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Illya Darling

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Illya Darling is a musical with a book by Jules Dassin , music by Manos Hadjidakis , and lyrics by Joe Darion , based on Dassin's 1960 film Never on Sunday .

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131-578: The show previewed in a tour of Philadelphia, Toronto and Detroit for nine weeks. After 22 previews, the Broadway production opened on April 11, 1967 at the Mark Hellinger Theatre and closed on January 13, 1968, after 320 performances and 22 previews. It was directed by Dassin, choreographed by Onna White , with scenic design by Oliver Smith , costume design by Theoni V. Aldredge , and lighting design by Jean Rosenthal . Orchestra

262-604: A receiver to manage the theater that March. The receiver booked the Harry Kurnitz play Once More, with Feeling! , which opened in late 1958 and ran for 263 performances. Theatrical producer Billy Rose bought the National at a foreclosure auction in June 1958 for $ 849,500. At the time, Rose worked for William Zeckendorf 's real-estate company Webb and Knapp ; this prompted Zeckendorf to sue Rose for ownership of

393-472: A 7:00 p.m. or 8:00 p.m. "curtain". The afternoon " matinée " performances are at 2:00 p.m. on Wednesdays and Saturdays and at 3:00 p.m. on Sundays. This makes for an eight-performance week. On this schedule, most shows do not play on Monday and the shows and theatres are said to be "dark" on that day. The actors and the crew in these shows tend to regard Sunday evening through Monday evening as their weekend. The Tony award presentation ceremony

524-839: A Theater Advisory Council, which included Papp. Due to the COVID-19 pandemic in New York City , Broadway theaters closed on March 12, 2020, shuttering 16 shows that were playing or were in the process of opening. The Broadway League shutdown was extended first to April, then to May, then June, then September 2020 and January 2021, and later to June 1, 2021. Then-governor Andrew Cuomo announced that most sectors of New York would have their restrictions lifted on May 19, 2021, but he stated that Broadway theatres would not be able to immediately resume performances on this date due to logistical reasons. In May 2021, Cuomo announced that Broadway theaters would be allowed to reopen on September 14, and

655-493: A Tony) in his Broadway debut as Tonio, and Hal Linden as No Face. After closing on Broadway, the show went on tour with Cyd Charisse as Illya. The production was nominated for six Tony Awards , including Best musical, score, direction and choreography, but it did not win any. The musical was presented by the Greek American Theatre Company of Los Angeles, running March 2003 to May 2003. Illya,

786-449: A booming economy and abundant creative talent kept Broadway hopping. To this day, the shows of the 1950s form the core of the musical theatre repertory." Kenrick notes that "the late 1960s marked a time of cultural upheaval. All those changes would prove painful for many, including those behind the scenes, as well as those in the audience." Of the 1970s, Kenrick writes: "Just when it seemed that traditional book musicals were back in style,

917-404: A carefree prostitute , plies her trade in the port town of Piraeus outside Athens . With no set rates, no pimp, and an inclination to sleep only with men she likes, she differs dramatically from the other local ladies-of-the-evening. Their pimp, Garbage, works for the mysterious No Face, who charges the girls exorbitant rents. Into her life comes Homer Thrace, a priggish American in search of

1048-663: A cast. There are still, however, performers who are primarily stage actors, spending most of their time "on the boards", and appearing in screen roles only secondarily. As Patrick Healy of The New York Times noted: Broadway once had many homegrown stars who committed to working on a show for a year, as Nathan Lane has for The Addams Family . In 2010, some theater heavyweights like Mr. Lane were not even nominated; instead, several Tony Awards were given for productions that were always intended to be short-timers on Broadway, given that many of their film-star performers had to move on to other commitments. According to Mark Shenton, "One of

1179-434: A challenge to the stage. At first, films were silent and presented only limited competition. By the end of the 1920s, films like The Jazz Singer were presented with synchronized sound, and critics wondered if cinema would replace live theatre altogether. While live vaudeville could not compete with these inexpensive films that featured vaudeville stars and major comedians of the day, other theatres survived. The musicals of

1310-540: A company of twelve actors from Britain to the colonies with his brother Lewis as their manager. They established a theatre in Williamsburg, Virginia , and opened with The Merchant of Venice and The Anatomist . The company moved to New York in 1753, performing ballad operas and ballad-farces like Damon and Phillida . During the Revolutionary War , theatre was suspended in New York City. But after

1441-471: A concrete slab. Originally, the auditorium was designed in the early Renaissance style. Unlike other theaters operated by the Shubert family , the interior contained little plaster decoration. The interior was made of concrete, which was decorated to resemble burnished Italian walnut panels decorated with gold. The fake woodwork was decorated with "lyric and epic subjects", which protruded slightly from

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1572-565: A discount of 20 to 50%. The TKTS booths are located in Times Square , in Lower Manhattan , and at Lincoln Center . This service is run by Theatre Development Fund . Many Broadway theatres also offer special student rates, same-day "rush" or "lottery" tickets, or standing-room tickets to help ensure that their theatres are as full—and their grosses as high—as possible. According to The Broadway League , total Broadway attendance

1703-534: A distinct lack of charm or skill." Broadway theatre Broadway theatre , or Broadway , is a theatre genre that consists of the theatrical performances presented in 41 professional theaters , each with 500 or more seats, in the Theater District and Lincoln Center along Broadway , in Midtown Manhattan , New York City . Broadway and London 's West End together represent

1834-411: A drama based on John Hersey 's novel The Wall . The Billy Rose's next hit was Edward Albee 's play Who's Afraid of Virginia Woolf? , which opened in 1962 and ran for 660 performances over the next two years. Throughout the 1960s, the theater was often empty for extended periods because of a lack of productions. Albee's play Tiny Alice , featuring John Gielgud and Irene Worth , opened at

1965-906: A few exceptions, compared with London runs, until World War I . A few very successful British musicals continued to achieve great success in New York, including Florodora in 1900–01. In the early years of the twentieth century, translations of popular late-nineteenth century continental operettas were joined by the "Princess Theatre" shows of the 1910s, by writers such as P. G. Wodehouse , Guy Bolton , and Harry B. Smith . Victor Herbert , whose work included some intimate musical plays with modern settings as well as his string of famous operettas ( The Fortune Teller (1898), Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906), and Naughty Marietta (1910)). Beginning with The Red Mill , Broadway shows installed electric signs outside

2096-603: A foreclosure auction. By then, the National was in danger of being demolished because of a sharp increase in real-estate values. The theater hosted Sean O'Casey 's play Within the Gates in 1934. Subsequently, Guthrie McClintic 's production of the drama Ethan Frome was presented there in January 1936, as well as Noël Coward 's anthology of plays Tonight at 8:30 that November. The Mercury Theatre company, led by John Houseman and Orson Welles , performed revivals of

2227-532: A larger theatre. Other productions are first developed through workshops and then out-of-town tryouts before transferring to Broadway. Merrily We Roll Along famously skipped an out-of-town tryout and attempted to do an in-town tryout—actually preview performances —on Broadway before its official opening, with disastrous results. After, or even during, successful runs in Broadway theatres, producers often remount their productions with new casts and crew for

2358-475: A major crosstown artery, and venues on 44th and 45th Streets , which benefited from tourist traffic around Shubert Alley . The theater was designed by William Neil Smith for Walter C. Jordan. The theater contains a floor area of 24,975 square feet (2,320.3 m ), as well as 130,825 square feet (12,154.0 m ) of unused air rights . The brick facade is relatively plain, blending in with other buildings on 41st Street. At ground level are entrances to

2489-583: A month. The musical War Paint ran at the Nederlander from April to November 2017, followed by Pretty Woman: The Musical from August 2018 to August 2019. The Nederlander then hosted two live appearances in late 2019: Kristin Chenoweth 's For The Girls in November and Harry Connick Jr. 's A Celebration of Cole Porter the following month. The Lehman Trilogy was planned to open at

2620-526: A more experimental, challenging, and intimate performance than is possible in the larger Broadway theatres. Some Broadway shows, however, such as the musicals Hair , Little Shop of Horrors , Spring Awakening , Next to Normal , Rent , Avenue Q , In the Heights , Fun Home , A Chorus Line , Dear Evan Hansen , and Hamilton , began their runs Off-Broadway and later transferred to Broadway, seeking to replicate their intimate experience in

2751-539: A negative COVID-19 test (PCR within 72 hours or antigen within six hours of the performance start time). Beginning November 8, those ages 5–11 also had the option to provide proof of at least one vaccination shot. Effective December 14, in accordance with NYC's vaccination mandate, guests ages 5–11 were required to have at least one vaccination shot until January 29, 2022, where they had to be fully vaccinated. The vaccine mandate lasted until April 30, and attendees were also required to wear face masks until July 1. During

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2882-1152: A new age of American playwright with the emergence of Eugene O'Neill , whose plays Beyond the Horizon , Anna Christie , The Hairy Ape , Strange Interlude , and Mourning Becomes Electra proved that there was an audience for serious drama on Broadway, and O'Neill's success paved the way for major dramatists like Elmer Rice , Maxwell Anderson , Robert E. Sherwood , Clifford Odets , Tennessee Williams , and Arthur Miller , as well as writers of comedy like George S. Kaufman and Moss Hart . Classical revivals also proved popular with Broadway theatre-goers, notably John Barrymore in Hamlet and Richard III , John Gielgud in Hamlet , The Importance of Being Earnest and Much Ado About Nothing , Walter Hampden and José Ferrer in Cyrano de Bergerac , Paul Robeson and Ferrer in Othello , Maurice Evans in Richard II and

3013-500: A rate acceptable to the producers, they may continue to run in the expectation that, eventually, they will pay back their initial costs and become profitable. In some borderline situations, producers may ask that royalties be temporarily reduced or waived, or even that performers—with the permission of their unions—take reduced salaries, to prevent a show from closing. Theatre owners, who are not generally profit participants in most productions, may waive or reduce rents, or even lend money to

3144-431: A run of 253 performances. The first theatre piece that conforms to the modern conception of a musical, adding dance and original music that helped to tell the story, is considered to be The Black Crook , which premiered in New York on September 12, 1866. The production was five-and-a-half hours long, but despite its length, it ran for a record-breaking 474 performances. The same year, The Black Domino/Between You, Me and

3275-481: A show to keep it running. Some Broadway shows are produced by non-commercial organizations as part of a regular subscription season— Lincoln Center Theatre , Roundabout Theatre Company , Manhattan Theatre Club , and Second Stage Theater are the four non-profit theatre companies that currently have permanent Broadway venues. Some other productions are produced on Broadway with "limited engagement runs" for several reasons, including financial issues, prior engagements of

3406-443: A variety of changes, including repainting the auditorium red, white, and gold. The auditorium's light boxes were originally flanked by plaster cornucopias , but Rose largely replaced them with curlicues . In addition, the original lighting fixtures were replaced with 1950s-style chandeliers; the central chandelier was surrounded by four smaller chandeliers. The arch's keystone was replaced with an "R" keystone after Rose renovated

3537-540: A variety of shows, including the plays Cyrano de Bergerac , Inherit the Wind , and Who's Afraid of Virginia Woolf? ; live performances, including those by Lena Horne ; and the musical Rent , which is the theater's longest-running production as of 2022 . The modern-day Nederlander Theatre was developed as a carpenter's shop in 1920 before being converted into the National Theatre the following year. When

3668-580: A venue for plays under the name Burton's Theatre. The Astor Opera House opened in 1847. A riot broke out in 1849 when the lower-class patrons of the Bowery Theatre objected to what they perceived as snobbery by the upper-class audiences at Astor Place: "After the Astor Place Riot of 1849, entertainment in New York City was divided along class lines: opera was chiefly for the upper-middle and upper classes, minstrel shows and melodramas for

3799-448: A visitors' lounge for performers, and he replaced the roof and water tanks. The Nederlander Theatre was constructed in 1920 as a carpenter's shop; plans filed with the New York City government called for a "3 sty [non-fireproof] brick Carpenter's shop and storage, club rooms, shower, [apartments] and tennis court". It is one of a few Broadway theaters not constructed specifically to host Broadway shows. In 1921, Walter C. Jordan acquired

3930-475: Is a fact that any commercial success this new musical may have depends largely upon public interest in its Greek star. Tuesday night's arrival at the Mark Hellinger Theatre lacks solid, over-all appeal, so the international reputation of Miss Mercouri as a movie star with a tremendous sex image and a volatile acting style is really on the line ... there is exuberance in the several dance numbers,

4061-475: Is an internationally prominent tourist attraction in New York City . According to The Broadway League , shows on Broadway sold approximately US$ 1.54 billion worth of tickets in both the 2022-2023 and the 2023–2024 seasons. Both seasons featured theater attendance of approximately 12.3 million each. Most Broadway shows are musicals . Historian Martin Shefter argues that "Broadway musicals, culminating in

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4192-517: Is on 208 West 41st Street , between Seventh Avenue and Eighth Avenue near the southern end of Times Square , in the Theater District of Midtown Manhattan in New York City . The rectangular land lot covers 10,961 square feet (1,018.3 m ), with a frontage of 111 feet (34 m) on 41st Street and a depth of 98.75 feet (30 m). The Nederlander Theatre abuts a hotel and a parking garage, both of which have existed since before

4323-493: Is the southernmost Broadway theater in the Theater District. The facade is relatively plain and is made of brick, with a fire escape at the center of the second and third floors. The auditorium was originally designed in the early Renaissance style, which has since been modified several times. Unlike other theaters operated by the Shubert family , the interior contained little plaster decoration. The venue has hosted

4454-520: Is usually held on a Sunday evening in June to fit this schedule. In recent years, some shows have moved their Tuesday show time an hour earlier to 7:00 pm. The rationale for this move was that since fewer tourists take in shows midweek, Tuesday attendance depends more on local patrons. The earlier curtain makes it possible for suburban patrons to get home by a reasonable hour after the show. Some shows, especially those produced by Disney , change their performance schedules fairly frequently depending on

4585-610: The American Theatre Wing , a service organization. While the League and the theatrical unions are sometimes at loggerheads during those periods when new contracts are being negotiated, they also cooperate on many projects and events designed to promote professional theatre in New York. Of the four non-profit theatre companies with Broadway theatres, all four ( Lincoln Center Theater , Manhattan Theatre Club , Roundabout Theatre Company , and Second Stage Theatre ) belong to

4716-577: The Battle of Trafalgar . James M. Nederlander of the Nederlander Organization said: "We want to put big English hits in the theater". The Trafalgar hosted two productions under its new name: Whose Life Is It Anyway? in 1979 and Betrayal in 1980. James M. Nederlander renamed the theater again in 1980 in honor of his father, American theater impresario David T. Nederlander, who had died thirteen years prior. The first show at

4847-576: The Billy Rose Foundation (which had acquired the theater after Rose died), had allowed the structure to deteriorate. In response, foundation officials said that operating the theater was not its main priority. The Taylor Dance Company returned to the Billy Rose in 1976. The theater's first legitimate show in three years, Gus Weill 's The November People , closed after a single performance in January 1978. Two theatrical operators,

4978-580: The League of Resident Theatres and have contracts with the theatrical unions which are negotiated separately from the other Broadway theatre and producers. ( Disney also negotiates apart from the League, as did Livent before it closed down its operations.) The majority of Broadway theatres are owned or managed by three organizations: the Shubert Organization , a for-profit arm of the non-profit Shubert Foundation, which owns seventeen theatres;

5109-740: The Minnesota Dance Theatre performed two plays there later that year. Following a performance by the Alvin Ailey American Dance Theater in early 1969, the revival of Noel Coward's Private Lives was presented later the same year. The Billy Rose hosted two notable shows in 1971: the Royal Shakespeare Company 's version of Shakespeare's A Midsummer Night's Dream , as well as Harold Pinter 's drama Old Times . The City Center Acting Company performed four plays at

5240-809: The National Theatre , the Billy Rose Theatre , and the Trafalgar Theatre ) is a Broadway theater at 208 West 41st Street in the Theater District of Midtown Manhattan in New York City . Opened in 1921, it was designed by William Neil Smith for theatrical operator Walter C. Jordan. It has around 1,235 seats across two levels and is operated by the Nederlander Organization . Since 1980, it has been named for American theater impresario David Tobias Nederlander, father of theatrical producer James M. Nederlander . It

5371-662: The Nederlander Organization and the Cooney-Marsh Organization (the latter of which was a partnership between producer Ray Cooney and real-estate developer Laurie Marsh ), purchased the venue in December 1978. The venue was immediately renamed the Trafalgar Theatre, a reference to the new owners' British backgrounds; the owners hoped that the new name would evoke Trafalgar Square in London or

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5502-427: The Nederlander Organization , which controls nine theatres; and ATG Entertainment , which owns seven Broadway houses. Both musicals and straight plays on Broadway often rely on casting well-known performers in leading roles to draw larger audiences or bring in new audience members to the theatre. Actors from film and television are frequently cast for the revivals of Broadway shows or are used to replace actors leaving

5633-476: The Roaring Twenties , borrowing from vaudeville, music hall , and other light entertainment, tended to ignore plot in favor of emphasizing star actors and actresses, big dance routines, and popular songs. Florenz Ziegfeld produced annual spectacular song-and-dance revues on Broadway featuring extravagant sets and elaborate costumes, but there was little to tie the various numbers together. Typical of

5764-676: The 1,150-seat Nederlander Theatre was at standing-room only capacity five days a week. This prompted the Nederlanders to lease the Mark Hellinger Theatre to the Times Square Church in February 1989; the Times Square Church moved to the Hellinger the next month. The Nederlander Theatre's next legitimate show, the musical Dangerous Games , lasted four performances. The Shuberts, the Nederlanders, and Jujamcyn formed

5895-409: The 1920s were lighthearted productions such as Sally ; Lady Be Good ; Sunny ; No, No, Nanette ; Harlem ; Oh, Kay! ; and Funny Face . Their books may have been forgettable, but they produced enduring standards from George Gershwin , Cole Porter , Jerome Kern , Vincent Youmans , and Rodgers and Hart , among others, and Noël Coward , Sigmund Romberg , and Rudolf Friml continued in

6026-652: The 1950s, the Shubert Organization operated nearly half of all legitimate theaters in New York City, prompting the U.S. federal government to file an antitrust suit against the Shubert family. As part of a settlement made in February 1956, the Shuberts had to sell off some of their theaters. In particular, the Shuberts had to sell the National Theatre within one year of the ruling, and they had to sell three other theaters within two years. That September,

6157-422: The Billy Rose in late 1973 and early 1974, marking the company's first Broadway appearance. This was followed in 1974 by Tom Stoppard 's play Jumpers , which had 48 performances before closing. The theater's backstage area was damaged by a storm later the same year and was not repaired; as a result, at least two productions were unable to lease the theater in 1975. Several theatrical personalities alleged that

6288-632: The Broadway Alliance in June 1990, wherein each company set aside one of its theaters to present dramas and comedies at reduced ticket prices. The program covered the Belasco , Nederlander, and Walter Kerr theaters. The Broadway Alliance's first show at the Nederlander Theatre was the play Our Country's Good , which lasted from April to June 1991. More than one year elapsed before the Nederlander hosted its next production,

6419-536: The Broadway national tour, which travels to theatres in major cities across the country. Sometimes when a show closes on Broadway, the entire production, with most if not all of the original cast intact, is relaunched as a touring company, hence the name "Broadway national tour". Some shows may even have several touring companies out at a time, whether the show is still running in New York or not, with many companies "sitting down" in other major cities for their own extended runs. For Broadway national tours of top-tier cities,

6550-619: The Broadway orchestra is governed by an agreement with the musicians' union (Local 802, American Federation of Musicians) and The Broadway League. For example, the agreement specifies the minimum size of the orchestra at the Minskoff Theatre to be eighteen, while at the Music Box Theatre it is nine. Most Broadway shows are commercial productions intended to make a profit for the producers and investors ("backers" or "angels"), and therefore have open-ended runs (duration that

6681-589: The COVID-19 shutdown, the Shubert Organization, the Nederlander Organization, and Jujamcyn had pledged to increase racial and cultural diversity in their theaters, including naming at least one theater for a Black theatrical personality. The August Wilson Theatre , owned by Jujamcyn, had been renamed after Black playwright August Wilson in 2005. The Shuberts announced in March 2022 that the Cort Theatre , which

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6812-574: The Cakewalk (1898), and the highly successful In Dahomey (1902). Hundreds of musical comedies were staged on Broadway in the 1890s and early 1900s made up of songs written in New York's Tin Pan Alley involving composers such as Gus Edwards , John Walter Bratton , and George M. Cohan ( Little Johnny Jones (1904), 45 Minutes From Broadway (1906), and George Washington Jr. (1906)). Still, New York runs continued to be relatively short, with

6943-456: The Erlanger syndicate. During this time, the play Lightnin' by Winchell Smith and Frank Bacon became the first Broadway show to reach 700 performances. From then, it would go on to become the first show to reach 1,000 performances. Lightnin' was the longest-running Broadway show until being overtaken in performance totals by Abie's Irish Rose in 1925. The motion picture mounted

7074-457: The League confirmed that performances would begin to resume in the fall season. Springsteen on Broadway became the first full-length show to resume performances, opening on June 26, 2021, to 1,721 vaccinated patrons at the St. James Theatre . Pass Over then had its first preview on August 4, and opened on August 22, 2021, becoming the first new play to open. Hadestown and Waitress were

7205-484: The National for a year beginning in 1923, paying $ 1 million, which at the time was a record for a Broadway theater. Hampden presented a revival of the play Cyrano de Bergerac , which was a success, lasting for 250 performances. The theater building was less successful, having gone into receivership in November 1923 after Jordan failed to make payments on a mortgage. When his lease expired, Hampden chose to instead operate his own theater. The National then hosted

7336-474: The National for nearly a year before relocating. Subsequently, the Martin Flavin play The Criminal Code opened at the National in 1929 and lasted for 174 performances. A troupe led by Chinese actor Mei Lanfang briefly performed at the theater in early 1930, followed later that year by the play Grand Hotel (based on Vicki Baum 's book Grand Hotel ), which ran for 459 performances. At

7467-546: The National in 1943; it was followed later the same year by Lerner and Loewe 's first Broadway musical, What's Up? , which was a flop. A revival of Anton Chekhov 's play The Cherry Orchard was hosted at the National in 1944, with Joseph Schildkraut and Eva Le Gallienne , and Barrymore appeared later that year in the play Embezzled Heaven . During the mid-1940s, the National hosted several productions with over one hundred performances each. These included Lerner and Loewe's musical The Day Before Spring in 1945;

7598-399: The National opened on September 1, 1921, the Shubert family managed bookings on Jordan's behalf. The Shubert brothers bought the National in 1927 and operated it for three decades. In 1956, as part of a settlement in an antitrust lawsuit, the Shuberts sold the venue to Harry Fromkes, who died shortly thereafter. The National was acquired in 1958 by theatrical producer Billy Rose , who renovated

7729-472: The Nederlander Theatre's box-office record for the week ending November 29, 2005, when it grossed $ 744,496 while playing to 97 percent capacity. Newsies achieved the box office record for the Nederlander Theatre in 2012, playing to 101 percent capacity and grossed $ 1,024,516.60 for eight performances the week ending April 15, 2012. This gross was surpassed by War Paint the week ending April 23, 2017, when that show grossed $ 1,042,449. The current gross record

7860-492: The Nederlander Theatre. Love Letters was originally scheduled to run at the Nederlander after Newsies closed. Instead, the musical Honeymoon in Vegas opened at the theater in January 2015, followed by Amazing Grace that July. The Nederlander hosted two short-lived shows in 2016. The musical Disaster! lasted from March to May 2016, while a revival of Motown: The Musical opened that July and ran for less than

7991-454: The Nederlander in March 2020. The show was in previews when all Broadway theaters temporarily closed on March 12, 2020 , due to the COVID-19 pandemic . The Nederlander reopened on September 25, 2021, with previews of The Lehman Trilogy , which ran from October 2021 to January 2022. The musical Mr. Saturday Night then ran from April to September 2022, and it was followed by Jefferson Mays 's solo production of A Christmas Carol at

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8122-464: The Nederlander was refurbished to accommodate its next show. Workers expanded the restrooms and restored the original design motifs (which had been largely removed during the 1961 renovation). A revival of Guys and Dolls , starring Oliver Platt and Lauren Graham , opened in March 2009; the show played 113 performances before closing that June. The Neil Simon plays Brighton Beach Memoirs and Broadway Bound were planned to be performed at

8253-604: The Opera at the Majestic Theatre became the longest-running Broadway musical, with 7,486 performances, overtaking Cats . The Phantom of the Opera closed on Broadway on April 16, 2023, soon after celebrating its 35th anniversary, after a total of 13,981 performances. Attending a Broadway show is a common tourist activity in New York. The TKTS booths sell same-day tickets (and in certain cases, next-day matinee tickets) for many Broadway and Off-Broadway shows at

8384-535: The Post was the first show to call itself a "musical comedy". Tony Pastor opened the first vaudeville theatre one block east of Union Square in 1881, where Lillian Russell performed. Comedians Edward Harrigan and Tony Hart produced and starred in musicals on Broadway between 1878 ( The Mulligan Guard Picnic ) and 1890, with book and lyrics by Harrigan and music by his father-in-law David Braham . These musical comedies featured characters and situations taken from

8515-489: The Shuberts sold the National to Harry Fromkes for an estimated $ 900,000; at the time, Inherit the Wind was still being staged at the theater. Fromkes died after a fall from his apartment in February 1958, prompting the closure of the play Winesburg, Ohio , which was being performed there at the time. Fromkes's firm defaulted on its mortgage after his death, and the New York Supreme Court appointed

8646-518: The Theater District. When the theater was built, the Metropolitan Opera House and seven other theaters were to the south and east, although all of them were closed and demolished by the late 20th century. The lack of other Broadway theaters nearby, and its location at the extreme south end of the Theater District, contributed to its relative unpopularity in the late 20th century. This sharply contrasted with venues on 42nd Street,

8777-422: The auditorium is 40 feet (12 m) tall. The arch contained a few classical details, and its keystone was originally decorated with the letter "N". The arch was initially flanked by one tier of boxes in a streamlined style. The stage itself is 86 feet (26 m) wide, with a height of 100 feet (30 m) from the floor to the overhead gridiron . When Billy Rose renovated the theater in 1959, he made

8908-492: The authors and also in numerous unlicensed productions). They were imitated in New York by American productions such as Reginald Dekoven 's Robin Hood (1891) and John Philip Sousa 's El Capitan (1896), along with operas, ballets, and other British and European hits. Charles H. Hoyt 's A Trip to Chinatown (1891) became Broadway's long-run champion when it surpassed Adonis and its 603 total performances in 1893, holding

9039-435: The beginning of the nineteenth century, the area that now comprises the Theater District was owned by a handful of families and comprised a few farms. In 1836, Mayor Cornelius Lawrence opened 42nd Street and invited Manhattanites to "enjoy the pure clean air." Close to 60 years later, theatrical entrepreneur Oscar Hammerstein I built the iconic Victoria Theater on West 42nd Street. Broadway's first "long-run" musical

9170-476: The biggest changes to the commercial theatrical landscape—on both sides of the Atlantic—over the past decade or so is that sightings of big star names turning out to do plays has [sic] gone up; but the runs they are prepared to commit to has gone down. Time was that a producer would require a minimum commitment from his star of six months, and perhaps a year; now, the 13-week run is the norm." The minimum size of

9301-483: The bill was not passed. The Save the Theatres campaign then turned their efforts to supporting the establishment of the Theater District as a registered historic district . In December 1983, Save the Theatres prepared "The Broadway Theater District, a Preservation Development and Management Plan", and demanded that each theater in the district receive landmark designation. Mayor Ed Koch ultimately reacted by creating

9432-477: The building and spent $ 950,000 to convert it into a theater. The stage house, mezzanine, proscenium, fire escape, and other theatrical equipment was built at a cost of $ 175,000. Work was nearly completed by May 1921. The venue was originally supposed to be known as the Times Square Theatre, but this name was already being used by another structure at 217 West 42nd Street . As such, Jordan renamed

9563-422: The decade ended with critics and audiences giving mixed signals." Ken Bloom observed that "The 1960s and 1970s saw a worsening of the area [Times Square] and a drop in the number of legitimate shows produced on Broadway." By way of comparison, in the 1950 to 1951 season (May to May) 94 productions opened on Broadway; in the 1969 to 1970 season (June to May) there were 59 productions (fifteen were revivals). In

9694-679: The effort. At Papp's behest, in July 1982, a bill was introduced in the 97th Congress , entitled "H.R.6885, A bill to designate the Broadway/Times Square Theatre District in the City of New York as a national historic site". The legislation would have provided certain U.S. government resources and assistance to help the city preserve the district. Faced with strong opposition and lobbying by Mayor Ed Koch's Administration and corporate Manhattan development interests,

9825-463: The end of the year. The musical comedy Shucked opened at the Nederlander in April 2023, running for nine months. It was followed in March 2024 by the musical The Who's Tommy , which ran for four months. The next show to be staged at the Nederlander, the musical Redwood , is scheduled to begin in January 2025. Productions are listed by the year of their first performance. Rent set

9956-461: The entire Broadway production is transplanted almost entirely intact and may run for many months (or years) at each stop. For example, the first U.S. tour of The Phantom of the Opera required 26 53-foot-long (16.1 m) semi-trailers to transport all its sets, equipment, and costumes, and it took almost 10 days to properly unload all those trucks and install everything into a theater. Nederlander Theatre The Nederlander Theatre (formerly

10087-456: The everyday life of New York's lower classes and represented a significant step forward from vaudeville and burlesque, towards a more literate form. They starred high-quality professional singers ( Lillian Russell , Vivienne Segal , and Fay Templeton ), instead of the amateurs, often sex workers, who had starred in earlier musical forms. As transportation improved, poverty in New York diminished, and street lighting made for safer travel at night,

10218-466: The facade was covered with fake graffiti. The Nederlander Theatre has an orchestra level and one balcony. The theater was built with 1,200 seats. According to the Broadway League , the theater has 1,235 seats; meanwhile, Playbill gives a figure of 1,168 seats. Only the orchestra level is wheelchair-accessible; the other seating levels can only be reached by steps. The restrooms are at

10349-399: The first balcony level. The balcony is raked, sloping downward toward the stage. In contrast to other theaters, the underside of the balcony slopes upward, increasing visibility at the rear of the orchestra. The orchestra level slopes down toward an orchestra pit in front of the stage. To improve acoustics, the floor of the orchestra pit contained shards of glass, which were then laid atop

10480-467: The first musicals to resume performances on September 2, 2021. The 74th Tony Awards were also postponed; the Tony nominations were announced on October 15, 2020, and took place on September 26, 2021. On July 30, 2021, it was announced that all Broadway theaters required attendees to provide proof of full COVID-19 vaccination . The rule applied to guests ages 12+. Those under age 12 were required to provide

10611-406: The glories of Ancient Greece . Attracted by Illya's physical charms, he decides to teach her about the classics and to help her become a cultured lady, while she in turn introduces him to sensual pleasures. Homer's lesson plan is to separate her from her friends and the virile Tonio. Neither ends up happier. Jack Gaver wrote that although there were attractive things about the musical "it

10742-743: The highest commercial level of live theater in the English-speaking world . While the Broadway thoroughfare is eponymous with the district, it is closely identified with Times Square . Only three theaters are located on Broadway itself: Broadway Theatre , Palace Theatre , and Winter Garden Theatre . The rest are located on the numbered cross streets, extending from the Nederlander Theatre one block south of Times Square on West 41st Street, north along either side of Broadway to 53rd Street , and Vivian Beaumont Theater , at Lincoln Center on West 65th Street. While exceptions exist,

10873-468: The melodrama Silence in 1924, with H. B. Warner , and the farce The Bride Retires in 1925, with Lila Lee . Later in 1925, the theater staged The Gorilla , which transferred from the Selwyn , as well as a revival of Hamlet . During 1926, the National hosted live performances by magician Harry Houdini ; the play The Half-Caste , starring Fredric March ; and George M. Cohan 's adaptation of

11004-446: The mid-1980s included 84 Charing Cross Road , Amen Corner , Strange Interlude and Raggedy Ann , as well as a live show taped by Robert Klein in June 1986. In addition, Jerry Weintraub purchased a stake in the operation of the Nederlander Theatre in 1984. The New York City Landmarks Preservation Commission (LPC) had started considering protecting the Nederlander as a landmark in 1982, with discussions continuing over

11135-557: The middle-class, variety shows in concert saloons for men of the working class and the slumming middle-class." The plays of William Shakespeare were frequently performed on the Broadway stage during the period, most notably by American actor Edwin Booth who was internationally known for his performance as Hamlet . Booth played the role for a famous 100 consecutive performances at the Winter Garden Theatre in 1865 (with

11266-594: The next several years. While the LPC commenced a wide-ranging effort to grant landmark status to Broadway theaters in 1987, the Nederlander was among the few theaters for which the LPC denied either exterior or interior landmark status. David Wilkerson , founding pastor of the Times Square Church , leased the theater in January 1988, a month after the play Sherlock's Last Case had closed. The theater quickly became overcrowded during church services; by 1989,

11397-420: The next sixteen years. However, smaller vaudeville and variety houses proliferated, and Off-Broadway was well established by the end of the nineteenth century. A Trip to Coontown (1898) was the first musical comedy entirely produced and performed by African Americans in a Broadway theatre (inspired largely by the routines of the minstrel shows ), followed by the ragtime -tinged Clorindy: The Origin of

11528-434: The next year by Clifford Odets 's The Big Knife , as well as a revival of Caesar and Cleopatra with Cedric Hardwicke and Lilli Palmer . In 1950, the theater featured live performances by Les Ballets de Paris and a revival of King Lear with Louis Calhern . The musical Courtin' Time , followed by a revival of The Constant Wife with Brian Aherne , Katharine Cornell , and Grace George , arrived at

11659-557: The number of potential patrons for the growing number of theatres increased enormously. Plays could run longer and still draw in the audiences, leading to better profits and improved production values. As in England, during the latter half of the century, the theatre began to be cleaned up, with less prostitution hindering the attendance of the theatre by women. Gilbert and Sullivan 's family-friendly comic opera hits, beginning with H.M.S. Pinafore in 1878, were imported to New York (by

11790-510: The one-man show Solitary Confinement with Stacy Keach , which ran for two weeks in November 1992. The theater was still difficult to rent and did not host any Broadway shows for over three years; it cost around $ 250,000 a year to maintain, regardless of whether it was vacant. The Nederlander hosted concerts by Aretha Franklin in April 1993 and by Jackson Browne that November. The Nederlander Organization unsuccessfully tried to move Cy Coleman 's musical The Life there in 1994, but

11921-597: The onset of the Great Depression , many Broadway theaters were impacted by declining attendance, and the theater largely hosted flops in 1932 and 1933. Alfred E. Aarons and Harry J. Sommers leased the National for a year beginning in August 1933, and they renovated the National's auditorium the next month. Meanwhile, the Dry Dock Savings Bank took over the theater that September as a result of

12052-556: The performers, or temporary availability of a theatre between the end of one production and the beginning of another. However, some shows with planned limited engagement runs may, after critical acclaim or box office success, extend their engagements or convert to open-ended runs. This was the case with 2007's August: Osage County , 2009's God of Carnage , 2012's Newsies , and 2022's Take Me Out . Historically, musicals on Broadway tend to have longer runs than "straight" (i.e., non-musical) plays. On January 9, 2006, The Phantom of

12183-612: The play Yellow . Jordan, who continued to own the theater, was charged with tax fraud in late 1926 after failing to pay the theater's property taxes. In February 1927, the Shubert brothers bought the National Theatre from the Sanjor Corporation, which had owned the theater for eight years. Later that year, Willard staged a short-lived play, Fog , at the theater. This was followed in September 1927 by Bayard Veiller 's melodrama The Trial of Mary Dugan , which ran at

12314-493: The plays Julius Caesar and The Shoemaker's Holiday at the National in 1937 and 1938. The Lillian Hellman drama The Little Foxes , starring Tallulah Bankhead , then opened in February 1939 and lasted for 410 performances. The Emlyn Williams play The Corn Is Green opened at the National in 1940, starring Ethel Barrymore for more than a year. Margaret Webster 's staging of Macbeth then opened in late 1941. The Patriots by Sidney Kingsley opened at

12445-468: The plays of George Bernard Shaw , and Katharine Cornell in such plays as Romeo and Juliet , Antony and Cleopatra , and Candida . In 1930, Theatre Guild 's production of Roar, China! was Broadway's first play with a majority Asian cast. As World War II approached, a dozen Broadway dramas addressed the rise of Nazism in Europe and the issue of American non-intervention. The most successful

12576-423: The production plays), meaning that the length of their presentation is not set beforehand, but depends on critical response, word of mouth, and the effectiveness of the show's advertising, all of which determine ticket sales. Investing in a commercial production carries a varied degree of financial risk. Shows need not make a profit immediately; should they make their "nut" (weekly operating expenses), or lose money at

12707-645: The productions of Rodgers and Hammerstein , became enormously influential forms of American popular culture " and contributed to making New York City the cultural capital of the world . New York City's first significant theatre was established in the mid-18th century, around 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street in Lower Manhattan , which held about 280 people. They presented William Shakespeare 's plays and ballad operas such as The Beggar's Opera . In 1752, William Hallam sent

12838-419: The public. The backstage area contained dressing rooms with bathrooms and windows, which local media described at the time as "the last word in utility and luxury". The theater had been built as a fireproof structure with skylights , water tanks, and hoses. The theater's offices were on the second floor, directly under the balcony, and were accessed from 41st Street. During the 1959 renovation, Rose added

12969-665: The renamed Nederlander Theatre would have been the musical One Night Stand , which closed during previews in October 1980. Lena Horne performed her solo show Lena Horne: The Lady and Her Music at the theater starting in May 1981; the show lasted for more than a year. In general, the Nederlander Theatre had difficulty securing bookings during the 1980s. The next several productions had relatively short runs, including one show, Teaneck Tanzi: The Venus Flytrap , which closed on its opening day in 1983. The theater's productions in

13100-411: The revue Call Me Mister in 1946; and the tragedy Medea with Judith Anderson in 1947. The next several shows were relatively short-lived, including an adaptation of Fyodor Dostoevsky 's novel Crime and Punishment in 1947, as well as revivals of Tonight at 8:30 and Macbeth in 1948. The National's next hit was Charles Gaynor 's revue Lend an Ear in late 1948. This was followed

13231-531: The run ending just a few months before Booth's brother John Wilkes Booth assassinated Abraham Lincoln ), and would later revive the role at his own Booth's Theatre (which was managed for a time by his brother Junius Brutus Booth Jr. ). Other renowned Shakespeareans who appeared in New York in this era were Henry Irving , Tommaso Salvini , Fanny Davenport , and Charles Fechter . Theatre in New York moved from Downtown gradually to Midtown Manhattan , beginning around 1850, seeking less expensive real estate. At

13362-455: The score has some rousing numbers and there are excellent portrayals in top roles." According to Steven Suskin, the musical was "the season's biggest star-vehicle with the biggest advance sale: Melina Mercouri in the Never on Sunday musical, Illya Darling . Not so darling, as it turned out; the charm of the 1960 low-budget Greek-language film was overblown into a full-scale Broadway affair with

13493-473: The season. This is done in order to maximize access to their target audience. Most Broadway producers and theatre owners are members of The Broadway League (formerly "The League of American Theatres and Producers"), a trade organization that promotes Broadway theatre as a whole, negotiates contracts with the various theatrical unions and agreements with the guilds, and co-administers the Tony Awards with

13624-419: The show's setting. The theater's facade and interior were remodeled to resemble a lower Manhattan nightclub. Rent premiered in April 1996 and quickly became popular. In contrast to many Broadway productions (in which tickets for seats at the rear of the theater were generally the cheapest), Rent 's producers reserved the first two rows for the cheapest tickets. This prompted fans to sleep outside

13755-470: The stage for 657 performances. Chinatown itself was surpassed by the musical Irene (1919) in 1921 as the longest-running Broadway musical, and even earlier, in March 1920, by Lightnin' (1918) as the longest-running Broadway show. In 1896, theatre owners Marc Klaw and A. L. Erlanger formed the Theatrical Syndicate , which controlled almost every legitimate theatre in the U.S. for

13886-518: The structure the National Theatre at the end of July 1921, shortly after booking Swords ( Sidney Howard 's first play ) as the theater's first production. The Shubert brothers were hired as the theater's managers. The theater opened on September 2, 1921, with Swords . John Willard 's melodrama The Cat and the Canary , which opened at the National in February 1922, was a major critical success and ran for three months. Walter Hampden leased

14017-434: The term "Broadway theatre" is used predominantly to describe venues with seating capacities of at least 500 people. Smaller theaters in New York City are referred to as off-Broadway , regardless of location, while very small venues with fewer than 100 seats are called off-off-Broadway , a term that can also apply to non-commercial, avant-garde , or productions held outside of traditional theater venues. The Theater District

14148-551: The theater at the end of 1964, but it was not successful. The theater hosted a variety of repertory productions in the late 1960s. These included Yiddish theater performances by the Jewish State Theater of Poland and performances by the Paul Taylor Dance Company in 1967. The Playwrights Repertory Theatre performed several plays by Albee and Samuel Beckett at the theater in 1968, and

14279-535: The theater in April 2010, running for 489 performances before moving off-Broadway in June 2011. Disney 's production of the musical Newsies opened in March 2012; the show's run was extended because of its popularity, and Newsies ultimately lasted until August 2014. As part of a settlement with the United States Department of Justice in 2014, the Nederlanders agreed to improve disabled access at their nine Broadway theaters, including

14410-407: The theater in late 2009, with alternating performances of each play. Due to poor ticket sales for Brighton Beach Memoirs , the show closed on November 1, 2009, one week after its opening. Simon also canceled the planned production of Broadway Bound , blaming the theater's location for the rapid closure of Brighton Beach Memoirs . The musical Million Dollar Quartet made its Broadway debut at

14541-412: The theater instead hosted auditions for the musical Busker Alley . The next year, the Nederlander hosted another audition, this time for the musical The Capeman . Jonathan Larson 's Pulitzer Prize -winning musical Rent was booked at the Nederlander in early 1996; the musical's producers had selected the Nederlander Theatre specifically because of its dilapidated surroundings, which reflected

14672-434: The theater the following year. Tennessee Williams 's play Camino Real was staged at the National in early 1953, and the comedy of manners Sabrina Fair opened later the same year. The National hosted the play Inherit the Wind starting in 1955. With 806 performances, Inherit the Wind was the theater's most successful non-musical to date, as well as its longest-lasting production for several decades. By

14803-424: The theater to wait for these tickets. The opening of Rent , as well as the renovation of the nearby New Amsterdam Theatre, contributed to the revitalization of the surrounding block of 41st Street. Rent ultimately ran for 5,140 performances through 2008, becoming the theater's longest-running production and, at the time of closing, the seventh-longest-running Broadway show of all time. After Rent closed,

14934-710: The theater was completed in 1921. The city block is shared with the New York Times Building to the west. Additionally, the building is near the Candler Building , Madame Tussauds New York , Empire Theatre , and Eleven Times Square to the northwest; the New Amsterdam Theatre and 5 Times Square to the north; and the Times Square Tower to the northeast. The Nederlander is the southernmost Broadway theater in

15065-510: The theater. Rose added a second tier of Moorish-style boxes purely for decorative effect. The carpet was redesigned in 1996 and again in 2008. Most of the original decoration was restored in 2008, when Rose's second tier of boxes was redesigned in a streamlined style. The south wall of the auditorium contained emergency-exit doors to an alleyway, which was converted into a smoking lounge in 1959. Performers used this alleyway during intermissions if they did not want to interact with members of

15196-497: The theater. Rose spent $ 500,000 to renovate the theater, hiring Oliver Messel to redecorate the auditorium in a red, gold, and white color scheme. The venue was renamed the Billy Rose Theatre and reopened on October 18, 1959, with the play Heartbreak House , which had 112 performances. The next year, the theater hosted Dear Liar , which was notable as Katharine Cornell's last Broadway appearance, as well as

15327-468: The theater. There is an iron fire escape on the second and third floors of the facade. There are doors and windows on both levels that lead to the fire escape, and a metal canopy covers the fire escape. Above ground level, there are three arches on the facade: one to the left of the fire escape and two to the right. These archways originally contained windows at the second and third floors and are topped by keystones . A cornice with modillions runs above

15458-534: The theatres. Since colored bulbs burned out too quickly, white lights were used, and Broadway was nicknamed "The Great White Way". In August 1919, the Actors' Equity Association demanded a standard contract for all professional productions. After a strike shut down all the theatres, the producers were forced to agree. By the 1920s, the Shubert Brothers had risen to take over the majority of the theatres from

15589-481: The theatrical producer and director who established The Public Theater , led the "Save the Theatres" campaign. It was a not-for-profit group supported by the Actors Equity union to save the theater buildings in the neighborhood from demolition by monied Manhattan development interests. Papp provided resources, recruited a publicist and celebrated actors, and provided audio, lighting, and technical crews for

15720-461: The time, the average age of theatergoers was 40.4; nearly two-thirds of the audience were women; and 29% identified as a racial minority. The classification of theatres is governed by language in Actors' Equity Association contracts. To be eligible for a Tony, a production must be in a house with 500 seats or more and in the Theater District, which are the criteria that define Broadway theatre. Off-Broadway and off-off-Broadway shows often provide

15851-423: The top of the facade. Unlike other Broadway theaters, the Nederlander does not have a dedicated stage door , so all performers use the main entrance. When the theater was renamed the Billy Rose Theatre in 1959, the facade was repainted white, leading Newsweek magazine to describe it as "an architect's memory of New Orleans' French Quarter". During the production of the musical Rent between 1996 and 2008,

15982-568: The twenties, there were 70–80 theaters, but by 1969, there were 36 left. During this time, many Broadway productions struggled due to low attendance rates, which resulted in perceived mediocrity among such plays. For this reason, the Theatre Development Fund was created with the purpose of assisting productions with high cultural value that likely would struggle without subsidization, by offering tickets to those plays to consumers at reduced prices. In early 1982, Joe Papp ,

16113-568: The vein of Victor Herbert. Live theatre has survived the invention of cinema. Leaving these comparatively frivolous entertainments behind and taking the drama a step forward, Show Boat premiered on December 27, 1927, at the Ziegfeld Theatre . It represented a complete integration of book and score, with dramatic themes, as told through the music, dialogue, setting, and movement, woven together more seamlessly than in previous musicals. It ran for 572 performances. The 1920s also spawned

16244-422: The venue and renamed it after himself the next year. The Nederlander Organization and the Cooney-Marsh Organization acquired the theater in 1978, first renaming it the Trafalgar Theatre; the theater assumed its current name in 1980. Because there were few other Broadway theaters nearby, the Nederlander housed few productions in the late 20th century, becoming popular only after Rent opened. The Nederlander Theatre

16375-410: The walnut panels. The walls and balustrades were grained to give the impression of woodwork. Actual carved wood was used for lintels and sills . There were 18 multicolored lights on the auditorium's ceiling, and a 12-foot-tall (3.7 m) crystal chandelier was suspended from the center of the ceiling. At the rear of the auditorium was a projector . The proscenium arch at the front of

16506-692: The war's end, theatre resumed in 1798, when the 2,000-seat Park Theatre was built on Chatham Street on present-day Park Row . A second major theatre, Bowery Theatre , opened in 1826, followed by others. By the 1840s, P.T. Barnum was operating an entertainment complex in Lower Manhattan. In 1829, at Broadway and Prince Street, Niblo's Garden opened and soon became one of New York's premier nightspots. The 3,000-seat theatre presented all sorts of musical and non-musical entertainments. In 1844, Palmo's Opera House opened and presented opera for only four seasons before bankruptcy led to its rebranding as

16637-453: Was Lillian Hellman 's Watch on the Rhine , which opened in April 1941. After the lean years of the Great Depression , Broadway theatre had entered a golden age with the blockbuster hit Oklahoma! , in 1943, which ran for 2,212 performances. According to John Kenrick 's writings on Broadway musicals, "Every season saw new stage musicals send songs to the top of the charts. Public demand,

16768-539: Was 14.77 million in 2018–2019, compared to 13.79 million in 2017–2018. The average age of the Broadway audience in the 2017–18 theater season was 40, the lowest it had been in nearly two decades. By 2018, about 20% of Broadway tickets were sold to international visitors, although many visitors reported not being able to use their tickets. In 2022–2023, the first full season since the COVID-19 pandemic, Broadway theaters sold 12.3 million tickets, of which 35% were to local residents and 17% to international visitors. At

16899-591: Was a 50-performance hit called The Elves in 1857. In 1870, the heart of Broadway was in Union Square , and by the end of the century, many theatres were near Madison Square . Theatres arrived in the Times Square area in the early 1900s, and the Broadway theatres consolidated there after a large number were built around the square in the 1920s and 1930s. New York runs continued to lag far behind those in London, but Laura Keene 's "musical burletta" The Seven Sisters (1860) shattered previous New York records with

17030-404: Was conducted by Karen Gustafson. Attendance was fueled by the star wattage provided by Melina Mercouri , who was nominated for a Tony Award , in the title role. She had starred in the film, which managed to overcome the mostly lukewarm to negative reviews. Critics found the plot too slight. Other cast members included Orson Bean as Homer Thrace, Nikos Kourkoulos (who was also nominated for

17161-602: Was under renovation at the time, would be renamed after actor James Earl Jones . In June 2022, the Nederlanders announced that the Brooks Atkinson Theatre would be renamed after Lena Horne , The James Earl Jones Theatre was rededicated in September 2022, while the Lena Horne Theatre was rededicated that November. Although there are some exceptions, shows with open-ended runs generally have evening performances Tuesday through Saturday, with

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