Occulus is a supervillain appearing in American comic books published by Marvel Comics , usually as an enemy of the Fantastic Four . He was one of the first villains imprisoned in the Negative Zone prison.
109-885: He first appeared in Fantastic Four #363 (April 1992). Occulus is an orphan from the Inniverse with the ability to manipulate the energy of its gemstones. He was raised by the Gem Guild and eventually removed his right eye in an attempt to gain more power. In the present, Occulus battles the Wildbrood, who was raised alongside him, and comes into conflict with the Fantastic Four. At different points in time, he drains Franklin Richards ' powers and obtains Doctor Octopus ' arms, becoming "Doctor Occulus". However, he
218-571: A Jimmy Olsen script "a few months before, while still living and teaching in the St. Louis area," he said in 2005. "I worked at DC for eight days in late June and very early July of 1965" before accepting a job at Marvel Comics . The Marvel " Bullpen Bulletins " in Fantastic Four #61 (April 1967) describes Thomas "admitting that he gave up a scholarship to George Washington University just to write for Marvel!" This came after his chafing under
327-610: A Conan supporting character. Comics historian Les Daniels noted that, " Conan the Barbarian was something of a gamble for Marvel. The series contained the usual elements of action and fantasy, to be sure, but it was set in a past that had no relation to the Marvel Universe, and it featured a hero who possessed no magical powers, little humor and comparatively few moral principles." In 1971, with Stan Lee , Gerry Conway and Gray Morrow , Thomas created Man-Thing and wrote
436-475: A ceremony, he was awarded the key to the city . On March 23, 2019, the final Amazing Spider-Man newspaper comic strip was published. Thomas had been the ghost writer for Stan Lee on the strip since 2000. Thomas made a return to Marvel Comics in 2019 with the release of the Captain America and The Invaders: Bahamas Triangle one-shot drawn by Jerry Ordway , wrote a Wolverine origin page for
545-859: A childhood dream in writing the Justice Society of America (JSA). Reviving the Golden Age group in Justice League of America #193 and continuing in All-Star Squadron , he wrote retro adventures, like those of The Invaders, set in World War II . In addition to the JSA's high-profile heroes, Thomas revived such characters as Liberty Belle , Johnny Quick , Robotman , Firebrand , the Tarantula , and Neptune Perkins . He used
654-477: A collection of all the Dracula material adapted by Thomas and Giordano, originally published in the 1970s and mid-2000s. In 2011, Roy Thomas wrote the one-shot DC Retroactive: Wonder Woman – The '80s with art by Rich Buckler . In 2012, Thomas teamed with artists Mike Hawthorne and Dan Panosian on Dark Horse 's Conan: The Road of Kings , which lasted 12 issues. In 2014, he wrote 75 Years of Marvel: From
763-538: A comics adaptation of Tarzan for Marvel in June 1977. In 1981, after several years of freelancing for Marvel and a dispute with then editor-in-chief Jim Shooter , Thomas signed a three-year exclusive writing/editing contract with DC. He marked his return to that company with a two-part Green Lantern story in Green Lantern #138–139 (March–April 1981), and briefly wrote Batman , DC Comics Presents , and
872-400: A day late from a weekend comic-book convention in St. Louis , Missouri. Thomas said in 2000 that Brodsky, in the interim, had assigned Doctor Strange to the writer Archie Goodwin , newly ensconced at Marvel and writing Iron Man , but Thomas convinced Brodsky to return it to him. "I got very possessive about Doctor Strange ," Thomas recalled. "It wasn't a huge seller, but [by the time it
981-573: A few issues with temporary teams, Mark Waid took over as writer with #60 / 489 (October 2002) with artist Mike Wieringo with Marvel releasing a promotional variant edition of their otherwise $ 2.25 debut issue at the price of nine cents US. Pencillers Mark Buckingham , Casey Jones, and Howard Porter variously contributed through issue #524 (May 2005), with a handful of issues by other teams also during this time. Writer J. Michael Straczynski and penciller Mike McKone did issues #527-541 (July 2005 - Nov. 2006), with Dwayne McDuffie taking over as writer
1090-567: A frequent collaborator with Thomas; together they wrote a two-part Superman- Shazam team-up in DC Comics Presents ; a series of Atari Force and Swordquest mini-comics packaged with Atari 2600 video games; and three Justice League-Justice Society crossovers. Conway also contributed ideas to the talking animal comic Captain Carrot and His Amazing Zoo Crew! , created by Thomas and Scott Shaw . Thomas and Conway were to be
1199-548: A grudge-carrier in other cases. ... By 1986, Thomas wrote for Marvel's New Universe line, beginning with Spitfire and the Troubleshooters #5 (Feb. 1987), followed by a multi-issue run of Nightmask , co-scripted by his wife Dann Thomas . He scripted titles starring Doctor Strange , Thor , the Avengers West Coast , and Conan , often co-scripting with Dann Thomas or Jean-Marc Lofficier . Over
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#17328016323561308-460: A job at DC Comics as assistant to Mort Weisinger , then the editor of the Superman titles. Thomas said he had just accepted a fellowship to study foreign relations at George Washington University when he received a letter from Weisinger, "with whom I had exchanged one or two letters, tops", asking Thomas to become "his assistant editor on a several-week trial basis." Thomas had already written
1417-480: A master's degree in humanities from California State University . With Marvel's four-issue miniseries Stoker's Dracula (Oct. 2004 – May 2005), Thomas and artist Dick Giordano completed an adaptation of Bram Stoker 's novel Dracula , which the duo had begun 30 years earlier in 10- to 12-page installments, beginning with Marvel's black-and-white horror-comics magazine Dracula Lives! #5 (March 1974). They had completed 76 pages, comprising roughly one-third of
1526-653: A number of stories involving the Avengers with Reed and Sue in the lineup, he then rewrote these for Fantastic Four . Simonson later recalled that working on Fantastic Four allowed him the latitude to use original Avengers members Thor and Iron Man , which he had been precluded from using in The Avengers . After another fill-in, the regular team of writer and Marvel editor-in-chief Tom DeFalco , penciller Paul Ryan and inker Dan Bulanadi took over, with Ryan self-inking beginning with #360 (Jan. 1992). That team, with
1635-427: A publishing trend-follower, aware of strong sales on Justice League of America , directed his comics editor, Stan Lee , to create a comic-book series about a team of superheroes. According to Lee, writing in 1974, "Martin mentioned that he had noticed one of the titles published by National Comics seemed to be selling better than most. It was a book called The [ sic ] Justice League of America and it
1744-563: A sixteen-issue run. Following the summer 2008 crossover storyline, " Secret Invasion ", and the 2009 aftermath " Dark Reign ", chronicling the U.S. government's assigning of the Nation's security functions to the seemingly reformed supervillain Norman Osborn , the Fantastic Four starred in a five-issue miniseries , Dark Reign: Fantastic Four (May–Sept. 2009), written by Jonathan Hickman , with art by Sean Chen . Hickman took over as
1853-478: A solo writer, Roy Thomas wrote Wonder Woman and, with artist Gene Colan , updated the character's costume and introduced a new supervillainess , the Silver Swan . His final work on the series, issue #300 (Feb. 1983), was co-written with his wife Dann Thomas , who, as Roy Thomas noted in 1999 "became the first woman ever to receive scripting credit on the world's foremost super-heroine." Thomas realized
1962-510: A time when comics veterans such as Robert Bernstein , Ernie Hart , Leon Lazarus , and Don Rico , and fellow newcomers Steve Skeates (hired a couple of weeks earlier) and O'Neil (brought in at Thomas' recommendation a few months later) did not. His Marvel debut was the romance-comics story "Whom Can I Turn To?" in the Millie the Model spin-off Modeling with Millie #44 (Dec. 1965) – for which
2071-521: A title called Spidey was released by Éditions Lug. Primarily featuring reprints from the juvenile comic book Spidey Super Stories , it also featured a similarly themed FF series produced in France. These original stories had art that closely resembled the work of Jack Kirby or John Buscema, but the storylines themselves included watered-down supervillains, the FF on vacation, and even Santa Claus . This series
2180-683: A total of 29 issues. That series merged into Spider-Man . During 1985 the Fantastic Four and other Marvel titles such as The New Mutants , The Avengers , and The X-Men were included in the Secret Wars II reprint title. This mostly focused on issues which crossed over into the Secret Wars II maxi series. From 2005, around the release of the Fantastic Four film , the super-team appeared in two new publications published by Panini Comics : Fantastic Four Adventures , and Ultimate Fantastic Four . The latter only lasted 10 issues, ending in 2006. Fantastic Four Adventures which reprinted
2289-464: A trio of Elseworlds one-shots combining DC characters with classic cinema and literature: Superman's Metropolis (1996), Superman: War of the Worlds (1998), and JLA : The Island of Dr. Moreau (2002). In 1984, Thomas sent Jim Shooter a letter in which he hoped ... ... to let bygones be bygones, and if possible, to avoid adverse comment on Marvel and its policies. I've even long regretted
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#17328016323562398-411: A weekly title that rotated the main feature with other Marvel titles. Williams Comics eventually obtained the rights to Marvel's line and began publishing (for the first time in color) in the mid-1970s. Fantastic Four was backed up with Daredevil and began with issue #1. No annual was published by Williams and some early numbers were left out (5, 6, 10, 12, 21 and 44). Condor Comic carried the title in
2507-716: Is also known for his championing of Golden Age comic-book heroes – particularly the 1940s superhero team the Justice Society of America – and for lengthy writing stints on Marvel's X-Men and The Avengers , and DC Comics ' All-Star Squadron , among other titles. Among the comics characters he co-created are Vision , Doc Samson , Carol Danvers , Luke Cage , Iron Fist , Ultron , Yellowjacket , Defenders , Man-Thing , Red Sonja , Morbius , Ghost Rider , Squadron Supreme , Invaders , Black Knight (Dane Whitman) , Nighthawk , Havok , Banshee , Sunfire , Thundra , Arkon , Killraven , Wendell Vaughn , Red Wolf , Red Guardian , Daimon Hellstrom , and Valkyrie . Thomas
2616-509: Is eventually captured and imprisoned in the Negative Zone. Occulus is a mutant of his species with the ability to harness the energy of its crystals. This gives him the ability to fly, manipulate energy, generate force fields, and perceive otherwise invisible objects. Additionally, he is a skilled martial artist and strategist. Fantastic Four (comic book) Fantastic Four is the name of several comic book titles featuring
2725-426: Is referred to as "El Hombre Elástico" (Elastic Man). Canada rarely translated character names from their English version, although sometimes switching back and forth between English and French names in the same issue (The Thing / La Chose, Mister Fantastic / Monsieur Fantastic, Invisible Girl / Fille (or Femme) Invisible, Human Torch / Torche Humaine). The names of Dr. Doom and She-Hulk were not translated into French for
2834-731: Is reverting to its original numbers, and the book is going away for a while. I'm moving towards the end of Fantastic Four . I just want to reassure people that you will not leave this book with a bad taste in your mouth." In the aftermath of the " Secret Wars " storyline, the Thing is working with the Guardians of the Galaxy and the Human Torch is acting as an ambassador with the Inhumans. With Franklin's powers restored and Reed having absorbed
2943-400: Is the abbreviation for Simple Sound Effects). In issue #326, Englehart was told to bring Reed and Sue back and undo the other changes he had made. This caused Englehart to take his name entirely off the book. He used the pseudonym John Harkness, which he had created years before for work he did not want to be associated with. According to Englehart, the run from #326 through his last issue, #333,
3052-619: The Essential Marvel range: As part of the Marvel Masterworks series: The issue numbering of Volume 3 reverted to the legacy number of the title, beginning with the issue #500. The issue numbering of Volume 5 reverted to the overall legacy number of the title. The Fantastic Four has been published in translation around the world, beginning in 1962 in Mexico as Los Cuatro Fantásticos published by La Prensa until
3161-598: The Legion of Super-Heroes . DC gave Thomas' work a promotional push by featuring several of his series in free, 16-page insert previews . Thomas married his second wife, Danette Couto , in May 1981. Danette legally changed her first name to Dann and would become Thomas' regular writing partner. He credits her with the original idea for the Arak, Son of Thunder series drawn by Ernie Colón . Writer Gerry Conway would also be
3270-568: The Marvel Two-in-One and Fantastic Four annuals that crossed over into the Invaders story would have to be published by the "other" company, and in fact that particular crossover was published twice, once by each company. This resulted in different translations of the characters' names — Susan Storm Richards was called "Jane" in her own title by Editions Lug, and Reed was called "Red," a combination of letters easier to pronounce than
3379-537: The Fantastic Four in France were held by a company called Éditions Lug , which began publishing Fantastic Four first in a 1969 anthology title called Fantask , along with Spider-Man and Silver Surfer, then in another anthology called Marvel . The censors objected to the content of the book, and citing "nightmarish visions" and "terrifying science fiction" as the reasons, forced their cancellations after respectively 7 and 13 issues. Although other anthologies featuring Marvel strips continued, notably Strange (featuring
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3488-639: The Marvel 1000 celebration issue and did a two-part Savage Sword of Conan story with artist Alan Davis . In 2020, Thomas wrote a 10-page story in the Marvel one-shot King-Size Conan #1. On February 23, 2021, Thomas criticized Abraham Riesman's controversial Stan Lee biography True Believer: The Rise and Fall of Stan Lee . In a guest column in The Hollywood Reporter , Thomas took issue with Riesman's assessment of conflicting accounts of
3597-633: The Vision , Yellowjacket , the Black Knight , and Adam Warlock . In 1972, when Lee became Marvel's publisher, Thomas succeeded him as editor-in-chief. Thomas also continued to script mainstream titles, including Marvel's flagship, Fantastic Four . He launched such new titles as the "non-team" The Defenders , as well as What If , a title that explored fictional alternate histories of Marvel's existing characters and stories. In addition, he indulged his love of Golden Age comic-book heroes in
3706-415: The World War II series Sgt. Fury and his Howling Commandos , starting with #29 (April 1966) and continuing through #41 (April 1967) and the series' 1966 annual, Sgt. Fury Special #2. He also began writing the mutant -superteam title [Uncanny] X-Men from #20–43 (May 1966 – April 1968), and, finally, took over The Avengers , starting with #35 (Dec. 1966), and continuing until 1972. That notable run
3815-486: The World War II -set superhero series The Invaders . He was instrumental in engineering Marvel's comic-book adaptation of the 1977 film Star Wars , without which, 1980s Marvel editor Jim Shooter believed, "[W]e would have gone out of business". In 1975, Thomas wrote the first joint publishing venture between Marvel and DC Comics – a 72-page Wizard of Oz movie adaptation in an oversized "Treasury Edition" format with art by John Buscema . He and Buscema crafted
3924-476: The 1980s and 1990s, and published a series of 47 pocket format books at about 168-196 pages each. It also published a paperback series in a similar format to the Marvel Graphic Novels with 12 issues of 52 pages each. Marvel Deutschland (later Panini Comics Deutschland) publishes "Die Fantastischen Vier". Since 2008 the series is named with its original title "The Fantastic Four". The German names of
4033-562: The Barbarian in October 1970, based on Robert E. Howard 's 1930s pulp-fiction sword-and-sorcery character. Thomas, who stepped down from his editorship in August 1974, wrote hundreds of Conan stories in a host of Marvel comics and the black-and-white magazines Savage Tales and The Savage Sword of Conan . During that time, he and Smith also brought to comics Howard's little-known, sword-wielding woman-warrior Red Sonja , initially as
4142-724: The Canadian reprints. British publication of the series began sporadically appearing in the black and white anthology title Mystic in the 1960s. It began to appear regularly in Wham! from 1966 to 1968, then Smash! in 1968 and 1969, both titles published by Odhams Press . In 1972, the Fantastic Four's adventures were published starting with issue 1 of the US comic in Mighty World of Marvel alongside Spider-Man and Hulk reprints when Marvel Comics began its imprint Marvel UK . In 1976
4251-567: The FF's adventures from US Fantastic Four #1, but this was replaced by The Invaders towards the end of the run. In 1978 that series merged into Mighty World Of Marvel returning the FF to their original home alongside the Hulk . Their last adventure in that title was issue 329, when they were moved out so that the comic could be relaunched as Marvel Comic in early 1979. Their adventures briefly moved back into Spider-Man Comic before stopping shortly after John Byrne took over pencilling chores on
4360-912: The Golden Age to the Silver Screen for Taschen , a 700-page hardcover history of Marvel Comics. The following year, he compiled three volumes of World War II-era comics stories featuring Batman, Superman, and Wonder Woman for Chartwell Books . Thomas had a cameo appearance as a prison inmate on the third season of Marvel's Daredevil , released in October 2018 on Netflix , and wrote a blog entry about this experience. On November 10, 2018, Thomas visited Stan Lee at Lee's home in Beverly Hills to discuss Thomas' book The Stan Lee Story . Lee told Thomas' manager, John Cimino, "Take care of my boy Roy" before Lee and Thomas were photographed together. Lee died less than 48 hours later. On February 23, 2019, Jackson, Missouri , declared Roy Thomas Day. In
4469-727: The Invisible Woman, Mister Fantastic, Valeria and Franklin Richards to the Earth 616 for the first time since Secret Wars. A new volume of Fantastic Four was launched in November 2022 by writer Ryan North and artist Iban Coello, after Slott had concluded his run with issue #46. The first issue of The Fantastic Four proved a success, igniting a new direction for superhero comics and soon influencing many other superhero comics. Readers grew fond of Ben's grumpiness, Johnny's tendency to annoy others and Reed and Sue's spats. Stan Lee
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4578-696: The Justice Society involved most of the JSA battling the forces of evil while merged with the Norse gods in an ever-repeating Ragnarok -like Limbo was written by Thomas, with art by David Ross . Young All-Stars replaced All-Star Squadron following the changes to DC's continuity brought about by the Crisis on Infinite Earths limited series. Thomas' last major project for DC was an adaptation of Richard Wagner 's Ring cycle drawn by Gil Kane and published in 1989–1990. Since then, Thomas has written
4687-508: The Justice Society , Jonni Thunder a.k.a. Thunderbolt , Shazam!: The New Beginning , and Crimson Avenger as well as two issues of DC Challenge . From 1986 to 1988, Thomas contributed to the Secret Origins series and wrote most of the stories involving the Golden Age characters including Superman and Batman . In 1986, DC decided to write off the JSA from active continuity . A one-shot issue titled The Last Days of
4796-639: The Spider-Man spin-off title Marvel Team-Up in March 1972. Thomas, with Marvel writers and artists, co-created many other characters, among them Ultron (including the fictional metal adamantium ), Carol Danvers , Morbius the Living Vampire , Luke Cage , Iron Fist , Ghost Rider , Doc Samson , Valkyrie , Werewolf by Night , Banshee and Killraven . Thomas also co-created several characters based on pre-existing characters, including
4905-519: The X-Men, Iron Man, and the Silver Surfer), the Fantastic Four remained unpublished in France until 1973. Éditions Lug created a format aimed more for adults; an 80-page series called Une Aventure des Fantastiques debuted where the old series left off, with the stories that introduced the Inhumans and Galactus. That series lasted over 15 years, coming out four times a year. In the mid-1970s,
5014-542: The art team of penciler Gene Colan and inker Tom Palmer . As Thomas self-evaluated in a 1981 interview, shortly after leaving Marvel for rival DC Comics , "One of the reasons Stan liked my writing ... was that after a few issues he felt he could trust me enough that he virtually never again read anything I wrote – well, at least not more than a page or two in a row, just to keep me honest." Thomas eloped in July 1968 to marry his first wife, Jean Maxey, returning to work
5123-667: The characters are Das Ding (The Thing), Die Fackel or Die menschliche Fackel (The Human Torch), Die Unsichtbare (The Invisible One), and Mr. Fantastisch (Mr. Fantastic). Silver Surfer and She-Hulk retained their English names. Some early Williams editions refer to Dr. Doom as "Doktor Unheil". In one Williams publication Dr.Doom is also referred to as "Doktor Untergang". Later they call him by his original US name. Editoriale Corno initially published I Fantastici Quattro in Italy (first with Captain Marvel as backup feature, then rotating with other backup features). Star Comics published
5232-560: The co-writers of the JLA/Avengers intercompany crossover but editorial disputes between DC and Marvel caused the project's cancellation. During that era, Roy Thomas and Gerry Conway collaborated on the screenplays for two movies: the animated feature Fire and Ice (1983) and Conan the Destroyer (1984). The duo also worked on a live-action X-Men film for production company Nelvana that never went into production. As
5341-421: The couple of Charlton stories I'd written earlier in more of a Gardner Fox style, he wasn't too impressed," Thomas recalled. "It's probably a good thing I already had my job at Marvel at that point! I think I was the right person in the right place at the right time, but there are other people who, had they been there, might have been just as right." Thomas took on what would be his first long-term Marvel title,
5450-516: The credits and the logo were inadvertently left off due to a production glitch, resulting in this being left off most credit lists. Thomas' first Marvel superhero scripting was "My Life for Yours", the "Iron Man" feature in Tales of Suspense #73 (Jan. 1966), working from a Lee plot as well as a plot assist from secretary Steinberg. Thomas estimates that Lee rewrote approximately half of that fledgling attempt. Thomas' earliest Marvel work also included
5559-453: The dialogue. It was just black-and-white. Other people like Denny O'Neil and Gary Friedrich took it. But soon afterwards we stopped using it." The day after taking the test, Thomas was at DC, proofreading a Supergirl story, when Steinberg called asking Thomas to meet with Lee during lunch, where Thomas agreed to work for Marvel. He returned to DC to give "indefinite notice" to Weisinger, but Weisinger ordered him to leave immediately and "I
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#17328016323565668-560: The double E sound. When Aredit published a Fantastic Four appearance they kept the traditional US names. Generally speaking, their names in France were: Monsieur Fantastic (although Mister was often used as well), L'Invisible , La Chose , and La Torche . (Rarely was "Humaine" used in the French editions.) Dr. Doom was called Docteur Fatalis and She-Hulk was called Miss Hulk . " Die Fantastischen Vier " first appeared in Hit Comics ,
5777-543: The early 1960s. Enthusiasm for the rebirth of superhero comics during that period led Jerry Bails to found the fanzine Alter Ego , and Thomas, then a high school English teacher, took over as editor in 1964. Letters from Thomas appeared regularly in the letters pages of both DC and Marvel Comics, including Green Lantern #1 (August 1960), The Flash #116 (Nov. 1960), Fantastic Four #5 (July 1962), Fantastic Four #15 (June 1963), and Fantastic Four #22 (Jan. 1964). In 1965, Thomas moved to New York City to take
5886-511: The fact that your elevation to the position of editor-in-chief, in which you've obviously done a fine job, came at a time after I'd moved to the West Coast. Perhaps if we'd had more personal communication from 1977 to 1980, we could have come to some sort of agreement at that time or at least parted under more amicable circumstances. I leave it to you to decide if we should ever make any attempt to rectify that situation; certainly I've never been
5995-586: The feature was moved to star in Marvel UK's The Titans , in an attempt to revive flagging sales, starting with issue #27. But after just a few months the feature was removed from The Titans (replaced by The Avengers ) to form part of the line up of the new Captain Britain Weekly for its first issue in October 1976. After the demise of Captain Britain Weekly the FF went with Captain Britain into
6104-407: The finished stories, he and Sol started having me check the corrections before they went out, and that would break up my concentration still further. ... [and] they kept asking me to do this or that, or questions like in which issue something happened, or Stan would come in to check something, because I knew a lot about Marvel continuity up to that time. ... It quickly became apparent to them, too, that
6213-611: The first 102 issues plus an unfinished issue, partially published in Fantastic Four #108, with alterations, and later completed and published as Fantastic Four: The Lost Adventure (April 2008), Fantastic Four continued with Lee, Roy Thomas , Gerry Conway and Marv Wolfman as its consecutive regular writers, working with artists such as John Romita Sr. , John Buscema , Rich Buckler and George Pérez , with longtime inker Joe Sinnott adding some visual continuity. Jim Steranko also contributed several covers during this time. A short-lived series titled Giant-Size Super-Stars starring
6322-482: The first Man-Thing story in color comics, after Conway and Len Wein had introduced the character in the black-and-white comics magazine Savage Tales . Later that year, Thomas wrote the " Kree–Skrull War " storyline across multiple issues of The Avengers penciled variously by Sal Buscema , Neal Adams, and John Buscema . Thomas was the first person other than Stan Lee to receive a writer's credit for The Amazing Spider-Man , and he and artist Ross Andru launched
6431-589: The following issue, and Paul Pelletier succeeding McKone beginning with #544 (May 2007). As a result of the events of the " Civil War " company-crossover storyline, the Black Panther and Storm temporarily replaced Reed and Susan Richards on the team. During that period, the Fantastic Four also appeared in Black Panther , written by Reginald Hudlin and pencilled primarily by Francis Portela. Beginning with issue #554 (April 2008), writer Mark Millar and penciller Bryan Hitch began what Marvel announced as
6540-455: The hotel and – I wrote him a letter! Not applying for a job or anything so mundane as that – I just said that I admired his work, and would like to buy him a drink some time. I figured he just might remember me from Alter Ego ." Lee did, and phoned Thomas to offer him a Marvel writing test. The writer's test, Thomas said in 1998, "was four Jack Kirby pages from Fantastic Four Annual #2 ... [Stan Lee] had Sol [Brodsky] or someone take out
6649-527: The letters in a letter column with issue #3. With the third issue, Lee created the hyperbolic slogan "The Greatest Comic Magazine in the World!!" The following issue, the slogan was changed to "The World's Greatest Comic Magazine!" and became a fixture on the issue covers into the 1990s, and on numerous covers in the 2000s. Issue #4 (May 1962) reintroduced Namor the Sub-Mariner , an aquatic antihero who
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#17328016323566758-488: The mainstream version of the team lasted longer, ending in February 2010. Publication history in France started with the reprinting of the first 10 pages of Fantastic Four #50 in 1967 in an anthology title called Les Chefs-d'Oeuvres de la Bande Dessinée [Comic Book Masterpieces]. In 1974, the first four issues of the title were published, one page at a time, in the daily newspaper France-Soir . But primarily, rights to
6867-557: The merged Super Spider-man and Captain Britain Weekly in July 1977. A few months after the merger a new title The Complete Fantastic Four was launched in September 1977 starting with the story from the US Fantastic Four #133. Unusually The Complete Fantastic Four reprinted an entire issue of the US publication at a time when stories were always broken up into several installments. As a backup strip it started serializing
6976-416: The mid-1970s, then by Macc Division until 1980 and finally by Novedades Editores from 1980 to 1982 and French-speaking Canada as Les Fantastic Four , from 1969 to 1986, after which the title was merged with the Spider-Man title for three more years. Mexican translators were not consistent in their translations of the characters' code names; The Thing was called Coloso (Colossus) in the first series, La Mole in
7085-597: The newly formed Marvel France line in the late 1990s. Fantastic Four shared space in the Silver Surfer's own book until the Heroes Reborn storyline created their own title, supported by Captain America. "Fantastic Four" then appeared in the anthology "Marvel Legends" and currently appears in "Marvel Icons", sharing that title with the Avengers. Two different French companies held rights to Marvel Comics at
7194-460: The next ten years Thomas did less work for the mainstream comics press. For a series of independent publishers, he wrote issues of the TV-series tie-ins Xena: Warrior Princess , Hercules: The Legendary Journeys and The X-Files for Topps Comics . He also wrote for television, and relaunched Alter Ego as a formal magazine published by TwoMorrows Publishing in 1999. In 2005, he earned
7303-561: The notoriously difficult Weisinger, to a point, Thomas said in 1981, that he would go "home to my dingy little room at, coincidentally, the George Washington Hotel in Manhattan , during that second week, and actually feeling tears well into my eyes, at the ripe old age of 24." Familiar with editor and chief writer Stan Lee 's Marvel work, and feeling them "the most vital comics around", Thomas "just sat down one night at
7412-457: The novel, through issues #6–8 and 10–11 and Marvel Preview #8 ("The Legion of Monsters"), before Marvel canceled Dracula Lives and later many of its other black-and-whites. Anthem , a comic book series by Thomas and artists Daniel Acuña , Jorge Santamaria Garcia and Benito Gallego , about World War II superheroes in an alternate reality , was published by Heroic Publishing in January 2006. Thomas returned to Red Sonja in 2006, writing
7521-588: The one-shot Red Sonja: Monster Isle for Dynamite Entertainment . In 2007 Thomas wrote a Black Knight story for Marvel's four-issue miniseries Mystic Arcana . From 2007 to 2010, Thomas wrote adaptations of classic literature for the Marvel imprint Marvel Illustrated , including The Last of the Mohicans (2007), The Man in the Iron Mask (2007–2008), Treasure Island (2007–2008), The Iliad (2008), Moby-Dick (2008), The Picture of Dorian Gray (2008), The Three Musketeers (2008–2009), and Kidnapped (2009). In 2010, Marvel Illustrated released
7630-550: The original Fantastic Four series had continued unbroken, with issue #42 / #471 (June 2001). At the time, the Marvel Comics series begun in the 1960s, such as Thor and The Amazing Spider-Man , were given such dual numbering on the front cover, with the present-day volume's numbering alongside the numbering from the original series. After issue #70 / #499 (Aug. 2003), the title reverted to its original vol. 1 numbering with issue #500 (Sept. 2003). Karl Kesel succeeded Loeb as co-writer with issue #51 / #480 (March 2002), and after
7739-456: The power of the Beyonders from Doom, the Richards' family are working on travelling through and reconstructing the multiverse, but Peter Parker has purchased the Baxter Building to keep it "safe" until the team is ready to come back together. Writer Dan Slott and artist Sara Pichelli launched a new Fantastic Four series in August 2018 to commemorate the 56th anniversary and part of Marvel's " Fresh Start " relaunch. The new series returned
7848-478: The same time in the late 1970s and early 1980s. Éditions Lug (which eventually became Semic Comics ) published Fantastic Four , Spider-Man , X-Men , Daredevil , and Iron Man , and most related series, while Aredit held the rights to Avengers, Hulk, Thor, Captain America, Sub-Mariner and many of the 1970s-era modern series like Ghost Rider, Man-Thing, Power Man and the first She-Hulk series. Often, crossovers would force one company to publish another's title, i.e.
7957-458: The scales, in a dispute he seems ill-equipped to judge." In 2022, Thomas returned to write Wolverine, in the first two issues of a new Marvel Comics ongoing series called X-Men: Legends which tells new in-continuity stories of early X-Men adventures. Thomas's two-part story takes place right after The Incredible Hulk #181 and right before Giant-Size X-Men #1 and reveals a missing link mystery about Wolverine's costume. Thomas serves on
8066-432: The second and the third (which was the name used for The Hulk in the first series). The other three main characters had more stable translated names: Mister Fantástico (sometimes translated as Señor Fantástico), La Chica (or La Mujer) Invisible, and La Antorcha Humana. Dr. Doom was Doctor Destino and She-Hulk was La Mujer Hulk in her run in the Fantastic Four. In the movie, and in current appearances in Mexico, Mister Fantastic
8175-503: The series regular writer as of issue #570 with Dale Eaglesham and later Steve Epting on art. In the storyline "Three", which concluded in Fantastic Four #587 ( cover date March 2011, published January 26, 2011), the Human Torch appears to die while stopping a horde of monsters from the other-dimensional Negative Zone . The series ended with the following issue, #588, and relaunched in March 2011 as simply FF . The relaunch saw
8284-473: The series to address the complicated and sometimes contradictory continuity issues surrounding the JSA. In 1983, Thomas and artist Jerry Ordway created Infinity, Inc. , a group composed of the JSA's children. The characters debuted in All-Star Squadron #25 (Sept. 1983) and were launched in their own series in March 1984. Thomas wrote several limited series for DC including America vs.
8393-482: The series was on the verge of cancellation. While efforts to save it failed – the title ended its initial run with #66 – Thomas' collaboration with artist Neal Adams through #63 (Dec. 1969) is regarded as a Silver Age creative highlight. Thomas won the 1969 Alley Award that year for Best Writer, while Adams and inker Tom Palmer , netted 1969 Alley Awards for Best Pencil Artist and Best Inking Artist, respectively. Thomas and artist Barry Smith launched Conan
8502-482: The slumping title with his run. Originally, Byrne was slated to write with Sienkiewicz providing the art. Sienkiewicz left to do Moon Knight , and Byrne ended up as writer, artist, and inker. Various editors were assigned to the comic; eventually Bob Budiansky became the regular editor. Byrne told Jim Shooter that he could not work with Budiansky, although they ultimately continued to work together. In 2006, Byrne said "that's my paranoia. I look back and I think that
8611-403: The staff writer thing wasn't working, and Stan segued me over to being an editorial assistant, which immediately worked out better for all concerned. To that point, editor-in-chief Lee had been the main writer of Marvel publications, with his brother, Larry Lieber , often picking up the slack plotting of Lee-scripted stories. Thomas soon became the first new Marvel writer to sustain a presence at
8720-495: The strip. In March 1980 Marvel UK launched the monthly Fantastic Four Pocketbook reprinting older Lee and Kirby stories. In September 1980 their new adventures continued in the new weekly anthology title Marvel Team-Up , remaining in the comic until its cancellation with the edition dated 4 March 1981. From 1 April 1981, the Fantastic Four was part of a new title, Marvel Action , which only lasted 15 issues before it merged with Captain America (#21). The FF strip transferred to
8829-400: The super-team's appearances including the Human Torch solo series from Strange Tales . Roy Thomas Roy William Thomas Jr. (born November 22, 1940) is an American comic book writer and editor. He was Stan Lee 's first successor as editor-in-chief of Marvel Comics and possibly best known for introducing the pulp magazine hero Conan the Barbarian to American comics. Thomas
8938-537: The talents of comics creators such as Roy Thomas , John Buscema , John Byrne , Steve Englehart , Walt Simonson , Tom DeFalco , Mark Waid , and Jonathan Hickman . The Fantastic Four is one of several Marvel titles originating in the Silver Age of Comic Books that was continuously published through 2015 before returning to monthly publication in 2018. Magazine and comic book publisher Martin Goodman ,
9047-535: The team assume a new name, the Future Foundation , adopt new black-and-white costumes, and accept longtime ally Spider-Man as a member. In October 2011, with the publication of FF #11 (cover-dated Dec. 2011), the Fantastic Four series reached its 599th issue. In November 2011, to commemorate the 50th anniversary of the Fantastic Four and of Marvel Comics, the company published the 100-page Fantastic Four #600 (cover-dated Jan. 2012), which returned
9156-448: The team began in May 1974 and changed its title to Giant-Size Fantastic Four with issue #2. John Byrne joined the title with issue #209 (Aug. 1979), doing pencil breakdowns for Sinnott to finish. Bill Mantlo briefly followed Wolfman as writer of the series and wrote a crossover with Peter Parker, The Spectacular Spider-Man #42 (May 1980). Byrne wrote and drew a giant-sized Fantastic Four promotional comic for Coca-Cola , which
9265-444: The team comic The Avengers , had gotten approval for Reed and Sue to join that team after Engelhart had written them out of Fantastic Four . Yet by The Avengers #300, where they were scheduled to join the team, Simonson was told the characters were returning to Fantastic Four . This led to Simonson quitting The Avengers after that issue. Shortly afterward, he was offered the job of writing Fantastic Four . Having already prepared
9374-485: The team of writer Scott Lobdell and penciller Alan Davis , it went after three issues to writer Chris Claremont (co-writing with Lobdell for #4-5), penciller Salvador Larroca , and inker Art Thibert ; this team enjoyed a long run through issue #32 (Aug. 2000). Following the run of Claremont, Lobdell and Larroca, Carlos Pacheco took over as penciller and co-writer, first with Rafael Marín , then with Marín and Jeph Loeb . This series began using dual numbering, as if
9483-418: The team the Fantastic Four (created by Stan Lee and Jack Kirby ) and published by Marvel Comics , beginning with the original Fantastic Four comic book series which debuted in 1961. As the first superhero team title produced by Marvel Comics, it formed a cornerstone of the company's 1960s rise from a small division of a publishing company to a pop culture conglomerate. The title would go on to showcase
9592-569: The teen-romance title Patsy and Hedy #104–105 (Feb.-April 1966), and two " Doctor Strange " stories, plotted by Lee and Steve Ditko , in Strange Tales #143–144 (April–May 1966). Two previously written freelance stories for Charlton Comics also saw print: "The Second Trojan War" in Son of Vulcan #50 (Jan. 1966) and "The Eye of Horus" in Blue Beetle #54 (March 1966). "When Stan saw
9701-481: The temporarily renamed Marvel Action starring Captain America . The FF strip's last appearance was in Captain America #36, stopping in preparation for the comic's merger with another Marvel UK anthology title, Marvel Super Adventure the next week. After the cancellation of the Pocketbook in July 1982 the classic FF strips continued in the short lived Fantastic Four weekly title that ran from 6 October 1982 for
9810-463: The title had become stale with the normal makeup of Reed, Sue, Ben, and Johnny, so in issue #308 Reed and Sue retired and were replaced with the Thing's new girlfriend, Sharon Ventura , and Johnny Storm's former love, Crystal. The changes increased readership through issue #321. At this point, Marvel made decisions about another Englehart comic, West Coast Avengers , that he disagreed with, and in protest he changed his byline to S.F.X. Englehart (S.F.X.
9919-427: The title in the 1990s, followed by Marvel Italia. Character names are typically translated as "la Cosa" (Thing), "la Torcia Umana" (Human Torch) and "la Donna Invisibile" (Invisible Woman), while Dr. Doom is "Dottor Destino". Mister Fantastic, She-Hulk and Silver Surfer kept their English names. Also released in Italy was the series I Fantastici Quattro gigante , an oversized magazine reprinting in chronological order all
10028-469: The title to its original numbering and featured the return of the Human Torch. It revealed the fate of the character of Johnny Storm after issue #587, showing that while he did in fact die, he was resurrected to fight as a gladiator for the entertainment of Annihilus. Storm later formed a resistance force called Light Brigade and defeated Annihilus. As part of Marvel NOW! Fantastic Four ended with #611, ending Jonathan Hickman's long run on FF titles, and
10137-559: The title was relaunched in November 2012 with the creative team of writer Matt Fraction and artist Mark Bagley . In the new title with its numbering starting at #1, the entire Fantastic Four family explore space together, with the hidden intent for Reed Richards to discover why his powers are fading. Writer James Robinson and artist Leonard Kirk launched a new Fantastic Four series in February 2014 ( cover dated April 2014). Robinson later confirmed that Fantastic Four would be cancelled in 2015 with issue #645, saying that "The book
10246-453: The title's sales increased over the period. The ongoing series was cancelled with issue #416 (Sept. 1996) and relaunched with (vol. 2) #1 (Nov. 1996) as part of the multi-series " Heroes Reborn " crossover story arc. The yearlong volume retold the team's first adventures in a more contemporary style, and set in a parallel universe. Following the end of that experiment, Fantastic Four was relaunched with (vol. 3) #1 (Jan. 1998). Initially by
10355-575: The very occasional different inker, continued for years through #414 (July 1996). DeFalco nullified the Storm-Masters marriage by retconning that the alien Skrull Empire had kidnapped the real Masters and replaced her with a spy named Lyja . Once discovered, Lyja, who herself had fallen for Storm, helped the Fantastic Four rescue Masters. Ventura departed after being further mutated by Doctor Doom. Although some fans were not pleased with DeFalco's run on Fantastic Four , calling him "The Great Satan",
10464-473: The work of Lee and Jack Kirby , who is credited with co-creating many classic Marvel characters. Thomas stated, "Something like 95 percent of the time, [the book] is a very good biography. However, the remaining (and crucial) 5 percent of its content, scattered amid all that painstaking research and well-written prose, renders it often untrustworthy...i.e., a very bad biography. Because the author often insists, visibly and intrusively, on putting his verbal thumb on
10573-399: Was "one of the most painful stretches of [his] career." Writer-artist Walt Simonson took over as writer with #334 (December 1989), and three issues later began pencilling and inking as well. With brief inking exceptions, two fill-in issues, and a three-issue stint drawn by Arthur Adams , Simonson remained in all three positions through #354 (July 1991). Simonson, who had been writing
10682-477: Was 'staff writer'. I wasn't hired as an editor or assistant editor. I was supposed to come in 40 hours a week and write scripts on staff. ... I sat at this corrugated metal desk with a typewriter in a small office with production manager Sol Brodsky and corresponding secretary Flo Steinberg . Everybody who came up to Marvel wound up there, and the phone was constantly ringing, with conversations going on all around me. ... Almost at once, even though Stan proofed all
10791-445: Was Shooter trying to force me off the book". Byrne left following issue #293 (Aug. 1986) in the middle of a story arc, explaining he could not recapture the fun he had previously had on the series. Byrne was followed by a quick succession of writers: Roger Stern , Tom DeFalco , and Roy Thomas . Steve Englehart took over as writer for issues 304–333. The title had been struggling, so Englehart decided to make radical changes. He felt
10900-499: Was a star character of Marvel's earliest iteration, Timely Comics , during the late 1930s and 1940s period that historians and fans call the Golden Age of Comics . Issue #5 (July 1962) introduced the team's most frequent nemesis, Doctor Doom . These earliest issues were published bimonthly. With issue #16 (July 1963), the cover title dropped its The and became simply Fantastic Four . Kirby left Marvel in mid-1970, having drawn
11009-467: Was back at Marvel less than an hour after I first left, and had a Modeling with Millie assignment to do over the weekend. It was a Friday." His employment was announced in the " Bullpen Bulletins " section of Fantastic Four #47 (Feb. 1966) under the heading "How About That! Department" ("Roy's a fan who's made it!"). Thomas later described his early days at Marvel: I was hired after taking [the] 'writer's test', and my first official job title at Marvel
11118-445: Was canceled], we were selling in the low 40 percent range of more than 400,000 print run, so it was actually selling a couple hundred thousand copies [but] at the time you needed to sell even more." He eventually did have a Caribbean honeymoon, where he scripted the wedding of Hank Pym and Janet van Dyne in The Avengers #60 (Jan. 1969). Thomas, who had turned over X-Men to other writers, returned with issue #55 (April 1969) when
11227-501: Was composed of a team of superheroes. ... 'If the Justice League is selling', spoke he, 'why don't we put out a comic book that features a team of superheroes?'" The release of The Fantastic Four #1 (Nov. 1961) was an unexpected success. Lee had felt ready to leave the comics field at the time, but the positive response to Fantastic Four persuaded him to stay on. The title began to receive fan mail and Lee started printing
11336-459: Was enrolled at a parochial Lutheran school and attended St. Paul Lutheran Church in Jackson. As an adult, Thomas is "not religious" and has been described as a "lapsed Lutheran". He graduated from Southeast Missouri State University in 1961 with a BS in education, having majored in history and social science. Thomas became an early and active member of Silver Age comic book fandom in
11445-635: Was inducted into the Will Eisner Comic Book Hall of Fame in 2011 and into the Harvey Awards Hall of Fame in 2022. Thomas was born in Jackson, Missouri , United States. As a child, he was a devoted comic book fan, and in grade school he wrote and drew his own comics for distribution to friends and family. The first of these was All-Giant Comics , which he recalls as having featured such characters as Elephant Giant. He
11554-534: Was marked by a strong sense of continuity , and stories that ranged from the personal to the cosmic – the latter most prominently with the " Kree-Skrull War " in issues #89–97 (June 1971 – March 1972). Additional work included an occasional " Nick Fury, Agent of S.H.I.E.L.D " and "Doctor Strange" story in Strange Tales . When that title became the solo comic Doctor Strange , he wrote the entire run of new stories, from #169–183 (June 1968 – Nov. 1969), mostly with
11663-458: Was rejected by Coca-Cola as being too violent and published as Fantastic Four #220-221 (July–Aug. 1980) instead. Writer Doug Moench and penciller Bill Sienkiewicz then took over for 10 issues. With issue #232 (July 1981), the aptly titled "Back to the Basics", Byrne began his run as writer, penciller and inker, the last under the pseudonym Bjorn Heyn for this issue only. Byrne revitalized
11772-455: Was replaced by 1960s-era X-Men reprints when Marvel demanded the same royalties for Éditions Lug's original stories that they did for the US reprints. Eventually, a regular monthly series began publication in France, and the Fantastic Four took over the headlining position in the pocket format anthology Nova (sharing the title with Spider-Woman, Peter Parker, She-Hulk, and Silver Surfer) and lasted until Marvel began publishing its own titles under
11881-454: Was surprised at the reaction to the first issue, leading him to stay in the comics field despite previous plans to leave. Comics historian Stephen Krensky said that "Lee's natural dialogue and flawed characters appealed to 1960s kids looking to 'get real'". As of 2005, 150 million comics featuring the Fantastic Four had been sold. The Fantastic Four stories have been collected into several trade paperback and hardcover editions. As part of
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