The Serrano Legacy , also known as Familias Regnant , is a series of military science fiction / space opera books by Elizabeth Moon . The series includes seven books total (a trilogy and two spin-off duologies), published from 1993 to 2000, and portrays a society in the distant future where the Familias Regnant serves as the governing body for an area of the galaxy. The books feature female lead protagonists—daughters and aunts, following the story of an entire family, including unique family dynamics. The books "depict women in the military who have a greater aptitude for command than the military men in their lives". The universe of the books is also ethnically diverse.
98-469: After writing several fantasy novels including those of the Paksenarrion series, Moon began writing science fiction , initially collaborating with Anne McCaffrey , and eventually moving on to The Serrano Legacy . A central theme of the books is that, through technology, wealthy people can live much longer. The consequences of this remain a focus through the series. "Wealth is key to identity within
196-453: A canonical text. The first printed edition of Homer was produced in 1488 in Milan, Italy by Demetrios Chalkokondyles . Today scholars use medieval manuscripts, papyri and other sources; some argue for a "multi-text" view, rather than seeking a single definitive text. The nineteenth-century edition of Arthur Ludwich mainly follows Aristarchus's work, whereas van Thiel's (1991, 1996) follows
294-487: A chapter of his book English Prose Style (1928) to discussing "Fantasy" as an aspect of literature, arguing it was unjustly considered suitable only for children: "The Western World does not seem to have conceived the necessity of Fairy Tales for Grown-Ups". In 1938, with the publication of The Sword in the Stone , T. H. White introduced one of the most notable works of comic fantasy . The first major contribution to
392-610: A clear overall design and that they are not merely strung together from unrelated songs. It is also generally agreed that each poem was composed mostly by a single author, who probably relied heavily on older oral traditions. Nearly all scholars agree that the Doloneia in Book X of the Iliad is not part of the original poem, but rather a later insertion by a different poet. Some ancient scholars believed Homer to have been an eyewitness to
490-531: A discredited dead end. Starting in around 1928, Milman Parry and Albert Lord , after their studies of folk bards in the Balkans, developed the "Oral-Formulaic Theory" that the Homeric poems were originally composed through improvised oral performances, which relied on traditional epithets and poetic formulas. This theory found very wide scholarly acceptance and explained many previously puzzling features of
588-480: A fellow English professor with a similar array of interests, also helped to publicize the fantasy genre. Tove Jansson , author of The Moomins , was also a strong contributor to the popularity of fantasy literature in the field of children and adults. The tradition established by these predecessors of the late nineteenth and early twentieth centuries has continued to thrive and be adapted by new authors. The influence of J.R.R. Tolkien's fiction has—particularly over
686-415: A phrase or idea is repeated at both the beginning and end of a story, or a series of such ideas first appears in the order A, B, C ... before being reversed as ... C, B, A) has been observed in the Homeric epics. Opinion differs as to whether these occurrences are a conscious artistic device, a mnemonic aid or a spontaneous feature of human storytelling. Both of the Homeric poems begin with an invocation to
784-421: A positive review of the first omnibus, Liz Bourke found the varied depiction of older women "downright refreshing". The series comprises seven novels, all published by Baen . These books have also been collected into omnibuses. Fantasy novel Fantasy literature is literature set in an imaginary universe , often but not always without any locations, events, or people from the real world. Magic ,
882-516: Is based on older oral traditions, including "animal fables that are as old as we are able to imagine". It was influential in Europe and the Middle East . It used various animal fables and magical tales to illustrate the central Indian principles of political science . Talking animals endowed with human qualities have now become a staple of modern fantasy. The Baital Pachisi ( Vikram and
980-566: Is called parataxis . The so-called ' type scenes ' ( typische Szenen ), were named by Walter Arend in 1933. He noted that Homer often, when describing frequently recurring activities such as eating, praying , fighting and dressing, used blocks of set phrases in sequence that were then elaborated by the poet. The 'Analyst' school had considered these repetitions as un-Homeric, whereas Arend interpreted them philosophically. Parry and Lord noted that these conventions are found in many other cultures. 'Ring composition' or chiastic structure (when
1078-547: Is considered one of the most revered and influential authors in history. Homer's Iliad centers on a quarrel between King Agamemnon and the warrior Achilles during the last year of the Trojan War . The Odyssey chronicles the ten-year journey of Odysseus , king of Ithaca , back to his home after the fall of Troy. The epics depict man's struggle, the Odyssey especially so as Odysseus perseveres through punishment of
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#17327982219661176-604: Is fundamentally based on Ionic Greek , in keeping with the tradition that Homer was from Ionia. Linguistic analysis suggests that the Iliad was composed slightly before the Odyssey and that Homeric formulae preserve features older than other parts of the poems. The poems were composed in unrhymed dactylic hexameter ; ancient Greek metre was quantity-based rather than stress-based. Homer frequently uses set phrases such as epithets ('crafty Odysseus ', 'rosy-fingered Dawn ', 'owl-eyed Athena ', etc.), Homeric formulae ('and then answered [him/her], Agamemnon, king of men', 'when
1274-426: Is too bland or simplistic creates the impression that the fantasy setting is simply a modern world in disguise, and presents examples of clear, effective fantasy writing in brief excerpts from Tolkien and Evangeline Walton . Michael Moorcock observed that many writers use archaic language for its sonority and to lend color to a lifeless story. Brian Peters writes that in various forms of fairytale fantasy , even
1372-505: The Capture of Oechalia , and the Phocais . These claims are not considered authentic today and were not universally accepted in the ancient world. As with the multitude of legends surrounding Homer's life, they indicate little more than the centrality of Homer to ancient Greek culture. Some ancient accounts about Homer were established early and repeated often. They include that Homer
1470-629: The Kalevala , they compiled existing folklore into an epic to match other nation's, and sometimes, as in The Poems of Ossian , they fabricated folklore that should have been there. These works, whether fairy tale, ballads, or folk epics, were a major source for later fantasy works. The Romantic interest in medievalism also resulted in a revival of interest in the literary fairy tale. The tradition begun with Giovanni Francesco Straparola and Giambattista Basile and developed by Charles Perrault and
1568-456: The Age of Enlightenment . Many of Perrault's tales became fairy tale staples and were influential to later fantasy. When d'Aulnoy termed her works contes de fée (fairy tales), she invented the term that is now generally used for the genre, thus distinguishing such tales from those involving no marvels. This approach influenced later writers who took up the folk fairy tales in the same manner during
1666-534: The Elizabethan era in England , fantasy literature became extraordinarily popular and fueled populist and anti-authoritarian sentiment during the 1590s . Topics that were written about included " fairylands in which the sexes traded places [and] men and immortals mingl[ing]". Romanticism , a movement of the late eighteenth and early nineteenth century, was a dramatic reaction to rationalism, challenging
1764-573: The Iliad alone is massive, sprawling over nearly 4,000 oversized pages in a 21st-century printed version and his commentary on the Odyssey an additional nearly 2,000. In 1488, the Greek scholar Demetrios Chalkokondyles published in Florence the editio princeps of the Homeric poems. The earliest modern Homeric scholars started with the same basic approaches towards the Homeric poems as scholars in antiquity. The allegorical interpretation of
1862-510: The Iliad and Odyssey were composed continues to be debated. Scholars generally regard the two poems as the works of separate authors. It is thought that the poems were composed at some point around the late eighth or early seventh century BCE. Many accounts of Homer's life circulated in classical antiquity , the most widespread that he was a blind bard from Ionia , a region of central coastal Anatolia in present-day Turkey. Modern scholars consider these accounts legendary . Today, only
1960-897: The Iliad and the Odyssey are associated with the name "Homer". In antiquity, a large number of other works were sometimes attributed to him, including the Homeric Hymns , the Contest of Homer and Hesiod , several epigrams , the Little Iliad , the Nostoi , the Thebaid , the Cypria , the Epigoni , the comic mini-epic Batrachomyomachia ("The Frog–Mouse War"), the Margites ,
2058-443: The Iliad and the Odyssey in the sixth century BC by literate authors. After being written down, Wolf maintained that the two poems were extensively edited, modernized, and eventually shaped into their present state as artistic unities. Wolf and the "Analyst" school, which led the field in the nineteenth century, sought to recover the original, authentic poems which were thought to be concealed by later excrescences. Within
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#17327982219662156-677: The Middle East has been influential in the West since it was translated from the Arabic into French in 1704 by Antoine Galland . Many imitations were written, especially in France. The Fornaldarsagas , Norse and Icelandic sagas , both of which are based on ancient oral tradition influenced the German Romantics, as well as William Morris , and J. R. R. Tolkien . The Anglo-Saxon epic poem Beowulf has also had deep influence on
2254-462: The Muse . In the Iliad , the poet beseeches her to sing of "the anger of Achilles", and in the Odyssey , he asks her to tell of "the man of many ways". A similar opening was later employed by Virgil in his Aeneid . The orally transmitted Homeric poems were put into written form at some point between the eighth and sixth centuries BCE. Some scholars believe that they were dictated to a scribe by
2352-639: The Odyssey during the Hellenistic and Roman periods. As a result of the poems' prominence in classical Greek education, extensive commentaries on them developed to explain parts that were culturally or linguistically difficult. During the Hellenistic and Roman periods, many interpreters, especially the Stoics , who believed that Homeric poems conveyed Stoic doctrines, regarded them as allegories, containing hidden wisdom. Perhaps partially because of
2450-574: The Odyssey in which Telemachus went in search of news of his father not to Menelaus in Sparta but to Idomeneus in Crete, in which Telemachus met up with his father in Crete and conspired with him to return to Ithaca disguised as the soothsayer Theoclymenus, and in which Penelope recognized Odysseus much earlier in the narrative and conspired with him in the destruction of the suitors. Most contemporary scholars, although they disagree on other questions about
2548-534: The Romantic era . Several fantasies aimed at an adult readership were also published in 18th century France, including Voltaire 's " contes philosophique " The Princess of Babylon (1768) and The White Bull (1774). This era, however, was notably hostile to fantasy. Writers of the new types of fiction such as Defoe , Richardson , and Fielding were realistic in style, and many early realistic works were critical of fantastical elements in fiction. However, in
2646-427: The Trojan War ; others thought he had lived up to 500 years afterwards. Contemporary scholars continue to debate the date of the poems. A long history of oral transmission lies behind the composition of the poems, complicating the search for a precise date. At one extreme, Richard Janko has proposed a date for both poems to the eighth century BC based on linguistic analysis and statistics. Barry B. Powell dates
2744-440: The supernatural and magical creatures are common in many of these imaginary worlds. Fantasy literature may be directed at both children and adults. Fantasy is considered a genre of speculative fiction and is distinguished from the genres of science fiction and horror by the absence of scientific or macabre themes, respectively, though these may overlap. Historically, most works of fantasy were in written form , but since
2842-563: The "First Terrible Fate that Awaiteth Unwary Beginners in Fantasy", alluding to young writers attempting to write in Lord Dunsany's style. According to S. T. Joshi , "Dunsany's work had the effect of segregating fantasy—a mode whereby the author creates his own realm of pure imagination—from supernatural horror. From the foundations he established came the later work of E. R. Eddison , Mervyn Peake , and J. R. R. Tolkien. In Britain in
2940-589: The 1960s, a growing segment of the fantasy genre has taken the form of films , television programs , graphic novels , video games , music and art. Many fantasy novels originally written for children and adolescents also attract an adult audience. Examples include Alice's Adventures in Wonderland , the Harry Potter series, The Chronicles of Narnia , and The Hobbit . Stories involving magic and terrible monsters have existed in spoken forms before
3038-545: The Analyst school were two camps: proponents of the "lay theory", which held that the Iliad and the Odyssey were put together from a large number of short, independent songs, and proponents of the "nucleus theory", which held that Homer had originally composed shorter versions of the Iliad and the Odyssey , which later poets expanded and revised. A small group of scholars opposed to the Analysts, dubbed "Unitarians", saw
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3136-800: The Bronze Age Aegean civilisation , which in many ways resembles the ancient Near East more than the society described by Homer. Some aspects of the Homeric world are simply made up; for instance, the Iliad 22.145–56 describes there being two springs that run near the city of Troy, one that runs steaming hot and the other that runs icy cold. It is here that Hector takes his final stand against Achilles. Archaeologists, however, have uncovered no evidence that springs of this description ever actually existed. The Homeric epics are written in an artificial literary language or 'Kunstsprache' only used in epic hexameter poetry. Homeric Greek shows features of multiple regional Greek dialects and periods, but
3234-500: The Form of an epic Poem till Pisistratus ' time, about 500 Years after." Friedrich August Wolf 's Prolegomena ad Homerum , published in 1795, argued that much of the material later incorporated into the Iliad and the Odyssey was originally composed in the tenth century BC in the form of short, separate oral songs, which passed through oral tradition for roughly four hundred years before being assembled into prototypical versions of
3332-622: The French précieuses was taken up by the German Romantic movement. The German author Friedrich de la Motte Fouqué created medieval-set stories such as Undine (1811) and Sintram and his Companions (1815), which would later inspire British writers such as George MacDonald and William Morris . E.T.A. Hoffmann 's tales, such as The Golden Pot (1814) and The Nutcracker and the Mouse King (1816) were notable additions to
3430-476: The Homeric poems that had been so prevalent in antiquity returned to become the prevailing view of the Renaissance . Renaissance humanists praised Homer as the archetypically wise poet, whose writings contain hidden wisdom, disguised through allegory. In western Europe during the Renaissance , Virgil was more widely read than Homer and Homer was often seen through a Virgilian lens. In 1664, contradicting
3528-433: The Homeric poems' extensive use in education, many authors believed that Homer's original purpose had been to educate. Homer's wisdom became so widely praised that he began to acquire the image of almost a prototypical philosopher. Byzantine scholars such as Eustathius of Thessalonica and John Tzetzes produced commentaries, extensions and scholia to Homer, especially in the twelfth century. Eustathius's commentary on
3626-563: The Homeric poems, including their unusually archaic language, their extensive use of stock epithets, and their other "repetitive" features. Many scholars concluded that the "Homeric Question" had finally been answered. Meanwhile, the 'Neoanalysts' sought to bridge the gap between the 'Analysts' and 'Unitarians'. The Neoanalysts sought to trace the relationships between the Homeric poems and other epic poems, which have now been lost, but of which modern scholars do possess some patchy knowledge. Neoanalysts hold that knowledge of earlier versions of
3724-532: The Southwest Wind an irascible but kindly character similar to J.R.R. Tolkien 's later Gandalf . The history of modern fantasy literature began with George MacDonald, author of such novels as The Princess and the Goblin (1868) and Phantastes (1868), the latter of which is widely considered to be the first fantasy novel written for adults. MacDonald also wrote one of the first critical essays about
3822-701: The Vampire ), a collection of various fantasy tales set within a frame story is, according to Richard Francis Burton and Isabel Burton , "the germ which culminated in the Arabian Nights , and which also inspired the Golden Ass of Apuleius , (2nd century A.D). Boccaccio 's Decamerone (c.1353) the Pentamerone (1634, 1636) and all that class of facetious fictitious literature." The Book of One Thousand and One Nights (Arabian Nights) from
3920-534: The advent of printed literature. Classical mythology is replete with fantastical stories and characters, the best known (and perhaps the most relevant to modern fantasy) being the works of Homer (Greek) and Virgil (Roman). The philosophy of Plato has had great influence on the fantasy genre. In the Christian Platonic tradition, the reality of other worlds, and an overarching structure of great metaphysical and moral importance, has lent substance to
4018-533: The adventures, the military aspects, and the background. She later says that the high number of points of view "tends to make the focus diffuse", ultimately concluding that the books are "fun". John Clute wrote that the series "was perhaps a little disappointing, though still entertaining". Maura Heaphy calls it "a stylish and imaginative space opera of the far future". The protagonist of the first trilogy, Heris Serrano, has also been remarked upon for her middle-age, unlike youthful protagonists of many similar works. In
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4116-529: The aftermath of World War I, a notably large number of fantasy books aimed at an adult readership were published, including Living Alone (1919) by Stella Benson , A Voyage to Arcturus (1920) by David Lindsay , Lady into Fox (1922) by David Garnett , Lud-in-the-Mist (1926) by Hope Mirrlees , and Lolly Willowes (1926) by Sylvia Townsend Warner . E. R. Eddison was another influential writer who wrote during this era. He drew inspiration from Northern sagas, as Morris did, but his prose style
4214-489: The books", Duncan Lawie notes. According to Moon, in Locus : What I'm pushing is to think about something from all sides. Don't answer the first thing that comes out. I don't have the answers; I have lots of questions. In my old SF adventure series The Serrano Legacy , a lot of it had to do with the effects of longevity. What would really happen if you had rejuvenation and people could live very long times? What would it do to
4312-432: The canon of German fantasy. Ludwig Tieck 's collection Phantasus (1812–1817) contained several short fairy tales, including "The Elves". In France, the main writers of Romantic-era fantasy were Charles Nodier with Smarra (1821) and Trilby (1822) and Théophile Gautier who penned such stories as "Omphale" (1834) and " One of Cleopatra's Nights " (1838) as well as the novel Spirite (1866). Fantasy literature
4410-482: The composition of the Iliad and the Odyssey to sometime between 800 and 750 BC, based on the statement from Herodotus , who lived in the late fifth century BC, that Homer lived four hundred years before his own time "and not more" ( καὶ οὐ πλέοσι ) and on the fact that the poems do not mention hoplite battle tactics, inhumation , or literacy. Martin Litchfield West has argued that the Iliad echoes
4508-411: The continent. Other writers, including Edgar Rice Burroughs and Abraham Merritt , further developed the style. Several classic children's fantasies such as Lewis Carroll 's Alice's Adventures in Wonderland (1865), L. Frank Baum 's The Wonderful Wizard of Oz (1900), as well as the work of E. Nesbit and Frank R. Stockton were also published around this time. C. S. Lewis noted that in
4606-596: The days of the Roman emperor Hadrian says Epicaste (daughter of Nestor ) and Telemachus (son of Odysseus ) were the parents of Homer. The two best known ancient biographies of Homer are the Life of Homer by the Pseudo-Herodotus and the Contest of Homer and Hesiod . In the early fourth century BC Alcidamas composed a fictional account of a poetry contest at Chalcis with both Homer and Hesiod . Homer
4704-489: The development of fantasy with their writing of horror stories. Wilde also wrote a large number of children's fantasies, collected in The Happy Prince and Other Stories (1888) and A House of Pomegranates (1891). H. Rider Haggard developed the conventions of the lost world subgenre with his novel King Solomon's Mines (1885), which presented a fantastical Africa to a European audience still unfamiliar with
4802-545: The divisions back further to the Classical period. Very few credit Homer himself with the divisions. In antiquity, it was widely held that the Homeric poems were collected and organised in Athens in the late sixth century BCE by Pisistratus (died 528/7 BCE), in what subsequent scholars have dubbed the "Peisistratean recension". The idea that the Homeric poems were originally transmitted orally and first written down during
4900-446: The earlier part of the 20th century, fantasy was more accepted in juvenile literature, and therefore a writer interested in fantasy often wrote for that audience, despite using concepts and themes that could form a work aimed at adults. At this time, the terminology for the genre was not settled. Many fantasies in this era were termed fairy tales, including Max Beerbohm 's " The Happy Hypocrite " (1896) and MacDonald's Phantastes . It
4998-479: The early-born rose-fingered Dawn came to light', 'thus he/she spoke'), simile , type scenes, ring composition and repetition. These habits aid the extemporizing bard, and are characteristic of oral poetry. For instance, the main words of a Homeric sentence are generally placed towards the beginning, whereas literate poets like Virgil or Milton use longer and more complicated syntactical structures. Homer then expands on these ideas in subsequent clauses; this technique
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#17327982219665096-508: The epic Mabinogion . One influential retelling of this was the fantasy work of Evangeline Walton . The Irish Ulster Cycle and Fenian Cycle have also been plentifully mined for fantasy. Its greatest influence was, however, indirect. Celtic folklore and mythology provided a major source for the Arthurian cycle of chivalric romance : the Matter of Britain . Although the subject matter
5194-511: The epics can be derived from anomalies of structure and detail in the surviving versions of the Iliad and Odyssey . These anomalies point to earlier versions of the Iliad in which Ajax played a more prominent role, in which the Achaean embassy to Achilles comprised different characters, and in which Patroclus was actually mistaken for Achilles by the Trojans. They point to earlier versions of
5292-519: The fantasy genre, "The Fantastic Imagination", in his book A Dish of Orts (1893). MacDonald was a major influence on both Tolkien and C. S. Lewis . The other major fantasy author of this era was William Morris, an admirer of the Middle Ages and a poet who wrote several fantastic romances and novels in the latter part of the 19th century, including The Well at the World's End (1896). Morris
5390-407: The fantasy genre; although it was unknown for centuries and so not developed in medieval legend and romance, several fantasy works have retold the tale, such as John Gardner 's Grendel . Celtic folklore and legend has been an inspiration for many fantasy works. The Welsh tradition has been particularly influential, owing to its connection to King Arthur and its collection in a single work,
5488-411: The fantasy worlds of modern works. With Empedocles ( c. 490 – c. 430 BC ), elements are often used in fantasy works as personifications of the forces of nature. India has a long tradition of fantastical stories and characters, dating back to Vedic mythology . The Panchatantra ( Fables of Bidpai ), which some scholars believe was composed around the 3rd century BC. It
5586-520: The first literary results of this trend was the Gothic novel , a genre that began in Britain with The Castle of Otranto (1764) by Horace Walpole . That work is considered the predecessor to both modern fantasy and modern horror fiction . Another noted Gothic novel which also contains a large amount of Arabian Nights -influenced fantasy elements is Vathek (1786) by William Thomas Beckford . In
5684-432: The genesis of the poems, agree that the Iliad and the Odyssey were not produced by the same author, based on "the many differences of narrative manner, theology, ethics, vocabulary, and geographical perspective, and by the apparently imitative character of certain passages of the Odyssey in relation to the Iliad ." Nearly all scholars agree that the Iliad and the Odyssey are unified poems, in that each poem shows
5782-723: The genre after World War II was Mervyn Peake 's Titus Groan (1946), the book that launched the Gormenghast series . J. R. R. Tolkien played a large role in the popularization and accessibility of the fantasy genre with his highly successful publications The Hobbit (1937) and The Lord of the Rings (1954–55). Tolkien was largely influenced by an ancient body of Anglo-Saxon myths , particularly Beowulf , as well as William Morris's romances and E. R. Eddison 's 1922 novel, The Worm Ouroboros . Tolkien's close friend C. S. Lewis , author of The Chronicles of Narnia (1950–56) and
5880-435: The genre of high fantasy —prompted a reaction. In China, the idea of fantasy literature as a distinct genre first became prevalent in the early 21st century. China has long had pre-genre stories with fantastical elements, including zhiguai , ghost stories, and miracle tales, among others. It is not uncommon for fantasy novels to be ranked on The New York Times Best Seller list , and some have been at number one on
5978-706: The gods. The poems are in Homeric Greek , also known as Epic Greek, a literary language which shows a mixture of features of the Ionic and Aeolic dialects from different centuries; the predominant influence is Eastern Ionic. Most researchers believe that the poems were originally transmitted orally . Despite being predominantly known for its tragic and serious themes, the Homeric poems also contain instances of comedy and laughter . Homer's epic poems shaped aspects of ancient Greek culture and education, fostering ideals of heroism, glory, and honor. To Plato , Homer
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#17327982219666076-434: The judge awarded Hesiod the prize; the poet who praised husbandry , he said, was greater than the one who told tales of battles and slaughter. The study of Homer is one of the oldest topics in scholarship, dating back to antiquity. Nonetheless, the aims of Homeric studies have changed over the course of the millennia. The earliest preserved comments on Homer concern his treatment of the gods, which hostile critics such as
6174-535: The later Iron Age during which they were composed; yet the same heroes are cremated (an Iron Age practice) rather than buried (as they were in the Bronze Age). In some parts of the Homeric poems, heroes are described as carrying large shields like those used by warriors during the Mycenaean period , but, in other places, they are instead described carrying the smaller shields that were commonly used during
6272-603: The later additions as superior, the work of a single inspired poet. By around 1830, the central preoccupations of Homeric scholars, dealing with whether or not "Homer" actually existed, when and how the Homeric poems originated, how they were transmitted, when and how they were finally written down, and their overall unity, had been dubbed "the Homeric Question". Following World War I , the Analyst school began to fall out of favor among Homeric scholars. It did not die out entirely, but it came to be increasingly seen as
6370-537: The later part of the Romantic period, folklorists collected folktales, epic poems, and ballads, and released them in printed form. The Brothers Grimm were inspired by the movement of German Romanticism in their 1812 collection Grimm's Fairy Tales , and they in turn inspired other collectors. Frequently their motivation stemmed not merely from Romanticism, but from Romantic nationalism , in that many were inspired to save their own country's folklore. Sometimes, as in
6468-431: The list, including most recently, Brandon Sanderson in 2014, Neil Gaiman in 2013, Patrick Rothfuss and George R. R. Martin in 2011, and Terry Goodkind in 2006. Symbolism often plays a significant role in fantasy literature, often through the use of archetypal figures inspired by earlier texts or folklore . Some argue that fantasy literature and its archetypes fulfill a function for individuals and society and
6566-550: The messages are continually updated for current societies. Ursula K. Le Guin , in her essay "From Elfland to Poughkeepsie", presented the idea that language is the most crucial element of high fantasy , because it creates a sense of place. She analyzed the misuse of a formal, "olden-day" style, saying that it was a dangerous trap for fantasy writers because it was ridiculous when done wrong. She warns writers away from trying to base their style on that of masters such as Lord Dunsany and E. R. Eddison , emphasizing that language that
6664-406: The modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word medieval evokes knights, distressed damsels, dragons, and other romantic tropes. At the time of the Renaissance romance continued to be popular, and the trend was to more fantastic fiction. The English Le Morte d'Arthur by Sir Thomas Malory (c.1408–1471) was written in prose, and
6762-641: The most influential writers of fantasy and horror in the 20th century. Despite MacDonald's future influence, and Morris' popularity at the time, it was not until around the start of the 20th century that fantasy fiction began to reach a large audience, with authors such as Lord Dunsany (1878–1957) who, following Morris's example, wrote fantasy novels, but also in the short story form. He was particularly noted for his vivid and evocative style. His style greatly influenced many writers, not always happily; Ursula K. Le Guin , in her essay on style in fantasy "From Elfland to Poughkeepsie", wryly referred to Lord Dunsany as
6860-535: The myth of the Trojan War, others that the poem was inspired by multiple similar sieges that took place over the centuries. Most scholars now agree that the Homeric poems depict customs and elements of the material world that are derived from different periods of Greek history. For instance, the heroes in the poems use bronze weapons, characteristic of the Bronze Age in which the poems are set, rather than
6958-781: The oldest recorded form of many well-known (and some more obscure) European fairy tales. This was the beginning of a tradition that would both influence the fantasy genre and be incorporated in it, as many works of fairytale fantasy appear to this day. In a work on alchemy in the 16th century, Paracelsus (1493–1541) identified four types of beings with the four elements of alchemy: gnomes (earth elementals); undines (water); sylphs (air); and salamanders (fire). Most of these beings are found in folklore as well as alchemy, and their names are often used interchangeably with similar beings from folklore. Literary fairy tales, such as those written by Charles Perrault (1628–1703) and Madame d'Aulnoy (c.1650 – 1705), became very popular early in
7056-416: The other extreme, a few American scholars such as Gregory Nagy see "Homer" as a continually evolving tradition, which grew much more stable as the tradition progressed, but which did not fully cease to continue changing and evolving until as late as the middle of the second century BC. "'Homer" is a name of unknown etymological origin, around which many theories were erected in antiquity. One such linkage
7154-527: The poems were created in the eighth century, they continued to be orally transmitted with considerable revision until they were written down in the sixth century. After textualisation, the poems were each divided into 24 rhapsodes, today referred to as books, and labelled by the letters of the Greek alphabet . Most scholars attribute the book divisions to the Hellenistic scholars of Alexandria , in Egypt. Some trace
7252-429: The poet Xenophanes of Colophon denounced as immoral. The allegorist Theagenes of Rhegium is said to have defended Homer by arguing that the Homeric poems are allegories . The Iliad and the Odyssey were widely used as school texts in ancient Greek and Hellenistic cultures. They were the first literary works taught to all students. The Iliad , particularly its first few books, was far more intently studied than
7350-457: The poet and that our inherited versions of the Iliad and Odyssey were in origin orally dictated texts. Albert Lord noted that the Balkan bards that he was studying revised and expanded their songs in their process of dictating. Some scholars hypothesize that a similar process of revision and expansion occurred when the Homeric poems were first written down. Other scholars hold that, after
7448-486: The poetry of Hesiod and that it must have been composed around 660–650 BC at the earliest, with the Odyssey up to a generation later. He also interprets passages in the Iliad as showing knowledge of historical events that occurred in the ancient Near East during the middle of the seventh century BC, including the destruction of Babylon by Sennacherib in 689 BC and the Sack of Thebes by Ashurbanipal in 663/4 BC. At
7546-481: The priority of reason and promoting the importance of imagination and spirituality. Its success in rehabilitating imagination was of fundamental importance to the evolution of fantasy, and its interest in medieval romances provided many motifs to modern fantasy. The Romantics invoked the medieval romance as a model for the works they wanted to produce, in contrast to the realism of the Enlightenment. One of
7644-600: The reign of Pisistratus is referenced by the first-century BCE Roman orator Cicero and is also referenced in a number of other surviving sources, including two ancient Lives of Homer . From around 150 BCE, the texts of the Homeric poems found in papyrus fragments exhibit much less variation, and the text seems to have become relatively stable. After the establishment of the Library of Alexandria , Homeric scholars such as Zenodotus of Ephesus, Aristophanes of Byzantium and in particular Aristarchus of Samothrace helped establish
7742-412: The sack of Troy was dated to 1184 BC. By the nineteenth century, there was widespread scholarly skepticism that the Trojan War had ever happened and that Troy had even existed, but in 1873 Heinrich Schliemann announced to the world that he had discovered the ruins of Homer's Troy at Hisarlik in modern Turkey. Some contemporary scholars think the destruction of Troy VIIa c. 1220 BC was the origin of
7840-429: The series to older pulp fiction while noting she covers more serious topics as well. Of the first three books, Duncan Lawie says the protagonists are "all tough, clever, and interesting and their characters drive the books in an organic way". He calls the characterization "deft" and story a page-turner, though he hoped for more depth. Of the series in full, Jo Walton says the books "do a lot of things right", praising
7938-404: The social structure, to economics, to politics? What would it do to the neighbors of the country that had that ability? George Mann considers the work space opera , also noting that Moon's time in the military grant the books "an edge of realism ... that is lacking in much military fiction by authors who have not themselves served in the armed forces". Mann favorably compares the feel of
8036-516: The society depicted by Homer is based on his own or one which was, even at the time of the poems' composition, known only as legends. The Homeric epics are largely set in the east and center of the Mediterranean , with some scattered references to Egypt , Ethiopia and other distant lands, in a warlike society that resembles that of the Greek world slightly before the hypothesized date of the poems' composition. In ancient Greek chronology,
8134-484: The time when the poems were written in the early Iron Age. In the Iliad 10.260–265, Odysseus is described as wearing a helmet made of boar's tusks . Such helmets were not worn in Homer's time, but were commonly worn by aristocratic warriors between 1600 and 1150 BC. The decipherment of Linear B in the 1950s by Michael Ventris and continued archaeological investigation has increased modern scholars' understanding of
8232-486: The villain's language might be inappropriate if vulgar. Homer This is an accepted version of this page Homer ( / ˈ h oʊ m ər / ; Ancient Greek : Ὅμηρος [hómɛːros] , Hómēros ; born c. 8th century BCE ) was an Ancient Greek poet who is credited as the author of the Iliad and the Odyssey , two epic poems that are foundational works of ancient Greek literature . Homer
8330-495: The widespread praise of Homer as the epitome of wisdom, François Hédelin, abbé d'Aubignac wrote a scathing attack on the Homeric poems, declaring that they were incoherent, immoral, tasteless, and without style, that Homer never existed, and that the poems were hastily cobbled together by incompetent editors from unrelated oral songs. Fifty years later, the English scholar Richard Bentley concluded that Homer did exist but that he
8428-589: The work dominates the Arthurian literature. Arthurian motifs have appeared steadily in literature from its publication, though the works have been a mix of fantasy and non-fantasy works. At the time, it and the Spanish Amadis de Gaula (1508), which was also written in prose, spawned many imitators, and the genre was popularly well-received. It later produced such masterpieces of Renaissance poetry as Ludovico Ariosto 's Orlando furioso and Torquato Tasso 's Gerusalemme Liberata . Ariosto's tale in particular
8526-436: Was a source text for many fantasies of adventure. During the Renaissance , Giovanni Francesco Straparola wrote and published The Facetious Nights of Straparola (1550–1555), a collection of stories of which many are literary fairy tales . Giambattista Basile wrote and published the Pentamerone , which was the first collection of stories to contain solely what would later be known as fairy tales. The two works include
8624-532: Was an obscure, prehistoric oral poet whose compositions bear little relation to the Iliad and the Odyssey as they have been passed down. According to Bentley, Homer "wrote a Sequel of Songs and Rhapsodies, to be sung by himself for small Earnings and good Cheer at Festivals and other Days of Merriment; the Ilias he wrote for men, and the Odysseis for the other Sex. These loose songs were not collected together in
8722-509: Was blind (taking as self-referential a passage describing the blind bard Demodocus ), that he resided at Chios , that he was the son of the river Meles and the nymph Critheïs , that he was a wandering bard, that he composed a varying list of other works (the "Homerica"), that he died either in Ios or after failing to solve a riddle set by fishermen, and various explanations for the name "Homer" ( Ὅμηρος , Hómēros ). Another tradition from
8820-477: Was expected to win, and answered all of Hesiod's questions and puzzles with ease. Then, each of the poets was invited to recite the best passage from their work. Hesiod selected the beginning of Works and Days : "When the Pleiades born of Atlas ... all in due season". Homer chose a description of Greek warriors in formation, facing the foe, taken from the Iliad . Though the crowd acclaimed Homer victor,
8918-505: Was heavily reworked by the authors, these romances developed marvels until they became independent of the original folklore and fictional, an important stage in the development of fantasy. Romance or chivalric romance is a type of prose and verse narrative that reworked legends , fairy tales , and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel Don Quixote . Still,
9016-412: Was inspired by the medieval sagas, and his writing was deliberately archaic in the style of the chivalric romances . Morris's work represented an important milestone in the history of fantasy, as while other writers wrote of foreign lands or of dream worlds , Morris was the first to set his stories in an entirely invented world . Authors such as Edgar Allan Poe and Oscar Wilde also contributed to
9114-449: Was modeled more on Tudor and Elizabethan English, and his stories were filled with vigorous characters in glorious adventures. Eddison's most famous work is The Worm Ouroboros (1922), a long heroic fantasy set on an imaginary version of the planet Mercury. Literary critics of the era began to take an interest in "fantasy" as a genre of writing, and also to argue that it was a genre worthy of serious consideration. Herbert Read devoted
9212-421: Was not until 1923 that the term "fantasist" was used to describe a writer (in this case, Oscar Wilde) who wrote fantasy fiction. The name "fantasy" was not developed until later; as late as J.R.R. Tolkien's The Hobbit (1937), the term "fairy tale" was still being used. An important factor in the development of the fantasy genre was the arrival of magazines devoted to fantasy fiction. The first such publication
9310-559: Was popular in Victorian times , with the works of writers such as Mary Shelley , William Morris, George MacDonald, and Charles Dodgson reaching wider audiences. Hans Christian Andersen took a new approach to fairy tales by creating original stories told in a serious fashion. From this origin, John Ruskin wrote The King of the Golden River (1851), a fairy tale that included complex levels of characterization and created in
9408-544: Was simply the one who "has taught Greece" ( τὴν Ἑλλάδα πεπαίδευκεν , tēn Helláda pepaídeuken ). In Dante Alighieri 's Divine Comedy , Virgil refers to Homer as "Poet sovereign", king of all poets; in the preface to his translation of the Iliad , Alexander Pope acknowledges that Homer has always been considered the "greatest of poets". From antiquity to the present day, Homeric epics have inspired many famous works of literature, music, art, and film. The question of by whom, when, where and under what circumstances
9506-493: Was the German magazine Der Orchideengarten which ran from 1919 to 1921. In 1923, the first English-language fantasy fiction magazine, Weird Tales , was created. Many other similar magazines eventually followed. and The Magazine of Fantasy & Science Fiction H. P. Lovecraft was deeply influenced by Edgar Allan Poe and to a somewhat lesser extent, by Lord Dunsany; with his Cthulhu Mythos stories, he became one of
9604-449: Was to the Greek ὅμηρος ( hómēros ' hostage ' or ' surety ' ). The explanations suggested by modern scholars tend to mirror their position on the overall Homeric Question. Nagy interprets it as "he who fits (the song) together". West has advanced both possible Greek and Phoenician etymologies. Scholars continue to debate questions such as whether the Trojan War actually took place – and if so when and where – and to what extent
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