological evidence from earlier periods offers no indication of

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11656-407: The 5th century BCE have survived. We have complete texts extant by Aeschylus , Sophocles , and Euripides . The origins of tragedy remain obscure, though by the 5th century BCE it was institutionalized in competitions ( agon ) held as part of festivities celebrating Dionysus (the god of wine and fertility ). As contestants in the City Dionysia's competition (the most prestigious of

11844-740: The Aegean (204–200 BC) and ignored Roman demands for non-intervention in Greece by invading Attica. In 198 BC, during the Second Macedonian War Philip was decisively defeated at Cynoscephalae by the Roman proconsul Titus Quinctius Flamininus and Macedon lost all its territories in Greece proper. Southern Greece was now thoroughly brought into the Roman sphere of influence , though it retained nominal autonomy. The end of Antigonid Macedon came when Philip V's son, Perseus,

12032-816: The Athenians in the Chremonidean War , and then against the Achaean League of Aratus of Sicyon . Under the Antigonids, Macedonia was often short on funds, the Pangaeum mines were no longer as productive as under Philip II, the wealth from Alexander's campaigns had been used up and the countryside pillaged by the Gallic invasion . A large number of the Macedonian population had also been resettled abroad by Alexander or had chosen to emigrate to

12220-553: The Corduba-born Stoic philosopher and tutor of Nero. These tragedies are known for their philosophical themes, complex characters, and rhetorical style. While Seneca's plays provide valuable insights into Roman theater, they represent only a small fraction of the dramatic repertoire that existed in ancient Rome. The first form of Indian theatre was the Sanskrit theatre , earliest-surviving fragments of which date from

12408-598: The French had a larger distinction between comedy and tragedy, whereas the English fudged the lines occasionally and put some comedic parts in their tragedies. Common forms of non-comedic plays were sentimental comedies as well as something that would later be called tragédie bourgeoise , or domestic tragedy —that is, the tragedy of common life—were more popular in England because they appealed more to English sensibilities. While theatre troupes were formerly often travelling,

12596-520: The Great of the capital of the Roman Empire to Constantinople in AD 330. Though this scope of suggested dates demonstrates a range of academic opinion, a generally accepted date by most of scholarship has been that of 31/30 BC. The word originated from ancient Greek Ἑλληνιστής ( Hellēnistḗs , "one who uses the Greek language"), from Ἑλλάς ( Hellás , "Greece"); as if "Hellenist" + "ic". The idea of

12784-400: The Great died (10 June 323 BC), he left behind a sprawling empire that was composed of many essentially autonomous territories called satrapies . Without a chosen successor, there were immediate disputes among his generals as to who should be king of Macedon. These generals became known as the Diadochi ( ‹See Tfd› Greek : Διάδοχοι , Diadokhoi , meaning "Successors"). Meleager and

12972-696: The Greek world, making the endless conflicts between the cities that had marked the 5th and 4th centuries BC seem petty and unimportant. It led to a steady emigration, particularly of the young and ambitious, to the new Greek empires in the east. Many Greeks migrated to Alexandria , Antioch , and the many other new Hellenistic cities founded in Alexander's wake, as far away as modern Afghanistan and Pakistan . Independent city states were unable to compete with Hellenistic kingdoms and were usually forced to ally themselves to one of them for defense, giving honors to Hellenistic rulers in return for protection. One example

13160-635: The Greeks during the 8th century BC. In 4th-century BC Sicily the leading Greek city and hegemon was Syracuse . During the Hellenistic period the leading figure in Sicily was Agathocles of Syracuse (361–289 BC) who seized the city with an army of mercenaries in 317 BC. Agathocles extended his power throughout most of the Greek cities in Sicily, fought a long war with the Carthaginians , at one point invading Tunisia in 310 BC and defeating

13348-577: The Hellenistic period breaks off after the battle of Ipsus (301 BC). Another important source, Plutarch 's ( c.  AD 50  – c.  120 ) Parallel Lives although more preoccupied with issues of personal character and morality, outlines the history of important Hellenistic figures. Appian of Alexandria (late 1st century AD–before 165) wrote a history of the Roman empire that includes information of some Hellenistic kingdoms. Other sources include Justin 's (2nd century AD) epitome of Pompeius Trogus ' Historiae Philipicae and

13536-488: The Hellenistic period is Polybius of Megalopolis (c. 200–118), a statesman of the Achaean League until 168 BC when he was forced to go to Rome as a hostage. His Histories eventually grew to a length of forty books, covering the years 220 to 167 BC. The most important source after Polybius is Diodorus Siculus who wrote his Bibliotheca historica between 60 and 30 BC and reproduced some important earlier sources such as Hieronymus, but his account of

13724-494: The Hellenistic period. Inscriptions on stone or metal were commonly erected throughout the Greek world for public display, a practice which originated well before the time of Alexander the Great, but saw substantial expansion during the Hellenistic Period. The majority of these inscriptions are located on the Greek mainland , the Greek islands , and western Asia Minor . While they become increasingly rare towards

13912-599: The Hellenistic period. It became a center of culture and commerce, its coins were widely circulated and its philosophical schools became one of the best in the Mediterranean. After holding out for one year under siege by Demetrius Poliorcetes (305–304 BC), the Rhodians built the Colossus of Rhodes to commemorate their victory. They retained their independence by the maintenance of a powerful navy, by maintaining

14100-470: The Macedonians themselves were looked down upon as semi-barbaric by the rest of the Greeks. However, Macedon controlled a large area and had a relatively strong centralized government, in comparison to most Greek states. Philip II was a strong and expansionist king who took every opportunity to expand Macedonian territory. In 352 BC he annexed Thessaly and Magnesia . In 338 BC, Philip defeated

14288-507: The Romans first experienced theatre in the 4th century BCE, with a performance by Etruscan actors . Beacham argues that they had been familiar with "pre-theatrical practices" for some time before that recorded contact. The theatre of ancient Rome was a thriving and diverse art form, ranging from festival performances of street theatre , nude dancing, and acrobatics , to the staging of Plautus 's broadly appealing situation comedies , to

14476-767: The West between the 15th and 19th centuries, including commedia dell'arte from Italian theatre , and melodrama . The general trend was away from the poetic drama of the Greeks and the Renaissance and toward a more naturalistic prose style of dialogue, especially following the Industrial Revolution . Theatre took a big pause during 1642 and 1660 in England because of the Puritan Interregnum. The rising anti-theatrical sentiment among Puritans saw William Prynne write Histriomastix (1633),

14664-630: The Woods (1986), and The Phantom of the Opera (1986), as well as more contemporary hits including Rent (1994), The Lion King (1997), Wicked (2003), Hamilton (2015) and Frozen (2018). Musical theatre may be produced on an intimate scale Off-Broadway , in regional theatres , and elsewhere, but it often includes spectacle. For instance, Broadway and West End musicals often include lavish costumes and sets supported by multimillion-dollar budgets. Theatre productions that use humour as

14852-472: The actors' voices could be heard throughout the theatre, including the very top row of seats. The Greek's understanding of acoustics compares very favorably with the current state of the art. There were several scenic elements commonly used in Greek theatre: The Ancient Greek term for a mask is prosopon (lit., "face"), and was a significant element in the worship of Dionysus at Athens likely used in ceremonial rites and celebrations. Many masks worshipped

15040-399: The altar of Dionysus after performances. Nevertheless, the mask is known to have been used since the time of Aeschylus and considered to be one of the iconic conventions of classical Greek theatre. Masks were also made for members of the chorus, who play some part in the action and provide a commentary on the events in which they are caught up. Although there are twelve or fifteen members of

15228-460: The ancient Egyptian bureaucracy, highly centralized and focused on squeezing as much revenue out of the population as possible through tariffs, excise duties, fines, taxes, and so forth. A whole class of petty officials, tax farmers, clerks, and overseers made this possible. The Egyptian countryside was directly administered by this royal bureaucracy. External possessions such as Cyprus and Cyrene were run by strategoi , military commanders appointed by

15416-440: The arts in general. A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. Modern theatre includes performances of plays and musical theatre . The art forms of ballet and opera are also theatre and use many conventions such as acting , costumes and staging. They were influential in

15604-540: The audience creating large scale panic, especially since they had intensely exaggerated facial features and expressions. They enabled an actor to appear and reappear in several different roles, thus preventing the audience from identifying the actor to one specific character. Their variations help the audience to distinguish sex, age, and social status, in addition to revealing a change in a particular character's appearance, e.g., Oedipus , after blinding himself. Unique masks were also created for specific characters and events in

15792-408: The audience. Theatre Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses , to present experiences of a real or imagined event before a live audience in a specific place, often a stage . The performers may communicate this experience to the audience through combinations of gesture , speech, song, music , and dance . It

15980-587: The best known of which is Peking Opera which is still popular today. Xiangsheng is a certain traditional Chinese comedic performance in the forms of monologue or dialogue. In Indonesia , theatre performances have become an important part of local culture, theatre performances in Indonesia have been developed for thousands of years. Most of Indonesia's oldest theatre forms are linked directly to local literary traditions (oral and written). The prominent puppet theatres — wayang golek (wooden rod-puppet play) of

16168-442: The city free again. Demetrius now turned his attention to Ptolemy, defeating his fleet at the Battle of Salamis and taking control of Cyprus. In the aftermath of this victory, Antigonus took the title of king ( basileus ) and bestowed it on his son Demetrius Poliorcetes , the rest of the Diadochi soon followed suit. Demetrius continued his campaigns by laying siege to Rhodes and conquering most of Greece in 302 BC, creating

16356-552: The concepts of dramatic criticism and theatre architecture. Actors were either amateur or at best semi-professional. The theatre of ancient Greece consisted of three types of drama : tragedy , comedy , and the satyr play . The origins of theatre in ancient Greece, according to Aristotle (384–322 BCE), the first theoretician of theatre, are to be found in the festivals that honoured Dionysus. The performances were given in semi-circular auditoria cut into hillsides, capable of seating 10,000–20,000 people. The stage consisted of

16544-550: The country, especially in the region of the Faiyum . Alexandria , a major center of Greek culture and trade, became his capital city. As Egypt's first port city, it became the main grain exporter in the Mediterranean. The Egyptians begrudgingly accepted the Ptolemies as the successors to the pharaohs of independent Egypt, though the kingdom went through several native revolts. Ptolemy I began to order monetary contributions from

16732-486: The crown. Under Ptolemy II , Callimachus , Apollonius of Rhodes , Theocritus , and a host of other poets including the Alexandrian Pleiad made the city a center of Hellenistic literature. Ptolemy himself was eager to patronise the library, scientific research and individual scholars who lived on the grounds of the library. He and his successors also fought a series of wars with the Seleucids, known as

16920-471: The dealings of the pantheon of Gods and their involvement in human affairs, backed by the chorus of Satyrs . However, according to Webster , satyr actors did not always perform typical satyr actions and would break from the acting traditions assigned to the character type of a mythical forest creature. Western theatre developed and expanded considerably under the Romans . The Roman historian Livy wrote that

17108-600: The death of Pyrrhus, Epirus remained a minor power. In 233 BC the Aeacid royal family was deposed and a federal state was set up called the Epirote League . The league was conquered by Rome in the Third Macedonian War (171–168 BC). Antigonus II , a student of Zeno of Citium , spent most of his rule defending Macedon against Epirus and cementing Macedonian power in Greece, first against

17296-433: The development of musical theatre . The city-state of Athens is where Western theatre originated. It was part of a broader culture of theatricality and performance in classical Greece that included festivals , religious rituals , politics , law , athletics and gymnastics, music , poetry , weddings, funerals, and symposia . Participation in the city-state's many festivals—and mandatory attendance at

17484-454: The dialogue ( melodrama and Japanese Nō , for example). In certain periods of history (the ancient Roman and modern Romantic ) some dramas have been written to be read rather than performed. In improvisation , the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience. Music and theatre have had a close relationship since ancient times— Athenian tragedy , for example,

17672-488: The eastern regions, they are not entirely absent there, and they are most notably featured in public buildings and sanctuaries . The content of these inscriptions is diverse, encompassing royal correspondence addressed to cities or individuals, municipal and legal edicts, decrees commemorating rulers, officials, and individuals for their contributions, as well as laws, treaties, religious rulings, and dedications. Despite challenges in their interpretation, inscriptions are often

17860-484: The elements of theatre, the Treatise gives most attention to acting ( abhinaya ), which consists of two styles: realistic ( lokadharmi ) and conventional ( natyadharmi ), though the major focus is on the latter. Its drama is regarded as the highest achievement of Sanskrit literature . It utilised stock characters , such as the hero ( nayaka ), heroine ( nayika ), or clown ( vidusaka ). Actors may have specialized in

18048-469: The end of the Hellenistic era. There is a wide chronological range of proposed dates that have included the final conquest of the Greek heartlands by the expansionist Roman Republic in 146 BC following the Achaean War , the final defeat of the Ptolemaic Kingdom at the Battle of Actium in 31 BC, the end of the reign of the Roman emperor Hadrian in AD 138, and the move by the emperor Constantine

18236-477: The entire epic of Ramayana . The powerful Indian emperor Harsha (606–648) is credited with having written three plays: the comedy Ratnavali , Priyadarsika , and the Buddhist drama Nagananda . The Tang dynasty is sometimes known as "The Age of 1000 Entertainments". During this era, Ming Huang formed an acting school known as The Pear Garden to produce a form of drama that was primarily musical. That

18424-481: The existence of a tradition of theatre. The ancient Vedas ( hymns from between 1500 and 1000 BCE that are among the earliest examples of literature in the world) contain no hint of it (although a small number are composed in a form of dialogue ) and the rituals of the Vedic period do not appear to have developed into theatre. The Mahābhāṣya by Patañjali contains the earliest reference to what may have been

18612-531: The export of Greek culture and language to these new realms, a breadth spanning as far as modern-day India. These new Greek kingdoms were also influenced by regional indigenous cultures, adopting local practices where deemed beneficial, necessary, or convenient. Hellenistic culture thus represents a fusion of the ancient Greek world with that of the Western Asian, Northeastern African, and Southwestern Asian worlds. The consequence of this mixture gave rise to

18800-517: The festivals to stage drama) playwrights were required to present a tetralogy of plays (though the individual works were not necessarily connected by story or theme), which usually consisted of three tragedies and one satyr play. The performance of tragedies at the City Dionysia may have begun as early as 534 BCE; official records ( didaskaliai ) begin from 501 BCE, when the satyr play was introduced. Most Athenian tragedies dramatize events from Greek mythology , though The Persians —which stages

18988-416: The field, along with a group of privileged aristocratic companions or friends ( hetairoi , philoi ) which dined and drank with the king and acted as his advisory council. The monarch was also expected to serve as a charitable patron of the people; this public philanthropy could mean building projects and handing out gifts but also promotion of Greek culture and religion. Ptolemy , a somatophylax , one of

19176-628: The first improvisation form. Popularized by 1997 Nobel Prize in Literature winner Dario Fo and troupes such as the Upright Citizens Brigade improvisational theatre continues to evolve with many different streams and philosophies. Keith Johnstone and Viola Spolin are recognized as the first teachers of improvisation in modern times, with Johnstone exploring improvisation as an alternative to scripted theatre and Spolin and her successors exploring improvisation principally as

19364-454: The floor for actors playing gods, heroes, and old men. Actors playing goddesses and women characters that held a lot of power wore purple and gold. Actors playing queens and princesses wore long cloaks that dragged on the ground and were decorated with gold stars and other jewels, and warriors were dressed in a variety of armor and wore helmets adorned with plumes. Costumes were supposed to be colourful and obvious to be easily seen by every seat in

19552-464: The growing power and ambition of Antigonus. He began removing and appointing satraps as if he were king and also raided the royal treasuries in Ecbatana , Persepolis and Susa , making off with 25,000 talents . Seleucus was forced to flee to Egypt and Antigonus was soon at war with Ptolemy, Lysimachus, and Cassander. He then invaded Phoenicia , laid siege to Tyre , stormed Gaza and began building

19740-553: The higher power, the gods, making masks also very important for religion. Most of the evidence comes from only a few vase paintings of the 5th century BC, such as one showing a mask of the god suspended from a tree with decorated robe hanging below it and dancing and the Pronomos vase, which depicts actors preparing for a satyr play . No physical evidence remains available to us, as the masks were made of organic materials and not considered permanent objects, ultimately being dedicated at

19928-400: The huge territories Alexander had conquered became subject to a strong Greek influence ( Hellenization ) for the next two or three centuries, until the rise of Rome in the west, and of Parthia in the east. As the Greek and Levantine cultures mingled, the development of a hybrid Hellenistic culture began, and persisted even when isolated from the main centres of Greek culture (for instance, in

20116-675: The idea of the national theatre gained support in the 18th century, inspired by Ludvig Holberg . The major promoter of the idea of the national theatre in Germany, and also of the Sturm und Drang poets, was Abel Seyler , the owner of the Hamburgische Entreprise and the Seyler Theatre Company . Through the 19th century , the popular theatrical forms of Romanticism , melodrama , Victorian burlesque and

20304-399: The infantry supported the candidacy of Alexander's half-brother, Philip Arrhidaeus , while Perdiccas , the leading cavalry commander, supported waiting until the birth of Alexander's child by Roxana . After the infantry stormed the palace of Babylon , a compromise was arranged – Arrhidaeus (as Philip III) should become king and should rule jointly with Roxana's child, assuming that it

20492-544: The innovations of the poet Arion , it had become a narrative, ballad-like genre. Because of these, Thespis is often called the "Inventor of Tragedy"; however, his importance is disputed, and Thespis is sometimes listed as late as 16th in the chronological order of Greek tragedians; the statesman Solon , for example, is credited with creating poems in which characters speak with their own voice, and spoken performances of Homer 's epics by rhapsodes were popular in festivals prior to 534 BC. Thus, Thespis's true contribution to drama

20680-655: The language of administration and of the nobility. The nobility also adopted Greek fashions in dress , ornament, and military equipment, spreading it to the other tribes. Thracian kings were among the first to be Hellenized . After 278 BC the Odrysians had a strong competitor in the Celtic Kingdom of Tylis ruled by the kings Comontorius and Cavarus , but in 212 BC they conquered their enemies and destroyed their capital. Southern Italy ( Magna Graecia ) and south-eastern Sicily had been colonized by

20868-672: The late 19th and early 20th century . After the Edwardian musical comedy that began in the 1890s, the Princess Theatre musicals of the early 20th century, and comedies in the 1920s and 1930s (such as the works of Rodgers and Hammerstein ), with Oklahoma! (1943), musicals moved in a more dramatic direction. Famous musicals over the subsequent decades included My Fair Lady (1956), West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1980), Cats (1981), Into

21056-599: The latest war between Macedon and the Greek leagues ( the Social War of 220–217 BC) to an end, and at this time he controlled all of Greece except Athens, Rhodes and Pergamum. In 215 BC Philip, with his eye on Illyria , formed an alliance with Rome's enemy Hannibal of Carthage , which led to Roman alliances with the Achaean League , Rhodes and Pergamum. The First Macedonian War broke out in 212 BC, and ended inconclusively in 205 BC. Philip continued to wage war against Pergamum and Rhodes for control of

21244-410: The masked actor from the theatrical character. The mask-makers were called skeuopoios or "maker of the props", thus suggesting that their role encompassed multiple duties and tasks. The masks were most likely made out of light weight, organic materials like stiffened linen, leather, wood, or cork, with the wig consisting of human or animal hair. Due to the visual restrictions imposed by these masks, it

21432-464: The most complete work of dramaturgy in the ancient world. It addresses acting , dance , music , dramatic construction , architecture , costuming , make-up , props , the organisation of companies, the audience, competitions, and offers a mythological account of the origin of theatre. In doing so, it provides indications about the nature of actual theatrical practices. Sanskrit theatre was performed on sacred ground by priests who had been trained in

21620-471: The most notorious attack on theatre prior to the ban. Viewing theatre as sinful, the Puritans ordered the closure of London theatres in 1642 . On 24 January 1643, the actors protested against the ban by writing a pamphlet titled The Actors remonstrance or complaint for the silencing of their profession, and banishment from their severall play-houses . This stagnant period ended once Charles II came back to

21808-446: The mouth and an integrated wig. These paintings never show actual masks on the actors in performance. They are most often shown being handled by the actors before or after a performance. This demonstrates the way in which the mask was to 'melt' into the face and allow the actor to vanish into the role. Effectively, the mask transformed the actor as much as memorization of the text. Therefore, performance in ancient Greece did not distinguish

21996-554: The native population did not always mix; the Greeks moved and brought their own culture, but interaction did not always occur. While a few fragments exist, there are no complete surviving historical works that date to the hundred years following Alexander's death. The works of the major Hellenistic historians Hieronymus of Cardia (who worked under Alexander, Antigonus I and other successors), Duris of Samos and Phylarchus , which were used by surviving sources , are all lost. The earliest and most credible surviving source for

22184-411: The necessary skills (dance, music, and recitation) in a [hereditary process]. Its aim was both to educate and to entertain. Under the patronage of royal courts, performers belonged to professional companies that were directed by a stage manager ( sutradhara ), who may also have acted. This task was thought of as being analogous to that of a puppeteer —the literal meaning of " sutradhara " is "holder of

22372-410: The necks to facilitate the use of multiple heads with one body. When the heads were not being used, they were stored in a muslin book or fabric-lined box. The heads were always removed at night. This was in keeping with the old superstition that if left intact, the puppets would come to life at night. Some puppeteers went so far as to store the heads in one book and the bodies in another, to further reduce

22560-430: The new eastern Greek cities. Up to two-thirds of the population emigrated, and the Macedonian army could only count on a levy of 25,000 men, a significantly smaller force than under Philip II. Antigonus II ruled until his death in 239 BC. His son Demetrius II soon died in 229 BC, leaving a child (Philip V) as king, with the general Antigonus Doson as regent. Doson led Macedon to victory in

22748-437: The oldest surviving work of dramatic theory —his Poetics ( c.  335 BCE ). Athenian comedy is conventionally divided into three periods, "Old Comedy", "Middle Comedy", and "New Comedy". Old Comedy survives today largely in the form of the eleven surviving plays of Aristophanes , while Middle Comedy is largely lost (preserved only in relatively short fragments in authors such as Athenaeus of Naucratis ). New Comedy

22936-406: The only source available for understanding numerous events in Greek history. Papyrus served as the predominant medium for handwritten documents across the Hellenistic world, though its production was confined to Egypt . Due to Egypt's arid climate , papyrus manuscripts was almost exclusively preserved there as well. That being said, the different historical periods are not represented equally in

23124-443: The orchestra and also served as an area where actors could change their costumes. After 425 BC a stone scene wall, called a paraskenia , became a common supplement to skené . The paraskenia was a long wall with projecting sides, which may have had doorways for entrances and exits. Just behind the paraskenia was the proskenion ("in front of the scene"), which is similar to the modern day proscenium . The upper story

23312-423: The orchestra. In some theatres, behind the orchestra, was a backdrop or scenic wall known as the skené . The term theatre eventually came to mean the whole area of theatron , orchestra , and skené . The theatron was the seating area, built into a hill to create a natural viewing space. The first seats in Greek theatres (other than just sitting on the ground) were wooden, but around 499 BC,

23500-735: The other actors. The actors with comedic roles only wore a thin-soled shoe called a soccus or sock. For this reason, dramatic art is sometimes called " sock and buskin ." Male actors playing female roles would wear a wooden structure on their chests ( posterneda ) to imitate the look of breasts and another structure on their stomachs ( progastreda ) to make them appear softer and more lady like. They would also wear white body stockings under their costumes to make their skin appear fairer. Most costuming detail comes from pottery paintings from that time as costumes and masks were fabricated out of disposable material, so there are little to no remains of any costume from that time. The biggest source of information

23688-569: The papyrological documents. Texts from the reign of Ptolemy I are notably scarce, while those from the reign of Ptolemy II are more frequently encountered, this is owing in part to the large quantities of papyri which were stuffed into human and animal mummies during his rule. Papyri have been classified into public and private documents, including literary texts, laws and regulations, official correspondence, petitions , records, and archives or collections of documents belonging to individuals of position and authority. Significant information about

23876-491: The people and, as a result, rewarded cities with high contributions with royal benefaction. This often resulted in the formation of a royal cult within the city. Reservations about this activity slowly dissipated as this worship of mortals was justified by the precedent of the worshipping of Greek heroes. The Ptolemies took on the traditions of the Egyptian Pharaohs , such as marrying their siblings ( Ptolemy II

24064-582: The possibility of reanimating puppets. Shadow puppetry is said to have reached its highest point of artistic development in the eleventh century before becoming a tool of the government. In the Song dynasty , there were many popular plays involving acrobatics and music. These developed in the Yuan dynasty into a more sophisticated form known as zaju , with a four- or five-act structure. Yuan drama spread across China and diversified into numerous regional forms, one of

24252-442: The practice of inlaying stone blocks into the side of the hill to create permanent, stable seating became more common. They were called the prohedria and reserved for priests and a few of the most respected citizens. The diazoma separated the upper and lower seating areas. After 465 BC, playwrights began using a backdrop or scenic wall, called the skené (from which the word scene derives), that hung or stood behind

24440-443: The remainder of the Puritans and very religious of the time. The main question was if seeing something immoral on stage affects behaviour in the lives of those who watch it, a controversy that is still playing out today. The seventeenth century had also introduced women to the stage, which was considered inappropriate earlier. These women were regarded as celebrities (also a newer concept, thanks to ideas on individualism that arose in

24628-428: The remnants of his rule, thereby recapturing a rebellious Athens. Meanwhile, Lysimachus took over Ionia , Seleucus took Cilicia , and Ptolemy captured Cyprus . After Cassander's death in c.  298 BC , however, Demetrius, who still maintained a sizable loyal army and fleet, invaded Macedon, seized the Macedonian throne (294 BC) and conquered Thessaly and most of central Greece (293–291 BC). He

24816-523: The rise of New Comedy , Alexandrian poetry , translation efforts such as the Septuagint , and the philosophies of Stoicism , Epicureanism , and Pyrrhonism . In science, the works of the mathematician Euclid and the polymath Archimedes are exemplary. Sculpture during this period was characterized by intense emotion and dynamic movement, as seen in sculptural works like the Dying Gaul and

25004-422: The satyr play eventually found its way to Athens in its most well-known form. Satyr's themselves were tied to the god Dionysus as his loyal woodland companions, often engaging in drunken revelry and mischief at his side. The satyr play itself was classified as tragicomedy, erring on the side of the more modern burlesque traditions of the early twentieth century. The plotlines of the plays were typically concerned with

25192-460: The scale of poetry in general (where the tragic divides against epic and lyric ) or at the scale of the drama (where tragedy is opposed to comedy ). In the modern era, tragedy has also been defined against drama, melodrama , the tragicomic , and epic theatre . Improvisation has been a consistent feature of theatre, with the Commedia dell'arte in the sixteenth century being recognized as

25380-452: The seeds of Sanskrit drama. This treatise on grammar from 140 BCE provides a feasible date for the beginnings of theatre in India . The major source of evidence for Sanskrit theatre is A Treatise on Theatre ( Nātyaśāstra ), a compendium whose date of composition is uncertain (estimates range from 200 BCE to 200 CE) and whose authorship is attributed to Bharata Muni . The Treatise is

25568-420: The seven bodyguards who served as Alexander the Great 's generals and deputies, was appointed satrap of Egypt after Alexander's death in 323 BC. In 305 BC, he declared himself King Ptolemy I, later known as "Soter" (saviour) for his role in helping the Rhodians during the siege of Rhodes . Ptolemy built new cities such as Ptolemais Hermiou in upper Egypt and settled his veterans throughout

25756-596: The spoken parts were written in the Attic dialect whereas the choral (recited or sung) ones in the Doric dialect , these discrepancies reflecting the differing religious origins and poetic metres of the parts that were fused into a new entity, the theatrical drama . Tragedy refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilisation . That tradition has been multiple and discontinuous, yet

25944-435: The spoken word, and it was their main method of communication and storytelling. Bahn and Bahn write, "To Greeks, the spoken word was a living thing and infinitely preferable to the dead symbols of a written language." Socrates himself believed that once something has been written down, it lost its ability for change and growth. For these reasons, among many others, oral storytelling flourished in Greece. Greek tragedy , as it

26132-407: The spread of Greek culture was not the generalized phenomenon that the term implies. Some areas of the conquered world were more affected by Greek influences than others. The term Hellenistic also implies that the Greek populations were of majority in the areas in which they settled, but in many cases, the Greek settlers were actually the minority among the native populations. The Greek population and

26320-434: The stage at one time, and masks permitted quick transitions from one character to another. There were only male actors, but masks allowed them to play female characters. The modern method to interpret a role by switching between a few simple characters goes back to changing masks in the theatre of ancient Greece. The actors in these plays that had tragic roles wore boots called cothurnus ( buskin ), that elevated them above

26508-438: The story as a character able to interact with the characters of a play. Plays often began in the morning and lasted into the evening. The theatres were built on a large scale to accommodate a large number of performers on stage and in the audience—up to fourteen thousand. Physics and mathematics played a significant role in the construction of these theatres, as their designers had to be able to create acoustics in them such that

26696-461: The strings or threads". The performers were trained rigorously in vocal and physical technique. There were no prohibitions against female performers; companies were all-male, all-female, and of mixed gender. Certain sentiments were considered inappropriate for men to enact, however, and were thought better suited to women. Some performers played characters their own age, while others played ages different from their own (whether younger or older). Of all

26884-497: The term Hellenistic to refer to and define the period when Greek culture spread in the non-Greek world after Alexander's conquest. Following Droysen, Hellenistic and related terms, e.g. Hellenism , have been widely used in various contexts; a notable such use is in Culture and Anarchy by Matthew Arnold , where Hellenism is used in contrast with Hebraism . The major issue with the term Hellenistic lies in its convenience, as

27072-568: The term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans , in one cultural form; Hellenes and Christians , in a common activity", as Raymond Williams puts it. From its obscure origins in the theatres of Athens 2,500 years ago, from which there survives only a fraction of the work of Aeschylus , Sophocles and Euripides , through its singular articulations in

27260-400: The theatrical culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE (from the end of which it began to spread throughout the Greek world), and continued to be popular until the beginning of the Hellenistic period . No tragedies from the 6th century BCE and only 32 of the more than a thousand that were performed in during

27448-418: The theatron where the chorus and actors performed; the word means "dancing space", as the chorus also danced in early periods. Originally unraised, Greek theatre would later incorporate a raised stage for easier viewing. This practice would become common after the advent of "New Comedy," which incorporated dramatic portrayal of individual characters. The coryphaeus was the head chorus member, who could enter

27636-406: The three dramatic genres emerged there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece , from which it borrows technical terminology, classification into genres, and many of its themes , stock characters , and plot elements. The word τραγῳδία , tragodia , from which the word " tragedy " is derived,

27824-721: The throne in 1660 in the Restoration . Theatre (among other arts) exploded, with influence from French culture, since Charles had been exiled in France in the years previous to his reign. In 1660, two companies were licensed to perform, the Duke's Company and the King's Company . Performances were held in converted buildings, such as Lisle's Tennis Court . The first West End theatre , known as Theatre Royal in Covent Garden , London,

28012-532: The time because of his use of floor space and scenery. Because of the turmoil before this time, there was still some controversy about what should and should not be put on the stage. Jeremy Collier , a preacher, was one of the heads in this movement through his piece A Short View of the Immorality and Profaneness of the English Stage . The beliefs in this paper were mainly held by non-theatre goers and

28200-431: The title of king. Athens later allied itself to Ptolemaic Egypt to throw off Macedonian rule, eventually setting up a religious cult for the Ptolemaic kings and naming one of the city's phyles in honour of Ptolemy for his aid against Macedon. In spite of the Ptolemaic monies and fleets backing their endeavors, Athens and Sparta were defeated by Antigonus II during the Chremonidean War (267–261 BC). Athens

28388-462: The tragedies, but in a purely comedic manner. The power of Athens declined following its defeat in the Peloponnesian War against Sparta . From that time on, the theatre started performing old tragedies again. Although its theatrical traditions seem to have lost their vitality, Greek theatre continued into the Hellenistic period (the period following Alexander the Great 's conquests in the fourth century BC). The primary Hellenistic theatrical form

28576-414: The tragic chorus, they all wear the same mask because they are considered to be representing one character. Stylized comedy and tragedy masks said to originate in ancient Greek theatre have come to widely symbolize the performing arts generally. Illustrations of theatrical masks from 5th century display helmet-like masks, covering the entire face and head, with holes for the eyes and a small aperture for

28764-605: The tripartite territorial division of the Hellenistic age was in place, with the main Hellenistic powers being Macedon under Demetrius's son Antigonus II Gonatas , the Ptolemaic kingdom under Ptolemy 's son Ptolemy II and the Seleucid empire under Seleucus' son Antiochus I Soter . Epirus was a northwestern Greek kingdom in the western Balkans ruled by the Molossian Aeacidae dynasty. Epirus

28952-429: The type of play performed by the puppets. Both styles generally performed plays depicting great adventure and fantasy, rarely was this very stylized form of theatre used for political propaganda. Japanese forms of Kabuki , Nō , and Kyōgen developed in the 17th century CE. Cantonese shadow puppets were the larger of the two. They were built using thick leather which created more substantial shadows. Symbolic colour

29140-519: The wake of Renaissance Humanism ), but on the other hand, it was still very new and revolutionary that they were on the stage, and some said they were unladylike, and looked down on them. Charles II did not like young men playing the parts of young women, so he asked that women play their own parts. Because women were allowed on the stage, playwrights had more leeway with plot twists, like women dressing as men, and having narrow escapes from morally sticky situations as forms of comedy. Comedies were full of

29328-545: The war against the Spartan king Cleomenes III , and occupied Sparta . Philip V , who came to power when Doson died in 221 BC, was the last Macedonian ruler with both the talent and the opportunity to unite Greece and preserve its independence against the "cloud rising in the west": the ever-increasing power of Rome. He was known as "the darling of Hellas". Under his auspices the Peace of Naupactus (217 BC) brought

29516-475: The works of Shakespeare , Lope de Vega , Racine , and Schiller , to the more recent naturalistic tragedy of Strindberg , Beckett's modernist meditations on death, loss and suffering, and Müller's postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. In the wake of Aristotle's Poetics (335 BCE), tragedy has been used to make genre distinctions, whether at

29704-540: The young and very much in vogue, with the storyline following their love lives: commonly a young roguish hero professing his love to the chaste and free minded heroine near the end of the play, much like Sheridan's The School for Scandal . Many of the comedies were fashioned after the French tradition, mainly Molière, again hailing back to the French influence brought back by the King and the Royals after their exile. Molière

29892-421: Was a boy (as it was, becoming Alexander IV ). Perdiccas himself would become regent ( epimeletes ) of the empire, and Meleager his lieutenant. Soon, however, Perdiccas had Meleager and the other infantry leaders murdered and assumed full control. The generals who had supported Perdiccas were rewarded in the partition of Babylon by becoming satraps of the various parts of the empire, but Perdiccas' position

30080-457: Was a form of dance - drama that employed a chorus whose parts were sung (to the accompaniment of an aulos —an instrument comparable to the modern oboe ), as were some of the actors' responses and their 'solo songs' ( monodies ). Modern musical theatre is a form of theatre that also combines music, spoken dialogue, and dance. It emerged from comic opera (especially Gilbert and Sullivan ), variety , vaudeville , and music hall genres of

30268-548: Was a union of Thracian tribes under the kings of the powerful Odrysian tribe. Various parts of Thrace were under Macedonian rule under Philip II of Macedon , Alexander the Great , Lysimachus , Ptolemy II , and Philip V but were also often ruled by their own kings. The Thracians and Agrianes were widely used by Alexander as peltasts and light cavalry , forming about one-fifth of his army. The Diadochi also used Thracian mercenaries in their armies and they were also used as colonists. The Odrysians used Greek as

30456-463: Was able to drive out the Macedonians from the Peloponnese and free Corinth, which duly joined the league. One of the few city states who managed to maintain full independence from the control of any Hellenistic kingdom was Rhodes . With a skilled navy to protect its trade fleets from pirates and an ideal strategic position covering the routes from the east into the Aegean, Rhodes prospered during

30644-483: Was also a center of education, where Celts went to learn Greek. A staunch ally of Rome, Massalia retained its independence until it sided with Pompey in 49 BC and was then taken by Caesar's forces . The city of Emporion (modern Empúries ), originally founded by Archaic-period settlers from Phocaea and Massalia in the 6th century BC near the village of Sant Martí d'Empúries (located on an offshore island that forms part of L'Escala , Catalonia , Spain ),

30832-440: Was also very prevalent; a black face represented honesty, a red one bravery. The rods used to control Cantonese puppets were attached perpendicular to the puppets' heads. Thus, they were not seen by the audience when the shadow was created. Pekingese puppets were more delicate and smaller. They were created out of thin, translucent leather (usually taken from the belly of a donkey). They were painted with vibrant paints, thus they cast

31020-425: Was an ally of Macedon during the reigns of Philip II and Alexander. In 281 Pyrrhus (nicknamed "the eagle", aetos ) invaded southern Italy to aid the city state of Tarentum . Pyrrhus defeated the Romans in the Battle of Heraclea and at the Battle of Asculum . Though victorious, he was forced to retreat due to heavy losses, hence the term " Pyrrhic victory ". Pyrrhus then turned south and invaded Sicily but

31208-533: Was assassinated by Ptolemy Ceraunus ("the thunderbolt"), who had taken refuge at the Seleucid court and then had himself acclaimed as king of Macedon. Ptolemy was killed when Macedon was invaded by Gauls in 279 BC —his head stuck on a spear—and the country fell into anarchy. Antigonus II Gonatas invaded Thrace in the summer of 277 and defeated a large force of 18,000 Gauls. He was quickly hailed as king of Macedon and went on to rule for 35 years. At this point

31396-637: Was assassinated. Succeeding his father, Alexander took over the Persian war himself. During a decade of campaigning, Alexander conquered the whole Persian Empire , overthrew the Persian king Darius III . The conquered lands included Asia Minor , Assyria , the Levant , Egypt , Mesopotamia , Media , Persia , and parts of modern-day Afghanistan , Pakistan , and the steppes of central Asia. The years of constant campaigning had taken their toll, however, and Alexander died in 323 BC. After his death,

31584-517: Was called the episkenion . Some theatres also had a raised speaking place on the orchestra called the logeion . By the end of the 5th century BC, around the time of the Peloponnesian War, the skené was two stories high. The death of a character was always heard behind the skené , for it was considered inappropriate to show a killing in view of the audience. Conversely, there are scholarly arguments that death in Greek tragedy

31772-409: Was created roughly around 508 BC. While no drama texts exist from the sixth century BC, the names of three competitors besides Thespis are known: Choerilus, Pratinas, and Phrynichus . Each is credited with different innovations in the field. Some information is known about Phrynichus. He won his first competition between 511 BC and 508 BC. He produced tragedies on themes and subjects later exploited in

31960-519: Was crushed at the Battle of Sellasia (222 BC) by the Achaean league and Macedon, who restored the power of the ephors . Other city states formed federated states in self-defense, such as the Aetolian League ( est. 370 BC), the Achaean League ( est. 280 BC), the Boeotian league , the "Northern League" ( Byzantium , Chalcedon , Heraclea Pontica and Tium ) and

32148-469: Was defeated and captured by the Romans in the Third Macedonian War (171–168 BC). During the Hellenistic period, the importance of Greece proper within the Greek-speaking world declined sharply. The great centers of Hellenistic culture were Alexandria and Antioch , capitals of Ptolemaic Egypt and Seleucid Syria respectively. The conquests of Alexander greatly widened the horizons of

32336-621: Was defeated in 288 BC when Lysimachus of Thrace and Pyrrhus of Epirus invaded Macedon on two fronts, and quickly carved up the kingdom for themselves. Demetrius fled to central Greece with his mercenaries and began to build support there and in the northern Peloponnese. He once again laid siege to Athens after they turned on him, but then struck a treaty with the Athenians and Ptolemy, which allowed him to cross over to Asia Minor and wage war on Lysimachus' holdings in Ionia , leaving his son Antigonus Gonatas in Greece. After initial successes, he

32524-574: Was designed by Thomas Killigrew and built on the site of the present Theatre Royal, Drury Lane . One of the big changes was the new theatre house. Instead of the type of the Elizabethan era, such as the Globe Theatre , round with no place for the actors to prepare for the next act and with no "theatre manners", the theatre house became transformed into a place of refinement, with a stage in front and stadium seating facing it. Since seating

32712-453: Was forced to surrender to Seleucus in 285 BC and later died in captivity. Lysimachus, who had seized Macedon and Thessaly for himself, was forced into war when Seleucus invaded his territories in Asia Minor and was defeated and killed in 281 BC at the Battle of Corupedium , near Sardis . Seleucus then attempted to conquer Lysimachus' European territories in Thrace and Macedon, but he

32900-416: Was imperative that the actors hear in order to orient and balance themselves. Thus, it is believed that the ears were covered by substantial amounts of hair and not the helmet-mask itself. The mouth opening was relatively small, preventing the mouth being seen during performances. Vervain and Wiles posit that this small size discourages the idea that the mask functioned as a megaphone, as originally presented in

33088-527: Was influenced by Greek designs, and Greek letters can be found on various Celtic coins, especially those of Southern France . Traders from Massalia ventured inland deep into France on the Rivers Durance and Rhône , and established overland trade routes deep into Gaul , and to Switzerland and Burgundy . The Hellenistic period saw the Greek alphabet spread into southern Gaul from Massalia (3rd and 2nd centuries BC) and according to Strabo , Massalia

33276-750: Was inhabited by various Illyrian tribes and kingdoms such as the kingdom of the Dalmatae and of the Ardiaei , who often engaged in piracy under Queen Teuta (reigned 231–227 BC). Further inland was the Illyrian Paeonian Kingdom and the tribe of the Agrianes . Illyrians on the coast of the Adriatic were under the effects and influence of Hellenisation and some tribes adopted Greek, becoming bilingual due to their proximity to

33464-426: Was joined by Eumenes) and was supported by Antigonus, Lysimachus and Ptolemy. In 317 BC, Cassander invaded Macedonia, attaining control of Macedon, sentencing Olympias to death and capturing the boy king Alexander IV , and his mother. In Asia, Eumenes was betrayed by his own men after years of campaign and was given up to Antigonus who had him executed. The third war of the Diadochi broke out because of

33652-422: Was no longer all the way around the stage, it became prioritized—some seats were obviously better than others. The king would have the best seat in the house: the very middle of the theatre, which got the widest view of the stage as well as the best way to see the point of view and vanishing point that the stage was constructed around. Philippe Jacques de Loutherbourg was one of the most influential set designers of

33840-408: Was not tragedy but New Comedy , comic episodes about the lives of ordinary citizens. The only extant playwright from the period is Menander . One of New Comedy's most important contributions was its influence on Roman comedy, an influence that can be seen in the surviving works of Plautus and Terence . Most ancient Greek cities lay on or near hills, so seating was generally built into the slope of

34028-516: Was one of the top comedic playwrights of the time, revolutionizing the way comedy was written and performed by combining Italian commedia dell'arte and neoclassical French comedy to create some of the longest lasting and most influential satiric comedies. Tragedies were similarly victorious in their sense of righting political power, especially poignant because of the recent Restoration of the Crown. They were also imitations of French tragedy, although

34216-411: Was portrayed off stage primarily because of dramatic considerations, and not prudishness or sensitivity of the audience. A temple nearby, especially on the right side of the scene, is almost always part of the Greek theatre complex. This could justify, as a transposition, the recurrence of the pediment with the later solidified stone scene. The orchestra was a circular piece of ground at the bottom of

34404-468: Was pre-eminent but not all-powerful. Spartan hegemony was succeeded by a Theban hegemony after the Battle of Leuctra (371 BC), but after the Battle of Mantinea (362 BC) , all of Greece was so weakened that no one state could claim pre-eminence. It was against this backdrop that the ascendancy of Macedon began, under king Philip II . Macedon was located at the periphery of the Greek world, and although its royal family claimed Greek descent,

34592-520: Was reestablished in the 5th century BC with a new city ( neapolis ) on the Iberian mainland . Emporion contained a mixed population of Greek colonists and Iberian natives, and although Livy and Strabo assert that they lived in different quarters , these two groups were eventually integrated. The city became a dominant trading hub and center of Hellenistic civilization in Iberia, eventually siding with

34780-471: Was shaky because, as Arrian writes, "everyone was suspicious of him, and he of them". The first of the Diadochi wars broke out when Perdiccas planned to marry Alexander's sister Cleopatra and began to question Antigonus I Monophthalmus ' leadership in Asia Minor . Antigonus fled for Greece, and then, together with Antipater and Craterus (the satrap of Cilicia who had been in Greece fighting

34968-513: Was the first to adopt this custom), having themselves portrayed on public monuments in Egyptian style and dress, and participating in Egyptian religious life. The Ptolemaic ruler cult portrayed the Ptolemies as gods, and temples to the Ptolemies were erected throughout the kingdom. Ptolemy I even created a new god, Serapis , who was a combination of two Egyptian gods: Apis and Osiris, with attributes of Greek gods . Ptolemaic administration was, like

35156-550: Was then occupied by Macedonian troops, and run by Macedonian officials. Sparta remained independent, but it was no longer the leading military power in the Peloponnese . The Spartan king Cleomenes III (235–222 BC) staged a military coup against the conservative ephors and pushed through radical social and land reforms in order to increase the size of the shrinking Spartan citizenry able to provide military service and restore Spartan power. Sparta's bid for supremacy

35344-404: Was unsuccessful and returned to Italy. After the Battle of Beneventum (275 BC) Pyrrhus lost all his Italian holdings and left for Epirus. Pyrrhus then went to war with Macedonia in 275 BC, deposing Antigonus II Gonatas and briefly ruling over Macedonia and Thessaly until 272. Afterwards, he invaded southern Greece and was killed in battle against Argos in 272 BC. After

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